06x04 - Why Is Tommy Still Alive?

Episode transcripts for the TV show "Power". Aired: June 2014 to February 2020.*
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"Power" follows James St. Patrick, nicknamed "Ghost", a wealthy New York night club owner who has it all. In addition, he lives a double life as a major player in one of the city's biggest illegal drug networks. He struggles to balance these two lives, and the balance topples when he realizes he wants to leave the drug ring in order to support his legitimate business, and commit to his mistress.
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06x04 - Why Is Tommy Still Alive?

Post by bunniefuu »

GHOST: Previously on "Power" TOMMY: Ghost, meet Miguel Alvarez and his fiancée, Maria.

[g*nsh*t]

TATE: My dear partner, James St.

Patrick.

Siamo parlati da soli.

- How old are you?

- Old enough to want to make some money.

- [GASPING]

- Angie.

[DRAMATIC MUSIC]

Angela's dead, Tasha.

Tommy did it.

He was aiming at me.

You made this mess.

You fix it.

[RAPID g*nf*re]

TOMMY: This is w*r, LaKeisha.

I don't care.

I'm staying.

I need to get a bug in his house.

How does Elisa Marie feel about, uh, unicorns?

It sounds like you know James St.

Patrick from the neighborhood, and I'm looking for someone to do some research.

Who are all these kids?

Couple of other moms in the neighborhood asked if I would help.

Figured I was already watching my grandbabies.

We need yours and James' help.

You want us to keep playing house while the sh*t burns down around us.

Tasha, you sure I can't provide something in exchange for your cooperation?

Actually, I need to start a new business.

We need to talk.

I need you to go through that phone of yours and find someone who can tell you where Alicia Jimenez is going on trial.

I told James St.

Patrick's lawyer this morning that Angela was not the witness in question.

If we can catch them attempting to eliminate a witness, we'll get the whole g*ng.

Alicia Jimenez was found dead.

All right, so I can go home now, right?

Not with your daughter.

The immunity agreement you signed is void.

NYPD are free to go after you on drug charges.

Or help me get Ghost.

JOE: They say this is a big, rich town I just come from the poorest part Bright lights, city life I gotta make it, this is where it goes down I just happen to come up hard Legal or illegal, baby, I gotta make it

50 CENT: I never took a straight path nowhere Life's full of twists and turns, bumps and bruises I live, I learn I'm from that city full of yellow cabs and skyscrapers It's hard to get a start in these parts without paper Homie I grew up in hell A block away from heaven That corner every 15 minutes they moving seven Pure snow, bag it then watch it go Occupational options get some blow or some hoes sh**t the ball or the strap, learn to rap or to jack f*ck it man, in the meantime Go head and pump a pack This my regal, royal flow, my James Bond bounce That 007, that's 62 on my count I'm an undercover liar, I lie under the covers Look a bitch in the eyes and tell her baby I love ya You're my inspiration, you're my motivation You're the reason that I'm moving with no hesitation JOE: They say this is a big, rich town Yeah I just come from the poorest part Bright lights, city life I gotta make it, this is where it goes down Oh, yeah, yeah I just happen to come up hard Legal or illegal, baby, I gotta make it

[DREAMY R&B MUSIC]

[ALARM BUZZING BUILDS]

[HEARTBEAT THUMPING]

[ALARM BUZZING]

[BUZZING STOPS]

[SIGHS]

Jamie.

[SOFT AMBIENT MUSIC]

Angie, I'm I'm so sorry.

Everything went wrong, Jamie.

Yeah, and it's it's still going wrong, you know, ever since Look, I'm trying to be the man you want me to be.

I just sh*t just keeps getting in my way.

You keep getting in your way.

No, see, it it was Tommy It wasn't Tommy.

It was you.

You always chose Tommy.

You always chose the life over me.

That night, you asked me about a female witness.

If I had been that witness, what would've happened to me?

You feel guilty for what happened to me, Jamie, but not guilty enough.

How can you say that?

You wanted out of the life, but you're still working for Jason.

No, how do you know Jason?

You feel guilty for Raina, but the QCP still isn't finished.

I'm trying.

You say you feel guilty for what happened to me.

Then why is Tommy still alive?

Angie.

[CELL PHONE BUZZING]

[GROANS SOFTLY]

[BUZZING CONTINUES]

Jason.

[DRAMATIC MUSIC]

Ticktock, Ghost.

Time is running out.

Look, I'll have your g*dd*mn money, okay?

JASON: Don't be a sore loser.

Tommy brought me Alicia.

You failed.

Now you owe me the penalty.

[GRUNTS]

All right, boys!

I got some news!

So thanks to some extracurricular sh*t

- that we done for the connect

- Mm-hmm.

We getting fed with a fat f*cking shipment coming in later today.

- Whoo!

- I told you!

Yeah, man!

TOMMY: I told you if you stuck with me, I'd make y'all rich.

All right, good.

That's what's up.

[CELL PHONE BUZZES]

[INHALES]

Serb's got this Greek outfit bringing the sh*t in through the Red Hook Terminal.

[CELL PHONE BUZZES]

I guess they some prickly m*therf*ckers, so nobody better be late.

- [SCOFFS]

- [CELL PHONE BUZZES]

Why y'all looking at me?

I ain't the only black person here.

- I can tell time, psh.

- [CELL PHONE BUZZES]

You gonna answer that sh*t?

Only people that hit your sh*t up that hard is your girl or your moms.

I got 20 on his moms.

Oh, let me see what I got.

I got 20 on his girl.

- [SCOFFS]

- 2-BIT: Put your money out.

20 on his mom.

- Yeah, baby.

- [CELL PHONE BUZZES]

Oh, f*ck.

- It's your girl.

- It's my girl.

- Yes!

Give me that money!

Give me that.

- Damn.

Texting me about my mom.

- Oh!

- Oh-oh!

Thank you.

Give me that.

ROBERTO: This is why I don't gamble.

2-BIT: Yo, Tommy!

When you coming back?

TOMMY: Are you sure the fumigators said that you had to be gone for two full days?

Tommy, my house is filled with poison.

You want me breathing in that sh*t?

Yeah, I forgot your body's a f*cking temple, Ma.

Lucky for me, I gotta be out tonight.

Big shipment of Serbian supply coming in.

'Keisha, can you please make sure that she don't burn the place down?

We'll find something fun to do.

Thank you, baby.

[MOUTHING WORDS]

I'ma get me a piece of that pie that you made.

The last one didn't cook.

Shame about her.

Tommy ever tell you what happened?

Bad breakup.

[SOFT DRAMATIC MUSIC]

[KEYBOARD CLACKS]

LINDSAY: How many times do I have to tell you to pick up your clothes?

Take off the damn headphones!

ELISA MARIE: I heard you.

God, I like you better when you're high.

LINDSAY: What did you say to me?

ELISA MARIE: Clean, you're such a bitch.

- [SLAP LANDS]

- LINDSAY: You're the little bitch.

- [ELISA MARIE SNIFFLES]

- Wow.

It was a long day.

I was stressed.

Save it.

No one's taking your "World's Greatest Mom" mug.

But I have listened to hours of this sh*t, and all I've learned is, Proctor knows all the words to "We Didn't Start the Fire".

And while that seems like a crime, it's not gonna help my RICO case and it's not gonna get you full custody.

I'm doing what you asked.

I can't control what the thing gets.

Listen, you get me something I can use, or the only evidence on these recordings will be of you being a sh*t mom, and the only thing you'll have custody of will be your clothes.

[TENSE MUSIC]

How 'bout the name Tommy?

Elisa Marie said a guy named Tommy paid Joey a visit the other night.

Big, scary white guy with blond hair.

That's gotta be worth something.

Could be worth everything.

MAN: Once you turn in the paperwork, we will expedite the dissolution process.

Okay, I'm finishing up now.

I'll have a courier bring over the documents within the hour, thank you.

[LOCK BEEPS, DOOR CLICKS OPEN]

Hey, Joe.

Hey, James - No, wait, wait!

- I will f*cking k*ll you.

PROCTOR: That's a bad idea for a lot of reasons.

You don't want to commit m*rder in your office with a monogrammed James St.

Patrick pen!

I don't care about that right now, Joe.

The other thing is, the Eastern District just got a new U. S.

attorney, and he's going ahead with the RICO case against you, Tommy, Tasha, and, more importantly, me!

Let [STRAINS]

Let him tell you what he told me.

[COUGHS SOFTLY]

[DOOR CLICKS SHUT]

They still have a witness ready to hang you.

The girlfriend of some n*gga you sh*t.

She saw you on TV.

She knew it was you.

I don't believe that sh*t.

Some kid named Miguel Alvarez, man.

Who told you that?

- The Feds, man.

- What'd you f*cking James, James, I need you to think for a second.

We could use him.

Think about it.

They want me back with you to give them information on you,

- Okay?

- We control the narrative.

Let the Feds think he works for you.

We could tell them whatever story we want through Dre.

Joe, are you out of your damn mind?

- No!

- All this kid does is f*cking lie.

How are you and I supposed to trust him?

I'm being 100 with you.

Then tell me, Andre, what's Saxe got on you that makes you want to risk your whole life to help him take me down?

He has my daughter Heaven.

James, he got [SOFT DRAMATIC MUSIC]

Joe, will you make sure that checks out?

Okay, this is what you're gonna do.

You're gonna wear a wire when you talk to the Feds, tell 'em I'm clean.

I'm gonna be listening, all right?

And if you sound anything less than f*cking convincing, Andre, or if anything that comes out of that mouth of yours is f*cked up and doesn't check out, I'm gonna sign the inside of your f*cking skull with this pen.

You hear me?

Get the f*ck out of my office.

[DOOR CLICKS OPEN]

You want to earn our trust?

Find me that f*cking witness.

Hey, Tina, look, um, I've decided to put the actual divorce on hold.

Yeah, no, I still don't want anything to do with James, but just um, just don't file anything official until I say so.

Okay?

Thanks.

- [DOOR BANGS]

- [BELL CHIMES]

Oh, sorry, I heard there was a day care in here?

There's supposed to be.

It it's a process.

I'm I'm still trying to figure it out.

I'm Quinton.

My friends call me Q.

I'm Tasha.

Looks like a good space.

You know, lots of room for you know, kid stuff.

Really?

"Kid stuff"?

- [LAUGHS]

- Very specific.

I mean, wha you sure you got kids?

- Very sure.

- Oh.

I'm still, uh, trying to figure out this whole dad thing.

- Okay.

- Yeah, got a four-year-old daughter that I'm just getting to know.

She's so smart and and keeps me on my toes.

I work construction, so I gotta be out most of the day, so, um Well, and so her her mom is Um, you know what?

I'm so sorry.

- I shouldn't ask that.

- No, no, no, no.

It's cool.

It's all good.

It's all good.

Yeah, no, her mom's out of the picture.

I mean, she ain't dead or nothing.

She just, um, love them dr*gs more than she love the family, so, uh Yeah, you know how it go sometimes.

Yeah, I feel you.

So when I heard this place was opening up a couple blocks from my house, I figured, you know, maybe some luck was turning my way.

Well, I'm glad you came by.

I will be opening soon.

Trust me, I'ma get it together.

You know what?

I don't even have any sign-up sheets.

But, ooh, um

- [PURSE RATTLING]

- I do have some paper and pen.

So maybe you can leave me your info.

Yeah, most definitely.

[SOFT R&B MUSIC]

When a beautiful woman asks for your number, you don't hesitate.

[LAUGHS]

Are you serious right now?

[CELL PHONE BUZZING]

Oh, um, excuse me.

Okay.

[BUZZING CONTINUES]

Hello.

MAN: Miss Green, I'm calling from 42nd Mutual.

I see here that you signed "Tasha St.

Patrick" when you dissolved Raina's trust.

It's just a formality, but if you can come back in and re-sign the documents, if you are intending to use your maiden name now.

Wait a minute.

Wait a minute.

When did I come in and sign them?

I don't remember being there.

Your husband brought them in with both signatures complete, yours and his.

He said you signed at home.

[SOFT DRAMATIC MUSIC]

I'm sure he did.

[CELL PHONE CLICKS]

Jason's payment, plus the penalty.

You let that Irish assh*le b*at you.

Well, Tommy's good at what he does, and Tommy has soldiers.

Look, tell Jason I can't keep this up.

If he wants me to continue to pay, he's got to lower the amount, or I won't have anything left to run my businesses, okay?

This is not our concern.

If my businesses collapse, I have nothing left to give Jason.

[BROODING MUSIC]

You pay, or you die.

Simple.

If I die, you get no more money.

Simple.

[BREATHING SHARPLY]

OBREN: Come on.

Forget about the black assh*le.

We still have to deal with the Irish assh*le at the shipment tonight.

You pay.

[DOOR CLICKS SHUT]

You think I can just snap my fingers and shut down an entire city block, James?

I think you're a very resourceful man, Rashad.

And any man who can figure out how to skim funds off the Queens Child Project can certainly get this done.

So find a way to get it done.

[SCOFFS]

- I'll make some calls.

- Good.

You ain't gonna do some sh*t that's gonna come back on me, are you?

No.

[SOFT DRAMATIC MUSIC]

[CELL PHONE BUZZES]

[THE TRAK KARTEL'S "RUN UP IN YOUR TRAP"]

MAN: I don't play by the rules, homey

- Don't run it by me

- Tell the ref or tech ain't enough he can fine me Headed for your home base Finna make a cold steal If you don't open up the safe You gonna feel this cold steel I gotta ball, word around town Is you got it all, set up shop in my hood But I never gotta call Now I need the stash and the cash from your wallet And I'm masked, if you ask me Homey, I was not involved I just hit a lick for the gas And if you retaliate Boy, I swear that I'm coming back for all of y'all Boy, I run up in your trap, trap, trap Boy, I run up in your trap, trap, trap

[MUFFLED ARGUING]

[DOOR CLICKS OPEN]

And I wasn't I didn't say sh*t.

I didn't break or nothing, man.

SPANKY: Yo, just drop it, Grim.

He picked us because they don't make paramedic uniforms in giant n*gga size.

2-BIT: Tommy knew if the truck didn't work, you could just stumble your dumb ass into the street and block traffic with your big f*cking head.

[LAUGHS]

Yo, man, I'm sick of you talking sh*t.

I'll sh**t your Easter Island-looking ass right now.

[TENSE MUSIC]

Yo, yo, yo!

Whoa, whoa, whoa, whoa.

Whoa, whoa, both of you n*gg*s need to calm the f*ck down.

Take it down a level.

Ain't none of us should have been anywhere near that courthouse anyway.

Tommy got us acting like "Mission: f*cking Impossible", man.

If Tommy want me doing Tom Cruise sh*t, I should be making Tom Cruise money.

SPANKY: Facts.

We need to be getting hazard pay or something around this m*therf*cker.

BLACK GRIMACE: What the f*ck you think this is, a city job?

What you want, health benefits and a f*cking pension?

No, n*gga, I just want to stay in my lane.

I sling product.

That's what I do.

You see Tom Cruise running trap houses?

2-BIT: Hell no.

And I ain't trying to get caught doing some undercover bullshit again.

Ain't getting dressed up again.

It ain't f*cking Halloween.

[INDISTINCT CHATTER]

[PHONES RINGING]

[SCOFFS]

I need to see him!

Tate's out, running for governor of the great state of New York.

Well, he needs to know the kind of man he has representing his campaign, the kind of man who fraudulently dissolves his daughter's trust to line his own pockets.

I-I'm fairly certain that James used that money for the Queens Child Project, a project meant to honor your daughter's legacy.

Well, I don't care what the f*ck he used it for, Ramona.

He had no right.

And even if he did bring it in here to the QCP, half of that money is still mine.

Why don't you let this go?

We gave you the space to start your own business.

Now, we appreciate you going along with the plan, but maybe you should forget James and concentrate on yourself.

Hmm.

Look, when my marriage ended, I left with nothing.

All I had was my name.

But that is all that I needed to build my life again.

Ramona, you don't even have children, so when a child comes into the picture, it changes everything.

Now, I've already lost one, but I got two more left, and I will protect them.

I started the day care for Tariq and Yas so that I could take care of them on my own, without James.

So please don't make me play my cards on this.

[SOFT DRAMATIC MUSIC]

A'ight, y'all know the drill.

We all roll in separate cars so if any sh*t goes down, the product ain't all in one place.

- [DOOR CLANGS OPEN]

- Now, let's go get that money.

- Let's get it.

- BLACK GRIMACE: Yo!

You gotta come out here, man.

The block is crawling with n*gg*s from the gas company saying some sh*t about a leak.

They not letting m*therf*ckers in or out.

So what you saying, we trapped in here?

We got deliveries to make!

- [HORNS HONKING]

- WOMAN: What's the holdup?

[SIREN WAILING]

MAN: Come on through.

MAN: Hey, let's go, buddy!

I ain't got all day!

[DRAMATIC MUSIC]

MAN: Take it easy!

Your boys better get here soon.

I'm telling you, sh*t's about to go down, man.

[HORN HONKING]

I feel like m*therf*cking Moses.

[BOTH CHUCKLE]

Let my people go, m*therf*cker!

The f*ck was Grim talking about, stuck in here?

[LAUGHS]

- We in the clear.

- Yeah.

[BREATHING HEAVILY]

[SEAT BELT CLICKS]

- [ENGINE TURNING OVER]

- [TIRES SQUEALING]

GIZZLE: Heart of a lion Fire inside me blaze like a siren Why would you try it Wake up the beast, no, I can't keep silent

[SCREAMS]

GIZZLE: Get, get, get loud for me f*ck!

GIZZLE: Blood, sweat, and tears I conquered my fears, I'm ready to fly now

- Look out!

- [g*nshots]

TOMMY: Get in the back!

Get down!

Get down!

2-BIT: sh*t!

Where'd he come from?

TOMMY: sh**t that m*therf*cker!

Oh!

Oh!

- TOMMY: Some bullshit!

- 2-BIT: Tommy, we're stuck!

TOMMY: Yeah, I know we're stuck!

- TOMMY: [GRUNTS]

- 2-BIT: Go, go, go!

- 2-BIT: Come on, baby!

- TOMMY: Yo, here we go.

GIZZLE: I don't have no friends I came here to win, my start is your end Now let it begin

TOMMY: f*ck you, Ghost!

[ENGINE GRINDING]

f*ck.

That m*therf*cker.

- You hit?

- No, I ain't hit.

When the f*ck you was gonna tell me you in a w*r with Ghost?

GIZZLE: Get, get, get loud for me Get, get Step out of the vehicle with your hands above your head.

GIZZLE: We tearing it down Stay the f*ck back.

You better stay the f*ck back.

[LOCK BEEPS, DOOR CLICKS OPEN]

What are we doing here at my office?

[BROODING MUSIC]

Councilman Tate, you want to tell me why the f*ck you in my chair?

[DOOR CLICKS SHUT]

I needed to remind you who you're dealing with, my brother.

[LAUGHS SOFTLY]

I knew I couldn't trust that you wouldn't do something stupid.

And here you are, proving me right.

You know, James, whatever you were doing out there, you're lucky these men are loyal to me, or your ass would be dead or in jail.

I'm running for governor, man.

And I refuse to let you f*ck that up.

So yeah, I had some of my men bring you to me, James, to make it crystal clear that this sh*t stops now.

[DOOR CLICKS OPEN AND SHUT]

Let me remind you of something, my brother.

You and I are connected.

My problems are your problems.

The man I was after, Rashad, is a very dangerous and violent man, a man I could have prevented from becoming a problem.

The reason I didn't tell you what was going on is because I was trying to protect you, the future governor of this great state of New York.

[TENSE MUSIC]

And now they know that I got help calling in a gas leak.

It's not hard to figure out who did that, is it?

And now you've involved these two loyal detectives.

They got families, Rashad, huh?

They got children?

I'm sure they do.

You do the math.

I can't protect everyone.

Now get the f*ck out of my place.

- [DOOR CLICKS OPEN]

- Rashad, stay out of my way.

The next time, people will get hurt.

I certainly did.

[AMBIENT MUSIC]

Angie.

I tried to k*ll Tommy.

But you didn't.

But I will.

I never asked you to k*ll Tommy.

I only asked you why you haven't.

Actions make the man, Jamie.

So what kind of man are you?

[BROODING MUSIC]

[BELL CHIMES]

- TASHA: You again?

- Me again.

Making progress.

[SIGHS]

It doesn't feel like it, but thank you.

Maybe you, uh, need a hand?

Nah, maybe I just need a break.

How about I take you out for a drink, then?

I hate bars.

And I hate clubs even more.

Okay, I feel you.

But [DRAWER SLIDES OPEN]

I do have a bottle of wine in my desk.

Come in.

[SOFTLY]

Shut the door.

[DOOR CLICKS SHUT]

Mmm.

- Don't mind if I do.

- [BOTH CHUCKLE]

Now, um what's your daughter's name?

- Sky.

- [LAUGHS SOFTLY]

Yeah, her mom named her that so no matter where we were, we could just look up and be reminded of her.

- Hmm.

- It's maybe the only good thing she ever did.

Hmm.

My husband ex-husband, he used to do our youngest daughter's hair every morning.

[LAUGHS SOFTLY]

It wasn't always good, but he he had his moments.

Where's he at now?

[SCOFFS]

He's j You know, I'm I'm sorry.

I don't I don't want to talk about it.

I don't want to talk about him.

I don't want to talk about anything.

- I just wanna - Okay.

I just WOMAN: Dewdrops dripping off of my lips, baby Tease me You got something pulling on me, baby Release me You look sexy when your eyes are red When you let me hold the bag, baby, I get wet On staff, you can part my whole sea, baby Free me

[EXHALES SHARPLY]

Wait.

- Stop.

- What?

I'm sorry.

I-I can't I can't do this.

This is not who I want to be.

I respect that.

- And I can respect all this.

- [BOTH LAUGH]

That's why I need you to put your shirt back on.

Can I take you out for dinner sometime?

A real date?

Yeah, a real date.

I'll call you.

Okay.

[RAIN PATTERING]

Hey, man, thanks.

- What'd you find out?

- [DOOR CLICKS SHUT]

Checks out.

The Feds have his daughter.

f*ckin' Saxe.

[SIGHS]

What do you have for me?

I'm in.

But he looks clean to me.

Ain't been back but a minute, so it's hard to say.

He's just working the clubs so far.

It's all legit, man.

Yeah, that just means he doesn't trust you yet.

Which is a problem for you, because right now, your only purpose in life is to give me something I can use to prosecute St.

Patrick for Angela Valdes's m*rder.

PROCTOR: Something's off.

Saxe should have marshals with him.

DRE: What the f*ck am I supposed to do if he's clean?

[SCOFFS]

Clean.

Tell you, if St.

Patrick is clean, I'm a founding member of the Wu-Tang Clan.

[LAUGHS SOFTLY]

I think this dirty bastard's running Dre off the books.

- No sh*t.

- SAXE: Work harder.

Get his trust.

All right, look, man.

One more thing.

I didn't catch all of it, but he mentioned some sh*t about getting a witness to leave town.

Wait, wait, a witness against him?

Yeah, he said "she", so it must be a woman.

Oh, f*ck.

What the f*ck is Dre doing, man?

I don't trust him either, okay?

So I told him to find me the witness against you.

Then we'll know.

I already know that m*therf*cker, okay?

Once he gets his daughter back, he'll do anything he can, put himself back at the head of an organization.

But he has to get his daughter back first.

So as long as that's in play, we know how to use him.

[SOFT DRAMATIC MUSIC]

SAXE: f*ck.

[ELEVATOR BELL DINGS]

[MUFFLED SPANISH SPEECH ON TV]

[SIGHS]

[MEN CHUCKLING]

[SUSPENSEFUL MUSIC]

Wow.

Not bad, not bad at all, James.

Thank you, Jason.

I worked really hard for this place.

I don't doubt that.

You are a hard worker.

Smart, resourceful.

But I would love to know how you managed to get municipal services to help you carry out the hit on Tommy.

Did you think I wouldn't find out?

Tommy was

[CHUCKLES]

He was very upset.

He actually thought that I somehow set him up.

Well played.

I fell for the bait, but I didn't k*ll him.

No, no, you didn't.

[INHALES DEEPLY]

But you did confirm for me exactly what I thought about you.

You possess a certain skill set that makes you uniquely qualified for our line of business.

- Your line of business?

- Think about it.

If you follow through with your instinct, k*ll Tommy, and become my distro, all your problems will be solved.

You know I'm right, James.

Hmm?

No more feud with Tommy, no more cash flow issues.

You can tell me Tommy's pickups and drops for the next 10 years f*ck it, make it 20.

I'm not gonna make another move on Tommy, Jason.

Okay?

It's not the man I want to be.

So unless you're gonna put a b*llet in my head in the middle of my club, we're finished here, my friend.

[CHUCKLES]

[TENSE MUSIC]

[LOCK BEEPING]

Come with me.

[DOOR CLICKS OPEN]

[KNOCK AT DOOR]

[KNOCK AT DOOR]

- Yes?

- Uh, maintenance.

There's water leaking in the apartment above yours.

Just want to make sure the water's not flooding your ceiling.

[GASPS SOFTLY]

[CRYING]

- Maria Suarez.

- [MARIA WHIMPERS]

I know you agreed to testify against me.

Lo siento.

MARIA: [CRYING]

No.

[GASPS]

I took someone from you.

I can't change that.

All I can tell you is, I'm not that man anymore.

I'm gonna give you a second chance to walk away.

Revenge does not bring back those we lost.

[SOFT MUSIC]

Here, take this money.

You can start a new life or stay here and do whatever it is you feel you need to do.

I won't stop you.

[SOBBING]

[DOOR CLICKS OPEN]

[DRAMATIC ROCK MUSIC]

[ENGINE TURNING OVER]

[TIRES SCREECHING]

MAN: Clear the door.

MAN: Stand down.

You know, I mean, seeing how I did you a favor, I thought maybe that settles things between us.

Maybe we could do some business.

Possibly.

What do you have in mind?

Yeah?

Well, I got me some primo sh*t and a lot of it.

And my guys is full up, but I need to move more weight.

Maybe you could take some off my hands.

Tommy, you know I already have a steady supply.

Yeah

[SIGHS]

I get no, but this sh*t is top billing.

You can't find nothing better.

No disrespect, but my supplier's the best I've ever come across.

See for yourself.

Mm, yeah, I like this.

This look good.

- Yeah?

- Where'd you get this?

You know I can't reveal my source.

It's a professional courtesy.

Yeah?

This is my sh*t.

I k*lled my father for you.

[SHOUTING]

Where the f*ck did you get it?

[SOFT BROODING MUSIC]

I can tell you it's a friend of Kanan's.

Yeah?

Young black kid, about yay high?

That's my godson.

You pushing for my godson?

You leave him the hell alone.

I know you're still dealing with the death of your father, so I'm gonna pretend you didn't just walk into my place and tell me how to run my business.

Unless that's who you really want to be.

And might I remind you, your godson's still breathing, unlike mine, who you had working for you behind my back.

You got Carmine k*lled.

My godson.

So you can take your product and your demands and you can get the f*ck out of here.

[SIGHS]

[DRAMATIC MUSIC]

[CELL PHONE BUZZING]

SAXE: It's so f*cking beautiful, Dre.

First you tell me he got the witness to leave town.

Then he's about to k*ll her.

Then he's not gonna k*ll her.

And I am stuck trying to pull some Fed's f*cking d*ck out of my ass after sending them out on a bullshit f*cking tip.

Look, I don't know why he didn't k*ll the bitch, man.

He had a g*n.

He had rolled up on her.

I don't know why he didn't sh**t her.

He said some sh*t about living her best f*cking life, and then he gave her a whole bunch of money like he was Oprah.

Wait, St.

Patrick gave her money?

Yes, a whole lot of it, man.

Well, that's a felony.

But why didn't he k*ll her?

[SUSPENSEFUL MUSIC]

Tommy never talks to me about any of his exes.

Best to forget most of 'em.

[LAUGHS SOFTLY]

The last one.

The one that didn't cook.

- Her name was Holly, right?

- [DOOR CLICKS OPEN]

- Yeah.

Ah, you know

- [DOOR BANGS SHUT]

Well, hello, Cash.

You coming up in the house and not speaking to anybody?

Cash, what's wrong?

Cash, I'm talking to you.

Come back over here.

Get up off these steps.

Come on down here.

Tell me what's wrong.

What happened to your lip?

It's nothing.

Cash, you better start talking.

What happened to your face?

[SIGHS]

It's just these boys around the corner.

Mom, it's not our neighborhood.

Nobody knows me.

They jumped me and took my book bag.

Oh, no.

Come on, let's go.

Hey, wait.

LaKeisha!

- What?

- KATE: You don't know these kids.

There's no sense in doing something that could come back on Tommy's business over a book bag.

Let me tell you something.

Nobody touches my son.

You're a mom, right?

So what would you do if this happened to Tommy at this age?

I'd kick their ass too.

My point.

Now, let's go.

I'm about to f*ck somebody up!

[DOOR CLICKS OPEN]

[DOOR SLAMS]

Dang.

What do you want?

[SIGHS]

To know why you're still associating with known criminals like Tommy Egan.

Who told you that?

Look, I'll never understand why you protect guys like Egan and St.

Patrick.

They don't give a f*ck about you.

You know that, right?

And you still have a chance to save yourself here.

Can we just skip to the part where I tell you to eat a bowl of dicks and slam the door in your face?

[CHUCKLES]

You know, Lindsay's a ticking f*cking time b*mb.

If you don't smarten up, she'll get full custody.

You're sort of a lawyer, at least for now, so you gotta see how this is gonna play out.

Who is the judge gonna side with in family court, huh?

The attorney with a great new job and the full support of Eastern District or the attorney who's under investigation for conspiracy to m*rder a Federal prosecutor?

[SOFT DRAMATIC MUSIC]


[SIGHS]

So, what, you a big drug dealer man now?

- What are you talking about?

- Don't you f*cking lie to me.

I know you supplying Vincent.

I bet you dumb enough to keep that sh*t in here.

- I don't got nothing, Uncle Tommy.

- Hmm?

Where is it?

Where is it, Tariq?

[SUSPENSEFUL MUSIC]

Where the f*ck is it, Tariq?

[PILLS RATTLE]

The f*ck?

This is my sh*t.

How the f*ck did you get this?

Kanan.

Kanan gave it to me.

He took me to to one of his flops.

He's dead now, so I don't think he needed it.

Kanan?

Kanan never should've given this to you.

You don't need to do this, 'Riq.

You're smart.

I mean, you got a good thing going here at this school.

It it's nicer than any place I ever seen growing up.

You got a fountain outside.

The m*therf*cker's bigger than the whole building I grew up in.

You understand?

I I love you, 'Riq.

Don't get caught up in this drug life.

I need you to f*cking stop right now.

I mean it.

All right, I will.

I will, Uncle Tommy.

I promise.

That was the last of it.

I won't do it anymore.

I swear.

Okay.

Good.

[SOMBER MUSIC]

[DOOR CLICKS SHUT]

[BELL CHIMES]

Here you go again, Tasha.

You're always running behind my back doing sh*t, ain't ya?

Okay, really?

You must be tripping.

You didn't force Tate to give you this space?

'Cause I talked to him.

He told me everything.

You took my contacts, made 'em yours, and then you robbed your daughter of her legacy?

For what?

For a f*cking day care?

Yes, a f*cking day care, Ghost.

You want to know why?

Because this is what she would have wanted.

She would have wanted me to have a legit business that puts food on my table and helps the community.

- Tasha.

- Raina didn't give a f*ck about having her name on some building.

That's for you, Ghost.

This is about you and your own guilt.

She was my daughter too.

You don't own her legacy.

Tasha, I made that money.

You didn't make that money, okay?

So I get to make the decision what the f*ck to do with it.

Give me the money back.

Oh, so if it was your money, then why'd you have to forge my signature, hmm?

You know that's fraud, right?

Should turn your ass in.

Tasha, you and I both know you won't do that.

You'd lose all this sh*t.

You stole that money, just like you take everything from me.

- Tasha - It's true.

I mean, you come in here, talking about I went behind your back?

Are you f*cking kidding me, Ghost?

All these years?

Let me ask you a question.

When you look in the mirror, what the f*ck do you even see?

Hey, Tasha.

Damn.

This place looks dope.

[EXHALES]

Thanks.

[SOFT DRAMATIC MUSIC]

What's up, brother?

Uh, yeah, you know what?

Let me show you the sign

- Q: Yeah, yeah.

- TASHA: That, uh

- [DOOR CLICKS OPEN]

- [BELL CHIMES]

- TASHA: Try to figure it out.

- Q: Mm-hmm.

Yeah, so what about up in here?

Yeah [SPEAKING INDISTINCTLY]

[TENSE MUSIC BUILDS]

[SNIFFING]

What the fu?

Are you still here?

I made your favorite.

Come on.

Sit down.

[SIGHS]

Yeah, you remember this?

- Yeah.

- Yeah.

[BOTTLE CAP CLINKS]

[SIGHS]

Hand me your plate.

There you go.

Tommy, I like LaKeisha a lot.

Ma, I'm just gonna stop you right there.

- What?

- I just don't want to hear

- what comes next.

- She's great, but But no "buts".

f*ck that bullshit, Ma.

No "buts".

But she's not the one.

I I just don't think you should get too serious.

Why?

'Cause she's Well, it ain't 'cause she black.

I mean, that make no sense coming from you.

It's got nothing to do with that.

I raised a black son right next to my own, or did you forget that?

It's got nothing to do with being black.

It has to do with being a parent.

Ugh, you're not gonna understand.

LaKeisha will always put her son first.

It's what we mothers do.

Are you f*cking kidding me right now?

You know, Molly would have been a better choice.

- Holly, Ma.

- At least she didn't have kids.

I'm telling you.

I was right about Teresi.

I am right about LaKeisha.

Honey, when people let you down, it it don't end well for you.

[TENDER MUSIC]

Or them.

And yet you're still around.

You know what?

Get the f*ck out of here.

Just just go now.

- What?

What are you doing?

- I'm done with you.

Get the f*ck out of my apartment.

What?

Wait, wait, wait, wait.

- Come on.

- What's got into you?

Always overstaying your welcome.

- Oh, like you always welcome me.

- Get the f*ck out of here, Ma.

Hey, you know what?

You was wrong about Teresi.

And you wrong about LaKeisha.

And I always hated that lasagna!

- Now get the f*ck out of my apartment.

- That hurts.

Can I at least have my f*cking suitcase?

[DOOR CLICKS OPEN AND SHUT]

Is there anything that you want to tell me, Tariq?

No?

Your godfather, Tommy Egan, he paid me a little visit.

[HEAD THUDS]

[GRUNTING PAINFULLY]

[TENSE MUSIC]

Stay there.

[TARIQ GROANS]

Just what I thought.

Ghost is your dad, huh?

I never lied to you about who I am, and you never aksed me!

I don't need him poking around, asking about you.

He doesn't know sh*t about what I do.

You know, you're a smart kid, but you're not as smart as you think.

Overestimating yourself is gonna get you into trouble that your wits can't fix.

See, the thing is, I don't give a f*ck who you are.

Nobody tells me who I can and can't work with.

I don't let my emotions get in the way of business.

So you come back tomorrow with twice the weight.

It'll be our little secret.

Hmm?

[DOOR CLICKS OPEN AND SHUT]

Why are we even doing business with this kid at all?

He knows us.

He knows what we do.

We shouldn't trust him.

We should shut his f*cking mouth.

[DRAMATIC MUSIC]

He reminds me of myself at that age.

I turned out all right.

Besides, we can k*ll him and take his sh*t whenever we want.

Until then, I'm gonna work him for all he's got.

If I control the kid, I control Tommy Egan and his father, St.

Patrick.

I'm not letting that go that easy.

Oh, there she is.

Hi, honey.

- PROCTOR: You're late.

- You said noon.

I said 11:00, but you just weren't listening 'cause you never do.

[LOCK BEEPING]

All right, Elisa Marie, why don't you go do your homework?

No what I mean you should ask your mother if you should go do your homework.

- It's your house.

- Thank you for acknowledging that.

- [TENSE MUSIC]

- PROCTOR: Whew.

Wow.

I-I forget how nice of a place I bought you.

- You okay?

- Yeah, fine.

Look, I'm sorry.

I-I don't want to fight, really.

O-old habits die hard, I guess, you know.

You're not gonna believe me when I say this, but I'm actually really proud of you.

You're such a liar.

No, I-I mean it.

I couldn't make you happy, so I'm glad you found it on your own.

Actually, it looks like things are starting to go well for the both of us for once.

You have this this great new job, and I think I met someone who's who's really good for me.

What?

Who?

She's my assistant at my office.

Such a cliché, I know, but it's really early; I don't want to jinx it she's really good with Elisa Marie.

Oh.

[SCOFFS]

I bought a ring.

- Want to see it?

- No.

Come on.

Look at that.

Five carats is a little much.

It's a lot, I know, I splurged.

What do you think?

Do you like it?

No.

I just think that this new job for you and and this new relationship for me is the start of a of a great future for both of us.

Have a great night.

Bye, Elisa Marie!

[DOOR BANGS SHUT]

[DRAMATIC MUSIC]

[EXHALES SHARPLY]

[TEXT MESSAGE WHOOSHES]

[PHONE CLACKS]

[SNIFFS]

[POST MALONE'S "PSYCHO" PLAYING ON STEREO]

TARIQ: Cubism.

My example is Picasso's "Les Demoiselles d'Avignon".

POST MALONE: Don't act like you my friend

[LAUGHS SOFTLY]

Figures.

What?

That you pick the one with the naked African women.

[LAUGHS]

I bet you like those freaky triangle titties.

[SUCKS TEETH]

I bet you like those freaky triangle titties.

[LAUGHS]

And maybe I do.

- [BOTH LAUGH]

- Yo.

No, but, like, I picked that painting because he challenged everything that was supposed to be feminine.

Like, those women could be whoever they wanted.

Like, f*ck everyone else, you know?

I think it's dope.

TY DOLLA $IGN: Take you to the smoke shop Yeah.

TY DOLLA $IGN: We gon' hit Rodeo Dial up Valentino You sure you don't need ice for that?

Looks a little swollen.

Nah, I'm fine.

You're not gonna tell me how you got it, are you?

TY DOLLA $IGN: Saint Laurent jeans, still in my Vans Nah, it's handled.

TY DOLLA $IGN: Put you in a necklace Girl, you look beautiful tonight Stars on the roof They matching with the jewelry

POST MALONE: Damn, my AP going psycho Lil' mama bad like Michael Can't really trust nobody With all this jewelry on you TY DOLLA $IGN: Girl, you look beautiful tonight That's pretty, baby girl.

[CHILDREN CHATTERING]

Q: Hey, Tasha.

You good?

Um, yeah, can we talk in the back, please?

Look, um, the other night, I let things go a little too far.

I'm sorry, I-I don't mean to give you mixed signals, but this can't happen.

Tasha, I know we both felt the same thing.

I like you.

I like you too, but but it's not about that.

So what's it about?

You know what?

I don't have to explain myself to you, Q.

All right?

We just can't see each other anymore.

This is about your ex, right?

Tasha, I seen worse than him.

I can handle him.

No, you can't.

[SOFT DRAMATIC MUSIC]

If there's one thing that I've learned, it's don't let nobody take away your future.

I ain't going nowhere, Tasha.

I am.

LINDSAY: [SPEAKING INDISTINCTLY]

I-I'm sorry, I wasn't I wasn't sure No, no, no, no.

You did the right thing calling me.

Um go up to your room, okay?

I'll handle everything.

violates the dormant commerce clause.

- Granted in the commerce clause

- Go, go, go.

LINDSAY: is the right of Congress to regulate interstate commerce.

While all states maintain a police power to regulate in the interest of the safety, health,

- and welfare of their citizens

- Hey.

The negative implication of the commerce clause

- Hey, hey.

- Limits their actual

[GASPS]

Joey.

I know why you're here.

But you can't take her from me.

I've been going through everything in my mind, and I know what I did wrong.

It was on the MPT portion of the exam.

I-I can fix it.

I can take the test again.

I What's wrong?

What's wrong?

What's wrong?

- Nothing, it's fine.

- All right, come on.

- Sit, sit, sit, sit, sit.

- [WINCES]

How many grams were in that bag, Lindsay?

- Lindsay, Lindsay

- I don't know.

- How many grams were in that bag?

- It hurts.

Call 911!

Look, you don't want to do that, okay?

You call 911, they have to report it.

[BREATHING HEAVILY]

I need water.

I'm scared, Joey.

f*ck.

[TENSE MUSIC]

Joey!

[GAGGING]

[LINDSAY GASPING SOFTLY]

[GAGGING SOFTLY]

I won't let you take my little girl away from me.

[DRAMATIC MUSIC]

[BREATHING SOFTLY]

[EXHALES HEAVILY]

- It was crazy, though.

- [CHUCKLES SOFTLY]

I b*at the little m*therf*cker up.

[BOTH LAUGH]

And I got back the book bag.

Yeah, you did.

Your mom didn't want me to do it.

Do you got a problem with how I handled that?

Kate don't think you down for the life.

Because you got Cash, you always gonna put him first.

Which means I can't trust you.

- And you believe that?

- But she a crazy bitch.

[LAUGHS SOFTLY]

And she don't know you like I do.

Uh-uh.

She don't know I'll always put you before everything.

Do you hear me?

Yeah, I hear you.

I got you too.

And you know you can trust me.

You remember when you said that you was gonna stick with me no matter how bad things got between me and Ghost?

- Yeah.

- Yeah?

Well, you better mean it.

'Cause you and Cash is all I got right now.

[SOFT DRAMATIC MUSIC]

I was looking for Ghost to be my family.

But what I needed was right here all along.

[CHUCKLES SOFTLY]

[LAUGHS SOFTLY]

This what I wanted.

This is who I wanted to be.

I tried to be the man you wanted.

[AMBIENT MUSIC]

I tried so hard.

But I wasn't, Angie.

That night I lied to you.

I said I didn't do it, but I did.

I k*lled Silver.

And if I'm honest with myself, Angie, I'm responsible for your death too.

But that night, when you came in the club and I-I-I saw you in that dress I should have walked away.

Sorry.

I I can't change what I did.

But I can change what I do now, you know?

I'm done with the past.

It's I'm done.

I can't keep holding on, you know, to the anger, Angie.

It it's burning me up from the inside.

It's k*lling me.

I gotta let go.

I gotta let go of you.

I gotta f*cking

[INHALES]

I gotta let go of this thing with Tommy.

I don't want anybody else to die.

So that's it.

I'm gonna do it, Angie.

I'm I'm gonna be the man that you wanted me to be But for myself this time.

What makes you think you can?

Because I-I had her, Angie.

The witness, you know, the witness against me.

I had her dead to rights.

I didn't k*ll her.

I let her go.

I-I didn't k*ll her.

You will.

[DARK DRAMATIC MUSIC]
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