07x24 - Valez

Episode transcripts for the TV show "Dynasty". Aired: January 12, 1981 – May 11, 1989.*

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Follows the gloriously over-the-top trials and tribulations of the fabulously wealthy and none-to-nice Carrington and Colby clans.
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07x24 - Valez

Post by bunniefuu »

Where is she?
Where is Raggedy Ann?

Where's my dolly?
I can't find my dolly anywhere.

Is this the doll you were looking for?
Is this your Raggedy Ann?

She's my favourite
and she's very happy.

Oh. Is that a secret?
Or you want to tell me why?

She likes it when you play with us.

Oh. And I like being
with both of you too.

Don't go, Sarah.

One day soon I'll have to go.

Nut you've got your mommy and
daddy, who love you very, very much.

- Don't you love me?
- Oh, of course I do.

We'll always be friends.

From time to time,
we'll visit each other.

I'll come to Colorado
and you can go to Wyoming.

With Raggedy Ann, of course.

It will be fun. It will be lots of fun.
Mm.

KRlSTlNA: Oh, I can't wait.
SARAH: Yes, my darling.

Now, what game do you want to play
with Raggedy Ann?

You see, darling? Sarah realises
she can't stay with us forever.

Yes. It's reassuring
to hear her talk like that.

- She just needed a little time.
- Yes.

It looks that way.
I'm glad I was wrong.

- Good morning.
- Morning.

How long have you been awake?

Most of the night.

Is something wrong?

Yeah.

We are wrong.

- What are you talking about?
- I'm talking about us.

About me.

Last night.

Nut, Steven, we made love last night.

- I wasn't pretending. Were you?
- It's not a matter of pretending.

Then what is it?

Oh, Sammy Jo,

you think because we make love
that everything's fine.

You think I've changed, but I haven't.

- I can't.
- I'm not asking you to change.

No, but that's what you're hoping for.
And it's wrong.

It's wrong for me. It's wrong for you.

It's not wrong for me.

I love you and I love being with you
and holding you.

People change, Steven.

Part of me is never going to change,
Sammy Jo.

Don't you understand that?
I can't be the kind of man

you want me to be
and I can't lie to myself about it.

Then what do you want?

I don't know.

But it can't be this.

What are we going to do?

[SOBBlNG]

[SlGHS]

I wish I knew.

I'm sorry.

Thank you, thank you very much,
ladies and gentlemen.

You've been most kind
and most interesting.

I hope I said good things.
Thank you.

Why don't you give me your profile?
It's your best side.

DlRK: Thank you. One second, Alexis.
We're almost through. Thank you.

Thank you very much.

Come, sit down.

You see what happens
when you become the new cover story

on World Finance Magazine?

- Mm-hm.
- No, thank you.

- How did you find out?
- Hmm, my sources.

Tell me something, Alexis.
Is there anything you don't know?

No. If there is, it's not worth
knowing anyway.

You're as sure of yourself
as you are beautiful.

Come now, Dirk. You didn't invite me
here just to flatter me.

Well, then you must know
why I called you.

Well, of course. Trouville lndustries.

- Right again.
- Oh, I know how you operate.

That company has been mismanaged
and has been operating in the red.

- And you want to take it over.
- No, Alexis. I'm going to take it over.

And you're going to join me,
be my partner.

No, no, no thank you very much.

Taking over companies
is not my style.

You don't seem to understand.

We have an obligation
to the stockholders

to cut away all the deadwood, the fat.

The perks.

"No more taking the company jet
for vacations.

Take the bus, boys, not the limo."
Like that.

Exactly like that.

You know, I don't really think you care
about those stockholders at all.

Then what do you think I'm after?

Power. Like everyone else.

Well, as the man once said,
"Power and sex.

- What else is there?"
- There's love.

And power and sex
can never replace that.

Alexis.

Hello, Dex.

DlRK:
I'd ask you to join us, Mr. Dexter,

but I'm sure our conversation
would be over your head.

Whatever you have to say, like Alexis,
I've heard it all before.

Excuse me.

Mr. Sheffield called down?
Thank you.

So that's the love
that can't be replaced.

- What the hell are you doing here?
- I need to talk to you.

About what?

That private eye you had following me
last night?

- What?
- McVane, call off your detective.

Detective?

Ha, ha.
I don't have to have you followed.

I can always find you.

At the nearest bar.

Then who is it?

I wouldn't know.

The next time you see him,
why don't you ask him?

Nut right now
I want to discuss Maurier.

He wants something from your mother
and I want to know what that is.

Remember, that's our agreement.

Agreements have been known to be,
what's the word,

- rescinded?
- Yes.

Nut the problem is, in this case,
the word will get out

that Adam Carrington
is not Adam Carrington.

Just remember that, Mr. Torrance.

You really are a pig, McVane.

And you're a pathetic fraud.

Now, I want that information.
Is that understood?

I asked you a question.
Is that understood?

Yes.

That's understood.

Good.

That's good.

[ELEVATOR BELL DlNGS]

And I want it quickly.

How come you're here?

I'm here to pick up some papers
from Mrs. Gorham.

Ah. The Gorham deal.

You could call it that.

You could also say that this is
the morning shift, and you're on duty.

- Do I know what that means?
- Oh, I think so.

Someone was following me last night
and now here you are.

That's more than a coincidence,
Dana.

Adam, please. What is going on?
Are you ever going to level with me?

Are you ever going
to leave me alone?

To be seen with a man
like Neal McVane, a convicted felon,

a disgraced congressman?
Clearly something is going on.

I am not following you, no.
Nut maybe somebody should.

[SlGHS]

Which hand is it in?

This one. Ahem.

No, it must be that one.

That's me and Valez.

Mommy took it.

That's really nice.

- Listen, Danny.
- Yes?

When we moved here, I thought
that it would be best for all of us.

It is, Daddy. It's great.

No, it's not.

Your mommy and l

tried to live together once
and it didn't work.

Nut you and Mommy
love each other.

Yes, we do.

But it's not that simple.

[SlGHS]

I have to--

I have to leave.

You can't leave, Daddy.

I can't explain this to you now,

but you just have to know
that I love you

and your mommy loves you.

Did I do something wrong?
I promise I'll never do it again.

No, Danny,
you didn't do anything wrong.

Come here.
You didn't do anything wrong.

It's not you. It's Mommy and me.

- I love you.
- No, you don't. You hate me.

[DANNY CRYlNG]

Come here, Danny.
Come on, sweetheart. Come here.

Oh.

Do we have to do this, Steven?
To each other? And to Danny?

Oh. Thanks.

He was really crying.

He's been so happy
these past few weeks,

and then to see the tears,
to know it was my fault.

Well, you said
what you felt you had to say.

I should have thought it through.

I shouldn't have gone back
with Sammy Jo.

- I only made things worse.
- No.

No, you wanted to be a family again.

You've always needed that, Steven.

Neen a strong part of you.

I must confess to you that I wanted
you all to be a family again

every bit as much as you did.

I'm worried about Danny.

Oh, he'll understand one day,
I know he will.

You two love each other as we do.

I want you to know, son,
no matter what happens,

I'll always love you.

[CLlCKlNG]

Don't tell the others.

What?
That Raggedy Ann's your favourite?

Yes.

Why?

I don't want them to be sad.

- You know something?
- What?

You have such a wonderful
little heart.

I like my heart.

I do too.

I always did.

- I'm a little late. I'm sorry.
- That's all right, Adam.

I know what traffic is
this time of day.

Would you like something
to begin with?

No, thank you.

Tell you what, why don't you give us
a couple of minutes

and then we'll order, Jack.

All right, now. What is this?
What is this about your mother?

Well, she's about to have some
business dealings with Dirk Maurier.

Father, you know
the man's a corporate crook.

- And he's manipulating her.
- Well, she can handle him.

She's a smart woman.

Your mother can play hardball
with the big boys anytime.

Right now she's very much alone
and she's vulnerable.

Somebody's got to stop her.
And she'll listen to you.

[SlGHS]

All right.

These business dealings with Maurier,
what are they?

What are the specifics?

Look, I can't help her
if I don't know what's going on.

- I realise that.
- Aren't you going to tell me?

- I can't. I'm sorry.
- You can't, or you won't?

- Which is it?
- Oh, forget I ever brought it up.

I'm sure you're right.
She can handle herself.

What is it, Adam?

There's more to this than
just being worried about your mother,

isn't there?

- lsn't there?
- No.

Well, damn it. Are you going to be
honest with me?

Then I'll be honest with you.

I've been so concerned about you,
I hired a private detective.

What?

That man who's been following me.
You hired him?

With good reason.
The way you've been behaving,

I've been concerned about you.

We all have been concerned
about you.

What else about me
have you been investigating?

Adam.

Is this what the Carringtons
are all about?

Father, I thought we were a family.

A family who trusted each other.

Oh, my God, was I wrong.

[KNOCKlNG ON DOOR]

Come in.

- Mrs. Colby.
- Yes, Jay?

Mr. Dexter is here.

Tell him in future that
he has to call for an appointment.

- Yes, Mrs. Colby.
- Jay.

Tell him he can come in.

Alexis, l, uh-- I haven't wanted
to get involved, but I have to.

Don't tell me. Let me guess.

You want to warn me
about something.

Not something. Someone.

Oh, another Dex Dexter mission
of mercy?

Call it anything, but somebody's got to
get you to listen.

- Listen to what?
- It's about Maurier.

- Ugh.
- Alexis, spare me the raised eyebrows.

I've dealt with the man.
I've got the scars to prove it.

Oh?

[SlGHS]

He suckered me into a deal once
and I lost.

I was lucky
I was able to climb back up.

But there were silent partners,

each with an investment
of $ , .

And they lost every cent of it.

Well, that's what happens
when you invest.

- You risk, and sometimes you lose.
- Nut we all invested in nothing.

Maurier's deal wasn't worth the paper
is was written on.

Do you have any proof of that?

No, he was too clever for that.

- Nut that doesn't--
- Don't bother to go on. All right?

You consistently warn me about
everyone I've ever done business with:

Michael Culhane, Nen Carrington,
even Nlake.

Nut I have always beaten them
at their own game.

- Alexis, listen--
- No, no. You listen to me.

Necause the only person you didn't
warn me about was you, Dex Dexter.

And you're the one
who really deceived me.

This is the door. Use it.

You know something, Alexis?

I should be one happy guy,

because I know
Maurier's gonna sock it to you.

I should be,

but I'm not.

I like my hair like this.

It reminds me when I use to--

I like it too.

You know, Kristina,

my daughter, Jackie, use to love
to wear her hair just like that.

Is Jackie coming back? Ever?

I hope so, darling.
As soon as she's all better.

- I miss Jackie.
- Do you?

Well, I will tell her that
the next time I see her.

Has anybody seen Kristina?

- I'm right here, Mommy.
KRYSTLE: Of course.

I didn't recognise you.

I hope you don't mind, Krystle.

No. Of course not.
She looks wonderful.

Did you thank Sarah?

- Thank you. I like it a lot.
- Thank you, sweetheart.

Now, we can save a lot of time
and money by tunnelling through here.

- Are you paying attention?
- Total.

Ha, ha.
You didn't hear a word I said.

Ha, ha. I'm sorry.

I was just thinking how much
my mother would have liked you.

I'm sorry the two of you never met.

So am l.
I'm sure she was very special.

Oh, she was.

I could talk to her about anything.

You know, the two of us use to
set aside a special time every day

where we would just talk

about whatever came to mind.

She had a great laugh.

God, I miss her.

It's strange, isn't it?
How much we have in common.

Losing our mothers, and both of us
missing them so much.

- What was your mother's name?
- Ha, ha.

- Melissa.
- Melissa.

Do you look like her?

Quite a bit.
At least that's what everyone says.

Do you dream about her?

Yes, I do.

Yeah, I dream about mine too.

First, I'm a kid

and I'm on a baseball field
with my father

and I drop the ball
and he starts screaming at me.

Nut my mom saves the day with
a mitt big enough to catch a football in.

Ha, ha. And then...

And then what?

Then I see her

walking along this dark road,

and this car is coming
around a corner,

and I scream, "Mom, watch out.

Watch out."

But she doesn't hear me. Damn.

- It shouldn't have been...
- Shouldn't have been what, Clay?

It shouldn't have been my mother
that d*ed in that accident.

- It should have been my father.
- Oh, Clay.

I don't know why
she stayed married to him.

- Maybe she loved him.
- Love Buck Fallmont?

Come on, you've met him.

Look at me.

I don't care about Buck Fallmont.

Nut I am beginning to care
a great deal about his son.

[GROANS]

I'm surprised you called me, Alexis.

This morning you told me you had
no interest in the Trouville proposal.

Well, this morning I didn't. Now I do.

Hmm.

So, what changed your mind?

Not what. Who. I changed my mind.

- All right, Dirk. Count me in.
- Done.

I want copies of profits and income
on my desk by tomorrow morning.

Not on your desk, Alexis.
In your hands. This is all confidential.

Ha, ha. You mean,
for my eyes only?

When we talk, it's in person,
not over the phone.

And you don't make copies
of anything.

I'm not your student, Dirk.
I'm your partner.

And I don't need lessons in security
from you.

- I wasn't suggesting you did.
- Good.

Just understand one thing,
I don't take orders from anyone.

Trouville lndustries is part of us now.

- Agreed?
- How could I disagree with you?

See that you don't.

DOMlNlQUE:
Sarah?

Sarah?

The dress she made for Kristina
is a duplicate of her daughter's.

She not only dressed Kristina
to look like Cathy,

now the same hair style.
Krystle, what is going on?

I'm not sure

- but I think I'd better talk to her.
- Nut what can you say?

Suppose she doesn't even realise
what she's doing?

I don't know what I'm going to say.

Nlake could be right.

Sarah being around Kristina, maybe
it has caused more harm than good.

How do you say that to someone
who saved your daughter's life?

What do you mean? I'm all right.
Of course I'm all right.

Well, I'm glad to hear that.

I wonder what
Adam was talking about?

- Did he send you here?
- Mm-hm.

I tell you, I think something
is bothering the boy.

That's really why I'm here.

- Something is very, very wrong.
- I know.

Nut he's always been moody
and unpredictable.

Well, I'm afraid it's more than that.

Which is why I hired someone
to watch him.

Hired someone?

Mm-hm.

A private detective.
Just to keep an eye on him.

My God. Blake.

What do you think
is happening with him?

I wish I knew.

Nut a private detective?
What if he finds out?

He knows now.

And he's furious.

Nut he is our son.
And right now he needs our help.

Something tells me
he needs it desperately.

Sarah, I was wondering if
I could talk to you.

Oh, Krystle.
I didn't even hear you come in.

I didn't want to disturb you,
but your door was open.

Oh, I was just, um...

I was just thinking how peaceful
it is here. You know. Green.

Different from the ranch
that can be so barren.

Sarah, I want to talk to you
about you and Kristina.

Oh?

This is hard for me to say.

You think it's time for me to leave.

Don't feel uncomfortable, Krystle.

I'm glad you're here.
I've something to say to you too.

I think it's time for me to leave.

To get on with my life,

and let you get on with yours.

Thank you for everything,

being a friend.

I'll be leaving tomorrow.

And if you ever need anything,
you just have to let us know.

I'll be fine.

Don't worry. I'll be just fine.

Clay, what are you doing?
I gave this horse--

I know.
You gave it to my mom as a gift.

And I never expected
or wanted you to bring her back.

Sammy Jo, look at her.

Why, she looks depressed.
What happened?

She's off her feed,
she's pacing the stall.

When Mom d*ed,

Dad stopped paying attention
to the things she loved.

That's awful.
Thanks for bringing her back.

Neth, can you take her to a stall,
please? Go on.

How you doing, Sammy Jo?

- Me? I'm fine.
- Yeah.

There's so much work
to be done around here.

And you know me, if I don't keep busy,
I get all jittery. Ha, ha.

Yeah, I do know you.


It's Steven again, isn't it?

It's that obvious?

Well, there's a lot
between Steven and me.

Not only our love for Danny,

but I thought
we could work things out for us.

Well, I'm sorry it didn't work out.

- Thanks for not saying, "l told you so."
- The old me would have.

Something tells me
that the new you is finally over me

and in love with someone else.

- You can tell?
- Ha, ha.

Well, let's put it this way.

It's as if you had the word "Leslie"
tattooed across your forehead.

But I like her.

I hope everything works out
for both of you.

Thank you, Sammy Jo.

I hope someday you find
whatever it is you're looking for.

Liz, did my father sign those
Drexler papers before he got away?

- I have them right here.
- Great.

Would you run them down
to Legal for me?

- Of course.
- Thanks.

[ELEVATOR BELL DlNGS]

Hi.

- Hi, Steven.
- Hello, Mother.

I came to see Nlake,
but it's always nice to see you.

Dad's not here. Is there anything
I can help you with?

- No, no, it can wait.
- Okay.

- Well, I've got work to do. Excuse me.
- Steven?

- Is everything all right?
- Yeah, I'm fine.

I don't believe you.
I know you better than that.

Mother, everything's fine.

It's that girl, isn't it?

That girl has a name. Sammy Jo.

Look, let's just drop it.

Steven, why didn't you talk to me
before you went back to her.

I don't need your permission.

Nut at least you could have asked
for my advice.

- She's bad news, Steven.
- Mother, she's not bad news.

She's a wonderful girl.
And in my own way I love her.

- And I know she loves me.
- No. She doesn't.

She's made you unhappy before,
darling,

and she can make you
unhappy again.

No. You're wrong.

Whatever unhappiness I'm feeling
is my own doing. Nelieve that.

I'm sure Dad will be back
in a few minutes.

I've got a meeting in my office.
Excuse me.

Excuse me.

[SlGHS]

[CHUCKLES]

[JAZZ MUSlC PLAYlNG
OVER SPEAKERS]

- May l?
- Absolutely.

Mm-hm.

Mm.

Mm. So this is slow-dancing.

Mm-hm.

I think that's what they call it.

You know, when I was a kid,
I used to think this was for grown-ups.

Aren't you glad you finally grew up?

If I'd known it was going to be like this,
I would have grown up at .

[BOTH LAUGHlNG]

Look at my forehead.

You see anything?

I see a beautiful forehead.

That's strange.

Necause Sammy Jo said
she saw your name tattooed across it.

- Oh?
- Yeah.

- When did you see Sammy Jo?
- Today.

And I'm glad that I did.

Made me realise that whatever
the two of us once had together

is over.

Really?

- You're no longer in love?
- Oh, I'm in love, all right. With--

What did you say your name
was again?

Ha, ha.

I thought you said it was tattooed
on your forehead. You want a mirror?

You know, I didn't really plan
on getting involved again, did you?

No. I think both of us
were just taken by surprise

and I like surprises.

- Surprise.
- Mm.

Steven.

What are you doing?

Thinking.

- Want some company?
- No.

Thanks.

It's late.
Why don't you come to bed?

Look, l...

I really just need
a little bit of time to myself.

- I was just trying to help.
- I'm not an invalid.

- I didn't say you were.
- Nut you act like it.

You're so careful not to say the wrong
thing, or make the wrong move.

Well, with you, every move I make
is the wrong move.

I'm sorry, I didn't mean that.

Then what did you mean?

[SlGHS]

Look, we're both tired. Why don't
we just talk about it in the morning.

Nothing's going to change
in the morning, Sammy Jo.

You've got to face it.
You've got to accept it.

I cannot be something I'm not.
I cannot change who I am.

Steven.

Steven.

[SlGHS]

The apartment is immaculate.

You can see that everything
is in excellent condition.

- Yes, I can.
- The bedroom.

And there's everything here that you
could possible want, including privacy.

You might see a neighbour,
maybe twice a year.

Well, it's just perfect for my needs.

And the fact
that I can move right in is--

Oh, I can't tell you how relieved I am.

You know, my husband
has been calling me every day,

wanting to know how soon
I can join him.

- He's in Mexico, you know.
- Yes, you told me.

Oh, yes.

Well, my plane is leaving
in three hours,

and I was so afraid that
I wouldn't be able to sublet in time.

I'm sure you'll be very happy here.

Would it be okay
if I left a small suitcase?

Oh, yes, of course. Of course.

Uh, will there be just yourself here?

Oh, no. Didn't I tell you?

My daughter will be living with me.

Oh, that's very nice.

Hyah!

Hyah!

Hyah!

Hyah!

[VALEZ NElGHlNG]

[GRUNTS]

Valez?

Valez.

- Good morning, Nlake.
- Good morning, Sarah.

Gerard tells me you were out
very early this morning.

Yes. I went downtown to pick up
my plane ticket back to Wyoming.

Plane ticket? I was planning on
flying you back up there in our jet.

Oh, no, Nlake.
That's very sweet of you,

but you and Krystle
have done enough for me already.

- We couldn't begin to thank you for--
- Nesides

I need to do things on my own now.
It's important.

Of course. I understand.

What time is your flight?

I'd like to be back here in time
to drive you out to the airport.

[CHUCKLES]

Please. I hate long goodbyes.

Can we just say them here,
do you mind?

All right. If that's what you want.

Well, gotta go.

Sarah,

if you ever need any help,
please contact us, will you?

Krystle and I will never forget you,

for your kindness,

and for how brave you were.

Thank you.

- Nye.
- Goodbye.

DANNY:
Valez.

Valez. Valez.

Danny, I think
you better wait back here.

- No, Daddy. I want to see Valez.
- No, son.

Why did you bring him here?
He shouldn't see Valez like this.

I couldn't stop him. We were
in the stables when we heard.

Daddy, what happened?

He tripped, Danny. He tripped.

Whatever happened, Mr. Carrington,
it wasn't your fault.

I was riding him hard, though.
Too hard.

Hard riding won't hurt an animal.

Especially a fine healthy specimen
like Valez.

They need to be ridden hard.

- If I hadn't been galloping--
- It happens. Accidents happen.

That's all this was, an accident.

Is he going to be all right?

Well, I'm afraid his leg's broken.

What does that mean?

Well, we won't have to put him down.
We can set the break.

Nut he'll have to be put
out to pasture.

He just can't be ridden again.

I'll never get to ride him.

- I'm sorry, Danny.
- It's okay, Daddy.

It's not your fault.

- No one blames you, Steven.
- Except me.

He couldn't wait until
he was big enough to ride him.

It was his dream.

- Steven.
- Sammy Jo,

I want you to take him back home.

I'll join you as soon as I'm done
with the vet. We'll talk then.

Come, Danny. Here.

Come on.

[GROANS]

Okay, breakfast time.

Oh, I missed you.

You said you'd only be gone
a minute.

Yeah, I'm sorry.
They were three-minute eggs.

- Good morning.
- Good morning.

Okay. Let's see now.
We got hash browns, eggs, bacon,

wheat toast, lightly buttered,

and of course the Fallmont family
recipe for orange marmalade.

Oh, I can't believe it.

Good looking, bright, a lover
in the great tradition, and now this.

What more could a girl ask?

Oh, I'm sure
you'll think of something. Ha, ha.

What do you mean,
"A lover in the great tradition?"

- Gable.
- Oh, you knew him, did you?

Gone With The Wind.
It Happened One Night.

Oh, he was the perfect lover.

- Oh. Do you feel as good as I do?
- I don't know. How good do you feel?

Neing with you
is one of the best things

that's happened to me
in a long time.

I think that it's time that the Fallmonts
and the Carringtons declare a truce.

Well, maybe we have,
but my father never will.

Well, don't be so sure.

I'm a pretty likeable character,
you know.

Maybe even old Nuck Fallmont
will grow to like me.

Mm. Even if he doesn't, I don't care.

- Oh, yes, you do.
- No, I don't.

In spite of everything we say,

we both care a great deal
of what our fathers think.

Well, what do you think
old Nen Carrington would do

if he saw me do this?

Frankly, my dear,
I don't give a damn.

[LAUGHS]

- I'm gonna miss you so much.
- I'm gonna miss you too.

Now, what colour
do you want this time?

- Blue.
- Blue? Okay. Paint the water then.

[CHUCKLES]

Oh, Kristina, that's good.
That's very, very good.

There you are. Come here.

Mommy said you were going away.

Yes, I have to, honey.

When will you be back?

KRYSTLE:
Sarah will be back soon, sweetheart.

Nut right now she has to go home.

I have so many things to do.

I have a big ranch with horses
and cows to take care of. You know.

Look at this colouring book.

Did you colour all of these things
by yourself?

Excuse me, Mrs. Carrington.
Long distance for you.

Could you get a number, Jeannette?
I'll call them back.

- They said it was important.
- Okay.

- Sarah, I'll be back in a minute.
- Okay.

- That's my medicine.
- Yes.

It's cold out today.
I want you to put this on.

Here, put your coat on.

- Are we going out?
- Yes.

It's time for your walk.

You like the walks we take,
don't you?

Yes. Yes.

- Can I bring Raggedy Ann?
- Of course you can.

Is Mommy coming?

Yes, just as soon as
she gets off the phone.

- How's Valez?
- The vet said he'll be fine.

- His leg's been set. Where's Danny?
- In his room.

- Is he okay?
- He's still crying.

I want to see him.

- I don't even know what to say to him.
- You don't have to say anything.

- He loves you.
- And all I do is hurt him in return.

- That's not true.
- He needs you, Sammy Jo.

And he needs the kind of father
that I can't seem to be to him.

You're a good father. You're the
kindest, gentlest man I've ever known.

I can't live like this. I've gotta leave.

- Leave? Where will you go?
- I don't know.

What about Danny?

You're his mother, Sammy Jo.
He loves you.

You're wonderful with him.
I can't think of anybody else

I'd rather trust with his life.

Well, what will you do?

I don't know.

Nut I can't go on hurting
the people I love.

I gotta go.

KRYSTLE:
Are you sure she's not upstairs?

I checked her room again,
Mrs. Carrington, and she's not there.

I thought maybe she might be
with Mrs. Curtis, but she's gone.

- Have you looked in the library?
- Yes, but I'll do so again.

Mrs. Carrington, I looked outside to
see if Kristina was saying goodbye

to Mrs. Curtis, but I didn't see
either of them.

Would you call security, Gerard?

Mrs. Carrington, I've checked
all of the downstairs rooms.

There's no sign of Kristina.

Well, she couldn't have
just disappeared.

Krystle, what is it? What's going on?

Blake, we can't find Kristina.

- What?
- We can't find her. She's gone.

I just checked with security.

Mrs. Curtis was seen driving away
in one of the cars with Kristina.

Sarah took Kristina?

Oh, my God, Nlake.
She's taken our daughter.
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