Hitman: Agent 47 (2015)

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Hitman: Agent 47 (2015)

Post by bunniefuu »

KATIA: The history
of man is defined by w*r.

And w*r by the men who fight it.

What if we could
create a better man?

Someone did.

The Agent Program was
initiated in August of ,

by a man named
Peter Aaron Litvenko.

Its purpose was to create
the perfect k*lling machine.

Human beings without
emotion or fear or remorse.

The resulting subjects
were called Agents.

The program was a success.

But the price of
creating men without

humanity was
Litvenko's conscience.

Applying his brilliant mind
to his flight, he vanished.

Fearing that it would be exposed,

the government
shut down the program.

And surviving Agents
drifted into shadows.

Realizing its potential,
many tried to restart the program.

All failed.

So they focused their efforts
on finding the one man who could.

The task fell to Dr. Albert Delriego.

A ruthless and efficient man.

But Litvenko had disappeared,
and even he couldn't find him.

Then, six years into his search,

Delriego made
an unexpected discovery.

A single photograph,
which would

become the key to
finding Litvenko.

No one had ever
imagined that, in the end,

it would come down
to one little girl.

MAN # : Sir,
we have a match in Germany.

MAN # : Checking surveillance
databases now, sir.

WOMAN: Secure
the files and evacuate.

Sir, we need to leave now.

DELRIEGO: What the hell is happening?

MAN: I don't know, sir.

(SPEAKING GERMAN)

(BEEPING)

(BEEPING)

(SPEAKS GERMAN)

(BRAKE SCREECHES)

(g*nsh*t)

(TYRES SCREECHING)

(GASPS)

(SPEAKS GERMAN)

(TYRES SCREECHING)

(HORN BLARES)

(ENGINE REVVING)

(TYRES SQUEAL)

DELRIEGO: I want to know who's doing this.
I need answers.

(PROCESSES AND BEEPS)

(PROCESSING)

(BEEPS)

(SIGHS)

Give me an update.

I said, give me an update!

I said, status!

(THUDS)

I suppose I should be flattered.

I didn't think
I merited a contract.

You don't.

(CHUCKLES)

You know,
I hunted an Agent once.

Took four weeks.

Most rewarding
catch of my career.

Your employers are attempting
to restart the Agent Program.

And you are here to stop them?

You are too late.

We already have Litvenko.

He's currently working
on next generation units.

He's not.
Because you haven't found him.

Where is Katia van Dees?

I have a chip implanted here.

If my heart stops b*ating,

my security detail will
come through the door.

- (Kn*fe RINGS)
- You need me.

No. I only need pieces of you.

The information
I require is in two places.

Your secure database,

and inside your head.

Berlin, they found her in Berlin.

That's all I know.

(INHALES)

Okay, Okay.

File - - ,
access code G - - .

Thank you.

But you won't find her.
She's a ghost.

I will.

(PRESSES BUTTONS)

(BEEPING)

(ALARM BLARING)

(GLASS CRACKING)

(BODY THUDDING)

(g*nshots)

(g*nshots)

Yes?

Delriego is dead.

What happened?

We think it may
have been an Agent.

Delriego was close
to finding the girl.

Get her before he does.

(WOMAN SPEAKING GERMAN)

He would have lived in Berlin
between and .

There must be taxes paid
or rental records or something.

(SPEAKING GERMAN)

I don't have a name.

Look, he would've
been , , um...

Blond-haired, centimeters,
kilograms.

He's like this.

(CHUCKLES LIGHTLY)

I'm sorry.

Without a name or an address,

there's nothing
I can do for you.

If he is missing,

may I suggest
you try the police?

The police won't help me.
Why do you think I'm here?

And all you're doing is telling me
what you cannot do.

You have to realize

that millions of people
have lived in Berlin

over the past years.

I can't be expected
to sort through every

one of them for your
mystery man, can I?

It's , , .

. % Slavic origin,
. % male.

. % between
the ages of to .

That's , .

That's something, isn't it?

There's nothing
I can do to help you, miss.

Okay.

Who is he?

This man you have to find.

Who is he to you?

I don't know.

(INDISTINCT CHATTERING AND LAUGHTER)

(MUSIC PLAYING OVER HEADPHONES)

(INDISTINCT CHATTERING CONTINUES)

TOBIAS: To or from?

Everybody who comes
in here is running.

Either to something or from it.

I see a lot like you. Runners.

They come to me thinking
a new passport means a new life.

This is no good.

It's perfect.
The data strip's been demagnetized.

The only place this gets me
is a holding cell.

You want better, you pay more.

Or I put word out that Tobias
sells bad paper.

Be careful, little girl.

This world is
a dangerous place.

(INDISTINCT TALKING)

(CHILD LAUGHING)

(GRUNTING)

(g*nshots)

(OVERLAPPING VOICES)

(LAUGHTER)

(SHOUTING INDISTINCTLY)

- (SCREAMING)
- (GRUNTING)

(BELL RINGS)

- (CRYING)
- (GRUNTING)

(RINGING CONTINUES)

(PANTING)

(RINGING CONTINUES)

(SIGHS)

(INDISTINCT CHATTERING)

(MUFFLED TALKING AND LAUGHTER)

(DANCE MUSIC PLAYING)

(SIGHS DEEPLY)

(PROCESSING CONTINUES)

(COMPUTER CHIMES)

(LINE RINGING)

- (BEEPS)
- DIANA: , it's Diana. You have company.

Who is he?

A Syndicate asset.

Name, unknown.

Technical capacities, unknown.

He found her.

Means he's good.

You're better.

I'm sure you can handle him.

You have hours
to terminate both targets.

(LINE DISCONNECTS)

(VEHICLE PASSING BY)

(WOMAN SPEAKING GERMAN OVER P.A)

Sorry.

You do know that stealing is a crime,
don't you, Katia?

That is your name, isn't it?
Katia van Dees?

My German's not...
Are you some kind of cop?

No.
How do you know my name?

I'm John. John Smith.

I'd like to buy
you a cup of coffee.

I'm not interested.

How about in living?

Are you interested in that?

Walk away or I'll scream.

He won't care.

JOHN: He's here to k*ll you, Katia.

And I'm here to stop him.

I know you don't have any reason
to trust me but look at him.

Look at how he moves.

Look at the shadows
under his coat.

Look at his eyes
and tell me that I'm lying.

Why would anyone
want to k*ll me?

For the same
reason you're trying to

look for someone
you can't find.

The man I'm looking for,
do you know where he is?

No, but you do.

What do I have to do?

There's a maintenance door,
the north end of the track, one level down.

It's been unlocked for us.
We're gonna head there now.

Go through the corridor
up the stairs to the back alley.

There'll be a car
waiting for us there.

- Run!
- (PEOPLE SCREAMING)

(PANICKED SCREAMING AND YELLING)

(BOTH GRUNTING)

(HORN BLARES)

(PANTING)

(GASPS)
Move.

Franco, we're coming your way.

Hurry! Hurry!

(ENGINE STARTS)

Where's the Agent?

He's right behind us!
Move! Move! Move!

(TYRES SCREECHES)

Katia, are you hit?

Who the f*ck are you people?

Calm down, Katia! You're safe.

- We've been sent to protect...
- (GLASS BREAKS)

(GASPS)

(WOMAN SCREAMS)

(PEOPLE CLAMORING)

(g*nshots)

I work for a corporation
called Syndicate International,

and I'm here to protect you.

From who?

His name is ,
and he's an Agent.

And right now the only thing
standing between you and him, is me.

If you don't do
everything I say, everything,

he will k*ll you.

Let's go!

- (TYRES SCREECHES)
- (HORN HONKS)

We'll be safe here.

GUARD # : Can I see
some ID, please?

Bags out and open, please.

(GUARDS SHOUTING)

GUARD # : Drop your w*apon!

On the ground!
Hands where I can seem 'em!

- GUARD # : Don't move!
- GUARD # : Get them cuffed!

Come on with me. Let's go.
Grab that bag.

Let's go!

(BREATHES DEEPLY)

(DOOR OPENS AND CLOSES)

(CLEARS THROAT)

Miss Van Dees, is it?

You mind telling
me why you're here?

'Cause your friend
in there wouldn't talk.

He's not my friend.
I don't know who he is.

SANDERS: All right.
Maybe we can start with

why he discharged a firearm
in front of my embassy.

Someone's trying...

I think someone's
trying to k*ll me.

John was trying to help me.

Does this someone have a name?

Is something wrong,
Miss Van Dees?

(ECHOING) Miss Van Dees!

He's coming.

sh*t.

(BEEPS)

GUARD: Freeze!

Hands in the air!

(PHONE RINGING)

Sanders.

(DOOR OPENS AND CLOSES)

Blaser R LRS .

Custom configured
right-hand twist.

- x sn*per scope, and...

(g*n COCKS)

...hair trigger.

Very nice.

- (SNAPS FINGERS)
- Come here.

Almost as nice
as the twin . s,

and these very special knives
you walked in here with.

You like riddles?

Yeah, me neither.

I hate 'em, actually.

But you, my friend,
are a riddle to me.

'Cause I've run your
face and your prints

through every database we have.

And you know what we found?

Nothing.

So

why don't we
start with your name?

.

That's not a name.

No, but it is mine.

Okay.

All right, Mr. .

What exactly are you?

An assassin.

An assassin. Okay.

You're here to
k*ll who exactly?

You have a girl here.

I don't know what
you're talking about.

Do you love your family?

My family?

Yes, your wife,

your two small children.

Do you love them?

We're not talking about me,
we're talking about you.

No, we're talking about life.

And death.

Do you love them?

All right.

Maybe we should
just start over.

AGENT : I believe you do.

That's why you
should let me go.

You listen to me
very carefully, Mr. ,

or whatever
the f*ck your name is.

There's a lot of
ways this thing can end,

and that is entirely up to you.

But you can be g*dd*mn certain that
this thing is not gonna end

the way that you thought it was.

'Cause the last time I checked,

you're locked in here with me,

and I'm the one with the g*n.

No, Mr. Sanders.

You are locked in here with me,

and you just brought me mine.

(GRUNTING)

(GASPING)

Do you love your children
enough to die for them?

(JOHN GRUNTING)

Freeze!

Let's go.
Let me help you.

GUARD: (OVER P.A) Two suspects,
one male, one female,

have broken out of
Interrogation Rooms and .

They are armed and dangerous.
Proceed with caution.

Sergeant.

Is everything all right, sir?

Sir?

(SIREN WAILING)

Hurry! Hurry!

(BRAKE SCREECHES)

JOHN: Get out!

Move!

(ACCELERATING)

(TYRES SCREECHING)

(PANTING)

You want to tell me
what's happening now?

(BREATHING HEAVILY)

What the f*ck is happening?

The man you're looking for,
his name is Peter Aaron Litvenko.

Who is he?

Your father.

KATIA: Tell me about him.

I don't know much.

Only that he's a geneticist,
an expert in human biogenetics

who spearheaded
a program of experimentation.

What kind of experiments?

The kind that created K*llers.

(SCOFFS)

They engineered human beings
by targeting and enhancing specific genes.

The resulting subjects
were stronger, faster,

more intelligent
than normal people.

They programmed out pain, fear.

Even love.

They were called Agents.

And your father was one of
the program's lead scientists.

You're not serious.

What does any of
this have to do with me?

Why do they want to k*ll me?

Kryton Technologies has restarted
the Agent Program.

They're building
Agents right now.

Like , maybe worse.

They believe that you're the key
to finding your father.

KATIA: I don't understand.

JOHN: Your father
knows their weakness.

He knows how to stop them.

(g*nsh*t)

- (KATIA YELLS)
- JOHN: Katia!

(SHOWER RUNNING)

Are you okay?

No. (SCOFFS)

Is your name
really John Smith?

It's Brian.

Well, at least you didn't say
it was Agent .

No, that's someone else.

Come here. Let me help you.

You're gonna be all right.

Will I?

I'm sorry.

For what?

For having to tell you
who your father is.

Well, you told me the truth.

That's more than anyone's
ever done for me.

Why do they think I
can find him, John?

It doesn't matter now.

It does.

Tell me what you know.

I know that you're in danger.

The best thing
you can do right now is hide.

I've been hiding my entire life.

Please, tell me what you know.

(SIGHS)

I'm authorized to
protect you, Katia,

not find your father.

- Don't do this.
- (KATIA PACKING UP)

I have to.

JOHN: Okay.

When we were researching
your father, we found a file.

It mentioned you.
It said that...

Said What?

It said that he changed you.

Changed me how?

It said that he had enhanced
your survival skills.

It's why we think
you've been hiding.

It's why we think you've been
able to keep off the radar.

It's why we think you've been able
to stay alive for so long.

That's why I'm always afraid.

Yes.

(CHUCKLES LIGHTLY)

Jesus!

They think I know how
to find my father.

What is this?

It's my father's life.

What else do you
know about him?

JOHN: Just what I've told you.

KATIA: You must have
something. How old is he?

.

Where was he born?

Ukraine.

Medical conditions?

He was diagnosed with
rheumatoid arthritis in his s.

KATIA: Somewhere warm, then.

What else?

Lung cancer.

Our last confirmed sighting was a hospital
in Seoul, South Korea in .

He was engaged
with some clinical trials

for something called
nanoparticle inhalation therapy.

He was Stage III then.

So, uh,
travel would be difficult.

(KATIE CHUCKLES)

Does he have money?

We think so.

Somewhere warm with advanced
medical facilities.

A city.

Hobbies?

What did he love to do?

Orchids.

He was an expert on orchids.

What languages
did he speak, John?

Uh, English,
Russian, Mandarin and Tamil.

Why Tamil?

Because your mother
was from Sri Lanka.

(ECHOING)
You know where he is, don't you?

Katia.

You told me you
wanted to do this,

and I told you
I'd do it with you.

But if you want my help,
you have to tell me where he is.

(PHONE RINGS)

(JOHN GRUNTING)

GARAD: (OVER SPEAKERPHONE)
We've lost the girl.

I thought you told me that
your John Smith would be adequate.

We underestimated this Agent.

Find Litvenko,
whatever it takes.

And Garad,

better the girl dead than this Agent
finding Litvenko before we do.

AGENT : Katia.

Katia.

(GRUNTING)

Do you know why
you're still alive?

Because I chose
not to k*ll you.

But they will.

After they use you
to find your father.

What do you know
about my father?

As much as you do.

YOUNG LITVENKO:
It's gonna be okay.

(ECHOING) No!

AGENT : Time
to make a choice, Katia.

Them or me.

KATIA: Why should I trust you?

AGENT : You don't have to.
Just trust your memories.

Take my hand.

Do you remember the day
you ran away, Katia?

KATIA'S MOTHER:
Peter, we have to go!

AGENT : Your father's lab?
The car rides?

LITVENKO: It's okay.

AGENT : The last time you saw

- your mother?
- (g*nsh*t)

LITVENKO: No! No, no, no!

You were there.

AGENT : Yes.

We were part of
the same program.

(GUARDS SHOUTING INDISTINCTLY)

LITVENKO: We need to go.
Quick!

Run! Quick!

Now, get down.
Get down, please!

Papa!

(ECHOING) You will live.

He left me. Why?

Find him.
You can ask him yourself.

Untie me.

You have a lot to learn, Katia.

We don't have a lot of time.

Untie yourself.

(MACHINE POWERING UP)

(EFFORT GRUNTING)

(BREATHING DEEPLY)

That took you too long.

KATIA: I didn't
know that was a test.

AGENT : Everything is a test.

Keep taking these, you'll fail.

Hey, I need those.

What you need is a clear head.

Stop fighting what you are.

And what am I?

Keep asking questions,
probably dead.

What am I?

You're the same
as me, only better.

Bullshit!
I'm just Katia Van Dees.

You speak French, Spanish, Mandarin.
Where did you learn them?

How did you free
yourself from the rope?

You've been programmed.

And your name
isn't Katia Van Dees.

It's "Quatre-vingt-dix."
French for " ."

So I'm
versions better than you?

Do they know?

If they knew, you'd be the target.

Come on, let's go.

If you need my help
to find my father,

why did you sh**t me?

I didn't sh**t you,
I marked you.

KATIA: There are so many.

If I sh**t one,
the rest will converge.

So what do we do, Katia?

Avoid them.

No. Suppress your fear,
face the thr*at.

Your father programmed you

to see and hear everything
at extremely heightened levels.

You process that information
to anticipate the thr*at.

So, anticipate it.

(MACHINE STARTING)

Katia.

There.

(MAN SCREAMS)

COMMANDER: (OVER RADIO)
Area Four, all...

Katia.

- Now.
- (BEEPS)

I need you to step out there.

Why?

To draw them toward you.

They're going to sh**t me!

They're not gonna sh**t you.

Do you want to see
your father again?

Trust me.

MAN # : (OVER RADIO)
I have a visual target, locked.

(MAN # REPLYING)
Moving in.

(AGENT GRUNTS)

(GASPING)

Hello, Katia.

(GROANING)

I'm only going
to ask you once.

Where is your father?

I want you to know,
I'm a big fan of your work, .

It's an honor
to meet a legend.

I thought you could only be
a legend after you were dead.

Oh, but you are.

You just don't know it yet.

I feel pretty good
for a dead man, John.

Almost as good as you.

Yeah?

Well, the thing is, I'm special.

Let's see.

(GRUNTS)

Pretty crazy, huh?

(GRUNTS)

(GASPING)

(BREATHING HEAVILY)

I'm better. Say it.

Say it!

KATIA: You're not.

You missed.

No, she didn't.

(ALARM WAILING)

He made a mistake.

KATIA: He had
a g*n at your head.

And he didn't pull the trigger.

He wanted me to know
he'd beaten me.

What the f*ck was he?

People don't just walk away
from four b*ll*ts.

They just don't.

Subdermal titanium body armor.

It's injected into the skin
in liquid form.

It's flexible
and extremely strong.

He had his nervous system
heightened. Wired for speed.

I've heard of these
Syndicate experiments...

but if they can do this with him...

Now will you tell me
where Litvenko is?

Swear to me that
you're not gonna hurt him.

Swear it.

AGENT : All right, I swear it.

MAN: Diana, did you hear that?

DIANA: I did.
Send me a link to the asset.

If you lie to me, I will k*ll you.

I'm not that easy to k*ll.

He's in Singapore.

The Syndicate headquarters
are in Singapore.

He's hiding in plain sight.

(CRACKLING)

(PHONE RINGS)

- AGENT : Yes?
- It's Diana.

I need you in Singapore
as soon as possible.

AGENT : I'm on my way.

(DOOR SLAMS OPEN)

(LINE RINGING)

Yes?

Litvenko's in Singapore.
They're on their way.

They're coming.
Scan every entry point.

MAN: Yes, sir.

(KEYBOARD CLACKING)

KATIA: The Syndicate's
tied to those cameras, isn't it?

They're tied to everything.

Can you hold this, please?
Thank you.

How do you fight against that?

By playing the odds,
doing the unexpected.

Take nothing for granted.

Everything you do has a reason.

What does that mean?

Jacket.
Give me your bag.

Right now,
it means avoid those cameras.

KATIA: Okay.

(ALARM RINGING)

(GASPING)

I know, that took me too long.

Ask you a question?

Am I going to end up like you?

Bombs?

Moths.

It's Italian wool, they love it.

(KEYBOARD CLACKING)

(BEEPING)

Did it hurt?

AGENT : Yes.

Do you all...?

The barcode is given to us
when we're born.

And the number?

When we become Agents.

He'll be there
in the morning about : .

It's when the orchids
are in full bloom.

You know he's dying.

Lung cancer.

He has to use
an inhaler now to breathe.

Are you human?

It's just that John said

that you're not capable
of fear or remorse.

They've been suppressed.
Is that true?

Yes.
What about love?

I am what I need to be.

What does that mean?

It means that, in this job,

sometimes it's better
not to feel anything.

I'm not talking about the job.

I think you're lying.

I don't believe you can
just turn off fear or love.

I don't believe anyone can.

I mean, you're either a person
or you're something else.

Which is it?

Are you asking me or yourself?

You can't fight who you are, Katia.

You'll lose.

Is that what happened to you?

You fought what you were
and you lost?

(CONTINUES SCRAPING)

People can change.

Don't put your faith in me.

You'll be disappointed.

I still have a job to do.

Which is?

Right now, I need to sleep.

(BREATHES DEEPLY)

(g*ns CLACKING)

(DOOR LATCH RATTLES)

(GRUNTING)

(GLASS SHATTERING)

When I get anxious and I can't
sleep, I take things apart.

(BREATHING HEAVILY)

I'm sorry.

Don't ever do that again.

Were they Syndicate?

No, freelance.

Friends of yours?

So, the Syndicate
doesn't know we're here?

There's an open contract
out on us. What do you think?


Here.

Try not to take this apart.

She smells funny.

WOMAN: Robert, please!

How did they find us so quickly?

You tell me.

No games.

What makes you think
this is a game?

The cameras in the terminal
didn't see me.

But the one outside,
near the exit, did.

Getting pretty good
at this, aren't I?

No, you're sloppy.

I'm gonna have an att*ck.

Be a good boy.
Here, take your inhaler.

It'll be all right.

(INHALING)

(ELEVATOR BELL DINGS)

- Excuse me.
- (BOY GRUNTS)

- KATIA: Where did you get that?
- AGENT : I traded it.

For what?
Your Kn*fe.

(TYRES SCREECHES)

Bring Litvenko
and the girl to me.

You shouldn't have come.

You know who I am?

You are your mother's daughter.

Why did you leave me?

(SIGHS)

I wanted you to have
no part of what I was.

I wanted you to live.

You had no right.

To walk away from you?

To turn me into this isolated,
afraid thing that I am.

You had no right.

Walk with me, Katia.

I loved your mother very much.

She was a light
in a very dark world.

And more than anything else,
she wanted a child.

But she was unable.

So we broke every rule we had,
and we made you.

(INHALING)

We knew that
if you were discovered,

they would take you from us.

So we gave you
the tools to be free.

This isn't freedom.

No, perhaps not, Katia.

But it is necessary
for your survival.

Now, I don't expect you
to understand...

but I do ask that
you find it in yourself...

to forgive an old man
his selfishness.

And if I can't?

You will, because you are the reflection

of the woman I loved.

(GASPS)

I'm ready.

Get it over with.

Do it now.

He's not going to k*ll you.

Father.

Yes, he will. It's inevitable.

k*lling is what
he is programmed to do

and who he is.

Isn't that right, ?

KATIA: You're wrong.

We determine who we are
by what we do.

You believe...

you have a choice?

I believe that's what makes us human.

Then it seems...

that you and your brother

have a lot to teach this old man.

I guess I gave you
a family after all.

- Move!
- (GASPS)

(g*nshots)

(LITVENKO PANTING)

(ACCELERATING)

(TYRES SQUEALS)

(TYRES SCREECHES)

(BRAKES SCREECHES)

(GRUNTS)

Gotcha.

(TYRES SCREECHING)

Seal the building.

Go!

What do they want?

More of me.

Why would anyone want
more of you?

- (TYRES SQUEAS)
- (SCREAMS)

One and two, stay on him.
Three and four, cut him off.

BIKER: Cut him off.

(ENGINE REVS)

(GASPING)

(BRAKES SQUEALS)

(INHALING)

BIKER: They're boxed in.
They've got nowhere to go.

Right or left, Katia?

Straight ahead.

Trust me.

(ACCELERATING)

Holy sh*t!

I want this building sealed!

Perhaps, you should
consider sh**ting him.

Subdermal body armor.

What, they actually
got that to work?

Yep.

Drive the f*cking car faster!

Faster! Faster!

We're not gonna make it.

Trust me.

(ACCELERATING)

(PANTING)

I want all units on station.
We take them in the city.

(GASPING AND INHALING)

(HORN HONKING)

This is never going to end, is it?

I'm afraid not.

He will never stop.

Who?

Antoine Le Clerq.
The Syndicate's chairman.

What if we k*lled this
Le Clerq? Would it end then?

You can't.
Maybe not, but you can.

Nobody ever gets close enough
to Le Clerq to k*ll him.

He never leaves his protected office.
Nobody ever goes in.

He's surrounded
at all times by security.

.

That's how many
Agents have tried.

All are dead.

- (GRUNTS)
- (TYRES SQUEALING)

(GRUNTING)

(PEOPLE SCREAMING)

(ENGINE REVVING)

(TYRES SQUEALING)

(PANTING)

(PEOPLE YELLING)

(PEOPLE SCREAMING)

(LITVENKO GASPING)

(GRUNTS)

- (LITVENKO GRUNTS)
- (GASPS)

KATIA: Help me! Help me!

- Get up!
- LITVENKO: I can't walk!

(GRUNTING)
Come on, you can do it!

Get up.

- Sorry.
- KATIA: I can help.

Take her away from me!

KATIA: You've got to! Come on!

LITVENKO: Take her! Please!

KATIA: Come on!

Please! Get her out of here!

No! No!

Take her!

(INAUDIBLE)

(INDISTINCT CHATTERING IN MANDERIN)

JOHN: Hello, Doctor.

(LABORED BREATHING)

What the f*ck did you just do?
We need to go back!

He was all I had.

I have to help him.

You can't.

God, you emotionless piece of sh*t!

I should k*ll you.
Yes, you should.

But you won't,
because you're weak.

You're nothing more
than a scared little girl

whose only real gift... is running.

- f*ck you.
- (SILENCED g*nsh*t)

DNA sequences, Doctor?

Adaptive mutation
bacteriophages.

Epistasis rates, transfer RNA?

- Come on, Doc.
- (SLAMS TABLE)

I don't want to do this.

Believe me, you don't want me
to do this either.

(TYPING)

So tell me what I need to know.

Tell me...

how to make an Agent.

This sh*t's experimental, Doc.

I've seen it work...

and believe me when I tell you

you don't wanna be the one
it's working on.

You're a bastard.

I know.

No. You don't.

You're a result
of inferior technologies.

A failed experiment.

An Agent's advantage
is not his body, John Smith.

It's his mind.

You will never be
as good as him.

Cook him.

(GRUNTS)

(PROCESSING)

(GROANING PAINFULLY)

For f*ck's sake, Doctor,
give me what I need.

(LITVENKO GRUNTS PAINFULLY)

LE CLERQ: sh*t.

(PANTING)
Mr. Chairman.

Are you all right?

No, I'm not.

I need the Chairman's detail.
The Chairman is out.

OPERATOR: .

Emergency Services, please.

Can I have your location, please?

Dose him again.

It could k*ll him.

Do it.

Oh, f*ck it!

(DOOR SLAMS OPEN)

LE CLERQ: That's
quite enough, John.

You can wait outside.
All of you.

It's okay, John.

(GASPS IN RELIEF)

(LABORED BREATHING)

(DOOR CLOSES)

Petya.

Can you hear me?

I'm going to be completely
honest with you.

I admire you.

You've created something unique.

A better human being,
and I want it.

I've bet my wealth,
my company, my reputation...

everything, on the success
of this program,

you understand.

Good thing I sold
your stock, then.

You and I aren't so
very different. You know this.

LITVENKO: Oh, you're wrong.

People can change.

No.

Not people like us.

What you did...

when you chose to play God
can never be undone.

You can't run
from what you are.

So, I should...

embrace it?

Restart the program
with you at its head?

Yes.

You always were
a small man, Antoine.

A derivative thinker, at best.

This desperation, it suits you.

(SIGHS)

The key to everything...

is in your mind, and you're
going to give it to me.

Tell me how to build an Agent.

You don't want an Agent.

Then what do I want?

An army.

And I won't give it to you.

Then you're going to die.

I'm already dead.

Yes, but what about your daughter?

You don't have her.

Oh, but I will. Eventually.

Give me what I want,
and I'll leave her in peace.

I give you what you want,
there will be no peace.

AGENT : (OVER SPEAKER)
Mr. Chairman.

(DOOR OPENS)

Where is he?

How did he get
into our system?

GARAD: I don't know,
Mr. Chairman.

I'm assuming by your reaction
that you know who I am.

What do you want?

To make a deal.

LE CLERQ: You have
nothing I need.

You're wrong.

You want what's inside
Litvenko's head...

but he won't give it to you.

I can.

How?

Window.

You want the next
generation of Agents. ..

But you've been looking
in the wrong place.

You thought the girl was
merely a way to find Litvenko.

A means to an end.

Truth is...

she is the end.

(GASPS)

That's right.

Everything you need...

the strength...

the speed, the intelligence,
is right there.

...locked inside her DNA.

So you want to trade him
for her? Why?

Because I always close
my contracts.

f*ck you.

There's a helipad on the roof.

Get him someplace secure.

(GASPING)

(STRAINING)

(HELICOPTER ENGINE REVVING)

(CRACKLING)

(MAN SCREAMS)

(GLASS SHATTERING)

(ELECTRICITY CRACKLING)

(ALARM BLARING)

Heading back to the safe room.

I want all teams to floor .

AGENT : It's not gonna
be enough, John.

No. You stay with me,
you protect me!

AGENT : So many choices.
And only one right answer.

What's it gonna be?

Emotion or duty?

It was too quick.
Fire was here too quick.

Someone called them
before the crash.

What does that mean?

It means he was never
on that helicopter.

(SILENCED g*nsh*t)

Get them out.

(g*nshots)

(b*ll*ts CLANKING)

(ELECTRICITY CRACKLING)

(BREATHING HEAVILY)

What was your mistake?

I don't make mistakes.

You needed me to know

you were better than me.

(GRUNTING)

- (CHOKING)
- (ELECTRICITY CRACKLING)

(ALARM WAILING)

Where is he?

AGENT : On the roof.

(MUSIC PLAYING)

When this is done,
I will k*ll you.

(LITVENKO BREATHING HEAVILY)

(MAN GRUNTS)

(g*nshots)

Ahhh!

(GRUNTS)

(BREATHING HEAVILY)

(g*nsh*t)

(g*n CLICKING)

(BREATHING HEAVILY)

(HELICOPTER BLADES WHIRRING)

Your mother would be proud.

What?

Nothing.

I doubt you'd understand.

LE CLERQ: It doesn't matter.

We'll find her.

I believe you will.

(GASPS)

(CELL PHONE BEEPS)

DIANA: Confirm target termination.

Target: Le Clerq, Antoine...

terminated.

And the other?

Second target?

?

Le Clerq.

He was your target
the whole time?

Everything you taught me

was just so
you could have a diversion.

It was necessary.

What, to k*ll a single man?

No.

To put a stop to the Agent
Program once and for all.

And to set you free.

Your father loved you, Katia.

He understood
that Le Clerq would not rest

once he knew who you were.

That he would hunt you down.

So he did
what any parent would.

He d*ed to save his children.

This is your mission, isn't it?

We determine who we are
by what we do.

There is a building full of
highly trained operatives...

who will be
on their way up here, now.

You're wrong.
There's just one.

Diana says hello.

(ROCK MUSIC PLAYING)

♪ Yeah ♪

♪ Yeah ♪

♪ Yeah ♪

(ELECTRICITY CRACKLING)

♪ Well, it's too long living
in the same old lives ♪

♪ Yeah ♪

♪ I feel too cold to live,
too young to die ♪

♪ Yeah ♪

♪ Will you walk the line,
like it's there to choose? ♪

♪ Oh, Lord ♪

♪ Yeah ♪

♪ Just forget the wit,
it's the best to use ♪

♪ Oh, Lord ♪

♪ I said, "Oh, Lord" ♪

♪ Won't you follow me
into the jungle ♪

♪ Yeah ♪

♪ Ain't no god on my streets
in the heart of the jungle ♪

♪ Oh, Lord, child ♪

♪ Won't you follow me
into the jungle ♪

♪ Yeah ♪

♪ Ain't no god on my streets
in the heart of the jungle ♪

♪ Oh, Lord, child ♪

♪ Yeah ♪

♪ Won't you follow me
into the jungle ♪

♪ I lost my mind,
in the city of lights ♪

♪ Yeah ♪

♪ In the backstreets buildings
and the neon lights ♪

♪ Yeah ♪

♪ When I heard the thunder,
I could feel the rain ♪

♪ Yeah ♪

♪ It's the same to me,
just a different name ♪

♪ Oh, Lord ♪

♪ I said, "Oh, Lord" ♪

♪ Won't you follow me
into the jungle ♪

♪ Yeah ♪

♪ Ain't no god on my streets
in the heart of the jungle ♪

♪ Oh, Lord, child ♪

♪ Yeah ♪

♪ Won't you follow me
into the jungle ♪

♪ Yeah ♪

♪ Ain't no god on my streets
in the heart of the jungle ♪

♪ Oh, Lord, child ♪

♪ Won't you follow me
into the jungle ♪

♪ Oh, Lord ♪

♪ Oh, Lord ♪

♪ Oh, Lord ♪

♪ I said, "Oh, Lord" ♪

♪ I said, "Oh, Lord" ♪

♪ Wont you follow me
into the jungle ♪

♪ Ain't no god on my streets
in the heart of the jungle ♪

♪ Oh, Lord, child ♪

♪ Won't you follow me
into the jungle ♪

♪ Ain't no god on my streets
in the heart of the jungle ♪

♪ Oh, Lord, child ♪

♪ Won't you follow me
into the jungle ♪
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