Good morning, guys.
Good morning.
Have you heard of Batman?
Yes.
Just checking and just kidding.
Of course you've heard of Batman.
So I have had the honor of getting invited to speak all over the world to tell the story that you're about to hear.
And everywhere I go, whether it's Tanzania in Africa or Chile in South America or Hong Kong or Thailand or the United Arab Emirates, everywhere I go, I show that symbol, and I have not been to a school anywhere in the world where someone doesn't know it.
Now don't worry if you're not interested in superheroes because I've done this many times, and I can guarantee everyone here, including staff, that you will walk out of this room in an hour with a different perspective than you have right now, I guarantee it.
On every Batman story since the first in 1939, there was only one name in the credit line.
"Batman created by Bob Kane."
Here he is.
And here's the thing about that credit line:
It is not true.
The reason I do explain why that I like superheroes is a little bit pat, and it maybe is a little bit disingenuous because I wasn't thinking like this as a kid.
But I do like stories of selflessness and I like stories of sacrifice, and superheroes sacrifice something on a daily basis.
Superheroes are not doing this to get paid or praised, and it is not about them.
They are doing something for the greater good, then they disappear into the night.
The notion of that is so rare in real life.
I mean, we know so few people that can afford to be selfless.
As a six-year-old, I wasn't thinking like that, even as a 12- or 15-year-old.
I just liked a good story, a good adventure, and I still do, so it was a combination of those things, this purity of purpose and then just a great cliff-hanging, rollicking adventure.
Here is the Batman section.
One, two, three, four full... almost full shelves.
And compare that to Superman.
Not knocking Superman, but just looking at the reality.
Here's Superman up to about there.
Batman is not only the most identifiable and recognizable and famous and beloved superhero, but he is one of the most recognizable fictional characters of all time.
Can take almost any Batman book off the shelf and open to the title page.
"Batman created by Bob Kane."
Bob, for the few people who come from another planet, who may not know what you do, what is it that you're known for?
You've got to be kidding.
I am, of course.
Bob Kane is the original cartoonist of Batman and the man who has been credited on Batman for most of Batman's history.
When I was 18, I tripped across a character called Batman.
Bat... how do you pronounce that?
Batman? B-A-T-man.
It was called "Batman by Robert Kane."
In 1938, two gangly kids from Cleveland, Ohio sold an idea for a character named Superman.
Superman was a huge influence on Bob Kane, not the creative side, the financial side.
So I thought of, yeah, "How much money is Siegel and Shuster making?"
They were the creators of Superman.
And in those days, in '39, they were making $800 apiece a week.
When Bob Kane found out how much money the Superman creators were making on a weekly basis which was $800 at the time, he went to an editor at National.
He said, "Listen, Bob, can you do another superhero?"
I said, "For that kind of money", you'll have it on Monday."
For that kind of money, you'd be the superhero.
Boy, you better believe it.
I'll steal it somewhere.
And I went home, and lo and behold I thought about all my childhood heroes when I was a kid and my world of fantasy.
And on Monday, I came up with a very crude drawing of Batman.
And the rest is history that Batman...
Batman is my claim to infamy.
Well, like most adults that like superheroes, my interest started when I was a kid.
I just never outgrew it.
And that began a passion that I had most of my life.
I had a little gap in adolescence when I had to distance myself from things that could get in the way of girls and life, but for the most part, I've stuck with superheroes my whole life.
I am an author of books for young people, and some of them are books for all ages.
And I've written about 75 books.
This is my first-ever book.
The Felix Activity Book.
Tour de force, I'm sure you remember it well from 1996.
And then here's the epic sequel, Felix Explores our World.
I think the recurring theme of my nonfiction is untold stories.
Boys of Steel.
Biography of Jerry Siegel and Joe Shuster, creators of Superman.
There are sometimes tragic stories behind these iconic characters.
Marc loves to bring out the story behind a story, so he goes deep, and he's also very persistent also as a human being.
You got two toothpastes because you didn't know if I wanted fluoride or not?
Yeah. Because they just announced that fluoride is a toxin now.
I know that.
I told you all along.
It's in the water, it's in the toothpaste.
No, I know it's there, but that doesn't mean it's a toxin. Oh, you're filming us?
I definitely feel sometimes that I'm not only married to a writer, but also even more so a detective.
When I decided to write a book on the story behind Batman, it hadn't been done yet.
Whenever you start a research project, you can't possibly know how much or how little you're going to find.
In this case, I was going into the Batman book knowing that there were secrets that hadn't been widely discussed, but I had no way to know it was a lot more than that.
So this story, for me, was uncovering a big superhero secret that should have been blown wide decades ago.
In New York in 1965, was the first official Comic Con, and the reason that this is considered the first official Comic Con is because it was the first time that professionals showed up, not just fans in a hotel basement with some back issues.
This was historic, this was a big deal.
They didn't know it at the time, but it was a big deal.
There were 200 of us at that Comic Con.
And this place was so sketchy.
And we got there, and my mother freaked when she saw where we were.
There was literally a guy drunk, unconscious on the floor in the lobby, and roaches on the walls, and she just said, "We're out of here, we're leaving."
The hotel itself, a few months later, actually, much of it collapsed.
Luckily, it didn't do so while we were in there, but none of us was particularly surprised to hear that the Broadway Central had collapsed.
My mom finally said, "Okay, we'll stay," and you can go up to this comic book convention, "but don't touch anything."
And as we went through the bar, we saw Otto Binder sitting there at the bar with another guy drinking.
And we go in and we sit down on the stools.
And he goes, "What are you boys drinking?"
We ordered our Cokes.
And Otto turns to me and Bob, he said, "Boys, how would you like to meet" the creator of Batman?"
And, like, our jaws dropped, our eyes had to be wide open, and we figured we were going to meet Bob Kane, which was the only name we ever saw on a comic book, it was always in a box with a big "O" for Bob.
And Otto said, "Fellas, meet Bill Finger."
So in 1965 at this Comic Con, in this dingy hotel in New York, Bill Finger made what is probably his first and maybe his only public appearance, and he appeared on a panel with three other comics' creators.
At this panel, Bill was introduced by the moderator whose name was Jerry Bails.
And perhaps we'll hear some...
Jerry was the fan, who in 1964 or so, figured out that it could not be just this one guy, Bob Kane, writing and drawing every Batman story every month.
So Jerry did some detective work of his own.
He wrote letters to DC Comics saying, "Who's really doing all this?"
And in those days, companies would write you back with a personal letter.
And the name that he saw more than any other was Bill Finger.
So in 1965, Jerry wrote a two-page article which was called "If the Truth Be Known,".
"A Finger in Every Plot!"
And this was obviously way before the internet, so his way of spreading the word was he made copies of this and sent it out to Batman fans all over the country.
And that's when... the controversy erupted.
Bill was given a forum to tell his story where we could finally become familiar with all these characters and books that he wrote over the decades.
It was the first thing that, in writing, really gave Bill Finger credit for the co-creation of Batman, and it was about time.
That fateful Friday in 1939 when Bob told his editor that he would be able to come up with a superhero over the weekend, he apparently did go home that day and work on a character which he called "Batman."
Bob's idea for Batman was a character in a red union suit, basically red tights, a domino mask which is a little mask like what Robin wears now, stiff wings attached to the arms, and, as far as we know, nothing more, no other distinguishing elements.
And he had enough sense to know that this was not good enough, and he knew who to call.
Bill Finger.
They get together.
They're huddling over this drawing, and Bill looked at the red suit and said, "This is not suitable for a creature of the night.
"He's got to be darker," so he said, "Let's darken the whole costume."
He looked at the little mask and said, "This is not going to intimidate criminals."
Let's cover most of his face with a cowl and put pointed ears on it, so that he actually looks like his namesake.
The stiff wings are not practical for obvious reasons, so let's ditch the wings and give him a cape with a scalloped edge which will fly out behind him
"and look like wings."
You set the tone of this character's essence from his visuals before you know a thing about his personality and his mission.
So that was all Bill.
Bill reconstructed Batman into the Batman that we all know today.
Bob apparently went to the company on Monday morning with this sketch.
Did not mention that there was anyone else involved, and said, "This is my idea."
I have been told, although I've never been privy, of course, to the contract, that that contract included specifically a stipulation that Batman would hereafter be listed as the sole creation of Bob Kane.
Bob went back to Bill and presumably said, "Great news, they want to buy Batman," so you'll write it and I'll draw it, and my name will be on it because I sold it, of course, "and I'll give you a portion of what I get paid."
Nothing was signed, as far as we know, but it was something that they mutually agreed on.
So Bill was not credited at all from the beginning, and within a couple of months, Batman was on the newsstands.
Batman debuted in '39 and, essentially, it was from 1939 to 1965 where Bill was anonymous.
It's one thing for Bob Kane in 1939 to take full credit for Batman when Bill Finger agreed to it, but where the story changes dramatically is in the '60s when Bill is coaxed out.
At that point, Bob had a decision to make.
"Am I going to own up to this or am I going to deny it from my position of power?"
He had a chance to take, obviously, the high road or the low road, and he took the way low road.
When Jerry's article about what Bill Finger had done on Batman came out, of course it made Bob Kane go ballistic the minute that he saw it, so he went to the editor of Batmania and he wrote half a dozen pages of diatribe.
Obviously, Bob Kane did not want.
Bill Finger's story told and took tremendous offense at it.
"Here, for the first time," straight from the horse's mouth, is the real inside story about myself and Batman.
It seemed to me that Bill Finger has given out the impression that he and not myself created the 'Batman' as well as Robin and all the other leading villains and characters.
"This statement is fraudulent and entirely untrue!"
There was one man's word against the other.
There was no reality show documenting the birth of Batman, of course.
It was two guys in an apartment in the Bronx in 1939 when most people had much bigger things to worry about than who's coming up with this guy dressed as a bat?
"The truth is that Bill Finger is taking credit" for much more than he deserves, and I refute much of his statements here in print.
The fact is that I conceived the 'Batman' figure and costume entirely by myself.
I created the title, masthead, the format and concept, "as well as the Batman figure and costume."
I don't think that Bob Kane ever wanted anything out in writing that would admit that anybody else had a hand in creating anything for Batman.
His whole myth, his contract with DC, his name on the stories all owed to the fact that he was the creator of Batman.
When Bob chose to respond to Bill's coming out by writing a letter denying Bill's involvement to that degree, Bob was, in effect, changing the course of his life with this letter.
He was saying, "I'm going to have to stick" to this story forever."
We're all born with a natural creative potential.
Every man has it and every woman.
The idea is to find out what that is.
And it's like a little birdie tells you and whispers in your ear, it's an intuitive thing.
No one can tell you that but God.
And I knew I had that when I was eight or ten that I wanted to be a famous cartoonist.
Bob Kane was a kid from the Bronx, and he was an artist with big dreams.
He was a go-getter and he was working for the company that would become DC Comics which at that point was called National Periodical.
Bob and Bill met at a party.
They didn't know each other previous to that even though they went to the same high school.
And Bill was a shoe salesman.
He had aspirations to become a writer.
I said, "Why don't you try writing" for the new comic book?"
Bob was already working in comics, drawing stories, and Bob could immediately sense that Bill was good with narrative, had good ideas.
It sounds like they were very different types of people, but I think what they had in common was their love of the new medium of comics.
In the early days, really, it was Superman that brought the comic book publishing industry out of this mire of reprints of comic strips.
It was very much kind of a fly-by-night industry.
You had a comic publisher which is maybe a couple guys at a couple desks in a couple of rooms in Midtown somewhere, and what they largely did is they farmed out the actual production of comic book stories to what were known as "shops."
You had guys just laying down the pencil artwork, you had inkers and finishers that were then putting permanent artwork on top of that.
There were people doing paste up, there were people adding word balloons.
Bob Kane and Bill Finger were, in effect, a sort of shop.
Bob was the only one dealing with the publisher directly.
Kane had his name on the Batman stories, but he didn't tell anybody about Bill Finger, and, of course, you assumed that he had done the whole thing, and I think that's just the way Bob wanted it.
From a corporation point of view, they contract Bob Kane, Bob Kane is supposed to deliver pages to them, and that's all they cared about.
They're going, "I don't care how you build it," right, just, "I need it built every 30 days" because we've got a publishing deadline coming here."
So in order to meet the demands of the hungry audience and feed the machine and earn money by cranking out as many different Batman titles as possible, they would hire ghost writers back in the day.
Bob Kane would get credit for the story.
He'd hand it in, "Here's my Batman story."
They're like, "Bob, you're a genius," and, you know, that's how the industry worked for a long, long time.
Most ghost artists or ghost writers were there just to execute the vision or the work directive of the guy hiring them.
They weren't there to sort of create new concepts.
But because Bill Finger was there at the beginning, he wasn't just a ghost writer.
He wasn't just the guy that was brought on later on when Batman was already running and successful and all the tropes were in place.
Bill Finger basically created all those tropes, but in the actual work hierarchy as just a ghost writer.
I had never researched a person to this extent.
I mean, this became such a quest, and there just seemed to be such a higher moral obligation to this.
You know, this is 700 pages of information on a subject that some people told me at the beginning, "There's nothing more to learn about Bill Finger."
I did feel this calling to do this.
Especially with something as phenomenally successful as Batman, how could this not have been so well-known?
The first panel of the first Batman story, just setting up this mysterious, foreboding character says, "His identity remains unknown."
Obviously that's Bill writing about Batman, but it ended up being a prophesy because Bill was Batman's secret identity.
When I started the research on this project, there were only two known photos of Bill in circulation.
It was either him with a baseball cap in profile or him golfing, half in shadow and not that close.
From seven sources over nine months, I ended up finding 11 more photos of Bill.
He was interviewed only a few times, so for a man of Bill's impact to have only these few recorded interviews in existence is just staggering, so the first time was Jerry Bail's in 1965 and then for the 1970 book History of Comics.
And it turns out that in 1972, a man in California named Robert Porfirio interviewed Bill on audio.
It took a while, but eventually we actually did find this audio recording...
Testing, one... do you want to say something, or...?
Yeah, sure.
How are you?
Which was one of the more emotional moments I would say, for me, because it was the first time that I heard Bill's voice.
To write this book, I spoke to more than 250 people.
Of that number, a handful, maybe a dozen, knew both Bill and Bob personally.
Two of the creators that were hugely helpful and impactful in this process were Jerry Robinson, one of the earliest Batman ghost artists, and Carmine Infantino.
He was the artist that redefined.
Batman's look in the '60s, and Carmine went on to become the publisher of DC Comics for a time in the '70s.
He was genius, literally genius.
I believe that.
I know Bob tried to take credit for everything.
He should have been credited as co-creator of Batman.
He said, "I'd like to get some ownership."
No, he didn't say, he said, "I'd like to get" a piece of that because I did it."
So, but then he said, "I can't afford a lawyer, and they know that," quote, "They know that."
They told me in, you know, in no uncertain terms, that they thought Bill Finger was deprived of his legacy.
He is the Batman, Bill was.
Everything you would think that's good, that's Bill.
They take away their humanity when you take away their credit.
Basically both of them said, "Without Bill, there'd be no Batman."
It's that simple.
And that's because Bill did the following:
Bill Finger was the dominant creative force and original writer of Batman, Robin, the Joker, Catwoman, the Riddler, the Penguin, the Scarecrow, Commissioner Gordon, Bruce Wayne, and d*ck Grayson.
He named Gotham City.
He nicknamed Batman "The Dark Knight."
He was the first person to write a story with the Batmobile and the Batcave called those things.
He wrote Batman's origin.
It was just a two-page story, but it was seismic.
This eight-year-old boy sees his parents m*rder*d right before his eyes and makes a vow that he will not let this happen to other people.
I mean, the guy built this world.
He kept what he called the "gimmick book."
He would fill that up with story ideas, and he would just sometimes take a bus around the city to get inspired.
He would just notate and just be an observer.
He would do extensive research for scripts.
He would attach clippings for the artists so that they would have reference.
He thought very visually.
He thought cinematically.
He would write these big, epic scenes.
One of the things that he's best known for was writing stories with oversized props, so Batman and Robin fighting on top of a giant typewriter with some criminals, and this stuff was just wildly fun and inventive to look at.
He had a hero who looked like a villain.
He had a superhero who was also a detective.
He was smart, he wasn't just using brawn, he was using brains too.
Bill took all this and put it in a crucible and mixed it together and brought this deeper sense to stories that up to that point were considered somewhat frivolous.
The aspects of the character, man, that Bill brought to it, like the notion of a little boy in the city with his parents who get gunned down, and at a young age, that's what he's going to take with him for the rest of his life.
And the dude is just a human being who's just a guy.
That's it, got no superpowers.
He's got some pretty nifty things in his belt and stuff, but he's relentless.
He's a creature of passion.
It's a character that kind of keeps you reaching.
It's a character that people build their moral compass upon, or, "That's my guy."
That's what makes Batman so beautiful.
You don't get there without Bill Finger, man.
Week after week, the Caped Crusader copes with the tricky traps of vicious villains.
The breakout culturally, as well as simply in the ratings books, was the 1966 Batman television series.
See the Dynamic Duo dangle from new heights of danger.
Careful, Robin, it's quite a drop.
This was not the dark and serious creature of the night as created by Bob Kane and Bill Finger.
It caused quite a stir in what was the beginning of the pop art phase of America's culture.
Be with Batman and Robin twice weekly in color, of course, on ABC.
Starting with the debut of the Batman TV show in 1966, Bill and Bob's trajectories diverged even more starkly than ever before.
You know, Bob was just going up, up, up, and Bill was really plummeting.
The TV show changed Bob's life dramatically because that's where he got a big payout for Batman which made him wealthy.
You stopped drawing the comic book in the '60s, and what happened, did you sell the rights then?
No, it wasn't that, when I stopped drawing, I never sold all the rights.
I own a piece of the Batman.
And so you still have...
You still have a copyright on Batman?
Well, everyone wants to know that, don't they?
I'll let you figure it... I'll let you figure it out.
I answered it before, a piece of it.
A piece of it, okay.
It's a pie.
It's a pie that's cut up.
After the Batman TV show, Bob was able to parlay that into some degree of celebrity without being directly involved.
He was in full-on peacock mode displaying himself as Batman's real-life alter ego.
He wanted to be famous, right?
I mean, which was odd because most creative people in our industry just... they did it for the creative reasons because they were just manic artists.
But I got a sense outta Mr. Kane, that it was like a plan and, "Oh, I got to do artwork" to get the quasi-celebrity," which was sort of reverse engineering from what most of us do.
We just go, "We do art, and oh, by the way", people think we're famous, oh, cool."
And then I started painting Batman oils and I have other non-Batman art, and I've had shows all over the world with my art.
So he starts doing a series of Batman lithographs, and he's pushing these lithos as his, and, again, he's got another ghost artist who's, you know, actually doing these lithographs.
Bob made his careers by having other people do the work and putting his name on it.
That was his... That was his strategy.
It was Bob Kane's pictures you saw in magazines and newspapers.
It was about Bob Kane's art gallery showings.
Bob became one of the first-ever comic book celebrities.
The Batman TV show did almost nothing for Bill.
The significance of it was that Bill was the only writer from comics who wrote an episode of the TV show.
Actually, the Batman show that he co-wrote with his friend named Charles Sinclair was his only published Batman credit.
We did a Batman TV thing, and "The Clock King's Crazy Crimes," thank you very much.
And Bill thought of all kinds of gimmicks for clocks and time.
When we got confirmation that we had sold to Batman, Bill was kind of digging his toe in the sand and hemming and hawing, and I knew he had something on his mind.
Finally, I said, "Come on, Bill", what the hell's on your mind?
There's something eating you.
"What is it and how can I help you?"
Well, it was the billing on the show.
Bill said, "Could I just this once get top billing?"
I said, "Sure, why not?"
Bill Finger, at that point in time, had a little black-and-white TV set.
I said, "Bill, you've got to see this thing"
"in color," you know.
So I called a friend at ABC, and we went and sat in a client viewing room... and saw this Batman thing, Bill and I, on a big color set.
Bill was thunderstruck, you know?
I don't know if he actually had any tears running down his cheeks, you know, but I think he came pretty close.
Bang, he saw his name, you know, top billing in color on a big TV screen.
I mean, this was like the high point of his creative life.
Most of the Golden Age writers began to be phased out by the middle and latter '60s at DC.
A new era of talent were coming in, fans who were becoming the new writers of comic books, the new artists of comic books, and people from the original generation were finding it harder and harder and harder to adapt.
The company was saying, "Just because they may have" co-created or written these characters back in the '40s, "we need young, fresh blood."
Who cares if Bill Finger writes Batman?
There seemed to be a lack of respect for his body of work.
I mean, that's how some people would interpret it.
This was not just a guy who created a character that we've used a few times.
This is a guy who created an entire world that we are milking to the bone.
So I can't even imagine what he felt.
He spent the rest of the '60s writing, but not Batman, not even comics.
He wrote carpentry articles, he ended up writing for the Army Pictorial Center.
So he was always struggling for money.
He was under strain, I think he was skimping on medications.
I don't think he was eating well, and he was sliding, and I couldn't do too much about it.
He was just getting by and slogging through and watching his character get bigger than ever before and being more detached from it than ever before.
My very first comic convention was the 1973 New York City July 4th Com Convention at the Commodore Hotel, and the keynote speaker of that convention was Bob Kane, and I was a Batman fan!
And I remember standing in the back of this packed ballroom where Bob Kane was a little speck in the distance on the stage.
But what do I remember hearing?
"I created Batman, I created Robin, I created the Joker, I created the... ".
"I, I, I, I, I..." that's what I remember.
And the thing is is that we didn't know at the time, but Bill Finger was still alive in the summer of '73, probably on his last legs.
So what really upsets me about Bob Kane is that right up until the time Bill Finger d*ed, his friend and partner who co-created Batman, that gave Bob Kane a living and notoriety for the rest of his life, he allowed to die penniless and unknown.
And for that, there is no forgiveness for Bob Kane.
In the early '70s, Bill did begin to write for comics again and for DC.
He began to write mystery stories, and he had two stories due on a Friday, he turned in only one and went home, presumably to finish the second one.
This was January 18th, 1974.
He was living alone in Manhattan in a small apartment in the same building as Charles.
On this particular day, I had not heard from Bill for like a couple of days, and I'm carrying a duplicate key for his apartment.
I went to the apartment, and he was behind in his rent.
The landlord had eviction notices on his door.
I used my key and went in.
I walked up to him.
He had a blanket like pulled up to about here.
I pulled it down.
Looked, looked, and looked, you know.
No movement, nothing, you know?
And I reached down, shook his shoulder.
Nothing.
Poor Bill had d*ed alone with his little television set going on.
I thought, you know, what a...
Kind of a sad little end.
The world has lost a very interesting guy.
So when I asked Charles.
"What happened to Bill after he d*ed?"
Charles said, "Marc, I don't think we want to talk about that."
And I said, "You're probably right."
I know it's difficult, but I do have to ask."
And then Charles said that he thought that Bill was buried in a potter's field.
It's a graveyard of unmarked graves.
People that don't have someone to take care of them.
Homeless people... I mean, it's desperately, desperately sad.
The medical examiner report says, "natural causes, no family, no history," which of course was referring to his medical history, but when you read that now, textually, it's eerie because this medical examiner had no idea the immensely significant history that this man had.
So when I heard that, I just thought, you know, just on a human level we've got to do something for this guy.
There are so many fans who clamber for justice for the creators.
I think in the end it takes more than this amorphous mass of fans.
There has to be one person who steps up and leads the charge.
When I started this project, I was already a published author.
I wanted to tell another good story.
And then when I learned how much there was to reveal about Bill's life and how much more we could do on his behalf, it became not only a book but a crusade.
My goal became getting Bill's name on Batman, to get this man the credit that will never go away, that will hang over all of this.
I had a couple of people that said, "What you are trying to do will never happen."
This is a contractually bound line that's been in place for 70 years, so what are you going to do about it?
"What is any one person going to do about it?"
And I said to myself, "I have no idea, but I'm going to try."
Here it is, Poe Park.
So this is Poe Park in the Bronx.
This is where Bill and Bob would come and brainstorm ideas for stories.
They would sit on park benches here and discuss Batman.
I had no idea that I would be doing this kind of digging.
This is the apartment in which Bill was living in 1965 when he was interviewed by Jerry Bails.
He's also very righteous, and he wants to, you know, he wants to do right in the world, and so he is driven.
Bill Finger was the co-creator of Batman.
And I am pretty sure that he was living here at the moment that he created Batman, so I think he was living in one of these three units, and I'd love to see inside if you could show it.
The parallel was not lost on me that Bill made Batman a detective, and I was a detective in pursuit of Bill's legacy.
That was part of the fun of it.
How did you find this out?
I did a lot of research.
I actually went through the New York City phone book every year from 1930 to 1974 looking for my guy, and this is where it started.
It became addictive.
I felt like, if I found this big thing that wasn't known, there's probably more.
When I started the research, we knew this much:
Bill's wife was named Portia, they were married sometime in the 1940s.
I believe that their marriage fell apart in the '50s.
To try to legally contest a credit line, you need an heir.
That was my goal was to find an heir, so very early in my Bill Finger research, I learned that Bill had a son named Fred.
I was super pumped that day because I thought it's going to take me less than a day to find Fred Finger, and it took me less than a day to find out that Fred was Bill's only child, Fred was gay, and Fred d*ed in 1992, which to me implied that he was the end of the Finger family, that there was nobody left.
And while I'm writing a book to tell a good story and tell an important story, at the same time my goal was to do what I could to see Bill's name added to Batman, but I knew that to do that, you need to be an heir and there wasn't one.
So I was then going to look for anybody who might have had some connection to this man.
Apparently when you are doing detective work, you find yourself doing things that you wouldn't expect yourself to do.
For example, I called every Finger in the phone directory, which was 500 names asking if they were related to Bill Finger.
Not a one was.
I staked out the apartment building that Portia, Bill's first wife, lived in at the end of her life.
I figured there could still be people in the building who knew her.
Next thing I know, I'm sitting in an apartment with two lovely women in their 70s who are in their nightgowns at 6 o'clock at night telling me stories about Portia.
When I didn't know how to reach people that knew Fred, I posted fliers in community centers targeting the gay and lesbian community saying, "Does anybody remember Fred Finger?"
It was actually a flier with the little pull-off things, you know, "I know Fred Finger" with my phone number.
Yeah, it's crazy.
Bill Finger was a charming guy, but he was not, I think, a forceful guy.
He was making his own way, and it was kind of permanently on the outside looking in a bit.
At some point, Charles said that Bill and Portia divorced and Bill was dating other people, and in the late '60s, he had a lady friend named Edith Simmons.
That was what Charles said, "a lady friend."
I discovered that Edith was more than just Bill's lady friend, she was his second wife.
Someone that nobody in comics had ever heard of.
He was a very amiable, pleasant, and easy-going man.
He had a good sense of humor, he... do you want me to tell you about the things he was interested in?
She was, along with Charles, the two biggest finds up until that point...
The two people that I thought would ensure that this was the first real version of Bill Finger that we would get to know.
He was interested in a lot of things.
He loved ballet, for instance, I loved it.
We went together.
He was very knowledgeable about theater, about movies.
He was proud of being a very, very good comic book writer.
There are several heroes, in my opinion, in this story.
When Lyn, his second wife, learned that they were making a big budget Batman movie, which would become Tim Burton's 1989 Batman movie, she tried to get Bill credit in that movie.
This time it is to the big screen.
Warner Brothers is spending millions to bring millionaire Bruce Wayne and his alter ego to life.
Is this a gamble for the studio?
Will Batman pay off?
Will there be bat hysteria?
When the first Batman movie was coming out, my mother got very concerned that Bill was getting no credit for it.
Estimates are that the final price tag for the Warner Brothers movie will be in the 30 to 50 million dollar range.
I thought he should get some credit on the screen, and I tried to get in touch with the managers or whoever it was to tell them that Bill should get credit.
We weren't interested in suing, because we weren't seeking money, we were just seeking credit for Bill.
I really dealt with the legal department a couple of times.
They weren't disagreeing with Bill's co-creating Batman, there was no disagreement there.
They just didn't want to get involved in something they didn't have to do that might open up some liability issues for them.
They, I would say, politely declined.
That long-awaited 41 million dollar film, Batman, got an old-fashioned kickoff last night when it premiered in Los Angeles.
Thousands of fans, many of whom waited all day outside the theater in Westwood, welcomed the scores of stars who turned out for the opening.
So of course the Batman movie was a juggernaut.
Batman owned 1989.
Are all those people waiting now?
You're kidding!
It's Batmania this summer.
Everyone wants to see this movie.
That movie was stratospheric.
I've been reading comic books since I was six years old.
They couldn't have done this movie any better.
Day by day, there are more and more signals that a phenomenon is emerging.
There is even a 1-800-BATMAN number in here to get your merchandise to you faster.
1989 is when Batman moved from just another superhero to a fictional character that everybody knows.
At our first Batman premiere in 1989, Bob showed up in like this black velour bat cape.
Bob was fun, and Bob was a showman.
He loved the attention, he reveled in the attention.
My autobiography came out, Batman & Me.
At the height of the movie of Batman One, it sold 250,000 copies.
That's the cover of me.
That's the first Batman I drew in 1939.
Doing the book was interesting.
I helped design the book and rewrote a lot of the book based on a lot of interviewing I did with him.
I interviewed him for hours.
For me, the most significant passage is on page 44, when Bob writes, "Now that my longtime friend" and collaborator is gone, I must admit that Bill never received the fame and recognition he deserved.
"He was an unsung hero."
"I often tell my wife," if I could go back 15 years before he d*ed, I would like to say, quote, 'I'll put your name on it now.
"You deserve it.'"
I remember when I read that, and several other people told me they had similar reactions.
They were just dumbstruck, I mean, it was just like... It's one of those things that'll just stop you when you're reading it if you know anything about the situation because you are looking at a book written...
Allegedly written... By the person who is totally responsible, or almost totally responsible, for the fact that poor Bill Finger never got the credit he deserved for Batman.
He did have regrets at the end about Bill not getting credit.
Never sufficient regret to fix it.
I don't think he would've ever put Bill's name on the strip at that time.
It opens a legal can of worms when he told me that, which he wouldn't have wanted to get into, because then it wouldn't...
It would be not only credit but money.
The other especially notable thing about Bob's book is this series of sketches, which are dated January 17th, 1934.
Yeah. He has these drawings that he says were stashed away as a kid and wasn't sure whether to make it into a bird or a bat, and he said that when he was creating this new superhero, he remembered these drawings he had made in 1934 in this trunk, and he went to get them and this gave him the inspiration for making a character into a bat.
Wow.
I don't think that's ever been corroborated that that's an actual 1934 document.
I mean, somebody should do a Shroud of Turin investigation on those 1934 sketches.
I mean, right away, the date alone, it's like you're telling me that at the dawn of the comic book itself, which was created in 1933, before there were superheroes, obviously, you're telling me that you created a Batman-like character, Bob Kane.
Looking at the drawing from 1934, he's wearing a cowl, and his original Batman drawing didn't have a cowl.
It also... there's a bat emblem on it.
The bat emblem was suggested by Finger.
These are not haphazard sketches.
These are something put together by someone retrospectively trying to talk about how they came up with this character.
In this case, for a man to say, "Bill created a costume," but here's my drawing of the same costume
"five years before."
There's just no way to look at that and not see... see the scam going on, see a man who's desperately trying to hold onto something that he knows is not rightfully his.
At some point, if you tell the story enough to yourself, then it just...
Your perception is now your reality.
I do think that over time, Bob started to feel differently than he felt when he was younger, but he probably felt trapped by the myth of Bob Kane, which he created, and I think he probably thought, "I'm going to look much worse if I come clean now..." even if maybe his conscience was saying it would be the right... Better thing to do, "than if I just... Let's see how long"
I can ride this out.
Maybe I can get to the grave
"with no one really challenging me on this."
One day, when I'm 120 or so, I'll look down from the bat cave in the sky at my little creation that goes on and on and on, and I'll just say, "Hey, Warner Brothers" and Leonardo, just send me the residuals in the sky.
I'll give you my address, "it's up there where the angels are."
Bob d*ed in 1998.
He got to live through seeing Batman become a worldwide phenomenon, and had a proper obituary in newspapers.
He was mentioned on nightly news.
He went on to have a star on the Hollywood Walk of Fame many years later.
Bill d*ed in 1974 with no obituary, no funeral, no gravestone... virtually unrecognized.
And Bob was remembered as the creator of Batman.
His gravestone says, "God bestowed" a dream upon Bob Kane.
Blessed with divine inspiration and a rich imagination, Bob created a legacy known as BATMAN.
Bob Kane, Bruce Wayne, Batman, they are one and the same.
Bob infused his dual identity character with his own attributes: Goodness, kindness, "compassion, sensitivity, generosity..."
I didn't know him, and I'm very careful to emphasize that.
I don't know what he was like as a son or a husband or a father, and I want to think the best.
And, you know, he had a right to be proud of his role in Batman, but professionally, he was not Bruce Wayne.
He was not what it says on his gravestone.
Every child grows up with parents whose jobs become part of their...
The texture of their lives, and unfortunately for my kids, that was Bill Finger, so my kids knew more about Bill Finger at a very young age than some hardcore Batman fans have known at the peak of their knowledge.
What about your daddy?
You're my daddy!
What's my name? Marc Tyler.
And what do I do all day?
Work! What's my job?
Bill Finger.
What do I do?
Bill Finger. But what does that mean?
Bill Finger.
Who's Bill Finger? Bill Finger.
Is that my friend?
Yes!
My daughter, for all intents, grew up with Bill Finger as a part of the extended family.
My wife was very patient.
We were young and struggling, and I was putting in a lot of time for this project because I did get consumed by this, and not to the point that I was not showing up for family events or forgetting to put my shoes on, but I was really very focused on this.
Excuse me, Batman!
Can I ask you a couple questions?
Where's Batman from? Gotham City.
And what's his real name?
Bruce Wayne.
And who created him? Bob Kane.
Just Bob Kane?
When I see people wearing Batman shirts or Batman clothes, which I do all the time, yeah, I do smile to myself and think, "Should I stop that guy and ask him if he knows who Bill Finger is?"
Who's d*ck Grayson? d*ck Grayson...
He's the first Robin, also Nightwing.
Who's Bill Finger?
Bill Finger?
Him I don't know.
The story is so good, anyone wearing a Batman shirt would want to know it.
I have a few Batman T-shirts left that I would like to give out.
Does anybody want one? Sure!
All right.
They probably looked at those shirts and said, "Wait, this isn't Batman."
This is Bill Finger... Who's that?"
It just got me thinking, well, the only way this would be possible is if by some miracle this book can be a part of the larger groundswell of support that might be able to overturn the idea that you need to be an heir to fight for credit.
Maybe there could be enough public support to say there's enough proof that this person was involved that we don't need an heir to make this right, to make this whole again.
I mean, maybe that can happen, I mean, laws get overturned, right?
When I started this research, we knew just about zip about Bill's family with the exception of the fact that he had a son named Fred.
So I learned that Fred was a chef, and I know that he had spent some time on the west coast, and it also turned out that Fred had developed AIDS and d*ed in 1992.
He was the last surviving heir of Bill Finger.
So my next approach was to try to find people on his first wife's side.
So her name was Portia, and I decided to try to look through the New York Times obituaries.
Prior to 1981 if you get a hit, you don't bring up the actual obit, you bring up the whole page where that obit appears.
So I did this for hours, and I eventually found the obituary for Portia's mother, which means Bill's mother-in-law, and in that obituary there were three names.
Fred, Bill's son, which I already knew, of course, and two of Fred's cousins, Judy and Eric Flam.
So I searched them, and it was at probably about 11 o'clock at night on the east coast.
Judy was in Massachusetts, too late to call her, as excited as I was, but Eric was in Arizona, so I called him right then.
And when I called Eric, I said, "I'm a writer", and I'm working on a project
"about a writer named Bill Finger."
And he said, "What did you say?"
And I said, "Bill Finger," and he put the phone to the side, and he called to his wife and said, "This guy's calling about Bill Finger!"
Uncle Bill, no one's ever called
"about Uncle Bill before!"
And then he came back on the phone and said, "Well, I don't know much."
My sister Judy would know more, you can call her tomorrow, but I think what you really should do
"is talk to Bill's granddaughter."
And I said, "But Bill doesn't have a granddaughter!"
He said, "No, but he does," and I said, "Well, he had only one child", Fred, who was gay, and that was it," as if I would know better than the family.
And Eric said, "That is true", he did have a son Fred who was gay, "but Fred had a daughter."
When I first heard those words, "You should look for Bill's granddaughter,"
I feel like I saw a movie marquee, and it said, "The Heir to Batman."
And it made me feel like this might be a bigger story than anybody realized.
The next day, I spoke with Judy.
Judy was the one who told me that her name was Athena.
The best she could do was give me her last known state, Florida, so I was back to square one, looking for an heir that we did not know existed.
I did not find an Athena Finger in the Florida directory, so I wasn't even sure that that was accurate, so I ended up looking online for any mention of her, and I found record of her wedding.
She married a man named Zaido Cruz.
So I found mention of a Zaido Cruz on the website of a drummer whose name was Lance, if I'm not mistaken.
And I emailed Lance and said, "Is this the Zaido Cruz who's married to Athena Finger?"
And he said... he wrote back, and I never spoke with him, but this is the voice that I heard, he's like, "Yeah, man, hey, dude, I know Zaido!
Yeah, he's in my band!" or "I've played with him, we've jammed", and you should totally look him up, and you should find them and, you know, "Athena should be easy to find!"
And I said, "How's that?"
And he said, "Well, just look her up" on her Myspace page."
In 2007, I was not thinking Myspace or Facebook or social media at all.
So that was a revelation, so thanks, Lance!
So I looked Athena up on Myspace, and when I found the only Athena Finger there, the first thing I saw was a photo of a dog, and the caption was, "My Dog, Bruce Wayne."
That was a fist pump moment.
I don't think I literally stood up and did a fist pump, that's maybe not my character, but in my mind I was doing somersaults and throwing the football down and doing a dance in the end zone.
That was my moment.
So I had that moment before, I had that moment with Charles, I had that moment with Lyn, but those things filled in gaps.
They didn't completely change the story.
We are en route to see Athena Finger, the only heir to Bill Finger.
This would be a big shake-up.
If the credit line to Batman was changed after 72 years, that would be a big deal, and that would actually be a first.
I can't think of another comics character whose credit line has been changed.
Hello... hey! Hey!
How are you? How are you?
Good, how are you? Good!
And here's Bruce Wayne! That's Bruce Wayne!
How you doing?
I found out about Bill Finger and his association with Batman at an early age, and I knew that my father was excited and thrilled about what his father had created with the Batman storyline, and how he made it what we love today.
Marc had found me, and he explained what he had been doing and shared a bunch of information that he had found that I didn't know about Bill's family and things like that.
She said to me, you know, "I never knew my grandfather."
I was born two years after he d*ed, so you could probably tell me more about him than I can tell you, but I'm very interested
"in hearing what you have to say."
Bill used to keep copious notes.
He had gimmick books where he would jot down an idea that he would use in the future, and a lot of it was... It was kind of exciting, but it also was upsetting.
It brought up a lot of this old stuff that had been going on before... Around my father's death and around my grandfather's death, and just how everything was not really in its proper place.
I told you that I found an interview with your dad.
Yes. And I have it.
Oh, you have it!
He had to write a lot of stories in order to make any kind of money.
He would get together with a couple of the other writers...
And I didn't know yet that there was so much trauma in the family.
It wasn't just a story of a girl who never knew her grandfather.
It was also a story of a girl who had issues with her father.
I haven't seen my dad in, like, forever.
My parents split when I was three and a half, so I didn't grow up with my dad.
I only got to see him maybe a couple times a year.
It was really like, if we went to New York, we would go to the restaurant that he was working at and have dinner, or he might come up to Massachusetts and spend a couple days.
It wasn't like I had extended amounts of time with him, which kind of sucked, because I only had him for such a short amount of time.
I was married six years.
I just understood that he was bisexual from the day that I met him, and it wasn't a situation that needed to be spoken of.
It was something that we both understood and accepted.
I learned that Fred was HIV positive the summer after I was in the fourth grade, so that's, what, 10?
I spent a week with him during the summer, and he and I were at the beach in Long Island, and he's like, "I got to talk to you."
So he was explaining, "This is what's going on, and we don't know how long I have."
And then when he came to visit us right before he passed away, he was teeny-tiny, just skin and bones.
I mean, he was down to nothing.
When he came to visit near the real end of his life, we asked him not to leave.
How did he respond, what did he say?
He said, "I have to go back."
I have to die in New York."
That year was rough.
Being 15 at the time, not quite an adult, but had to deal with real adult issues, and I was very angry about a lot of things.
And then, when he passed away two months later, I wasn't included, I wasn't informed, I wasn't...
I just was excluded from everything.
I was really upset about it, very angry about it because I was his only child and I should have been there and I wasn't.
AIDS was still very new and stigmatized and scary.
There was a lot of comfort being with people who are experiencing the same thing and he created a family of friends that were there when it got tough.
So New York was where he really had to be, he felt.
I still don't have closure.
I was excluded from everything.
I really was.
Sorry.
I wasn't even there to spread his ashes.
I don't even know where he is.
When Marc Nobleman called me, I said to him, "I'm not sure that this is beneficial" to our family welfare, "for this to be brought up again."
We tried our hardest to do something about it in the past.
I mean, I love Fred and I wanted credit for Bill, but we had spent years trying to get the credit for him.
Fred really just wanted his father to have recognition.
It was very important for Fred to validate the existence of his father and his artistic talents and he gave it his best.
I never went to DC, Fred went to DC alone, but I understand the way that it was dealt with.
They treated you like you were family but gave you nothing in return for it.
Anything to make you feel comfortable but they were keeping everything for themselves.
After about the third attorney, Fred just said, "We just need to stop this, Bonnie, and go on."
So Fred never got to see his father get, on the screen, "Co-creator William Finger."
The tradition in our family, unfortunately, is being excluded from everything.
There is this sense of not being acknowledged, of what I'm part of and who my family was.
I remember in the third grade we had to do this book on our lives, so I included the information about my grandfather and his involvement with Batman and stuff and people wouldn't believe me or they questioned me.
So for a long time I kept quiet about it, especially after my father passed away.
I always kind of referred to it as, like, the dark cloud that hung over my head because it was something that I knew that needed to be corrected, just didn't know which avenue to take.
So it was always, like, looming.
I wasted no time in telling Athena that I would be disappointed in myself if I didn't tell you that this is your birthright and I thought for a year that nobody could ever do anything about this credit line, and I'm going to write this book, but if we want a sh*t at changing that credit line, "it has to be you."
I had been told for a long time that it was kind of a dead issue and I shouldn't really pursue it and I should just let it be, and it would take tons of money and, like, all these other excuses of why I shouldn't pursue adding Bill's credit.
I encouraged Athena to contact DC and at first she was not keen on that.
She was a young mom with a career and a life and she said, "Of course I've thought about this", but this is too daunting.
"I mean, where do you even start?"
It took some convincing of Marc to, "Athena, go, talk to them.
Call this person."
I'm like, "Eh, I don't know."
Like, I was really hesitant.
I didn't know what to expect.
But as soon as I spoke to them, they invited me up to come and take a tour of the office when it was still in New York City, which was very cool.
So then after that, we went to the movie premiere for "The Dark Knight" and did the whole red carpet and then the after-party.
It was just like, "Woo!"
It was awesome.
It was a really amazing scene seeing all these people and it was like Hollywood.
Like, it was so cool to be there.
Like, "Oh my gosh, I'm a part of this."
And then they just kept inviting me to things.
You know, just really accepting and, like, "Please, join in."
PR people got in touch with me and informed me that they were going to pay for the room and fly me and my friend out here.
I get to play movie star for a little while.
The whole thing was very fast.
Finding the heir and then DC being quite cooperative about the whole process.
I was very surprised by how that all happened.
They were very generous and they did send me a bonus sum of money for the movie.
It said, you know, "This is," you know, "for his contributions."
You know, "We're so glad that you're part of the family now."
So I was like, "Oh, this is nice."
The term "Thank you payment," it's a case where a company writes a writer or an artist a check and says, "We're giving you this" because you contributed something or other
"to this character."
I guess that's the kind of thing that the companies have wanted to do in the last few decades as the things got to be really big business.
There's so much money involved and nobody wants a lot of lawsuits.
So it just makes a lot of sense giving a few thousand dollars, $10,000 or $20,000 to somebody.
You know, somewhere between creator credit and hush money.
The Bill Finger story has a number of imperatives.
There's the cultural side of this, there is the moral side of this, there is the financial side of this.
How much is Batman worth now?
A gob!
What are you talking about?
It's movies, it's toys, it's pajamas, it's cartoons, it's comi...
I mean, it's a vernacular.
You say "Batman" to a grandma...
This is the greatest brand...
"Batman," grandma knows through attrition.
When you open a comic book, there it says, "Created by Bob Kane."
When you see the movies, it says, "Created by Bob Kane."
Correcting that is something that terrified everybody, I think, for decades because correcting that isn't just a simple matter of putting Bill Finger's name onto Batman.
It also opens up the floodgates to a massive conglomerate for potential revenue tapping.
DC Comics is one spoke in the massive operation that is Warner Brothers, which is underneath Time Warner.
So, I mean, it's a huge media company, of course, and Batman is one of the biggest money makers in fiction, period.
So DC was under the umbrella of Warner Brothers but as soon as we got to "The Dark Knight Rises,"
Warner Brothers was really overseeing all of the corporate side.
Which brings me into in 2012 when "The Dark Knight Rises" came out and I got an email saying, you know, "We would like to have you sign this document" so that we can cut you a check, "so sign it and please return."
But the gist of it was they wanted me to terminate my rights to any kind of claim.
They wanted me to close the door on Bill getting any kind of credit.
They were trying to make me quiet.
Yeah, right?
So is this for you? Yes, please.
Alex or Alex...
Alex. Okay.
I had this blind faith all along that I would see the book through to publication.
Although, believe me, there were plenty of roadblocks and obstacles.
So getting the book out was a huge accomplishment;
Just to see any book through is something I'm proud of.
The book came out in 2012 and with it came a chance to talk about Bill in an arena that was even bigger than a book.
Secret identities are for superheroes, not the guys behind them.
I had the chance to do a TED Talk.
Bill Finger's life ended tragically, but his story isn't over yet.
I was interviewed on NPR.
Now if you've seen "The Dark Knight Rises," the name not there is that of Bill Finger.
I had the chance to go on Kevin Smith's podcast.
Does he have heirs, is there a family?
Yeah, well, that was the biggest, uh, discovery of my research.
Legally I can't do anything to change this, but she can.
She is Batgirl for heaven's sakes.
When you have somebody who's speaking that loudly, advocating that loudly on behalf of a cause, something is going to get done.
It incited this bubbling movement, you know, where suddenly you started hearing more and more about Bill Finger.
He had no Batman of his own, but I think you are Bill Finger's Batman, for heaven's sakes.
You're the one that's going to find him justice.
I kept talking about raising an army and groundswell of support, but I never actually stopped to think about, "Well, those are people too."
So that did start to really become my driving force was I can't let all these people down.
So I was doing some groundwork on one level, but we needed something else to happen on another level.
It had been a year since Marc Nobleman's book had been out.
So more people were starting to contact me, "Are you really Bill's granddaughter?"
And this is her first convention ever.
I brought Athena into the conventions.
Whether we're talking about a Wizard World convention, or San Diego, or the New York Comic Con, I brought her into a number that year, to meet the fans and to get her out from those curtains that she was staying behind, to meet other people.
I had never been to a formal convention before, any of that stuff.
So I did my first panel, I was so nervous.
I'm like, "I don't even know what we're talking about."
The fans would ask her questions and she would say, "I'm learning about these things from you."
She was learning things about her grandfather and the legacy and exactly what Bill did from all of us because she'd grown up with it being this thing to be uncomfortable about.
Was it not just this wonderful thing to tell everybody, "Hey, my granddad was one of the co-creators
"of Batman," when you were growing up?
Well, you would think it would be a great thing, but, um, growing up, no, it wasn't.
I shied away from talking about it.
As I got older...
She's not eager to talk to the crowd herself, she's eager to get the information out, so she's doing it anyway.
And I think that's a bit heroic.
Part of Athena's grieving process is going to Comic Con and talking about her grandfather and her father.
It's wonderful to see.
And he would be right there with her because it was something Fred wanted for his father.
Okay. There we go.
There was so much support from people.
They really, really wanted to see Bill's name attached to Batman, as it should be.
Comic book fans, their fights are on the page.
They don't bring it into the real world or anything.
But the fights that they do get involved in, it's not fisticuffs, it's battles for what is right.
And how could they not?
Because the characters they read about all the time do the same thing.
Those are your role models on the page.
So while Bill didn't train people to fight for him after he was dead, you have a bunch of people who read and were influenced by the work of Bill Finger, like this is what's right, this is what's just.
So that's really where I got a lot of pressure from, was from the fans.
"Why isn't this happening?"
Why isn't his name attached?
What's happening?
Why... what, what, what?
Tell me, tell me, tell me.
How, how, how?
"Do, do, do."
And so I knew that something was going to come out of it.
In 2014, WonderCon was held in Anaheim, California, and there was this Batman panel.
And an audience member gets up to the microphone and asks this question about, "Will Bill Finger get credit?"
And there's just silence up there.
One member of the panel says, "Crickets."
And a person working for DC, Larry Ganem, gets up and he says that, "We're all good with Finger and his family."
And that was when, "Okay, we've got to reply to this."
Athena and I put the statement together that, "No, things are not all good with the Finger family."
Timing is everything.
75th anniversary of Batman's coming up, it was the hundred year anniversary of my grandfather's birth, it was the 25th anniversary of the '89 movie.
Like all this stuff was coming together in 2014.
I called Athena and we had a huge cry over Fred being gone.
And then we discussed it.
Maybe it's time that Bill Finger got the recognition he deserved.
And that's when it became a fight.
I felt that the timing was right.
I knew it was either now or never.
And I think I called my sister first.
We have different fathers, she's older than I am.
She felt like it was really a burden in her life to have inherited this controversy, basically.
Knowing that I was the only one that could do it was a huge burden.
So it really... I wanted to get it finished knowing that I only had one chance.
Being an attorney, I... I was able to assess what resources we had and didn't have.
So she contacted me because she was seeking a copyright attorney to help her with the situation.
The copyright law says that when two people create parts of something that are intended to be merged into an inseparable work, then it's a joint work and each of them is a co-owner.
So coming into this, one of the most commonly cited facts of Batman lore is that Bob Kane negotiated a contract in which he would be the sole creator in perpetuity of Batman, he would be the only name listed as creator.
The only thing I've always gotten from the people that I have talked to at DC is, "We know what your grandfather did," we wish we could put his name on it, "but we can't because of the contracts that we have."
This infamous Bob Kane contract has never been publicly disclosed, as expected.
I mean, these are big characters, big companies, they have no obligation so share all of their contents of their vault.
If any company had an agreement that clearly spelled out their rights and that shut down a copyright claim, it seems to me that they would produce that.
I don't know why you wouldn't.
It might be hearsay, it might be a myth that DC Comics is perpetuating because it helps them.
Or it might be real and the original source was Bob.
That is another interesting thing about the copyright law that was in play here.
Somebody is simply claiming that they are the sole author when they're not, that's not really... That doesn't really do it.
So then you look at what did Bill Finger contribute?
Did that make him a joint author or joint owner of the work?
Marc Tyler Nobleman sort of taking this case on, delving into the research, and then, of course, Bob Kane, you know, eventually kind of helped by talking about Bill's contribution himself.
Um, that was very important.
If poor Athena, like, had to start with that threshold issue, that just would have been really, really difficult.
I mean, this is a huge entertainment company with an entire department of, you know, attorneys.
And then there's, you know, Athena Finger.
Sadly, for people who are creating stories about superheroes who are selfless and saving people's lives, there's not a whole lot of generosity going on here.
You've got creators fighting a company over a character.
And, you know, it's a classic David and Goliath story.
And in these cases, usually the underdog doesn't win.
As teenagers in Cleveland in 1933, these two boys signed a piece of paper that, in effect, sold their rights, and they sold them for $130.
Well, they were just kids and they were so anxious to get published, so anxious for recognition, that they signed away their copyright.
Superman became what Superman is because of DC building Superman to the industry that it is.
But still, Siegel and Shuster deserved a lot more than they got.
You know, they made a couple of efforts to get greater credit.
In their 1947 suit, Siegel and Shuster did not get ownership of Superman.
They did get $94,000 more, but National Periodical then owned Superman and Superboy and fired Siegel and Shuster.
The creators of Superman first sued over credit in 1947.
They were still working for the company at the time.
So they lost the lawsuit, they lost their jobs, and the company that became DC Comics took their name off Superman.
In 1963, Siegel and Shuster started another suit, this one to win back the copyright when it came up for renewal in 1966.
The court finding, "Superman belongs to National Periodical."
Long story short is Superman has been the subject of litigation almost from the beginning, and it's been going on for decades at this point.
And most of the major players are gone, so it's passed on to the second generation.
When you're dealing with something so big, the stakes are big on either side of a challenge, of a contest.
And, you know, the Superman situation would not have instilled a lot of confidence that you can win.
To push this type of a claim further, you have to have the means and, frankly, the money to do it.
And no single person, really, even if you had multi-millions in the bank, would want to go through that risk.
We would have been possibly investing five to ten years of our life entering into a litigation against a multi-national corporation.
Frankly, it was my strategy to not go down that road, but to, of course, make it appear that we would.
We're going back so far in time.
If we're going to assume that all of these things that people said in the press were true about Bill Finger and about his contribution and the way it went down, then they each own half of Batman as a whole.
There could be an argument from the corporation's side that it's not a joint work because he was employee.
I've never heard of any document that said that he was.
I never heard of a document that said he was working under a work for hire.
So, here's step one and step two and step three and step four and all this leads to, hypothetically, yeah, you take it back.
That's the leverage of the copyright law, to actually allow people to take it back or to put that large corporation in the position of having to renegotiate their royalties or whatever it is.
I do believe that there was risk on both sides and we had highlighted enough of that risk to get them to talk to us, and that was the goal.
I didn't imagine that I would actually be at the final meeting, but it took place in July, it was closed door negotiations, and it was a big deal on so many different levels.
Somebody has a goal and somebody else has a goal and how do you negotiate and maybe not make everybody happy, but make everyone not horribly miserable.
I don't know if they could tell, but I was very nervous.
We really wanted to get credit, but we didn't know which way this was going to go, we really didn't.
There came a point where I wasn't leading the charge anymore because I'm not family, and there's only so far I can go without being family.
Hey, Raf-bear.
Good to see you, boy. Hello.
How's my favorite fuzzball? Good.
Yeah?
So in the summer of 2015, everything was building.
I could feel it.
And in September, it felt like we were getting to that tipping point.
It was September 18th, it was a Friday.
I travel a lot, but I happened to be home that day, In fact, I was home alone.
And by chance I had this set of things I had to do for the day, and, very atypically, I finished it pretty much before noon.
And the tweets and the emails and the blog posts and the Facebook posts started to pour in.
And I had a couple hours to myself where I was just catatonic almost.
The first person in my family to come home was my daughter.
Did you see it?
Yeah!
What did it say?
"DC to give Bill Finger official credit on 'Batman'" versus, I think, "'Superman' and 'Gotham'"?
Mm-hm.
They're giving him the credit?
They're giving him credit now.
What?
What?
How did you do that?
How did you do that?
"You did it, Marc, you got justice for Bill Finger" and righted a lifetime wrong!
"You are Batman for Bill!"
That's Kevin Smith.
There's quite a big difference between me and Batman, but I'll accept that as a nice compliment.
"Bill Finger getting his justice."
That's from Kevin Conroy, who was the voice of Batman since the beginning of Batman: The Animated Series.
"On my honeymoon in Mexico from Ireland."
Just saw the news.
"Thrilled for you, Bill, and the Finger family."
But I'm pretty sure one person who wasn't thrilled was his new bride, whose new husband is tweeting about Batman on his honeymoon.
But thank you very much, Burke.
"DC Entertainment and the family of Bill Finger" are pleased to announce that they have reached an agreement that recognizes Mr. Finger's significant contributions to the Batman family of characters.
We are pleased to confirm today that Bill Finger will be receiving credit in the Warner Brothers television series 'Gotham' and in the forthcoming motion picture, "'Batman v Superman: Dawn of Justice.'"
Our goal was to get Bill's name attached.
That's what we did.
We changed history.
But in 25 years of writing Batman comics, 1,500 stories in all, including the first one, Bill's name appeared in a Batman comic as the co-creator, or the original writer, exactly zero times.
Because Bob Kane said...
I have often asked myself, "Why has he been doing this for all these years?"
And I do believe he's just passionate about it.
He does believe in the causes that he writes about.
You're probably wondering if I found any photos of Bill Finger in the backyard mowing the lawn with his shirt off.
And the answer is yes, yes, I did.
You're welcome, ladies.
The driving force though, still, is to right a wrong and to try to stay on that good side.
So you can't see Bill too well from where you are, but he's there in the shadows.
Marc always strives for equality and it's really his whole being, I mean, that's him.
He's very brave, he's a very brave person.
He really... if he thinks that something is not fair, he will go for it.
So I think that this is not the end, to be honest.
There's always more to the story.
I mean, what I always say is that no story from history ends in a period.
They all end in a dot, dot, dot.
We're just waiting for someone to find the next part.
Do you want to do lashes as well?
Sure. Yeah?
Again, I'm going to be on film and stuff, so I want to... Yeah, we can add the lashes if you like. Okay.
So what are you guys filming for?
It's a documentary about my grandfather.
He was the original writer and co-creator of Batman.
No kidding. Mm-hm.
That is awesome.
I don't have black socks.
Almost there.
All right, Alethia, tell me, is it okay with the leather?
This is my tenth Batman premiere, but it's very special because this is the first time that Bill Finger is getting onscreen credit in a major motion picture for his co-creation of Batman.
And that's very, very exciting to me.
It's amazing that so many years later, we are now en route with his granddaughters and great-grandson going to a premiere in which his name finally is going to be up on the screen.
I'm very excited.
It was a curse in our lives.
Bill was unknown, unrespected.
My dad was in the same position.
I was trying to cope with my father's death.
I'm hoping that I've broken that by getting the closure for Bill, for myself, and for my son, so that we can move forward and not have this dark cloud following us around.
It's been ten years that I've been telling this story, and to hear that Bill d*ed and was buried in a pauper's grave, in a potter's field, was devastating, and that was the only story that anybody knew.
Until I found two people who both knew Fred, Bill's son, and who both told me a different story.
So what these two people said was that Fred did come forward after Bill d*ed and just... he was not there the day that he d*ed, which is why he doesn't appear in the medical examiner report.
Fred had his father cremated, and he was living in Oregon at the time.
And he took the ashes to the shoreline near where he lived.
Spread them on the sand in the shape of a bat.
And let the water come in and wash it out to sea.
Have fun.
Uh, one "Batman
Batman & Bill (2017)
Moderator: Maskath3