03x09 - Death Trap

[bunniefuu]

[DUFFY] Man, she been on his d*ck

- since you left for the Lou.
- [MEECH] Man, she just hustling

to get her money like everybody else.

[UPBEAT MUSIC PLAYS]

[JIN] Just had drinks with Henri.

I'm doing my own undercover operation.

You said she likes pretty ladies.

I checked with the guard
at the juvie facility.

The visitors' log showed
that Tyson signed in

right before Kevin got his protection

and again right before he lost it.

[TENSE MUSIC PLAYS]

This talented brother right
here... where have you been?

He's a really great songwriter too.

Get in touch with my manager.

We need a new mechanic ASAP.

We still need eyes on the
m*therf*ckers Glock and Remi.

I'm trying to propose
a sit-down with you

and some of the other ATL peeps.

[GRUNTING]

You just dug your own grave, n*gga.

n*gga, you gonna see
Claude again before I will.

n*gga, they don't need you.

Meech, I came to warn you.

I ain't ask you to do that, Angel.

I'm gonna go check out
this new club in Miami.

[g*nshots]

[GRUNTING]

[MEECH] I finally found
what I was looking for,

- but it's in Miami.
- [TERRY] Miami?

Tee, is you coming or you ain't, man?

I'll meet you there.

♪ ♪

Not gonna stick your toe in?

[YOUNG TERRY] This
ain't even a real beach.

Sand's got oil in it.

Water's brown.

Even the bugs dropping like flies.

Yeah. I promise you, little bro,

we'll be in the beach in Miami

showing the f*ck out like Tony Montana.

- [LAUGHTER]
- Hey.

[AS TONY MONTANA] I never
f*cked anybody over in my life

that didn't have it coming.

- You got that?
- [CHUCKLES]

The world is yours.

How many times you think
we've watched Scarface?

Let's see. At least about 50.

Hey, go long, Tee. Come on.

[OLDER MEECH] In this country...

Look up.

[OLDER MEECH] ... they
sell the American dream

by saying it's open to everybody.

But we knew that was a lie.

So like Tony Montana,

me and Tee created our own version

and made it our m*therf*cking bitch.

[SINGER] ♪ City of Miami
where the bass goes down ♪

[SINGER] ♪ Where we from? ♪

[SINGER] ♪ City of Miami
where the bass goes down ♪

[SINGER] ♪ Where we from? ♪

[SINGER] ♪ City of Miami
where the bass goes down ♪

[SINGER] ♪ Where we from? ♪

[SINGER] ♪ City of Miami
where the bass goes down ♪

Okay, Meechie Montana, what up?

Tee! You made it.

Welcome to Miami, baby.

[TERRY] Man, I can't
believe we actually here.

Yeah, now you see why Tony

wanted to move here and set up shop.

This sh*t's paradise.

Hell yeah, I can't wait
to hit up South Beach.

Yo, first things first, though.

Wh-what's up with, um,
James Bond the car mechanic?

His name is Francois,
and he's a referral-only

- type of guy.
- [TERRY] Okay.

You see, Mack att*ck Hollander,

he's gonna make the
intro tonight for us.

They wanna meet us
tonight at Club Foxxxy.

Mack? The boxer?

You trust him?

Tee, listen to me.

The Red Dogs shut down Atlanta,

the D, the Lou, and Ohio.

If we don't get this French
f*ck to chop our cars,

we can't move our sh*t anywhere.

I'm telling you, man, once
we lock down the mechanic,

man, we become untouchable,
and Atlanta becomes our hub.

[TERRY] Damn.

Oh, my God, don't tell me

you brought this sac chaser
on a f*cking work trip.

[TERRY] You just mad you gotta

crank your joystick all by yourself.

- Hey.
- [TERRY] Hey, baby.

Hi, Meech.

Tee, this hotel is so gorgeous.

I love it here.

[TERRY] And it's loving you too, baby.

Can you put some baby oil on me?

I wanna work on my tan lines.

[TERRY] Whatever you want, baby.

[DANCE MUSIC PLAYING]

Tell me about Francois, Mack.

[SIGHS] He's secretive
as f*ck, he trusts nobody,

and he picky with his clients

'cause he don't wanna get caught up,

so he gonna be interviewing you.

So he's on some ego trip.

I mean, how can you blame him?

sh*t, he's a real innovator.

Besides, I work well
with all personalities.

We work well with all...

yo, what the f*ck is she doing here?

Meech, you knew about this?

Hell nah.

Mack told us to come to this club.

[CHUCKLES] Facts.

You can't come to Miami
without coming through Foxxxy.

♪ ♪

Meech, what the f*ck?

[MEECH] It's the MKs.

Hey, Mack, I think you need to hit them

with the ole one-two.

I got you.

[TERRY] Nah, f*ck that. They strapped.

They plugged in with the club security.

Tell Francois we'll holla back.

You need to go right now too.

♪ ♪

[HIP-HOP MUSIC PLAYING]

Did you know she was
riding with the MKs?

n*gga, they called the Miami K*llers

and we in f*cking Miami.

I'm talking about Angel.

Going to that club was a death trap.

You set a meeting behind enemy lines

without warning me, like
you pulled in Atlanta.

Tee, our livelihood is at stake,

and you still breathing.

n*gga, we still got a sh*t.

♪ ♪

[OLDER MEECH] The only way
to achieve the American dream

was to become like the
hustlers from the screen.

Except this was real life,

and we almost d*ed a
dozen times along the way,

but we was determined to be
the heroes of our own story.

[CHARLIE] ♪ I got
everything on the line ♪

♪ Out here I'm on the grind ♪

♪ Trying to get mine ♪

♪ At least you could wish me luck ♪

♪ A n*gga move the weight ♪

♪ Trying to get the cake ♪

♪ I'm in and out of state ♪

♪ At least you could wish me luck ♪

♪ Too many n*gg*s fake ♪

♪ It's hard to tell a snake ♪

♪ One more flip and I'm straight ♪

♪ At least you could wish me luck ♪

♪ I don't go hand to hand ♪

♪ It go gram after gram ♪

♪ Yeah, holla at me, man ♪

♪ At least you could wish me luck ♪

♪ Too many n*gg*s fake ♪

♪ It's hard to tell a snake ♪

♪ One more flip and I'm straight ♪

♪ At least you could wish me luck ♪

[50 CENT] ♪ The D's ain't that good ♪

♪ These n*gg*s is ratting ♪

♪ They tell them what's going on ♪

♪ That's how they
know what's happening ♪

♪ I'm riding with the top down ♪

♪ Trunk full of yola ♪

♪ Ghetto pharmaceutical ♪

♪ I move that Coca-Cola ♪

♪ Thousand grams of pure ♪

♪ Though I f*ck with the weirdos ♪

♪ They snort away the pain ♪

♪ Bang their dope In their vein ♪

♪ Shorty crying
Christmas ain't coming ♪

♪ Her pop's locked up ♪

♪ When it hurts the worst ♪

♪ Your ace find out she knocked up ♪

♪ Welfare ain't an option ♪

♪ When the Feds come knocking ♪

♪ It's all f*cked
up so wish me luck ♪

[CHARLIE] ♪ At least
you could wish me luck ♪

♪ A n*gga move the weight ♪

♪ Trying to get the cake ♪

♪ I'm in and out of state ♪

♪ At least you could wish me luck ♪

♪ Too many n*gg*s fake ♪

♪ It's hard to tell a snake ♪

♪ One more flip and I'm straight ♪

♪ At least you could wish me luck ♪

♪ I don't go hand to hand ♪

♪ It go gram after gram ♪

♪ Yeah, holla at me, man ♪

♪ At least you could wish me luck ♪

♪ Too many n*gg*s fake ♪

♪ It's hard to tell a snake ♪

♪ One more flip and I'm straight ♪

♪ At least you could wish me luck ♪

♪ Wish me luck ♪

♪ At least you could wish me luck ♪

♪ Oh, yeah, wish me luck ♪

♪ Wish me luck ♪

♪ All you got to do
is wish me luck, yeah ♪

[DRAMATIC MUSIC PLAYS]

- [JIN] Bryant.
- [KNOCKING]

Bryant, it's Jin. Open up.

♪ ♪

Well, you look like sh*t.

You smell like it too.

So I got your message the other night.

You said you, uh, had a situation.

[BRYANT GRUNTS]

What happened to your knuckles?

Kevin was on my mind.

I was drinking.

Is that when you called me?

No, I called you after I k*lled Tyson.

Wait, what the f*ck...
what the f*ck, Bryant?

Look, Kevin is in the ground

so that low-life m*therf*cker
can walk above it?

Well, you can't just go
around doing whatever the f*ck

- you feel like doing!
- Wait, wait, wait, wait!

You wanted transparency.

So where's the body?

It's in a strategic spot.

Look, Henri gonna lose her sh*t

when she find out that
her precious cousin

is up outta here.

And when she does, we'll
catch her in the act.

What if we plant a bug on her

to see what leads she gives us?

[ROCK MUSIC PLAYS]

♪ ♪

Damn, you look good as hell.

[MARKISHA] I'm ready to
go to the Tropicana Market.

- You ready?
- Oh, sh*t.

Uh, about that, so look,

it's not safe for us
to be here right now.

I'ma need you on resort grounds.

What do you mean it's not safe?

Me and my brother, we-we
pissed some people off,

and we had a close call last night.

Is everything okay?

Markisha, I love you.

I already almost lost you once.

So can you just please stay put?

I've been around this
sh*t before with Boom.

I know how to handle myself.

No, no, this crew makes Boom and them

look like a f*cking
junior varsity squad.

Listen to me, Terry.

You are not gonna ruin my vacation.

If you don't wanna have fun with me,

I can have fun by myself.

Goodbye.

- [GROANS]
- [MEECH] Morning, Markisha.

[MEECH SCOFFS]

I got the address to Francois.

[UPBEAT MUSIC PLAYS]

It's go time, baby.

♪ ♪

[MEECH] Man, this n*gga
Mack had to skip town,

so we gotta hit up
Francois ourselves now.

Apparently, he's pissed we
didn't make it to that meet.

But the less he knows
about the MKs, the better.

Well, sh*t, I guess I
gotta do the talking, then.

n*gga, you must have forgot.

I'm the face of this
organization, not you.

[PHONE RINGING]

What up, doe?

[JAVIER] Your café ready. You pick up.

What you mean we pick up? Send avión?

[JAVIER] No, only one
piloto that Loco trust.

He's ocupado. You pick up café.

Miami Port. You bring home rápido.

Demitri El Mejor.

Wait, so ho-hold on.

So we gotta drive our sh*t

all the way back to Atlanta ourselves.

Now, of all times?

This is God's timing, Tee.

Everything'll be perfectly fine, dawg.

Now, Loco only has
one pilot he can trust,

but he's putting his faith in us.

This is another reason
why we have to control

our own sh*t from the port.

Well, sh*t, what we waiting
on? Let's trap these cars,

'cause these Red Dogs gon' get our ass.

sh*t, what you waiting on, Tee Montana?

[SINGING "MAYI A GAYE"]

♪ ♪


[ATI] _


[TENSE MUSIC PLAYS]

- [ATI CHUCKLES]

_

♪ ♪


♪ ♪


Ay.

♪ ♪

With all them indictment,
MKs shouldn't be

a problem for us no more.

But that n*gga Meech still out there.

According to Claude, he got
what we don't... pure weight.

But he a outsider.

And I plan on keeping it like that.

This our home.

Hey, just put eyes and ears out

so ready for his next move.

Bet.

♪ ♪

[LIVELY STEEL GUITAR MUSIC PLAYING]

♪ ♪

- Ooh.
- [BOTH CLAPPING]

Ooh! [LAUGHS]

Beautiful work, man, beautiful work.

How long were y'all standing out there?

[LAUGHS] Long enough.

I just, you know, came a
little early to practice.

That's all.

What?

[BOTH] We want you on tour with us.

A promoter friend booked us
on a six-week gospel circuit.

- Midwest, East Coast.
- Mm-hmm.

Talking churches,
clubs, even a festival.

You should ride with us, Charles.

Uh, listen, I don't know if I can afford

to take off work that long.

Brother, you're going to get paid

to play music and tour with us.

- Mm-hmm.
- Travel, food, accommodations.

And if all goes well,
a residency in Memphis.

How big are these shows?

Oh, it's not the
Chitlin' Circuit, Charles.

You gonna get paid.

And we gonna have some fun.

[MELLOW MUSIC PLAYS]

♪ ♪

This is like a art gallery.

[TERRY LAUGHING] What the f*ck?

Are you sure Mack gave
us the right address?

[MEECH] This sh*t looks crazy.

♪ ♪

Francois.

Hey, I'm Meech. This is Terry.

Mack referred us to you.

So you're the imbecile
who stood me up last night.

Listen, man, we seen the way

you tricked out Mack's Rolls-Royce.

Now we would like an
opportunity to work with you.

Just let us know a
price, and we'll meet it.

[SUCKS TEETH] I'm busy.

- So we'll wait.
- You can leave.

Yo, how much for the sculpture?

Do you know what it represents?

I know what I like.

And I know this creature
protects whoever owns it, so...

so how much?

Two hundred.

[LAUGHS] Come on, Francois.

You're an artiste.

Have some pride in
your work. Two-fifty.

[CHUCKLES]

Money doesn't impress me.

Meeting your obligations,
arriving when you say you will,

that is the price of
entry to my business.

[TERRY] Here's a deposit.

We'll be back with the rest tomorrow.

We're trusting that you're
gonna be here, right?

[TENSE MUSIC PLAYS]

♪ ♪

Supposed to be tricking out our car,

not decorating our house.

Yeah, but I just bought us some time.

I got a surprise that's
gonna win him over.

♪ ♪

[SIGHS]

[CHUCKLES] Spoke with the
Campbell brothers today.

They really liked my performance.

Well, they ought to, because you played

your heart out the other night.

And they want me to play more.

They invited me to go on tour with them.

- Six weeks.
- What?

- [CHARLES LAUGHS]
- That's amazing.

Oh, my gosh. I'm so proud of you.

Yeah, I earned it.

And, uh, I want you to come with me.

- [BOTH] On tour?
- [CHARLES] Yeah.

We could see parts of the
country we've never seen.

We could eat in fancy restaurants,

sleep in nice hotels.

It'll be like a honeymoon we never had.

Baby, we-we cannot leave Nicole at home

by herself for no six weeks.

Nicole is old enough to mind herself.

She can stay at LaWanda's.

- I'm fine with it.
- [LUCILLE] Girl!

And she's also old enough to
take a box cutter to school

and to get pregnant
without adult supervision.

I told you why I had that Kn*fe.

Nicole, go upstairs, please.

I just want us to spend
more time together.

You just wanna have me all to yourself

to the detriment of your family.

Detriment?

What, is-is this about Maurice?

Is that why you wanna stay behind?

I mean, because you could
have the getaway of a lifetime

with your husband.

Instead you wanna stay
with Dr. Spread 'n' Strip.

Listen, your talent is
finally shining through.

This is an opportunity of a lifetime.

This is your dream.

And if you want it, you should take it.

But don't pretend like it's about us.

[DRAMATIC MUSIC PLAYS]

Well, don't pretend like staying behind

is about us either.

♪ ♪

[UPBEAT MUSIC PLAYING]

♪ ♪

[SINGERS VOCALIZING]

[DRAMATIC MUSIC PLAYS]

♪ ♪

[HIP-HOP MUSIC PLAYS]

[SINGER] ♪ It's the drug game ♪

♪ What? Give me a thug's aim ♪

♪ Nah, n*gga, it's
official when slugs came ♪

♪ Whatever you prefer,
we can let it occur ♪

♪ Uh, everything else is a blur ♪

I called Tyson three times.

It ain't like him to not pick up,

especially when I call.

[RUFUS] I have my men
on it. We'll find him.

[HENRIETTA] f*cking
Chaldeans cut me off.

[RUFUS] The streets are saying

that Terry Flenory
is their new supplier.

[HENRIETTA] That m*therf*cker!

Gah!

[TENSE MUSIC PLAYS]

- Ooh. Hey, mama.
- Hi.

I got a dirty little secret.

I can't stop thinking about you.

Thinking about me how?

You like my dress?

I like what's underneath it even more.

Do you wanna get outta here?

♪ ♪

[HENRIETTA] Let's start with you.

What you do for work, mama?

[R&B MUSIC PLAYING]

I'm a line cook.

I grew up in diners.

Oh, that's where the burning started.

♪ ♪

Does the rest of your family cook?

We did when, uh...

when we were all together.

Um, I-I need a drink.

Do you have something hard?

[SCOFFS] I got you.

I grew up eating at diners.

Went to Buddy's a lot.

The original one on,
uh... on, uh, Conant.

But for my money, the best
in the D is Cadillac Square.

Still going strong
after all these years.

It's the crown jewel.

[HENRIETTA] I'll never
understand why some cities

decide to demolish their landmarks.

It's like a jaguar
cutting off its own tail.

[EXHALES SHARPLY]

Hope you like bourbon.

Made an old-fashioned.

Um...

Sweetie, I ain't holding you back.

If you wanna leave, you can.

♪ ♪

It's just, uh...

... I've never been with
somebody like you before.

[SINGER] ♪ And I still remember ♪

♪ The way that you kiss me ♪

♪ Just like yesterday ♪

♪ Yesterday... ♪

Maybe people tear things down...

[SINGER] ♪ The love we made... ♪

... in hopes that they can
rebuild something better.

[SINGERS VOCALIZING]

[SINGER] ♪ Every day I
try to clear my mind ♪

♪ But you ease back in ♪

[VOCALIZING]

♪ Sometimes I can't ♪

♪ Even see love ♪

♪ With no one else 'cause I ♪

♪ 'Cause I still remember ♪

♪ The way that you kiss me ♪

♪ Just like yesterday ♪

♪ Yesterday ♪

♪ So, baby, can we go back ♪

♪ Go back ♪

♪ To the love we made ♪

♪ Love we made ♪

♪ Somewhere in yesterday ♪

[VOCALIZING]

♪ Every day I try to clear my mind ♪

♪ But you ease back in ♪

[VOCALIZING]

♪ ♪

[SOFT MUSIC PLAYS]

- [ANGEL] Meech.
- Yo, where the f*ck you been at?

Look, Glock was following
me when I got your page.

It took me a while to get rid of him.

They tracking you to get to me?

I can't let 'em find me.

I can't go back.

♪ ♪

I'll never let nobody
hurt you while you with me.

And you was right about
that sh*t in Atlanta too.

I was just returning the favor.

But that wasn't payback.

That was feelings.

♪ ♪

But, you know, I gotta...

Yo, what the f*ck is she doing here?

Listen, the MKs were following
her, but she gave 'em the slip.

Markisha, you and Angel need to sit here

and don't go nowhere,
just for real this time.

- Yo.
- I don't take orders

from you, Meech.

Listen, if your ass
wanna make it back home

to your boy safely,

I suggest y'all stay
here and don't go nowhere.

[TENSE MUSIC PLAYS]

You know how to work this?

♪ ♪

Got my head on a swivel.

So you got a strap for me?

'Cause I'm damn sure
not gonna rely on her

- to protect mines.
- [TERRY] All right. All right.

Look, just... can you
listen for a second?

I know how to handle mines.

And I know the quicker
you guys get outta here,

the sooner we all can
get the f*ck outta here.

All right.

♪ ♪

[TERRY] Francois.

We got the rest of your cash.

I wasn't sure if you'd deliver.

[AS TONY MONTANA] There's
only two things in this world

I don't play about.

It's my balls and my word.

[AS TONY MONTANA] And I
don't break 'em for nobody.

[MEECH] That's right. That's right.

See, Scarface is our favorite.

And as you can see, we keep
our word, just like Tony.

Now, I wanted to ask
you something, Francois.

Where you going, man?

You got all this sh*t packed up.

I move when I get bored...

or when riffraff like you appear.

[MEECH] I see. I see.

See, we respect the artist that you are.

We do.

But we want you to set up
shop in Atlanta with us,

and we're gonna pay for your art.

But gonna have the
dream of your lifetime

with a fleet of cars
like Benzes and Porsches

brought right here to you
with an unlimited budget.

- [CHUCKLES]
- Open your garage.

[DRAMATIC MUSIC PLAYS]

♪ ♪

Damn. What up, doe?

[TERRY] Hey, Hoop. This is Francois.

Francois, Hoop. That's my right hand.

Now, he drove down
something special for you.

Think of yourself like
Michelangelo, right?

And we're the benefactors, the Medicis,

and this is the Sistine Chapel.

Now, I know you said you don't
work on the same car twice.

But not many of these
coming off the assembly line.

The other one's on its way
to Saudi Arabia right now.

How did you get this?

Man, we from the car
capital of the world, homey.

Hey, if it got wheels, we can get it.

And the Porsche, that's our gift to you.

[SCOFFS]

♪ ♪

[SPYDER] What up, Tee?

[WERM] What up, Tee?

[MEECH] See, this is
our family right here.

This is Tina, miss from another sis.

This is Duffy right here.

[TERRY] That's Werm, and
that's Spyder, my drivers.

[MEECH] Now, we got Chevy
G20s, shining brand-new.

Astro vans too.

But we need the same safe
like you put in Mack's car

but only bigger.

Now, Francois, your
fleet is gonna be tested

against some of the world best hunters.

I'm talking the Red Dogs.

- Atlanta's Red Dogs?
- [TERRY] Yeah.

And if that sh*t can
go undetected by them,

it'll go undetected by everyone.

sh*t, you could use it
as your calling card.

Okay, look, I don't trap valuables.

I build safes to protect them,
and I don't make modifications.

Okay. We can work with that.

When it comes to your cargo,
I don't ask, you don't tell.

Long as it doesn't have a heartbeat.

Long as you can start now.

Listen, Francois,
everybody you see here,

you can trust with your life.

This is family.

- And we know how you work now.
- [TERRY] Yeah.

So, Hoop, yo, while I'm
down here with Francois,

just go back to the D. I'ma
need you to handle that.

Spyder, Werm, y'all can
chill till we call you.

- Cool.
- Word.

Merci.

Toi, help me break down these vehicles.

"Toi?" What the f*ck is "toi"?

[MEECH] Hey, yo, Tee.

I wanted to let you know,
man, good job, for real.

I'ma stay here with
Duffy, unload the work.

But when the sh*t come,
we sleeping here with it,

and we not leaving
until it's in the safe.

- All right. Love.
- Love.

[MAURICE] You know,
the salmon looks good.

[LUCILLE] Maybe.

What, did you wanna start with the wine?

[LUCILLE] I don't feel like drinking.

[SOFT JAZZ MUSIC PLAYING]

Lucille,

what's wrong?

Charles and I just, uh...

I don't know, this-this-this
dance that we all doing,

it's just... it just has me pulled

in a million different directions and...

[MAURICE] Okay.

Tonight I want you to forget about him.

Just focus on us.

We're in one of the most
beautiful restaurants

in the Midwest.

Chef's a good friend.

Most importantly, you look so beautiful,

and we're together.

[LAUGHS] You right.

Um...

I'm sorry.

[MAURICE] And I have
it on good authority

dessert will be special.

[LUCILLE LAUGHS]

So...

why did you pick this
restaurant with a hotel?

You know, I've spent years wondering

what it would be like to...

... kiss every part of your body.

Make love to you.

[LUCILLE LAUGHS]

♪ ♪

[MAURICE] This opens the
door to the rest of your life.

You wanna open it up with
me or argue about the menu?

[R&B MUSIC PLAYS]

♪ ♪

[SINGER] ♪ I'd better let it go ♪

♪ What you say about ♪

♪ Looks like another love TKO ♪

♪ ♪

♪ Oh, they say love is better
the second time around ♪

♪ ♪

♪ I can't stay up on my feet ♪

♪ I'm falling now ♪

- Okay, wait.
- [MAURICE] What?

- Okay, wait, wait.
- What's wrong? What'd I do?

[LUCILLE] I just...

as much as I wanna be with
you, Reece, I-I'm still...

I'm still married.

And I-I'm sorry.

I love you.

I always have.

I'll wait as long as I have to.

[TENDER MUSIC PLAYS]

♪ ♪

It's been a beautiful night.

♪ ♪

Wait. Is this okay?

Breeze, shut up.

- [CHARLES] Lucille!
- [DOOR CLICKS SHUT]

- Nicole!
- Oh, sh**t. My dad's here.

You gotta go.

[TENSE MUSIC PLAYS]

♪ ♪

Why didn't you answer me?

I was wrapped up in homework.

Your mom's not home?

No, she went with Dr. Montclair.

Get your coat. We're going out to eat.

Okay, I'ma meet you downstairs.

All right.

[LAUGHING] Now you really gotta go.

♪ ♪

[HIP-HOP MUSIC PLAYS]

[FRANCOIS GRUNTS]

So people think you can install a safe

into a car that's already built.

But a car is not a house.

You can't just renovate it.

You need to rebuild
the car around the safe.

And this will take me a couple of days.

First, foil to insulate from heat.

[TERRY] So how you gonna power this?

[FRANCOIS] I'll use a
separate motor for the wipers.

Dead silent.

And then I'll run a cable to the safe

so no one will hear it when it opens.

But what about the combo thing
that we saw, uh, in the Rolls?

Ah, good memory.

But yours must be unique to you
and impervious to others, huh?

[TIRES SQUEALING]

♪ ♪

Tell Francois to take a break.

Help me unload the Colombian coffee.

♪ ♪

[HENRIETTA] Any word on Tyson?

[RUFUS] His place is
clean. His car's parked.

We can't find him.

Whatever we get on this
wire won't be admissible

'cause we ain't cops anymore.

Sometimes you gotta meet the bad guys

at they own level.

I want my badge back, Bryant.

And there's nobody at PD we can trust.

I'm gonna ask Cobie's
dad, Councilman Amberson,

to help us take these f*ckers down.

sh*t, you gonna be running
the DRANO task force.

I'm sure GQ will love reporting to you.

[SCOFFS] Nah.

I got other plans.

I'm thinking of lateraling out.

Yeah, well, let's not put
the cart before the horse.

Remember, we doing this
for Kevin and Cobie.

So this sh*t gotta work.

[UPBEAT MUSIC PLAYING]

Saw your grades went up.

Everything going on, that
couldn't have been easy.

Breeze helped me a-a lot.

You two have been, uh,
hanging for a minute.

♪ ♪

Yeah, he's, uh...

he's my boyfriend now.

♪ ♪

Tell me about him.

He's really good at
calculus, like next level.

He can hoop.

And he has a couple
jobs to help his mom.

I used to do that for my pops.

I think that's one of the things

I like the most about him.

♪ ♪

[CHARLES] You know, I
wasn't much older than you

when I met your mom.

♪ ♪

You got a lot of time in front of you.

Don't rush anything.

♪ ♪

Are you saying you regret

dating Mama and staying with her?

I'm saying...

in life, something starts out sweet

can turn sour later.

Get to know yourself before
you know anybody else.

♪ ♪

I already know
everything I need to know.

[CHUCKLES] Like what?

Like I'll never let Breeze treat me

the way you treated Mama.

I didn't mean it like that.

♪ ♪

Yes, you did.

It's okay.

[JUKEBOX RATTLING]

["WILDFLOWER" PLAYING]

♪ ♪

[NEW BIRTH] ♪ She's
faced the hardest times ♪

♪ You could imagine ♪

- ♪ And many times ♪
- Yeah.

[NEW BIRTH] ♪ Her eyes ♪

♪ Fought back the tears ♪

♪ Lord, Lord ♪

♪ And when her youthful world ♪

♪ Was about to fall in... ♪

Remember when you used
to stand on my feet?

[NICOLE CHUCKLES]

One day, I may have to stand on yours.

[NEW BIRTH] ♪ And a
sorrow No one hears... ♪

I think you should do the tour, Dad,

even if Mama doesn't.

♪ ♪

I like it when you play music.

It's what you're good at.

[NEW BIRTH] ♪ For she's a lady ♪

♪ Let her dream ♪

♪ For she is a child ♪

♪ Let the rain fall down upon her ♪

[FRANCOIS] Okay, Monsieur Terry,

try the combination.

[TERRY] All right. Let's do it.

The safe only opens with a combo.

The car has to be in park.

Hit the brakes, light, washer, and radio

all at the exact same time.

There you have it.

You m*therf*cker.

[TERRY CHUCKLES]

Now, if you don't know
the combination or the timing,

the safe won't open.

- Yeah, what about finding it?
- [FRANCOIS] Pssh.

You would need a chain saw
sharp enough to cut metal,

strong enough to split
the vehicle in half.

I never met a Frenchman before,

but you're quickly becoming my favorite.

[CHUCKLES] Wild-ass French f*ck.

Like Jordan at a dunk contest.

Hey, hey, hey, whoa, whoa,
whoa, not Jordan, now.

Ah, I like Dominique Wilkins.

The f*ck is you talking about?

Hey, Tee, I'm hard on you

because I know what you capable of.

For real man. This sh*t is fire.

[TERRY] Every dog has his day, right?

No, I'm serious, man.

This is the blueprint for
the rest of our lives, man.

Like, you know that, right?

Once we control our distribution,

we control the whole board.

[SCOFFS]

Then we can name our price.

[DRAMATIC MUSIC PLAYS]

♪ ♪

[DOG BARKS]

♪ ♪

Word on the street, Meech had a run-in

with the MKs in Miami.

Miami?

The f*ck he risk going to
enemy territory like that for?

Probably picking up that
pure sh*t at the port

and driving it back.

Couple of my guys saw his
girl that work at the store

and his right-hand man
driving vans out of Atlanta.

Yeah?

We ain't finna let no more
outsiders in our city, g*dd*mn.

♪ ♪

Given our history, I
wanted to personally extend

my condolences.

How do you want us to
handle the investigation?

I'll handle it.

- I wanna see him.
- No, you do not.

No, no, no, no, no, no,
no, no, no, no, no, no, no,

no, no, no, no, no, no, no.

Tyson, Tyson.

Nah, cuz.

No, no, no, no, this can't be happening.

[RUFUS] Where'd you find him?

In a dumpster off Outer
Drive in Jefferson.

I'll leave you with your family.

[HENRIETTA SOBBING]

That's around the corner from
Terry Flenory's restaurant.

[TENSE MUSIC PLAYS]

I'ma f*cking k*ll him.

Henrietta, you will not.

You... will not.

♪ ♪

[BLAZE] I warned you
to leave Terry alone,

and now he's retaliated
because of your petulance.

[HENRIETTA] Then get Major One-Time

to pull a trigger.

You already paying him.

I knew that piece of sh*t
Garr was in bed with Blaze.

I saw them at the gambling
spot the other night.

I told you this is way
bigger than any of us.

So what's the play, then?

I say we follow the path
that Henri leads us on,

let her and Terry sh**t it out.

Self-cleaning oven.

And whoever's left standing, we get...

GQ to make the arrests.

No, we can't trust
anybody at the department.

We go above all their
heads and reach out

to Councilman Amberson, like you said.

He was trying to reconnect
with Cobie before she d*ed.

With his help, we might
be able to take down

a couple of Ecorse PD's finest too.

[DRAMATIC MUSIC PLAYS]

And the good guys win.

♪ ♪

Tee, where's Meech?

He's next door.

We sat here for two days
waiting on your asses.

We been guarding the weight

while the mechanic built the safes.

You haven't got any of my messages?

You couldn't tell me that in person?

I haven't had no damn time.

Our entire organization's
in f*cking jeopardy,

including this f*cking
lifestyle that I'm paying for.

What the f*ck did you just say?

Look, you need to go
home now, all right?

I just booked you a flight.

Go home? We supposed to be on vacation.

We still got another week here.

Me and Meech gotta drive the weight

all the way to Atlanta.

You can't ride with us.

Bosses don't drive
their own weight, Tee.

Grunts do.

Look at you, still listening

to everything Meech tells you to do.

You know, I've been busting
my ass since we landed here,

sweating while making
sure you're comfortable.

I've been whipping up
extra work back home

just to provide for
everything you f*cking need.

And you got the nerve to question me?

I'm not your f*cking night nurse.

We supposed to be here as a couple.

I could have stayed home to be doing

whatever the f*ck I wanted to do

instead of being on
this dumbass vacation.

Oh, like f*cking that cop Vince?

Oh, so that's why you invited me here?

'Cause you thought I
was gonna f*ck Vince?

I almost d*ed 'cause
of this relationship.

And I still held it down
from a f*cking hospital bed.

This is not the right
place or the right time

for this conversation.

So you need to pack your sh*t,

and we're gonna have this talk at home.

You know what? f*ck you, Terry.

f*ck you.

The only thing that's
gonna be waiting for you

when you get home is LaWanda
and her milk-stained bras.

f*ck you.

[LIGHT MUSIC PLAYING]

[MEECH] Man, where the f*ck
is Tee's tender-d*ck ass?

♪ ♪

'Bout time, n*gga.

Where's Markisha?

- f*ck off, Meech.
- [CHUCKLES]

- What's up?
- Hey, Tee.

Rough time in paradise, huh?

Oh, sh*t. Come on, hurry up.

Monsieur.

_

_

[TENSE MUSIC PLAYS]

♪ ♪

[TERRY] sh*t.

- Did you f*cking set us up?
- f*ck you, Terry.

His homies must have had eyes on us.

[TERRY] sh*t.

♪ ♪

_

♪ ♪

sh*t, Glock is right by the door.

[MEECH] My ride's right there.

Let's see if we can get to
it without him seeing us.

No, let's see if we can leave
from the other side of the bar.

There's an exit.

♪ ♪

f*ck. sh*t.

[TERRY] We can't go that way.

Let's go. Let's go. Let's go.

♪ ♪

[ANGEL] sh*t. My purse.

[MEECH] Get her out. Get her out.

[GRUNTING]

[DRAMATIC MUSIC PLAYS]

[g*nf*re]

♪ ♪

[GLOCK GROANS]

♪ ♪

[GASPING]

[PEOPLE SPEAKING CREOLE]

[ENGINE REVVING]

♪ ♪

Everybody get in they cars right now.

f*cking MKs right behind us.

Hey, hey, hey, hey, hey, hey.

If you wanna live, get in the car

and follow my brother right now.

Duffy, Spyder, y'all take the Astros.

Tee, Werm, y'all take the Chevys.

Listen, Francois, I need you

to take Tina and Angel right now.

- What about you?
- There's a lookout at South Beach.

I'll meet you there, all right?

Let's go.

[TENSE MUSIC PLAYS]

♪ ♪

_

_

_

_

[DOOR CLICKS SHUT]

- Hey.
- Hey.

You know, I-I need to give
Phil and Chuck an answer.

Okay, so what you wanna do?

[CHUCKLES]

I-I wanna know what it
feels like to go on tour

and play with a professional band.

I don't know, it-it sounds like

you're asking for my permission.

But you know... you know you don't

have to do that with me.

No, I'm asking again

for you to come with me

as my wife.

[LUCILLE] Listen, um...

... Charles, I-I mean,

the truth is that,

I don't know, I-I-I think
I'm in love with Maurice.

[DRAMATIC MUSIC PLAYS]

So that's it.

♪ ♪

You-you just giving up on us.

♪ ♪

I just feel like

if I stay in the marriage that I'm...

I'm giving up on myself.

♪ ♪

[TENSE MUSIC PLAYS]

[TERRY] f*ck.

[DUFFY] Hey, man, Meech
still ain't answering.

Gimme the phone.

You not dialing right.

You know, if anybody else did that,

I'd punch in they numbers.

♪ ♪

f*ck.

sh*t.

♪ ♪

[GROANS]

Your brother's resourceful, yes?

Yeah.

Is that what I think it is?

I saw them on my father.

He d*ed when I was young.

I wanted to remember I had a family.

Damn, I'm sorry.

But-but ain't that, you
know, kind of disrespectful,

taking his pain and making it yours?

Nah.

We carry our family's trauma

whether we want to or not.

[DRAMATIC MUSIC PLAYS]

My father used to say pain is forever

but life is for the living.

Huh?

So here we are.

Living.

- [DUFFY] m*therf*cker.
- [TINA] Meech!

[MEECH] g*dd*mn, y'all
crying like Toni Braxton

got sh*t or some sh*t.

[TINA] Look, I'd trade in Toni and Anita

to make sure you alive.

Yeah, you f*cking late.

So what now?

[MEECH] Gas up and get
the hell out of Miami.

Got you.

I'm glad you okay.
We'll see you at home.

[MEECH] See you.

♪ ♪

Finally made it to South
Beach, like you always wanted.

The world is ours, Tee.

Hey, yo, real spit,

I was kind of angry
when you went to the Lou

instead of hanging back
there in the D with me,

you know, but that sh*t
forced me to make decisions.

I guess I was getting
a little too comfortable

being number two.

And now?

Since you been gone, sh*t,

I know what it's like being number one.

And that sh*t ain't comfortable.

Well, you right about that.

Now it's time to take over the world.

♪ ♪

You's a fool, Joe.

[LAUGHS]

- [HENRIETTA] Hoop!
- [g*nshots]

♪ ♪

And tell Terry he's next!

♪ ♪

[INDISTINCT CHATTER]

[MEECH] Man, what the f*ck?

We been out here for over an hour.

Ain't nobody tell us why
we got pulled over yet.

Anonymous tip.

And plus, we don't know you,

but we damn sure know your type.

Hey, yo, can y'all stop playing

and just give us back our car, please?

[HARDY LAUGHS] We ain't playing.

Man, these going to impound.

- What?
- You heard me, man.

- [GLASS SHATTERS]
- Whoo. Broken taillight.

Man, that's my m*therf*cking car.

[MOCKINGLY] That's my m*therf*cking car.

[LAUGHTER]

Good sh*t, Twolips.

And if you two n*gg*s know like I know,

you'll turn around and walk away.

♪ ♪

Let's go, dogs. [LAUGHS]

[MEECH] Bitch ass.

[HARDY] Out of my
m*therf*cking way, man. You too.

I wonder who gave them this f*cking tip.

If they find out what's
in that f*cking van, man...

Yeah, they won't.

They're called safes for a reason.

Yeah, but that's everything we had,

everything we worked for, bro.

Clearly, somebody's helping them.

[OLDER MEECH] Me and Tee was watching

our American dream drive away.

There was no f*cking way

I was gonna let our story end like this.

In my version, I'm the
savior and the champion.

I always win in the end.

[RAPPER] ♪ I'm a thr*at to society ♪

♪ That's why my neighbors
always eyein' me ♪

♪ I'm a thr*at to society ♪

♪ That's why the cops
always tryin' me ♪

♪ I'm a thr*at to society ♪

♪ That's why my neighbors
always eyein' me ♪

♪ I'm a thr*at to society ♪

♪ That's why the cops
always tryin' me ♪

♪ They think they
one step ahead of me ♪

♪ Tryin' to fight the power
but I'm the public enemy ♪

♪ I don't really got the energy ♪

♪ We both making moves ♪

♪ Mine different that's telepathy ♪

♪ When it comes to cooking
up I got the recipe ♪

♪ I got it from my pops ♪

♪ Was the man in the '70s ♪

♪ And he got it from his mother ♪

♪ Got the remedy ♪

♪ A cook game strong but
a spirit so heavenly ♪

♪ Why these n*gg*s
out testin' them? ♪

♪ Got mega powers but I
don't watch wrestling ♪

♪ If it's ever issues
gonna step through them ♪

♪ But they both froze on
the side, George Jefferson ♪

♪ A thr*at to the b*at I'm
a thr*at to the street ♪

♪ I'm a thr*at to the cops
to the powers that be ♪

♪ It's a thr*at when I walk ♪

♪ It's a thr*at when I speak ♪

♪ I'm a thr*at to the game ♪

♪ Nobody threatenin' me ♪

♪ I'm a thr*at to society ♪

♪ That's why my neighbors
always eyein' me ♪

♪ I'm a thr*at to society ♪

♪ That's why the cops always tryin' me ♪