01x04 - The Ruthless Pursuit of Blood with All a Child's Demanding

Episode transcripts for the TV show "Interview with the Vampire". Aired: October 2, 2022 - present.*
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Based on Anne Rice's iconic novel, Interview with the Vampire follows Louis de Pointe du Lac in the year 2022.
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01x04 - The Ruthless Pursuit of Blood with All a Child's Demanding

Post by bunniefuu »

The tapes are an admitted performance.

This is the premise of our interview.

♪ ♪

A sacrifice is made
when the dark gift is shared.

You can't read my mind anymore?

FLORENCE: You're not
welcome in this home!

[CHILDREN SCREAMING]

There he is.

[g*nshots]

- What are you?!
- I'm a vampire.

[SCREAMS]

I could not save the Storyville,

but I could save her.

♪ ♪

♪ ♪

♪ ♪

[CAR HORN HONKS, INDISTINCT CHATTER]

- DANIEL: Dubai.
- [FOOTSTEPS]

[INDISTINCT CHATTER]

I can't tell you that.

♪ ♪

Can't tell you that either.

♪ ♪

No.

♪ ♪

No. Yeah.

Yeah, look, i-it's not an article,

it's a book.

I mean, we can do a chapter
in Vanity Fair, but...

I-I know it's been years.

I haven't forgotten what a book is.

This is... This is a book.

A-All right? Look, um...

Yeah, I gotta call you back.

I'll call you back.

Good morning.

I hope you've passed
a comfortable night.

I never pass a comfortable night.

You were scheduled to have
your levodopa transfusion

- this week.
- Been tapping my phone?

Mr. De Pointe du Lac
has arranged a physician

to administer it here tomorrow.

[SIGHS]

Well, I'll take care of it on my own.

Your doctor in New York was
consulted and has given consent.

You'll find a note from him
in your electronic mailbox.

Where's Louis?

Mr. De Point du Lac
will be resting today.

Would you follow me to the reading room?

[CAR HORN HONKS IN DISTANCE]

[FOOTSTEPS ECHO]

DANIEL: Quite the house plant.

Well, the interior designer
hired was a sentimentalist.

- Some notion of hers, he was...
- [SIGHS]

... missing the natural world.

- You are getting access to...
- [LATCH CLICKS]

... very precious items
from the archives,

an alternative perspective
on the years of your interest.

Please, wear these when
handling the materials.

We suggest you begin on the left.

♪ ♪

♪ ♪

♪ ♪

"The P.O.Ws are malnourished,
nothing but bone and sinew.

Their blood is bitter.

It almost makes you feel sick
to drink it".

♪ ♪

Wow.

♪ ♪

[BREATHES DEEPLY]

♪ ♪

CLAUDIA: Auntie told me to stay put

- and keep away from the door.
- [PEOPLE SCREAMING]

I tried to be good and
stay right where I was.

But when Auntie came back,
she got stuck on the other side

and brought the fire back with her.

[SCREAMING CONTINUES]

I closed my eyes and waited
for the fire to take me, too.

I just prayed it wouldn't hurt too bad.

- [DOOR THUDS]
- [GASPS]

That's when the Black angel came.

[GRUNTS]

He was beautiful and strong and fast,

and he carried me like
I was made of feathers.

Help me!

Gimme some water!

[BREATHES HEAVILY]

The Black angel took me to a fine house

[GROANS, BREATHES HEAVILY]
... with gold ceilings,

like the ones in the picture houses.

And that's when I guessed
I was in Heaven. [GROANING]

So, I waited for the pain to
go away and my mama to join me.

But she didn't come,
and the pain got worse.

[SCREAMS]

The Black angel was crying.

She goin' cold. What do we do?

- Lestat: Nothing. We do nothing.
- And I remember thinking...

- She's dying.
- "Why would an angel

- cry in Heaven?"
- More human entanglement.

And then, I saw the white angel.

Drain her.

- She's only a kid.
- [SPEAKING FRENCH]

No, please.

Please!

I don't know where to bite.
Her body's all charred.

You know you can do this.

And she'll be what? A lap dog?

No, not... not a dog.

[BREATHING HEAVILY]

- A daughter.
- I-I-I don't know.

You were ready to abandon our home.

Now you want a third.

I-I just need her not to die.

Please.

CLAUDIA: [STRAINED BREATHING]

Please.

♪ ♪

[STRAINED BREATHING]

[FOOTSTEPS]

[STRAINED BREATHING]

♪ ♪

The white angel, he bit me,

right in the neck, and I thought,

"What a strange thing
for an angel to do".

- [CRYING]
- [BLOOD SQUELCHES]

[CLEARS THROAT]

♪ ♪

[BREATHES HEAVILY]

♪ ♪

[SKIN TEARS]

♪ ♪

And then, I tasted it.

And right away, I felt strong
as a street car.

[GULPING]

[GROANS LIGHTLY]

[GULPING CONTINUES]

[BREATHES HEAVILY]

Enough!

[SIGHS] And I realized,

what I thought was Heaven
was just some nice room.

And what I thought were angels
were really hell demons.

But seeing as Mama d*ed, and Auntie,

she was burnt up too,

I decided to make the best of it.

You got some of your own I can have?

[CHUCKLES]

Y-You want more?

[BREATHING HEAVILY]

Right away, I had a lot of questions.

So, this is my new house?

It is if you want it to be.

♪ ♪

[GASPS] This is my fountain?

That's my...

What is that?

Well, that's the incinerator
where we burn the...

We'll get to that soon enough.

So where'd you find me?

At my old house?

I heard your cry for help.

We... We can hear people's thoughts.

- [CHUCKLING] What?
- Mm-hmm.

It's true.

Prove it. What am I thinking now?

Well, I can't.

I'm your maker.

You're wonderin' if your nails
will be like that forever,

and the answer is yes.

It's a special trick,
only folks like us have,

like the nails and the teeth.

So, you can hear me, but he can't?

- That make him the dumb one?
- [LAUGHS]

- [LAUGHS]
- What's funny?

If he makes you, he can't hear
your thoughts anymore.

Somethin' about the sacrifice
of creation.

Did he make you, too?

- He did.
- What's she saying?

He has to rely on my words
to understand me,

just like a human.

I'm not human no more, am I?

No, you're a vampire.

Well, I can see where this is going.

- Bonjour.
- [GASPS]

How'd you do that?

Well, you'll do it too,
in time, my little milkweed.

I'll teach you, just like
I taught Louis here.

But not if we're going to
have family secrets.

♪ ♪

We're a family?

Yeah, but with no secrets.

All right.

So, what's that for?

That's where we burn bodies.

Why do we burn bodies?

♪ ♪

CLAUDIA: Uncle Les
and Daddy Louis were rich.

♪ ♪

They had nice clothes
and a nice auto carriage

and a funny way of
being nice to each other.

♪ ♪

So, I'm supposed to k*ll him?

You don't have to.

There's always the birds and the beasts.

Or you can endeavor on an experience

that feels like eating syrup
while riding on the wind.

♪ ♪

I'm not sure how I feel
about that pleated skirt.

It's chiffon. It has movement.

Hmm.

♪ ♪

Looks like she takes after me.

Tremendous.

Fortifying myself for an evening
of swan hunting.

Back in the car, Claudia.

- Claudia.
- Claudia!

Claudia!

- Claudia!
- Hey, no, no.

Get back here, missy.

CLAUDIA: [HUMMING]

Young girl, where are
your parents at this hour?

[HUMMING CONTINUES]

I asked you a question, young lady.

I said, where are your parents?

[HUMMING CONTINUES]

Claudia! No!

- Don't!
- [HISSES]

Not a cop!

[GROANING] You're not a girl.

You're a devil.

[GROANS]

[BODY THUDS]

♪ ♪

You have to stop while they're alive.

♪ ♪

Who was it that she takes after?

Hm.

You ain't a girl.

You a devil.

♪ ♪

Confusion, regret, euphoria.

You gon' wake up feeling
a lot of things.

A little guilt, a bad taste
in your mouth from the cop,

which again, you should never choose.

Claudia.

I'm sorry.

What did I just say?

Don't eat cops.

You gotta listen to your elders
when they're talkin'.

You're new to this...

- I'm hungry.
- Hungry?

You just ate a man twice your size.

You can't possibly be...

An ominous observation.

Her young lady metabolism
is permanent now.

[SIGHS]

I'm so hungry.

I think I'm gon' die.

Is that how vampires die?

From starvation?

You don't want to engorge
yourself, ma petite.

More tomorrow, okay?

Please.

Histrionics.

- Some sleep is what she needs.
- [FOOTSTEPS, DOOR OPENS]

Sedation is what she needs.

- She'll settle.
- [CLATTERING]

- MAN: No! Don't, don't, don't!
- Claudia: [SHOUTS]

- [CLATTERING]
- Claudia.

- Claudia!
- [SIGHS]

♪ ♪

CLAUDIA: You suck 'em like frog legs

and burn 'em like trash.

And the things I used to eat,
I don't like so much anymore.

LOUIS: Claudia!

- Come on up to bed.
- Coming!

- It's bedtime.
- [LAUGHS]

What comes out of humans,
it's just so much sweeter.

[HUMMING]

Me and Uncle Les have
a nickname for it...

"k*ll juice".

[METAL SCRAPES, CLICKS]

[GASPS]

♪ ♪

Claudia!

[GROANS] Comin'!

- Geez Louise, mercy please.
- [METAL SCRAPES, CLICKS]

I gotta go to bed when the rest
of the world wakes up,

so there's less kids
to play with... [GASPS]

... but I found ways to fun it up some.

LESTAT: Have you seen my slippers?

Under the chair by the window.

Must every night end like this?

Y'all get tired 'fore I do.

Why does she talk to the book?

LOUIS: The sun comes up, we go down.

That's never gonna change.

We've got rules, Lil Miss.

Rules are for fools, Daddy Lou.

Keeping you safe, little waif.

She talked to the book again.

Why do you talk to the book?

- The book is my friend.
- The book is her friend.

The book is a book.

Good night.

- Night.
- Night!

[PEN SCRAPING]

LESTAT: Put the pen down, Claudia.

CLAUDIA: Uncle Les, I got a question.

If you made me and you made Louis,

who made you?

[CREAKING]

When I'm tired, I'm not so kind.

And where are all the vampires at?

[CONVERSING IN FRENCH] _

_

Uh-oh. They speakin' French.

They gon' fight now. [CHUCKLES]

_

_

Fighting sounds funny in French.

_

_

_

[CHUCKLES]

_

[CREAKING]

♪ ♪

Climb in, ma cherie,
best see if it's a good fit.

- Ooh!
- [CHUCKLES]

UNDERTAKER: Good evening, sirs.

A loss in the family?

[GASPS]

Nah.

A heart condition.

Yeah, she gon' pass r-real soon.

♪ ♪

[SIGHS] Poor child.

Can't nothin' be done?

We tryna accustom her
to the thought of...

[BREATHES DEEPLY] ... going home to God.

I-I-I could take her measurements

so as not to distress her
any further than she already is.

♪ ♪

It's so soft!

[GIGGLES]

Somethin'... Somethin' ain't right here.

[SIGHS]

- I love it, Daddy Lou.
- I think you two gentlemen...

- Can I get this one, please?
- ... ought to leave...

- [BLOOD SQUELCHES]
- Please? Can I?

- [SCREAMS, GROANS]
- [BODY THUDS]

[PEN SCRAPING]

A girl vampire needs her own space

if she's gonna find herself
in this no-day world.

And, diary, you can already tell,

the words come easier
when you're locked in tight,

wrapped in pink satin
and Daddy Lou's feet

ain't in your face.

It's just me, my pen,
my brain, my heart,

and the blood
of the street car conductor

I drained after he got off work.

Thank you, street car driver.

I hope they got more of you
at your company

to fill in for you.

It's never great waiting for the car,

especially when the weather gets hot.

[WOOD CREAKS, SCRAPING STOPS]

♪ ♪

Shh, shh, shh, shh, shh, shh.

[FOOTSTEPS]

[SIGHS]

Don't you shush me.

- I missed you.
- Hm.

You missed me?

[CHUCKLES]

[INDISTINCT WHISPERING]

- Mm.
- [KISSES]

♪ ♪

[CRICKETS CHIRPING]

♪ ♪

[WATER SPLASHES]

♪ ♪

Uncle Les got secrets.

How you figure?

He don't give good answers to questions,

sits on the truth like
it's his chair or somethin'.

♪ ♪

I thought we weren't supposed
to keep secrets.

[CHIRPING CONTINUES]

Les got a few years on us.

♪ ♪

Sometimes, old people don't like
talkin' much about the past.

♪ ♪

Sometimes, you gotta be careful
where you dig, you understand?

I guess.

[CHIRPING CONTINUES, LID TURNS]

♪ ♪

[FIREFLY BUZZES]

[CHUCKLES]

How does it work, love between two men?

[WATER SPLASHES]

- It works like...
- [OAR THUDS]

[CHIRPING CONTINUES]

I don't know.

Works like love.

You ever liked girls?

I used to.

Uh, I used to pretend to.

Can't say I do anymore.

Uncle Les does, sometimes.

Is that what he's up to
when he goes out alone?

[SIGHS] Nah, he is, um...

[CHIRPING CONTINUES]

Sometimes, his kills get...
what's the word?

[CLICKS TONGUE]

Extravagant.

And I don't like seeing it.

Mm. [SNIFFS]

[BLOOD SQUELCHING]

[GROANS] I don't know how you do that.

- You can't like the taste.
- [GRUNTS]

- [WATER SPLASHES]
- I try to.

And, Claudia, it...
it's not just what you eat.

You can k*ll quick and painless,

or you can get... extravagant.

There've been times I gone
a little too far myself.

[CHIRPING CONTINUES]

Some k*lling has consequence.

The fire in your house
was a consequence.

It came about 'cause of one of my kills.

I-I used to get a little
caught up in human affairs.

Then what?

Then you.

- [CHUCKLES]
- [CHUCKLES]

[CHIRPING CONTINUES]

- [CHUCKLES]
- Got one.

[MAN SINGING IN NATIVE LANGUAGE]

♪ ♪

[SIGHS]

♪ ♪

RASHID: [PRAYING INDISTINCTLY]

♪ ♪

[PRAYING CONTINUES]

[FOOTSTEPS]

♪ ♪

[SPEAKING ARABIC]

I thought Louis was your god.

How does Muhammad feel about vampires?

Is it Ashura every day
here in the penthouse?

Do you have what you need, Mr. Molloy?

A cure for Parkinson's?

How is your reading coming along?

For a k*lling machine, I kinda like her.

♪ ♪

I interrupted. You were praying.

Asr namozi.

"Asr namozi".

What is that? That's not Arabic.

What is it, Kazak?

Somewhere in the Crimea?

♪ ♪

You're not from Dubai.

I thought you were a native.

Dubai is a child, Mr. Molloy.

No one's a native.

Hmm.

♪ ♪

[KEYBOARD CLACKS]

♪ ♪

[KEYBOARD CLACKING]

♪ ♪

♪ ♪

[PAGES FLAP]

♪ ♪

[SINGING ENDS]

[LIGHT JAZZ MUSIC PLAYS]

♪ ♪

- [PEN SCRAPES]
- CLAUDIA: Dear new diary...

Nice to meet you.

What adventures we will have.

You've joined a happy home,
even if we're an odd one.

I have my own room now, which is good,

'cause Daddy Lou can be smotherin',

just as Uncle Les can get crotchety.

And, well, sometimes a door
can be your best friend.

You have to knock first!

Out! Out!

- Out!
- [THUD]

- ♪ Happy birthday to you ♪
- ♪ Happy birthday to you ♪

♪ ♪

[LAUGHS]

Still, you wouldn't believe
how time flies

when there's people to eat
and money to spend.

This was given to me
by a marquis who was beheaded

- by a mob years after he gave it to me.
- Oh!

I love it. Oh!

How old are you again, Uncle Les?

- LOUIS: Hundred and sixty...
- .

♪ ♪

Daddy Lou, when am I gonna
grow into this, though?

We... We'll find one in your size.

k*ll, spend.

k*ll, spend.

Then the next thing you know,
the leaves are turnin'.

Of course, Daddy and Uncle
have problems, plenty of 'em,

but they figure 'em out
quick most times.

And when they can't,
I can always get in between

- and make it right.
- [CLAUDIA AND LOUIS CHUCKLING]

WOMAN: Stop.

LOUIS: Stop laughin'.

- CLAUDIA: [CHUCKLES]
- Shh.

- We do like mortals do.
- [LAUGHS]

- We fight, we eat...
- WOMAN: Hush, now.

[LAUGHTER]

... we laugh...

- Oh.
- Oh, there.

... we sleep, we love.

[LAUGHTER]

- Aah!
- [LAUGHS]

LOUIS: I prefer you like that.

- [LAUGHTER]
- [TELEPHONE RINGS]

[GASPS]

[LAUGHTER]

And then the phone rang last night,

and all the easy times stopped.

- Hello?
- [LAUGHS, GASPS]

Say again.

[INDISTINCT CHATTER]

- Oh. I'll take one. Oh.
- And for you?

- Thank you, dear.
- Yes.

I'd never been to a wake.

Hadn't even known
Daddy Lou was Catholic.

I didn't know he had a mama
till he lost her.

♪ ♪

Hello, sweetie.

Everything all right?

Never seen a dead one look so peaceful.

♪ ♪

You know what her last words were?

GRACE: Who are you here with, honey?

My dad and uncle.

Who are you?

This your Aunt Grace
and her husband Levi.

♪ ♪

How 'bout you go to your uncle?

He could use someone to talk to.

♪ ♪

You have a kid?

The girl is an orphan, adopted her

off of Liberty Street, did right by it.

Do you think you and her uncle

are the right people to adopt an orphan?

Maybe don't bring them
to the funeral tomorrow.

Not sure I'm gonna be able to ma...

To make it?

Heard that plenty.

Your nieces and nephews' christenings,

- Grace's th.
- Watch yourself, Levi.

We need to talk about the house.

[SCOFFS]

Over the cold body of our mama.

♪ ♪

Was wonderin' why I got
an invite this time.

You don't need it.

♪ ♪

You haven't needed it for years.

Well, good we've got each other's backs.

Make you proud, you hear?

We can pay you in installments.

You and your white daddy
are doing fine in the Quarter.

We can't pay you what it's worth,

and you don't need the money.

♪ ♪

You forget what I did
to that door, Grace?

[FOOTSTEPS APPROACH]

You should measure yourself.

Claudia has expressed
an interest in going home.

- It is late for y'all...
- The smell is awful.

Hmm. Wakes were invented
in places where it snows.

♪ ♪

[SMOOCHES]

♪ ♪

I'll have the papers drawn up.

♪ ♪

Daddy Lou said I had been away
from people too long.

I didn't know how to behave
right anymore.

But Uncle Les said, I behaved just fine.

[SWEARS IN FRENCH] Just steer, steer.

Ugh! But we're immortal!

Well, you can still smash
your pretty little head

and then take long,
dull months to recover.

- Eyes on the road.
- [THUD, ANIMAL CRIES]

[CHUCKLES] There ain't no doubt

Daddy Lou is my favorite.

Pull over. Right.

But sometimes, Uncle Les
and I have a lot in common.

[ENGINE SHUTS OFF]

Now, here's a treat
I think you're ready for.

This is what the meat calls
a "lover's lane",

and by my estimation,
no blood is sweeter.

♪ ♪

Young people, swollen with passion,

denied spirits by
this senseless prohibition,

park along this lonely stretch
to contemplate

that most mysterious
of mathematical equations...

how one plus one...

- [GROANING]
- [METAL CREAKING]

... becomes one.

They come out here to do math?

You've been too sheltered,
my belladonnic beauty.

[CRICKETS CHIRPING]

Yours.

Mine.

[GROANING]

Young, strong, and likely to fight back.

You must be most ferocious, hmm?

- Mm-hmm.
- [CAR DOORS OPEN, SHUT]

[MOANS]

Mmm, that's nice.

Where'd you learn that?

The kissin' or the down below?

[CHUCKLES]

[SMOOCHING]

[MOANS]

That's nice.

[BREATHING HEAVILY]

[MOANING]

♪ ♪

- Jesus, Mary!
- [GRUNTS]

What? Oh.

You gonna stand there
watchin', little girl?

Where's your momma?

She just crawl out of the swamp
or somethin'?

- [GIGGLES]
- Oh!

- [SCREAMS]
- [BLOOD SQUELCHES]

- [MUFFLED SCREAMING]
- [SCREAMING]

[SCREAMING]

There's something back there,
something evil.

Ah, yes.

She's with me.

[SCREAMS]

[BLOOD SQUELCHES]

♪ ♪

[GASPS]

[VEHICLE ROCKING]

Uncle Les says I gotta practice killin'

both the one and the plus one
at the same time,

but I came away understanding
something else tonight.

LOUIS: You took her where?

LESTAT: She's a prodigious k*ller.

Why you'd want to limit her
is beyond comprehension.

[FEET STOMP, DOOR SLAMS]

I can't quite put it into words,

but it's like somethin' opened
up in my head, in my body.

I've been for seven months now,

and it's time I started actin' like it.

♪ ♪

Well, look at you.

I don't recall buying that outfit...

I jumped a girl in between speakeasies.

I wear it better, though.

Don't do something he would do.

I'm gon' tell Uncle Les
you talkin' to me this way.

Happy hunting.

♪ ♪

[DOOR CLOSES]

♪ ♪

[MAN SPEAKING INDISTINCTLY]

[INDISTINCT CHATTER]

♪ ♪

[INDISTINCT CHATTER]

Woman: Hey, I think you're drinking
too much of that moonshine.

[MAN SPEAKING INDISTINCTLY]

Thank you, sir.

[CAR HORN HONKS]

GIRL # : Isn't he so cute?

Oh, my... He's so handsome.

- GIRL # : He's adorable.
- [CHUCKLES]

Look who fell into her momma's closet.

♪ ♪

Darkie playing dress-up in the dark.

[LAUGHTER]

♪ ♪

MAN: Hey, easy.

- Watch it. Easy.
- [HORSE WHINNIES]

Whoa.

Stop it. What's gotten into you?

[HORSE WHINNIES]

Calm down, Bella.

- You all right?
- [BREATHING HEAVILY]

You look a little sick there.

Sorry about my horse, miss.

♪ ♪

I'm sorry.

I got so scared, I almost fainted.

I thought the flowers might
bring me back a bit.

Well, I'm glad you're back.

♪ ♪

- [PEN SCRAPING]
- Diary, his name is Charlie.

He's got veins like rivers.

They flow right down his arms.

Doin' a'ight back there?

I'm... good. [CHUCKLES]

- I just wanted to say thank you for...
- Mm-hmm.

... for driving me home,

for jumping in front of me like that.

[CHUCKLES]

Well, I had to make sure
you wouldn't faint again.

I tell you, I don't...

I don't know what
spooked old Jonesy, here.

You said Rue Royale?

I wanna know what his laugh sounds like

when it's all the way.

Drive by that house almost every night,

takin' Mr. Sloane home.

Never imagined a colored family
lived in one of them houses.

I wanna know how tight he holds
you when he dances.

Yeah, I'm surprised your fancy
parents let you out at night.

- They know I can take care of myself.
- Whoa!

- [HORSE NEIGHS]
- You almost got trampled by a horse.

I wanna know what
his tongue tastes like.

I've lost my appetite.

- I can't sleep...
- [SIGHS]

... which is borin' as all get out

when you're stuck in a coffin,

waiting for the big hand to hit nine...

- [BELL DINGS]
- ... and the little hand

to hit three.

Ahh! [LAUGHS]

LOUIS: No runnin' in the house!

- [HUMMING]
- LESTAT: What did we say

- about skipping?
- [SIGHS]

♪ ♪

Ooh!

I'm not gon' say it again, missy.

[HUMMING]

[SIGHS]

[HOOFBEATS]

♪ ♪

Look up. Look up.

♪ ♪

If he looks up, he likes you.

If he doesn't...

[HOOFBEATS CONTINUE]

[INDISTINCT CHATTER]

[CHUCKLES]

♪ ♪

- [THUD]
- [GASPS]

[GIGGLES]

[INDISTINCT CHATTER]

- No running, young lady.
- [LAUGHS]

I met Victor once...

♪ ♪

[GASPS]

♪ ♪

[LAUGHS]

Well, hello there again, diary.

I finally got a few secrets of my own.

- LOUIS: Who's Charlie?
- [GASPS]

♪ ♪

Claudia, are you blockin' me?

♪ ♪

This is your father speaking.

♪ ♪

[INDISTINCT CHATTER]

♪ ♪

Do you not like it?

No, I-I love it.

I'm just tryna make it last.

♪ ♪

I guess you're probably
used to having ice cream

anytime you want.

No. [CHUCKLES]

I promise.

I never have it.

♪ ♪

So, is this what you always
do for a first date?

Take a girl out for some ice cream?

Whoa, whoa, Claudia, this isn't...

What?

A boy sends flowers, asks a girl
to go somewhere fun.

[SIGHS] I... You're a cutie, but...

I'm what?

Young.

- I'm .
- [SCOFFS]

No way you're older than me, Claudia.

Everyone in my family
looks young for their age.

♪ ♪

You live round here?

♪ ♪

I used to, too.

I remember there used to be a toy shop

a few doors down by there.

They used to keep stray cats
in boxes for people to take.

That shop must have closed down
when you were but a baby.

♪ ♪

I wasn't a baby.

♪ ♪

CLAUDIA: [CHUCKLES]

[MOANS]

- CHARLIE: [MOANS]
- [HORSE GRUNTS]

♪ ♪

[MOANS]

- Mmm.
- [CHUCKLES]

[HORSE WHINNIES]

- [CHUCKLES]
- [CHUCKLES]

♪ ♪

[MOANS]

♪ ♪

Wait, wait, wait, wait. Wait for me.

I'm tired of waiting.

- Claudia.
- Yeah?

- You're real forward.
- What?

It's making me...

Kiss you a little longer?

♪ ♪

[HEARTBEAT]

Claudia, you don't even
look like a girl.

[HEARTBEAT CONTINUES]

[HORSE NEIGHS]

You're an angel.

[HORSE NEIGHS]

[HEARTBEAT CONTINUES]

[GRUNTS]

[HORSE WHINNIES]

[BREATHES HEAVILY]

[BLOOD SQUELCHES]

- [GRUNTS]
- [HORSE WHINNIES]

- [EXHALES SHARPLY]
- [MOANING]

[HORSE WHINNYING]

[MOANING CONTINUES]

[WHINNYING CONTINUES]

[MOANING CONTINUES]

♪ ♪

- [BREATHES HEAVILY]
- [THUD]

I feel... loose.

[HORSE GRUNTS]

Charlie?

[HORSE WHINNIES]

♪ ♪

- Charlie?
- [HORSE NEIGHS]

[CRIES]

Charlie?

- [HORSE NEIGHS]
- [THUD]

[SOBBING] Charlie?

♪ ♪

I was... and he...
And I bit him, and now he...

It's easy to get carried away
when you're young and in love.

♪ ♪

Please, save him.

Turn him.

I can't.

You can.

You did it to me.

♪ ♪

- [THUD]
- He's dead.

You didn't half-k*ll him,
you k*lled him completely.

Lestat.

Just try, please.

You drained him dry.

Now, go on, clean up after yourself.

[SOBBING]

♪ ♪

[GASPS]

- Stop squirming and watch.
- [CRYING]

♪ ♪

Remember this, his face as it melts.

♪ ♪

This is why we never
get close to mortals.

[CRYING CONTINUES]

Because sooner or later,
they end up dead.

- [CRYING CONTINUES]
- LOUIS: It'll be all right.

It'll pass. You got us.

I don't want you.

♪ ♪

Vivid writer, isn't she?

A singular style.

Anne Frank meets Stephen King.

Session four, Louis De Pointe du Lac,

and the child vampire, Claudia.

So, it begs the question,

where were all these diaries in ?

Scattered.

One in New Orleans, another in Paris.

Bullshit.

Claudia was...

... everything.

♪ ♪

I loved her unconditionally.

All the noise, the chaos,

the crisis of my former
existence, silenced.

♪ ♪

The simple joy of her hand in mine.

You had a daughter.

I had a daughter.

I've got two.

The love is kind of...

♪ ♪

And if you were to come
across their diaries and learn,

in detail, how and when you failed them,

would you share those failures

with a brash young reporter
you met at Polynesian Mary's?

[CHUCKLES]

It's funny.

I've been dreaming about old Mary's

ever since you sent me the tapes.

♪ ♪

Where have you reached?

-ish.

Her date with Charlie.

♪ ♪

Ah.

♪ ♪

- "And his bones..."
- "... cracked black

and his face turned to soup".

Charlie's death ushered in

one of the darkest eras in our lives.

The oh-so-delicate balance

of our oh-so-delicate household
was shattered.

The fantasy of happiness burst.

Claudia was...

A Band-Aid for a shitty marriage?

♪ ♪

I was going to say...

♪ ♪

... something else.

♪ ♪

But, yes...

that's almost certainly
what she felt like.

♪ ♪

[PEN SCRAPING]

LESTAT: And what should I have done?

Tucked him into the coffin with her?

She was already broken-hearted,

and you b*rned her first boyfriend.

- She's the one who k*lled him.
- [DOOR SLAMS]

CLAUDIA: It's funnier
when they fight in French.

And, diary, you'd think

- a girl whose mama d*ed in childbirth...
- [CRYING, LAUGHING]

... whose daddy gave her away
to a mean old auntie

who b*at her 'cause
no one said she couldn't,

who d*ed in a fire

but came back by the blood
magic of two demons,

well, you'd think that girl
wouldn't know what funny was.

But you'd be wrong, diary.

And if I told you, dumb diary,

that that same girl
was being raised to k*ll

like her demon parents did,
to take two souls a day

so she could stay
in the same flat-chested,

hairless-crotched
-year-old baby doll body

as her mind and spirit turn , , ,

, , you dumb, dumb diary,

I bet you'd say to anyone
who'd listen, "Fun? Fun?

How does she even get up
in the morning?"

Well, let me tell you
something, you stuck-up,

flower-covered, three-dollar
fancy f*cking paper diary,

I'm doin' just fine.

And how do I know that?

'Cause the first man I k*lled
called me the devil,

and the last boy I k*lled,

the last boy I'll ever love
in this world,

called me an angel.

[BREATHES SHARPLY]

So, that means I'm on the right path.

And that means there's so much
more fun out there to have.

I'm just getting started.

- [SKIN SIZZLING]
- [GROANS, GRUNTS]

[SIZZLING CONTINUES]

♪ ♪

[SCREAMS]

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

ANDERSON: Every single
one of those corpses

had some soft part of it lopped off.

You wanted her, you fix her!

♪ ♪

DEPUTY # : Deputy Habersham!

What is it?

"Dear Diary".

There are four pages torn out.

GRACE: This is how it has to be,

for me.

LESTAT: You are a mistake.

♪ ♪

♪ ♪

You are getting access

to very precious items
from the archives.

An alternative perspective
on the years of your interest.

Episode four...

"The Ruthless Pursuit of Blood
With All a Child's Demanding".

Claudia and her diaries.

There's so much beautiful
prose in Anne's work,

and we wanted to figure out a way

to get some of that into the show,

so we thought it was a very
interesting way to be able to

get into the interior life of Claudia.

That was the quickest,
easiest, dirtiest way.

Claudia: I closed my eyes and
waited for the fire to take me too.

That's when the Black angel came.

I think the room was very, very excited

to try to switch point of views

and really be the story of the
young girl and let her own it,

so the voice-over changes,
and the perspective changes.

All these half-hour comedies
have a great way of doing it.

They have these fake
documentaries where they can

turn to the camera and tell you
exactly how you're feeling.

That's our equivalent here.

And then I tasted it,

and right away I felt
strong as a streetcar.

[GASPING]

Enough!

I think she's just trying
to figure it out.

"I can leap and I can
k*ll and I got power".

No! Don't!

JONES: In the novel,
she is without a doubt

the most vampire out of both of them.

She's a pretty dark k*ller.

What would it be like to be
trapped in the chemical stew

of puberty for your entire existence?

Must every night end like this?

Y'all get tired 'fore I do.

Why does she talk to the book?

"I got desires, and
I'm a little out of control,

and I love writing in my journal".

In our Claudia, I think there's
something precocious about her,

but there's also something
that has been sheltered.

There is a lack of wisdom
and world experience

that goes there that makes it
a very toxic and volcanic

and potentially expl*sive little
suitcase b*mb of a vampire.

You gonna stand there
watching, little girl?

[SCREAMS]

We are looking at the portrait
of the troubled teen.

The idea of a sexual awakening
in the midst of this,

unfortunately, in the confines
of our story,

your first date
becomes your first homicide.

Here comes Charlie.

Think about your first love, everybody.

And then you ate that person.

You're an angel.

It's pretty... pretty rough.

Charlie?

Yeah, that would screw you up
going forward a little bit.

She cannot process what has happened,

and, like any teen,

just grabs onto all of the grand
operatic drama of it all.

Turn him.

I can't.

You can't?

She's about to act out
like every teen gone wild,

and is gonna start by harming herself

in a very particular way only
a young vampire could do.

♪ ♪

[SCREAMING]

♪ ♪
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