Laurel Canyon (2002)

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Laurel Canyon (2002)

Post by bunniefuu »

[WOMAN MOANING]

[MAN SIGHING]

You want me to stop?

No, don't stop.
Why did you stop?

I don't know, you moved
your leg or something.
You want me to keep going?

Yeah. Keep going.
Don't stop.

Like that. Yeah.

Okay. Don't move.
Don't stop.

Oh, God!

[PHONE RINGING]

Oh, lord!
Oh, Jesus!

[RINGING CONTINUES]

f*ck me!
f*ck me!

Ah, f*ck you.

[PHONE BEEPING]

JANE: Sam, hi, it's me.
You don't need to pick up.

I know you're busy, like,
packing or something.

Just calling to say "yea!"

And, listen...

I'm kind of in a situation.

[GROANING]

What?

I finished.

You did?

Yeah. That was
really good.

What about you?

Uh...

Yeah, I'm fine.

You sure?

Yeah, yeah, I'm good.

[SIGHING]

Oh, my mother asked
about April again.

Why is she so
fixated on April?

I'm sure it's economic.

I can't leave then.

I know. She's probably
just trying to get
a deal on rentals.

b*at the June rush
or something ludicrous.

You wanna
change the plan?

No, I don't.

Do you?
No.

I don't know why people
get married in June anyway.

I mean, what's
wrong with January?

[PEOPLE LAUGHING]

I just never saw the
reason to go out there.

It's disruptive,
in my opinion.

Alex should be here
to finish her dissertation

and you should
stay in Cambridge
if you'll be practicing here.

Well, I'd rather be
in Cambridge, absolutely.

But the Hausman institute
is the best program
in the country.

I think you should
reconsider psychiatry, Sam.

It's a feeble discipline.

If you're interested
in brains, get to
the thick of it.

The gray matter.
That's honest medicine.

Why waste yourself
on the hopeless?

WOMAN 1: It's so
impressive, Alex.

The MD alone.

It's a tremendous
achievement.

Then a PhD.

Well, I haven't
finished it yet.

WOMAN 2: Genetics,
my God!

Genomics.

Right, of course. Genomics.

How long are you
staying with your mother?

We're not
staying with her.

Oh, I thought
you were.

No, no, no,
we're staying at her house,

but she's not
living there now.

She's an executive,
isn't she?

Uh, not exactly.

She's, uh, in the
entertainment industry.

She's a record producer.

That's right.
Alex mentioned that once.

Well, it seems you have
everything under control.

Definitely.
We've covered everything.

Think about my suggestion.

Oh, and take care
of Alex, please.

We don't want her
joining the scientologists

or the vegetarians.

[BOTH LAUGHING]

You ready?
Yeah.

MRS. ELLIOT:
You can't leave now.
We haven't had the cake!

[PLANE ENGINE HUMMING]

SAM: "Q."
ALEX: Beautiful.

Thank you.

You're behind by 40.
You have to focus.

I am focusing.

No, you're not.
You're distracted.

No, I just don't
read the dictionary,
smarty-pants.

Could I get another juice?

Can I get
another scotch, please?

I don't think you should
worry about it anymore, honey.

I didn't plan on
worrying about it at all.

It's not that much time.

Theoretically, yeah.

Oh, God, I wish
I had a Xanax.

What did she say, a week?

She wasn't specific.

Thanks.

Thank you.

I don't know
why you didn't
call her back earlier.

Neither do I.

We could've made
other arrangements, you know.

I know.
I don't know why
I didn't call her back.

I should have.

Forty seven.

[IN A FUNNY WAY PLAYING]

♪ On a summer day

♪ You can't hear her call

♪ But in a funny way

♪ She reminds you
of the fall

♪ On a summer day

♪ You can't hear her call

♪ But in a funny way

♪ She reminds you
of the fall

♪ Through the fields
and the streets

♪ And the lakes
and the trees

♪ And the grass and the logs
and all my dogs

♪ And I am

♪ Home again

♪ In the autumn air

♪ You can't see her smile

♪ But in a funny way

♪ She reminds you of a child

♪ In the autumn air

♪ Feel her soul unfold

♪ And in a funny way

♪ You feel your
romance slow

♪ Through the fields
and the streets

♪ And the lakes
and the trees

♪ And the grass and the logs
and all my dogs

♪ And I am

♪ Home again

♪ On a winter day

♪ You can't hear her call

♪ But in a funny way

♪ The snow begins to fall

♪ On a winter day

♪ You can't hear her call

♪ In a funny way

♪ You love her even more

[SIGHING]

Whose cars?

I don't know.

[GROANING]

She's really weird, Al.

I know, honey.
You told me that before.

I just wanna re-emphasize.

Okay.

It's probably

a developmental disorder
or something.

Sam.

Rarefied strain.

Why are you
telling me this again?

I just don't want
you to be surprised.

It's temporary.

I don't want you
getting upset.

Anyone's tolerable
for a few weeks.

Even the
developmentally disabled.

Come on.
I need to pee.

[DO IT AGAIN PLAYING]

Hey! Hey!

What time is it?
God, look at you!

Oh, man, you look great!

Thanks.
Really.

So do you.

Sorry. Alex, this
is Jane, my mother.

Hi, nice to meet you.

Nice to meet you,
too, finally.

It's a pleasure.

Thanks. Likewise.

Hello. I'm Ian.
One of the crew.

JANE: Ian, Dean,
Rowan, Fripp.

Hi.
Hi.

This is my son,

[GIGGLING]

Sam.

And...

Oh, Alex.

Alex. God, I'm sorry.

It's lovely to
meet you, Alex.
As well you, Sam.

Yeah.

Let's go outside
for a second. Come on.

♪ When you know
she's no high climber

it's this sh*t
I hate, you know.

I give them a gorgeous record
and they come back with,
"There's no single."

No superlatives,
no thank you's,
no congratulations.

Just "go back in
and find it."

Otherwise...

I would not be
behind like this.
I'm never behind like this.

Jane, you're always
behind like this.

No, I've changed.
Truly, I have.

Just take your time
and finish the record.

And we'll stay in
Malibu, all right?

No, you can't stay
in Malibu.

It's ok, it's for
a couple of weeks.

It's Bobby's.

What do you mean,
"It's Bobby's"?

I gave the house
to Bobby.

You gave the house
to Bobby.

Just for a little while.
Till he gets back
up on his feet.

He doesn't have feet.

Bobby's a basket case.

No, I gave him a deadline.

Oh, I'm sure
that'll motivate him.

Look...

It's complicated, okay.
I feel a little guilty
about this one.

Yeah, what?

I left him.

So you gave
him the house?

It was the
right thing to do.

Why did you
break up with Bobby?

I thought Bobby
was the real thing.

Well, then
I got to know him.

What do you
want to eat?

Curry.

We're going for a bite.
Care to join us?

No, thanks.
We're exhausted.

No?

Our loss. Another time.

See you, Jane.
See you, baby.

Bye. See you later.

See you.

[DOG BARKING]

See you
in the morning.

All right.
Unless you wanna...

See you
in the morning.

Nice to meet you.

They don't
have a single.

I'm sorry. I thought
Sam would've explained
how things get.

No. He just thought
you'd be gone.

I mean finished.

Happens a lot
in this business.

Things shift,
plans change,
people get fired.

Sure. Of course.

Yeah, what are you gonna do?
Things shift, plans
change, people get fired.

Yeah, we just
hadn't planned on
a change of plan. So...

Well, who plans on
a change of plan?

I mean, that would
be sort of paranoid,
don't you think?

Do you want
something to drink?

No, thanks.

Look,

I think you guys should
stay as long as you want.

Really, I want you
to be comfortable.

This has nothing
to do with you.

I'm really happy
to have you here.

Want some?

No, thanks. I'm okay.

Sam?

She is so embarrassing.

She's fine.
She's amusing.

Oh, yeah.
Like a minstrel show.

Come on.

[SIGHING]

She's a little odd.

Her presentation's
a little odd.

But I think
she means well.

I don't know
what she means.

In fact, I never have.

[LAUGHING]

You made it sound
like she was autistic
or something.

She is, in a way.

I mean, she makes
the Same mistakes
over and over.

Well, she's obviously
very accomplished.

Yeah.
The irony of all time.

I'm sorry, Al.

What are you
sorry about?

Bringing you here.

I should've taken that
spot at Mass General.

Your dad was right.

We should've stayed
in Cambridge. I f*cked up.

Stop it.
You didn't f*ck up.

Why didn't you tell me
she was so successful?

I told you.

No. You've hardly
told me anything about her.

You hardly asked.

That's not true.

[SIGHING]

[FOOTSTEPS APPROACHING]

Sleep tight.

All right.

Do you think
Sam likes me?

No. Why would he?

There's nothing
to like about you.
You're totally unlikable.

Ow! You bitch!

[LAUGHING]

Wait. Come here,
come here.

[JANE GIGGLING]

sh*t!

I'm sorry.
Did I wake you?

No, not at all.

I can't sleep lately.
My clock is f*cked.

You don't have to do that.
Carmella's coming on Friday.

It's not a problem.

Well, don't
cut yourself.

Hey, come on.
I got it, really.
You're barefoot.

Hmm, why are you up?

I got to be at the hospital.

It's so early.

Yeah, it's a real job.

That's too bad.

No, I don't
feel bad about it.

We should spend
some time together.

Yeah.

With Alex.
Yeah.

She's sweet.

I think so.

Hey, I've got
box seats at the Bowl.

Maybe we could do that.
The four of us?

Get some wine,
some weed, some chicken.
The weather's been fabulous.

Yeah.

I probably won't
have time for a while,
but I'll let you know.

Okay.

But thanks for the offer.
That sounds nice.

Sure.

That's your new guy?

Uh-huh.

[LAUGHING]
How's it going?

Great.
Yeah?

He's a beautiful man.
I'm really happy.

Yeah?

We have a really
deep connection.

Probably deeper than
I've had with anyone.

Even Bobby.

Wow!

Didn't you have
a deep connection
with that guy...

Randy?
[CHUCKLING]

Randy?

Yeah, Randy. The guy,
the roadie with the limp.
Lived here when I was 12?

Ronny.
Ronny.

Yeah, I had a
connection with Ronny.
It wasn't particularly deep.

What about Veronica?

You got deep
with her, didn't you?

Veronica and I
stopped having sex
after the 3rd month.

Anyway,

Ian gets me. This is
completely different.

Well, that's great.

That's great, Jane.

Listen.

Alex is, uh,

working hard on
her dissertation.

And, um,

I'd appreciate it if you
could keep it low key
while we're staying here.

You know. Just keeping
doors shut and stuff.

Uh, I think
she'd appreciate it.

I want her to feel
comfortable here.

Yeah. So do I.

You know, the situation's
kind of foreign to her.

She's used to working
in a lab, or an office

alone.

She's not used to
being around people.

Well, she must get lonely.

Okay.

[DOOR SHUTTING]

Okay.

[CAR HORN HONKING]
[TIRES SCREECHING]

Come on, Claudia.

I'm not gonna
slap some bullshit
together for radio.

I don't work that way.
You know that.

CLAUDIA: I hear you, babe.
It's all good.

But there's a slot open now,
and we need to jump, yo.

I got to have all
my elements in place
for the holidays.

We need to move units...
Christmas?

f*ck that.

Oh, Claudia, please
don't take me there.

Please, don't depress me.
I couldn't give a sh*t
about Christmas.

f*ck Christmas.

This isn't Nat King Cole.
You know that.
You know what you got.

Why are you up my ass?

See, this is why
we get into trouble
with you, Jane.

And this is why you
always end up coming
back to me, Claudia.

God, I love that woman.

Where are we?

Two minutes.

Okay. This is the
locked ward, obviously.

And these are the patients
in the locked ward.

Some of whom
you'll be getting to know
intimately very, very soon.

How are you
doing, buddy?

PATIENT:
I'm not stealing them!

I took my medication.

You're stealing my pieces.

No, it's down
your sleeve.

It's in her sleeve.

MAN: I appreciate it.
I'll just...

Sara Golan, 2nd-year
resident extraordinaire.

Meet the new recruits.

Hello.
ALL: Hi.

I think I'm bringing
them down. Tell them
it's not so bad.

[WITH ACCENT]
It's not so bed.

You see?
It's not so "bed."

All right. Onward.

Christmas. Slots and units.

A limited universe.
It's depressing, really.

So up your Wellbutrin.

I'd rather up my Vicodin.

Move that unit,
lady in the track suit.

You know what I think?

I don't,
but I'm dying to.

I think we made
a beautiful record,

and cowards notice last.

You're very deep.

You think so?

I do.
When you're not talking.

f*ck off.

[MAN COUGHING]

[MEN TALKING INDISTINCTLY]

[MEN LAUGHING]

I'm sorry. Here,
let me turn it down.

No, it's fine, really.

So, what are you
working on upstairs?

Excuse me?

You seem
exceedingly absorbed.

Oh, I'm writing.

What, a novel?

No, my dissertation.

Oh, brilliant.
What's it on?

What's it on?

You have a subject?

Specifically?

Yeah. We went
to university.
We can handle it.

The genomic determinants
of sexual behavior
in the drosophila fruit fly

and its implications
for h*m* sapiens.

Really? The sex
life of flies.

No, the reproductive

behavior of the fruit fly.

Excuse me.

He didn't mean it, Alex.

Honestly, he's
got low self-esteem.

He had acne as a child.

[ALL LAUGHING]

You c**ts.

Hey.
Hey.

Yeah.

There's not much in here.
We've been doing
takeout lately.

Oh, that's okay.
Is there a store nearby?

Why don't you join us?

Oh, no.

Come on, seriously.
Alex, you don't have
to be polite with me.

Polite isn't my thing.
I'm sure Sam told you that.

No, well, I wasn't
being polite.

I just, I should
just get some air.

Air's good.

Always better than a
cocktail at this hour.

[MIXER WHIRRING]

You're welcome to
listen to the record
sometime if you want.

Oh. Sure.
Yeah, I'd like to.
I'd like that. Thanks.

Hmm, well, you'd
be helping us out.

It's like a psychic sauna
in there at this point.
We're wasted.

Well, I'd love to listen,
but I don't think
I'd be much help.

I don't really know anything
about popular music.

Sure you do.

Anyone with instinct
knows about popular music.

That's why it's popular.

You strike me as someone
with strong instincts.

I guess so.

Well, you know
when you're repulsed,

and when you're
turned on, right?

Um...

I suppose so.
In general, I guess.

That's all it is.

Either it pulls you in,
or it leaves you cold.

Sorry, you want some?
It's great for the colon.

Oh, no, thanks.

[SCREECHING]

They're definitely
taking it.

Okay, thank you.

[PHONE BEEPING]

Hi. Yeah, I'm calling
about the apartment.

You did? Okay.
All right, thanks.

Everything all right?

Yeah. Yeah.

[CAR HORN HONKING]
[TIRES SCREECHING]

Oi!

What'd you get?

Uh, food.

Good timing.
I'm famished.
Get on.

No, I'm fine.
I need the exercise.

You'll have a heart att*ck
dragging that load
up the mountain.

No, it's fine. Really.

Jane asked me to get you,
sweetheart. Get on.

I promise I won't
tell your parents.

You really didn't
have to get me,
you know. I'm fine.

Hold on to me.

[ENGINE REVVING]

Tighter.

So, where are
you staying now?

Up in Laurel Canyon.

It's just that
the house that we're in
was supposed to be empty,

but my mother is
producing a record there.

And she moved in because
she left her boyfriend

and she gave him
her beach house

because...

Anyway, it's convoluted,
and not very interesting.

No,
it's definitely interesting.

[SIGHING]

It'll work out, really.
It's more a logistics
issue at the moment.

Uh...

That was you
in the car, right?

Yeah.

You almost k*lled me.

Well, yeah.
I'm sorry.

You should be.

It was unbelievable.
Every call I made,
someone had just nabbed it.

I'm fine staying here, honey.
I don't mind. Really, I don't.

She's in your way, Al,
you know? I mean,

she has no boundaries.

You need your privacy.
She's not in my way.

I'm working in private.
It's not a problem.

What about the noise?

They're respectful
when the door's closed.

What about when
the door's not closed?

Well, then it's open.

Can you hear them?

No, not really.

"Not really," what is that?
That's "yes," right?

No. That means
no, not really.

Look, Al,
don't get technical.

I'm just trying
to work it out.
I'm just trying to help.

You are?

Yeah, I am.

Ok, can she
pick you up tomorrow?

Yeah, she said
she could.

Okay,
then I'll start looking.

Well, good.
That'll be good.

Maybe we should
look in the valley.

It's cheaper and quieter.
North Hollywood or something.

♪ I love the girls
and the money

♪ And the shame of life

Yeah, Mickey's here.
Everybody's f*cking here.
Come over.

I'm not talking about work,
I've got a band with me.

How you doing, Rowan?

Hey.
Hey!

You didn't have to go out.
We made tofu steaks.

Oh, yeah?
Sorry we missed that.

What do you got there?

Pizza.

You want some?

Lovely.

Mmm, delicious.

Real meat.

Whose kid is that?

That's Rowan's baby, China.

Come here,
you little heart breaker.

[CHINA LAUGHING]

You look cold.

Meet my friend, Alex.

Say hello.
Hello.

You want your dad?

Yeah.

Your dreadful dad.

Can I get
you two a drink?

Sure.

[PHONE RINGING]

Hello?

Hi, is Sam there?

Sugar?

Please, thank you.
I'm really sorry
I woke you up.

No. I'm usually up
before 6:00. I overslept.

Morning. Sorry.

Should we go?

Well, Alex made coffee.

Do we have time?

I think so.
I drive fast.

Okay.

Thanks for picking him up.

I wasn't expecting to
be apartment hunting.
I mean, we weren't.

It's not a problem.

Really. I'm happy to.
It's right on my way.

That's convenient.
Where do you live?

In the valley.
Oh.

North Hollywood.

Oh.

Why can't you
stay up here?

It's a little
tight with everyone.

That's too bad.
It's really nice.

I'd sacrifice space
to be up here any day.

Are you a resident?



Oh.

What do you do?

I'm writing
my dissertation.

What on?
Drosophila genomics.

She's an MD as well.

Wow, that's
very impressive.

Not really.

Oh, it impresses me.

Thank you.

You must have
a lot of patience.

I don't know,
I couldn't imagine
analyzing data all day.

It seems so...

Tedious.

Well, it's not
meaningless at all.

No, no, I didn't
say meaningless.

Did I?

My English is terrible.
I'm sorry. I said
tedious, I think.

Well, same difference.

But I didn't
mean that.
I meant...

I don't know the word.

Serious, that's all.

It's fine. Sorry.
I didn't mean to...

No. No. I'm sorry. Really.
I didn't mean the as*ault.

Insult. We should
probably go.

Well, it was
nice meeting you.

You, too.
Bye.

Your girlfriend
seems nice.

Yeah.

She was tired.
She's usually more...

She's usually different.

A double degree.

She must love school.

Yeah.

She got through fast.
She's really smart.

Yeah, she must be.

Ambitious.

Well, yeah.

Top in our class, actually.

Really?

Yeah.

How can you
compete with that?

[PANTING]

Methamphetamines.
Ecstasy. Generic. Ice.

We're not sure
what he took.

Vital signs still
haven't stabilized.

I'll be around.
Page me if you
have any questions.

Uh, you wanna start?

No, he's yours.

Okay.

How you doing, Wyatt?

I'm f*cked up, okay.

I've got these f*cking
Nazis in the parking lot
waiting to f*cking bang me,

and I'm f*cking
trapped in here!

Okay, how old are you?



You have any family around?

No, I don't have
any family around,
you f*cking assh*le.

Leave my f*cking
family out of it,

you f*cking paranoid
n*zi freak in
a f*cking white coat!

Leave my family
out of it, okay?

I need IM meds, 511 stat.
Wyatt, sit down.

Sit down.

Sit down.

[PANTING]

Okay.

What the f*ck is 511, huh?
What the f*ck is that, huh?

Is that a f*cking code, huh?

Is that a f*cking code?
Is that a f*cking
prison code?

Is that a f*cking prison code?

Don't f*cking take me out.

Please, God, don't.
Don't f*cking take me out.

Please don't.
Please don't take me out.

It's okay.

[MUSIC PLAYING]

I'm not feeling that.
What's with the gallop?
The tempo's sh*t.

Yeah.

I'm right. Right?

Yeah.

♪ I could not crawl
back if I tried

No. No. no.
Let us get into it.

It's got to have
texture like,
you know, like ooze.

Sonic ooze.

Sonic ooze.

Okay, baby.
How about a horn section?

A little
Tijuana brass maybe?
I heard Herb's in town.

Now, now.
Let's not get patronizing.

That's not patronizing.
That was accommodating.

I was accommodating you.

Against my
better judgment, even.

[MUSIC PLAYING]

♪ There's something
going on around here

♪ I could not
crawl back if I tried

♪ I couldn't wait around

♪ I couldn't wait
another second

♪ There's something
going on around here

♪ I left my baby on
the side of the highway

♪ She just couldn't
see things my way

♪ So tell me why

♪ The beautiful ones
are always crazy

♪ She's whisperin'
like a mortician now

♪ I left my baby on
the side of the road

♪ I left her
with a heavy load

♪ Someday

♪ Someday

♪ I will treat you good

♪ You know I should

Sweet. That's it.
That's the direction.

I've overplayed it.

No, it's not the
bass line. We got to
straighten out the b*at.

It should be faster.

No, I know what
she's doing, sultry.

She's going for romantic.

Is that what
you're going for, Jane?

A love song?

[ALL LAUGHING]

Come on!

Let him go. No,
let me at them!

Oi, those are mine.

JANE: What are?
IAN: Your tits.

You're such a brute.

Hello.

Hi!

Am I interrupting?

Absolutely not.

It's an unexpected
pleasure, really.

We were just
discussing romance.

Come on in.
Sit down. Come on.

I'll see you tomorrow.

Yeah.

Have a good night.

[MUSIC PLAYING]

I'm really starting
to love this.

It's dated, you know?

IAN: It's not dated.
We just wrote it.

It doesn't have
a date on it yet.

Why are you so contrary?

'Cause you wouldn't
respect me otherwise.

You think so?

Babe, I know so.

Good.

I love a man who
speaks his mind.

Even when
it's bullshit.

Hey, stranger.

Hey, you.
Hey.

What time did you
come to bed last night?

I tried to wake you.

Really?
You didn't move.

I didn't even feel it.

How'd it go yesterday?
Hmm?

With the apartments?

Good.

What's the status?

I saw a few things.

Most of them were
pretty disgusting.

Yeah.

I think it's gonna
take some time.

I was sure there
was something perfect
in here just ready to rent.

So how was work yesterday?

Uh, strange.
I had to deal
with a 16-year-old

having an ecstasy-induced
psychotic episode

and he thought I was a n*zi.

How ironic.

And upsetting.

Yeah, he was
pretty upset.

This one looks good.

Which one?

This house,
in the valley on Greenleaf.

Right there.

Okay.

Were you, uh,
in the studio
for a long time?

No, not too long.

Just taking a break?

Yeah.

Did you get
much work done?

Yeah, I think they're
pretty close to finishing.

No. On your dissertation.

Oh, yeah.
It's going really well.

Did you
enjoy yourself?

Where?
In the studio.

Yeah, I did actually.
It was stimulating.

Good.

Jesus.

I don't know
how you two stand
getting up so early.

That would
totally burn me out.

Hello.
Hi.

You're right on time.

Oh, he's very friendly.
He's a pussycat.

You see that?
He likes you already.

Come on in.
I'll show you the house.

[DOG PANTING]

I want you to take
the gown out of your bag,
Gloria, and put it on.

This isn't
appropriate for public.

You don't
understand naked.

Naked is inner.

I am here with you.

There is no shame.

There is no separation.

And...

I'm not ill.

Yes, you are ill, Gloria.

[LAUGHING]

And I have no need for
a green synthetic nightie,

used to conceal the essence

of my supple skin
and my aching soul

in the barren desert
that is this land.

I'm moving in with
my son in Costa Mesa.

He thinks I'm lonely.
Truth is, he's lonely.

Sweet kid. Just can't
seem to connect.

Me and my wife
lived here 40 years.

It's lovely. Really.

It's really lovely.

You seem like
a very nice person.

I hope you
take the place.

[DO YOU KNOW WHAT I MEAN
PLAYING]

♪ Been 40 days
since I don't know when

Come on.

♪ I just saw her
with my best friend

[WOMAN WHOOPING]

♪ Do you know what I mean

Come on, baby!

p*ssy!

♪ I just saw her yesterday

I don't know about trust.
Maybe she just needed
a nap or something.

Believe me, she's been
belligerent with
everybody else.

I dealt with her
last year.

I just listened
to her, really.

Yeah.

Well, listening

it's better than medicating,
no matter what they tell you.

Can I tell you something?

Yeah. Sure.

[DOOR BANGING]

Hi.
Hi.

Hi, how are you?

Fine thanks, you?

Fine. Thanks.

Did I leave you
enough room?

Oh, yeah. Yeah.

See you in the morning.

[CAR STARTING]

[ALL WHOOPING]

[SCREAMING]

♪ Do you know what I mean

Another day
at the office.

♪ Do you know what I mean

All right.

Hey. How's it going?

Good. You?

Okay.

Hey, come on in the
water. It's delicious.

Uh, maybe later. Thanks.

IAN: Well,
you're always welcome.
In fact, more than welcome.

Obviously you're welcome.
Bloody hell, it's your house.

I'm sorry.

It's not your fault.

Just someone else
got there first.

The house was gone.

You know, it wouldn't be
the worst thing to stay here
a little longer.

It's comfortable.

Well, depends on your
definition of comfort.

I mean, Al,

I'm hardly ever here.
It's not for me,
it's for you.

Is it?

[PEOPLE CHEERING]

WYATT: Can you give me
some lemonade?

I'll see if
there's some around.

How did you sleep?

I don't know.

Whatever you hit me
with took me down, man.
I feel f*cking drugged.

Yeah? Well,
you were drugged.

I don't like downers.

Well, you weren't liking
the uppers either.

Yeah.

I told you not
to call my house.

Look, I had to contact
your family, Wyatt.

You're underage
and that's the law.

My mom's gonna kick my ass.

I mean,
she's freaking now,

but she's gonna
torch my f*cking ass
when I get out of here.

Why are things so wrong
with your mom?

I don't know.

You seem like you do.

She just doesn't
get me, all right?

She's in my face
about my grades,
my hair, my friends,

tattoos, and all this
other sh*t, you know?

I can't do
nothing right, so...

Why should I care?

♪ I left my baby on
the side of a highway

♪ She just couldn't
see things my way

♪ Someday

MICKEY: f*ck!
What?

I missed the punch.
I f*cked up.

Mickey, sweetheart,

would you just keep that
to yourself next time, huh?
Let him play it through?

Let me talk to him.

Sorry. Yeah,
it's not quite there,
but that's the direction.

Was that okay?

Yeah, oh,
we'll finesse it
in the mix.

We'll make it work.

[SIGHING]

What do you think?

Truthfully?

No, lie to me.
Yeah, truthfully.

I'm not feeling it.

You're not feeling it.

I'm sorry.

No, it's okay,
don't apologize.
Just tell me what you mean.

Well, I don't know
what I mean exactly.
I just, I mean I...

I guess it's just
not pulling me in.

Or it feels like it's
not pulling them in...

Exactly...

Or enough.

I don't know.

Um...

They don't seem inspired.

Inspired?

Hmm.

[PHONE RINGING]

Yeah?
CLAUDIA: Progress report.

Excuse me?

"Progress report"?

No "hello, how are you?"
Jesus, Claudia.
You're really warming me up.

What?

I love capitalism
as much as the
next guy, Claudia,

but this
is off the charts.

Your commerce is
so far up my ass,
I can't even sit up straight.

Listen, Jane.
The age of Aquarius
never happened, okay?

Get real.
This is commerce.

I'll tell you
something, Claudia,

for the good
of your own soul.
Pushing for Christmas

and radio play will never
amount to anything

but a lot of sh*t
in wrapping paper.
I promise.

I don't know
what happened, Jane,
you know.

We really used to be
on the same page.

I don't know what
happened either, Claudia.

I guess you
started exercising.

Got to go.

Bitch.

c**t.

IAN: Can we just
say how lovely
Jane looks today?

Can we just have
a moment of appreciation
for our sweet, lovely Jane.

[ALL CLAPPING]

[WHOOPING]

[WHISTLING]

Jane rocks.

Get the f*ck
out of my chair.

I had a math teacher

in high school who
was sort of my mentor.

You know, I was

one of those science geeks,
and my mother
wasn't really around, so,

he took me under his wing,
and he convinced me that

I should be a doctor.

Which seemed like
the right idea at the time.

So, I guess I needed
to, uh, prove myself.

To who?

Who are you trying
to prove yourself to?

I don't know.

My math teacher.

Your math teacher?

You got through
Harvard medical school
for your math teacher?

Yeah. No.

I guess I was trying
to prove myself to myself.

You know, I needed to

prove that I wasn't a loser.

A loser? Why would you
think you were a loser?

I was around
a lot of losers
growing up and, uh,

not...

The worthless type loser,
or, uh, you know,
a bad person, just...

Just lost.
People at loose ends.
And I didn't want to be that.

I wanted to be
anything but that.

You're everything but that.

I set up a meeting
with his mom.

It's not protocol,
but I think it'll help.

Is he still violent?

No. No, he was
never violent.

Oh, I thought you
had to restrain him.

No, I sedated him.

Oh, I thought
he was psychotic.

Huh? No.

He had a psychotic episode.
He OD'd on

methamphetamines but,

he's not psychotic
in general.

Oh.

When did you start
reading Spin Magazine?

I'm not really reading it.

What, are you
just looking at it?

Oh, skimming it.

Is it helping?

Yeah, it's, uh,
it's informative.

A different overview.

Like a primer?

Yeah, something like that.

Getting the basics.

A light survey
of popular culture.

Are you teasing me?

No.

What, should I be reading
the Journal of Medicine
or the Harvard Review?

No.
Would that be
more appropriate?

Or something more scholarly.

No, come on, Al,
I was... I was teasing.

'Cause, you know,
I could harass you about
those p*rn magazines,

but I didn't
even bring it up.

[GASPS] What...

Come on.

I don't care about
the p*rn magazines.

I just didn't know
you liked jugs.

Oh, God.

Sorry I don't have
enormous breasts.

Please, stop it.
Your breasts are fine.

Your breasts are perfect.

Really.

Yeah, but who's
had 72 lovers?

Where did you come up
with that f*cking number?

I'm guessing
from what you said.

Well, I'm 16 years
older than you.

That's a lifetime
of f*cking.

And I am not apologizing.
My past isn't about you.

Oh, that is cold.

No, it's not. It's clear.

You're gonna keep me
in my place, are you?

I'm not gonna
keep you anywhere.

You are free
to move around.

Well, I'm not moving,
for your information.

You can keep working
your tough girl thing, Jane,

but I know you're
madly in love with me.

That's irrelevant.

[MY ONLY LOVE PLAYING]

♪ Do I ever wonder

♪ More than words can say

♪ Heaven knows
it's hard enough to pray

♪ Let me tell you something

♪ There's a change in me

♪ Even now you're gone,
you'll always be

I'm kind of...

Tired, baby. You know.

♪ My only love

[JANE MOANING]

[IAN MOANING]

You're up early.

I know. I'm not
happy about it.

You need some valium?

No. I don't wanna get back
into that sh*t again.

Yeah,
that wouldn't be good.

Try swimming.
It helps.

So, how are you?
How's work going?

Good.

Just not sleeping
enough myself.

Yeah, I'm sure.

Hospital's been busy.

A lot of psychos, huh?

No, just a lot of...

Pained souls.

Listen, I appreciate

[CLEARS THROAT]

your interest in Alex.
I meant to tell you that.

I really like Alex.
I like her a lot.
She's smart.

Yeah.

I know I was a little
protective of her
when we first got here.

I just, wasn't sure
how she was gonna
deal with...

Your scene.

I think she's
dealing just fine
with my scene.

Yeah.

I think she likes it.
I mean, obviously!

She's getting
stoned with you
and she's reading Spin.

I don't read Spin.
I've never read Spin.

Anyway.

Look, she found
her own way
into the studio.

It had nothing
to do with me.

Yeah.

It's always like
that with you,
isn't it? They...

They always just happen
to, uh, find their way in.

What's that
supposed to mean?

It means you're charmed,
that's all, just...

Someone's
looking out for you.

Nobody's looking out
for you? I'm sorry.

Come on. Your life
looks pretty good
from my perspective.

Well, I've worked
for what I have.

And I haven't?

[SIGHS]
You are so stuck
on the negative.

I'm not stuck
on the negative.

Yes, you are.

It's like you've
completely blocked out
all the fun we used to have.

I haven't blocked it out.
It's all filed.

Oh, what about
the trip to Vera Cruz?

Yeah.

When Ronny went to jail?

No, no, before that.
When we were out
on his boat.

In the storm?
Yeah.

That was fun?
That sucked!

No, it didn't.
It was exciting.

Even you thought
it was exciting
at the time.

I wasn't excited.
I was hysterical.

There's a huge difference
between hysteria
and excitement.

[SIGHING]

Are we ever gonna
have a relationship?

[LAUGHS]

We're having
a relationship.

Here we are, having it.

Look, Ian's got
a room at the chateau.

We'll go stay there
for a while, and you can
have the place to yourself.

No. You should just stay.
I mean, Alex is still looking
for an apartment, and...

We need something
permanent anyway.
So you should just stay.

Why don't you ask her?

Maybe she wants to be
alone in the interim.

I'm sure Alex
wants you to stay.

I mean, she can't
stay away from you
as it is.

[BIRDS CHIRPING]

Oh!

[ALL LAUGHING]

He's gonna give
her a frontal lobe.

JUSTIN: No,
he'll just give her
thorazine and lock her up.

LAURA: I think
she wants to
be locked up.

Yeah, exactly.

Make your
analysis at first

with three general patterns
of emotional response.

Rage is the response
to the primary
stimulus of thwarting.

Should I be
embarrassed for us?

SAM: I am.

TOM: You gonna
have another?

You know,
I should probably go.

Oh, come on, Golan.

How often do you get
a night and a morning off?

MAN ON TV: ...experiences.
They respond with
various emotions.

I'd stay for another.

Okay.

And the emotional
response to love,

is usually the result
of a show of affection

or favor.

Tom, can I use
your phone?

Yeah. It's, uh,
it's right in there.

...the emotions
with which we start...

I think we'd do
really well together.

Absolutely.

For a while.

Oh.

Will you get
past the cynicism?

I just broke up
with somebody, baby.

Oh.

I thought you
forgot all about him.

[CHUCKLING]

ALEX: Hello?

Al?

Who are you with?

Just some of the residents.

Oh.

I'd like to leave, but, um,

Sara's driving,
and I don't wanna be rude.

MAN ON TV: Later
Cassandra was found
in a back alley...

You wanna come down?

No, I'll see you
when you get home.

All right.

MAN ON TV:
...adequate facilities
for handling addiction cases.

Cassandra was here committed
to the ward assigned
for the mentally ill.

You're ageist.

That's what it is.
Oh, please.

Then what are
you afraid of?

Breaking your heart.

Running your ass
into the ground, buddy!

Bollocks.

Then why do you wanna
ruin this with domesticity?

Because

I've never met
a braver woman.

And I'm deeply, deeply
attached to you.

[LAUGHING]

Looks like
we've got company,
you know.

Hmm.

IAN: How you doing, Alex?

Okay, I think.

Getting some work done?

No. Not tonight.

Where's Sam?

Out.

What, without you?

Well, I didn't want to go.

So, pour yourself a drink.
Spend some time with us.

Yeah, go up, get a drink,
and come back out.

Are you sure?

She's sure.
I'm positive.

IAN: I'll have
another whisky sour
while you're at the bar.

So will Jane.

Cheers!

Ah!

Tasty, eh?

It's a good combination.

Ah, you made it perfectly.
You should be a bartender.

You wanna come in?

No, that's okay.

You sure?

Yeah, I'm okay.

Oh, have you
just washed your hair?

No, I haven't.

So?

So, I just don't
wanna get wet.

Really?

You seem like you do.

Cut it out.

What? She wants to swim.
She's afraid to get wet.

I'm not afraid.

JANE: Oh!

Ow! You little tart!

[LAUGHING]

Come on. You've had it.

[SCREAMS]

Oh, sh*t!

God, what...
I can't believe you!

See what I have
to put up with?

It's not so bad, is it?

Yeah, it's freezing.

That's 'cause your
clothes are wet, silly.

You really are
a jackass, God.

Oh, no name-calling, now.

We're all adults here.

[JANE GIGGLING]

♪ Ain't got nothing at all

♪ Sweet nothing

That's better,
isn't it?

Well, it's
definitely warmer.

IAN: I'm sure.

I'd much rather be
in here than out there
in that cold world.

[IAN LAUGHS]

You're so polite, Alex.

It's okay to
leave the ivory tower
and live a little.

[LAUGHING]

[IAN SCREAMING]

JANE: Fight back!

[SHRIEKING]

[ALL LAUGHING]

Ow!

[IAN LAUGHS]

♪ He will let you up

♪ But he'll let you down

♪ Sweet nothing

♪ You ain't got
nothing at all

Yes, I can drive.

Well, you shouldn't.
You're drunk.

I'm not drunk.
I drank less than you.

No, you did not.

Well, you wanna
k*ll me again?

I didn't k*ll you
the first time, did I?

Oh, sh*t.

God damn it,
you're flustering me.

Turn it to the right.

I know how
to open a door.

Apparently you don't.

Give me a break,
I'm drunk.

You should let me drive.

Get in.

Sara.

Yeah?

I think we should
take the high road.

What would that be?

Sublimation.

Oh.

Is that okay?

It's intellectual.

I know.

Not very honest.

Well...

Not very satisfactory.

Satisfying.

I think you know
what I mean.

[SIGHS]

[CRICKETS CHIRPING]

[FOOTSTEPS APPROACHING]

SAM: Al?

Hey.

Al?

You up?

Huh?

You up?

I am now.

Can we talk?

Okay.

Are you okay?

Yeah.

I'm just, uh...

Wondering about something.

Okay.

Why does your father

hate psychiatrists?

He doesn't
hate psychiatrists.

Okay, so...

Why does he hate me?

He doesn't hate you.
What are you talking about?
He thinks you're great.

Why are you so concerned
about what my father
thinks suddenly?

You know, he's a puritan.

He quotes Proust
and wears tweed.

He doesn't know
anything about us.

Do you think
that we should've

gotten married before?

Before when?

Before coming out here?

[SNORING]

[BIRDS CHIRPING]

He runs around
with low-class people.

He spends all my
money on dr*gs.

And ends up
in a mental hospital!

Well, I'm so close to
letting go on him.

I'm at the end
of my rope here.

I think that
what's going on with
Wyatt is complicated.

And I don't think
that your anger is helping
him with his problems.

My anger?

I'm not angry. I'm furious!

Because this is all
about me, you see.
It's all about me.

And I will not tolerate
this disgusting,
degenerate behavior

and disrespect for
me and my values
and what I stand for.

Mrs. Jones, listen.

Give your values
a rest for a second.
Your kid's in trouble.

[GUITAR PLAYING]

IAN: ♪ May your shade
be sweet

♪ And float upon the lakes

♪ May your shade be sweet

[PHONE RINGING]

Yeah.

Oh, Jesus, Claudia.
Give me a f*cking break.

No, my relationship
with Ian has nothing
to do with this.

It's none of your
business anyway.

No, it is not
slowing anything down.

These conversations
are slowing us down.

I can't believe
I'm listening to this.
That was totally patronizing.

Claudia.
It's Ian McKnight.

Lovely, thanks.

Listen, I don't know why
you're so fascinated
with our sex life,

but for the record,
Jane's an amazing shag.

Right, well, more
to the point, we're just
about done with your single.

And I'm sure
you'll be orgasmic
when you hear it.

So let's give the
telephone a little rest
till then, shall we?

Cheers.

Great.

You're a f*cking
diplomat. This is it.

It's going to hell.

Oh, f*ck her.

Who the f*ck cares?
We'll take it somewhere else.

Okay.
You hire a lawyer.

That's how
I wanna finish.

What, with a lawsuit?

No. With that song.

Which song?

The song I just played you.

It's a ballad.

So what?

You want me to
hand them a ballad?

That's right.

You're kidding, right?
Tell me you're
f*cking kidding.

No, I'm not f*cking kidding.

Alex was right.

Alex was right?

The other song
doesn't pull you in.

It pulled me, it pulled me
right across the room.

I'm serious.

Is this about Alex?

No.

Alex doesn't know
anything about this.

She's into flies
and domination.

Determinism.

Ian.
Jane.

Ian!

Do you like it?

Jane?
What?

Did you?
Yeah.

Yeah?

I said I did.

Well, all right then.

Let's just finish
the record, darling.

I can't stand
to watch Claudia
wank you off any longer.

It's starting to
make me jealous.

[CHUCKLING]

♪ I could look in your face

♪ For a thousand years

♪ It's like a civil w*r

♪ Of pain and of cheer

♪ If you was a horse

♪ I could help you
with your chains

♪ I could ride you
through the fields

♪ By your fiery mane

♪ May your shade be sweet

♪ And float upon the lakes

♪ Where the sun could be

♪ Made of honey

♪ I'd cry diamonds
while you burn

♪ 'Cause no one
here can save you

Oh, God, sorry.
Excuse me.

Hello, Sam?
Hold on one second.
I'm just gonna...

Hey.
Hello.

Huh, where?

No, I can't hear you.

Oh.

There are a lot
of people there?

Yeah. I guess
like 15, 20 or so.

Uh, shrimp cocktail
and something else.

No, I didn't see
any crab cakes.

Do you wanna come up?

No,
I probably won't.

No, no, stay.

Yeah, yeah, I'm sure.

Okay. I will.

I promise.

[PHONE BEEPS]

Were you trailing me?

Maybe.

Why didn't you
catch up to me?

Sara.

I was sublimating you.

[CAR DOOR SHUTTING]

[MUSIC PLAYING]

You're not meant
to be in a band,
you know?

You're meant to
work in a bank.

Everything else is happening.

SARA: I'm not usually
so aggressive.

SAM: I don't
believe that.

I'm not.

I just, um...

I don't really
know you, uh, I...

I just feel
connected to you.
I feel...

I feel safe with you.

Like it's okay
to be honest.

It's just one
of those things.

I'm just attracted to you.

And it's not just because

I think you're
incredibly sexy.

[SIGHING]

I think that

you're incredibly
attractive, too, Sara. I do.

You do?

Yeah, I think about you.

Trust me.

A lot.

How do you
think about me?

How?

Yeah.

Do you think about
having sex with me?

Yeah.

How?

How do I think about
having sex with you?

Yeah.

Do you think about
me going down on you?

Yeah.

That's...

That's part of it.

Yeah, me too.

I think about
how you'd taste.

I'm sure you'd
taste sweeter.

Do you resist me?

No.

Do you give yourself over?

Yeah.
Completely?

Completely.

Mmm.

[SIGHS]

That gets me off.

You're easy.

No. With you I am.

So, do I get to...

Do I get to work on
you for a while or...

Or do we just fall asleep?

You can work on me
all night long.

[GUITARS PLAYING]

I mean,
you're with someone.

Why would I let myself
fall in love with you?

Oh, what, like I'm...

I'm just an object to you?
I'm just like a piece of ass?

You just looking
to get laid?

Yeah. Right.

God! You're like a girl.

Oh, thanks. That's...
That's really flattering.

Yeah, it is. Maybe
that's why I like you.

[LAUGHS]

Are you having
a sexuality crisis?

No. I'm not having
any kind of crisis.

You're lucky,
you know that?

No. I don't know that.

Why am I lucky?

You can control your heart.

[CAR DOOR OPENING]

Hey, thanks for
coming up, Darla.

Good night.

Thank you.

It sounds amazing.
Thanks.

I'll get the rest
this week.

Yeah, no problem.
Good night.

Hello?

Yeah, it's Ian in
the penthouse.

We need another
bottle of Chateau Marmont.

Oh, sorry,
uh, Dom Perignon.

Cheers, thanks.

I think it's more
comfortable inside.

[SIGHING]

I think it's one
of the best records
I've done.

I think it's the best
record you've done, too.

I didn't say, "the best."

She said "the best,"
didn't she?

I thought she said
the last.

[ALL LAUGHING]

You see? You save
the best for last.

I know it's not the last.

[MOANS]

No, don't go.
Don't go.

You should
get some sleep.

No, we never sleep.

Why have you got
your clothes on?

What are you
talking about?

You look so much
better with them off.

Come here.

We've been entertaining
you for a while.

So why don't
you entertain us?

What do you want me to do?

Finish it.

[BONNIE AND CLY PLAYING]

[VOLUME INCREASING]

[LAUGHING]

[LAUGHING]

Oh, oh, oh.

Oh, look. You give her
an inch, she takes a mile.

I think we should stop.

[IAN LAUGHS]

Oh, babe.

Come on. Not now.

Hey, I'm sorry.

No, you're right,
I, uh...

I did...
I didn't, uh...

Oh, God. Sorry.

Can I talk to
you for a second?

You should be with
her if you want to.

I don't want to be with her.
I want to be with you.

I want you
to be with her.

I can't be with her.

But why not?

She's Sam's girlfriend.

So what? They're
about to break up.
I mean, it's obvious.

She's throwing
herself at us.

Well, I don't know where
she's throwing herself,
but I can't do it.

Oh, Jane!

Look,

I've done some
weird sh*t in my life,
and I'm glad I have.

Because I have enjoyed


But I'm not gonna
screw my son's girlfriend.

And I'm not gonna
lay there and watch you
do it either.

Oh, who's gonna know?

I'll know.

Hey, what took you
so long?

Sorry. Still
crushing the grapes.

Back here.

Is everything
all right?

Yeah. Sort of.

Put it right there.

No worries.

SAM: Oh.

Is this the party?

What are you doing here?

You're a sick pig,
you know that?

Nothing, nothing...

You're a f*cking
greedy punk.

Okay, mate, slow down.

Who the f*ck
do you think you are?

Sam, stop it!

Get the f*ck off me,
you nutso!

[BOTH GROANING]

ALEX: Stop it!

IAN: You c**t!

Jesus Christ.
Sam, stop it.

Oh!

What are you doing?

What am I doing?
What the f*ck were you doing?

IAN: Are you
all right, darling?

Oh.
Oh, sh*t!

It's not what
you think it is.

You have so lost your sh*t!

It's not her fault.
It's my fault.

No, it is my fault.

It's not my f*cking fault!

[DOOR SLAMMING]

You're not getting
away with this.

What am I not
getting away with?

Shutting me out!

Oh, for Christ's sake,
you're gonna
reduce it to that?

Jesus! Get some
therapy finally,
please! Get some help!

You get some therapy.

I'm not the one
who needs it.

Oh, that's exactly
your problem.

My problem?
You're unbelievable!

This is why I'll never
come back here again.

Something always spins
out of control with you.

You're like a two-year-old.
Like a f*cking infant!

How did you get
to be so rigid?

At least I'm living
in reality. At least I have
some f*cking dignity!

Dignity? Jesus!
Why are you so afraid?

Afraid? What are
you talking about?

You're insane!

Jane?
I'm sorry, can I ask
you to step outside?

f*ck you, Phillip!

I'm sorry.

Can I get you
some ice?

Yes!

I know, I know.

It was my fault.

It just happened.

Things like this
don't just happen, Alex.
You got out of bed with my...

I didn't sleep with her.
I just kissed her.

Oh, no details!
Not one f*cking detail.

I don't know
what happened.

I got caught up.
I got confused.

Confused?
Psychotic is more like it!

I didn't think, I...

I didn't think,
I... [STUTTERING]

I never learned...

Learned what?

This!

"This"? What is "this"?

How to f*ck up!

Oh, you f*cking mastered
it out of the gate!

It didn't mean
anything to me!

I don't want... I don't
want them! I don't feel
anything for them.

And I don't want them.
I don't want either of them.
I want you!

I want to be with you,
you f*cking assh*le.

You f*cking stupid,
f*cking assh*le!

Stupid assh*le?
I'm f*cking keeping
this together.

I'm f*cking trying
to keep this together.

I wanna make it right.

[BOTH CRYING]

How're you doing?
You all right?

Yeah, okay.

I, uh...

I wanted to apologize.

Oh, no. We finished with
that sorry business already.

I'm sorry for getting
you into this situation.

No, you didn't
get me into anything.

I got myself into
what we got into.

I was just
curious about you.

And I you.

You're the least likely
person in the world for me.

Are you insulting me now?

No.

No. Not at all.

Oh,

a compliment.

I think you helped me.

Okay.

A little positivity.

Yeah, you helped
to open me up.

Yeah, I would've
opened you up further
if I had my way.

That's disgusting.

No, not really.
It's honest.

You should work
on your manners.

I know.

I'm trying.
Believe me.

I want to
tell you something.

All right.

It doesn't matter
who's right or wrong.

I made mistakes.
A lot of them, I know that.

I live with them every day.

But I think the hardest
thing I live with really

is knowing how much
I've disappointed you.

I haven't been
a very good parent.

I know that.

I f*cked up.

But I've always loved you.

You're my baby, man.

[PHONE RINGING]

Hello?

Uh, yeah.

May I say who's calling?

You've got
a lovely accent, Sara.

Very compelling.

Where are you from?

Oh.

What a coincidence.
I'm eating a bagel right now.

Hang on.

It's Sara from
Israel for you.

Hey.

SARA: Hi.

I just wanted to
make sure you were okay.

Yeah.

Yeah, I'm just taking
a mental health day.

Oh.

How is your mental health?

[SAM LAUGHS]

Haven't quite gotten
to mine yet, I'm...

I'm still dealing
with everyone else's.

It's not true, that thing
you said last night.

What thing
I said last night?

That thing about my heart.

It's not true at all.

I can't control my heart.

I mean,

I wouldn't want to,
even if I could.

[WHIRRING]

Sara?

Yeah.

Can I call you right back?

Yes.

♪ I could look in your face

♪ For a thousand years

♪ It's like a civil w*r

♪ Of pain and of cheer

♪ If you was a horse

♪ I could help you
with your chains

♪ I could ride you
through the fields

♪ By your fiery mane

♪ May your shade be sweet

♪ And float upon the lakes

♪ Where the sun could be

♪ Made of honey

♪ I'd cry diamonds
while you burn

♪ 'Cause no one
here can save you

♪ She's returning
to the earth

♪ But one day
she'll be silver

♪ Scars are dying
in my chest

♪ Till I see you again

♪ She was born with
the wings of a hawk

♪ Now she combs her hair
with its blood

♪ May your shade be sweet

♪ And float upon the lakes

♪ Where the sun could be

♪ Made of honey

♪ May your shade be sweet

♪ And float upon the lakes

♪ Where the sun could be

♪ Made of honey

♪ May your shade be sweet

♪ May your shade be sweet

♪ And float upon the lakes

♪ May your shade be sweet
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