- Sarah?
- It's more dangerous out there than we imagined.
Sarah, you don't understand. If
you go out there, you will die.
ALICIA: These people are tired. Hungry.
We're getting desperate.
I'm going to give them what they want...
a safe place to live.
And that's how we get our army,
that's how we...
take the Tower from Strand.
Aah!
SAGE: Arno, look!
- How many do you think there are?
- ARNO: Too many.
If one of them gets out, none
of us are going anywhere.
We're gonna take the Tower
for ourselves.
LUCIANA: [SPEAKING SPANISH]
[CHUCKLES]
[SPEAKING SPANISH]
[SLURPS]
Hey. They're gonna leave without us.
♪ ♪
Daniel...
[CHUCKLES]
♪ ♪
♪ ♪
♪ ♪
Two-days hoofing it there and back.
We keep it lean and mean,
we might just be able to make it in one.
What exactly are we up
against out there?
D said a hundred dead
outside. Maybe more.
- No telling inside.
- My kind of party.
That makes two of us. [CHUCKLES]
How's he doing?
[SIGHS] Making progress.
It's slow, but steady.
Where are we going?
To help D recover that stash
of weapons he found.
I think it's probably best
if you stay here.
Over a hundred skinbags?
Might need the help, Momo.
Yeah, but we could use
the help here, too.
Could you keep working with Daniel,
see if you can push him some more?
But this is important.
We need the weapons to get in the Tower.
And we're gonna need Daniel
to get in there, too.
He knows how Victor thinks
better than any of us.
Is that why you think we're doing this?
So he can help us fight?
No. No, no.
It's just that he's gone up
against Victor
in ways that none of us have,
and this is about all of us making it,
so we got to do whatever we can
to make sure that that happens.
We got to use everything we got.
Luci. It's Daniel.
I was grabbing some
supplies from the pantry,
and when I got back from
the Mess Hall, he wasn't there.
He must've wandered
to the Sonar Room again.
I welded the door shut after
the last radiation leak.
He's not on the sub.
Front hatch was open, a suit was gone.
You go get the weapons. I'll find him.
- No, we'll all go.
- If we don't leave now,
we won't make it to Dwight before dark.
Morgan, I've got this.
Oh, no. You're not doing
this on your own.
Look, you both go.
If there's any trouble,
you send up a mayday.
♪ ♪
[BREATHING HEAVILY]
♪ ♪
♪ ♪
[SPEAKING SPANISH]
♪ ♪
[METAL CREAKING]
♪ ♪
♪ ♪
[WALKER GROWLING]
♪ ♪
[GRUNTING]
♪ ♪
♪ ♪
♪ ♪
♪ ♪
♪ ♪
LUCIANA: Daniel, is that you?
- Take your masks off.
- [g*nsh*t]
Daniel. [SPEAKING SPANISH]
What the hell?
♪ ♪
[CHUCKLES] I know who you are.
Oh, my God.
Hey, man, it's clean anyway.
[SPEAKING SPANISH]
[SPEAKING SPANISH]
[SPEAKING SPANISH]
No.
What's going on here?
You're confused, Daniel.
[CHUCKLES]
- Alright, come on. Let's just get you ba...
- Hey, don't touch me.
♪ ♪
♪ ♪
[SIGHS]
W-What did he say?
♪ ♪
Let's go back to the sub.
Come on.
Wait. Eaters.
The g*nsh*t must have drawn them.
Come on. Let's go.
♪ ♪
Hey, Luce, it's not the dead.
♪ ♪
- Run.
- No.
Boo.
♪ ♪
Time to take a little trip.
♪ ♪
♪ ♪
[WALKERS GROWLING IN DISTANCE]
[INDISTINCT CONVERSATIONS]
- Where are we?
- Keep quiet.
We wouldn't be here if you had let me
keep on looking for Ofelia.
If we're playing "wouldn't be here",
I think we have you b*at
with we wouldn't be here
if you'd have stayed in the damn sub.
[SPEAKING SPANISH]
[SPEAKING SPANISH]
He's not saying
what I think he's saying?
[SCOFFS] I'm not scared of these people.
What's scary is what
I'm gonna have to do to them.
[LAUGHS]
We're screwed.
Remove your gear and hang it up.
How do we know it's safe?
Test for yourself.
It's safe.
And we're lucky the wind hasn't
brought anything nasty this way,
and we'd like to keep it as such.
Remove your gear and hang it up.
Do you recognize these people?
From The Holding?
♪ ♪
They're the ones
who were following Teddy.
That's not gonna help us make friends.
♪ ♪
[WALKERS GROWLING]
Home sweet home.
♪ ♪
Inside, everyone.
Our guests aren't
as interesting as they look.
You all live here?
Thanks to Alicia.
That's two homes we've had
to abandon because of her.
We were there the first time.
- Wes.
- You don't have to remind me who you are.
♪ ♪
Why don't you use the walls
to keep the dead out?
We tried. They didn't hold.
At least this keeps the living away.
Victor Strand got one thing
right at that Tower.
♪ ♪
I'll talk to them one at a time.
What do you want from us?
I find these conversations
go better one-on-one.
[SPEAKING SPANISH]
[SPEAKING SPANISH]
Why don't you let us go?
Maybe we can help you
with whatever you need.
Not likely.
♪ ♪
Sage.
- Daniel.
- Don't move.
- You're gonna get us k*lled.
- Back away from him.
I said I'm going to go look
for my daughter,
and you're gonna let us out.
I said back away from him.
It's okay, Sage. I got this.
♪ ♪
I will k*ll you.
Go ahead.
Do it.
♪ ♪
[g*n CLICKS]
Ooh.
[LAUGHS]
You're out of b*ll*ts?
Hard to come by these days.
[SPEAKING SPANISH]
Shut up, old man.
See, empty clips, they work on people,
but the dead, they
don't scare so easily.
And they won't help us get that Tower.
♪ ♪
We heard radio chatter from the sub.
You really should stop
broadcasting your plans.
♪ ♪
We know you found a weapons cache,
but we don't know the coordinates.
And we're not gonna tell you.
Hmm.
Then you'll end up down there.
♪ ♪
The Abigail.
♪ ♪
Ofelia.
Quit daydreaming.
Save him for last.
♪ ♪
This one's first.
[WALKERS GROWLING]
[GRUNTS]
Daniel.
[SPEAKING SPANISH]
[SPEAKING SPANISH]
No, no, no, no, no, no.
No, no.
No, no, no, no, no. Daniel.
- Guard!
- Daniel.
This better be good.
I would like to speak
to the man in charge.
I have some information that he needs.
If you're playing another trick,
we'll throw you to the 'posters.
I don't play tricks
with my daughter's life.
Wait.
I need to come, too.
It's the only way this works.
His English is not as good
as it used to be.
You're gonna need me to translate.
[SPEAKING SPANISH]
[SPEAKING SPANISH]
No.
♪ ♪
♪ ♪
Hmm.
♪ ♪
♪ ♪
Alright, let's move. Both of you.
- No.
- Sí.
Daniel.
Daniel.
[WALKERS GROWLING]
What... What the hell are you doing?
Let me out of here! Let me out!
Whoa.
Where are the weapons?
Oh. I'm not telling you sh*t.
Alright, we'll see
if you change your mind
once you're, uh, down there with them.
Last chance.
I told you... I'm not telling you sh*t.
I'm not betraying my people.
What about Derek?
What about him?
You betrayed him.
Your brother found me,
brought me into the fold.
- So?
- S-So?
So he was my friend, and you k*lled him.
He was my brother. Okay?
I loved him.
But he k*lled a lot of my friends,
and he was gonna k*ll more.
Yeah, but you would've
been alive with us.
You obviously chose wrong.
But you have another choice right now.
♪ ♪
Answer the question... or die ugly.
[WHIRRING]
No. No.
Where are the weapons?!
♪ ♪
Like I said the first time...
I'm not telling you sh*t.
Alright. You know what?
I would've done this anyway.
♪ ♪
SAGE: Wait!
What the hell?
The old man wants to make a deal.
- Luce?
- I know.
[SCOFFS]
[WHIRRING]
Let him out, and then we talk.
In case you hadn't noticed,
we have the leverage here.
You think that's gonna work?
I know how to make people talk,
and I'm telling you,
that's not gonna do it.
It's worked so far.
You probably k*ll everybody
who gets in there.
You k*ll us,
you have nothing.
You really know where
the weapons are, old man?
I do.
[SPEAKING SPANISH]
What do you want in return?
My daughter.
Your daughter?
Ofelia.
Okay.
Where is she?
She's in that yacht. The Abigail.
[LAUGHS] Um...
Yeah, I'm afraid I don't know
what you're talking about.
Oh, but I think you do.
And I want my daughter back!
- SAGE: Can't we just throw him over?
- Wait. Wait!
♪ ♪
Let him go.
♪ ♪
You're right.
Maybe we do have your daughter.
♪ ♪
Well, now we can start talking.
Hey, don't do this.
He doesn't know where the weapons are.
He's having problems remembering
what's real and what isn't.
Daniel...
[SPEAKING SPANISH]
[SPEAKS SPANISH]
Oh, did you think that you
could get one over on me
by speaking Español?
I'm not trying to fool you.
It grounds him.
Grounds him.
[SPEAKING SPANISH]
[SPEAKING SPANISH]
What you're doing to him is not okay.
Consigning us to a life
like this... that's not okay.
I've seen a helluva lot
worse places than this.
You do know what's coming, don't you?
♪ ♪
Alicia and Morgan... they're
gonna get you all k*lled.
Bullshit.
Suit yourself.
What is it? What's coming?
♪ ♪
[SPEAKS SPANISH]
You know what's gonna happen
when he finds out you're lying, right?
I'm protecting my people.
The ones Alicia couldn't.
Daniel...
[SPEAKING SPANISH]
♪ ♪
♪ ♪
♪ ♪
Sage, send a patrol to check them out.
Wait.
♪ ♪
[SPEAKS SPANISH]
♪ ♪
Let him out.
Yeah, yeah. Get him out.
♪ ♪
It's your lucky day.
Hey, are you okay? You bit?
I'm f... I'm fine, alright? I'm fine.
- Hey.
- I would've d*ed
before I gave that assh*le
what he wanted.
[SPEAKS SPANISH]
- Daniel.
- What did you just say?
I said if you had d*ed
at the hand of that man,
you would have been a fool.
[SIGHS]
Okay, Daniel. You know what?
No. I'm sorry. You...
You can't keep using
whatever's going on in your head
as an excuse to hurt people.
I've always done what I needed to do.
No one's gonna get hurt.
[SPEAKS SPANISH]
Our people can get k*lled
if these people get there first.
- That's not gonna happen.
- How do you know?
Hmm?
Because I gave him
the wrong coordinates.
He just sent half of his people
miles in the wrong direction.
So they're just gonna k*ll us
when they get back, right?
We won't be here.
That assh*le sent half
of his patrol to the site.
It takes like hours
to get there and back.
So, there's half as many
guards here, hmm?
Right.
And without weapons, they can't stop us.
Where the hell did you get that?
I got it from that idiot when
he shoved me against the wall.
They're very badly
trained, these people.
Daniel, are you sure this is gonna work?
[SPEAKING SPANISH]
[CHUCKLES]
Um...
♪ ♪
♪ ♪
♪ ♪
[SPEAKING SPANISH]
♪ ♪
♪ ♪
And now... let's get
the hell off this boat.
♪ ♪
[POUNDING ON DOOR]
Guard! Guard!
Hey, we need help in here!
- What now?
- He collapsed.
I told you he wasn't doing well.
- Is he breathing?
- Don't just stand there.
- Come in and help us out.
- He's not breathing.
If he turns, it's on you.
Back up!
Is he even dead, lady?
Did you check his pulse?
♪ ♪
sh*t.
That's what you get for
calling me an old man.
Get up.
♪ ♪
Move.
♪ ♪
The Abigail. The yacht.
Take us there.
Your daughter's not here.
Where is she?
I don't know, but I'm
telling you, she's not here.
You're lying. Take us there.
We need to leave.
We are not going anywhere
without Ofelia.
You heard him. Take us to the yacht.
Move.
- What the hell?
- He won't leave unless he sees the truth.
Are we sure this is a good idea?
It's the only way he will understand
so we can get out of here.
Let's go.
♪ ♪
[WALKER GROWLING]
What was Arno talking about?
What's coming?
Answer her.
The dead. They're gathering
in one of the craters.
Where the warhead detonated?
There's bad stuff there.
The 'posters... they're
more dangerous now.
Yeah, but they're stuck in a crater.
Why is he so scared of them?
I-I don't know.
He doesn't tell me much.
He doesn't tell any of us much.
♪ ♪
[WALKERS GROWLING]
Where is she?
I told you... she's not here.
LUCIANA: Daniel. Daniel! Don't do this!
- Are you working for them now?
- No.
- She was never here.
- Arno said she was.
- Come on, man. Back off.
- Because he wanted to know where the weapons are.
You're all wrong. You're all liars.
That card was a message,
and Ofelia is on this boat.
- She's not.
- I swear.
We aren't exactly being quiet, guys.
Daniel, you need to accept the truth.
Ofelia d*ed in Mexico.
You told me you buried her yourself.
I'm sorry. She's gone.
♪ ♪
I'm looking for her to tell her who I am
and apologize for my lies.
I know.
That's what you wanted,
what you still want.
So much that your mind is
telling you that you can.
But you can't.
♪ ♪
Is that why I'm so confused?
Yes.
See? It wasn't my idea to lie to you.
I didn't know what
he was doing. I swear.
♪ ♪
You went along with it.
♪ ♪
A mind...
it's a very fragile thing.
Very easy to break.
Very hard to put back together.
Wes, I knew your brother.
Wait. Did he know
I was at the oil field?
[GURGLING]
WES: What the hell, man?
Daniel.
That wasn't your call.
You're better off not knowing
about your brother.
The truth about people
is always disappointing.
Trust me.
[WALKERS GROWLING]
[GRUNTS]
Hey. We gotta go.
♪ ♪
[SPEAKING SPANISH]
[SPEAKING SPANISH]
He's lost it, Luce.
He's gonna get us k*lled.
♪ ♪
♪ ♪
♪ ♪
Daniel.
Daniel.
Daniel!
♪ ♪
[WALKERS GROWLING]
[SIGHS]
- You okay?
- You find anything?
No. Nothing that will hold.
I'm sorry, Wes.
I know what you were hoping
he would tell you.
You don't.
See, I was hoping he would tell me
that Derek knew I was at t*nk Town.
That he launched the att*ck anyway.
Why?
'Cause I k*lled him.
And the only way I can live with that
and the only way I can
not wake up every morning
for the rest of my life
feeling like a piece of sh*t...
is if I knew he deserved to die.
♪ ♪
I don't think that's gonna
make you feel better.
♪ ♪
'Cause of Daniel, we won't know.
♪ ♪
[SIGHS]
Come on.
There's gotta be another
way off this thing.
♪ ♪
♪ ♪
That's the third one today.
They're building up at the east gate.
Draw 'em away and get
the body out of here.
Thank you, Sabrina.
[WALKERS GROWLING]
[SIGHS]
Boo.
[CHUCKLES]
Move.
♪ ♪
[GRUNTS]
No, no!
You're making a mistake. No!
Your mistake was lying to me.
You would do anything
to protect your daughter!
I was doing the same
to protect my people!
They are not your family.
♪ ♪
[WHIRRING]
No. No, no! No!
Don't do this!
[SPEAKING SPANISH]
I meant to tell you,
your Spanish is very good.
No! No! Your daughter,
wherever she is, she's
better off without you!
[SCREAMING]
Oh, no! No!
No! No!
[SCREAMING]
[SCREAMING]
♪ ♪
LUCIANA: Daniel, what are you doing?!
[SCREAMING]
Did you hear what he said to me?
You made me do this!
- Wes.
- I'm already on it.
[WHIRRING]
♪ ♪
♪ ♪
Hey.
Hey.
There's no new beginning.
They're all gonna die because of you.
Who's gonna die?
The people Alicia was
supposed to take care of.
The ones I prom-promised...
[WALKERS GROWLING]
The ones I...
The ones I promised...
Hey, listen to me.
Listen to me!
I'll make sure they're okay. I promise.
But you have to tell me what's coming.
So I can help them.
[GASPING]
The dead in the pit, they're...
they're escaping.
Someone...
Someone's letting them out.
You can't touch them.
You can't even go near them.
You... You...
You have to... have to get
everybody to the Tower.
There's... There's nowhere else...
There's... nowhere else...
nowhere else...
♪ ♪
♪ ♪
♪ ♪
[GRUNTS]
♪ ♪
He... He said that Ofelia was alive.
He lied to me.
I know, Daniel.
Look, I wouldn't lose sleep
over that assh*le.
He tried to do the same to me.
[SIGHS]
This is the second time
I almost got you k*lled.
You should leave me here.
No.
What you did here...
I understand why you did it.
But he manipulated you.
That's why you still need my help.
No one knows my real background,
that part of my life that
Ofelia never understood
and I could not explain to her.
But you do.
You've seen it.
And you're still here. Why?
We all make mistakes.
♪ ♪
[SPEAKING SPANISH]
♪ ♪
[SPEAKING SPANISH]
♪ ♪
WES: Hey, Luce.
Yeah?
What are we gonna do about
everybody that lives here?
♪ ♪
I don't know.
What are we gonna do about them?
You heard what he said.
Can't touch them.
Can't get near them.
[SIGHS]
We need to leave now.
All of us.
[WALKERS GROWLING]
♪ ♪
♪ ♪
LUCIANA: I know we've been enemies.
I know some of you hurt
people we cared about.
And we did the same to you.
We all need to escape the dead,
escape this land.
We need each other now more than ever.
We need to fight Victor Strand
and take his Tower,
and only then, we will have a new life,
a new beginning.
Together.
Who's with us?
♪ ♪
It's what Teddy would've wanted.
- Yeah.
- Yeah.
WES: You really think we can trust them?
I mean, we k*lled their leader.
These are the people
Alicia wanted to join us.
- And she couldn't convince them.
- She couldn't convince Arno.
None of that will matter
once they realize
you cannot deliver what
you just promised them.
That's not true.
We can take Strand's Tower
with their help.
They couldn't get it when
they had a nuclear warhead.
Because they didn't
have something we do.
Someone who knows what Victor
is thinking before he does.
You, Daniel.
You can get us there.
- Me?
- Yes.
[CHUCKLES]
I can't even get simple things straight.
I lost my cat before
this damn mess began.
I almost got us k*lled
when I left the submarine.
You freed us from that prison,
made it to the yacht.
How do you think you did that, Daniel?
Ofelia.
When I was trying to get her,
suddenly, everything became clear.
My daughter gave me focus. That's why.
♪ ♪
WES: Hey, Luci.
♪ ♪
You're not thinking
what I think you are.
♪ ♪
All of these people
and everyone back at the sub
are depending on us
to make it to the Tower.
- Right, we'll find a way.
- This is the only way.
Strand outsmarted everyone else so far.
Luciana...
If Daniel's out there any longer,
he's gonna get himself k*lled.
[SCOFFS] You gotta be kidding me.
Wes, please.
No, I-I-I can't, Luce.
Wes.
♪ ♪
Wes.
♪ ♪
What's wrong with him?
♪ ♪
♪ ♪
Arno told me something before he d*ed.
What?
♪ ♪
[SIGHS]
Ofelia's alive and he
told me where she is.
♪ ♪
You told me she was dead.
I know, because that's what I thought.
But he knew where she was.
Where?
Strand has her in the Tower.
♪ ♪
Why didn't you tell me before?
Because I was afraid that
you would go there alone
and get yourself k*lled
trying to get in.
And why are you telling me now?
♪ ♪
♪ ♪
Because of what you did here, Daniel.
If knowing Ofelia's alive
gives you clarity,
then you can lead all these people
and take the Tower from Strand.
♪ ♪
I want to believe this,
but my mind is not clear.
[SIGHS]
You must be certain, Luciana.
♪ ♪
Because if you're wrong,
if this is not true,
if this is another lie,
it could break me for good.
♪ ♪
Are you sure?
♪ ♪
It is true, Daniel.
♪ ♪
Then we'll get in the Tower.
Mm-hmm.
And Ofelia, you, and me,
we'll be together, always.
♪ ♪
- Right?
- Yeah.
♪ ♪
They're ready to go.
Let's head out.
[SIGHS]
You know, Derek and I...
we had this thing we used
to say to each other...
people are people.
- What does that mean?
- It means people suck.
You know, Strand and Alicia
tried to make me see things
differently when they found me.
And they did, for a little while.
But, I mean, look at them now.
They're at each other's throats.
And Morgan [SCOFFS]
man, he hasn't done much better.
But what you were doing for Daniel...
I don't know, that made me
want to believe that,
you know, people weren't always people.
I might've been wrong.
There might just be some kind
of hope left for all of us.
- Wes...
- No.
Let me finish.
What you just did is proof
that y'all are no better
than the rest of us.
I'm sorry, Wes. That's not what this is.
- Well, take this.
- What?
So you can get everybody to the sub.
- Why?
- I'm not going with you.
Wes, don't do this.
Good luck, Luci.
Where are you gonna go?
I don't know.
But what I do know is
I can't be around somebody
pretending to be something
that they're not.
♪ ♪
And Daniel, he's confused.
And he's not right,
but he can't help it.
♪ ♪
But you...
you know exactly what you're doing.
♪ ♪
What happened?
Where is he going now?
Should we go after him?
No.
I don't think he will change his mind.
♪ ♪
That's a lot of heat. [CHUCKLES]
Yeah. Just glad it worked out.
MORGAN: It more than worked out.
This could make all the difference.
Yeah. Yeah, it's a start, for sure.
Let's take an inventory.
Now we just need, uh,
soldiers to carry 'em.
[SIGHS] Luci's back.
- Hey.
- With Daniel?
Did she find him?
Not just Daniel.
Arno's people.
They want to help us.
Hey.
No Wes?
He's not coming, Morgan.
But he's okay?
I hope so.
I think he needs some time.
♪ ♪
You found the weapons.
It's okay.
Yes, we did.
Well, now, all we need
to do is start planning
how to overthrow Victor Strand.
♪ ♪
♪ ♪
♪ ♪
I need to talk to Victor.
MAN: Who is this?
Tell him it's Wes.
Tell him I want to make a deal.
Why would he want to
make a deal with you?
♪ ♪
Because I can help save his Tower.
STRAND: What do you mean, she's missing?
Infants don't just vanish into thin air.
- She wasn't in her crib.
- I will find her.
I told you I needed
the right opportunity.
I think I just found it.
Come in.
Of course I'd be
the first person he'd suspect.
[WALKERS GROWLING]
What makes you think
Victor won't change you?
You said you believed in this place.
Show me.
[WALKERS GROWLING]
- WOMAN: [SCREAMS]
- [LAUGHING]
♪ ♪
[CHUCKLES]
CHAMBLISS: Daniel is still
very much suffering from
the memory loss that he's
been experiencing due to
the post traumatic stress of
everything that's gone on
with him in the apocalypse.
And one of the things
that often happens is that
the past can, in many ways,
seem more real than the present.
And it felt like there being
a small trigger like seeing
something that put him in the
mind space of when he was with
his daughter, something like the
memory card with the boat on it.
So that really is kind of
the present state of mind
he's living in, even though
it doesn't really logically
make sense with the reality around him.
But that kind of inner drive
to fix that thing
he didn't get to do before his
daughter d*ed is something
that drives him out into this
very inhospitable world.
[WALKER GROWLING]
[GROANS]
Ah!
The thing that's driving Daniel
is so important to him
that he's willing to fight
through everything out there
to try to get the chance
to find Ofelia again.
He's not saying what
I think he's saying?
[SCOFFS]
One of the things that we
see happen with Daniel
in this episode is that many of
these skills that he gained
very early in his life,
his skills as a soldier,
his skills in spy craft, there's
kind of a muscle memory there.
And again, it's the past that's
much more easily accessible,
so those are the things that are
kind of at his fingertips,
those reflexes that just kick in.
- Daniel.
- Don't move.
- You're gonna get us k*lled.
- Back away from him.
I said I'm going to go look
for my daughter,
and you're gonna let us out.
CHAMBLISS: It's almost like his
super powers are activated,
but they're activated in such
a way that he is using them for
a mission that can't be completed,
and it kind of puts him this
very dangerous place.
Go ahead.
Do it.
[g*n CLICKS]
Ooh.
- [LAUGHS]
- Luciana and Wes
go back and forth between
being both very impressed by
what Daniel is capable of,
but at the same time
very worried about it.
You can't keep using
whatever's going on in your head
as an excuse to hurt people.
I've always done what I needed to do.
No one's gonna get hurt.
And as we see over
the course of the episode,
he just keeps getting
them into, you know,
deeper and deeper trouble,
and it does feel like
he is going to get all of them k*lled.
Where is she?
I told you. She's not here.
All because he has this belief
that his daughter
is being held prisoner on
a boat on the other side
of the graveyard and really
setting the question
for Luciana, which is, how
could you channel this into
an effective way of combating
Arno and his people
and then help Daniel become
an effective ally
in taking down Strand.
You have another choice right now.
Answer the question...
or die ugly.
CHAMBLISS: Arno is
an interesting character
because if we think about
his kind of back story,
he was a true believer in Teddy,
and despite, you know,
how crazy Teddy was and
the fact that he brought about
a second apocalypse in the
middle of the zombie apocalypse,
in his own twisted way, he did
think this was the best way
forward for his survivors.
He did care about them a lot,
and Arno I think really wants
to protect all the people
under his care.
She's the one we've been waiting for.
That's gonna lead us
to our new beginning.
I'm not living with psychos anyway.
He, in many ways, wants to do
what Teddy thought Alicia
could do, which was
take care of everyone.
And from Arno's point of view,
Alicia failed them all.
So he's stepping in to do that.
There's no new beginning.
They're all gonna die because of you.
Who's gonna die?
The people Alicia was
supposed to take care of.
He wants to do right by
all of the Stalkers
just as badly as Luciana
and Daniel and Wes
want to help everyone on the submarine.
Luciana is faced with this
really hard choice,
and she spent the entire episode
really being angry that
Arno is manipulating Daniel.
And she ultimately makes
the very tough call that
in order to save Daniel
and save everyone else,
she may have to sacrifice
the thing that she just gained,
the thing that means so much to her,
and that's her relationship with Daniel.
Ofelia's alive and he
told me where she is.
Strand has her in the tower.
She tells him this lie that is
a very painful thing to watch
because we know the truth.
In Luciana's mind, she is thinking about
the long game here.
And I'm not just talking
practically in terms of
who is in the tower and who is not,
but I think in her mind,
she thinks if she can get
everyone into the tower,
if Daniel can live
in a place like that, then she
can repair the relationship
and they can rebuild.
Derek and I... we had this thing
we used to say to each other...
people are people.
- What does that mean?
- It means people suck.
When Luciana makes the
decision to lie to Daniel,
it really is the last straw.
It's the thing that makes Wes say, like,
"Wait a second, everything that
everyone's been telling me..."
he now thinks that's
all just hypocritical lies.
What you just did is proof
that y'all are no better
than the rest of us.
I'm sorry, Wes. That's not what this is.
- Well, take this.
- What?
So you can get everybody to the sub.
- Why?
- I'm not going with you.
Wes, don't do this.
And he's essentially in this
place where he's saying,
"You know what, I've had enough of this.
I would rather be with
someone who is at least
owning what they do".
And ultimately, that drives
him to the call box.
I need to talk to Victor.
MAN: Who is this?
Tell him it's Wes.
Tell him I want to make a deal.
♪ ♪
♪ ♪
♪ ♪
07x11 - Ofelia
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"Fear the Walking Dead" is a spin-off and a prequel to the "The Walking Dead", set in Los Angeles, following new characters as they face the beginning of the end of the world.
"Fear the Walking Dead" is a spin-off and a prequel to the "The Walking Dead", set in Los Angeles, following new characters as they face the beginning of the end of the world.