08x13 - Everybody Hates h*tler

[bunniefuu]

EXT. COUNTRY ROAD – NIGHT

A person rides a motorcycle with a sidecar along a narrow road.

Vitsyebsk, Belarus

1944

Drums roll.

EXT. n*zi CAMP – NIGHT

The SOLDIER riding the motorcycle parks outside a large house with a n*zi banner. He approaches a SENTRY who is standing outside a smaller building.

SOLDIER

[raising an arm in a casual salute] Heil h*tler.

SENTRY

[speaks in German]

Subtitle: You're late.

SOLDIER

[speaks in German]

Subtitle: Don't blame me. It was the shoemaker's daughter.

The SENTRY hands the SOLDIER a pass.

SENTRY

[speaks in German]

Subtitle: Lucky bastard.

The SOLDIER walks past the SENTRY into the camp.

SENTRY

[speaks in German]

Get the clap.

The SENTRY tries to light a cigarette, but his lighter won't catch. Heavy footsteps approach and a shadow falls over the SENTRY, who looks up. The cigarette drops from his mouth and he screams.

INT. n*zi CAMP BUILDING – NIGHT

A SOLDIER looks out a window upon hearing the SENTRY's scream. He steps back in alarm as the SENTRY crashes through the window. The SOLDIER checks the SENTRY's body, but the SENTRY is dead. The SOLDIER sounds an alarm as heavy footsteps can be heard approaching.

CUT TO:

A n*zi OFFICER pours blood from a jar into a large bowl. He looks up as screaming is heard. A soldier writing in a ledger (SOLDIER 2) and RADIO OPERATOR also look up, and the RADIO OPERATOR removes his headset. SOLDIER 2 continues to write. Yet another soldier (SOLDIER 3) slides a table in front of the door. SOLDIER 2 closes the ledger and hands it to SOLDIER 3.

RADIO OPERATOR

[speaks in German, wearing his radio headset again]

Subtitle: The thing won't go down – it broke through the lines at the east gate.

SOLDIER 3 carries the ledger into an adjoining, well-appointed room where the n*zi OFFICER is standing behind a desk. He puts the ledger into a briefcase on a small table near the desk. Screaming and g*nf*re can be heard from outside the building.

RADIO OPERATOR

[speaks in German]

Subtitle: Commandant – it tore Richter in half!

SOLDIER 3

[speaks in German]

Subtitle: My god – what is it?

n*zi OFFICER

[speaks in German]

Subtitle: "It" is coming to k*ll you, soldier. I suggest you ready your w*apon. [He raises his voice.] All of you. Destroy it or die.

Three SOLDIERS tip a table on its side and stand behind it in a line, pointing their g*ns at the door. The n*zi OFFICER adds ingredients to the blood in the bowl.

n*zi OFFICER

[speaks in German]

Subtitle: Damn you, sorcerers of Abraham –

The SOLDIERS look at each other as heavy footsteps approach. The n*zi OFFICER lights a match and picks up a candle. The RADIO OPERATOR takes off his headset.

n*zi OFFICER

[speaks in Latin]

Subtitle: Cloaking flame, I ignite you.

The SOLDIERS fire as someone breaks in the door. A VERY LARGE MAN enters and the RADIO OPERATOR sh**t at him with his handgun. The VERY LARGE MAN lifts the RADIO OPERATOR out of his chair. The n*zi OFFICER lets wax from a candle drip into the bowl as the RADIO OPERATOR screams.

n*zi OFFICER

[speaks in Latin]

Subtitle: The fire born from blood leaves behind no man.

We hear the sound of bones breaking. Blood runs down the RADIO OPERATOR's body, which we see only from his shoulders down. The n*zi OFFICER adds another ingredient to the bowl.

n*zi OFFICER

[speaks in Latin]

Subtitle: Now vanish me into the night.

One of the SOLDIERS shouts in German and the three SOLDIERS fire as the VERY LARGE MAN approaches them. The VERY LARGE MAN's body is riddled with b*ll*ts, but he appears unaffected. He grabs one of the SOLDIERS and there is the sound of breaking bones. The n*zi OFFICER lights a match from the candle.

n*zi OFFICER

[speaks in Latin]

Subtitle: O fire of power and concealment.

One of the SOLDIERS falls to the ground and again we hear the sound of breaking bones. We see a close-up of the briefcase.

n*zi OFFICER

[shouting, speaks in German]

Subtitle: Tell your masters this thing is far from over.

As the VERY LARGE MAN approaches him, the n*zi OFFICER throws the lit match into the bowl and flames erupt. The VERY LARGE MAN knocks the briefcase off the small table. The n*zi OFFICER disappears and the flames engulf the desk and the briefcase. We see the face of the VERY LARGE MAN for the first time.

SUPERNATURAL (Title Card)

ACT ONE

EXT. BUNKER – DAY

The IMPALA pulls up outside a bunker.

Lebanon, Kansas

DEAN and SAM get out of the IMPALA and walk towards the entrance of the bunker, which is built into a bank. The bunker appears to be a two-story building above ground level.

DEAN

When's the last time somebody was in this place?

SAM

Sixty-five, seventy years ago.

DEAN opens The Box and takes out the key inside it. SAM and DEAN walk down a short flight of stairs to the door.

INT. BUNKER – DAY

DEAN and SAM enter and shine their flashlights over a railing at the level below them, revealing 1950s-style communications equipment.

DEAN

Son of a bitch.

SAM

Look at this. Ham radio, telegraph, switchboard. This was their nerve center.

DEAN

Henry did say that they ran dispatch on their own team of hunters. [He shines his flashlight on a table containing a chess board, ashtray, glass and a dirty coffee cup.] Wow. Halfway through their coffee and a game of chess – looks like whoever was manning the hub left quick.

SAM

On the alarm call that ended the Men of Letters.

DEAN opens a switch box on the wall and pushes a lever. Lights come on. DEAN pushes another lever.

SAM

Son of a bitch.

DEAN joins SAM downstairs and they walk to the doorway of a large, attractively furnished room with bookshelves, polished wooden floors and large wooden tables. "Get Thee Behind Me, Satan" by Ella Fitzgerald begins to play.

DEAN

Sammy, I think we found the Bat Cave.

CUT TO:

We see a close-up of a record playing.

♪ Get thee behind me, Satan

DEAN walks into the "Bat Cave" room, wearing a gray bath robe and slippers. Books are spread over the tables and SAM is leaning over reading from two of them.

DEAN

Morning.

SAM

Morning.

DEAN

The, uh, water pressure in the Letters' shower room is marvelous.

SAM

Yeah. I still can't figure out how we even have water... or electricity. [He walks to the shelves to get another book.]

DEAN

Yep, well, I am putting that under the "ain't broke" column. Listen, little brother, let's not go all geek on this stuff, okay?

SAM

"Geek"?

DEAN

Yeah. Yeah, I mean, don't – don't get me wrong. [He lifts a scimitar from a display stand.] This stuff is awesome, and it looks like they ran a real tight outfit here, but I'm just saying, you know, don't, uh, don't think that they knew some big secrets that we don't know.

DEAN strikes some poses with the scimitar while SAM's back is to him. As SAM turns, DEAN quickly straightens up.

SAM

Dean... they were a secret society.

DEAN

Which means that they made crap up and wore fezzes and sashes and swung around scimitars. They probably didn't even sharp– [DEAN runs his finger along the blade and cuts himself] That's very sharp. [He replaces the scimitar on the stand.]

SAM

Dean, look, I think we might have something here – something that could help us, help humanity. Henry certainly thought so. I mean, you know damn well we could use a break. What if we finally got one? [They look at each other for a moment, then DEAN looks away.] Are you gonna take off the dead-guy robe?

♪ He promised to wait

EXT. COLLEGE CAMPUS – DAY

Wilkes-Barre, Pennsylvania

INT. LIBRARY – DAY

An OLD MAN wearing a black hat walks up to a library counter where a LIBRARIAN is standing.

LIBRARIAN

Well, well... It's so late. I didn't expect you in at all.

OLD MAN

Three times I had to transfer the bus lines to lose him today.

LIBRARIAN

Right – your sinister friend.

OLD MAN

You don't believe me I'm being followed. Nobody ever does. So, yes, I would like to see, uh, [he reads from a notebook] manuscript FD113 from the Holtzinger estate.

LIBRARIAN

Oh, my. You're going to catalogue that whole collection for us, aren't you?

OLD MAN

If I have to.

CUT TO:

A WOMAN wearing white gloves puts a large box labeled "FD113" down on a table in front of the OLD MAN. He removes his black hat and is wearing a skullcap underneath.

OLD MAN

Thank you.

WOMAN

Um-hmm.

The OLD MAN puts on white gloves and opens the box. Inside is a red ledger. He runs his fingers down the first entries, then flips quickly through more pages before sitting back in his chair.

OLD MAN

Gottenyu.

CUT TO:

The OLD MAN puts the red ledger down on the library counter in front of the LIBRARIAN.

OLD MAN

This book – we need to protect it. This thing they put on me – he's too close! I can't take this ledger with me!

LIBRARIAN

Of course you can't. It's part of the special reference section, where it will be perfectly safe.

OLD MAN

Oh. Oh. Oh. I still have 10 minutes, yes?

LIBRARIAN

Eight minutes... before all materials must be returned to the main desk.

The OLD MAN smiles and speaks in German.

OLD MAN

Subtitle: I hope they pay you good to keep that bug up your ass.

EXT. COLLEGE CAMPUS – NIGHT

The OLD MAN leaves the library and looks around. A MAN is watching him from a distance.

INT. CAMPUS PUB – NIGHT

The OLD MAN makes a call on a pay phone in the pub.

EXT. CAMPUS PUB – NIGHT

A BESPECTACLED MAN IN A SUIT watches through the pub windows.

INT. CAMPUS PUB – NIGHT

VOICE ON PHONE MESSAGE

Leave a message after the tone.

OLD MAN (on phone)

Now, listen to me carefully. I got no time left. I found it! I found it! When you – when you follow me here, you – you – you're gonna need this number here – Q...

EXT. CAMPUS PUB – NIGHT

The BESPECTACLED MAN IN A SUIT watches.

INT. CAMPUS PUB – NIGHT

The OLD MAN slowly hangs up the phone. He walks towards the windows. As students watch, he smiles and calls out to the BESPECTACLED MAN IN A SUIT outside.

OLD MAN

Why so shy? Come in! Come in out of the cold! You'll have a cup of coffee with – with your old enemy. You n*zi piece of rubbish!

The OLD MAN begins to sizzle and smoke rises from his body. Students gasp in alarm.

OLD MAN

You n*zi pig!

The OLD MAN's skin burns and he is engulfed in flames. Students scream and run away.

EXT. CAMPUS PUB – NIGHT

The BESPECTACLED MAN IN A SUIT watches the fire, then turns to leave.

EXT. BUNKER – DAY

Two Weeks Later

The IMPALA is parked outside.

INT. BUNKER – DAY

DEAN enters, carrying a duffel bag. He calls out to SAM as he walks towards the "Bat Cave" room, where SAM is sitting in front of his laptop at a table.

DEAN

Hey!

SAM

Hey! So... how's Kevin doing?

DEAN

You know. He's okay, I guess. In his corner, hacking out his Da Vinci code – nothing actionable yet. [He takes a beer out of the refrigerator.] Garth says hi, by the way. Anything from Cas?

SAM

[smiles] No. Not – not a peep. Why? You?

DEAN

No, he's, uh – he's not answering.

SAM

Right. Well, uh, so I have been [DEAN sits down opposite him] trying to chart out the Letters' network of hunters, their allies, uh, affiliated groups they worked with, kept files on…

DEAN

Circa 1958?

SAM

Yeah. True. Uh, most are dead or defunct, but others – I'm not so sure, and this one... you should definitely check out. [He puts a file with the Aquarian Star symbol on it in front of DEAN.]

DEAN

The Judah Initiative?

SAM

European team – they were active during World w*r II.

DEAN

Really? Hunters fighting in a w*r – that's cool.

SAM

Not exactly hunters, n-not exactly fighting, but, uh...

DEAN

Rabbis? Rabbis? [SAM nods.] Really?

DEAN looks at a photograph of a group of men in the file.

SAM

The Letters' file on them is – is sketchy, but, apparently, they were hard-core saboteurs. So, I ran a search on the Initiative's entire roster, and I got a hit – one Rabbi Isaac Bass. He was 17 years old when he joined the Initiative and 85 years old when he d*ed... two weeks ago. [He turns his laptop towards DEAN.] In a college town back east, he was capped.

DEAN

"Capped"?

The headline of the Wilkes-Barre Monitor article on the laptop screen reads "Freak Accident on Campus."

SAM

Yeah. He was there doing research, and according to eyewitnesses, he spontaneously combusted.

DEAN

So… this is a case? [SAM raises his eyebrows and DEAN looks around the room as if he doesn't want to leave.] I just got back.

EXT. LIBRARY – DAY

The IMPALA stops for a moment and SAM gets out, then it drives off.

LIBRARIAN (V-O)

So you... worked with the late Rabbi Bass?

INT. LIBRARY – DAY

SAM, wearing jeans, a jacket and a vest, stands at the counter talking to the same LIBRARIAN who spoke to RABBI BASS.

SAM

I was a research associate of Rabbi Bass, yes. I'm trying to complete his last paper for publication. I'd just like to review what he was after here.

LIBRARIAN

Well, that would be quite a lot of material. He was here open to close for almost a week.

SAM

Wow. Um, how about just the stuff he was looking at... you know, the day he, uh... caught fire?

LIBRARIAN

Does shorten the list a bit.

INT. CAMPUS PUB – DAY

Two ATTRACTIVE YOUNG WOMEN in matching sports uniforms are sitting across a table from DEAN, who is wearing a suit.

ATTRACTIVE YOUNG WOMAN 1

He was a really nice old kook.

ATTRACTIVE YOUNG WOMAN 2

Really nice.

DEAN

Kook? How so?

ATTRACTIVE YOUNG WOMAN 2

You know, he'd talk a lot to us, to himself, to anyone who'd listen. He was always talking about this secret w*r that nobody knew was going on.

ATTRACTIVE YOUNG WOMAN 1

Conspiracy stuff – he was obsessed with Nazis.

ATTRACTIVE YOUNG WOMAN 2

But he said they were "Special Nazis." You know, necromancers.

DEAN

Necromancers?

A BEARDED YOUNG MAN carrying a fruity drink with a pink umbrella in it sits down at a table nearby. He appears to be watching DEAN.

ATTRACTIVE YOUNG WOMAN 2

Yeah, like from that world of whatever-craft that my little brother is always playing.

DEAN

n*zi... necromancers.

ATTRACTIVE YOUNG WOMAN 1

It's sad, isn't it – that old people have to go so crazy?

ATTRACTIVE YOUNG WOMAN 2

I know. It is sad.

DEAN

Hmm.

DEAN looks at the BEARDED YOUNG MAN, who is staring at him. The BEARDED YOUNG MAN smiles and raises a hand.

DEAN

You, um... [the BEARDED YOUNG MAN looks away] I'm sorry. You, uh, you both saw the accident?

ATTRACTIVE YOUNG WOMAN 1

I can still hear his screams.

ATTRACTIVE YOUNG WOMAN 2

It was like the fire was alive, like – like it was attacking him.

ATTRACTIVE YOUNG WOMAN 1

It was like watching the most awful movie of the most terrible thing you could possibly see.

ATTRACTIVE YOUNG WOMAN 2

It was like that.

DEAN

Yeah.

DEAN looks at the BEARDED YOUNG MAN again. After meeting DEAN's eyes for a moment, the BEARDED YOUNG MAN looks down.

INT. LIBRARY – DAY

A woman pushing a trolley leaves SAM at a table with the box labeled "FD113." SAM, who is wearing white gloves, opens the box and takes out "The Explorer's Guide to North American Birds."

INT. CAMPUS PUB – DAY

DEAN holds up his FBI badge to the BEARDED YOUNG MAN.

DEAN

Special Agent Bolan.

DEAN puts his badge on the table and the BEARDED YOUNG MAN looks at it.

BEARDED YOUNG MAN

Oh, really? Wow. I thought you were like a headhunter or something. [He laughs.]

DEAN

This is the second, maybe third time I'm seeing you today? Why you following me, Gingerbread?

BEARDED YOUNG MAN

Oh, so we, um... we didn't have a thing back there, huh?

DEAN

Back where? W-what, now?

BEARDED YOUNG MAN

I'm sorry, man. I – I thought – I thought we had a thing back at the quad, you know – a little "eye magic" moment, and I saw you here [DEAN picks up his badge] and I figured I'd wait until you were done with your meeting and then maybe we might, uh...

DEAN

Yeah. Uh, okay, but no – uh, no moment. This is a... federal investigation.

BEARDED YOUNG MAN

Is that supposed to make you less interesting? No. I – I'm sorry, man. I hope – I hope I didn't freak you out or anything.

DEAN

No. No. I – I'm n-not freaked out. It's just a, you know... a federal thing. It's, uh... Okay… [his phone rings] citizen. As you were.

DEAN walks away.

BEARDED YOUNG MAN

You have a good night.

DEAN

You – you... [ he turns back to the BEARDED YOUNG MAN and bumps into a table, causing glasses to knock against each other] have a – okay.

DEAN leaves the pub.

EXT. CAMPUS PUB – DAY

DEAN answers his phone.

DEAN (on phone)

Yeah.

SAM (on phone, V-O)

Hey.

EXT. LIBRARY – DAY

We see SAM from a distance, as if through the eyes of someone watching him.

SAM (on phone)

Hey. So I, uh, looked into the rabbi's research. It doesn't make a lot of sense –

SAM pauses and looks around. The camera shifts as if the person watching him ducked behind a corner.

SAM (on phone)

Um, bird watching.

The scene alternates between DEAN walking away from the campus pub and SAM walking away from the library.

DEAN (on phone)

Huh. Well, uh, the two very hot co-captains of the women's volleyball team agree that the rabbi's death was very unnatural. I think we still got a case.

SAM (on phone)

That would explain why I have something stuck to my shoe.

DEAN (on phone)

You being followed?

SAM (on phone)

Yeah, I think so.

DEAN (on phone)

That's weird. I thought I was being followed earlier. Turned out to be a gay thing.

SAM (on phone)

What?

DEAN (on phone)

Nothing. You need a hand?

SAM (on phone)

Yes, please. Got someplace quiet?

DEAN (on phone)

Visitors' parking – the boonies. I'll park in the back. 30 minutes.

EXT. VISITORS' PARKING AREA – NIGHT

SAM walks to the trunk of the IMPALA. He fumbles the keys, deliberately drops them to the ground and crouches down to pick them up. DEAN walks up behind a LARGE MAN, who crouching in the bushes watching SAM.

DEAN

Hey, pal.

The LARGE MAN stands up, towering over DEAN, and we see that he is the VERY LARGE MAN from 1944.

DEAN yells as he goes flying through the air. He crashes into the IMPALA, breaking a side window, and falls to the ground.

SAM

Dean?

DEAN groans. The VERY LARGE MAN steps out of the bushes and heads for SAM, who opens the trunk of the IMPALA and takes out a machete. SAM swings the Kn*fe at the VERY LARGE MAN and it gets stuck in his forearm. DEAN rolls over onto his front on the ground and raises his head to watch. With an effort, SAM pulls the Kn*fe free. The VERY LARGE MAN grabs SAM by the throat and lifts him off the ground.

MAN'S VOICE

Stop.

The VERY LARGE MAN lets go of SAM. The BEARDED YOUNG MAN from the campus pub walks up.

DEAN

Oh, my spleen. Ahh!

SAM

What... the hell... is that?

BEARDED YOUNG MAN

He's a Golem. Well, he's my Golem.

SAM

Right.

With a grimace, DEAN flops onto his back.

ACT TWO

INT. HOUSE – NIGHT

The BEARDED YOUNG MAN opens the door. The GOLEM pushes him aside and walks past him into the house. The BEARDED YOUNG MAN, DEAN and SAM follow.

BEARDED YOUNG MAN

The rabbi who was m*rder*d, Isaac Bass – he was my grandfather. That's why we're here. When you guys started to follow up on his case, we started following you.

The GOLEM paces the room.

DEAN

So, wait. What you're saying is that you and me – we, uh, didn't have a moment?

RABBI BASS' GRANDSON

No, man. I was tailing you.

DEAN

[to SAM] Told you I was being followed. He was my gay thing.

[to RABBI BASS' GRANDSON] It was really good. You really had me there. It was very smooth.

RABBI BASS' GRANDSON

Yeah, well, smooth is just about all I got. [The GOLEM looks at him.] What?

The GOLEM grunts.

RABBI BASS' GRANDSON

Yeah, that's right. Keep walking... you Chia Pet.

The GOLEM makes another noise.

SAM

So, that's a Golem?

RABBI BASS' GRANDSON

Yes. Shaped from clay and brought to life by rabbis to protect the Jewish people in times of – I don't know – general crappiness.

SAM

And he's yours?

RABBI BASS' GRANDSON

Hardly. My grandfather left him to me. I'm the last surviving descendant of the members of this... thing, this... Initiative.

SAM

The Judah Initiative?

RABBI BASS' GRANDSON

Right, and he –

GOLEM

[directly behind SAM and DEAN, growling] Who?! [DEAN and SAM jump and look around in alarm.] Who are they to know about the men of Judah?

DEAN

It's okay.

EXT. HOUSE – NIGHT

The BESPECTACLED MAN IN A SUIT watches through the windows.

INT. HOUSE – NIGHT

DEAN

We are the good guys.

SAM

W-we're hunters, uh – Sam and Dean Winchester. We know about The Judah Initiative because our grandfather was a Man of Letters.

GOLEM

Yes. The rabbis knew the Men of Letters.

EXT. HOUSE – NIGHT

The BESPECTACLED MAN IN A SUIT watches through the windows.

INT. HOUSE – NIGHT

RABBI BASS' GRANDSON hands beers to DEAN and SAM.

DEAN

Thank you.

SAM

Thanks.

RABBI BASS' GRANDSON

Take a seat. So... your grandfather was into all this supernatural stuff, too?

DEAN

Yeah, grandparents, mom, dad, truckload of cousins – the whole family was lousy for it, but we... [he looks at the GOLEM, which is still pacing] never had a Golem.

SAM

Right. Yeah. We, um, we grew up in it, but you... didn't?

RABBI BASS' GRANDSON

My grandfather's adventures, the Initiative, the Golem, the w*r – they were the stories that he told me when I was a kid. I thought it was make-believe. So did my parents – you know, fantasies to help him cope with all the horrible stuff he'd seen, but every once in a while, crazy old Grandpa Bass would come back by on one of his trips, hand me a $20 savings bond, and say, "one day, you'll inherit the mantle." Sure enough, a few days after he d*ed, this big box shows up at my apartment. He always said I'd know what to do. Which was crap, because when I opened that box, this big, naked, potato-faced lunatic wakes up and goes crazy!

We see the scene briefly from outside the house as the GOLEM looks out the window.

GOLEM

I didn't... go crazy.

RABBI BASS' GRANDSON

You trashed my entertainment center! And my water bed.

GOLEM

This boy knows nothing, observes none of the mitzvahs, labors on Sabbath, dines on swine.

RABBI BASS' GRANDSON

Everybody loves bacon!

GOLEM

He's no rabbi. Yifalchunbee!

RABBI BASS' GRANDSON

[holds up a hand] Oh, don't start with that stuff again.

GOLEM

Yifalchunbee!

RABBI BASS' GRANDSON

Enough! Please! Quiet time!

The GOLEM resumes pacing around the house.

SAM

All right. What was that? What was he saying?

RABBI BASS' GRANDSON

It's Hebrew for something like "take charge," but I have no idea what he means. Look, I grew up in Short Hills. I cheated my way through Hebrew school. I never really listened to my grandfather, what he was saying.

DEAN

So, wait – he just sends you this – this Golem and expects you to work it out?

RABBI BASS' GRANDSON

He didn't get much chance to prepare me, I guess. My parents – they did everything they could to prevent him from screwing me up with all his crazy talk. See, after the w*r, my grandfather spent the rest of his life trying to track down something he called the Thule Society.

SAM

The Thule Society. Right. They were Nazis.

DEAN

n*zi necromancers.

RABBI BASS' GRANDSON

N-necro-who?

SAM

Uh, necromancer – uh, witches, sorcerers, dark magic, mostly with dead people.

RABBI BASS' GRANDSON

[uncertainly] Okay. All I know about the Thule is that they were this twisted, secret fraternity, hell-bent on world domination, that sponsored the early days of the n*zi Party. My grandfather said The Judah Initiative was started to fight them.

GOLEM

And the Thule m*rder*d your grandfather, boy. Find them so I can do my work! [He smashes a side table.]

RABBI BASS' GRANDSON

Hey! Hey! We're renting here! Renting.

The GOLEM walks into the kitchen.

RABBI BASS' GRANDSON

Look... I think my Golem's right. My grandfather – he left me this message on my machine the day he d*ed, and he said that he had found something that the Thule were willing to k*ll him for. He said he was hiding it here in plain sight. He left me this weird – I don't know – equation. [He takes a piece of paper out of his pocket.] It's not a phone number or an address or coordinates – Q-L-6-7-3-W-3-8? [He hands the piece of paper to DEAN.]

DEAN

Is it a combination? [He hands it to SAM.]

SAM

Oh, it's a call number. Library of Congress – their filing system. They use it in college libraries. Uh, Q-L-6-7-3 – that... that's sciences. Uh... birds, I'm guessing. Let's go.

SAM heads for the door. DEAN smirks at RABBI BASS' GRANDSON.

EXT. LIBRARY – NIGHT

INT. LIBRARY – NIGHT

SAM, DEAN, RABBI BASS'S GRANDSON and the GOLEM enter the library. DEAN is holding lock picks.

RABBI BASS' GRANDSON

What, do you two just break in wherever you go?

DEAN

Yeah, well, our dad wanted us to have a solid career to fall back on, just in case this hunter thing didn't pan out.

SAM reads a directory sign on the wall. Sciences are on Level 2.

SAM

Okay, so if I'm right, then I think your grandfather switched manuscript FD113 out of the archives. I'll be right back.

SAM runs up the stairs. DEAN sits down to wait at the bottom of the stairs.

CUT TO:

SAM walks past bookshelves on Level 2 and finds the section he's looking for. Just as he takes the red ledger off the shelf, he is hit at the top of his jaw with a dart. He pulls it out with a grunt. The skin turns a dark purple and he winces, groans and blinks as if his vision is blurring. He staggers back against the bookshelf behind him, then starts to unsteadily walk away with the ledger.

BESPECTACLED MAN IN SUIT

I owe you thanks. [He steps out from behind a bookshelf.] The rabbi got me this far, but you... [the picture blurs as we see him through SAM's eyes] took me all the way. Now, give me the ledger.

SAM kicks a trolley at the BESPECTACLED MAN IN A SUIT and staggers away.

SAM

Help! [DEAN looks around at SAM at the top of the stairs.] N-necromancer!

DEAN

[to RABBI BASS' GRANDSON] Stay here!

DEAN runs up the stairs as SAM falls on a landing partway down the stairs. DEAN sees the large purple bruise on SAM's jaw and neck.

DEAN

Crap.

A dart hits RABBI BASS' GRANDSON in the chest.

RABBI BASS' GRANDSON

Aah! Aah.

DEAN

Crap! [to the GOLEM] Hey, big guy, they're both gonna die unless we get whoever cast the spell.

The GOLEM runs up the stairs as DEAN crouches with a hand on SAM's back.

DEAN

[to SAM] Come on. Come on. [He helps SAM up.]

CUT TO:

The GOLEM walks past bookshelves on Level 2. The BESPECTACLED MAN IN A SUIT is hiding at the end of one of the bookshelves.

CUT TO:

DEAN touches SAM's face where the dark purple discoloration is spreading. RABBI BASS' GRANDSON lies on his back on the floor, breathing shallowly.

CUT TO:

The GOLEM walks along bookshelves on Level 2. A dart hits him in the side of the face. He pauses and removes it.

CUT TO:

DEAN removes the dart in RABBI BASS' GRANDSON's chest.

CUT TO:

The GOLEM reaches a hand forcibly through the shelves, knocking books out of the way. He grabs the BESPECTACLED MAN IN A SUIT and pulls him hard against the shelves.

CUT TO:

DEAN looks up at the noise.

CUT TO:

The GOLEM knocks the BESPECTACLED MAN IN A SUIT against the shelves again, then lets him drop to the floor.

CUT TO:

DEAN points his g*n up the flight of stairs. The GOLEM drags the BESPECTACLED MAN IN A SUIT partway down the stairs. SAM's eyes are closed. The GOLEM drops the BESPECTACLED MAN IN A SUIT on the landing. The (no longer bespectacled) MAN IN A SUIT raises his head.

MAN IN SUIT

Long live the Thule.

The GOLEM breaks the MAN IN A SUIT's neck. The discoloration on SAM's face and neck fades and he opens his eyes.

DEAN

Or not.

ACT THREE

EXT. – NIGHT

We see a close-up of one of the IMPALA's headlights. RABBI BASS' GRANDSON takes a deep breath and sits up in the back seat. The GOLEM is standing next to the IMPALA. RABBI BASS' GRANDSON puts a hand to his chest where he was hit with the dart.

RABBI BASS' GRANDSON

Oh... man.

GOLEM

The Men of Letters healed you. They saved your life.

SAM and DEAN are standing with shovels next to piles of dirt. A body wrapped in a sheet lies on the ground. They toss the shovels down.

RABBI BASS' GRANDSON

What are they doing?

GOLEM

Burying the necromancer.

DEAN and SAM pick up the body and drop it into the grave.

DEAN

That's like a bag of Legos. The Golem destroyed this guy.

SAM

Yeah. So, uh...Thule Society necromancers aside, what's our contingency plan on that?

DEAN

You mean how do we "oh, no!" Mr. Bill over there?

They pour accelerant over the body.

SAM

I mean, I'd like to think we could if we had to. Unless you think Aaron can get a handle on him.

As AARON (RABBI BASS' GRANDSON) watches open-mouthed and the GOLEM watches impassively, DEAN tosses a lit match into the grave.

AARON

Oh, my God. These guys are psychopaths.

SAM warms his hands over the fire.

INT. AARON'S HOUSE – DAY

DEAN enters carrying a tray of coffees. SAM and AARON are at the table. SAM is using a German to English translator on the laptop. The English translation reads "May 12, 1944. The Commandant has been informed that group one has responded favorably to the latest trials. Proceed w–"

DEAN

What'd you find out?

SAM

I think it's a log-book from a n*zi compound in Belarus. [DEAN sets coffees in front of SAM and AARON.] It was run by the Thule.

AARON is reading the ledger.

AARON

This is the red ledger. [DEAN joins them at the table.] It was lost in the fire that destroyed the compound, but my grandfather was convinced it had been found after the w*r.

SAM

Well, it describes the horrible experiments [the GOLEM walks into the room] performed on the camp's population. Magical experiments.

GOLEM

More horrible than words.

SAM

You were there, weren't you? At the camp?

GOLEM

I was made in the ghetto of Vitsyebsk to tear that hell down. I broke its walls, its men. The commandant burnt the place to ash around me.

SAM

Okay, um, w-what does it mean when – when you tell Aaron to take charge?

GOLEM

The boy would know... if he could consult the pages.

DEAN

Pages? W-what pages?

AARON

When I was – when I was bar mitzvahed, my – my grandfather gave me this little old book. It was in Hebrew. It was like an owner's manual for a Golem.

DEAN

Okay. Great. Get that, then.

AARON

I – I can't, exactly. When I went to high school, I sort of... drifted. I started getting off the academic track, and, uh, I kind of, um... I kind of smoked it.

GOLEM

The boy smoked the pages.

AARON

They were these thin, vellum-y pages. I mean, it was perfect for rolling. Look, they were driving instructions for a clay man. Okay? It was nonsense. Right? I mean… I... Okay. All right. Look, I'm sorry, okay? Why can't you just tell me what I don't know?!

GOLEM

[slamming his hands onto the table and leaning over it] It's not my place to guide the rabbi, to teach the teacher! It's not my place! Yifalchunbee!

The GOLEM walks into another room.

DEAN

That's not super-comforting, got to say.

AARON nods. DEAN gets up and walks to the sink.

SAM

So, as far as I can tell, these experiments – the Thule were murdering Jews, gypsies – just about anybody and everybody – [DEAN eats something] then trying to magically reanimate them. They were trying to figure out a way to bring their own dead back to life... which I'm guessing they figured out because – this. [He turns pages of the ledger.] This last page is a roster of every dead Thule member who was reanimated.

AARON

This is why they k*lled my grandfather?

DEAN

Anything in there on how to k*ll it?

SAM

Apparently, they experimented with that, too. Um – headshot. But, if you don't burn the body within 12 hours, it reanimates again.

DEAN

n*zi bastards.

EXT. LIBRARY – DAY

A black car pulls up outside the library. The DRIVER opens the rear door for a MAN WEARING A RING bearing a design with a sword and four crosses.

INT. LIBRARY – DAY

The MAN WEARING A RING and the DRIVER walk up the stairs.

CUT TO:

The MAN WEARING A RING walks among the shelves. The DRIVER walks up to him and speaks with a German accent.

DRIVER

The security camera's hard drives have all been wiped. Are you sure he's been m*rder*d?

MAN WEARING A RING

[also in a German accent] Torvald was k*lled here, but not by a man. I'd know more, but his ghost was forced to depart before it could tell me. They knew enough to burn his remains.

The MAN WEARING A RING takes a book from the shelves and finds some clay underneath it.

DRIVER

Blood?

MAN WEARING A RING

Clay. Torvald kills the Initiative's last rabbi, and now the Golem of Vitsyebsk kills him.

INT. AARON'S HOUSE – DAY

DEAN puts a duffel bag down on a table.

DEAN (on phone)

No, no, Garth, not a tool society – "Thule" – T-H-U-L-E. Yeah. All right. Call me if you find anything.

DEAN hangs up. SAM is using the laptop at the table.

DEAN

All of Garth's contacts are stumped. Nobody on the circuit's ever even heard of the Thule Society. [He takes off his jacket.] Whoever these people are, they've been flying beneath the hunter radar. Anything?

SAM

Nothing solid. I mean, the lore is all over the place. Uh, according to one legend, um, it can be shut down if you erase one of the letters off its forehead.

DEAN

I didn't see any letters on Clayface.

SAM

Exactly. So, side-burner that. Another one – [SAM reads from an article about Golem from a website titled "Ancient Lore"] "some have a scroll in their mouth you're supposed to rip out."

DEAN

Wouldn't that give him some sort of a lisp or something?

SAM

Well, classically, they're not even supposed to speak. We do know that he took on an entire camp full of heavily armed German soldiers and Thule necromancers and won.

DEAN

One badass Hummel figurine.

SAM

That we have no idea how to put back in the box.

DEAN

Great.

AARON comes into the room.

AARON

So, that's your plan – taking out my Golem?

SAM

It's not a plan.

DEAN

We would just feel a lot better if we knew how. That's all.

AARON

What makes you think you have any right to make that decision?

DEAN

Believe me, if we need the right, we will take it.

AARON

Look, he may be a pain in the ass, but he's my responsibility.

SAM

Look, the Golem was built to go to w*r. You're not trained for that. How are you gonna take that on?

AARON

I don't know.

A MAN IN A SUIT kicks in the front door. DEAN grabs AARON and pushes him back. SAM hides the red ledger under a leather bag in the corner. DEAN tries to grab his g*n from his duffel bag, but the MAN punches DEAN and sends him flying to the ground. The MAN points a g*n at SAM. Another MAN hauls AARON up by his clothing. The GOLEM charges into the room, growling. He overturns a table, grabs one of the MEN, and chokes him.

MAN WEARING A RING

Enough! There you are… [the GOLEM drops the MAN he was choking] you grim piece of work… [the GOLEM turns to face the MAN WEARING A RING] after all these years.

GOLEM

Eckhart.

ECKHART

[holding out a hand towards the GOLEM and speaking in Latin] Subtitle: Clay of Adam, surrender your bond unto me!

The GOLEM stands still and his shoulders sag. ECKHART pats him on the shoulder as he walks past him towards AARON, SAM and DEAN.

ACT FOUR

INT. AARON'S HOUSE – DAY

The MAN pointing a g*n at SAM pushes him against a wall. Another MAN points a g*n at DEAN, who is still on the floor. SAM slides down the wall to sit on the floor, holding up his hands. ECKHART walks to the GOLEM, who is standing motionless.

ECKHART

I command you by the covenant of your makers – Clay of Adam, surrender your bond onto me!

The GOLEM opens his mouth and a small scroll falls into ECKHART's hand.

ECKHART

[to AARON] So, you are the Golem's rabbi? [He reads the scroll.] You woke him... but you didn't take possession of him. You write your name on the scroll, boy. That's how you... Yifalchunbee.

AARON

I didn't know what he meant.

DEAN looks at a g*n in his jacket, which is just out of reach.

ECKHART

Knowledge is power, isn't it? [He strikes AARON across the face and AARON falls back against the wall.] Now, which of you is going to tell me where I can find a certain red ledger?

One of the MEN looks through a chest in front of the bed.

SAM

How about you screw yourself, n*zi bastard?

ECKHART

Can we... Could we put the n*zi thing aside for the moment and just talk about this like –

DEAN

n*zi necromancer dicks? Pass.

SAM

So I take it you're the commandant? The one that authorized all those experiments?

ECKHART

Invented... those experiments, thank you.

SAM

So, what about you? I mean, you're not... undead. So what did you do? You cast a "forever 21" spell on yourself, like your little friend at the library?

ECKHART

His name was Torvald. And you will suffer for that.

One of the MEN finds the red ledger under the bag in the corner.

DEAN

You know, I got to say, spell or no spell, he broke easy, so...

The MAN hands the red ledger to ECKHART, who flips through it.

ECKHART

I'm sorry. So… Let me tell you what I see. A magic Jew at my feet, not a master in sight, and, finally, [he holds up the ledger] our secrets secret once again. Which reminds me of a story. "A Jew, two gentiles, and a Golem walk into a bar" – and it doesn't end with them coming out.

AARON smashes ECKHART with the piece of wood. SAM dives for the g*n in the leather bag and DEAN for the g*n in his jacket. They sh**t the two MEN who were pointing g*ns at them. The third MAN drags AARON towards the door, but suddenly drops AARON and runs out the door. ECKHART gets to his feet.

ECKHART

Fools! You can k*ll me. But you will never k*ll all the Thule.

SAM and DEAN sh**t ECKHART in the head in unison.

DEAN

Well, that's a start. [to AARON] You okay?

AARON

Yeah. Yeah.

The camera focuses on ECKHART's ring-bearing hand and the scroll, which has dropped to the floor. Blood drips nearby, presumably from ECKHART's g*nsh*t wounds.

ACT FIVE

INT. AARON'S HOUSE – NIGHT

The GOLEM is still standing near the door with his mouth open. We see light from car headlights through the window and a few moments later AARON, DEAN and SAM enter.

DEAN

Well, now we know – paper beats Golem, fire beats undead n*zi zombie freaks.

SAM

So... What do you say, Aaron? I mean, we got a place we can keep him.

AARON

No. I mean... Eckhart might be dead, but you heard him. The Thule are still out there... hidden, active. [He unwinds the scroll and looks at the last name on it.] That's my grandfather. He left me something important. [He takes a pen out of his pocket.] Something only I can do.

AARON writes his name on the scroll, then rolls it up and places it in the GOLEM's mouth. The GOLEM breathes deep and straightens his shoulders. He turns to face AARON.

AARON

It looks like I'm the Judah Initiative now.

GOLEM

Yifalchunbee.

AARON

B-but I thought I did.

GOLEM

Yes. [He bows his head to AARON.]

DEAN looks at SAM and AARON looks up at the GOLEM.

EXT. BUNKER – DAY

The IMPALA is parked outside.

INT. BUNKER – DAY

"Sunny Side of the Street" by Frankie Laine plays. SAM takes a card from a drawer and walks towards the table as DEAN comes into the room.

DEAN

What're you doing?

DEAN opens the refrigerator as SAM sits down.

SAM

Ordering – I'm making a, uh, card entry for our, uh, copies from the Thule's red ledger for our collection.

DEAN looks down at the beers in his hand, looks at SAM, and then puts the beers back into the fridge.

DEAN

So, uh, what? Aaron's a J.I., and... you're a Man of Letters now? Is that it?

♪ Just direct your feet

♪ on the sunny side of the street

DEAN pours scotch from a decanter on one of the bookshelves.

♪ can't you hear that pitter-pat?

♪ that happy tune is yours now

He sets a glass down in front of SAM.

DEAN

Good.

SAM looks up at DEAN.

♪ Life can be oh-so sweet on the sunny side

♪ of the street

SAM picks up his glass and sniffs at it. DEAN sits down on the opposite side of the next table and puts his feet up. SAM and DEAN tilt their glasses towards each other and drink. DEAN leans his head back contentedly and SAM goes back to writing.

END

Source : SuperWiki