09x01 - Closure

[bunniefuu]

These guys sh**t three
kids like it was nothing!

- [g*n sh*ts]
- No, no, please!

I have a daughter.

[INTENSE MUSIC]

What do you think
they're doing to Kim right now?

♪

Where's Roy Walton?

Roy tortured and k*lled Miller's son.

You find him.

♪

You need to be there for Makayla.

That little girl's gonna need you.

[GROANS]

You see that? Kim!

We're taking her to Med.

We're bringing him in, Sarge.

You knew what to expect
when you came here.

Where is Kim Burgess?

I still ain't gonna do no talking.

This is what it feels like.

I'm not you, Sarge.

Okay, we'll bring him in.

Drop his w*apon.

You gotta go home now.

Did you and Voight find any leads?

I love you, Jay.

♪

Maybe we should get married?

What? Really?

I don't want to be without you.

Hailey, I don't want to be without you.

- That doesn't mean...
- I love you...

more than anything.

I want to start a new chapter,

a better chapter...

with you.

[PHONE BUZZES]

[SOFT TENSE MUSIC]

We... we really got to
get to the hospital.

Um...

Right.

♪

I'm gonna take a quick shower, okay?

Okay.

♪

[DRAMATIC MUSIC INTENSIFIES]

♪

[SIGHS]

Man, it took me forever
to find a babysitter.

She's not out of surgery.

Well, what about the son
of a bitch who sh*t her?

That Roy? We grab him up?

He's still in the wind.

[SIGHS]

♪

Hey, we know anything?

All right.

She made it through surgery.

Okay, so she's all right.

She's in stable condition at the moment,

but she suffered extensive injuries.

There's considerable internal trauma,

- so we all just need to wait...
- No, no, no.

- See how her body reacts.
- What the hell does that mean?

- Hey, hey, Adam.
- No.

What the hell does that mean?
You gotta tell me.

Is she gonna make it or not?

She's stable for now.
We're doing everything we can.

You and I both know that that's
not the best that you can do.

All right, we need more details.

What are we talking about here?
Is it a - chance?

Better? Worse?

It's not productive to make predictions.

Like I said,
we're doing everything we can.

♪

- Hey, Sam.
- How's she doing?

Hoping for the best.

What's the update on Roy?

There isn't one.

I can't take my foot off this one.

Roy did to my son... I can't...

I won't be able to breathe
until he's in custody.

I know. We're still working the case.

I get that, but, given
what's happening with Burgess,

I'm gonna have to hand it off
to another unit.

Your team is distracted.
You want to be here with Kim.

- You should be...
- No, Sam, we got this.

We need to arrest Roy fast,

'cause I cannot stand another minute...

Sorry for the interruption.

CPIC found Roy's SUV on a traffic cam

near a warehouse on the west side.

Even better, somebody reported
hearing g*nshots

near that warehouse earlier tonight.

So who knows? Maybe we got lucky

and somebody sh*t this prick.

That's good. Thanks, Trudy.

Sam, we're staying on this case.

It's ours, no one else's.

♪

All right, listen up.

Roy's SUV was clocked outside
a warehouse at : p.m.

No camera shows it ever left.

call of sh*ts fired
came in at : p.m.,

same location. We're crashing it now.

Boss, I need to stay with Kim.

Yeah, you're right. You stay.

- Yeah.
- Let's move.

[TENSE MUSIC]

♪

Jay, you cover the front.

- What are we doing?
- Stop.

What the hell are we doing?

We are following a lead,
as simple as that.

You just gotta do your job
like any other day,

any other case.

- Chicago PD!
- [GRUNTS]

[DRAMATIC MUSIC]

♪

All right, we're clear.
Let them in, Kev.

Copy that.

♪

No blood, no body.

Doesn't look like a crime scene to me.

Well, we got Roy's SUV.

Maybe the sh*ts were unrelated?
It's weird.

All right, let's do a quick search,

then we'll run the perimeter. Let's go.

Work the scene.
We need your DNA in here.

Synced & corrected by -robtor-
www.addic ed.com

There's zero security cameras
in the vicinity.

I don't think we're gonna find
anything private nearby either.

No doorbell cam.

It must've been the nearest traffic cam

that picked up Roy's SUV.

Well, that doesn't make sense.

When the caller reported
the sh*ts fired,

they practically indicated
the warehouse.

Hell, the sh*ts could've come from

any residence in the neighborhood.

We got Roy's SUV right here.

So where did he just disappear
to all of a sudden

and how if we've got
the streets shut down?

Well, let's... let's work
with what we've got.

You two get that SUV processed.

Hailey, let's talk to the witness

who heard the g*nshots.
Maybe he saw something too.

I'm telling you,
I don't really remember.

- It was late when I heard them.
- And that's all you heard?

Yeah, that was all.

You didn't see anything, anyone?

Like I said, it was late.
I looked out my window.

We don't have good lights around here.

I looked across the street,

I couldn't see nothing
but the car over there.

There was a car? Can you describe it?

Look, I said all this
when I called ...

which, by the way, took me
like minutes

to get through to someone.

Can you describe the car? Make, model?

You all should look into that.

You wonder why crime's going up.

Can you please describe the car?

Really... you're gonna cop
an attitude with me?

I told the lady on the phone.

I told the patrol cops that came.

Sir, we're just following up,
that's all.

Please, just tell us what you saw, too.

It was a tan car, like an old Toyota

or something.
It was idling right outside.

Turned its lights off
when it saw me watch.

You happen to catch the plate?

Hell no, I didn't catch a plate.

Okay. Okay.

- Did you know about this car?
- No.

No, I did not.

[TENSE MUSIC]

♪

Thank you.

[SOMBER MUSIC]

♪

Nurse said I could sit with her.

Yeah.

She seems okay, right?

She remains in stable condition,

but she's struggling.

Doc, please don't do this again, man.

- The patient...
- Her name is Kim.

Right. I'm sorry.

Your friend Kim has been through hell.

The amount of trauma and blood loss...

I just need to know what to do.

Her family's on the way.

I'm taking care of
her daughter, I mean...

In the event she survives,

what are we... are we talking
about life support?

It's still too early to tell,

but it is a possibility.

I appreciate you sh**t' me
straight, Doc.

I do. Thank you.

- Hey, you two.
- Yes, ma'am.

- Anything new on Burgess?
- No.

Still stable, but still nothing.

But I got the vehicle
your caller saw.

Info must've gotten lost
between patrol and your unit.

I took the liberty.

I found it on the same traffic cam

that clocked Roy's SUV only about
six hours later, : p.m.

Ran the plate, belongs to a Mark Irwin.

Wait, why does that name sound familiar?

Mm-hmm, Mark Irwin... he was
on that list of associates

that Upton, Voight, and Ruzek hit up.

He's got ties to Roy.

Mark Irwin, he's .

He's got three priors for solicitation.

Vice worked him twice on
suspected child trafficking.

-to- odds says this guy

was helping Roy traffic
the girls in his stable.

Okay, what's the connection
between the two?

These two were cell mates
for eight months in .

Right, so that explains why Mark was

on Roy's list of last-knowns.

They probably lived with each other

after they got out of prison.
I know you all had that list.

Which one of you guys checked him out?

- I-I tried to.
- No, he was on my list.

I didn't make contact.

All right, well, our best guess is

that Roy reached out somehow.

Mark went to the warehouse,
picked Roy up,

and now he's trying to help him
get out of the city.

We got a BOLO on his car?

And an investigative alert.
We contacted ISP.

This guy's not gonna get far.

If we find Mark, we're gonna find Roy.

Right, so I say
we just pull up on his house.

He might be dumb enough
to take him home.

Try to hide his ass there.

I want to get started on a warrant.

Do it, then we move.

- Jay.
- Yeah.

We need to talk now.

I need to understand what the plan is.

- Hailey, we can't...
- No, if we find Mark,

we both go to jail.
I know you know that.

So you will talk to me.

Voight.

- Voight!
- Not here.

Not yet.

Hailey, you gotta calm down now.

I'm just trying to understand
what the plan is.

I mean, maybe I'm missing it,
but chasing Mark,

the one person that can put us away,

doesn't exactly seem like
a genius strategy to me.

Right, so what's the alternative?

Ducking the evidence?
Ignoring active leads?

Tipping off Halstead and Atwater

that we're afraid to find him?

Mark's seen our faces.

He's the one who told us
where Roy was hiding.

Now we know he's been to the warehouse.
What if he saw us there?

Hailey, you have got to
stop this here and now,

unless this is too much for you

and you want to confess.
If that's the case...

If that's what you really want,

then you have got to
let me know right now.

- No, I don't want that.
- Okay.

Then you gotta accept what happened,

no matter how bad it tastes.

Okay. I'm good.

[SOMBER MUSIC]

♪

[TENSE MUSIC]

- Chicago PD!
- Mark Irwin!

Chicago PD!

♪

Bedroom's clear.

♪

Clear.

It's clear back here too.
The house is empty.

♪

The bedroom is a mess.
It's like he packed up,

threw his clothes everywhere,
and get the hell out of here.

Well, it makes sense.
All right, let's search the place,

- see what we can find.
- All right.

Password protected?

- Yeah.
- Mm-hmm.

♪

Okay, we find any evidence
Roy was here past hours?

Nothing yet, Sarge.

We're checking on surveillance
cameras, but so far...

Okay, what about Mark?
Any hits on that BOLO?

- No, sir.
- Financials?

- Credit cards, debit cards?
- That's a negative.

Well, he's out here
somewhere, so let's dig in.

Hey, you got that seized laptop?

Yeah, I was just about
to call the techs.

I'll take care of it.
I'm heading back to the district.

- No, it's all good, Sarge.
- No, I want you guys

out here on the street,
going door to door,

talking to neighbors.
Maybe somebody saw Roy.

- Where is it?
- All right, cool.

- It's in the trunk.
- All right.

I'm worried about Makayla.
I mean, poor kid.

She's already lost one mother.
I mean, she can't...

She keeps asking me about Kim,

and I keep just saying
that she's at work.

But I gotta, mean, tell her
what's going on, right?

If you think that's best.

I mean, should I bring her
down here to see Kim?

You know, just in case?

Because I feel like Makayla's
got a right to see her.

You know, and that it might
bring closure in case...

You know?

But it's like the other part of me,

I want to protect her from all of this.

She's finally doing good.
She's finally happy.

And I just... I don't know what
Kim would want me to do.

Hey, Adam...

There is no right or wrong answer here.

There just isn't.

[SOMBER MUSIC]

♪

- Hey, Stevie, how you been?
- Good.

- Lost ten pounds.
- Ah, nice.

Ah, cut out red meat, muffins.

Came right off, like nothing.

Appreciate you doing this.

Not a problem.

What'd you say the guy's name was?

Mark Irwin with an I.

[KEYBOARD CLACKING]

Hmm, all done.

That was easy.

- Well, I'm good.
- Huh.

- Here you go.
- Hey, please...

No, hey, I insist.

After all you done for me?

You stay safe.

[DRAMATIC MUSIC]

♪

Hailey, it's me. Are you alone?

I'm with Jay. We got a hit on Mark's car

a block from a chop shop.

Thinking he's gonna trade his car out.

All right, makes sense.

Jay ran the owner. He's got priors.

Retagging, PSMV... clearly
he likes to sell stolen cars.

All right, good, check it out.

Found a video on Mark's computer.

It's of two people outside that
warehouse last night, : p.m.

Okay.

The video was deleted accidentally.

Matter of fact, the whole
hard drive was destroyed,

but if you find this prick,

we need to search him for a cell phone

and we need to bag it.

Copy that.

All good?

Yeah, Voight's just checking in.

Anything new?

Nah, he sounds annoyed that
we haven't found Roy yet.

- I get it, but we will.
- If we don't?

He sh*t Burgess, tortured
and k*lled Miller's son.

He m*rder*d three little girls.
We're gonna find him.

If you say so.

No, been real quiet.

Only person to come in is my cousin.

What about this guy? You seen him?

Nah, never seen him.

No other customers all day?

I wish.

All right. Thanks for your time.

Hey, Hailey, it's Mark's car.

Is he in there? Is he in there?

Where is he?

[TENSE MUSIC]

♪

Chicago PD!

- Hey! Stop!
- [TIRES SCREECH]

[HORNS HONKING]

Chicago PD! Get out of the way.

Chicago PD! Stop.

George, we're on a foot pursuit.

- I'm going east.
- Copy that, George.

♪

[YELPS]

♪

You all right? You all right?

Henry, on view carjacking.

Offender fleeing southbound on Damen.

Gray Honda Accord. Union nine Nora .

George, be advised
offender is wanted

on harboring a fugitive.
Should be considered armed.

Copy that, ...

Mark hopped into a car and he took off.

There's no way he can get too far.

We locked down a four block radius.

- Was Roy with him?
- He wasn't in the car.

Hopefully he's in the area.

Have you talked to the shop owner?

- He know anything?
- Now he does.

We threatened him with jail time.

He said Mark came in

looking for a whole paint job
on his car,

then he went across the street to wait.

- That's when we showed up.
- Mm-hmm.

Where's Hailey?

I'll go find her.

[COUGHS]

Hailey?

What are you doing back here? You okay?

Yeah, I just needed to catch my breath.

Come on, let's keep moving.

- Hailey...
- I'm fine, Jay, really.

Hey, how'd Mark get away?

What?

You were chasing him and...

I know you're pretty fast
and he's pretty old.

He was weaving in and out of cars, Jay.

I lost line of sight.

Next thing I know he's pulling
a woman out of a car.

There were people around.
What'd you want me to do?

Just start sh**ting at tires?

Slow down. I'm just asking ya.

Sounds like you're blaming me.

What the hell is going on?

I'm sorry.

I'm just thinking about Kim and...

Miller's son and the girls.

[SOFT DRAMATIC MUSIC]

♪

Voight's waiting for you out front.

Why? What's he want?

I don't know.

♪

Why weren't you on scene
when we rolled up?

[SCOFFS]

Sarge, you got the whole team
out here looking for Mark.

Hell, you just told me that
Mark has a video of us,

outside of the warehouse.

Evidence against us.

You can scrub that computer
all you want,

but you and I both know how hard it is

to delete something these days.

That video exists.
Mark exists and he will talk.

So, what happens when we find him?

Look, we can't ignore leads.

Look, Hailey, when
we encounter a problem,

we will take care of it...

then,

when we know what the actual problem is.

- Hey.
- Look, we got this, Sam.

Don't put yourself through this, okay?

If we get any information,
then I promise I will tell you.

No, I need to find him.
I need him in handcuffs, Hank.

Or on the pavement with
a hollow point in his head.

I need this to end.

Look, when Justin was k*lled...

Sam...

I got this... This noise in my head

and it was really loud.

And I couldn't turn down the volume,

no matter what I did.

No matter how hard I tried.

How'd you shut it off?

I didn't.

I still haven't.

Noise just feels normal now.

Sarge, got a hit on the BOLO.

The car that Mark stole was
spotted in Humboldt Park.

[DRAMATIC MUSIC]

- , I'm up and down Ashland.

We've got no visual on this guy.

All right, get to Ward
School, throw down the anchor.

We got patrol cars
flooding the whole district.

There's no way he's getting past us.

♪

Ida, I'm in pursuit.

I got a gray Honda heading
eastbound on Ashland.

Coming out of block
approaching the .

Copy you, Kev; We're coming around west.

Just made a move.
He's going eastbound on Damen.

Copy you. We're moving to intercept.

♪

[SIRENS BLARE]

Drop the w*apon.

- Don't move.
- [SCREAMS]

Damen. sh*ts fired at the police

outside of a building on Amherst.

- Get these people back now.
- Get back, get back.

The fugitive just took
a hostage inside the building.

I repeat, we have a female hostage.

Hailey and I'll move in here.
Kev, find another way in.

Okay, what's going on?

Mark just took a woman inside, Sarge.

- We're moving in now.
- No.

- What do you mean no?
- No.

No, I say we let him settle.
Let him calm down.

It's a better chance
of saving the hostage.

Get some backup out here.
We set up a containment.

Once he's boxed in, we talk to him.

Convince him to let the young woman go,

but the only thing that matters
now is saving her life.

You understand me?

We'll use every available officer

to clear these buildings.

I want our team on
the immediate perimeter.

So it's just Mark?

He's the one who took the hostage?

Correct. Still no word on Roy.

We've been checking on surveillance.

There's no sign of Mark or Roy
together at all.

Well, he's gonna know where Roy is.

That's why he's running,
so we're gonna do

everything we can
to end this with him alive.

Blueprints are coming in from the city.

The building's empty... it was
foreclosed on five months ago.

All right, k*ll any remaining
power to that building.

- Jam any cell phones signals.
- Wait.

How do you want to open a line
of communication to Mark?

Wouldn't a cell phone make it easier?

I don't want him talking to the media.

Well, then get a radio in there.

Just one straight direct line to us.

Listen, I want this quick,
easy, and controlled.

Our best sh*t at deescalating this

is physical communication.

Just him and us. Trust me.

Come on, Hailey, just you and me.

Hank...

give him anything he wants.

Just save that woman
and get him to talk.

What's up?

I want you to get on the roof.

You get a line of sight.
Radios are gonna be dark.

If things escalate and you get a sh*t,

you take it. You hear me?

Another innocent woman is
not gonna die because of this.

All right.

♪

What are we really gonna do?

We're gonna save the hostage.
That's the whole plan, Hailey.

[DRAMATIC MUSIC]

♪

Keep patrol back. One block out,

- that's the minimum.
- I want the police chief.

I want to talk to the boss.

Where is he?

Window on the second floor.

I got information.

♪

I want to talk.

I tell you what I know,
then I let her go.

I promise you I'll let her go
as long as I get the boss

and I'm protected.
I give you five minutes.

Deputy? Deputy, what are you doing?

The man has valuable information.

He wants to speak
to the person in charge.

I get it.

Voight and Upton are already inside.

Radios are dark.
There's no communication.

You can't go inside; It's too dangerous.

Well, then let's go in there together.

You and me.

All due respect, that's a bad idea.

Maybe it is, so let's do
our best not to get sh*t.

- Mark?
- [SHRIEKS]

- We're coming in, Mark.
- I know you two.

Just so we can talk. Just relax.

Okay? We're not coming any closer,

but you gotta calm down.

I want the media. I want your boss.

I want everyone to hear
everything I got to say.

Okay, that's okay.
We can talk about all of that,

but not when you got a g*n
to that woman's head.

Okay?

Now you gotta let her come to me now.

You think I'm an idiot?
Bring me the media now.

Whoa, whoa. Listen, listen, I get it.

You want to tell your story.

You want the information out there

and you want to be set free.
I can make that happen.

Okay? I can do you one better.

I'll tell the whole world what happened.

You let her go and I will
tell everyone everything.

Okay?

It's got nothing to do with her.

It's me, him, and you. That's it.

♪

Just let her go.

Let her go and I will get you a deal.

- You think I believe you?
- Mark, I promise you...

You come any closer,
I'll sh**t this bitch.

- I'll sh**t you.
- No, no, no, no, no, no.

- I'm not dying here.
- You won't.

We'll work this out.

[YELPS]

It's okay.

- [STRAINED BREATHING]
- No, no!

♪

You're okay, you're okay. Come on.

♪

Chicago PD!

- David.
- No, no, no, no, no, no.

sh*ts fired by the police.
I got one down.

Give me an ambo right now.

Where's Roy? Where'd you take him?

He's got a pulse. He can still make it.

Where's Roy, Mark? Tell me where he is.

♪

This is car two.

I need a hospital detail to Med.

I want every street cleared
and shut down now.

Copy that.

♪

Oh, you're right. Pink is my color.

Hey, Mak,

I want to talk to you about Kim
real quick, okay?

Okay.

[SOMBER MUSIC]

So, listen the reason
that she hasn't been here

is she got hurt at work.

She's hurt?

Yeah, but she's in the hospital

trying really hard to get better.

And listen, kid, the thing is,

is seeing the people you know
at the hospital,

it can be kind of scary.

So I don't really know if I should

bring you there to see her.

But I want to see her.
She's my best friend.

She'd want to see me.

Well, she most certainly would.

Okay, so go get your jacket.
Let's go see her.

♪

g*nsh*t victim. GSW to the throat.

- Pulse shallow but steady.
- Get him into Baghdad.

[DRAMATIC MUSIC]

♪

Two, three.

♪

He's gone.

Hey, come here.

Ladies first.

- Hi.
- Hi.

You look so pretty.

- Thank you.
- Yes.

Mak brought you something. Didn't you?

I brought my platypus for you.

♪

[WHISPERING] He's your favorite.

Thank you.

Hank. Hank!

Tell me you got something else.

Tell me we got a different lead on Roy.

We saw his car, his ATM card.

We don't have any leads, Sam.

Doesn't look like Roy was with Mark.

I mean, not in
the last six hours anyway.

Our best guess

is Mark helped Roy get
out of town late last night

before we caught wind
of his involvement.

Okay.

Okay, well, then we start
back from zero.

Retrace his steps. Hit every LKA.

- We already did all of that.
- Well, then hit them again.

We're finding this son of a bitch.

Okay, well, I can start back
over if that's what you want,

but we got new cases, Sam.
Cases we can solve.

I'll call the feds. Maybe they can help.

♪

Hey.

Welcome back. How do you feel?

Did you find him?

What?

I couldn't ask Ruzek,
not with Makayla in the room.

Did you find Roy?

[TENSE MUSIC]

♪

No.

No, Kim, we didn't.

Hey.

You had us going for a while.

You look better than you probably feel.

- Yeah.
- Yeah.

[INDISTINCT CHATTER]

Hey.

- Great news about Kim.
- Yeah.

This case is closed.

And we're done. It's over.

Miller called in the feds and they'll...

They'll put his face on a wall.

Monitor his ID, credit cards.

But they will never see or hear a thing.

- Like it never happened.
- That's exactly right.

And now you...

Now you got to make peace
with the fact that...

you're never gonna
be able to make peace.

You know what I'm saying?

Yeah.

I'll do my best.

They're where they belong.

And after everything Roy did,

I'm not sorry about that.

You saved me.

Let that be enough.

Okay?

Hey.

Hey. Did you get to see her?

Yeah, I think right
after you and Ruzek left.

- She looks good.
- Yeah.

Why'd you propose?

Because I wanna be with you.

I want us.

I want to know that I can have normalcy

and stability in my life.

That no matter how bad things feel,

at the end of the day,
I know they'll be okay

because I'll have you.

Are you sure that it wasn't just Kim?

- You saw what happened to her...
- I don't know.

Maybe.

[SOFT DRAMATIC MUSIC]

But why does that matter?

I love you...

more than I ever thought possible.

And maybe it took

Kim getting sh*t to give me
the courage to tell you that.

♪

- I don't know.
- Yes.

What?

♪

I love you.

[GENTLE MUSIC]

And I've known since...

I've known for years that I want it

to be you and me always.

♪

Hailey, will you marry me?

You don't have to do that.

I already did the proposal part.

Well, I'm old-fashioned, okay?

[LAUGHS]

♪

Yes.

Yes, I will.

♪