02x05 - The Gingerbread Woman

[bunniefuu]

- Previously on "Escape the Night,"

unscripted, unrehearsed,

Joey is possessed by the Dark Army...

- Your life will be forfeit. - Who's talking to me?

- And forced to do terrible things.

- Put it down. - The guests are divided...

- I choose Tana.

- And must battle to avoid death.

Alex and DeStorm...

- Got it! - Settle an old score.

[energy whooshing]

[playful music]

♪ ♪

[birds chirping]

♪ ♪

- I found some more!

- Don't eat them all!

♪ ♪

- There's so many.

Look!

♪ ♪

[distant growling]

- [grunts] Oh, gosh.

♪ ♪

- Oh, man!

♪ ♪

Wow!

♪ ♪

- I don't think we should be here.

♪ ♪

"A delicious, delecta"--

- Come on!

♪ ♪

- It's a meat pie! [flames crackling]

[eerie music]

♪ ♪

[muffled screaming]

[sinister chuckling]

[dramatic music]

- What just happened with DeStorm was absolutely insane.

We just witnessed him die.

- As much as I wanted him to die,

I didn't want to see him die.

- Exactly. - That's gonna keep happening

unless we finish this.

- We shouldn't want any one of the other people to die.

- Everybody will die if we don't get out of here by dawn.

This whole time, we have been playing

by the sorceress's rules,

and we're all dying anyway.

We need to do something to outsmart her.

- So we had vampires. We had spiders.

We had Confederates, and now we have a candy bar.

- We just have to open this candy bar.

- So Gabbie grabs the chocolate bar,

and I'm, like, "Girl, you better share."

- I look at that chocolate bar, and I'm, like,

"Damn, we've been here for so long.

I would love to have a bite."

A delicious, delectable chocolate bar.

Smells like pure joy.

- I don't want to eat this chocolate bar.

I don't know what's in it.

Why should we trust it?

- Nothing? - Golden ticket?

- Once the children have spoken,

devour me, and two paths will appear.

- There are kids in this house?

- Why are there-- - Kids are the scariest--

- How many people are being held here?

I don't even like kids that much.

They freak me out.

- We've already faced vampires and spiders and an army.

The last thing I want is, like, a toddler about to k*ll me.

- Should we look for children? - I don't want kids.

- They're probably my height. - Oh, my gosh. Okay.

- Wait-- - Wait!

There's children-- - Guys, guys, guys!

- Are those the kids we gotta find?

Wait, is that a button?

[all gasping] - A drawer.

- There is nothing inside, which is a little creepy,

but I know it must mean something.

It has to be something with this; this is our only clue.

- A delicious, delectable chocolate...

- Is this in this picture? - Smells like pure joy.

- It's definitely something to do with this.

- A delicious, delectable-- - Hey, children! Speak to us!

Speak! - It smells like chocolate,

guys! - Does it?

- It's not made out of chocolate. I licked it.

- I'ma let y'all die. [chuckling]

- So we're all sniffing around... [sniffing]

And all of a sudden... [sniffing]

We sniff out a clue.

- Key! - I found a key!

- We don't know what the key is for,

but we know it's gonna be important.

- It's a little treasure chest. - Wait!

- Is there a chest? - There's a chest back here.

- Oh, there's a chest! - Ah, come on!

- Thank God. - The key! Who has the key?

- Wow! - Typical Joey.

- Let me see the key. - Okay.

- Oh, my God.

- Smells really good.

- "All children love gumdrops."

- Give some of these gumdrops to those children.

- Ah, yeah! - Oh, my God. Oh, my God.

- It's about to happen! Brace yourselves.

[overlapping chatter] That's how you die.

- Be quiet. Be quiet. Be quiet. - Get ready? Guys...

- Someone, please help us, please!

- Shh!

- We've been locked in the gingerbread woman's oven,

and she's going to cook us alive!

- What is going on in this house?

There are children in the oven!

- There's a spell on the door,

and only children are allowed to enter the baking room.

- So the children tell us that they're trapped,

but their friend is still stuck in the woods. Lost.

They also tell us that the baker

is looking for the gingerbread woman's

lost recipe for the meat pie. - Hurry!

She'll be back in an hour to start the oven!

Please, help us! - Hansel and Gretel.

- She's gonna bake those kids alive!

- She said...

- As soon as we hear these voices,

I go into mother mode, and I'm thinking,

"I have to save these kids!"

- One group will go to meat pies,

the other will go find the boy. - Okay.

- It is never a good idea to split up,

but we have things to do.

We have to save these kids' lives.

We gotta do this quick. - We have to eat the chocolate.

- Oh, my God. - Mmm! That's good!

- Okay, look for something to-- - No, you have to eat

all the chocolate. [door creaking]

[all clamoring] [overlapping chatter]

- I'm going into this one. - Okay, I'm going this way.

- Alex and Tana, come with me.

- We split off into two separate groups,

and immediately start following these candy trails.

One is to the recipe,

and one is to find a child,

which seems like a very odd combination of things.

- So we walk in, and immediately,

I see a gingerbread house that needs to be assembled.

Once complete, open its door to find a treat.

Okay. Let's start building this house.

- I haven't built a gingerbread house in, like, ten years.

- I know, I kind of want one. - Yeah, I kind of do.

- The gumdrops lead us through the foyer

and into a dining room.

Look for a recipe. -Where it looks like

a dinner party was supposed to happen.

Maybe one I was invited to?

- And as soon as we're looking around,

we see chocolates everywhere.

- He has a--he has a note. - Hold up.

- But then we come across a box of chocolates

and another clue. - "Please find

"my collection of chocolate confections,

"and place them correctly in this box.

I need a baker's dozen." That's 13.

So I know right off the bat,

13 chocolates, and they're all gonna be different.

"Be sure to taste the proper treats to be led

to the man whose brains you must eat."

- What? I have to eat a man's brains?

both: I'll eat brains.

- But let's get the chocolate first.

- Why is she eating children?

Like, those kids are innocent kids!

- The stories we heard when we were little are all true.

And some people like to cook kids.

- Great, Alex! - Did we get one of these

nipple ones? - Yes, I got a nipple one.

- Big girl... - Okay, let's see.

- Wait. Oh, guys! I found the top of it.

- Oh, perfect! - Oh!

- So far, we've been b*ating these lieutenants

with complete brute force.

Is there any way we can outsmart them and get ahead of them?

'Cause it seems like they're always 10 feet ahead of us.

- If we take out a lieutenant, maybe she'll see that

we're not just pawns in her game.

Okay, this side is--I feel like it's gonna be secure,

but we have to keep it very still.

- Maybe if we put the lids on all at once,

it'll kind of just like--chhk!

- We find the top half of the box

which is a map of where each chocolate goes.

But all these chocolates kind of look the same.

We're gonna have to eat them to find out what they are.

- I need to eat the whole thing to find out.

- Some of them kind of tasted similar.

Like, there was, like, a blueberry

and a blackberry

and a raspberry and a cherry-- fruits!

- That doesn't look like blueberry.

- All right, but it's blue. - Oh.

- This could be molasses. No, this is molasses,

it just has blue dye on top to throw you off.

- What is this? - That goes right here.

It holds these up. It goes like, uh, slanted.

- Like this? - No, other way. Other way.

- That's what I was doing. This? - No, across.

I mean, uh, me to that side. Front to back.

- It was very frustrating.

I never built gingerbread houses

because I tend to only do things that I'm very good at.

- This is raspberry cream. This has to be.

So switch these two. both: Oh!

- As soon as we place every correct chocolate

in these 13 slots, the door pops open.

And there's more candy on the ground.

And this candy is another trail

up the stairs and into a bedroom.

- Oh, my gosh! - Come on, we're gonna--

- Okay, you guys decorate. I'll hold.

- You hold it together. - Wait-wait-wait.

- So three on the sides.

- Yeah, I'm almost done with that.

- Good job, Tana. - Thank you, Gabbie.

- Okay, reach in there.

It should be a treat inside. Nothing?

- No, just this. [mystic whoosh]

- Wait, that opened.

- Oh, wait. - Okay, I'm done holding this.

- It's a key. - Oh!

- We already got the key. Run!

[laughs] - Wait-wait-wait-wait-wait.

Let's go! - Me, Alex is me.

- Guys, there's another candy trail.

- Oh, my God. - This is creepy.

- A little girl's room.

This kid's room reminds me of

an actual horror movie, but then again,

I feel like I'm in a horror movie.

- "I do love to surprise the children with things to eat,

"especially things that make them gag.

I particularly love brains."

- I think we need to open it.

- You think these are brains? - Open them, look.

So that's when we realized we need to open

all these gifts, and look for these

"brains" we're supposed to eat.

- No, no.

[all screaming]

- I open up the big box,

and there's a dude's head.

- Okay. Well, it's a cake, right?

all: It's a cake. It's a cake.

- Okay. - Yeah, it's a cake.

- Thank God, I thought

it was gonna be a real human being.

- Do we just kind of dig in? - Dive in?

- Let's go.

[both groaning]

- [laughs] - Okay, that's gross.

- [gasps] There's his brains. - Ew!

- Okay, guys, we have to eat it.

This way, come on. - Wait.

- So we run outside.

And we're looking for this lost child.

- What are these--

what does all this--

all: Mean? - [laughs]

Wait. Oh, there's more up here.

Oh, a chest!

- The key that we just found in the lounge

opens up this chest.

- There's no way a key could fit in here.

- I'm sure a clue does.

- Ooh! - What?

- Rock candy.

- "Nine pieces of candy must be placed on

"the Golden Stones to lure the lost child from the woods.

"Once all of them are placed,

a child will appear to open the gingerbread room."

- It's actually not too bad. - It's not.

- It's not as bad as I thought it would be.

- It's making me question.

I'm thinking I should eat brains more often.

I feel like I might get smarter from eating other brains.

- So as we're eating the brains,

suddenly the cabinet behind us opens up.

[whoosh] - [gasps] Knew it!

- And there is a large book.

Ooh, it's a heavy book for one person.

And realize it's a cookbook.

"The Most Delicious Recipes" This is the recipe book!

- This is the book! - It is.

- Meat pie. - The meat pie!

- "Secret meat pie, more valuable than a king's fortune."

As we were reading the recipe, we realize

that it called for a child.

Now, we're sure that there have to be

children in this house

that need to be saved before they're eaten.

- Page... - Oh.

- So we rip out the meat pie recipe

and get out of there.

both: Let's go.

- There's more candies to follow.

- So we need to find these children.

- So we get downstairs, we get to a door

with a sign on it that says,

"Only children may enter the baking room."

- So we need to wait for them to bring back the kid.

- It said that we needed to place candy

on the nine stones,

and then the child would appear.

So we just started placing candy on the stones.

- So these stones, right?

- Wait, one, two, three, four.

- Is there one over there we're missing?

- Five, six, seven, eight. There's--oh, there's one more.

- So there's one more stone. We gotta look for it.

- There has to be one hidden in the bushes that we don't see.

- Not over here, but I'm guessing that's--

- Oh, here! - What?

Oh, you son of a bitch!

- Okay, that's nine.

- Is that candy?

Wow. There's so many.

- Yeah! - There he is, go.

Go.

Hey, hi. - We're here to save you.

- Who are you? - We have more, we have more.

- I'm not gonna share my candy, if that's what you want.

I found it. - No-no-no. You can have it.

- You can have the candy.

- We need your help to find your friends.

- Yeah, okay. - Okay.

- Come on. - Let's call him Pepito.

Pepito, wait!

- He can run! - Guys!

[indistinct shouting] - You got the kid!

- Hi. - Who is this boy?

- He's here to help us. This is Pepito.

- He's so cute. He looks tasty,

but I probably shouldn't say that.

But he looks really adorable.

- You want me to open the door?

- Yeah, we can't get in. - Can you let us in?

- Okay. - Is it safe?

- The little boy gives us access

to the gingerbread room.

And inside is this scrawny little man,

surrounded by so many sweet treats.

- But I am terrified to eat any of it.

- How did you all get in here?

- It's time for you to go home now.

- But I just got here. - Go.

- We were let in by a child. - We are children.

We are children. - Pepito!

Oh, he's gone! - He's gone.

- Do you know anything about the children?

[tense music]

- There's children in the oven!

- Are there children in an oven?

- Guys. - Go-go-go.

- Please, please, please, please.

[all exclaiming]

- Get out of there! - You saved us!

Thank you so much! - Go! Go!

- So he opens the oven,

and there's two kids in there.

Thank God. I guess we at least saved the kids.

- I'm trying to save myself, sh*t.

- Who are they? Why were they here?

- Well, it's what the gingerbread lady does.

- Wait, look at his neck.

He has a rock. - You have a gem!

- Oh, wait! - You have the gem!

- We need that. - What, what, what?

- Yes. - We need your necklace.

- We'll give you anything.

- But the gingerbread woman gave it to me.

[stammering] If I give it away, she'll...

- No. - She'll hurt me.

- We'll protect you. - No, you're fine.

- We'll protect it.

- What is up with that? He's terrified.

We'll get you out of here. We'll help you.

- We have this recipe. - Can we trade something?

- That's her secret meat pie recipe.

That's worth a fortune. both: We'll trade you.

- Yeah. - We'll trade you.

- Yes, that--that could be my way out.

- So we agree, we are gonna trade

the gem for the recipe.

- Put it down.

both: You put it down.

- You put it down first. - Mm.

- We need to get this gem,

and we need to get out of here.

- Leave this here. Do not--I don't trust you.

- Why should I trust you?

- Why should we trust you?

- She's got a point.

- I mean, you're a prisoner; we're prisoners.

- Right when he is about to give us the gem,

in walks this gingerbread woman.

- Oh, do we have guests? - No.

- Well, it's a good thing I just whipped up

a nice batch of hot cocoa.

Please, have one. - Okay.

- I guess this is the gingerbread woman.

- Yes. - Wait-wait-wait!

- No, no! - What?

- It's a new blend I'm working on for the Duke of the North.

- I'm gonna sip it!

- She gives me a cupcake. It was delicious.

She was offering us hot chocolate, and at first,

I'm like, "Should I eat this? Is it poison?"

And I'm like, "You know what? If I gotta die in this house,

I might as well go out with a cupcake, you know what I mean?"

- That's when I realized that we have her recipe,

her sacred meat pie recipe.

- That looks like my secret recipe for meat pie.

- I'm simply carrying a piece of paper.

- How did you get it?

You. - [stammering]

- No, it wasn't him! - It wasn't him!

- You betrayed me! - He didn't do anything!

- I took you in... - No-no-no-no-no-no!

- When your parents put you out on the streets!

[screams]

[indistinct shouting]

[sinister music]

[flesh slicing]

[all shouting] - No!

- [weeping] - His finger's falling off.

His finger's falling off. - Stop do--uh-uh!

- Give me the recipe now! - No!

[indistinct shouting]

- I--here is the deal.

- One... - You have something we want.

- Counting. She's counting. - Two...

- Give it to her. - Counting, she's counting.

- No. - She's counting.

- Thank you. - Uh-uh.

- Hand me the recipe. - You ain't my mama.

Mm-mm. - Please.

- Joey! Joey! - I'll take the recipe.

Thank you.

- I feel like she was gonna do something.

- You tried to steal my recipe!

- No! - Your punishment...

- Mm.

- Is that you will go out and vote

and bring me back two pieces of meat.

- What?

- And I will decide

which one of you lives

and which one of you will be eaten in my next pie.

- Do we gotta do that? - Go!

- Okay, okay, okay... - Now!

- All right! - Okay! Okay!

- Okay, okay. I don't like her.

- [weeping] - That was a good donut though.

- That poor little man was just sitting there,

getting ready to bake.

- She said she rescued him as a child,

and now he's like a prisoner.

- She didn't rescue him. She swiped him up.

- Think about how long he's been there, though.

Think about how long we could be here.

- Whatever's in there is probably food.

- Mm-hmm. - Eating, eating, eating.

And we just went through chocolate and chocolate

and ate brains. - We all just ate so much.

- We ate brains.

- I'm willing to go in there and fight

because I don't want any of you to die.

- But, Alex, you've already fought a challenge.

You fought a challenge. Gabbie fought a challenge.

I fought a challenge.

- I feel like Liza could handle it.

- What is this about?

Joey and I had a great time, being a great team,

and now he wants to send me to my death?

Joey's really set on sending me in.

- "I did this, I did this."

And the end of the day, you haven't competed yet.

- If it came down to someone who hasn't done it,

I don't want it to be me.

I don't want to go into the challenge! I'm full!

Let me rest, have a little nap.

- At the end of the day, if I get to the end,

Tana's the one I want to go up against,

not one of the other ones.

So I'll keep Tana around as long as I can

because she can't fight.

- I can take Joey out.

If you guys want me to take him out, I can take him out.

- I mean, he did invite us to this "ball."

- And his hair is always perfectly coiffed.

- That's a good point. - How?

- Yes. - What?

- I won't stand for this. - What is going on?

- All right, it's time to vote.

Please come up one by one, as usual.

- [groans] The voting never ends.

It's like an election.

- So at this point, Joey, Tyler, Liza, and Andrea

haven't gone into elimination yet.

We need to pick two of these four.

- I've been so helpful this entire time.

I've been exploring this home

that I thought was his but isn't.

He is the reason why we're all here

and why all of our lives are at stake.

- At this point, I have to be honest.

I don't know who I'm voting for.

I just need to not make any enemies.

- I don't want to risk my life going into this challenge

because that gingerbread woman is terrifying.

- All right, she's back. - Here we go, here we go.

- This is it.

- Tyler.

- Ohh. - What?

- I didn't even see that coming.

Like, my name was never even on the table.

I don't know who voted for me.

[brooding music]

- Liza.

- Whoa! - No.

- I did not see either of those coming.

- Who? Are you sure?

Is there another little brown girl

in the room that could go?

- The votes have been cast. There's no way to change it.

Tyler, Liza, follow me.

- Guys, fight for your life. - Come on, guys.

- You might be able to both come back alive.

It's a possibility. - Remember, this is--

- Don't accept death. - You got this!

- If I don't come back... - This is the only way out.

- It was sweet living with you all.

- "It was sweet"...

- Oh, Sampson.

- Oh, my God.

So when we walk back into the room,

there are more sweets than before.

- There is not a single chip

or burger or French fry in sight.

Everything is so sweet and sugary in this room.

- Is this for us?

If this battle has anything to do with sweets,

I'm gonna puke.

- "Choose a side,

"then eat and swallow everything red

"until you are given your next instruction.

"The first to complete all three instruction lives.

"Set the baking timer to 30 minutes,

and be finished before it rings or no one gets out."

- So we could both die?

As much as I don't want to eat sweets,

I'm not dying today.

- I love you, sweet pie. - [kisses]

[murmurs] - Go.

- Oh, God, it's happening.

- Red-red-red-red-red-red...

- Oh, my God, oh, my God. - Red-red-red-red-red-red...

Mmm-mmm. I love this challenge.

- That's orange.

So I'm eating gumdrops and gumballs

and little tiny things; it's not that bad.

So I'm thinking, "Okay, maybe I'm gonna live today."

I don't know what's red.

- Anything red that I can find in the room,

it's in my mouth.

Do I eat your hand?

- No, only food. - Okay.

both: Only food.

- I hope what I ate was red.

Is this red? - That's pink.

- That's pink, oh!

Are you kidding me?

I don't have room in my stomach for anything pink.

[playful music]

- If I was colorblind-- thank God I'm not--

I would not be able to do this challenge.

- I am super competitive.

Even if the challenge is something that I hate,

I'm still not gonna lose.

- Okay, you're done.

- What? - I'm done?

So I find all red items pretty fast,

faster than Tyler did.

"Eat everything shaped like a square."

Okay. - Food.

- Pretty--I'm pretty sure I've eaten

everything shaped like a square.

So I'm looking around for square shapes.

I'm like, "Thank God I went to high school

and know what a square is."

- I surely have eaten everything red, have I not?

- Okay, this does not taste very good, Sampson.

Sampson, did you make these?

- I'm good.

- Before I know it, Tyler catches up to me,

I don't know how, and he's on his next clue.

- So I'm finding square chocolates,

square brownies, square everything.

- Square.

- Where are the squares at? - I can't tell you.

- Point with your finger that you don't have.

These are jellybeans... - Oh.

I am eating chocolate after chocolate

and brownie after brownie,

and I am starting to feel sick.

[muffled] Can we have water?

No water. This--this is stupid.

- Where's a square?

- Dump things out if you need to.

- Don't help her.

- I mean, honey, one of us needs to live.

I'm looking around,

and Sampson will not give me my next clue.

This ain't a square.

- Oh, my God.

I am thinking maybe it's better to just die.

[mumbles]

And I get my final task.

And it seems impossible.

No, that's not even possible.

I have to eat "The King's Cake."

There's no way. - What'd you get?

- [mouth full] Nothing. Mind your business.

- Honey, we're all on the same team, I thought.

Tyler eats everything,

and before I know it, he's ahead.

- If I want to live today,

I have to eat this cake,

so I just don't even think about it.

I stick my hand in the cake,

and I start to put it in my mouth.

- There's no squares, Sampson.

[mock weeping]

I've eaten all the squares in this room.

I have flipped this room upside-down.

- Some of the squares were even hidden in boxes.

I look over at Liza,

and I don't think she's getting that.

- I'm eating this 'cause I'm giving up.

If I don't get k*lled,

I'm gonna k*ll myself by eating all of these,

Is that the square, Sampson?

- It's a square. - Oh, my God.

- [mouth full] Oh, my God, I found the squares, Sampson.

- Liza finds the chocolates in her box,

and I'm thinking, "She might have a chance to pass me.

She might b*at me today."

- Cake.

- Are you really gonna eat that?

- Am I really gonna live? Yes.

[dramatic music]

I have a sweet tooth,

but that sweet teeth are gonna fall out.

- This, like, hurts.

- Tyler is sweating.

He's drenched in his own fluids.

- Oh, my God. I am about to puke.

It's layer after layer with icing galore.

And I'm thinking, "There's no way

this can fit inside of me."

[groans]

- I can't pack away a whole cake.

And if I do, I hope it goes to my booty.

- I, like, don't feel good.

- Tyler, I do not feel good.

- [laughing] I hate you.

- [moans, heaves]

♪ ♪

- Done. - Oh, my God, yes!

- No!

[mock weeping]

I'm not done, Sampson.

No. - So sorry.

- It's over. Tyler won.

I'm dead.

I'm about to be baked into a pie.

- Now, as the winner, to finish--

- What--to finish? - You ain't done.

- You must eat a piece of meat pie.

- Is it made out of baby?

- I wish everything in this world to eat that meat pie.

I've eaten so many sweets.

All I want is a little bit of salty,

or, at least, a chance at life.

It was so good and so bad.

- Are you--no, no.

- Just a piece. - That's--just a piece of that?

- Just eat a bite of it, baby.

- You know what? You can both live.

I'll give you the gem,

if you help me k*ll the gingerbread woman.

- I am beyond relieved that I am gonna survive.

But to hear that Liza might live too,

I'm thinking, "Okay, I need to do whatever it takes."

- You just have to take a piece of the pie...

- Yeah, no.

- You tell her that it tastes terrible.

- Oh. - And something's wrong with it.

And there must be something wrong with the oven.

She's very upset about it. - And then we--

And then we make her go look.

- When she goes in-- - And then we--and then--

- I will shut the door. - Yeah.

- And then you can have the gem. - Okay.

- Yes-- [door opens]

- As if I wasn't already queasy,

the gingerbread woman walks back into the room

and I have to give the performance of a lifetime.

- Well... - Good day!

- You look marvelous.

- I see...

you've been fattened up nicely for the oven.

- Thank you. This little booty.

- You... - Yes!

- Eat up... - Ah.

- And you can live in one piece.

- Thank you. - Mm-hmm.

Eat up.

- If Sampson doesn't push her into the oven,

boy, I will.

It looks tasty. - Yes.

Very delicious.

I stick my fork in that pie

knowing it's probably kids.

- Is it good?

- Hey.

- There's something wrong with this.

- What? - There's something wrong.

- What do you mean, there's something wrong?

- It's disgusting.

- [gasps] - You have to check the oven.

- No. - There's something wrong.

- Kings have feasted on my pie! - [yelps]

- You guys stay back.

- Check it out. - Check it, girl.

Check-- [door clanks]

- [exclaims] - Hey!

- [laughing] - Sampson!

Sampson!

You let me out of here right now, Sampson!

- As soon as we shut the gingerbread woman into the oven,

Sampson hands us the necklace.

We finally have the gem.

And he hands us a scroll, which I figure is our next clue.

So Tyler and I get the heck out of the bakery.

- Burn, witch, burn! [cackles]

- Let me out! Let me out!

Sampson!

- [laughing]

- Sampson!

- Tyler! Liza!

You're both back, yes! [indistinct shouting]

Tyler and Liza go in,

and they both come out.

- So we're thrilled because that means

that maybe we can outsmart the sorceress after all.

- Well, we got this!

- We got the gem! [all cheering]

- Let's go put it in!

- And wait. - Oh.

- They gave us this. [thunder cracks loudly]

[all scream]

- Oh, the-- - The sorceress!

- Oh, no. - Oh, no!

- All of a sudden, a cloud of smoke appears.

And there's the sorceress.

- Uh-uh.

[gasping]

- Oh, my God. - Whoa.

- Pick it up!

- Go get it. - You pick it up.

- [voice echoes] I think you forgot something.

- What? What is this about?

- It's the most important part.

One of you

must die.

[bird screeches] - No, no!

- Sampson! - Sampson!

- k*ll him! [blade slices]

[screaming]

- Oh! [bird screeches]

[body thuds]

- [evil laugh]

One of you must die.

That is the most important part.

That is the rule of the game.

- [screeches]

[all screaming]

[indistinct shouting]

- No! No!

[indistinct shouting] - Liza!

- No! No! - No!

- No, wait! - [snarls]

- They look Liza! - They took Liza.

[bird screeches]

[soft creepy music]

- Run along now.

Things are just starting...

- Oh, she dead. - To get fun.

- She's the most dead. - [laughs]

- Oh, my God, oh, my God. - Get in, get in.

[somber music]

- What the heck just happened? - What was that?

- Here I was, thinking that Liza and I could survive.

And then there's blood everywhere!

And she is dead.

- Liza's gone, but Tyler has the gem.

All we can do from this point forward

is move on.

- I don't think these gems will ever be worth

the lives of our friends, though.

I wish there was another way.

- If we try to outsmart her,

it's not gonna end well. - We can't do it.

- We have to play by the rules.

- We have to play by the rules.

♪ ♪

[dramatic music]

♪ ♪