Fearway, The (2023)

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Fearway, The (2023)

Post by bunniefuu »

[eerie crackling]

[eerie ambient music]

- [Sarah] You wanna
know my biggest fear?

It's not dying.

Or heights.

Or planes, or spiders
or anything like that.

It's the thought of losing you.

I care about you so much.

And honestly, I can't even
imagine a life without you.

[ominous music]

So make me a promise.

Stay.

Stay in my life forever.

[woman screams]

[woman screams]

[ominous music]

[gentle upbeat guitar music]

- [Sarah] Okay, so I am
missing three fingers,

burns cover half my body,
and I'm missing an eye.

- Missing an eye?

- Yeah.

- Would you be wearing an
eye patch or something?

- No, I think I'd embrace it.

- Just have it out there
for everybody to see.

Just this big old hole in your
head. You're okay with that?

- Yeah. I think you'd get
used to it with some time.

- It's pretty gross.

Are you gonna wear a
glass eye, at least?

- Hey, that wasn't
part of the question.

- Okay.

Yeah. Yeah. Yeah. Yeah.

I would. I would
still be with you.

- Wow.
- What? I would.

- You're really desperate.

- Okay. All right.

What if

I have a man bun?

- Oh, and suddenly it's over.

- What?

- It's over. Plain and simple.

- Okay, so wait a second.

I am willing to put up with
burns, a missing eye, whatever.

But the minute,

the minute I decide to grow
out my hair long enough

to wear it in a bun, that's it.

Have a nice life. See
you later. Seriously?

- Heart wants what
the heart wants, baby.

- Ooh. Treat them mean.

- Hey, you're still here.

Hey, babe, would you mind
slowing down? It's a 55 here.

- Your father said your mother
was a backseat driver, too.

- Wow.

- What?

- You think I'm a
backseat driver?

- I didn't say that.

- Yes, you did.

- No, no, no, I
think you'll find,

I said your father said your
mother was a backseat driver.

- Too. You said, "Too."

- Did I?

- I just want to get you there
so you have time to have,

you know,

time.

Have time.

- I know.

I've known for a while this
would eventually happen.

- Do you wanna talk about it?

- No.

- Okay.

- He always had a big heart.

I guess we just didn't
know he literally did too,

and not just figuratively.

I know it's gonna
k*ll him eventually,

but I just want him to
make it to the wedding.

I don't wanna talk about it.

If he could just be
there for that day,

maybe that would be enough.

Well, not enough.

But it would give him
something to look forward to.

Maybe even live for.

He could get involved with the
plans. Help us find a venue.

I just, I want it to be
the best day for him too.

But I don't wanna talk about it.

'Cause he worked.

He worked hard all his life
just to take care of us.

And it's not fair,

because there isn't
anything anyone can do.

But I can do this.

And it will help him
focus on the future,

even if there's not
a lot of that left.

But I can give him this day.

But I don't want
to talk about it.

- Then, we don't have
to talk about it.

- I did it again, didn't I?

- Yeah. It's okay.

♪ See the ghost up on the hill ♪

- What?

No. No way.

- Your song.

- Oh, God.

♪ Watch as the
fire burns to ash ♪

♪ Watch as your life
becomes the past ♪

♪ Goodbye love, goodbye, sin ♪

♪ I don't need that
voice within anymore ♪

[car thuds]

[tires screech]

- You okay?

- What was that?

Okay. Maybe go look
and see what we hit.

- Yeah.

Yeah.

Okay.

- What is it?

- It's nothing.

- What?

- I said there's nothing.

- That doesn't make any sense.

- I don't know what to tell you.

- I know, but it's strange.

- What's strange?

- No blood, no dents.

I mean, not even a
scratch on the car.

- I consider it lucky.

I just paid this
thing off a year ago.

- Michael.

- [Michael] What?

- You're not at all
freaked out by this?

- I'm confused, but grateful.

Maybe we hit a pothole or
an animal that ran away.

- [Sarah] Oh yeah. And what
animal would that be out here?

- An armadillo.

- So, you saw an animal?

- No.

Hey, where you going?

Sarah?

Sarah? Hey.

- I'm okay. I'm okay.

- [Michael] What is it?

- [Sarah] Ice?

- Ice.

- In the desert.

- [Michael] That's weird.

- [Sarah] Not weird.
More like impossible.

- Do you think
that's what we hit?

- No. The car would've slipped.

What we felt was like
we hit something.

- Maybe we slipped on
some ice and hit a rock.

- Babe. There's nothing else.

Come on.

- Okay.
- It's just ice.

Come on.

- [Sarah] Okay. Fine.

[tense music]

[car starts]

[ominous music]

[car roars]

[gentle country music]

♪ Is k*lling me instead ♪

♪ The only memories in my head ♪

[cars rumbling]

[tense music]

- [Michael] The f*ck
is this guy's problem?

- What? What?

- Babe.

I think we're being followed.

- What the f*ck are
you talking about?

Oh, it's just some douche
bag riding your bumper.

Break check him.

- [Michael] sh*t.

See, he could have passed us,
but now he's f*cking with us.

- Okay, well maybe just
pull over or something.

Whoa, whoa, whoa.

He's just gonna stay right
behind us. Slow it down.

[tires screech]

- [Sarah] Any particular
reason you decided

to play Tokyo Drift
with that guy?

- [Michael] We were
being followed.

- Followed on a straight road?

- He could have gone around.

- It's probably just some
college boys trying to show off

and mess with you
'cause they can.

Doesn't make them
any less of assholes,

but being followed's a
big stretch there, babe.

- I know what I saw.

- Okay, so why didn't
they follow us in here?

- Witnesses.

- You watch too
much Forensic Files.

- Oh, okay.

- So he was a m*rder*r?

- Yeah. Maybe.

- I see.

- Or a serial k*ller.

- Mhmm.

But he didn't follow through
because of the witnesses.

- Exactly.

- Yeah, you're right.

The tumbleweed would make
some excellent witnesses

on the stand.

What's more likely?

- Tumbleweeds? Yeah. Maybe.

- What's more likely?

- College assholes.

- Thank you.

- Anyway, you should
probably call your dad.

Let him know we're
gonna be a bit late.

- Now that, I can agree with.

sh*t.

- What?
- Of course, no service.

- Maybe this place has a phone.

- Is this place even open?

- [Michael] Let's find out.

[eerie music]

[bird squawks]

[door squeaks]

- [Man] Take a seat
wherever you like.

- Maybe we should
just stay on the road.

- Don't be that girl.
- What?

- That girl that walks
straight into a place

and then walks straight out.

- I'm not that girl.

- I know that. But
these good people don't.

- I can drive, if
that's the issue.

- I'm hungry.

- Of course you are.
- I'll tell you what.

If you can make me a bacon
grilled cheese in the car,

we'll hit the road.

- Okay, fine.

But be quick, because I have
a feeling this is not a place

we wanna be after dark.

- It don't get dark around
here 'til pretty late.

- Oh, I was just kidding.

- Any open table's yours.

- This is great.

♪ You saved my life ♪

♪ I'm not sure whether
you even know ♪

♪ In my life I
looked out a window ♪

- Listen.

This may sound bad,
but I have to say it.

I feel like we should
wait to get married.

- What? Why?

- Because of your dad.

Okay. Look.

I just don't think we should
put the stress on the man.

Look, I know you want him there,

but don't you think
that maybe just knowing

we're gonna be married
might be enough?

- He wants to be there.

He's always wanted to
walk me down the aisle.

- Babe, that was several
heart att*cks ago.

- Nothing's changed.

- [Michael] A lot has changed.

Look, don't you think it's
best you spend time with him?

I feel like that's
what he would want.

- And how would you
know what he wants?

- We've been dating since
freshman year of high school.

I know your father better
than I know my own.

Hell, he's the one who
taught me how to drive.

- Oh, did he teach
you how to speed too?

- Don't deflect, please.

- Fine. What is
it you wanna say?

- Just because
your father is ill,

it doesn't mean we need to
jump the g*n to get married.

- Maybe we shouldn't
talk about this.

- Yeah, I'm sorry.
That came out harsh.

What I'm trying to say

is we shouldn't just
rush the planning, okay?

It's our day.
Especially your day.

Don't you think we
should enjoy it?

Of course you want him there.

Look, I'm gonna do
whatever you want.

- You still wanna
marry me, right?

- [Michael] Of course I
do. I'd be crazy not to.

Who else would I have to
tell me when I'm wrong?

- I hate you.

- I hate you, too.

- Hey, you guys.

- Hey.
- Can I get y'all

something to drink?

- Coffee for me, please.

- I'll just have a water.

- You got it.

I'm honestly just happy
to be serving someone else

besides those two for a while.

Feels like they never leave.

- Oh, I promise you we won't
take up too much of your time.

- You guys stay as
long as you like.

Nice to have some livelier
folks in here for once.

I'll be right back
with your drinks.

- Well, that was interesting.

- You know it.

- It's cold.

- [Man] What?

- The food. It's cold.

- Well send it back.
We're in no rush.

- I don't wanna go, Ed.

- We have to, sweetheart.
You know we can't stay.

- What if I don't want to?

- Hey, how are we doing today?

- She's worried.

- Oh, that's not good.
Anything I can do to help?

I'll get her more coffee.

- What are you doing?

- Nothing.

- Liar.

- [Sarah] I was
deciding what I want.

- You're eavesdropping,
aren't you?

- [Sarah] Shh. Not so loud.

- [Michael] Babe, you've
gotta stop doing that.

- I can't.

I like to hear the drama.

- [Waitress] I hear ya.

Between you and me, people
watching's my favorite.

Not exactly much else to do.

Those two? Something else.

Here's your drinks.

- [Sarah] Thank you.

- [Waitress] Do you guys know
what you wanna order yet?

- Oh, I'm sorry. I haven't
had a chance to look.

- Okay, I have a question.

What are these quarters for?

- Everyone gets two.
That's what you need.

- For what?

- For the jukebox.

You don't have to. You
can keep them if you want.

- I would be 50 cents richer.

- [Waitress] Spend it wisely.

- My 50 cents?

- Your two quarters.

- Oh, I'll have to check the
401K first before I blow this.

- Michael. Sorry about him.

You'll tune him out eventually.

- Well, at least
he's nice to look at.

- Yeah. Hear that, babe?

Don't ever lose your looks.

- Well, better put
these quarters to use.

Oh, no way. Babe.
It's your lucky day.

[gentle guitar music]

- What? It's your song.

♪ See the ghost up on the hill ♪

♪ Watching the ocean
turn to still ♪

[car rumbling]

♪ Goodbye love, goodbye sin ♪

♪ I don't need that
voice again anymore ♪

- Nice.

- [Waitress] Well,
wasn't that quite a show?

- Thank you. I am a
performer at heart.

- That's his song.

- Like, your song?

- Yeah.

- [Waitress] You're a singer?

- Well, like a
million years ago,

some friends and
I made one album.

- Well, I don't think we've
ever had a celebrity in here.

- That is not me.

- Well, they had your
song, didn't they?

- YouTube has my song.

- Well hey, it's a first
that it's in a jukebox

though, right?

- Yeah.

I'm gonna have to tell the
guys that the record company

is still making money off us.

- [Waitress] Well,
it's a beautiful song.

- Thank you. It's about her.

- [Waitress] Lucky lady.

Well.

You guys ready to order?

- Actually, we can't
seem to get reception.

Do you maybe have a
phone here we could use?

We're on our way to see my dad
and I just wanna let him know

we're gonna be a little late.

- We got a phone box
outside if you wanna use it.

- [Michael] Payphone? People
actually still use a payphone.

- [Waitress] I don't know.
Youth being wasted on the young.

- [Sarah] You know, we
should probably get going.

We're late enough as it is.

You can just eat when
we get there, right?

I mean, we have to be able
to get service somewhere.

It's probably just a dead zone.

- Grilled cheese and
bacon to go, please.

- Is that it?

- Yeah. I'm okay.

- Two. She's not okay.

- No, I'm fine.

- Babe, I am too hungry to
pretend that you are not hungry.

- I'm not hungry.

- And I'm not sharing.

- [Waitress] Well, that's love.

- Actually, where's
your bathroom here?

- Right over there, hun.

It ain't clean,
blame the bus boy.

- That's reassuring.

- You want the job
cleaning toilets,

so our bus boy don't have to?

- No, sorry.

- Then I suggest
we don't complain.

- Of course. Right. Good.

I guess I will be going
to the bathroom now.

Be right back.

[eerie music]

[car rumbles]

[electricity crackles]

- Two grilled cheese.

- Thank you. Here you go.

- Oh, no, no. It's
not me you gotta pay.

- Oh, I know. I'll get that.
But this was just for you.

- I really couldn't.
That's too much.

- Please.

My father worked hard
all his life too,

and I don't know,

something reminded
me of him with you.

And that's a good
thing. Please, take it.

- Take care.

- [Waitress] Thanks
y'all. Come again.

[low rumbling]

- [Michael] Huh. You think
we'd have some service.

- [Sarah] For what?

- To call your dad.

- Really?

- And play my game.

- Well, we are kind of
in the middle of nowhere.

It's all right.
He'll understand.

- Yeah. We should have
used that ancient payphone.

- Well, you can't now.

- Why is that?

- Because you blew your quarters
on a vanity performance.

- Wow. You know that
performance was for you.

- Hey, keep in with me.
I still got my quarters.

- You are a wise woman.

- I am.

- Well, you know what they say?

Youth is wasted on the young.

- Stop it. She was starstruck
by your celebrity glow.

- Oh.

Hey, you okay?

- Yeah. I just don't
feel 100%, I guess.

- You should eat.

- I mean, I don't
think that'll help.

- Your stomach ache again?

- Yeah, it must just be like
a bug I got or something.

- Well.

[car thuds]

f*cking Christ, again?

Sarah.

Sarah.

- It happened again.

- Sarah, are you okay?

- Yeah, I think I'm okay.

- Okay, good.

I'm gonna go out and
see what we hit. Okay?

- There's gonna
be nothing again.

- What do you mean?

We must have hit something.

- Like before?

- What?

- We didn't.
- We must have.

- No, because I was looking
at the road the entire time.

This is the same place
we hit something before.

[ominous music]

[birds squawk]

♪ Goodbye love, goodbye sin ♪

♪ I don't need that
voice again anymore ♪

[gentle guitar music]

[muffled singing]

- [Bus Boy] So you feel
it's okay to sit back

and let this happen?

- This is no different
to any other time.

- Crowd we usually get-

- It's not our problem.

- It's not fair.

- Nothing is ever fair when
it comes to the clients.

We do as we've always
done. It's our purpose.

We made a deal.

Or did you forget?

- We didn't forget.
How could we?

You remind us all the time.

- Yes, time.

Time is exactly what I bought
us. That's what the deal is.

What do you think
happens to that deal

if we go messing around in
areas that don't concern us?

- [Bus Boy] Well, there's
something you should know

about the girl.

I don't even think she knows.

- Oh, for heaven's sake.

What?

- Give them to me.

- No. This is not
a trade discussion.

This is for employees
only, young lady.

- You can give them to me
or I'll just take them.

- You have bigger problems.

- [Woman] You know, I can
make him come for you too.

- Get her more coffee.

End of discussion.

- [Michael] No, no.
That can't be right.

- Wait.

Michael, would you please
stop and wait a minute?

- We must have turned the wrong
way when we left the diner.

Okay? That's it.

We've just gotta go
back the other way.

- I turned the right
way, Michael. You saw me.

- We're both tired.
We both make mistakes.

What else could it be?

- I don't know,
but it's not that.

- All right. Look,
it's still early.

We still have a decent
amount of daylight left.

- What time is it?

- 4:11.
- It's only four?

- Look.

- You know it doesn't
feel like four.

- What I do know is that
we need to get in the car

and go back to the diner,
because we got turned around.

- Turned around on
a straight road?

- Give me the keys, please.

- [Sarah] Listen to me.

- I am. We can talk in the car.

- No, we need to stand
still until we make sense.

- Sarah.

Sarah, give me the keys.

- But-
- Don't argue.

- Why?

- We were followed.

Sarah.

Give me the keys.

- Something's not right.

- I can see what's not
right. Gimme the keys.

- No.

- Sarah.

Sarah, what are you doing?

- I'm just gonna go
see what he wants.

Maybe I can talk to him
and get some answers.

[man growls]

- Oh my God.

- Hey. What happened?

Sarah? What the
hell is going on?

[ominous music]

[car roars]

- We can't outrun it.

- So what do we do?

- I don't know. I'll think of
something. Just keep driving.

[man growls]

- Michael. We're low on gas.

- Sarah, what did you see?

Sarah?

- Just call the police, okay?

- I can't, I don't
have any service.

- Oh my God.

- The diner.

- [Michael] Worked last time.

[car roars]

[man growls]

[Sarah retches]

- Sarah, are you okay?

Sarah?

Sarah, what did you see?

- I don't know.

But it wasn't a person.

It was something else.

And it's not gonna stop
until it catches us.

Please. Can we use
the phone you have?

- It's right over there.

- You coming?

- I'm gonna ask
them some questions.

Babe, it's gonna be okay.

[phone rings]

- [Dispatch] 911.
What's your emergency?

- Yes. Hi. We are being
followed and chased by someone.

They're in a black muscle car

and they were
chasing our car down.

- [Dispatch] Okay,
ma'am, where is he now?

- I don't know.

He drove off after we
pulled into a rest stop.

- [Dispatch] What's your name?

- Sarah Collins.

- [Dispatch] You're at
the diner on Route 66?

- Yes. Yes. That's us. Can
you send someone over to help?

- [Dispatch] Well,
he's gone, right?

- I don't know. Look,
he's chased us twice now.

- [Dispatch] Did you
get a plate number?

- No, we didn't.

- [Dispatch] Well, I can
have a unit swing by.

Do you have somewhere you
guys can stay for a few hours?

- Hours?

- [Dispatch] Ma'am, you're not
exactly at first and Maine.

It'll take some time
to get a state trooper

to your location.

- You're kidding, right?

- [Dispatch] No ma'am. I'm not.

If you're not in immediate
danger, this isn't an emergency.

- But he's still out there.

- [Dispatch] Then you and your
boyfriend stay off the road

till the state trooper
unit gets there,

and they'll advise you
what to do from there.

- Excuse me?

- [Dispatch] Stay where you are,

and we'll be there
as soon as we can.

- [Michael] Can I
get some help here?

- Ah, my friend, so
good to see you again.

- [Michael] I need your
help. I need your help.

- What happened to you?

- We were driving
again out there,

and we hit something again.

- Denise, let's get
some water, shall we?

- Listen to me. We were
driving. We were driving, right?

We hit something again.

We keep hitting it,

and we keep getting
chased down by this guy.

Which is why we ended up
here in the first place.

And he's trying to
run us off the road,

and I think he's
trying to k*ll us.

And I don't know why. I don't
know what we did to him,

and I don't know
why he's out there,

but I'm just wondering
if he's been here before.

Do you-

- Sir, sir, calm down.

My word, what a stressful day
it sounds like you're having.

It sounds like somebody's
just messing with you,

but there's no need
to get so worked up.

- I don't think that's it.

I think this guy is targeting
us. He's stalking us.

- My word. What an exciting
day it seems like you've had.

Denise, how are we
doing with that water?

- We need help.

- I will help you.

What help is it you think
that I can give you?

I'm not being sarcastic. I'm
actually asking you, sir.

What is it I can do to lower
that heart rate of yours

just a little so that you relax?

- I can't relax. We're out
there and there's this guy.

- Fight or flight.

- What?

- Fight or flight. That's
what you're doing right now.

Your body thinks it's
in some sort of trauma.

Why do you think
you're in danger,

so you triggered this
ancient instinct of man:

fight or flight.

Like if you hear a growling dog,

or a car suddenly
brakes in front of you,

an adrenaline rush kicks in,
and it's fight or flight.

So you ran, right, to here.

- Yeah. We run, because
we cannot outrun this guy.

- But you can. You're here.
You're safe. You've stopped.

- Yeah, there are people here.

- So, there's safety here.

- [Michael] Safety in numbers.
Yeah. There's people here.

- So you are safe, sir.

- For now.

- Well, you are.

- For now.

- So, say it like
you believe it.

We're safe.

There's nobody here trying to
hurt you. Nobody chasing you.

You're safe.

Say it.

- We're safe.

- All right. Now, how's
that heart rate of yours?

Ah. Drink this, and I
promise you'll feel better.

And if there is somebody
out there chasing you,

I'm not surprised he found you,

because you left the
diner going the wrong way.

Remember?

- I'm sorry, what?

- When you left,

you took a right and you
should have taken a left.

We saw you.

We were actually taking
bets on how long it would be

before we saw your
car whizzing by again.

Remember? Which reminds
me, one of you owes me $20.

- Yeah. No, I don't see
how that's possible.

We could have both sworn
when we went the right way.

- Is that so?

- Yeah, we certainly both
remember it that way.

- Well, myself and my
colleagues all saw you

take a right when you
should have taken a left.

Look, you're exhausted.
You're clearly tired.

You've probably been
driving all day.

You don't know which way is
left, which way is right.

- Okay, so if we
went the wrong way,

how did we end up back here?

- Well, the road,
it does a huge loop.

If you take a right down there,

you'll see what you probably
thought was an exit.

But it's actually the
continuing highway.

If you stayed on, it
loops you right around.

And you would've come
right back here, sir.

- That wasn't on our GPS.

- GPS? Nothing here works.

This is a, well
it's a dead zone.

- We noticed that.

- All right.

Take a minute.

Take a breath.

Honestly, you know what I
think you guys need? A nap.

- No, that's very kind. We-

- [Manager] Because you've
gotta be somewhere, right?

You gotta go somewhere.

Everybody coming here
is passing through.

Nobody's coming here. This
is the middle of nowhere.

But honestly, what use are
you going to be to anybody

if you don't know which way
is up and which way is down?

- [Sarah] Michael?

- Hey, what happened?
Are the police coming?

- Yeah, eventually.

- What?

- [Sarah] Yeah, they said
there's nothing they can do.

They're gonna send out a
unit. But the ETA is hours.

- Hours?
- Yeah.

- This is such bullshit.

- [Sarah] No, I know.
I let them know that.

Trust me. They said
just stay here.

- Ah, well, if I might,
that sounds smart.

If there really is somebody
stalking you out on the road,

isn't it best that you
spend the night here?

Well, surely by first
light in the morning,

he won't still be
hanging around.

He'll be long gone.

If that's the advice
from the police, really,

I must insist we have a
room here you can sleep in.

You can head out first light,

and you will get to
where you are going.

- How much will that cost us?

- Oh, please. This is
clearly an emergency.

It's on the house.
Really, I must insist.

- Okay. I guess that's
something we can do.

- Great. Well, how
about we grab a seat?

Denise, let's get
them some menus.

Let's take care of our guests.

Guys, I will see to your room,
but I will be right back.

- Well, hello again. Hope
everything's all right.

- Could be better.

- [Waitress] Well, at least
you're staying to eat this time.

- Yeah, I guess so.

- Here are the menus. Can I
get you something to drink?

- Can I actually just get
a couple more quarters

for the phone booth?

- I can only give you two.

- [Woman] You can take mine.

- No, that's-
- They're mine. Okay.

I can do what I want with them.

- That's very kind.
But that's all right.

- I have them. I
left them outside.

- Oh, I don't wanna
be any trouble.

- [Woman] It's no trouble.

I'm gonna go and you
stay here and wait,

and I'll be right back.

- Actually, I think I have
some here from before.

- Don't spend those.

- I'm sorry?

- Whoa, whoa, okay. All right.

Sorry about this folks.

Why don't we get our best
customer a fresh pot of coffee?

- I'm just here to help.
- It's all right.

Okay, listen. They
don't need any help.

- They need quarters.

- Honestly, we don't.
But thank you so much.

We appreciate you
trying to help us.

- I'm trying. They're not.

They say they will.

- My word. I am so sorry.

- Is she okay?

- Ah, to be frank, no.

She's a bit of a self-harmer,
but a regular here.

So, we know what to do,

and we do our best
to take care of her.

If you'll excuse
me, I'll go do that.

Did I hear you
need some quarters?

- Yes. Thank you.

- I'll see to the room.
It'll be ready shortly.

Please enjoy yourselves.

- All right. I will
go call my dad.

- Do you want me to come?

- No. No. You stay.

- Come on. Come
on, please pick up.

- [Voice] Hello?
- Dad?

- [Voice] Hello, pumpkin.
- Dad, it's me.

- [Voice] Honey,
can you hear me?

- Dad?

- [Voice] Pumpkin?

- Dad, are you there?

- [Voice] I can't hear you.

- Dad.

- [Voice] Sarah.
I can't hear you.

- Dad, are you okay?

- I can't hear you, Pumpkin.

- Dad. Dad, it's me.

- [Voice] Hello, Sarah.

- Dad?

Dad?

- [Voice] Where are you guys?

Are you gonna come today or not?

- Dad?

[line drops]

[eerie music]

[keys jangle]

- Please. I'm not ready.

Please, I just need
some more time.

- Everything is gonna be okay.

- Please.

- Take it easy.

- I really don't wanna go.

- We've been here before.

You have to go. You can't stay.

It's easier if you
don't struggle.

- You'd like that, wouldn't you?

You think you're safe,
because you feed the beast.

But he's hungry.
He's always hungry.

- Rebecca, I take
no pleasure in this.

- No. Please, no.

- Sorry.

[ominous music]

[birds squawk]

- [Bus Boy] So,
y'all enjoy the food?

- Yes. We did. Thank you.

- I don't think I can fit
into my pants anymore.

I gained 10 pounds
just by looking at it.

- Glad you enjoyed it.

- Thank you.

Your room's not ready.

- [Michael] Okay.

- [Manager] Oh, my mistake.

We were gonna take
care of that for you.

- [Michael] Oh,
thank you very much.

- That'll be all, Bob.

- Yes, sir.

- [Manager] I'm just
seeing to your room. Sorry.

Would you gimme one more minute?

- Thank you.

I'm still freaked out, Michael.

- Yeah, me too.

- I mean, it's still
daylight outside.

It doesn't even look
like it's changed.

Hey, check your
phone again for me.

- I can't. It d*ed a while ago.

- sh*t. Me too.

- [Michael] Did you
bring a charger?

- No. I have one at dad's.

- Okay, well, look,

I think we should just try to
rest and relax for the night.

Okay?

- Yeah.

I'm not going crazy, right?

- That's not exactly
taking it easy.

- Come on, just tell me I'm not.

- [Michael] Baby, if
you were going crazy,

that means I'd be
going crazy too.

And there is no way that
we'd both be going crazy

at the same time.

- Okay, well, what
if I went crazy,

and you are just in
my head right now?

- We're not going crazy,

and we shouldn't be going
down that rabbit hole.

We need to rest.

- Yeah. All right.

- Everything is going
to be okay, I promise.

- Okay.

- So, good news.
The room is ready.

Now, I've made sure it's
the one without the bedbugs,

but legally, I think I'm
required to tell you,

there is a little
bit of mold in there.

I don't think it's a big deal
for just one night stays.

I'm kidding. There's
no mold, no bedbugs.

It's a bad day to
throw around jokes.

- No, I think we're
just a little tired.

- [Manager] Yes, of
course, of course.

I'm sorry. Just you guys
need some well deserved rest.

- You are probably right.

- Yes. First time today
I'm right. Apparently.

Bob.

- [Bus Boy] Yes, Boss.

- How about that room key?

- Room for three?

- [Manager] Two, Bob.

You can see that
there are two of them.

There's some dishes in the back

that I think require
your attention.

Go.

- Yes.

- So sorry about
him. He's like Igor.

The room. Come on. It's ready.

I'm excited to show you
the rest of the place.

- So, how long have you
been running this place?

- All my life, it feels like.

- You don't sound like
you're from around here.

- Ah. London originally, of
course, but I've traveled.

- You're a long way from home.

- Everybody I know
is dead and gone.

- [Sarah] So this is home now?

- Sort of.

- Have you ever heard
of anything like this

happening before?

Like, people being
chased down in the area?

- Honestly, I can't
say that I have.

- It just feels a little
strange. Like, why-

- Sarah.

These are questions I wish
I could answer for you.

I just can't. It's best
not to think about it.

Now, I have a special
surprise for you guys:

the honeymoon suite.

I think you're gonna like it.

- Did you tell him my name?

- No.

- Then how does he know it?

- Maybe he heard me calling you?

- Yeah. Babe, maybe. But Sarah?

[tense music]

- [Woman] No, I
need some more time.

I'm not ready. Please,
please. I'm not ready.

- We have to go.

- What do you mean?

- Ah, here we are.

- We seem to have forgotten
some overnight things

in the car.

Hey babe, will you
help me with it?

- Yeah.

- Oh, that's all right.

I can have our bus
boy bring it into you.

He'll just drop it straight in.

- No, it's okay.

I think we'd rather
get it ourselves.

- Oh, I get it.

The man's a little odd,
but trust me, he's honest.

Honest to a fault,
actually. Go in, relax.

You've already been
through so much today.

- No, really. Thank you.

- You don't want
to do this, Sarah.

- That's my name.

- And neither do you. Michael.

Look, it's not safe out there.

- How would you know that?

- I'm asking nicely.

Please. Just stay.

- Doesn't sound very nice.

- Let's go inside the room.
We'll talk it all through.

I'll explain.

- Go.
- No, wait.

- Go.

- [Manager] Wait,
wait. Wait, wait.

No, no, it's not safe.

f*ck.

What the f*ck was that
about? Both of you.

- Doesn't surprise me you
scared them off like that.

- You know what
happens if they run.

- To be fair, you're not
exactly the smoothest talker,

the most approachable man.

- Oh. f*ck you both.

They'll be back. They
have nowhere else to go.

- [Waitress] I just
need to ask you.

Instead of condemning
these poor people,

can we help them?

- Do we look like angels?

No.

f*ck you. Stay away
from me, both of you.

[door slams]

- [Michael] What just happened?

- [Sarah] I don't know,
but they're in on it.

Well, maybe not all of them,
but you were right before.

Something's not right.

- Man, I hate being right.

- They know more than they're
letting on, I'm sure of it.

- Oh, yeah. The
manager, the manager.

The way he was acting, he knew.

He knew what happened to us.

- Yeah. So we run. We
run as far as we can.

- Sarah? What? What? What?

- It's back. It's
back. It's watching us.

I can't do this anymore.

- Who? Who's out there?

- Whatever it is, it's back.

- Do you think it's them?

- I don't know.

But we're being hunted.

- Oh, hey. Hey. Okay. Okay. Hey.

Alright. Okay. Hey, hey.

I've got this. Go ahead.
Keep your foot on the gas.

Good. Good. Just like that.

Good, good, good. Now
breathe. No, breathe.

Baby, baby. Breathe.
Breathe, breathe.

Okay, good. That's good.
Just keep doing that.

Keep doing that. I've got this.

It's going to be okay.

You sure?

- I'm okay.

- Are you good to
take the wheel again?

- Yeah.

I'm scared, Mike.

I don't know what to do.
Where do we go from here?

- We just have to keep driving.

We're gonna find a
road somewhere, okay?

Just keep driving.

[birds squawk]

[eerie music]

[somber music]

[bin thuds]

- [Sarah] Something
reminded me of him with you.

And that's a good thing.

- [Manager] Look,
what exactly is it

I can help you with, Bob?

- Look, Boss, I know
this is our job,

but you gotta try and help them.

- We don't have to
try and do anything.

- We don't have the power
or influence you do.

We serve you and those
who come through.

You might actually be
able to do something.

- What exactly is it
you expect me to do?

- [Bus Boy] Call him.

- No. No.

- Come on.

Wouldn't be the first time.

- [Manager] For something
like this, it is.

- Maybe he'll make an
exception this time.

- No. Bob. The answer is no.

Sorry.

Can't, okay? Just can't.

- You won't even try?

- Bob, you know
what we have here,

and how quickly it
can be taken away.

Like that. It's gone.

- You know what the difference
between us and management is?

- What?

- You think what we have here
is actually worth something.

- Yeah.

That's all we have, Bob.

Get back to work.

- Yeah.

- They're dead or dying, Bob.

It's not our call.

- You won't even try.

[door shuts]

[birds squawk]

[phone buzzes]

- I thought you said
your phone was dead.

- It was.

Hello?

Dad. Dad. Are you there?

Dad, are you okay?

- [Voice] Don't go back.

Run.

Run as far as you can.

♪ Goodbye love, goodbye sin ♪

- Do not stop for
anything. Keep going.

It's the one thing
we haven't tried.

- [Michael] No.

[tense music]

- Oh my. Keep going.

- I can't outrun it.

- We have to try.

[car roars]

- It's the diner again.

- No, don't stop.

- It is the only time
he leaves us alone.

We don't have a choice.

- No, just trust me. Keep going.

- They were waiting for us.

- I know, but we
can't trust them.

We have to keep moving.

- I don't know how much
longer we can do this.

- Well, as long as we
can. We have to try.

- Well, guess they decided
not to come back after all.

- They're gonna
realize sooner or later

that they can't outrun it.

They're just being stubborn.

- Can't say that I blame them.

They're young and healthy.
Still have that fire inside.

That little bit of hope.

- Yeah. Well, hope is
a dangerous thing, Bob.

- Well, it's keeping them alive.

- You know better than that.

- We used to be
better than this.

[door shuts]

[dramatic music]

[cars roar]

[man growls]

- [Michael] Okay, you're
gonna think I'm crazy,

but you have to trust me.

- What are you doing?

- Something different.

- What the f*ck are you doing?

- You're about to find out.

[tires screech]

- This is your plan?

- [Michael] Look, we haven't
tried going the wrong way yet,

so I don't see what
can hurt at this point.

- [Sarah] God, you are crazy.

- Well, you knew that when
you decided to marry me.

So really, who's crazier?

- You. Definitely you.

- Look, unless you have another
plan, we are doing this.

- Fine.

- There's no one behind
us. This might work.

- And that's how you jinx us.

- How long have we been
driving this way for?

- Oh gee, let me think.

Let's see.

Oh yeah. Less than a minute.

- You're a jackass.

- Well, what do you
want me to say, Sarah?

The sun hasn't moved.
The time hasn't changed.

It could have been 20 minutes.
It could have been an hour.

It could have been four hours.

- Well, here's something.

We haven't seen jack sh*t

since you pulled
your little maneuver.

- Yeah, that's a good thing.

- No, Michael, it's not.

- Well, how is that?

No creepy death
car following us.

No diner, no possessed radio,

and no imaginary things to hit.

So for me, that's progress.

- Wrong. That's neutrality.

Progress would be finding
something positive

like another road, for example.

- I'm sorry, should I
turn around and go say hi

to our friend in the black
motor vehicle of death?

- So what, then?

We drive on this endless
road to nowhere forever?

- Forever is not a possibility.

- Gas?

- [Michael] We're almost empty.

- Great. f*cking fantastic.

At least let me switch with you.

I've had some rest
recently. You haven't.

You can't keep going like this.

- I'm fine.

- Michael, please.

- [Bus Boy] I know this
is against protocol.

[eerie music]

Yes, I am aware.

I just ask that you take
a look at their file.

Maybe there's some
kind of mistake.

I'm not implying anything.

Just maybe this
doesn't feel right.

I understand.

[Bob sighs]

[clock ticks]

sh*t.

[birds squawk]

- Hey, hey, wake up.

- What? What happened?

Did we run outta gas?

- No. I just realized something.

- What?

- We've driven past this
exact spot a few times now.

I mean, granted, no
diner or creepy car,

but we still aren't
going anywhere.

- What if we don't
play by their rules?

- Whose rules?

- Whatever. Whoever's trying
to keep us on the road.

We need to be unpredictable.

- What do you mean?

- What I mean is
whatever's happening,

whatever's chasing us,

they want to keep
us on this road.

- So, what do you suggest
we do? Go off-road?

- She's not exactly
built for off-road.

- Okay, so we walk?

- We walk.

- You're insane.

- Hey look, if we run outta gas,

we're gonna have
to do that anyway.

- Okay? But the desert
could go on forever.

We could be stranded forever.

- It's either that or being
stuck on this road forever.

Hey, do you trust me?

- Yeah, sometimes.

- Well, let's go for a walk.

- No.
- Come on, let's go.

[doors shut]

[eerie music]

- [Bus Boy] I tried.

- We need to try something else.

- Like what?

- It needs all of us.

- He's never gonna do it.

- If we all work together,

you know we can overturn this.

- I don't know that.
Neither do you.

- Do you remember
when we were them?

- We had our chance.

- I'm not talking
about the deal.

I'm talking about our baby.

- Don't do this.

- We never had a chance.

I mean, what if we knew
then what we know now?

Shouldn't we try?

If not for them, for another
baby who never had a chance?

- Wouldn't change anything.

- We don't know
that. We could try.

But instead, no, we
took a deal to live.

- And we are.

- This isn't living.
You know that.

- Could be worse.

- I'll go if you go with me.

- Okay.

- Make him see.

- Let's go.

- [Sarah] We've been walking
forever with no end in sight.

- [Michael] Hey, keep the faith.

Nothing has stayed the
same, so no looping.

It's just gonna take
a little while longer.

- How much longer
can we even last?

- As long as it takes.

What is the first
thing you want to do

when we get outta here?

- Take a bath.

- How about a glass
of wine with it?

- No, f*ck that.

I'm gonna need something
stronger after this.

- Champagne?

- I'm thinking vodka cran.

- Well, whenever
we get outta here,

I will make you
whatever drink you want.

- Hey, you okay?

- I see something.
Come on, quick.

I knew it. I knew this
was the right thing to do.

- No.

No, not again.

- What the f*ck?

Oh my God.

It's our f*cking car.

- What?

- It's our f*cking car.

- Whose blood is that?

- [Michael] I don't know.

- What the f*ck is happening?

- I don't know.

Oh f*ck. f*ck.

f*ck.

We're f*cking dead. We're
dead. We're dead. We're dead.

We're f*cking dead.

[Michel cackles]

We're dead. We're f*cking dead.

- Michael, please.

No, no.

No. Please don't do
this to us. Please.

- Well, I'm not going
down without a fight.

- [Sarah] No, Michael, stop.

- [Michael] Come on.
- [Sarah] Stop it.

- No. No. Come on, you
m*therf*cker. You want me?

- [Sarah] Michael, no. Stop.

- [Michael] You want a
piece of me? Come on.

- Michael.

Michael.

Okay. Okay, come on.

[tense music]

[car roars]

[ominous music]

- I wish you would just
tell me what to do.

- [Sarah] Come on. It's gonna
be okay. It's gonna be okay.

We just need to get back to
our car and face this. Come on.

I know what we have
to do. Come on, babe.

We gotta keep moving.

He's going away.

- He's trying to cut us off.

- It's okay. It's
okay. I got you.

[tires screech]

[car roars]

- [Sarah] Baby, how
you doing back there?

You okay?

- Oh, never better.

- Hey, we're gonna get
help. You're gonna be okay.

- There's no help here.

- [Sarah] No, no, no. Don't
you start talking like that.

You remember what
you said, right?

Everything's gonna be okay.

- I got a confession. I lied.

[dramatic music]

Sarah. Sarah, it's
not gonna stop.

- We aren't giving up.

- [Michael] It's
the diner again.

- [Sarah] How is this possible?

- Okay.

Okay.

All right. I'm gonna
be right back, okay?

- No, please, stay.

- It's okay. I'm just gonna
be gone for a few minutes.

I'm gonna go figure out
how to get us outta here.

Hey, look at me.

It's gonna be okay. I
am marrying you, okay?

- I know.
- I'm not lying.

- I know.
- It's okay.

I love you.
- I love you.

- Hey. Where's the
manager? We need to talk.

- He's outside, where
you parked your car.

He's waiting there.

- He's expecting you.

- He's never done that before.

- It's because he knows
he'll be able to get to you

soon enough.

- You need to start talking now.

- You lasted much longer out
there than I thought you would.

Let me tell you something
you don't know, Sarah.

You can't outrun him.
It's just not possible.

- What do you mean?

- All you're doing is
prolonging the inevitable.

- What even is this place?

- Think of this
place as somewhere

between your world and mine.

A kind of in between.

- In between of what?

Are we dead?

- No.

- Sarah, you and Michael
were in a car crash.

You've been fighting for
your life this entire time.

You're not really
stood here with me.

You're bleeding out
beside the road.

You just don't remember.

- [Sarah] Michael.

So this is purgatory?

- No. No.

Because you're not dead.

Not yet anyway.

- But we will be. Right?

- Everybody dies, Sarah.

- So we've been
fighting for nothing.

- No, no.

This is the most important
fight. The fight of your life.

It's just a losing
one for most mortals.

But maybe now is
not the right time.

It's difficult to explain.

Purgatory isn't the right word,

because that isn't what this is.

I like to think of it
as the easy resting.

That's what it is.
We're trying to help.

We're trying to help you
cross over peacefully.

- Why?

- That's our purpose.

We made a deal to help people
like you to accept their fate.

To have a last supper, to
drink your favorite drink

one more time,

to slip into a long,
beautiful, deep sleep.

Make it easy for you.

- So that death thing, it's
been trying to k*ll us?

- It's the ferryman.

- The ferryman?

- The one that takes you
to whatever comes next.

His purpose, his sole purpose
is to take people like you

from one place to another.

Don't think of him
as a living thing.

It's just a process that
happens to all mortals.

- Isn't his job in stories
to take you across a river

in a boat or something?

- It's not important.

Sarah, look, I'm sorry.

I know this is
difficult to accept.

- So, it's over and that's it?

- Yes. If you're willing to
accept your fate, then yes.

- Well, I guess there
are worse ways to go.

- You mean than with Michael?

- Michael's the love of my life.

I had so many plans with him.

But if it's our time to
go, then it's our time.

I mean, there's nothing
else we can do, right?

And I'm tired of running.

- Yeah.

Oh Lord, God, help me.

No, Sarah. Okay. There's
something else you should try.

There's a chance, a slim
chance, a remote chance.

I don't know. But you
have to fight, Sarah.

- Okay. I would fight
for Michael forever.

Is there a chance he can live?

- No. No. It's
bigger than Michael.

It's bigger than you.
It's bigger than you both.

You have something,
something worth living for,

not worth dying for.

Something to hold
onto in this world.

The food didn't make you sick.

You feel it?

- [Sarah] Yeah.

- Whoa. You are in
no shape for that.

- I figured out
what this place is.

I'm in hell, aren't I?

- Oh no. Poor thing.

We don't even know if
there is one, really.

- But I am dead, aren't I?

- It's not that simple.

- What? What is this place?

What have we done
to deserve this?

- [Waitress] You
didn't do anything.

Trust me, you're
not being punished.

- Please.

Where are we?

- Well, the rest
stop, of course.

You rest here while
you wait to pass over.

The ferryman will do
that once night falls.

- Time has barely moved.

- Time doesn't work the same
here as it does normally.

You're actually
experiencing all of this

in just minutes of your time.

- So, what happens next?

- You try your best to
fight it, like you have.

- Why are you doing this?

- [Manager] The ferryman
takes a toll on us all.

We feel like a huge
mistake is being made here.

It's not fair. It's not right.

We took a deal so we
could live forever,

but this isn't living,

if we do things like
this to people like you.

- How do you even
know all of this?

- We have extrasensory powers.

I know everything
once I touch you.

I know you're scared right now.

- I'm scared of what's to come.

But I know I'll have Michael.

- Don't think about that.

Don't talk like you're slipping
away. You have to fight.

You and Michael have something
worth holding on for,

worth fighting for.

- Can you save the child?

- Suppose I could.
Would you want that?

A child without a
mother, without a father?

- They deserve a chance.

If it's me and Michael's
time, that's fine.

But she's innocent.

- He.

It's a boy.

- [Bus Boy] So, you gotta fight.

That boy will need a father.

- That's right, Bob.

- What's happening?

- Take it easy, Pumpkin.

- Dad.

- He's buying you time.

- To save the baby?

- No, listen, there
isn't much time.

As soon as the sun sets
and darkness falls,

he'll be able to go anywhere.

He'll be able to take
you, so you have to hurry.

Sarah, in your heart, you
know what you have to do.

- Well then.

- You must hurry. Go.

[tense music]

I understand it isn't my place.

These are very
special circumstances.

I wouldn't dare challenge you
if I didn't truly believe,

with everything I have, that
a mistake was being made here.

With all due respect,

how could anything be
out of your control?

Well, thank you.

Thank you for taking a look,

and thank you for everything
you've done for us.

And thank you for the greatest
gift of all: free will.

[cars rev]

[gentle music]

- [Sarah] Stay. Stay
in my life forever.

[Sarah gasps]

[gentle guitar music]

♪ See the ghost up on the hill ♪

♪ Watch as the ocean
turns to still ♪

♪ Watch as the
fire burns to ash ♪

♪ Watch as your
life comes to pass ♪

♪ Goodbye love, goodbye sin ♪

♪ I don't need that
voice within anymore ♪

♪ Hear the birds
out in the trees ♪

♪ Singing today just
for you and me ♪

♪ Hear the voices on the wire ♪

♪ As the wind gets
a little high ♪

♪ Goodbye love, goodbye sin ♪

♪ I don't need
that voice within ♪

♪ Goodbye shame, goodbye grief ♪

♪ I don't need you next to me ♪

♪ Goodbye hurt, goodbye pain ♪

♪ I don't need you in my veins ♪

♪ Goodbye love, goodbye sin ♪

♪ I don't need that
voice within anymore ♪

♪ Take my hand, come my way ♪

♪ Forget the past,
it was yesterday ♪

♪ Watch the sun rise in sky ♪

♪ Wipe the tears
from your eyes ♪

♪ La di dah, la di dah,
la di dah, la di dah ♪

♪ La di dah, la di
dah, la di dah ♪

♪ Goodbye love, goodbye sin ♪

♪ I don't need
that voice within ♪

♪ Goodbye shame, goodbye grief ♪

♪ I don't need you next to me ♪

♪ Goodbye hurt, goodbye pain ♪

♪ I don't need you in my veins ♪

♪ Goodbye love, goodbye sin ♪

♪ I don't need that
voice within anymore ♪

[dramatic music]
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