01x04 - Chapter Four: The Fe(Male) Gaze

[bunniefuu]

[THEME MUSIC PLAYING]

♪ Got a secret, can you keep it ♪

♪ Swear this one you'll save ♪

♪ Better lock it in your pocket ♪

♪ Taking this one to the grave ♪

♪ If I show you then I know you ♪

♪ Won't tell what I said

♪ 'Cause two can keep a secret ♪

♪ If one of them is dead

♪ 'Cause two can keep a secret ♪

♪ 'Cause two can keep a secret ♪

♪ 'Cause two can keep a secret ♪
♪ If one of them is dead

["SAY YOU'LL BE THERE"
BY SPICE GIRLS PLAYING]

No, my mom would k*ll me.

God, Angela, just have some gum later.

♪ Giving you everything

♪ All that joy can bring

♪ This I swear

- [COUGHING]
- Don't worry. You'll get used to it.

- MAN: Hey!
- Oh sh*t, Angela. Hold this.

You girls smokin' back here?

Not me. Just her. Right, Angela?

Marjorie, get the hell outta here.

You, come with me.

♪ This I swear

♪ Yes, I swear

- ♪ And all that I want from you ♪
- _

♪ Is a promise you will be there ♪

[TENSE MUSIC PLAYING]

TEEN MARJORIE: Come on,
Angela, don't be mad.

Look, I got you something...

as a thank you.

_

TEEN ANGELA: Are we friends, Marjorie?

♪

[PHONE RINGING]

No phones in detention.

I'm sorry, Mrs. Murray,

but... it's my doctor.
I have to take this.

[SOFTLY] Thank you.

Mr. Thompson, thanks so
much for calling me back.

MR. THOMPSON: [ON PHONE] Happy to chat,

though I'm not sure
I can be much help.

I wasn't really in your
mother's friend group.

What about... Angela Waters?

She was also a classmate of yours.

MR. THOMPSON: What would
I know about Angela Waters?

I'm trying to talk to as many people

from your graduating
class as possible...

for a school project.

Were my mom and Angela friends?

MR. THOMPSON: Look, I don't

- know anything about Angela.
- No...

MR. THOMPSON:
So sorry. I can't help you.

[CALL ENDS]

[SOFTLY] sh*t.

- FARAN: Thank god that's over.
- No sh*t. [CHUCKLES]

Two weeks of detention is
nothing after juvie, but... still.

It was lucky. We were lucky.

So, what happens now?

What do you mean?

- I go back to "Swan Lake."
- And I go back to training,

counting the minutes till
my ankle monitor comes off.

Are you asking about...

"A," Mouse?

It's been two weeks and
no more psychotic texts.

- Maybe he's moved on?
- What about... our moms?

Are we never gonna tell
them what happened to Karen?

- Or to us?
- Not until we know more about

what really went down
with Angela Waters.

It's... weird. I've
been putting out calls,

but no one wants to talk about her.

It's like she's a ghost
or an urban legend.

And you still think Angela Waters

is somehow connected to A?

All of our moms knew her,
and we're their daughters.

There must be a reason
A is targeting us.

And the mystery continues.

Good luck with that.

[INDISTINCT CHATTER]

Crap, I have to go back.

I gotta get something from the A/V room.

You guys go ahead. It
might take me a minute.

Okay. Bye.

Hello? Anyone in here?

[TENSE MUSIC PLAYING]

[INDISTINCT CHATTER, LAUGHTER]

STUDENT: Get off me!

Shut the f*ck up, Ty.

Dude, what? She did. She came twice.

Trish is a f*cking nymphomaniac.

GREG: I'm not talkin' about
Trish. I'm talkin' about you.

Dude, I came twice, too.

[LAUGHS] But I never pulled
out. I just stayed inside of her.

GREG: Yo, get over yourself, bruh.

Trish is like the
doorknob of Millwood High.

We've all had our turn.

- I have some exciting news.
- Hm.

This lovely couple

put an offer on your house, Imogen.

[SWALLOWS] Really?

Already?

But... what about all our stuff?

I was gonna bring a crew in.

Pack things up, clean the house.

Can I do it?

Sure.

We have a little time.

_

MR. SMITHEE: Class, for this assignment,

you'll be partnering up.

Together, you'll choose one of
the directors on my approved list,

select a scene from a
film in their catalog,

and recreate it.

But first, you'll pitch your vision

for the scene to the class.

Tell us what you want
to say with the piece,

why it's relevant today.

♪

Kelly, are you switching dance lockers?

Yeah, I like Karen's better.

[CLASSICAL MUSIC PLAYING]

Faran, I'd like you to
do a series of one-on-ones

to get back up to speed... with Kelly.

I'll get caught up, but
can't I work with Henry?

Kelly's sister just d*ed.

She doesn't need more on her plate.

On the contrary. Kelly has
dedicated herself to "Swan Lake,"

and it's been, I think, a
welcome positive distraction.

So, I'm doing this not just for you,

though you need the help badly...

- but for her.
- [WHISTLE BLOWING]

["NEVER GONNA LEARN"
BY EMILY WOLFE PLAYING]

♪ Light it up you wanna
burn away the fear ♪

♪ I'm brighter in the dark

♪ You know I'll never fall in love ♪

Be straight with me, Coach.

[OUT OF BREATH] I'm weak.

- Slow, right?
- You're out of practice,

but... we'll get you
back in fighting shape.

♪

♪ And I'm feelin' like
I'm never gonna learn ♪

ASH: Like, the whole premise
of Spectrum is to be inclusive,

so you should come to a meeting.

Or... we could just hang out at least.

Like, are you doing
anything for Halloween?

Usually I go to a midnight
movie at the Orpheum,

but I hear they're not
showing one this year.

- Your friend works there, right?
- Oh, yeah, Tabby.

She does. Um, want me to ask why not?

No, it's cool... but, I am
in the mood to dress up.

I was thinking I'm
gonna be Ziggy Stardust

or Freddie Mercury.

I've heard of a few
parties we could crash.

Oh, no. My moms never let
me go out on Halloween.

"Too... dangerous," they say.

[BOTH CHUCKLING]

I could come over.

We could hand out candy,
chill with your moms.

Oh, I would never
inflict that on anyone...

but especially not... you.

Let me see what I could
do about Halloween night.

I might be able to sneak out.

[LIGHT MUSIC PLAYING]

[ECHOING LAUGHTER]

What do you think, Imogen?

- Is it all ours?
- It's all ours.

Do you wanna go upstairs?

- Yes!
- [LAUGHS] Okay.

[DOOR OPENS]

[OMINOUS MUSIC PLAYING]

Hello?

Anyone there?

♪

[PEOPLE CHATTERING, LAUGHING]

♪

Excuse me!

- Can I help you?
- Oh my gosh. [LAUGHS]

So sorry to bother
you. My husband and I,

we just put an offer on this
house, and we're so excited,

so we just came by to see it again.

And you're... taking photos because?

To send to my folks.
Was this your house?

It still is my house.

[CHUCKLES]

Did the real estate agent
tell you what happened in it?

SIDNEY: So, I heard from my buyers.

Why would you say those things, Imogen?

I just... told them the truth...

- that my mom d*ed there.
- No.

You said that a woman
had been m*rder*d there,

which is not the truth.

It's... my house.

I hate the idea of
strangers living there.

Well, congratulations.
They're pulling their offer.

Guess it wasn't meant to be.

I wanted to spare you from this,

but your mother was in
a lot of debt, Imogen.

I was hoping a sale
would cover what she owed.

Also, I heard from one of my
old classmates, Don Thompson,

that you've been calling around,

and asking questions
about Angela Waters.

- Why would you be doing that?
- Because...

There is a connection
between what happened

to Angela and what
happened to my mom,

and because you won't
tell us what it is.

Imogen, are you maybe wanting to
see something that isn't there?

Or are you trying to cover up
something that actually is there?

I want you to move on from all this.

It's a little harder for
me to move on, Ms. Hayworth.

- My mom is dead.
- I meant move on from Angela Waters.

What are you all hiding?

Why does no one want to
talk about Angela Waters?

You do need to move on, Imogen.

And your house needs to be sold,

so however else you
want to spend your time,

I'd finish picking out
what you want to save...

and say goodbye.

- How about Sam Raimi?
- Mm.

We could do a scene
from "The Evil Dead."

Ugh, no. No way.

I thought you loved "Evil Dead."

It's just... that scene

where the woods att*ck and
basically r*pe that one girl

ruins the whole movie for me.

It's, like, did that
really need to happen?

So, uh, no "Evil Dead."

Raimi's not even on Mr. Smithee's list,

but... you know who is?

The Master of the Macabre himself.

_

Female victims m*rder*d
by masked male psychopaths.

v*olence perpetrated against
women's bodies by men,

the foundation of almost
every horror movie.

If you draw a line
backwards through time,

through all the iconic slasher movies

from "Scream" to "Halloween,"
it leads you back...

to the ur-k*lling that started it all.

The shower scene from "Psycho."

I see. So, you're
going to put yet another

vulnerable young woman
in Norman Bates' cross hairs.

Funny how if there's gonna
be a naked m*rder victim,

people automatically assume
it's gonna be a woman.

But we're changing it up.

Our victim will be a
vulnerable young man.

Our m*rder*r... will be a woman.

Different genders,
different power dynamics,

and none of that trans-phobic
panic sh*t, either.

Horror... from the point
of view of the female gaze.

♪

Basically, it's a
contemporary feminist take

on the shower scene from "Psycho."

[CHUCKLES]

So, who's down to be my
modern-day Marion Crane?

Baby on board.

Plus, your mom's
actually gonna m*rder me

if I don't finish going through
all the stuff at my house.

Fair... Mouse?

This might be a good
time to tell you that

I don't really like
horror movies. Sorry.

Also fair.

Noa!

When and where are you filming?

The boys' locker room.
It's part of my concept.

Principal Clanton gave
you permission to do that?

Nope. We're gonna have to
do it at night and break in.

Oh, a little B&E right
before getting my monitor off?

And then there was one...

Faran?

If I agreed... who's
the guy I'd be k*lling?

What about your ballet hottie?

Henry?

He's actually someone I
could see myself dating,

so I'd rather not s*ab him to death. No.

Okay. Well...

this short is really,
really important to me.

I have to get it right.

So, I need a guy who isn't shy,

someone who won't balk
at being objectified.

[GREG SHOUTING] The legend is back!

Yeah, boys! What's up?

Someone like?

[INDISTINCT CHATTER]

Well, he's definitely done grieving.

- Hey, Greg. Got a second?
- Hayworth...

What the f*ck? You made
that video of Karen.

And it's truly the
biggest regret of my life.

I've got a few of those.

And I know she f*cked
with you and your friends.

She did.

But still, no excuse.

Look, Greg, I'm making another video,

but don't worry, this
one's fully sanctioned.

Has anyone ever told you that
you look like Ryan Reynolds?

I saw you today showin'
off in the cafeteria.

- Have you ever thought about acting?
- I don't know. What's the movie?

It's for Mr. Smithee's class.

Have you ever seen Hitchcock's "Psycho"?

Girl stops at a motel, takes a shower,

guy comes in, kills
her, but I'm flipping it,

and I need a guy who's not shy,

confident in his own skin.

- Who else is in the movie?
- Faran Bryant.

And I k*ll her?

No... She kills you.

But basically, it-it's a shower
scene with hot girl, right?

- Mm-hm.
- Sweet.

I'm in.

Excellent.

Nice extension.

I'm sorry we have to do this, okay?

Honestly, I have no idea why
Giry even asked me to help you.

I'm not as good of
a dancer as you are.

But that doesn't matter

because I have an asterisk by my name.

Asterisk, Faran Bryant,

the only reason she got
cast as the Black Swan

is because she's Black.

At least... that's
what your sister said.

But...

she didn't actually use that word,

- did she?
- Wow, Kelly...

I thought Karen was the gas
lighting microaggressor, not you.

That wasn't just in my head.

Now, as to why you're coaching me...

Giry also feels sorry for
you 'cause your sister d*ed.

So, let's just get
through this, all right?

Look...

we don't have to practice together.

I'll just go do my thing, and...

you just be a queen, girl.

You just be a queen, girl.

You must be keen to get your ankle
monitor off later this week, huh?

I said, "Are you keen?"

I am.

- Yeah, yes.
- But I'm not done with you yet.

If you meet the requirements
of your probation

for one year exactly,

your record will be wiped clean.

Otherwise, there will

be consequences.

SHAWN: You've been quiet,
Noa. Everything okay?

Yeah. It's just...

Sheriff Beasley's riding
my ass to the bitter end.

That assh*le.

If he only knew the truth, right?

Shawn, don't start up
with that again, please.

You're not even
supposed to know about...

What really happened?

I'm sorry, but it's shitty that
you're dealing with any of this

when the person who's
really to blame is...

- [KNOCKS ON DOOR]
- MARJORIE: Hey, honey.

Hey, hey, Shawn.

I got off early. Thought we
could go to a movie maybe?

Shawn, you're welcome to join us.

Nah, I'm good, um.

I should be getting home
anyway, but you guys go.

I'll talk to you later, babe.

[GRUNTS]

[EERIE MUSIC PLAYING]

- IMOGEN: One more game?
- DAVIE: Yes, but a different one.

Do you believe in ghosts?

[THUNDER RUMBLES]

- [KNOCKS ON DOOR]
- Hey.

Can we hang out after school
tomorrow with the girls?

A Losers Club reunion? I'm down.

We're not sh**ting till
Wednesday night. What's up?

I thought, maybe...

we could try to contact my mother.

_

Hey, did you tell Kelly
that the only reason

she's coaching you is
because her sister d*ed?

Why would you do that?

Because, Henry, unlike everyone else,

I cannot pretend that
I suddenly like Kelly.

I'm not wired that way. Sorry.

How about just having sympathy for her?

It's hard to muster sympathy
for someone coaching you

- when they're not even a good dancer.
- I disagree.

While you were in detention,
I worked with Kelly every day

and she's gotten better. A lot better.

It's almost like I'm
dancing with Karen again.

FARAN: Like Karen? In what way?

Just... can you cut her some slack?

[TENSE MUSIC PLAYING]

I'm sorry, Kelly, about how
I acted at our last sesh.

I was out of line, and...

I'm sorry about Karen.

I haven't even said that to you yet.

Thank you.

I appreciate that.

You must really miss her a lot.

It's...

hard to even think about, honestly.

I remember reading this article

about twins once and it said that

sometimes when something
bad happens to one twin,

a trauma of some kind,

the other one can feel it, too.

- It was a little bit like that, yeah.
- Yeah.

You'd do pretty much
anything for each other.

I mean, would've done anything

back when Karen was alive.

Yes.

I mean...

- yeah, she was my...
- Soul mate?

Best friend, I was gonna say.

Yeah, that's... her leotard
you're wearing, isn't it?

Maybe we should get started.

Absolutely.

Um, I guess I'll start.

We're, um...

gathered here to make contact

with the spirit of Davie Lee Adams...

my mom.

[TENSE MUSIC PLAYING]

Mom...

it's me...

Imogen.

I guess what I really want to know is...

are you okay?

Or... at peace?

- [GASPS]
- Who's moving it?

- I-I'm not doing it.
- Uh, don't look at me.

Everyone, take your hands off.

Mom...

what happened to you?

Did you...

Did you die... alone?

Or is there someone else with you?

Did it have something
to do with Angela Waters?

Please.

I need to know.

There has to be an explanation.

Why would you leave me?

[CRIES] If you really did
k*ll yourself out of guilt,

then you had to have known that

I'd be the one to find you in the tub

and deal... with... all this bullshit.

Alone.

Seriously? You have nothing to say?

After everything that you have
put me through, you abandoned me.

I have no one...

and nothing.

Say... something.

Please.

It is the least that you could do.

- Imogen...
- Let her work it out.

You know what, Mom?

[YELLS] f*ck you!

I hate you!

And you wanna know what else?
I'm glad that this place is selling

because I don't wanna
think about you anymore.

Can we please get the
f*ck out of here? Please?

Yes.

But, you're wrong...

- about having no one.
- Yeah... you have us.

We're here for you, Imogen.

For sure. We are.

- To quote "Chucky"...
- [CHUCKLES]

"Friends till the end."

- Yeah.
- [ALL CHUCKLING]

[KNOCKS ON DOOR]

How can we help you, Sheriff?

Terms of your probation
allow me to make unscheduled

drop-ins and searches.

Yeah, but you haven't
done any this whole time.

I'll start in your bedroom.

[TENSE MUSIC PLAYING]

Bathroom?

- What are these?
- They're not mine.

They're magnesium to help me sleep.

Oh my god. I got them from
the school nurse. Ask her.

- [SIGHS]
- What a psycho.

What's in your bag, Mom?

You using again?

I sometimes take a quarter
Oxy for my back pain

but that's it.

_

[SIGHS]

NOA: These aren't even yours.

[DOOR SHUTS]

Are you excited?

- For what?
- Are you kidding?

Today is your last day
wearing that ankle monitor.

Um, yeah. Guess I'll be
more excited tomorrow.

GREG: So, how do we even get
into the building tonight?

Uh, me. I'm gonna hang out after school

at the A/V studio,

and then at : , I'll meet
everyone at the side door.

It's a quick setup. We should be
sh**ting by , done by midnight.

And let me stress,

this is a somewhat intimate scene,

so I wanna make sure everyone
feels safe and supported,

and that we're in control.

You've got my sh*t list
and the storyboards I drew,

so there shouldn't be surprises.

Any questions?

What are you using for blood,
and am I getting any on me?

Hm, Hitchcock used Hershey syrup.

We're using corn syrup

mixed with red food coloring,

and no, like in the original,

the v*olence will be
implied more than shown.

Too bad, 'cause I'm always down

for a meaningful
exchange of bodily fluids.

TABBY: Okay, Greg, that is exactly

the kind of bullshit I
don't wanna hear on my set.

- What about our costumes?
- We will have them waiting for you.

Full Marion Crane.

- I have to wear a costume?
- You're wearing a Speedo.

That makes zero sense. I wouldn't
be showering with a Speedo on.

We're not gonna see the Speedo.
We're sh**ting around it.

The nudity, like the
v*olence, will be suggested.

Any other questions?

Yeah, in case this turns into a p*rn,

are you guys providing the condoms

or should I bring my own?

- Oh my god.
- What the actual f*ck?

I'm just messin' around. I hear you.

Okay? Safe set, promise.

TABBY: Thank you.

Moving on. [SIGHS]

[SIGHS]

[LIGHT MUSIC PLAYING]

DAVIE: I have a surprise for you.

[CHUCKLES] When I was your
age, I wrote everything down.

Hm. So do I... right before I post it.

[CHUCKLING]

This is for you and nobody else.

Every girl has her secrets.

If you spark to it, I'll
get you another one, okay?

And if you're like me,
you'll have them for life.

[GASPS]

[GRUNTS, SIGHS]

♪

[CHUCKLES]

TABBY: Thanks for doing this.

I'm happy for the distraction.

Is Kelly being awful?

Let's just say she's
giving off some serious

Karen vibes.

Mm.

Can I share kind of a crazy theory
with you about Kelly being K...

GREG: Hey, guys.

Never mind. It's too crazy.

- Sorry, sorry.
- Ladies first.

Yeah, half pepperoni, half cheese.

How long will that be?

- Great, thanks.
- [ENDS CALL]

[PHONE DINGS]

- [OMINOUS MUSIC PLAYING]
- _

- FARAN: How was that?
- Good, but we're gonna go again,

and this time what I'm
looking for is your intention.

I want to see it in your eyes.
Hitchcock was all about the eyeballs.

- My intention being?
- You had dinner with Norman.

You're attracted to him, aroused by him,

so in true slasher fashion,

you're gonna penetrate him.

Oh, with your Kn*fe.

You're gonna s*ab him.

- Got it.
- CHIP: All right, back to one.

And rolling.

And... action.

[STACCATO VIOLINS PLAYING]

And cut!

Ooh, that was awesome!
It gave me literal chills.

Now, you can relax

and we're gonna move
on to Greg's coverage.

What am I supposed to
be doing? Just showering?

For context, you just
had dinner with Marion.

She gave you wine,

but didn't have any herself.

Maybe she even slipped
something into your drink.

You're vulnerable.

- A damsel in distress.
- Yeah, right. A damsel?

And then, Greg, while
you were just showering,

we are going to be
breaking the last taboo.

- What's the last taboo?
- Oh, it's nothing bad.

We're just going to
show a hot male body...

namely yours...

violated by a female phallus... Faran's!

- I'm gonna need like five.
- Five and we'll go.

[SIGHS]

[TENSE MUSIC PLAYING]

CHIP: So, if we start on this
sh*t, we can move to this sh*t

and then I won't have to change the
lighting setup until we get down here.

- Um...
- Oh my god.

He's totally naked.

- Where's your damn Speedo, Greg?
- [LAUGHS]

It was uncomfortable. It
was tugging at my balls.

- And isn't it more authentic this way?
- TABBY: Why do you always

- have to be such a f*cking clown?
- I didn't hear you complaining

when you asked me to
be in your little movie.

And what the hell did
I say at our meeting?

That I wanted a safe set.
You naked, not safe, not cool.

GREG: I don't mind personally,

and like you said, I'm
not shy because there is

- no reason to be.
- TABBY: Oh!

- Plus, I gave up carbs for this, so.
- It's not about you!

- It's disrespectful to your costar!
- Yo, Faran, you mind?

Ballet's a lot raunchier than this.

We won't see anything on camera.

We should roll soon, though.
It's gettin' kinda late.

Let's take another five.

- CHIP: Tabby, Tabby, where you goin'?
- For a walk.

[SIGHING]

[SNIFFLING]

[OMINOUS MUSIC PLAYING]

[BREATHING HEAVILY]

You're okay.

You're okay. You're okay. You're okay.

You're okay.

[EXHALES]

Chip, what's going on?

Oh, hey. Everything okay? You good?

I-I'm fine. Where are Faran and Greg?

Oh, they just, they just left.

But we barely got half the scene.

I didn't know where you were,

- and you weren't answering your phone.
- I didn't have my phone.

Yeah, I know. It's here.

But Faran and Greg
were gettin' kinda cold,

and wanted to go home,
so I finished the scene.

What do you mean? You sh*t it?

Yeah, but d-don't worry.

I followed the storyboards exactly.

Is that not okay?

No, it's fine.

Okay.

♪

[DOOR BUZZING]

Yes?

DELIVERY DRIVER: Pizza delivery.

Finally. Come on up.

Actually, uh, my car is running, so...

Jesus. I'll be right down.

[ELEVATOR DINGS]

[OMINOUS MUSIC PLAYING]

[GLASS CLINKING]

[ELEVATOR DINGS]

[DOORKNOB JIGGLING]

♪

- [SCREAMING] Help! Help! Help!
- [BABY CRYING]

- Help!
- [BANGING ON DOORS]

[BREATHING HEAVILY]

[SCREAMING]

- [SCREAMING]
- [GRUNTING]

♪

[GRUNTS]

[PANTING]

[SCREAMS] f*ck you!

Why don't you come and
get me, you little bitch?!

[BEEPING]

What do you want?!

Just tell me!

Punish... the guilty.

The guilty?

- Who's guilty?
- Your mother.

[TENSE MUSIC PLAYING]

[RINGBACK TONE]

OPERATOR: [ON
PHONE] Millwood General

Hospital, how may
I direct your call?

[CRYING] Security, please.

OPERATOR: One moment.

- SECURITY: Security?
- [EXHALES]

One of your nurses...

Marjorie Olivar...

has been stealing dr*gs
from the hospital pharmacy.

SECURITY: Come again?

Check her purse.

[SOBBING]

♪

♪

[INAUDIBLE]

♪

_

[KAREN GASPS]

_

FARAN: Thanks for meeting me, Henry.

Sure. What's up?

I need your help...

and I didn't want to ask over text.

- Ooh, mysterious.
- This is gonna sound crazy,

but what if Karen's not really dead?

Faran, we were at the
dance. We all saw her fall.

Yeah, but what if that wasn't Karen?

What if it was... Kelly?

They switched places and pretended
to be each other all the time.

- Faran, this is deranged.
- You're the one who said it, Henry.

"It's like dancing with Karen."

Yes, like dancing with Karen,

not actually dancing with Karen.

It's other things, too. Little clues.

But I figured out a way to be sure.

Remember the razorblades
in Karen's pointe shoes?

Yeah?

If I'm right,

and Kelly is actually Karen,

she'd have some kind of scar.

[SCOFFS] And you want me to
do your dirty work and check?

All you have to do is offer to
give her a foot rub during PT.

And if there's no scar?

I'll let it go.

Promise.

[BELL RINGS]

IMOGEN: I found my
mom's diaries. All of them.

- What do they say?
- It's what they don't say.

This one's from our moms' senior year.

The entries slow down
to a trickle, then stop,

- but before that...
- Some of the pages are torn out.

Exactly. Why would a girl rip
out pages from her own diary?

I mean, the whole point is
that it's private, right?

Unless there was something so bad

she wanted to rip it out of
existence, even for herself.

And what, you think
she destroyed the pages?

Or they're hidden? Maybe
somewhere in my house.

Jesus, what happened to you?

Did you get your ankle monitor off?

I did this morning.

[SIGHS] Guys...

A's back.

And he came after me in
person to my building.

- Why you?
- NOA: According to the text he sent,

because of something my
mom did to Angela Waters.

["HORROR MOVIE" BY SKYHOOKS PLAYING]

♪ Watched a horror movie
right there on my TV ♪

♪ Horror movie right
there on my TV ♪

♪ Shockin' me right outta my brain ♪

♪ Shockin' me right outta my brain ♪

♪ Watched a horror movie
right there on my TV ♪

♪ Horror movie right
there on my TV ♪

♪ Horror movie right
there on my TV ♪

♪ Shockin' me right outta my brain ♪

♪ Shockin' me right outta my brain ♪

♪ It's bound to get ya in,
getcha under your skin ♪

♪ Hit you right on
the chin, oh yeah ♪

♪ It's bound to be a thriller ♪

♪ It's bound to be a chiller ♪

♪ It's bound to be
a k*ller, oh yeah ♪

♪ Watched a horror movie
right there on my TV ♪

♪ Horror movie right
there on my TV ♪

♪ Horror movie right
there on my TV ♪

♪ Shockin' me right outta my brain ♪

♪ Shockin' me right outta my brain ♪

- [TYPING]
- [DINGS]