What's Love Got to Do with It (1993)

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What's Love Got to Do with It (1993)

Post by bunniefuu »

This little light of mine

I'm gonna let it shine

This little light of mine

You know

I'm gonna let it shine

Whoa

This little light of mine

I'm gonna let it shine

Let it shine, let it shine

Let it shine

Oh, yeah

Jesus told me

You know my Jesus told me

He said it's time to let my...

Let my moonlight shine

Oh, oh, oh, oh, oh

Jesus

Oh

Told me

Whoa!

Young lady,

what is wrong with you?

You just cut out all that wild

gyration and blues shoutin' in here.

Ain't the Fourth of July picnic,

and you ain't singin'...

with Mr. Bootsy Whitelaw

and his slide trombone.

Show the Lord

a little more respect.

Do you understand me?

Do you understand me?

"Bright light",

from "bright light".

Bright light, my little light

I'm gonna let it shine

Oh

Bright light, my little light

I'm gonna let it shine

My bright light

My pretty little light

I'm gonna let it shine

Let it shine, let it shine

Gonna let it shine, oh, yeah

Let it shine

Oh, this little light of mine

This little light of mine

Oh, yeah

I'm gonna let it shine

Yeah, yeah, yeah, yeah, yeah

This little light of mine

Yeah, yeah

I'm gonna let it shine

Oh-oh-oh-oh

This little light of mine

Oh, yeah

I'm gonna let it shine

Let it shine, let it shine

Shine

Let it shine

I can't stay here

and let him b*at me like that.

You understand what

I'm sayin' to you?

I tell you, I'm sick of that man!

I ain't lettin' him

b*at me no more.

Girl, you better...

...come back here.

You take care of Anna

Mae, you understand?

I won't! I'm not goin'

to unless you help.

You take care of her.

It's too much trouble to

take care of both of 'em.

You can't leave Anna Mae here!

- You can't leave her!

- Take care of my baby!

You g*dd*mn bitch!

She took Alline and not me.

How could she?

Don't you worry about a thing.

You're gonna stay

with grandma, ya hear?

When is she coming

back to get me?

She ain't, honey.

She just ain't.

Lord, what I'm gonna do

with another teenager?

Well, she's not my mistake.

Alline, don't get fresh with me.

I'm not gettin' fresh, mama.

I wonder what she look like now.

Probably look like that damn

no-good daddy of hers.

Now, you said you wasn't gonna

start today. Mama, please...

- What, y'all don't recognize your own kin?

- Anna Mae!

- Alline!

- My God, is it her?

- Oh, Anna Mae!

- Anna Mae?

- Mama, look at her.

- Hi, sweetie, how ya doin'?

- Hi, ma.

- Look it here,

you ain't nothin'

but skin and bones.

Come here.

All right, all right. D'ya

have a good ride, sweetie?

Yes, ma'am.

Well, what'd ya bring with you, baby,

some bags? You got some bags?

Oh, over... That big

brown one right there.

- I'll get it.

- All right, come on.

- All right, come on.

- How'd you ever get so tall?

You know what? I kept

all your letters, Alline.

I'm sorry we missed

grandma's funeral.

You know, by the time we

heard, Anna Mae, it was...

Yeah, I know.

Mama, can I borrow some

of your new perfume?

Go ahead on, girl.

And that was some fine

sweet potato pie, baby.

- Your grandma teach you how to cook?

- Who else?

Now, wait a minute, wait a

minute, Anna Mae. Sit down.

Sit down.

Now, Anna Mae,

I know I wasn't around...

but believe me, honey, you was

too young to understand...

what was goin' on

with your daddy and me.

Did Alline understand?

She ain't that much older than me.

Now, don't think you gonna

come live in my house...

and make me feel bad.

You gonna pull your weight, girl.

This ain't just some party town, ya hear?

Yes, ma'am.

Now, we all got jobs.

Tomorrow you start lookin'.

You headin' for the club, Alline?

Reggie gonna meet me there

and wait for me till I'm ready to go.

- I want you to take Anna.

- Mama, I got to work.

- Reggie don't want nobody...

- Well, I have a date.

Go on, Anna Mae.

Put on a dress.

I need some privacy.

And, Anna Mae, look a-here.

Don't you get any ideas,

baby girl.

I'm the only sinner in this house.

Okay?

Well, I got a girl, she

lives up on the hill

Alline!

Come on, Anna Mae.

Well, I got a girl, she

lives up on the hill

Excuse me! Girl!

Well, she moves mighty quick

Lord, but I love her still

Oh, boy

Gonna jump for joy

Yeah, man, have you

had your baby, boy

My baby bought me a

brand new choo-choo toy

There you are.

Anna Mae, this is Fross.

This is Spider.

- You already met Reggie.

- Spider?

Yeah, Spider.

- I play piano for the revue.

- Anna Mae Bullock.

Anna. That's a pretty

name, little girl.

He's back! That's right,

Ike Turner and the Kings of Rhythm.

All right!

Hear of jalopies

and the noise they make

Let me introduce

my Rocket 88

Yes, it's great

just one wing

Everybody love

my Rocket 88

Gonna ride in style

movin' all along

It's got the V-8 motor

with a modern design

Convertible top

and the girls don't mind

Rollin' with me ridin'

all around town for joy

Play that thing.

Come on, step in my rocket

don't be late

Baby, we're pullin' out

'bout half past eight

We're goin' around the corner

and get us a fifth

Everybody in my car

gonna take a little nip

Movin' on out

boozin' and cruisin' along

All right!

I know you love me, baby

Yeah!

But you never tell me so

- Yeah, over here!

- Here, Ike!

I know you love me, baby

But you never tell me so

If you don't tell me you love me

- Swing it.

Oh, yeah, swing it.

I'm gonna pack my rags and go

All right now, who's gonna

help me out now?

Ike!

I live across the street

from the jukebox, baby

I...

Every time they spin

that record, baby

Oh, Alline, they're just awful!

How come they get up?

Please, girl. Every woman in here

wanna sing with Ike's band.

He's got a reputation.

No, not from his looks.

Ikey!

Always make me think of you

Well, he been with

'bout every woman in here.

He's somethin' else.

song in particular, baby

Always stays on my mind

There's one particular song, baby

Always stays on my mind

Every time you play it, baby

I just break down and cry

Oh, no, no, no, Mr. Turner,

I'll wear it out.

Oh, there's one little

song in particular, baby

- Is that Anna Mae in there?

Always stays on my mind

Yes, one little song...

Aha, I knew it!

You been bit by the bug.

You been bit by

the Ike Turner bug!

- You got the flu.

- Shut up, Alline!

- Come on.

- Shut up!

Come on, now.

Leave her alone.

There's been some

lonely, lonely nights

Baby, yes, since

you've been gone

Lay my head on my pillow

How I cried...

- Lord, Anna Mae,

I told you not to

borrow the white dress.

- Oh, my!

- Is anyone sittin' here?

You stick around, Anna Mae...

'cause I'd like to take you

out after the last set.

Breakfast. For breakfast?

Well, all right.

Yes, you know that I love you

Oh, I see.

So you a big girl now?

Well...

I hope you know what comes

along with that territory.

Can I get you

something to drink?

- Coca-Cola, please.

- Why, certainly, ma'am.

All right now, who's gonna

help me out now?

Me!

I live across the street

from the jukebox, baby

All night they play the blues

Gee whiz!

And when they spin that record, baby

You know it makes me think of...

I love you, Ike!

- Come on. Pass it up!

- That's not gonna help me.

Come on now. Must be somebody

out there who'll sing tonight.

Come on, baby!

Come on. You ain't deaf.

Bring the microphone.

Here!

- She's a nobody.

- Here, here, here!

- Stacy. Here, right here.

- What you want, girl?

Right here. Give it to my sister.

Give it to Anna Mae.

Go on, Anna Mae.

Girl, go on now.

You've been practicin'

in the bathroom enough!

Go on. That's right.

know you love me, baby

But you never tell me so

I know you love me, baby

But you never tell me so

If you don't tell me

you love me

I'm gonna pack my rags and go

- Baby!

- Girl!

Oh, I live on the street

from the jukebox, baby

All night long

they play the blues

I live across the street

from the jukebox, baby

All night long

they play the blues

Every time they

spin that record

Honey, it makes me think of you

And there's just one thing

in particular, baby

Always sticks in my mind

Yes, one little song

in particular, baby

Always sticks in my mind

And every time

they play it, baby

I start right in to cry

Oh, please

don't leave me, baby

Yeah!

That girl can sing!

Whoo, Lord, give it to her!

- It was really good!

- Do you want a refill?

- White people eat here?

- Yeah.

Spider, get going.

Where'd Spider go?

Oh, I sent him to get

me some cigarettes.

Oh, yeah?

What's wrong? Ain't you never

been in a restaurant before?

- Of course!

- Coffee?

That's all right. That's all right.

Forget it.

Here you are, miss.

Thank you.

I thought you ran out of smokes.

- Yeah, well...

- Here's your silverware.

Ready to order?

Look here, I'm gonna have the

steak and eggs, over easy.

And, be sure to get

whatever you want, hear?

- Miss?

- Could I have a steak?

Okay.

Anna Mae!

Girl, you shocked

the hell out of me.

Where a little woman like you

get such a big voice?

You had them folks

tore down in there, like...

let me put it to you this way.

See, it's like you sang like a man.

I mean, you all woman. You all woman.

Any man can see that, but...

girl, it's like you got your own

particular way of gettin' a song out ya.

It's unique. You got

your own unique sound.

See, that's what sells records.

Whoo, you got a flair.

Oh, yeah, you definitely

got a flair, now.

Do you have a... a flair?

A flair? Yes, I do.

Matter of fact, I got a flair

for writin' songs, and...

I also have a flair for

makin' singers famous.

- What do you mean?

- The people that's come up with me...

folks that sang in my revue,

lot of 'em went on to be big time.

After they with me, they'd,

you know, they'd take off.

But that's all right, though. That's

all right. That's all fixin' to change.

- Steak.

- I got a new singer in mind.

Oh, yeah? He good?

Oh, yes, indeed.

She is real good.

Matter of fact, she's very good.

He say he want me

to be his new singer.

What's she talkin' about now?

He told you that?

- Who?

- Ike, mama! Ike Turner!

And he gave you his address

to come around and rehearse...

- Oh, Lord!

- What's a Ike Turner?

Anna Mae, get your gullible

country ass out of the clouds.

He does that to all the girls.

That's his line.

You know what I'm sayin'?

Alline, how come this

string of pearls is shorter?

Did you cut off my pearls, girl?

This is tighter around my neck.

Maybe it's all them

chitlins you ate.

- Don't get smart with me, miss Alline.

- What?

Who is that in

a red convertible?

Red convertible?

Mornin'. May I speak

to your mother, please?

- My mother?

- Anna Mae Bullock's mother...

Mrs. Bullock,

does she live here?

- I'm her mother.

- This is Anna Mae's mother!

Y'all believe that?

- I can't believe that.

- No.

My goodness! What's a fine young thing

like you doin' with two grown daughters?

Hey, miss Alline.

- How can I help you, Mr...

- Turner. Ike Turner.

The Kings of Rhythm. We play

down at the Club Royal every...

Listen, Mrs. Bullock,

Anna Mae sang at the club last night.

- She knocked everybody out.

- Oh, sure did.

Mr. Turner say

I got a flair, mama.

- The kind that would sell records.

- Mama, Anna Mae can sing.

I didn't pay for Anna Mae

to come all the way up here...

from Nutbush, Tennessee, to be

wastin' time with a bunch of musicians.

Well, wait a minute, mama.

It wasn't like that. Anna Mae...

- Alline, take Anna Mae in the back.

- But, mama...

Yes, ma'am.

- Come on, Anna Mae.

- Go on, girl.

Mr. Turner, I don't know

what you had in mind, but...

this little girl's

gonna be a nurse...

and bring a steady

paycheck in this house.

Yes, ma'am, but, Miss Bullock...

did you ever see a nurse drivin'

an automobile as fine as mine?

Me, neither. May I?

Now, look here, if you

let Anna Mae work with me...

I guarantee you she'll be

makin' big money in no time.

You tellin' me

Anna Mae sing that good?

Put it like this: I could get anybody

in St. Louis to sing in my band,

but I want her.

Think about it. Let her

come to a few rehearsals.

Let me work with her.

You're welcome to sit in if you like.

You have my word as a gentleman

she'll be under my protection.

You know, I noticed my boys...

crushed some of your flowers

accidentally outside.

That should cover the damages.

We'll be expectin' her

around 7:00 this evening.

It's been a pleasure

meeting you, Miss Bullock, and...

you have a nice day.

Make me over

Make me nice

And when I'm done

Oh, I wanna be right

I wanna be made of...

Anna Mae, you're gonna have to

sing rougher. You hear me?

Rougher! From here.

Okay? All right.

We gonna take it from the top.

Here we go.

And one, two, three, and...

I'm talkin' to the priest

Rougher, Anna Mae.

The high priest

Come on. Rougher.

And everybody out there

in the universe

If what I'm sayin' is wrong...

I don't understand what

you mean by "rougher".

Tell me what to say.

What's "rougher" mean?

Sing.

'Cause I wanna be made over.

Now you got that girl

screamin' like a maniac.

Yes, ma'am.

Keep singin', Anna Mae.

That don't make

no sense to me.

Look here. That's what sells

records, Mrs. Bullock.

Look, do you want a drink?

Yeah, I want a drink,

but I wanna watch this rehearsal.

Keep singin'.

Come on. I'll get you a drink

in the back. Come on, Alline.

- Come on. I'll get you a drink.

- I wanna watch this rehearsal.

Give me a liniment

and wash me clean

Make me over

Make me nice

And when I'm done

Oh, I wanna be right

Hey, Lord, make me over

I wanna be made over

Hey, Lord, make me over

I wanna be made over

Make me over

I wanna be made over

- All right, girl. From here.

I wanna go places

- Oh, let me hear it.

Oh, I wanna do some things

- Yeah!

I wanna be a star

Oh, I wanna have a big name

And in my heart

let beauty reign

And when I'm done

Oh, I wanna have fame

Oh, Lord, make me over

I wanna be made over

- Lets go, baby.

Oh, Lord, make me over

- All right! Go ahead, Anna.

I wanna be made over

- Make me over

I wanna be made over

- Wanna be made over

I wanna be made over

- Make me over

I wanna be made over

- Wanna be made over

Oh, Lord, make me over

- Make me over

Come on, keep goin'!

Oh, Lord, make me over

- Make me over

Lord, make me nice

Lord, make me good

And give me power

- Make me over

Give me love

- Wanna be made over

Give me voluptuousness

- Make me over

I wanna be made over

All right, bye-bye.

Hey. Hey, hey, hey.

Fross, Fross, tell them

to be quiet?

Y'all look here.

we're fixin' to go on tour.

That's right.

We're goin' on tour.

Which means my name's

gonna be on this thing...

which means any time

you f*ck up a step...

you f*ckin' with my good

reputation, you understand?

Jackie, you was 15 minutes

late to rehearsal today, wasn't you?

- Well...

- Well, a five-dollar fine.

What you laughing at, Spider?

You ain't but that far...

from not even having

a job your damn self.

All right, now, y'all look here.

It's gonna be Anna Mae's

first run out the startin' gate.

All right.

I want all y'all to pitch in, help

her out, do what you can, all right?

All right.

- All right.

- All right.

- Yeah, hey, Lorraine!

- I'm sick and tired of this sh*t, Ike.

Lorraine. W-w-wait,

wait, wait, wait.

- Now, now, come on, now.

- We finally get paid...

and he invents a

new way to take it back.

And he wants everybody

to help her out.

He sure got a sudden

case of the niceness.

Yeah, I wonder why.

I guess he caught it from that

new swing in somebody's ass.

Come on.

He's with Lorraine.

Lorraine! Oh, honey, please.

Lorraine was Ike's last gig.

He's always bookin' ahead.

Now, you watch yourself.

Ike's got a thing for every

young heifer sticks her butt out.

- Yeah, you wish he did.

- Come on, Anna Mae. Let's go.

All right, in a sec, okay?

- Hey, now.

- I was, just about to go home...

but I wanted to,

you know, say good night.

Well, don't go nowhere yet. Come on.

Sit down. Let me talk to you.

You know, you got

the prettiest smile.

You do.

Come on.

Open your mouth for me.

You ain't been to

the dentist before, have you?

What?

I said you ain't been to

the dentist before, have you?

I'm gonna have Fross carry you

to the dentist in the morning.

You got a lot of cavities

back there. All right?

- All right.

- All right.

And, look here, its kinda

late for you to be goin' home.

I want you to stay here tonight.

I got a room in the back.

It's all made up for you,

and don't you worry about it.

I'm gonna call your mama and let

her know you're stayin' here, okay?

- All right.

- Why don't you go on back there?

Go on.

- Good night.

- Good night.

What the f*ck is goin' on here?

Lorraine, don't.

Please don't.

You ain't even worth the b*llet.

- Lorraine! Lorraine!

- What's the matter? Hey!

- Lorraine! Lorraine!

- Lorraine! Open the door!

Open, open the door!

Oh, sh*t!

Lorraine! Anna Mae!

Anna Mae! Hey, Fross!

- Hey, Fross, get up here, man!

- What's goin' on?

- Hey!

- Oh, sh*t! What happened?

- Hey, call an ambulance.

- You drove me to this, Ike.

I'll get an ambulance.

You, you stay with her.

- Ike, Junior, go back downstairs now.

- Hey, hey, hey!

Watch him, Ike!

Watch him, Ike!

Y'all just go home, please.

All right, Ike, let's go.

Ike. Come on. Let's go.

We got to go.

How's Lorraine? Is she...

Well, she's fine.

She's gonna be all right.

Doctor says sh-she gonna,

she gonna pull through just fine.

Are you okay?

Yeah, I'm fine.

Yeah, I'm gonna be okay.

Damn.

I can't stand hospitals, man.

My daddy got holes

kicked in his stomach.

Took him three

long years to die.

And you could,

could smell his insides.

'Cause he was messin' around

with some gangster's woman.

Can't stand hospitals, man.

I'm sorry.

I need to go.

Come on, Anna Mae.

Don't go nowhere now.

Don't leave me by myself.

I can't be by myself tonight.

- But Lorraine, she's your wife.

- No, we ain't married.

We ain't never been married.

I just can't make her

happy no more.

Things could change.

I mean, maybe...

maybe...

y'all can work it out.

No.

She did the worst thing

you could do to anybody like me.

She stopped believin' in me.

See, I got dreams, Anna Mae.

I got dreams that's

bigger than St. Louis.

And she can't

touch me like you do.

She don't make me feel

the way you do.

I can't even talk to her.

You're the only one.

You're the onliest one

I could talk to like this.

You know, just like

everybody else...

I done tried to help out

in my whole life...

she done left me.

I wouldn't do that...

what those other people

did to you,

leave you.

- I would never do that.

- I know.

- Never.

- I know.

Ike Turner!

Oh, look, look, look!

Oh, man! Oh, sh*t!

- Hey, look here, y'all.

- What's up?

I want y'all to take Anna

down to this beauty shop here.

Get her a bleach job,

you know, like Marilyn Monroe.

Like, like the lady

on the poster up there.

Get her hair did like that,

all right?

- Okay. Come on, come on.

- Come on, Marilyn.

- Come on, come on. Hurry up.

- Where?

Right here. Grab this bag.

Come on. Let's go.

Hey, Anna Mae, what d'ya

think, honey? Is it me, girl?

- Hey, what's the matter with you?

- Nothin'.

I just didn't think we'd be, playin'

in a place like this, ya know.

What, thought we'd be playin'

at Carnegie f*ckin' Hall?

From what I heard about Ike, baby,

the sh*t's about to hit the fan.

Girl, now you know Ike'll

work the f*ck outta you.

- Do I detect a note of bitterness?

- It's a gig.

And you know what

they say about Ike.

Oh, chil', don't mind me.

I'm just havin' a little fun.

Now, Anna Mae, what's

that do doin' back there?

It's lookin' kinda orange.

No, girl, it's supposed

to look like that.

Hey, you the singer?

- Yeah.

- But you gotta have more up there.

Oh, she'll get bigger

the way she's been eatin'.

Yeah, Anna Mae,

we scared to eat around ya.

Girl, your appetite

done picked up lately.

I noticed that too.

Noticed it? Honey,

Ray Charles could see it.

Oh, what?

Darlene!

Look what you did, girl.

Now look at that!

Now, you know

you need an ass whoopin'!

Anna Mae!

Anna Mae, get your

butt out here, girl!

Rock me, baby

Rock me all night long

Rock me, baby

Rock me, baby

I said I want you to

Rock me, baby

Rock me all night long

Rock me, baby

Rock me, baby

I want you to rock me

Like my back

ain't got no bone

Then I want you

to roll me, daddy

Like you roll

your flour dough

I want you

to roll me, daddy

Like you roll

your flour dough

I want you to roll me

Till I want no more

Oh, play guitar.

Oooh! Hey, little Ann,

girl, you were slick!

Baby, you blew those people

way out. You were wonderful!

Girl, girl, I'll tell you!

All right now. Ike

finds out Jack Daniels...

been dancin' with the Ikettes,

you're gonna be in big trouble.

I ain't thinkin' 'bout Ike.

Yeah, Jack better stop

dancin' on my feet.

Whose idea was this,

Darlene? Jackie?

Leanne, how come ain't nobody

told me about this new look...

- we got goin' on here?

- See, Ike...

I like it! I like this!

I mean, this is perfect.

We're gonna keep this in the act.

We gonna make it part

of the act from now on.

Now, we got 92 dates between

here and a good night's sleep.

- So y'all know what y'all

got to do, right? - Yes.

Look here, Anna Mae.

You did real good

out there tonight.

- Really, Ike?

- Yes, ma'am, you did real good.

Now I got this new song I'm writin'.

You keep singin' like you've been doin'...

and I might let you record it for me

when we get in the studio, all right?

How 'bout that?

You like that?

Baby, look like you put on

a few pounds there.

- Oh, well...

- Oh, wait, wait, wait.

Now, now, it's all right.

I like that. I like it when

you're healthy like that.

Stop!

Come on, little man.

Smile for your daddy. Come on.

You know what? Your daddy's rich

and your mama's good-looking.

Come on. Smile.

Come on, Craig.

Come on.

- Let the baby rest and the nurses too.

- Don't forget.

- You heard that first on WTEX.

- All right, doc.

Ike and Tina Turner with

"Fool in Love". Now our next...

I don't know even when y'all

got time to make that record.

"Ockateena"?

Who, who is that?

"Ike and Tina"!

Sounds like weddin' bells

to me, baby.

Yeah, girl. The man

gave you his name.

Tina! What kinda name is that?

Oh, what's the matter, baby?

Don't you like it?

Come on, it's like

"Sheena of the Jungle".

Gorgeous, sexy woman

on God's green earth!

Oh, sexy thing on

God's green earth!

Oh, go on, Ike.

Go on!

Hey, doc,

she lookin' kinda peaked.

What's wrong with her?

Well, she's quite ill.

- We're lookin' at a severe case of anemia.

- A who?

She needs rest, and

I'm not releasing her.

- Not for at least another three weeks.

- Oh, no, no, no, not now.

I got, I got a lot of dates

booked between here and then.

I got, San Antoine.

I got Austin.

No, no, Sam, we be talkin'

about a lot of money here.

This is very serious,

Mr. Turner.

All right, your man come

to take ya home now.

Come on. Sit up for me.

- Come on. Sit up for me.

- Ike?

Come on, Fross.

There ya go.

Now let Ike put his arm

around you. There ya go.

- Yeah, that's it.

- What happened to the baby?

Oh, Fross gots him.

Come on. Let's go.

Oh, what time is it?

Hey, little man, I got ya.

- Ike, ain't I supposed to stay?

- You all right, little man?

Now look here, darling. You're

supposed to stay with your man.

Who you gonna listen to?

Some doctor who don't know me from

Adam, don't know you from Eve?

Or you gonna listen to your man?

- But, Ike, are you sure?

- I'm sure.

But, no, wait.

Put me down.

Hold on, Anna Mae, hold on.

Look here, look here.

Come on, little Ann.

I can't wait no longer.

Now?

Yeah, we'll go down to Mexico

and get it done in a few hours.

No, I can't take

my baby to Mexico.

Wait, now hold on, now.

Alline's downstairs in the car, hon.

Your mama can look after

the baby while we're gone.

We'll go to Mexico,

get it done in a few hours...

- and then we off to New York City.

- New York?

What's in New York?

We are, baby. You and me.

Ike and Tina.

There's somethin' on my mind

Won't somebody please

tell me what is wrong

- Ike...

- You're just a fool

You know you're in love

What you say

- Yes, sir! You hear that, Fross?

- Yeah, congratulations.

Look here. I'm a married man.

Come on. Let's get outta here.

- Darlin'

- Yes, Tina

It's time to get next to me

Honey, that was my plan

from the very beginning

Darlin'

I never thought that this could be

- What do you mean?

Oh, yeah

- Come on, man! Let's go.

Your lips set my soul on fire

And you can feel

my one desire

- Oh, darlin'

- Yes, yes

I think it's gonna work out fine

It's gonna work out fine

I wanna tell you

something, Ike.

Ikey

I've been to see

the preacher man

The preacher man?

Why, you must be losin' your mind

- I started

- Started what

I started makin'

wedding plans

- Oh, really,

- Oh, yeah

If your love is half as true

As the love I offer you

- Oh, darlin'

- Yes, yes

I think it's gonna

work out fine

It's gonna work out fine

I keep on tellin' you

I think it's gonna

work out fine

Oh, I can feel it's gonna

I feel it's gonna work out

I want ya to know it's gonna

I know it's gonna

work out fine

Oh, I can feel it's gonna

I feel it's gonna work out

I want ya to know

it's gonna

I know it's gonna

work out fine

I know it's gonna

work out fine

Girl, you look like

I felt last night.

Go on and drink that.

You'll feel better.

- Thanks, Jackie.

- Come on. Give me the baby. Come on.

Come on, precious.

They don't never give a n*gg*r no ink!

If I was one of them...

one of them Ofays, I'd... I'd be

number one with a b*llet by now.

No, no, I got to m*rder somebody

before I can get some ink.

Jackie, check on the girls.

You tell Leanne...

if she miss a step tonight,

she be fryin' fish tomorrow, hear?

Hey, Ann, why ain't you dressed yet?

The show fixin' to start.

Ike, I'm tired.

What you talkin' about, you tired?

You can't be tired.

Not tonight, now. I got too

much ridin' on tonight.

No, it's not me, Ike.

It's my throat.

I mean, suppose I go out there,

and don't nothin' come out?

Look, Ann, I don't know

what you talkin' about,

but you can't do this

tonight, not tonight.

I got too much ridin' on this,

all right? Now, come on.

Oh, Ike, I'm really exhausted.

I mean, it's all happenin'

too fast, you know?

The baby, and, and the road...

and the whole thing.

I just, just need a rest.

All right now, but look now,

you got to understand if we don't

get out on that stage tonight...

we don't get paid, ya hear?

- Now, if we don't get paid, we don't eat.

- What about me?

What about the band?

Well, you talkin' about the baby...

and the road and, and, and

it's all happenin' too fast.

Ann, you got more excuses

than a n*gg*r goin' to jail.

You got too many excuses, woman.

And this here's about

business right here.

That marquee out there say

"Ike and Tina Turner"...

and the people out there

are waitin' on me,

and you layin' up here

talkin' about you tired.

Now, what you wanna do?

You wanna take care of business,

or you lookin' for a way out?

Oh, I see, you wanna,

you wanna leave me,

like all them other suckers

I done made famous.

- That's not what I meant.

- Well, what you talkin' about then, Ann?

Now, we're here. We're at the place

I've been tryin' to get to my whole life.

We got the right song at the

right place at the right time!

Now, I need you to get out

on that stage right now.

I'm sorry, Ike.

Yeah, you sorry.

The sorriest m*therf*cker

I ever seen.

Here, I'm supposed to do a show tonight,

and you done f*cked up my head for that.

It's supposed to be the greatest night of

my career, and you done f*cked that up.

Yeah, you're a sorry

m*therf*cker, all right.

And now, from St. Louis,

Ike and Tina Turner...

singin' their new song,

"Fool in Love".

There's somethin'

on my mind

Won't somebody please

Please tell me

what's wrong

You're just a fool

you know you're in love

- What you say

- You've got to face it

- To live in this world

- Hey, hey, hey, hey

- You take the good along with the bad

- Hey, hey, hey, hey

Sometimes you're happy

and sometimes you're sad

- One more time

- You know you love him

- You can't understand

- Tell me about it

Why he treats you like he do

when he's such a good man

Listen

He's got me smilin' when

I should be ashamed

Got me laughin'

when my heart is in pain

Oh, oh, now

I must be a fool

'Cause I'll do anything

he wants me to

- How come

- You're just a fool

- You know you're in love

- Tell me one more time

You've got to face it

to live in this world

You take the good

along with the bad

Sometimes you're happy

and sometimes you're sad

- One more time

- You know you love him

- You can't understand

- Tell me about it

Why he treats you like he do

when he's such a good man

Listen, without my man

I don't wanna live

You think I'm lyin'

but I'm tellin' you like it is

He's got my nose open

and that's no lie

And I, I'm gonna

keep him satisfied

- Tell me how come

- You're just a fool

You know you're in love

- Tell me how come

- You've got to face it

- To live in this world

- How, how come

You take the good

along with the bad

- Tell me how come

- Sometimes you're happy

- And sometimes you're sad

- One more time

You know you love him

- You can't understand

- Tell me about it

Why he treats you like he do

when he's such a good man

Listen, the weight of action

speaks louder than words

Truest saying

that I ever heard

I trust a man

and all that he do

And I'll, I'll do anything

he wants me to

- How come

- You know you love him

- You can't understand

- Tell me about it

Why he treats you

like he do

- When he's such a good man

- Come on, tell me

- Do, do, do, do

- Tell me one more time

- Do, do, do, do

- Hey, hey, hey, hey

- Do, do, do, do

- Hey, hey, hey

- Do, do, do, do

- Tell me one more time

- Do, do, do, do, do, do, do

- Whoo-hoo-hoo

This what you got off

"A Fool in Love"?

It's a advance from Sue Records.

That's for songs

I ain't even wrote yet.

Oooh, my, oh, my,

I am a fool in love!

Yeah, we used to work

without gettin' paid.

Now we get paid

before we even work.

Anna Mae Bullock, you're

priceless, girl. Priceless!

Yeah, yeah,

she priceless, all right.

sh*t, she ain't seen

a dime of it yet.

Here, here, here,

hand me that baby.

- Oh, thanks.

- Give me Craig.

- Come on, Craig. Hey, he's sweet.

- Thanks, mama.

Anna Mae, what you plannin' on doin'

with all that money, honey?

Live better. Ike wants a big

house with a pool and...

I know he's always wanted

his own recording studio.

Now, don't forget about those who

helped you to get to where you are.

No, ma. Never forget

my blood?

Shh. Hey.

I told you you're gonna get in trouble,

messin' with other people's stuff...

puttin' your hands where

they don't belong.

- Just playin' around.

What's wrong with you, girl?

Every time I turn my back, ma.

Oh, child, he's just bein' a man.

Don't be worryin' about him.

Don't be naggin' him now.

Look here.

You got yourself a good man.

You just keep him happy.

- Ya hear?

- Yeah.

Now go on.

I got the baby.

No, honey, put 'em back on.

Give me that. Give me my money,

and put them glasses back on.

sh*t! Damn! Hold on, baby.

Hold on. I'll be right back.

Come on.

Come on, come on!

All right, Lorraine, I ain't

got time for your mess now.

Oh, yeah.

Well, I hear you're playin' daddy?

You're playin' the family man!

All right, let me finish

this, and I'll help you.

Ike, here they go.

They're yours. Y'all say

hello to your daddy.

Come here, come here.

Wait right here. I'm gonna talk

to your mama. Don't go nowhere.

- Lorraine, come here. Look here, now.

- No.

I done told you about, about showin'

up here and, and, and startin' this mess.

- I'm not messin' with you.

- What am I gonna do with two more kids?

What am I gonna do with two more

kids, woman? Come back here!

Leave me alone, Ike!

You always wanna come around

here and, and start some mess!

You better get your ass

away from around here!

Don't f*ck with me, Ike!

You better not never bring

your ass around here again!

I said don't f*ck with me, Ike!

Come on. You guys take those on out.

What the hell am I gonna

do with two more kids?

What am I gonna do

with two more kids?

- I saw you.

- Oh, it's all right. It's okay.

- Hey, you ever been to California?

- No.

- No? Me, neither.

- We did not.

- No? It's gonna be an adventure?

- I saw you?

You wanna go inside and see

what toys I packed up?

Yeah? All right.

- Come on.

- Go see it.

It's the cool sound of KAJT...

and here comes the hot sound

of the British invasion:

Manford Mann and

"Do Wah Diddy."

Do wah diddy diddy

dum diddy do

Snappin' her fingers

and shufflin' her feet

Singin' do wah diddy diddy

dum diddy do

- She looked good

- Looked good

- She looked fine

- Looked fine

She looked good

she looked fine

And I nearly

lost my mind

Before I knew it

she was walkin' next to me

- Singin'

- Do wah diddy diddy, dum, diddy, do

Holdin' my hand

just as natural as can be

- Singin'

- Do wah diddy diddy, dum, diddy, do

So what's your take on the new

English music invading the States?

Well, Ike said there ain't nothin' new

about it. Ain't nothin' but black music.

I mean, n*gro

music with an accent.

But, personally,

I like a lot of it.

Ike, you... I sense you don't

feel fully appreciated here?

Well, we have been doin' a lot of

tourin' all over the country, and...

Ike's been writin'

a lot of great new songs.

Ike...

- Thank you.

- Oh, sure. You're welcome.

Thank you.

Jackie! Jackie!

Whoo!

Hey, you m*therf*ckers, be quiet out

there! I'm tryin' to work, g*dd*mn it!

I'll be right back.

Ike, come on, come on, come on.

Come on, take a break?

What you talkin'

about take a break?

I ain't got no time to take a break.

I got to work.

I got to write these songs.

Sue Records m*therf*ckers...

been after me about

these songs for six months.

You know how much money

I owe Sue Records?

What you mean owe Sue Records?

As much as we work?

They always givin' you stacks

of cash whenever we do a show...

- and I know I don't spend it.

- Oh, no?

Well, what about...

all them wigs and

wardrobe and whatnot you

got in the back there?

What about the way you got

this place decked out?

All this furniture, that fish t*nk,

the sofas, that fountain and sh*t.

That sh*t costs money, Anna Mae.

I got to pay the girls,

and I got to pay the band...

and on top of that,

I'm tryin' to build us a studio.

- You know, you want the studio.

- And I'd have it by now...

if you would sing the

songs the way I tell

you to sing 'em,

Anna Mae, g*dd*mn.

That's what I've...

I been tryin' to do, Ike.

I mean, but they all sound

like the same, you know?

What?

I ain't hear you.

What you say?

I ain't hear you.

I ain't hear you. What you say?

I said...

I mean, not exactly, you know.

I mean, but you...

you do have your own style.

My own style. -

- What's wrong?

Ike, you promised you wouldn't

hit me. Don't hit me, please!

- Seems like you wanna fight?

- No, no! No! No!

Where you goin'? Come here.

Here we go. Here we go?

No! Stop!

- Come here.

- No! No!

Ike, please!

Please!

- Ike, no!

- Shut the f*ck up!

- Oh! Come back! No! Ike, please!

- Shut the f*ck up!

Shut the f*ck up!

Guess you gonna leave me now?

Go on, then.

Now keep your behind

in there, hear?

Everything all right. Me and

your mama just talkin'. Go on.

Y'all go on!

I said go on!

Oh, Anna. Oh.

No, no, no.

I'm all right.

I'll be out in a second.

Somebody needs to

slap his ass around.

Thank you.

He just got a lot of worries

right now, you know?

But I know he's sorry.

Is he sorry for

all the other times too?

- He's a pig!

- Don't do that, Jackie.

Don't do that.

Can't nobody understand

that he got a lot of...

a lot of pressure right now?

Money.

Music ain't right.

This, that and the other thing,

and what I do?

I insult him when I know he try.

No, Anna. Look,

this has got to stop.

You can't keep hiding

black eyes from us,

pretending like

nothin's happenin'.

We know.

I know what

I gotta do, you know.

I'm gonna help

get it back on track.

And then things between

me and him gonna get better.

Thank you.

Now, your last few songs haven't

quite reached the all-time popularity...

of "Fool in Love," but

you're still going strong.

It must be difficult to be

such a busy performing couple.

- How do you do it?

- Well, Ike's always busy writin' songs...

touring, you know, everything, and me,

I'm just a homebody, you know?

I love cookin', cleanin',

takin' care of the boys.

So between the two of us,

it just works out.

And here they are

with their contribution...

to the latest dance craze

sweeping the nation.

It's Ike and Tina Turner

with "Shake a Tail Feather".

Well, I heard about the girl

you been dancin' with

All over the neighbourhood

Tell me, why didn't you

ask me, baby

Or didn't you think I could

Well, I know there's a possum

wanna step aside

I seen you do

the jerk all night

Tell me, why didn't

you ask me, baby

I would've shown you how

to do it right, do it right

Do it right

do it right

Do it right

do it right

Do it right

Twistin'

Shake it, shake it, shake it, baby

Whoo! Here we go

loop the loop

Come on and let me,

let me shake it up, baby

Here we go loop DE Li

all right now

Said bend over, let me

see you shake a tail feather

You bend over, let me see you

shake a tail feather

Would you bend over, let me

see you shake a tail feather

Well, you bend over

and let me see you do it

Twistin', shake it, shake

it shake it, shake it, baby

- Come on

Come on, baby

Shake it, shake it shake

it, shake it, baby

Come on

come on, baby

Shake it, shake it

shake it, shake it, baby

Do the twist

And do the fly

Shake it, shake it shake

it, shake it, baby

Shake it, shake it

shake it, shake it, baby

Come on, now, come on, baby

Shake it, shake it

shake it, shake it, baby

Shake it, shake it

shake it, shake it, baby

Shake it, shake it

shake it, shake it, baby

I'm gonna need you to

move those lights there.

There's a whole bank.

Tina? Mr. Spector would like

to have a word with you.

It's a pleasure

to meet you, Mrs. Turner.

Thank you.

Your performance was wild.

Hey, Phil Spector. How you doin'?

I didn't know you was a fan.

Hey, look here. Anything you got

to say to her, you can say to me.

All right, then. I'd like

to record a song with her.

Hey, y'all hear that? Phil Spector

want to record with Ike and Tina.

- All right!

- I'd like to record a song with Tina.

Oh.

I dig. Well, look here.

Come on in my office.

Let me to talk to you

about that here.

All right, I'm on my way.

When I was a little girl

I had a rag doll

Only doll I've ever owned

Now I love you just the way

I loved that rag doll

But only now

my love has grown

And it gets stronger

In every way

And it gets deeper

Let me say

And it gets higher

Day by day

And do I love you

my, oh, my

Yeah, river deep

mountain high

Yeah, yeah, yeah

If I lost you would I cry

Oh, how I love you, baby

Baby, baby, baby

When you were a young boy

did you have a puppy

That always

followed you around

Well, I'm gonna be

as faithful as that puppy

No, I'll never let you down

'Cause it goes on and on

Like a river flows

And it gets bigger, baby

And heaven knows

And it gets sweeter, baby

As it grows

And do I love you

My, oh, my

Yeah, river deep

- Real good, Ann.

Mountain high

- Real good work.

- You really like it?

- Oh, yeah, it's out of sight now.

I ain't lyin' to you.

It's out of sight.

- Thanks, Ike.

- No, it's really out of sight.

Baby, baby, baby

Of course, that's #1 in Europe, and it's

movin' up the charts here in the U.S.

- You wanna turn that sh*t down?

- That's Tina Turner and "River Deep".

More of your favorites comin'

up so stay right where you are.

- Turn the music down?

- Hey, turn the music down.

- Just a minute.

- Hey. Hey there, Jackie.

- Fross.

- There's Anna Mae.

- Yeah.

- Look, what y'all... what y'all want?

- They got any beer?

Hell, no, they ain't got no beer, girl.

Don't y'all want some breakfast?

- Nah, I don't want any.

- No, none for me.

- Well, how y'all feelin'?

- I feel good.

She should feel good with

a hit song on her hands.

Yeah.

Could I have your

autograph, Miss Turner?

Mrs. Turner. That's a

married woman you talkin' to, boy.

So when are you gonna make

another single, Mrs. Turner?

Who knows, you know?

- There you go. All right. Bye-bye.

- Thanks. Thanks a lot. Bye.

Psst. What's up with your bullshit, man?

We're supposed to be celebratin', now.

Come on.

Yeah, we're supposed to

be celebrating, I guess.

Ike and Tina Turner Revue fixin'

to go on tour with the Rolling Stones.

- There you go. There you go.

- Yeah, we're gonna celebrate.

We're gonna celebrate. Hey!

Can we get some of that cake?

Matter of fact, bring

that whole cake over here.

Cake, cake.

- Yeah, let's have some cake.

- We need plates.

Come on. Bring us some plates.

Get rid of this here.

Yeah. All right.

Come on. Let's see here.

Don't that look good?

Come on, Anna Mae.

- I don't want any cake.

- Come on. Just a little piece.

- Come on, Ike.

- What's the matter, baby?

You high. You're embarrassing me.

I don't want no cake.

Come on now.

Open your mouth. See that?

White man ask her to open her mouth,

she sing all g*dd*mn day long.

I ask, you ain't gonna

say nothin'?

- Come on, now. I'm askin' you nice now.

- And I'm sayin' no nice.

Ike, come on. Come on. I...

You know you want some of this cake.

Come on, piece of cake.

- Piece of cake.

- Ike. Ike! sh*t!

Oh, so you done lost

your motherfuckin' mind.

No, Ike, Ike, Ike. Leave...

- No, leave her alone, Ike.

- Stop it! Stop it! Stop it!

- Come on! Come on, bitch!

- Sucker! f*ck you, you m*therf*cker!

- Come on. Get up. Come on.

- f*ck you, Ike!

I'm outta here, Ike! f*ck you, Ike.

I'm outta here.

I'm all right.

- You ain't gotta hit me but once!

- Jackie, it's all right.

It's not all right to let some

m*therf*cker pound on you!

If you had any sense,

you'd get out of here too.

If you had any sense, you'd

get the f*ck out of here.

Come on!

Kiss my ass!

You a dead woman if you stay here.

And don't let me catch you

around my house either!

Come on. Sit down,

eat some cake, Anna Mae.

What the f*ck y'all lookin' at?

Y'all just mind your

own g*dd*mn business.

Hey, somebody come in here

and clean this sh*t up, please!

g*dd*mn, Fross.

This cake good.

Anna Mae, come on.

This cake real good.

Anna Mae, just take

the cake, please.

Where you goin'?

To the bathroom.

Ike Junior.

Come on. Wake up.

Michael? Wake up. Come on. Hurry.

Go with your brother. Come on!

Hey, ma! Oh, it's so good

to hear your voice.

Oh, yeah, they're great.

Ma? I need to ask you

a huge favour.

Yeah, well, I need

to come stay with you.

Ma, why you wake us up?

Come here. Come here.

Hurry.

Yeah, well...

what?

- Can we have some breakfast?

- . Over there.

- When'd you talk to him?

- Ma, where's dad?

When he what?

Ike bought you a house?

Jesus. Jesus!

Ma? Ma, I'm comin' to see you,

all right? Put this on.

Ma? I'm gettin' on a bus.

Do me a favour, please, ma.

- Don't tell Ike. Please.

- Where we goin'?

All right, help me.

Hurry.

This little light of mine

I'm gonna let it shine

This little light of mine

I'm gonna let it shine

Hello.

Hello, Ike.

Okay. Sorry.

All right.

Ooohh.

- Doughnuts?

- Fifty cents.

Keep the change.

Thank you.

Here we go.

- Michael! How long do we have, sir?

- About five minutes.

Ike Junior!

Ike Junior and Craig!

No! Ike!

Don't get in the car!

Get outta the car!

Come on, boys! No!

I ain't got time for

this foolishness now, Ann.

You gonna get in or you

gonna stay here?

You're crazy!

You better get your ass in

this car, woman. You hear me?

Get outta the car!

I been lookin' all

over the place for you.

Don't nobody know where

you at. I'm callin' your mama.

Jackie don't know

where you're at.

Get in the car! You know, they... they

lock people up for kidnappin' their kids.

Get in the car.

Get in the car.

All right. Sorry to keep

you all waiting. Are you ready?

- Yeah!

- Come on!

We have a special, special treat.

For the first time in London...

the fantabulous duo,

Ike and Tina Turner!

You know...

every now and then, I think you might

like to hear something from us...

nice and easy.

But there's just one thing.

You see, we never, ever do nothin'...

nice and easy.

We always do it nice...

and rough.

But we'll take the beginning

of the song and do it...

easy.

But then we gonna

do the finish rough.

That's the way we do

Creedence Clearwater's...

"Proud Mary".

And we're rollin'

Rollin'

Rollin' on the river

Listen to the song now.

- Left a good job in the city

- Down in the city

Workin' for the man

every night and day

- And I never lost

- But I never lost

One minute of sleepin'

I was worried 'bout the way

the thing might have been

- You know the

- Big wheel keep on turnin'

Proud Mary keep on burnin'

- And we're rollin'

- Rollin'

- Rollin', yeah

- Rollin'

Rollin' on the river

Rollin' on the river

- Say we're rollin'

- Rollin'

- Rollin', yeah

- Rollin'

Rollin' on the river

Rollin' on the river

Oh, I left a good job

in the city

Workin' for the man

every night and day

And I never lost

one minute of sleepin'

Worryin' 'bout the way

things might have been

Big wheel keep on turnin'

- Proud Mary keep on burnin'

- Burnin'

Rollin', rollin'

Rollin' on the river

Rollin', rollin'

rollin' on the river

All right!

Oh, I cleaned a lot of plates

in Memphis, y'all

And I pumped a lot of tane

down in New Orleans

But I never saw

the good side of a city

Till I hitched a ride

on the riverboat queen

- Big wheel keep on turnin'

- Turnin'

- Proud Mary keep on burnin'

- Burnin'

We're rollin', rollin'

Rollin' on the river

Rollin', rollin'

Rollin' on the river

Yeah

All right

Whoo, yeah, yeah, yeah

yeah, yeah, yeah

If you come down

to the river

Oh, I bet you gonna find

some people who live

You don't have to worry

if you got no money

People on the river

are happy to give

- Big wheel keep on turnin'

- Turnin'

- Proud Mary keep on burnin'

- Burnin'

Rollin', rollin'

Rollin' on the river

Rollin', rollin'

We're rollin' on the river

Give up

Shake that tail feather!

Tina! Tina! Tina! Tina!

Tina! Tina! Tina! Tina!

Tina! Tina! Tina! Tina!

Tina! Tina! Tina! Tina!

Tina! Tina! Tina! Tina!

Tina! Tina! Tina! Tina!

A church house, gin house

School house, outhouse

On highway number 19

The people keep

the city clean

They call it Nutbush

Oh, Nutbush

They call it

Nutbush city limits

Nutbush City

g*dd*mn, Ann, what the f*ck

you doin' in there?

That ain't what you supposed to sing.

Now you know better than that.

You know you got to sing this m*therf*cker

the way I told you to, right?

g*dd*mn, Ann. How many

motherfuckin' times I got to tell you?

If you gonna sing the song, you got to sing

this m*therf*cker. You dig what I'm sayin'?

I wanna feel this motherfuckin'

song through my skin.

You got to get up. I want you

to get up from way in here.

You better put some stink

on this m*therf*cker.

You better sing this

m*therf*cker...

like your life depended on it,

you understand me?

All right. All right, all right. All right.

Come on, Ike. Come on. Come on.

Damn! How many motherfuckin'

times I got to tell the bitch?

A church house, gin house

School house, outhouse

On highway number 19

The people keep the city clean

They call it Nutbush

Oh, Nutbush

They call it

Nutbush city limit

Look, Ann, what the f*ck was that?

What's the problem here?

What, you done forgot the words?

Of course I can remember

the words, Ike. I wrote it!

Yeah, you wrote a motherfuckin' song,

and now you can't even

remember the g*dd*mn words?

- I mean, what the f*ck you doin'?

- Later, man.

Yeah, all right, now. Look, ain't

nobody gonna buy this m*therf*cker...

unless you sing this m*therf*cker

the way I know you can sing it, Ann.

I'm tryin' to help, Ike,

all right?

Tryin' to help Ike?

You tryin' to help Ike?

I ain't the m*therf*cker that need help?

You the one that needs some help!

What y'all think

about this song?

- Nah, nah.

- It ain't cool.

It ain't cool till I say it's cool.

This is Ike and Tina.

And you gonna sing

like I tell you to sing.

You gonna sing this m*therf*cker

till you get it right,

you understand me?

Come on, y'all.

We need some privacy.

- All right, come on.

- Get these people out of here.

- Come on. Get the f*ck out.

- Come on. Let's go.

- All y'all get the f*ck out.

- Come on.

Come on. We got to go

to work now. Come on.

Hey, hey, where the f*ck

you goin'? This ain't flour.

- Now get the f*ck out. sh*t.

- Come on.

Come on. Let's go, let's go.

Get the f*ck out of here.

See you tomorrow, girl.

All right.

No wonder can't nobody hear you.

Your g*dd*mn shirt too loud.

You need to give me them glasses

so I can look at that ugly m*therf*cker.

Hey, look here, um,

what you want me do?

- You want me to go?

- Oh, go on. I'm gonna work.

- All right, man. All right.

- All right. See you tomorrow.

- All right. Hey!

- Hey!

- Don't get none on ya.

- Hey, hey, all right now.

sh*t.

Ike, that's it for me,

honey. Come on.

No, it ain't.

Ike!

No!

No!

Oh, I like this one.

Darlene, look at this.

Darlene, you think

I could wear this?

Let me see that.

The mirrors. There are

too many mirrors on it.

- Oh, but it's black and it's sexy.

- They don't wanna see you...

Well, let's see that silver one.

Who wore this dress?

Honey, nobody could fit into it.

That's why we couldn't wear it.

Whoo-ooo! Girl, you know

I could wear this dress.

I could wear this dress.

We don't get paid...

if we not on time.

Polka dots?

No, not polka dots.

Well, I don't care

what y'all pick.

You just better pick

somethin' and hurry up.

- Make sure Ike get pa-paid.

- Anna? Anna, what is it?

Darlene! Darlene,

somethin' wrong with her!

- Anna, Anna, what'd you take?

- Outta here.

Oh, sh*t.

Ike. Ike. Ike!

Hold on to this.

Come on, Anna Mae.

Come on, baby.

You gonna make it now.

g*dd*mn, if you don't make it...

I k*ll you, hear me?

Hear me, bitch? If you don't

make it, I'll k*ll you.

Miss Turner? Sorry.

I know you said no visitors...

but your sister's here.

Just one minute.

Anna Mae Bullock?

Tina Turner.

I was afraid they wouldn't

let me in if I wasn't family.

- Jackie.

- Oh, little Ann.

Well, honey, this isn't a good way

to take a coffee break from Ike.

I got a sofa bed.

It's yours if you need it.

- I'll be all right.

- I just want you to know...

that I'm here.

I'm still your friend.

I love you, Anna Mae.

You take care of yourself,

little Ann.

- Hey. Psych.

- Horseshit.

Turner. Turner.

Oh, hey, Ann.

Mornin', Ike.

Feelin' all right?

Ike Junior?

Junior. Junior!

- Say hey to your mama.

- Hi, mama.

How you like the way we got

the place decked out for you?

Look here,

next time you gonna take some

time off, give a n*gg*r some notice.

I mean, g*dd*mn, we on the road.

You gonna f*ck around and,

and, and end up in a hospital.

For what? For nothin'.

You done run up this doctor bill. Cost me

a whole lot of money. You know that?

Look, we got,

some new material...

and I want you to get

together with the girls

and come up with some new routines.

We got...

we got wardrobe fittings.

We got,

what, 12 more cities

in a couple of weeks,

and we got to get

on the road next week.

Michael and Ronnie runnin' around here

like they done lost their mind.

Now you supposed

to be their mama.

I wish you'd get after them 'bout

that schoolwork and things. Now...

I hope you got you some rest,

'cause I'm gonna need you.

I'm gonna need you be on top of your

game, 'cause we got to go out here...

and do what we got

to do, all right?

- Sure, Ike. Sure.

- All right.

Good to see ya.

Just a minute!

Anna Mae!

Well, what a surprise.

Hello, Jackie.

I know it's not like me

to come by without callin', but...

I just really

felt like seein' you.

It's okay.

I'm glad ya did.

Oh! Well, come on in

and make yourself at home.

Well, this is...

this is a little different.

Yeah, I know.

Would you like some tea?

Yeah. Hey, why not?

- So how ya doin', Anna?

- Oh, you know, busy as ever.

Gettin' ready to go on tour.

Twelve cities.

- How are you doin'?

- Hey, you know me.

Once I'm on stage, I'm fine.

- And when you're not?

- Hey, all right now. See?

Now, ain't no such thing

as not bein' on stage.

You what... you ain't on stage,

you gettin' ready to go on stage?

Hey. Hey, bitch. Wait, wait, wait a minute,

m*therf*cker. What you doin'?

What, you...

you makin' fun of me?

Now you know, fine.

Fine your ass!

See that? Now, now, see, now that's

the sh*t there that I'm talkin' about.

Oh! Next time I just might not take your

motherfuckin' ass t-to the hospital.

Oh, I... Ike, I'm sorry, Ike.

Am... am I late for rehearsal?

Bitch! Bitch, you came here late. You gonna

owe me at the end of the week, g*dd*mn it.

Jackie! Jackie, what you doin'?

Jackie, what you doin'?

You gonna try that again?

You gonna try that again,

Jackie? Fine your ass.

Oh, Lord.

Oh, Anna.

Oh, Anna, I'm...

Oh, Anna, I'm...

no, I'm...

- No, I'm sorry. No, I'm sorry.

- No. No, Jackie.

Oh, Jackie, I just...

you know, I know what it's like to have

your own blood walk out on you.

And I just can't walk out.

I just...

I just can't walk out.

I just...

It's going to be okay.

Oh, it's gonna be okay.

Now listen.

It's gonna be okay.

Anna, come here.

Come here. Come on.

I want to share

something with you.

This is what you were doin'

when I came up?

Yeah, I was, and I'd really

like to finish it with you.

Okay.

Just follow me, Anna.

Say these words with me.

Jackie, what...

I don't know what...

I don't know what I'm sayin'.

It sounds...

I know. I know.

I know it.

It feels strange,

but it's chanting.

I'm a Buddhist now. And when you

chant, Anna, you can see things clearly.

It's like life's mirror.

And when you can

see yourself clearly...

you can change anything.

Come on. You wanna

try it with me?

Hey, Fross?

- Turn the music up.

- Turn it up?

- Hey. Oh, now, what you doin'?

- Come on, Ike.

I'm tryin' to get some sleep.

Careful with that chocolate bar.

Don't get it on your suit.

Hey, come on, Ann.

I'm tryin' to get...

Where you goin'?

Hey! Where you...

What's wrong? Hey.

Ann, you better come back over here

so I can get some sleep now.

Go straight to hell, Ike.

- Hey, Ann, where you goin'?

- Taxi!

Come on now.

Get in the car now.

- What you talkin' about taxi?

- I'm goin' shoppin'.

Look, you ain't goin' shoppin'.

You wanna go shoppin', I'll

have a man take you shoppin'.

Come on, Ike!

Woman, I tell you, get your ass in

this car. I ain't playin' with you now.

Hey, hey, call me when you're

ready to go to sound check.

Yeah, don't worry 'bout it now.

Make sure everybody be there

when they supposed to be there.

All right, all right.

What's wrong with you,

talkin' to me like that?

Don't. Leave me...

- What'd you say?

- Don't start with me.

- I ain't in the mood today, all right?

- You ain't in the mood?

Don't you ever talk to me

like that again!

You hear me?

You hear me?

I'm gonna make sure you don't ever talk

to me like that no more. Come here.

- No, Ike. No!

- Come here. Come here.

Show you somethin'. You gonna

talk to me like that again?

No!

Come here.

Come here.

Is that your best sh*t?

You can't do no better than that?

Come on. Come on!

Turner.

- Thank you.

- Can I call you a doctor?

Oh, man, don't nobody need

no damn doctor. Where the elevator at?

- Just around the corner.

- Come on.

Hey, Ann. Want you wake me up

a hour before the sound check, hear?

Anna Mae Bullock, you hear me?

You hear what I said?

You hear what I said, woman?

Sure, Ike.

Is there anything else

you want me to do for you, baby?

Go on in there and

clean yourself up.

Ike?

Miss Turner?

I need to speak

with your manager.

Yes, ma'am.

Right away. George.

I'm... I'm Tina Turner.

My husband and I

just had a fight.

I'm supposed to open

at the Academy tonight.

I have 36 cents

and a Mobil card...

but if you will

give me a room...

I swear I will pay you back.

No, no, no. That won't be necessary.

Now, miss Turner...

Take these.

I'd be honored, really.

W-we'll take care of you.

Thank you.

Nick. Let's give

Miss Turner a room.

Thank you.

Thank you.

Yeah, people keep askin' me 'bout where

my... where I'm hidin' my investments.

Only investments I got,

she done destroyed.

The Ike and Tina Turner

Revue, that was my investment.

Ike Junior! Ike Junior!

We couldn't play all the

dates I done booked.

People are mad at me

all over the country.

$750,000 she done cost me.

What I got left? I got, I got, I got...

I got some clothes.

I got some jewelry.

the rest I got tied up in investments.

I ain't got nothin' else.

Please instruct your client to remove

his sunglasses. This is a courtroom.

Well, ho... ha. Look, you ain't

got to instruct me to do nothin'.

Your honor, in order

to expedite this matter...

my client would like to

make an oral motion...

amending her petition for divorce,

revoking any financial claims.

I want you to be

very sure about this.

It means you're going to walk out

of here with absolutely nothing.

Except my name.

I'll give up all that other stuff,

but only if I get to keep my name.

I worked too hard for it,

your honor.

The name is mine. The name

got my daddy's blood on it.

Now she wanna go, she, she, she

can go wherever she wanna go,

but the name belong to me.

- Sir... Mr. Turner.

- No, no, no. Look here, now.

Hey, hey, hey, get your

hand off me, man. Now look.

Mr. Turner...

If she wanna go, she can go.

That's fine. She can go.

Sir.

But the name stays home.

The name stays home.

As Mrs. Turner has decided

to drop all claims...

I hereby grant her divorce on the

grounds of irreconcilable differences.

Mr. Turner will retain

all publishing rights...

royalties, all real property...

clothing, jewelry

and all other assets.

Mrs. Turner will retain

the use of her stage name.

We did it, mama.

We did it!

Anna Mae Bullock! See, you ain't

know that was her name. Hey!

That's all right. I'm gonna talk to her.

Yeah, you keep the name, Anna Mae.

You keep the name. But remember,

who gave it to you? I did! That's right!

- I gave it to her! What you gonna do?

- Come on, mom. Let's go.

You got four boys,

four grown boys.

Yeah, carry your country

ass back to Nutbush.

No, it's all right, man.

It's all right.

All right, sonny, okay. Come on, now. Let's

go. Ike Junior, come on. We goin' home now.

Ladies and gentlemen,

welcome to San Francisco...

and welcome to

the Fairmont Hotel.

...this marvellous truffle salad

and lovely chicken...

prepared especially for

your enjoyment this evening.

Oh, my God. Roger Davies came.

I would like, this evening,

to say hello to those of you...

who are participating in this

lovely venture here tonight.

I really want this manager

to sign me. I'm so nervous.

And we are very, very happy tonight

to have an old-time favorite.

- "Old-time"?

- Miss Tina, of Ike and Tina Turner Revue.

Go get 'em, grandma.

Whoo! You're burnin'.

We love you! Oh, baby! Whoo!

I don't want to see a show

if I have to pay extra.

It's included, sir.

Have a seat.

- Does it come with a drink?

- No, ma'am.

Nah, that's how they get ya.

Burn, baby, burn

- Yes

- Burn, baby, burn

- Burnin'

- To my surprise

One hundred stories high

People gettin' loose now

Gettin' down on the roof

I tell you

- We love you, honey!

Folks screamin'

Out of control

It was so entertainin'

When the boogie

starts to explode

I heard somebody say

Burn, baby, burn

- Disco inferno

- Burn, baby, burn

- Burn that mother down now

- Burn, baby, burn

- Disco inferno

- Burn, baby, burn

Oh, you see, Ike...

Ike was straight R & B.

You know?

My baby done left me...

took all my money,

cut up my clothes.

Oh, I'm standin' here naked.

I'm so sad.

But I ain't about the blues

anymore, you know?

- Well, what are you about?

- Rock and roll.

- Yeah?

- Yeah!

- Rock and roll.

- That's right.

I'm talkin' 'bout the energy

of it. Fun stuff, you know?

You hear it in the music

of, like, Bowie and Jagger.

You know? That's the stuff

I wanna do. You know?

Not that old sad-sack stuff

I used to do with Ike, and...

not this borin' stuff

I have to do for these hotels.

You know, rock and roll

is for young people. It's...

it's a very different audience

to what you'd be used to with Ike.

I just believe that

anything is possible.

You know? Anything. Now, it took me

a long time to get Ike out of my system.

And now that I've done that,

I'm ready.

I'm ready,

and I know what I want.

Tina, cheers.

To you.

- To us.

- To us.

- Oh, I'll see you tomorrow, noon. Yes!

- Noon? Where you goin'?

- No, you need to come in early.

- Hey, Tina...

between you and Roger, how do

you expect us to get any rest?

- Yeah, we'll both stay up till then.

- Oh, good night, fellas.

Hello, Anna Mae.

Hey, look, I... I just wanna talk to you,

now. Give me a few minutes of your time.

No. I don't think so, Ike.

Come on, Ann. Now hold on.

Look, I brung you somethin'.

I brung a... I brung

a gift for you.

Hold on. Look here.

You gonna like this.

Oh, yeah, you gonna like this.

Look here.

Come on. I brung 'em for you.

Now go on and take 'em.

- Thank you.

- You're welcome. Now I'm, I'm...

look, I just... I just need

to talk to you couple,

two, three minutes, all right?

All right?

I'm not gonna make it. I need

to talk to somebody. Please.

All right.

Two minutes.

All right.

Two minutes.

There you go. That's...

Okay. Okay, two minutes.

Two minutes.

g*dd*mn, girl!

You look good!

Thanks.

- What's that you got on? You smell good.

- Look, Ike...

- All right, all right, all right.

- What is this about?

Well, the record company

tryin' to put me in jail.

Talkin' 'bout I owe them all kind of

money, and, well, I got to do somethin'.

Well, you do, Ike.

I mean, you took a lot of advance money,

and you didn't make good on it.

Yeah, well, look here.

I know all that, but...

see, if I could just get me

another hit record, I'd be all right.

They'd get off my back, give me some slack.

You know what I'm talkin' about? Look...

I've been writing some songs.

Yeah, I have, and

I wrote this one song.

It's called...

g*dd*mn, I forgot the name of it.

Anyway, look, I wrote it for you.

And it's got... I mean,

it's a beautiful love song.

It's got that real nice, slow groove

everybody listen to now.

And, every time I hear it,

it remind me of us.

I got my own band now,

you know? I got my own songs.

But look here, that... a lot

of that stuff you doin' now,

there ain't nobody

gonna buy that.

I mean, maybe somebody buy it,

but it ain't like you and me.

I mean, when we was together,

our thing was like this here.

Look, I really gotta go.

Just, just hold on a second, will ya?

I got one more thing

I wanna say to you.

Look, I been doin'

a lot of thinkin', and...

Two minutes.

All right, now! I... look... I...

g*dd*mn it, I miss you, Ann.

I'm tired of this. This...

this done gone on long enough,

and I want you to come home now.

I know everything between us wasn't...

look, everybody got problems, Ann.

I'm tryin' to take care of mine,

and I gave up that narcotic. I'm just...

look, I'm tellin' you right here

and right now I'm gonna...

I'm gonna try and do right

by you this time.

Bye, Ike.

Bye? Wait a minute. I ain't

through talkin' to you yet now.

Think about this.

I made you.

You wasn't nothin' without me, and you

ain't gonna be nothin' without me.

You know, I was wonderin' when

old Ike Turner was gonna show up.

You get on. Do your La-Di-DA thing.

Go ahead.

Yeah, all right. Right on.

You ain't Donna Summers.

I'm gonna see you again, Ann.

g*dd*mn it, you done

broke my window.

Look what you done did, now.

You done messed up a nice automobile.

That's all right.

I'm gonna take care of it.

This sh*t ain't over, Anna Mae.

You can believe

this sh*t ain't over.

I'm a sole survivor

- Sole survivor

- Okay, well, it's very exciting.

We've booked the Ritz

in New York City.

One of the reasons for doing

the showcase at the Ritz...

is that, a lot of these people, a

lot of these doubters can come along...

and see how exciting this

new stuff really is and how...

how focused she really is

at the moment.

In Buddhism we do a chant

called "Nam myoho renge kyo"...

and what that signifies is that

everything in our life is cause and effect.

If there's anything within you that needs

to be changed, you do it. You change it.

Can Tina Turner really make

a comeback at age 44?

- Forty-three! Here.

- Thank you. Tell 'em to get it straight.

Who is it?

'Bout time he turned up.

Ike Junior, mother.

Hey.

What happened? Who

did this to you, Junior?

Father. He freaked out.

Kicked me out of the house.

Jackie? Come on in here.

Get me somethin' to clean

him up with, please.

Yeah, yeah, yeah. Fine.

- What happened?

- Turn that off. Please. Come on. Ronnie.

Listen, I don't want you goin'

back over there, all right?

I want you to stay with me.

Mama, there's somethin'

you should know.

I mean, he's been

sayin' crazy stuff.

I mean, anybody mention you or

the show at the Ritz, he just go nuts.

He go nuts. Said you ain't

gonna walk out on that stage.

- That man has got a hit out on you.

- Thank you, Jackie.

Listen, Junior, don't you think

about that, you hear me?

I'm sorry.

I know it hurts.

Mama, he wants to hurt you.

He's going to hurt you.

I don't know what he's gonna do.

Come here.

I'm sorry.

I know it hurts.

- Five minutes, miss Turner.

- Okay, thank you.

All right, now listen. I'm going

out the front. See you after the show.

Okay. All right.

Roger?

- Thanks.

- Good luck?

Yeah, come in.

Damn, who d*ed? You got enough

flowers in here for a funeral?

How'd you get in here, Ike?

What do you want?

Hey, it's a big night

for little Anna Mae.

I come to see the show

just like everybody else.

- How'd you get past security?

- Oh, come on, now.

You know me better than that.

Now look here, I told you.

I told you it wasn't over.

I told you you was gonna see me

again. Here I am, big and bold as sh*t.

Didn't even believe me. Thought

you was gonna get away from me.

Thought, thought, thought a n*gg*r like

me was gonna let you get away from me?

You can't get away

from me, Ann. I'm in here!

Now you gonna act like

you don't even know me.

Yeah, I know you, Ike.

I know you real well, all right?

All right, Ann.

You know me so well...

tell me what I'm gonna do now.

Come on.

I can't hear you.

You ain't got

all that mouth now.

Come on. Tell me. Talk to me, Ann.

I can't hear you.

That supposed to scare me?

Oh, yeah.

What you gonna do?

I don't know. Do what you

wanna do, Ike. I don't care.

Let me tell you

what I'm gonna do.

I got a room full of people who've

come to see me. You hear me, Ike?

Come to see me.

So what do you wanna do?

I don't know. sh**t me?

p*stol-whip me?

Here she is, in her first

solo performance at the Ritz.

Ladies and gentlemen,

Tina Turner!

You must understand

Though the touch

of your hand

Makes my pulse react

That it's only the thrill

Of boy meetin' girl

Opposites attract

It's physical

Only logical

You must try to ignore

That it means more than that

Oh, what's love got to do

Got to do with it

What's love but

a secondhand emotion

What's love got to do

Got to do with it

Who needs a heart when

a heart can be broken

It may seem to you

That I'm acting confused

When you're close to me

If I tend to look dazed

I read it someplace

I've got cause to be

There's a name for it

There's a phrase that fits

But whatever the reason

you do it for me

Oh, what's love got to do

Got to do with it

What's love but

a secondhand emotion

What's love got to do

got to do with it

Who needs a heart when

a heart can be broken

I've been taking on

a new direction

And I have to say

I've been thinkin' about

my own protection

It scares me to feel this way

Oh, what's love

Got to do, I said

got to do with it

What's love but

a secondhand emotion

What's love got to do

Got to do with it

Who needs a heart when

a heart can be broken

Got to do

got to do with it

- What's love?

- What's love

but a secondhand emotion

- What's love

- Got to do, I say got to do with it

Who needs a heart when

a heart can be broken

There's a pale moon in the sky

The kind you make

your wishes on

Like the light

in your eyes

The one I built

my dreams upon

It's not there any longer

Something happened somewhere

and we both know why

But me I'm gettin' stronger

We must stop pretending

I can't live this lie

I don't care

who's wrong or right

I don't really wanna

fight no more

Too much talkin', babe

Let's sleep on it tonight

I don't really wanna

fight no more

This is time for letting go

I hear a whisper in the air

That simply doesn't bother me

Boy, can't you see

that I don't care

Or are you looking

right through me

- It seems to me that lately

- Seems to me that lately

You look at me the wrong way

and I start to cry

- Could it be that maybe

- Could it be that maybe

This crazy situation

is the reason why

I don't care

who's wrong or right

I don't really wanna

fight no more

Too much talkin', babe

Don't care now who's to blame

I don't really wanna

fight no more

This is time for letting go

Hanging on to the past

It only stands in our way

We have to grow

for our love to last

But we just grew apart

Don't wanna hurt no more

But, baby, don't you know

No, I don't wanna hurt no more

Too much talkin', babe

Don't care now who's to blame

I don't really wanna

fight no more

Tired of all these games

I don't care

who's wrong or right

I don't really wanna

fight no more

This time I'm walkin', babe

So let's sleep on it tonight

I don't really wanna

fight no more

This is time for letting go
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