03x06 - Come to the Edge

[bunniefuu]

JACK:
Jim.

Uh, alcoholic, addict.

MUSIC: "Titanium" by David Guetta ft. Sia

- Y'alright?
- WOMAN: Hi, Jim.

ALL:
Hi, Jim.

g*nshots

ANNA:
I wanna be a photojournalist

- or an archaeologist or...
- PIPE PLAYS

...an agent for change.

g*nsh*t

ANGELA:
He's a monster.

Hello, I'm Angela Worth.

I'm the new police chief's wife.
How do you do?

Do you fancy some b*rned fudge...

or would you prefer a fist fight?

That's why I love her.

ANGELA:
Protect us.

Find them and k*ll them.

ANNA:
It should've been me.

WHITEY:
How much do you trust me?

ANNA:
I'm not her anymore.

JACK:
You're still my little girl.

He loves you.

You belong together.

Peas in a pod.

Peas in a pod.

JACK:
He k*lled Pete, love.

Jack!

I hate my old life.

If you go near Anna, I will k*ll you.

- ROSA: Anna!
- You're a m*rder*r.

But I am your dad, though, right?

For sentimental reasons,
I always go on two. Five...

- No!
- Four...

Three...

CROWD GASPS

You're not my dad.

No.

ANNA:
So you k*lled him?

ANGELA:
There was no other way.

DANNY SCREAMS

Danny! No, no!

ANGELA:
The people who he and Jack worked with

they're coming after us.

CATHERINE:
Do you really think they'd come back?

MICHAEL:
Yeah. I know Jack.

This is unfinished business.

ANNA:
So these are people that tried to k*ll us?

We k*ll everyone on the list.

ANNA:
Did my dad have any other relatives?

Yeah. There's Michael.

He's your uncle.

I'm coming for you.

You don't want them dead?

I don't just want them dead.

MARY: They will do everything in their power
to get what they want.

No matter the casualties.

ANGELA:
Hang on. I have a ring.

g*nsh*t
- ANGELA GASPS

Oops.

I'm working with my parents just now.

Family business. What is it?

Uh, it's a removals company.

JACK:
Trying to m*rder me

my wife and my daughter
constitute a hate crime?

Do not trust Jack Worth.

You'll end up dead.

g*nshots

g*nsh*t

He says he knows
where the bodies are buried.

He's blagging.

They were k*lled to protect
a drug shipment.

♪ I am titanium ♪

g*nshots

g*nsh*t

MUSIC: "The Leaving of Liverpool"

♪ So fare thee well my own true love ♪

JACK (VO):
Watch your back, Rhymes With.

♪ When I return united we will be ♪

♪ It's not the leaving of Liverpool that ♪

♪ Grieves me ♪

♪ But my darling when I think of thee ♪

MUSIC TURNS SINISTER

ANGELA:
Where do you see after today?

Marbella.

Jesus Christ, will you be serious
for one minute?

We've already lost a kid.

I don't want to lose another one.

What happened?

- Michael.
- Yeah, yeah. Michael.

That's what he does when he's cornered,
he gets inside your f*cking head.

Great. Jesus, great.

So we've just made him
even more dangerous.

Well, we've excelled ourselves there,
haven't we?

Alright?

Just, you know, shut him out

like you do when we tell you
your cooking's sh*t.

I think I'm scared.

Mm-hmm. Me too.

Could always run.

If we stay...

what do we do after today?

Mm, what we always do.

Which is what?

Figure it out when we get there.

ANGELA GIGGLES

I can't fight ya. I can't fight ya.

ANGELA LAUGHS

Woo!

THUD

I mean on the off chance
that was the last time...

Cracking way to go out, weren't it?

Speaking of endings, we never actually...

You two should get married. Today.

f*ck.

I was gonna say that.

SIRENS WAIL

OK, go on, take her away.

Swarming with bizzies.

D'you know what they found?

Big boss bizzy, dead.

Are you Mr Ryan?

Said you'd come.

Wanted me to give you this.

Said to say, "Alright?"

TINNY TUNE PLAYS "WEDDING MARCH"

ANNA:
Maybe smile.

- It's a wedding, not a funeral.
- CAMERA CLICKS

Right, change.

If you make me look like an eejit,
I'll feckin' k*ll ya.

ANNA:
I won't. I won't.

You've got your finger over the lens
and everything.

ANNA, LAUGHS
Stop it...

OK, change.

I'll have to get these developed tomorrow.

CAMERA CLICKS

You're the greatest thing that's ever
happened to me, d'you know that?

Sorry, that is such an intense thing to say.

ANGELA:
Yeah.

You are funnier, stranger

smarter than you'll ever realise.

JACK:
Oi!

I gotta get married, ain't I?

You're not getting married
looking like that.

Get in.

MUSIC: "Hey, Hey Tiger" by Seatbelts

♪ From bad introductions
sneaking into my brain ♪

♪ Hey, hey, tiger, you'll never be the same ♪

♪ Games are all but useless
in the animal parade ♪

♪ Where the snakes and ladders
social climbing ♪

♪ Nothing seems safe ♪

Yeah!

♪ Don't listen out
to the calling of the parade ♪

♪ Pick it up, and it'll never be the same ♪

Try it on!

KIDS LAUGH
- f*ck!

BOTH:
Yes!

THEY LAUGH

♪ Back in the room with the tiger... ♪

What the f*ck?

KAYDEN:
Pick one.

MACHINES WHIR AND CHIME

Come on.

We can do this.

ANGELA:
You are unbelievably shite at this.

THEY LAUGH

ANNA:
Can't be shite at this.

You're shite at it, as well.

- Yeah, I am.
- ANNA LAUGHS

- Here it comes.
- RATTLE OF COINS

THEY LAUGH

Are you scared?

I thought I was, you know...

but I don't think it's fear, actually.

I think it's anticipation.

ANGELA SIGHS

Yeah, I know what you mean.

Oh, here y'are. A wedding present.

Nice.

JACK:
Oh, yeah!

THEY CHEER
- Oh, nice one!

That's very subtle.

Load up.

REPORTERS CLAMOUR

This stays out of the press until my say so.

Dead cops and famous landowners,
there'll be chaos.

OK. Do it.

DRILL WHIRS

WOMAN:
Who is that? I think that's Michael Ryan.

- You finished, love?
- WOMAN: Yeah. Thanks.

It is you. I knew it was.

Alright, Betty. How's it going?

How long has it been?

Thirty-two years.

BETTY LAUGHS

BETTY:
Hard work, life, isn't it?

Yeah. You're not joking there, babe.

That's my lad.

- Alright, mate?
- MAN: Alright?

- You got kids?
- Me?

No. I never had the time.

Oh, you've been busy.
My fella's always saying

"He's put his mark on Liverpool."

Right, yeah.

I've gotta go.

I've got a wedding.

SEABIRDS CRY

Here they come.

HORN BLOWS

PEOPLE CHEER
- TRAIN HORN BLOWS

TRAIN HORN BLOWS

KIDS CHEER

Oh, yeah!

Oh, so yeah!

Hiya.

Hello.

ANGELA GIGGLES

ANNA:
Mary, would you like to do the honours?

- MARY: What?
- No, I'm not done yet.

MARY:
Alright.

Well, we are gathered here today...

JACK: No, not that bit. Skip that bit.
We done that f*cking bit.

Yeah, before you sh*t him.

- Yeah.
- MARY: OK.

In the seconds
I've had to think about this

all that comes to me is...

how entirely f*cking magical
it's been having you three here.

You are a unique family.

A bit unconventional at times,
as all families should be.

- And I think...
- I now pronounce you...

MARY:
Alright, bollocks to that then.

I will now pronounce you husband and wife.

CROWD CHEERS

To Jack and Angela!

WIND HOWLS

MUFFLED MUSIC:
"Sandstorm" by Darude

CROWD CHEERS

ALL CHANT:
Hey!

MUFFLED MUSIC CONTINUES

SHE SIGHS

DOOR OPENS

DOOR SHUTS

- See ya.
- See ya.

ANNA:
Well, what are we waiting for?

MUSIC: "Bernadette" by IAMX

ANNA: Don't go round corners
without looking, alright?

- ANGELA: Right.
- JACK: Right.

First one to find him, k*ll him.

ANNA:
I'm gonna k*ll him.

MUSIC: "Beggin'"
by Frankie Valli & The Four Seasons

MICHAEL OVER SPEAKER:
Come on, Angela. Come and find me.

You here yet?

♪ Beggin' ♪

- ♪ Put your lovin' hand out, baby ♪
- RECORDED VOICE LAUGHS

♪ Beggin' ♪

g*nshots
- ♪ Beggin' you ♪

♪ Put your lovin' hand out, baby ♪

♪ Beggin' ♪

MACHINE WHIRS

RECORDED VOICE CRIES OUT

♪ Oh baby ♪

g*nsh*t

♪ Beggin', beggin' you ♪

- ♪ Put your lovin' hand out, baby ♪
- g*nshots

♪ Ridin' high ♪

- ♪ When I was king ♪
- g*nshots

♪ Played it hard and fast
cos I had everything ♪

♪ Walked away, wonderin' then ♪

♪ But easy come and easy go
and it would end ♪

♪ Beggin', I'm beggin' you ♪

♪ Won't you give your hand out, baby ♪

♪ Beggin' ♪

♪ I'm beggin' you ♪

MAN SCREAMS
- g*nsh*t

♪ I need you to understand ♪

♪ That I tried so hard to be a man ♪

RECORDED VOICE LAUGHS

♪ The kind of man you'd want in the end ♪

♪ Only then can I begin to live again... ♪

Anna.

g*nshots

♪ Shadow of my life is hangin' over me ♪

♪ Broken man ♪

- ♪ That I don't know ♪
- g*nshots

♪ Leave it standing,
devil's dancing with my soul ♪

♪ Beggin' ♪

g*nshots
- ♪ Beggin' you... ♪

RECORDED VOICE:
No! No! No!

Give me the g*n.

DISTANT g*nf*re

Just sh**t me.

You don't have to die.

But I'm no different to them.

Could be.

RECORDED VOICE LAUGHS
- g*nshots

MICHAEL:
This bullshit dream

the other two have sold you on
doesn't exist, Anna.

RECORDED VOICE LAUGHS
- g*nshots

Oh, f*ck.

g*nshots

No life for them after this.

RECORDED VOICE:
No! No! No!

f*ck.

For every name they cross off,
they just add ten more.

It's just who they are.

g*nshots

Anna, your own brother was sh*t
through the f*cking head.

RECORDED VOICE LAUGHS
- g*nf*re

DISTANT g*nf*re

What do you want?

To give you a chance.

g*nshots

Tell them to go, Jack and Angela.

Meet me tomorrow at the Lakeside Inn at .

If Jack and Angela leave Liverpool,
I won't go after them.

DISTANT g*nf*re

What happens to me?

You get a chance to start again.

MACHINE BLARES
- RECORDED VOICE: No! No! No!

g*nf*re

g*nshots

g*nshots

RECORDED VOICE LAUGHS
- DISTANT g*nf*re

Prove it.

How?

Call them off.

g*nshots

Tomorrow.

f*ck...

Yeah.

Is he dead yet?

No.

- What happened?
- He wants to meet tomorrow morning.

- All of us?
- Just me.

I stay. You go. Both of you.

He offered me a chance.

I think I believe him.

JACK:
He's just f*cking with you, love.

You know Michael's not the only way out.

If that's what you want.

Your dad and I can get you out.

You just have to say.

It is f*cking dodgems time.

ANNA LAUGHS

THEY HOLLER

ANGELA SQUEALS

Whoa-ho!

THEY SCREAM

THEY SCREAM

- JACK: Would you rather...
- ANGELA: Oh, absolutely not.

Would you rather live on a submarine
on the bottom of the ocean...

or...

be a primary school teacher?

Submarine. f*cking hate kids who can't read.

Ah.

- Ask me one then, it's my turn. It's my turn.
- I'm bored already.

It's just...

Would you rather work in the dentist's
or live on the moon?

What do you think she's gonna do?

ANGELA:
I have no f*cking idea.

- I'm gonna find Michael Ryan.
- OFFICER: Sir.

BETTY:
Back again?

Yeah, I'm meeting someone.

Ah.

DANNY SCREAMS

Forgotten how much I hate caravans.

This is a "static home", apparently.

If I'm not here, will you guys be OK?

What's your name again?

No. Will you look after each other?

- No. Absolutely not.
- No.

What can I get you?

The keys to your van.

Um, no.

ANNA: That's not gonna work
cos we're in a bit of a rush.

- We're in a big rush.
- Yeah, really big rush.

I'm leaving the country and in order
to do that, I'm gonna need the keys.

Are you taking the piss?

I'll spare you the details,
but either you give us the keys or...

- ANGELA: You'll sort of kind of end up...
- JACK: Really, really dead.

ICE CREAM VAN JINGLE PLAYS

SEABIRDS CRY

ICE CREAM VAN JINGLE PLAYS FAINTLY

VINE:
Michael Ryan.

Yours is the last name alive on that list,
Mr Ryan.

Chief Constable McKenzie refused
to talk about it, too.

And if I'm right,
you probably know where that got her.

And I usually am, so...

You know the whereabouts of Jack Worth?

Angela? Anna?

Don't know where they are.

But you do know them then?

Can't do this right now. Later.

Sorry, Michael...

Do you know where you are?

Show some f*cking respect.

We either do this here
or down at the station, that's your choice.

Yeah, the problem
with the likes of you though, innit?

You never see the big picture.

People's lives, their reputations,
their careers, the things they've built.

It all goes for nothing
with the likes of you, don't it?

I know what you did.

All them years ago.

I've seen 'em.

I've done more with my life
than you could ever dream of.

THEY GRUNT

VINE SCREAMS

VINE SCREAMS

VINE GASPS

Condolences.

MUSIC: "Leaving of Liverpool" by Roadrunners

- Give me a point?
- ANGELA: Yeah.

JACK:
Here. There it is.

ANGELA LAUGHS

What do you think is worn under the kilt?

No, no, no. That's the one.

ANGELA LAUGHS

JACK:
Anyone know any good jokes?

Like, but not just dad jokes.
Have you got any mum jokes?

Come up with one.

Hey, you lot, come downstairs!
I wanna talk to yous.

Who's in the kitchen?
Come on, you an' all. Come on.

No need to shout.

MARY:
Now stop crying, all of yous, and listen.

Somebody needs my help
like you all did once upon a time.

And things might get a bit messy, for a bit.

And if that mess comes this way

I need yous not to be here.

- SAM: Mary...
- So where do you need us to be?

She means we need to f*ck off.

- Sorry, what?
- What? f*ck off where?

Just eff off for a bit, alright?

- This to do with Jack?
- MARY: Thank you, Kayden.

This may or may not
have something to do with Jack.

But whilst I'm away, you're not safe here.

So gone by the end of the day, right?

And if I find out any of yous have stayed,
I'll be ragin'.

ICE CREAM VAN JINGLE PLAYS

Thanks, love.

Let's go then, eh, love?

This is not my style, you know.

JACK:
Yeah. Yeah, I know.

See you soon.

Yeah, it's OK. You're doing the right thing.

MUSIC: "Leaving of Liverpool"

♪ River Mersey fare thee well ♪

♪ I am bound for California ♪

♪ It's a place I know right well ♪

♪ So fare thee well ♪

♪ My own true love... ♪

It's for the best, love.

♪ United we will be... ♪

No. No, I've changed my mind.

MARY:
Anna!

g*nsh*t

f*ck, f*ck.

SEATBELT BUCKLE CLICKS

ANGELA:
Anna?

JACK:
Is she dead?

Oh, f*ck.

MICHAEL SINGS:
♪ A chair is still a chair ♪

♪ Even when there's no one sittin' there ♪

♪ But a house is not a home ♪

♪ I wasn't meant to live alone ♪

♪ So when you climb the stairs ♪

♪ Turn the key ♪

♪ Please be there ♪

♪ Still in love with me ♪

♪ Darling, have a heart ♪

♪ Don't let one mistake keep us apart ♪

♪ I wasn't meant to live alone ♪

TYRES SCREECH

ENGINE REVS
- TYRES SQUEAL

KAYDEN:
Oi.

Ah, f*ck.

Right. Here y'are.

What car's it for?

Mine's a .

- You must be f*ckin' joking.
- Oh, no.

- You got this, right?
- Yeah.

She'd be so f*cking proud of you.

Ready?

MUSIC: "Leaving of Liverpool"

♪ So fare thee well ♪

♪ My own true love... ♪

DANNY'S SCREAMS ECHO

MICHAEL:
Alright, Jack?

Thanks for coming. Take a seat.

You know the drill.

You three, yous can go.

You two, f*cking wake up.

Keep an eye on this c**t.

DOOR OPENS
- FOOTSTEPS

Been a while, eh, Jack?

How's it going, Angela, y'alright?

Anna, you. How are you doing?

I can come with you,
if that's what you want?

MICHAEL:
You can go and f*ck yourself.

I was wrong about you.

You're just as destructive as him.

And as duplicitous as that one over there.

You couldn't be less like our Danny
if you tried.

Alright, here's what we're gonna do.

Here's the deal.

I'm gonna k*ll two of yous.

Cos one of yous is gonna f*ckin' live
to see the others.

I want yous to f*cking know
what it feels like to have nothin'.

Any volunteers? Anyone wanna go first?

That's easy. It's me, isn't it?

Cos I'm the reason you have nothing.

Look, they tried a life without me
and they managed five minutes

so if you wanna hurt them, k*ll me.

Yeah, maybe.

- Jack?
- JACK: What?

Anything to add?

I'm f*cking bored.

So sh**t me?

Maybe.

I only put two b*ll*ts in the g*n.

I haven't decided who they're for yet.

You remember this one, don't ya?

It's one of yours, innit?

- It's still good.
- ANGELA GASPS

D'you wanna say tara to your wife?

No? Nothing to say?

I'll figure it out when I get there.

ANGELA SIGHS

SHE CHUCKLES QUIETLY

SHE LAUGHS LOUDER

ANGELA LAUGHS

What's so f*ckin' funny?

ANGELA: Well, bag over the head's
a bit ' s, like.

ANNA LAUGHS

THEY CHUCKLE

Come on, Jack.
Like, what, years in the making?

Twenty years for this moment.

I'm sorry, it just all feels
a little bit uninspired.

I mean three chairs and a g*n to the head.
It just... It feels a bit...

- Flat.
- ANNA: Yeah.

Feels flat.

- Flat.
- ANNA: Yeah.

JACK:
It's a bit naff, really.

Stand him up, f*cking laughing cavalier.
f*ck him off.

Get a better view this way.

Yous f*cking ready?

You f*cking see this?

- Flat, is it?
- This is classic.

ANNA GRUNTS

ANGELA:
Are ya indecisive much?

I mean, first you want happy families
and now you're attacking her.

Would you just pick someone
and f*cking stick to it!

Go on.

Go on!

Hurry up, would ya?

You know, when I k*lled your f*cking brother

- at least I showed a little commitment.
- f*ck off, Jack!

g*nsh*t
- JACK: Here y'are!

g*nsh*t

g*n CLICKS

Two b*ll*ts.

JACK:
Well, down you go then.

D'you remember this?

MICHAEL:
What the f*ck? Just f*ckin' do it.

Always go on two.

Five, four...

three, two...

g*nshots

MICHAEL GROANS
Oh, no...

SIRENS APPROACH

POLICE SHOUT

OFFICER:
Armed police. Move!

On the ground! Down on your knees!

Put the g*n down!

Now everyone'll know who you really are.

And I want ya alive to see it.

LIFT DINGS

JACK:
Here y'are.

ANNA:
See ya, Uncle Michael.

OFFICER:
Armed police!

INDISTINCT SHOUTS

g*nsh*t

HELICOPTER WHIRS

It's changed a bit, ain't it?

Yeah.

So this is... This is where you...

It is.

- And there's where... That's where he...
- JACK: Yep.

Is this all for us?

Bit much, innit?

For what it's worth,
I wouldn't have missed this for the world.

HELICOPTER WHIRS

What we thinking then, honeymoon-wise?

I've always wanted to see Paris.

- I took you to Paris for your birthday!
- No, you f*cking didn't.

Yeah, I f*cking did.
You got kicked out of the Eiffel Tower.

- Oh, f*ck, yeah.
- "Oh, yeah."

So, no Paris then.

Why don't we go somewhere quiet?

Where no one knows us
and we can be a bit more normal.

- Like Canada.
- f*ck off.

Great idea, no one'll find us there.

So...

So...

So...

MUSIC: "Baby Don't Look Down" by Irma Thomas

♪ You got to the top the hard way ♪

♪ You pushed a lot of people around ♪

♪ You got what you wanted now ♪

♪ So, baby, don't look down ♪

♪ Baby, don't look down ♪

♪ Any fool could see
you really shook up this town ♪

♪ Your time will come someday ♪

♪ You gonna fall a long, long way ♪

♪ So baby don't look down ♪

♪ No, no ♪

♪ Don't look down ♪

♪ You hurt a lot of people ♪

♪ Getting up to where you are ♪

♪ You forgot the one who loved you ♪

♪ But you've done alright so far ♪

♪ So baby, don't look down, please ♪

♪ It's been a long, long way
to the cold, cold ground ♪

♪ Come time to pay your dues ♪

♪ It's gonna be real bad news ♪

♪ So baby, don't look down, oh no ♪

♪ Don't look down ♪

♪ So now you think you're happy ♪

♪ And a smile lights up your face ♪

♪ But remember what I told you, boy ♪

♪ The top's a might lonesome place ♪

♪ So baby, don't look down ♪