Hell House LLC Origins: The Carmichael Manor (2023)

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Hell House LLC Origins: The Carmichael Manor (2023)

Post by bunniefuu »

(wind whistling softly)

The Carmichael Manor.

Where to begin?

The manor's history is as sordid

as the Carmichaels themselves.

You got this big mansion.

Rockland County, New York...

A county with its own

sordid history.

The Carmichael Manor

was something that fascinated me

as a true crime writer

for a long time.

They were an extremely

wealthy family.

I mean, their home was deep

in the woods,

totally remote

from civilization.

You had to drive literal miles

and miles down dirt roads

just to get to it.

And tragically,

one October morning,

the police discovered Catherine

and Eleanor Carmichael

both dead in their beds,

just horrifically m*rder*d.

The obvious suspect is

the father, Arthur Carmichael.

What's the problem with that?

Well, he and the 20-year-old

son, Patrick Carmichael,

have been missing for

the last 30 years...

Like, completely vanished.

But I think they leaned heavily

on Arthur

because there was early snow

that year,

and there's only one set of

footprints leaving the house.

Nothing coming in.

Most likely Arthur,

since Patrick only had use

of one arm at the time

after the car accident.

Earlier that same year,

Patrick and their

elder sister, Margaret,

were involved in a car crash,

which tragically

k*lled Margaret.

Patrick was driving

Margaret home from the city

when they were smashed

by a drunk driver.

Patrick ends up

surviving the accident,

just losing the use of one arm.

But Margaret was declared dead

at the scene.

The decades-old m*rder was ripe

for Reddit conspiracies,

Internet sleuth speculation.

The rumors that it was haunted

started very early on.

(audio warbling)

Carmichael Manor is home to

a grizzly m*rder

that occurred right upstairs

from where I stand

just one year ago.

Half the family m*rder*d,

while the other half is still

missing, and still no answers.

(object bangs)

Poor Tom Wheeler.

And he had to keep doing takes

after that.

And you can see how

all he wanted to do

was get the hell out of there.

Incidents like that fueled

the ghosts enthusiasts

over the years.

But outside family,

very few people were ever

granted permission

to stay in the home for

an extended period of time...

Until Margot Bentley.

The last time that

I heard from Margot

was the day she drove out to

the Carmichael Manor.

Rebecca was with her.

She always was.

Five days later, I got a call

from a New York State

Police detective.

Their bodies had been found

in the manor.

The only known thing that

happened to Margot and Rebecca

was the 911 call that police

received at around 2:00 a.m.

And this was their fourth night

in the mansion.

Wait, wait. Wait.

It's working. It's working.

Hi.

My name is Rebecca Vickers.

We're Carmichael Manors,

at 101 Starlight Drive.

Please, something's

in the house with us.

Margot! It's not him!

Most keyboard detectives

stay in the comfort

of their own home.

That wasn't how Margot

did her work.

She was always there,

and she was always

recording everything.

What's on their video

is four nights

of completely perplexing and

unexplainable nights of footage.

Whoever sees this, that's the

best disclaimer I can give.

(Rebecca and Margot shrieking)

How much further?

I'm kinda getting hungry.

I told you a banana

wasn't gonna be filling.

I'm not gonna make it.

(laughs)

I'm not gonna make it.

Let's stop and eat.

Okay. (sighs)

Where would you like to go?

I don't know.

Do you see a sign somewhere?

I... I would.

I would slaughter a chicken

right now.

Okay.

I will do what I need to do

'cause...

- Wow.

- I'm at that point right now.

Survival mode.

- Spoons.

- Thank you for paying.

Why, uh,

what's the deal with the camera?

Oh, I'm so happy you asked.

Rebecca, will you hold this

for a second?

- Oh, God.

- Thank you.

So, actually, we are here...

Are you okay with me on camera

for a few minutes?

Uh, what are we gonna

talk about?

So I actually created a website.

It's called netsleuths.com.

And we go investigate

these m*rder scenes.

And I have a question for you...

Oh, you're going to

the Carmichaels.

Yes! You knew it.

You knew it.

Do you have any opinions

about it?

It's, uh, you know,

it's the local lore legend.

Everybody knows the story

of that place.

Okay.

You know, that they got

butchered in the bed,

or whatever the heck it was.

Yes!

That's exactly it.

So, you're going to

check it out?

We're going to check it out.

We're gonna be there

for five days.

You're s... no, you're staying

in the Carmichael?

- We're staying inside.

- Yeah.

- Yes. We got permission.

- Is that crazy?

Wow, okay, yeah,

we used to like, party,

in their backyard and stuff,

'cause it's so remote...

Like, back in high school,

'cause no cops

would go out there-

But we've...

None of us have actually

been inside of it.

Wow.

All right, sleuthers.

We are about 30 minutes

from our new home

for the next five days...

The Carmichael Manor.

Yep.

And as you can tell,

Rebecca is as excited,

as always, for a road trip.

Mm.

I don't see why we can't stay at

a nearby hotel this time.

I'm...

You can still do your work,

and I can have

reliable Internet.

Yeah, but where's the fun

in that?

And hey, this place

does have Internet.

I promise.

Do you want my tomato?

It better, okay?

Because I can't miss

a single meeting this week.

Oh, I know.

You'll m*rder me, too,

if you miss

your precious meetings.

(Grunts menacingly)

Stop that.

(Rebecca chuckles)

Will you grab the camera?

Yeah.

You ever been out

this way before?

Uh, to this specific area, no.

But I was in Rockland County

once as a kid.

Oh, is that the thing

with the...

Yeah.

Margot, how off-the-grid

is this place?

We've been driving on a dirt

road for, like, 20 minutes now.

Yeah, it's pretty remote.

Okay. Remote, right?

- Yeah.

- So remote.

And yet, it has Internet?

I'm starting to have doubts.

So, this is what happens

when you have no signal

and you don't know

how to read a map.

Let's go see.

Are you sure we're still in

North America?

Lemme just check really quick.

Yeah, no, that's

North American dirt.

- Oh, that's nice.

- Yeah.

- That is...

- Really nice.

Damn.

How rich were the Carmichaels?

And this is where we're staying?

Can you believe it?

So, do we just knock?

Yeah. I guess so.

Wait, wait, wait,

you do the filming,

I'm gonna do the talking.

Yeah.

Oh, yeah.

Could definitely see a horrific

m*rder happening here.

Yeah, no kidding.

Hello?

Margot.

Donald.

We spoke on the phone last week.

Yes.

So nice to meet you in person.

Nice to meet you, as well.

This is my girlfriend, Rebecca.

She's gonna be keeping me

company on this journey.

Great. I am very sorry.

I did not hear you pull in.

I have been trying to get things

ready in here.

Also, are you okay with being

on camera for a few minutes?

That's fine.

Oh, this.

That is the family portrait.

Eleanor had that commissioned

one year

before Margaret's death in the,

um, car accident.

Normally, we have a third party

come in,

and turn the place around

for us.

But we've had

a bit of a hard time

getting companies to come out

this far.

The house is pretty remote,

and, of course by now,

everyone knows.

Knows what?

Do members of the family

still use it?

Well, it's still in

the Carmichael family name.

It went to

Eleanor's family first,

after everything happened.

More recently,

her sister Beatrice.

Now, Beatrice is 83,

so, we basically look after

the whole estate for her.

I am sorry, by the way,

about all the time constraints.

Some of our estate overseers

just want this place

to be completely closed off

to the public.

Liability concerns.

Right now, short-term stays

are the middle ground.

You guys.

Thank you so much

for getting everyone to agree.

Five days is plenty.

(Chuckles)

Well, I told them

to give you 10 days.

I mean, truthfully,

you could have 20 if you wanted.

Really, nobody stays here

more than a few nights.

Oh God,

Is it because of the Internet?

Please don't say

it's the Internet.

No.

As I told Margot on the phone,

that is reliable.

I told you so.

What's this.

On the wall?

You can't hear anything,

but back in the day,

that would actually buzz

the kitchen,

when there was a full-time staff

working here.

Very "Downton Abbey."

(Donald laughs)

Of course, you'll have

everything you need...

Linens, food.

Which one of you likes coffee?

- Oh, me.

- I do.

(Laughs) Good.

'Cause we have plenty.

(Margot chuckles)

Believe it or not,

the entire house is pretty much

exactly as it was

in October of '89.

Nobody's really lived here

full-time since then.

This was Catherine's bedroom...

Arthur Carmichael's

youngest daughter.

She was only 17

when the whole thing happened.

Apparently, she wanted to be

a filmmaker.

It was said that she was always

filming around the house,

capturing home movies

of some kind or another.

She might have had a future

in that.

Reports say her m*rder

was brutal, right?

Like, it had to be

a crime of rage.

(Sighs) And personal.

I consider myself lucky

I didn't see

the crime scene photos.

I can't even imagine

what happened in here.

This is the master bedroom,

largest room we have.

So, Arthur and Eleanor

slept in here?

Yes.

Can I ask you

a personal question?

Of course.

Do you think Arthur did it?

What's in here?

Uh, that is old storage.

Truthfully, I haven't been

in there in years.

I don't even have a key for it anymore.

This is Patrick's bedroom.

Sadly, they never found

Patrick's body.

Suffered a broken arm

in the car accident

that k*lled Margaret.

Apparently, he was very

traumatized by her death.

They were driving home

from the city,

hit by a truckload

of town drunks.

I can't even imagine.

Our offices are 15 minutes

away, so don't hesitate to call.

We can usually get here

pretty quick.

Thank you very much.

Are you familiar with

the Abaddon Hotel a town over?

Yeah.

It b*rned to the ground

a few years ago.

Well, yes,

it's an empty field now,

but there is an antique store

that recovered quite a few

of the items.

Given the work

that you're doing,

I thought that might

interest you.

Ooh, definitely interested in

the antique store.

Call if you need anything.

Thanks again.

Well?

Seems nice.

I mean, my company

would definitely buy it

if it weren't so huge.

What?

So, Chase is gonna be here

in an hour.

(sighs)

Okay, yeah, no,

don't gimme that, please.

I think it's gonna be great.

He's gonna be an extra hand.

Margot, he's not an extra set

of hands.

He's a liability.

Listen, I'm sorry, okay?

I'm sorry.

I love him, too, but he is.

I know.

But I think he's got

his sh*t together,

and just give him

a chance, okay?

Margot...

Can I shut this thing off now?

Yeah.

I'm not gonna lie,

this is not... not as bad

as I thought it would be.

I told you so.

Margot.

Oh. Hey.

You got it open?

Are we even allowed

to be in there, or...?

Okay.

What is all this?

I don't know.

Well, I could see why

they would keep it locked.

We should do the same.

Hello? Margot?

Hey, he's here.

(floor creaking)

Hey.

Where are you guys?

Chase?

- Hey.

- Hey. Hi.

- Hi.

- Oh, my God.

- I missed you.

- I missed you!

You started already, huh?

- Yeah.

- This is how it's done?

This is how it's done.

- Wow.

- Oh, my God. Hi.

Your face. How are you?

Good? Yeah?

You seeing someone?

You got here safe?

Everything good with that?

Here we go.

I'm fine, all right?

And I am seeing somebody.

Hey, Scorsese.

How are you doing?

Hey, Chase.

How you doing?

Did you just say

you're seeing somebody.

She's making you film

every conversation?

- Yep. Pretty much.

- Wow.

Oh, I'm still here.

What, y-you're seeing somebody?

I'm sure this is gonna make for

some great TV someday.

Don't... Don't walk away from me.

Are you getting married

tomorrow?

What's... What's her name?

Is she... Is she beautiful?

Cut it out!

When you look back

at Margot's history,

you can see where she grew

her own passion

for solving cold cases.

I mean, what happened to her

at a county fair as a child,

that would leave a mark

on anyone.

When Margot was about 10,

her family took her and Chase

to the county fair.

She got separated

from them somehow,

and a man she didn't know

tried to lure her away

from the fairgrounds.

It took her a little while

to realize something was wrong,

and she started to scream.

The guy ran off.

She couldn't help her parents

or the police identify him.

I think, as she got older,

it really must have sunk in

that she could have d*ed

that day,

because several others went

missing from that same fair,

and they were never seen again

over the years.

I think, in some ways,

she felt partially responsible.

In college, she and I

envisioned the website

that would become Net Sleuths.

And, over the years,

we developed it into

a pretty significant community

of Internet detectives focused

on solving the unsolved.

Margot always had to take things

a step further.

She began this routine

of staying in the places

where she was investigating,

taking a ton of photos

and video.

(subdued music)

Her last investigation ended up

being the Carmichael Manor.

It's alleged that,

on October 10th, 1989,

Arthur k*lled his wife,

daughter, and son

during the night,

just brutally stabbing them.

And then, he leaves the manor

with Patrick,

dumping his body

in some unknown location.

And then, Arthur just

completely disappears.

What makes him the main suspect?

Because there was no

forced entry.

And there was also early snow

that year,

so it was very easy for

the police to see a single set

of footprints leaving the house

and going into the woods.

What about Patrick?

So, his body was never found,

but there was blood

all over his bed,

so the police think that he may

have been Arthur's first victim,

k*lling him first,

then Catherine, and then

Eleanor, stabbing them.

Oh, my God.

And Catherine,

she was k*lled in our room?

Mm, can we switch with Chase?

Okay, so, theoretically,

Arthur Carmichael

walks down these stairs,

and he's covered in blood, and

wouldn't have time to change.

So... hold on, Chase. Move.

Okay.

He walks down this way,

to the left,

right outside these doors.

But no, he's gone.

Just vanishes.

Not a drop of blood anywhere.

Not even in the snow.

But, okay,

what about Patrick's body?

Was he carrying it?

Or how is that explained?

Oh, it's not.

What do you want from me?

I mean, I... don't get me wrong,

I'm... I'm glad you called.

I'm just, I'm not much of a...

A sloth.

(Rebecca and Margot laugh)

- No, Chase. No.

- What?

- It's... I'm sorry.

- It's sleuth.

I'm not much of a sleuth.

So, I need at least two cameras

filming at all times.

Thank you.

Even the most mundane stuff,

not even relating to

the investigation.

Margot thinks, of all the places

that we've been to that

are supposedly haunted,

this one's actually for real

this time.

(chuckles)

(phone chimes)

Oh.

sh**t, I gotta get this.

Hi. Linda.

Can you... Can you hear me?

I...

Linda, can you...?

Aw, dammit.

All right, sleuthers,

this is our first official night

at the Carmichael Manor,

Manor, Manor, Manor.

And everyone seems to be

settling in.

How's it going?

Hey.

Sorry.

I'll... I'll be more help

in the morning.

Before we left,

my job sent all these listings

for me to sort

before my presentation.

But thank God the Internet

does work, though.

Hey, I totally get it.

New job, new responsibilities.

But hey, seriously,

I'm just very thankful

that you came with me at all

this time.

So, thank you.

Listen, about that.

You know I love going on

these adventures with you,

cracking old mysteries.

Truly, I... I love it.

I feel like there's a "but"

coming, here.

This is probably gonna be

one of the last times

I'm able to go with you...

At least for a little while.

I really like this job,

and I need it to stick.

And going to old m*rder houses, I...

(sighs)

Can you turn that thing off

for a second?

Hey.

Hey.

Thank you for the big room.

This is... well, probably the

nicest room I've ever slept in.

I thought you'd have me

in the attic or something.

Oh, I...

I haven't ruled that out.

Where's your, uh, what...

What's it called again?

A... A camera?

Tomorrow, I promise.

I won't ever put it down.

I will take it with me

to the bathroom.

(laughs)

Okay, okay.

I'm just saying.

Do you actually think

this place is haunted?

I don't know.

But if it is,

please get it on camera.

(Sighs)

Yeah, but none of the places

that you've...

You've been to before

were actually haunted?

(Chuckles) No.

So why call me now?

What do you want me to say,

here, Chase?

That... That... That mom called,

and told you I had an incident,

and... and you thought that

this would be the best way

to keep an eye on me.

And what if that's true?

Is that so bad?

You get to help me.

Now I get to help you, too.

- I... I don't need help, Margot.

- Oh, you don't?

Because last I heard,

you went missing for two days,

and nobody knew where you went.

That's... (chuckles)...

That's not what happened.

(Sighs)

It's not.

(Wind whistling)

What was that?

Rebecca?

Hey.

Jesus.

What's going on?

- Did you hear it?

- I don't know.

What did you hear?

Itit-it sounded like...

Like what?

It sounded like someone

was singing downstairs,

- Singing?

- Like a girl was singing.

Hey.

Where... Where are you going?

Did you get it on camera?

Um, I don't think I recorded

in time, but at least I tried.

(Sighs)

(wind continues whistling)

Hey.

Yeah?

Thanks for using the camera.

You got it.

Okay.

Hey, sleuthers.

(chuckles)

Sorry, I can't take

that seriously.

Okay, so, last night

was the last night

I'm staying on these sheets.

I got some new ones yesterday.

The old ones had, like,

a weird odor to them.

And Margot, since you want me

to film everything,

you're gonna get all of this.

We have not yet invented

a better way

of figuring out which corner

goes where.

She is conveniently absent

when I have to make the bed.

All right.

There you go, Margot.

See that?

It wasn't so hard.

Nice and clean.

You can thank me later.

Figure, if this is gonna be

our last adventure together,

may as well have fresh sheets, right?

Mwah.

Love you.

Like, I slept like a baby,

though, right through the night.

What time was it?

Good morning, my little sleuths.

- Hey.

- Good morning.

Do you wanna go to

that antique store today?

You know, we could get lucky

with some really good clues.

And then, on the way, you know,

we might find

the perfect wooden bench...

For the foot of our bed!

There it is.

What should I do?

Oh, you should definitely

just stay here.

Please film.

That's it?

You don't need me

to do anything?

No. That's it.

I guess I will hang out here,

and, uh, let you know

if I see any ghosts.

Thank you.

Oh, hey, you might get lucky.

You might get breakfast

and a show,

because, according to Rebecca,

they love to sing.

- (Chase chuckles)

- Mm. No.

I said it sounded like singing.

I didn't say it was

actually singing.

(Margot sighs)

(Margo exhales shakily)

Hey.

Thought we were leaving.

God, what is all this?

Yep.

Giving creepy carny vibes.

Hey. You okay?

Yeah.

I'm fine.

We should get on the road.

(Knocking)

- Chase?

- Hey.

Hey.

This place is incredible.

I feel like I'm on vacation.

So, Rebecca and I

were gonna go antiquing.

I just wanna make sure

you're all good,

that you're gonna be good

by yourself.

(Chuckles)

I'm fine.

I... I will keep an eye on

the place for you, all right?

What?

Where's your camera?

It's right there.

And we're here for five days,

so please don't be shy

with the camera, okay?

All right.

- Thank you.

- You're welcome.

All right.

See you in a few hours.

- Have fun.

- Thank you.

Oh, you wanted footage, Margot,

you're gonna get some footage.

Boo!

Margot, my dear,

I've solved your murders.

Turns out there were no murders

at all.

The Carmichaels

are alive and well.

They faked their own death

as a tax evasion scheme.

Ooh!

It's me, Arthur Carmichael.

You brought this upon yourself, Margot.

You are gonna get a day

in the life of...

(Chase spits)

(Thuds)

Margot?

Rebecca?

(Thuds)

Are you guys...

Are you guys home?

Margot?

(Thudding)

Margot.

Come on, you guys better not

be f*cking with me.

(Floorboards creaking)

Rebecca.

Come on.

(Creaking continues)

Hello?

Say something.

Hello?

All right, all right, all right.

(soft brooding music)

All right, m*therf*cker.

(dramatic music)

(Chase breathing shakily)

(Soft brooding music)

Oh, come on.

- Wow.

- So cute.

Those are very cute.

- Oh, my god.

- What?

The perfect wooden bench

for the end of our bed.

Oh! There it is.

- It's a little small, but...

- A little small.

- Margot.

- What?

- Oh, look at this.

- Yeah. Wow.

- You from outta town?

- Oh!

God. Yes. Sorry.

(All chuckling)

Yes. No.

Yeah, we're in town

for the week.

Um, what's...

What's all this, here?

Those are all the things found

at the Abaddon Hotel

before it b*rned to the ground.

I often wonder if anything

would've turned out differently

if Margot and Rebecca

hadn't wandered into

that antique shop.

They find all this junk

from the Abaddon Hotel.

Nothing that big of a deal.

And then,

Rebecca notices something

about that clock,

and everything changes.

- It has compartments.

- What?

It has compartments.

It has secret compartments.

How do you know that?

That's an old German manufacturer.

One of the listings has

the same clock that I have.

Built all the clocks

the same way.

Why are you whispering?

It's secret.

Okay.

Holy sh*t.

Oh, my God.

Wow.

Okay, keep going.

Keep going.

Okay. Yep.

Oh. We can't take that!

Yes, we can.

Look at this.

"All staff must be present

Thursday, September 15th.

Hotel will be closed.

He wants Beverly found, and

safely brought back to hotel,

of fear she might be pregnant"?

"Please handle

with caution."

Who the f*ck is Beverly?

What?

Okay, yep.

We're taking all of it.

Oh.

We can't take everything.

Yes, we can.

Nobody knows it exists.

Hey, you guys back?

Margot?

Hey, guys, are you here?

(chuckles)

And of course,

the f*cking power's out.

Hello?

(chuckles nervously)

f*ck.

(Chase sighs)

(Giggling)

The f*ck is that?

Oh, sh*t.

What the f*ck?

Oh.

Hello?

Who is that?

The f*ck?

Oh.

(Thunder rumbling)

f*ck.

f*cking sh*t.

Holy sh*t.

Holy sh*t.

Oh, sh*t.

(Chase gasps)

f*ck.

(Chase breathing shakily)

Hey! Who is that?

Say something.

f*cking sh*t.

Here we go.

(Chase continues

breathing shakily)

(tense music)

Who's in here?

Hey, we're back.

You okay?

Did the power go out?

Yeah, um...

yeah, I, um...

sorry.

Um, can...

Can I talk to you guys?

Yeah.

(Chase sighs)

Boom. Right there.

Oh, my God.

You can see a face.

Are you sure you were alone?

Who else would be here?

I mean, down here and upstairs?

You might be right

about this place.

It might actually be real.

(subdued music)

- I mean, I...

- Don't.

Don't say

"I told you so."

I've always had my suspicions

that there was something more

behind her going to

the Carmichael Manor...

Like she was after a bigger

piece to a bigger puzzle,

which had eluded people

for years.

But she definitely found it.

The film canister

that they found

inside that old clock

from the Abaddon,

that something so game-changing

was in there

the whole time,

while "Hell House" was there,

"Insomnia," and...

And everyone else, just...

Just waiting for someone

to open it, and find it.

Over 30 years later,

somebody did.

I thought I would see

some footage

of the Abaddon early days,

since the footage was found

inside the hotel.

But when I processed it,

that isn't what I saw at all.

What did you see?

The Carmichaels.

(eerie music)

(Film projector whirring

and clicking)

Hello.

Margaret?

Pat?

Are you guys still here?

Hello?

(Catherine yelps)

(Pat laughs)

You are an assh*le, Pat.

You guys scared the sh*t

outta me.

Hey, don't get mad at me.

It was all Margaret's idea, okay?

My idea?

You're the one who said

we needed to add some drama

to Catherine's movies.

These aren't supposed to be

manufactured drama.

It's like cinema verite.

That's the whole point

of the project.

You're lucky.

Pat wanted me to hide

in your closet.

That would've been awesome.

C'mon, we gotta go.

We gotta avoid

the bridge traffic.

Where are you guys going?

My first rehearsals

in the city today.

We're doing "Faust"

in three weeks.

Pat's gracious enough

to gimme a lift.

Well, can I come with you guys?

I mean, that would make for

some great footage.

Mom said you have to stay here.

Don't worry.

We'll be home before dinner.

Get one last sh*t of me

before I go shine on stage.

Sadly, that was the last image

ever taken of Margaret.

She was k*lled

later that evening.

And Patrick was never

the same again.

There really is

no obvious motive here,

and that is

the most frustrating part.

Find anything interesting

at the antique shop?

About the Carmichaels?

Sadly, no.

But we found a lot of weird sh*t

about the Abaddon Hotel.

So, listen to this.

"Something's coming.

Cold, the nightfall.

All things die and

never come back."

Well, that, that

sounds like a fun nursery rhyme.

It's like a bunch of notes

that were meant to be b*rned,

but instead someone put

them inside of a clock.

Okay, wait, there's one

more that I wanna read.

This one, this one, this one.

"When they return,

the most common side effect

is bleeding from the face.

Doc says some form of he-

mm, haemo-haemolacria?

Can you Google

that or something?

Return from where?

I don't know.

Hey, what's this?

I found that in the

Abaddon clock, too.

Might keep it in my room.

I could use some good luck.

(entity giggling)

sh*t, Chase.

There is a light on the camera.

Just hit that button

on the left side.

All right, hang on, hang on.

- Come on. Not that hard.

- There's a lot of buttons.

Hang on.

There we go.

Good job.

All right, where

are the breakers?

Do you know?

Yes, they should be, follow me,

closet near the front.

As if this

place can get any creepier.

I know, right?

It's

gonna be fine. Stop.

(Margot sighs)

(knob rattling)

Uh.

- Oh.

- Oh, f*ck.

Well, I guess we

don't need the breakers.

- You got it.

- God,

I was not about to stay

here without any power.

Yeah, sorry about that.

Donald said that might hap...

What?

Margot, what?

What the...

Is that from

the chest that was upstairs.

sh*t, Margot.

I'm telling you,

something's not right here.

(brooding music)

Where are you, by the way?

Margot?

Oh, hey.

Have you seen Margot?

Yeah, she's outside, um,

hey, could I talk

to you for a second?

Yeah, sure.

Like you, you

put on fresh sheets.

Yeah. The the

other ones had like an odor-

Right, like a, like

a, like an old sweater.

Yeah, I guess.

Yeah, yeah, mine too.

Uh, but, what's up?

Is, is this a

camera-friendly conversation?

Oh, yeah.

Keep filming. I, I don't care.

Um, I, I just

wanted to, you know,

gauge your comfort level

with, with all this.

Comfort level?

You know, Margot,

she, she, she goes

on these crusades

and, and she doesn't

know how to stop.

I mean, she can be

a little obsessive

and, and I'm sure that's part

of the reasons you love her.

But...?

Right, I just, I

just wanna make sure

that we don't stay any longer

than we have to, you know?

So like, if, if, if at any point

this gets to be too much for you

and you want to leave, just know

that, that I totally

have your back, okay?

Yeah. Thanks, Chase.

I, I think I'm okay for now.

As long as I have internet.

Right.

Wait, well, good, good luck

with, with your call now.

Oh! (chuckles)

Oh yeah. Thanks.

(gentle music)

In all the decades of rumors

and stories surrounding

the Carmichael Manor,

you could tell just after

watching the first day

of Margot's footage that

they were all probably true,

but they weren't really

phased at all by any of this.

Oddly enough, it was Chase

who first started urging

a little more caution,

suggesting that maybe

they don't have to stay

the full five days,

but then it got worse.

Hey.

Hey, Rebecca, how have you been?

Hey. Hey, Linda.

How's it going?

(audio warbling)

Okay. There you go.

Hi. Sorry about

the poor service.

I am out in the

country with Margot.

But I should still be able

to share my presentation.

Fingers crossed.

I love spending

time in the country.

How is it there?

It is different.

(Linda laughs)

That's what makes it great.

All these listings

are old Colonial style,

which is perfect

for us to take on

because they need a lot of work.

Um, here, let me get

a screen share going

and I will show you

the listing pictures.

Oh, wow.

(chuckles) Right?

(chuckles) What was that?

Sorry, I don't know

how that got there.

I love this listing.

What's the ask on

this one again?

This one is 230,000.

Excellent.

Good find, Rebecca.

Thanks.

Here, let me show

you this next one.

I know you're gonna love it too.

Um...

Whoa.

I think it's nice,

but that foyer doesn't

really scream fixer upper.

(brooding music)

Wait, I'm sorry.

This, this, this isn't right.

Beautiful staircase.

Is this the wrong file?

This isn't the file.

I, I didn't take these.

Everything okay, Rebecca?

Who is that?

Is that, is that you?

Honey, are you okay?

Do you need to take a

break to sort this out?

(brooding music continues)

(Rebecca and Linda scream)

So theoretically,

Linda has it recorded, yeah?

Margot, I don't care

if they recorded it.

I never wanna see that again.

Do you not get that?

Yes.

I know you are upset.

That is clear.

No sh*t I'm upset.

I know. So it doesn't matter.

I need to see it.

Margot, I don't care

if you wanna see it.

I, I probably lost my job today.

Well, wait, what, what happened?

Rebecca said that

she saw something weird

on her video conference,

like a person.

In this room, in a

picture with me in it.

- sh*t, are you okay?

- She's fine.

I'm not f*cking fine, Margot.

You, you didn't see it. I...

I knew I shouldn't

have come this time.

(laughs) Okay, so

now it's my fault.

Margot, I may have

lost the only job

getting us any income.

You-Listen, I love that you

hunt these old ghost stories,

but I-it's just a hobby.

It doesn't pay the bills,

it does nothing for us.

You and me. Okay?

It just satisfies some

obscure obsession you have.

What the f*ck are you doing?

I'm getting out of

here, okay? We all should.

Congrats, this place

is the real deal.

Now let's get the

hell out of here.

Okay so where you're losing me

is you mock all these

places that we go to

because "Oh, they

might be haunted,"

but then when a place actually

might be you want to leave?

Yeah.

And I'm sure that I'm not the

only one that feels that way.

Chase?

I, I, I'm, I-

I agree with Rebecca.

I mean, you know,

I don't think we should

stay longer than we have to.

There you go.

Thank you.

Okay. Okay.

Can you just turn that off

and give me and

Rebecca time to talk?

Yeah.

Hey, Becs. How are

you holding up?

I appreciate your

dedication to the camera.

Hey, if we're

gonna stay one more night,

might as well give

Margot a full card.

Plus, I'm afraid she might

yell at me if I put it down.

(Rebecca chuckles)

One more night, then, then

we leave in the morning.

Hey, you're not

gonna get any pushback from me.

What's she up to now?

Oh, you know,

just retracing the exact steps

of the k*ller and victims.

For what? Like the

thousandth time?

So, do you still have a job?

The internet hasn't worked

since my presentation,

so who knows.

Hey, you're gonna be all right.

(subdued music)

I can't make this make sense.

What?

It's an old photo

from the Abaddon clock.

Yeah, the pictures

of the Abaddon Hotel,

those make sense.

But this?

- And is that?

- Yes.

What the f*ck?

I know. And look at the back.

Clarksburg Fair,

West Virginia, 1975.

Do you see that carnival

game in the back?

That is the exact game

that is currently upstairs

at this very mansion

with the same two clown costumes

on those two mannequins.

- Three mannequins.

- What?

There's three

mannequins upstairs.

I, what does it all mean?

(laughs) I mean,

like, there it is.

There what is?

We officially have

a direct connection

between this house

and the Abaddon Hotel.

Explain to me how this

game gets from Clarksburg

to the middle of

nowhere, Rockland County.

And then this photo gets

in the Abaddon Hotel clock?

Maybe, um, maybe we

should leave tonight.

No! We are just actually-

(call button ringing)

What the f*ck was that?

The, th-th-the call button.

Someone's upstairs c-

calling down to the kitchen.

(call button ringing)

Holy sh-Margot.

Right, how, how, how

do we know what

room's coming from?

It's, it's, it's in

there above the door.

All right, all right. Hang on.

Go.

It, it says Patrick.

Okay. Okay.

Come with me. Let's go.

All right, all right,

all right.

You, you guys

are going up there?

Yes. And stay here.

Stay here.

Use the camera.

Go.

Shh.

Looks like the light's

on in the room.

- Was that on before?

- I don't know.

(Chase breathing heavily)

Hello?

Hello.

Hang on.

Jesus.

Watch it!

- Holy sh*t.

- f*ck.

Jesus. How the did

that get in here, Margot?

I don't...

(both breathing heavily)

Oh, sh*t.

It's f*cking staring at us.

I know, I know.

All right, hang on.

- Okay.

- Hang on.

f*ck.

Touch it.

f*ck. Shh.

f*ck.

(Margot sighs)

Okay.

See, just a mannequin.

f*cking clowns, Margot.

You had to pick somewhere

with clowns.

Dude, shut up. It's fine.

Okay, well.

Guys?

Anyone up there?

(door clatters and creaks)

Hello?

(Rebecca breathing shakily)

(ball thuds softly)

(Rebecca gasps)

(gasps) Who's there? (whimpers)

(eerie music)

(Rebecca exhales softly)

(dramatic music)

(Rebecca shrieks)

What's

wrong? What happened?

In t-t-the, in

the closet. In the closet.

- Go!

- All right. All right.

(eerie music)

f*ck. f*cking clowns.

Can

we go? Can we go?

Can we go, now?

Jesus.

What did mom tell you

about what happened to me?

Do you wanna talk about it?

I saw this little

girl all alone,

and then she said that

she couldn't find her mom,

so I wanted to help her.

- Good. That's-

- No, not good.

- Why not?

- Because,

because, she wasn't real.

She kept, she kept disappearing

and then, and appearing

wherever I was that day.

She said that her and her

mom were staying at a hotel

and that she couldn't

find her mom.

I wanted to help her, but

she kept disappearing.

And then I realized that,

well, she's not real.

She must be in my head.

That's okay, Chase.

That's, that's why we want

you to stay on the medication-

But I was.

And it shouldn't have happened.

But she was so real to me.

And the last thing

that she said,

it never stuck out to

me until being here,

she said, "Go with Margot."

Then the next day you called me

and asked me to

come with you here.

- Um...

- No. No

Don't try to bullshit me.

This place is f*cked. All right?

Something is, is

messing with us.

It probably doesn't want us

here, so let's not disappoint.

Okay?

Tomorrow, right?

Yeah.

Yeah. Tomorrow. (groans)

Hey, you gonna be

okay all by yourself?

Do you wanna bunk

with me and Becs?

No. I am gonna drink.

(Margot scoffs)

All right? That

will help the sleep.

Okay.

Um,

you know I love you, right?

I love you too.

Good.

Good night.

Night.

(wind whistling softly)

Rebecca.

Rebecca.

What?

Did you hear that?

I thought I heard like a shout

and a thud right

outside our room.

Hold this.

What is it?

We're okay?

Yeah.

I think so.

(door clatters)

What's wrong?

Is, is that Chase's?

Chase? Chase?

sh*t.

Where the hell are you?

He's not downstairs or outside.

Um, can can

you call his phone again?

(phone buzzing)

Um, hey, it's in here.

What do you think?

I, I don't, I don't know.

I guess I got, I-I got a

text from him last night

saying, "Was that you?"

"Was that you," what?

I don't know. You were

sleeping, so I didn't respond.

Um, he, he probably heard

the same thing I did

when I woke up, right?

(dark music)

Rebecca?

(Bradley) What we know now

is that Chase didn't wander off.

(scoffs) Of course he didn't.

Hard to understand.

Even harder to watch

if you, you've seen the video.

And I have.

(liquor sloshing)

Well, Margot,

ya really picked a winner with

this place. (chuckles softly)

Let's just hope that we

all live to tell the tale.

(Chase sighs)

(door knocking roughly)

Margot?

Margot?

(sighs) All right. I think

that's enough for tonight.

Someone keeps

knocking on the door,

but there's nobody there.

(door knocking roughly)

There it is again, somebody

is outside my f*cking door.

(door knocking roughly)

f*ck this.

(Chase breathing steadily)

(Chase grunts)

Nothing. (breathing heavily)

Hello?

Hello.

f*ck.

(lock clicks)

All right, Margot,

as soon as the sun comes

up, we are outta here.

I love you. But, but this

place is absolutely f*cked.

(Chase breathing heavily)

I just heard my door open.

f*ck. Something

just opened my door.

(dramatic music)

Oh f*ck! What the f-

Oh my God.

What the f*ck?

What the f*ck?

Shh, shh, shh, shh, shh.

Oh, f*ck. (whimpering)

What the f*ck.

Oh sh*t.

Okay. I'm, I'm gonna, (panting)

I'm, I'm gonna go.

I'm gonna, I'm gonna get my bag.

Let me get my bag.

And, and, and, and, and,

and, and I'll leave.

And, and it'll be like, like,

like we were never here.

Okay?

And I'm sorry. All right?

I'm sorry.

Look, we're gonna go.

What the f*ck? (whimpering)

All right, I'm leaving.

I'm so sorry. We're so sorry.

We're gonna go. Okay?

f*ck.

(brooding music)

Oh f*ck.

I'm, I'm, uh, I'm going.

We're going.

Oh f*ck. Oh f*ck.

Oh please, please, please,

please, please, please.

(dramatic music)

(Chase groans)

I'm sorry. I'm sorry.

I'm sorry.

Oh please, please, please,

please, please, please.

No!

Come on. I'm going.

I'm going.

Okay, okay.

(Chase muttering softly)

(Chase yelps)

(static crackling)

(film projector

whirring and clicking)

Pat, are you okay?

(door knocking softly)

Can I do anything for you?

What is all this?

Hey, are you okay?

Why are you filming me?

I told you I don't wanna be

part of your f*cking movies.

Oh, Jesus.

Pat, is that Margaret's dress?

Why would you...

What if someone told you

they could bring her back?

I, who told you that?

Patrick, she's dead.

I'm sorry.

I miss her too, but this,

this isn't right. (sniffles)

Don't look in there.

Please leave.

I want you to have something.

I don't expect you

to wear this, but,

just keep it on you, okay?

It helped me when I needed it.

(film whirring)

(film whirring)

(film whirring)

(film whirring)

(film projector

whirring and clicking)

For some reason, the

people my brother works for

asked him to store

their junk in our house.

And I went through

a trunk of theirs.

What was inside?

Well, a lot of things,

but I found this.

It's sheet music.

So let's see.

(piano chimes)

Somethings coming

Cold the nightfall

All things die

And never come back

Throw the ashes

Grasp your crosses

Pray to him

You'll never come back

(dark piano music)

Life's a circle

Full of darkness

Stay with him

And never come back

Jesus. Pat, where

do you work? (gulps)

(film projector

whirring and clicking)

Where'd you go, Chase?

Come on.

Hey, Margot.

Margot, it's time to go.

What?

No, we are not leaving

here without my brother.

What?!

And what if

something happened to him?

What are we gonna do?

Just wait for something

to happen to us?

No it's, you know my brother.

He's gonna be fine.

He probably just had another

episode and he's coming back.

Right, right.

He just wandered off again

with his bag in the

middle of the hallway

without his phone.

Are you serious right now?

Let's at least give him

some more time while

the the sun is up.

Doesn't that make more sense?

Margot!

I don't wanna wait

here another second.

Please don't make me.

Can we just give him

more time and we will

leave before it's dark?

I promise.

Please. (sobbing lightly)

Fine, okay? Fine.

Two o'clock. Okay?

And that's it. That's it.

I am driving out of here

with or without Chase.

(gentle music)

Or you.

Very little is known about

Andrew Tully's early days,

but we've been able to

figure out a few details.

Tully was once a

deeply-religious man

with a family living in

Arkansas in the 1960s.

He had a younger daughter

who d*ed tragically,

Abigail Tully.

And from there it

becomes a little hazy

because he fled

an arrest warrant.

That much we know,

it's on record.

On the run in your home

state, what do you do?

Where do you go?

Tully goes to Clarksburg,

West Virginia,

meets two men named Thomas

Rollins and Freddy Perkins.

What we know about Thomas

Rollins and Freddy Perkins

before they moved to

Abaddon, New York,

is that they ran a gaming

stand, Down-A-Clown,

just the two of them,

throughout the late

'60s and early '70s.

But in Catherine's footage,

there's a third clown suit.

Who does that belong to?

There is a case to be made

that the cult

started right there

at a small-town fair

in West Virginia,

where Tully would meet with

his closest confidants.

And they followed him

to Abaddon, New York,

where they built their

cover story hotel

and hired a bunch of

locals to work there.

Locals like Patrick Carmichael.

Margot, now it's four o'clock.

Okay? We, we gave

him two extra hours.

He's not here. It's time to go.

Okay? Let's go to the car.

No. Oh...

f*ck, okay, yeah.

I'm sorry, Chase. I'm sorry.

Once we get into town,

we'll go straight

to the police, okay?

They'll find him, Margot.

Okay. They, they're

good at that stuff.

Right now, we have

to look after ours...

(car chimes)

What?

No, no, no, no, no, no, no, no.

No, no, no, no, no, no, no.

What's wrong?

(stammers) I don't know. I'm,

I'm not a g*dd*mn mechanic.

I don't... (shrieks)

f*ck-

Rebecca. Rebecca, Jesus.

Okay. Um-

I knew I shouldn't

have come here.

I knew I shouldn't

have f*cking come here.

It's okay, okay,

listen. Listen.

It's 4 o'clock.

If we leave right now on foot,

we will make it to the main

road before the sun goes down.

That's 12 miles through

woods and back roads.

We'll never make it.

II know we'll make it,

um, unless you want to stay.

We wait till tomorrow.

Donald comes back and

we just stay the night.

Oh, f*ck.

Okay, if we

go right now on foot,

we walk a mile, what,

every 15, 20 minutes?

We can make it back

before it is dark.

Come on. We gotta go now.

Okay, let, let's do it.

Let, let's walk.

(brooding music)

The Carmichael Woods is acres

and acres of private woods.

And that's even before

you get to the miles

of back roads and small paths.

So sure, they probably

could have made it

to town before nightfall,

but that was going

to be a challenge.

And that was before

they saw what they saw.

(brooding music continues)

(leaves crunching)

(Margot sighs)

(Rebecca sighs)

Anything?

Still nothing.

Careful.

Careful, careful.

f*ck.

Careful.

I'm okay.

(Margot sighs)

So we've been walking

for about an hour

and we're making good time.

And I think, I think

we're gonna make it

before the sun's down.

God, I hope so.

And yeah. So that's

all I got for you.

I guess tomorrow

we're gonna get a tow

and keep looking for Chase.

Do you see anything?

Nothing.

Anything?

Let's just keep going.

(birds chirping)

f*ck.

(dark discomforting music)

(crows cawing)

Did you hear that?

(crows cawing)

Was that like a bird?

(entity shrieking)

The hell was that?

(entity shrieking)

Oh sh*t. Let's run.

No, we can't run.

Just, just walk

fast. Walk fast, go.

We can't run nine miles.

Go.

Why?

Why on God's earth is

there a hearse out here?

Oh my God.

Come on. Let's keep going.

What?

(haunting music)

What is that?

Oh my God.

Yeah, okay.

(Rebecca shrieks)

Holy sh*t. Holy sh*t.

Holy sh*t, holy sh*t, holy sh*t.

Holy sh*t, holy sh*t. Holy sh*t.

(entity shrieking)

(Rebecca whimpers)

(crows cawing)

Go!

I can't, I can't run anymore.

Yes, you can give me your hand.

We are not staying out here

with whatever the f*ck that was.

Go!

Okay.

Come on.

(Margot breathing heavily)

- I see it.

- Go.

- I see it.

- Thank God. Thank God.

Go.

(both panting)

Go, go. Go.

Do you have to film

right now? Just stop.

If there was

ever a time to make sure

that we were filming everything,

it is literally right now.

Margot, I just

wanna get out of here.

Okay. I don't care about

your stupid murders.

I never did-

There's a reason

that this is happening.

Everything that we've seen,

those things in the woods,

it means that we're getting

closer to the truth.

Who cares if we find out

who f*cking k*lled

Kennedy in this house?

None of it matters

if we're dead.

Well, I'm f*cking sorry

that I ever brought

you here, okay?

I didn't think I was taking

you against your will,

I thought you

actually wanted to.

Sorry!

(sniffles) Okay?

f*ck.

(Rebecca breathing shakily)

You have service?

It's a text from

Chase. It's a text from Chase.

Okay. Well, what does it say?

It just says, "Hi."

That doesn't make any sense.

Why? Where's this phone?

I-I left it in his room.

H-how is that possible?

I don't know.

G-good. Maybe he's

back in his room.

No don't, don't, don't go.

Just, just text him back.

Okay. Okay.

Okay.

Um, um.

Hey, where have you been?

(phone chimes)

"Met some new friends."

What does that mean?

I don't know.

Who are your friends?

(phone chimes)

"They wanna meet you."

What is he talking about?

What friends? Who are they?

Why don't you come to our room?

But, no. What

if that's not him.

That's what

I'm trying to find out.

(phone chimes)

"They won't like that."

No, no, no, no, no, no, no, no.

Margot, I have to leave here.

I cannot stay here.

(phone chimes)

"Okay, I'll come."

- I'm leaving.

- To where?

Just, Rebecca, stop. Just wait.

Please wait.

(door clatters and creaks)

Who is that?

(footsteps thumping)

(Margot and Rebecca

breathing shakily)

(door knocking)

(Margot gasps)

Hello?

Chase?

Chase, is that you?

What are you doing?

Don't stop filming.

I love you.

Don't go, please, don't.

Please. (sniffles)

(door groans)

(both yelp)

No, no,

no, no, no. No.

(eerie music)

(both whimpering softly)

Oh, god.

Hello?

(phone chimes)

W-what does it say?

What?

It, it says

"They're in your room now."

Stop. It's okay.

I don't wanna

stay here. No f*cking way.

Rebecca, stop.

Rebecca, stop.

Come back.

(Rebecca sobbing)

It's okay. Calm down.

Calm down, Rebecca. Calm down.

Don't tell me to

f*cking calm down!

(both sobbing)

f*ck.

(film projector

whirring and clicking)

Pat, We,

we thought you were dead.

No, I was in jail.

You arm? How did you?

Won't need that any more.

Pat?

Pat!?

What happened at that hotel?

They're saying it

was a mass su1c1de.

Were you there?

No. I told you, I was in jail.

Got into a fight.

Do you know what happened?

The hotel you worked

at, they're all dead.

They didn't die.

They just crossed over.

I was supposed to be there.

Crossed over?

What do you mean, crossed over?

Are you listening to yourself?

You shouldn't be filming me.

Turn the camera off.

(Margaret giggling)

(Catherine breathing shakily)

(footsteps thudding)

Catherine. (giggles)

(light bulb buzzing)

(Catherine shrieking)

(brooding music)

(gentle music)

What we know about the mass

su1c1de at the Abaddon Hotel

is that in the weeks

leading up to it,

very strange and

unexplainable events

were happening all

around the area.

Almost like whatever they

were doing in that basement

was releasing some

sort of dark energy.

Turns out the Carmichael

Manor was no exception.

You can tell that

something about Patrick

was different that night.

Catherine confronts Patrick

about the suicides

at the Abaddon,

and that was the last

night of her life.

Whatever came for them that

night was able to do so

without leaving a single

track in the snow.

Not a trace.

(film projector

whirring and clicking)

(Catherine sobbing softly)

It's okay.

They're in the house. (sobs)

They're in the house.

(door creaks)

(haunting music)

(Catherine whimpering)

Catherine.

What the hell?

(Margaret shrieking)

(static crackling)

(horn honking)

(Margot and Rebecca

breathing heavily)

Start.

Please start, please.

Please!

(Rebecca shrieks)

Oh, no, no, no.

(balls thumping)

(both screaming)

Hello? Hello?

f*ck, why won't you work?

f*ck,

f*ck, f*ck. Okay.

f*ck, f*ck, f*ck. Okay.

I need it to be like

that. I really...

(Rebecca whimpering)

C'mon, c'mon, c'mon.

Margot!

W-w-what was that?

Margot, please.

(tense music)

Wait, Margot. Margot.

Something's not right. I

don't think that's Chase.

It's him. It's him.

I know it's him.

Margot, I'm asking

you, please, that's not him.

Don't go.

Just stay

here and lock the door.

Margot.

Wait, wait, wait, wait.

It's working. It's working.

Hi, my name is Rebecca Vickers.

We're at Carmichael Manor

at 101 Starlight Drive,

please, something's

in the house with us.

Margot! That's not him!

f*ck!

Hello? Hello?

sh*t.

Margot!

(tense music continues)

(Rebecca sobbing and whimpering)

(Rebecca shrieks)

(static buzzing)

(Rebecca whimpering)

(Rebecca shrieking)

(wind whistling softly)

(Margot breathing shakily)

Hey, Chase.

Hey, hey Chase.

Oh my God! Oh my God!

f*ck. f*ck, Chase.

Chase, no. (whimpering)

Rebecca!

Rebecca, Chase is hurt.

Chase is hurt.

Rebecca, we need to get help.

Rebecca. No, no, no, no.

Rebecca! Rebecca!

Open the door!

Please, please.

Chase is hurt.

Please, we have to-(shrieks)

No, no!

I know what you did.

I was there.

No, no, no. No, no, no.

Please stop, please

stop, please stop.

No, no. (yelps)

No, please. Please, no!

Please, please, please,

please. (sobbing)

Please stop.

Please stop, no please.

Please. No, no, no, no.

No. No, no, please.

I don't, (panting)

please.

It's not over. (shrieks)

(static crackling)

(subdued music)

Evil never dies.

No fire will ever destroy it.

You can never claim

victory over it.

That evil will always exist

and it will always be there.

Sometimes in plain sight.

(eerie music)

(film projector

clicking and whirring)

If anyone finds this recording,

I had no choice. (sobs)

We all serve him

in different ways.

(man groaning)

Stop talking!

It'll be over soon.

(film whirring)

(film whirring)

(gentle dark music)

(film whirring)

(gentle dark music continues)

(gentle dark music continues)

(gentle dark music continues)

Did you guys hear

that Rockland County's

starting the fair up again?

(chuckles) No way.

Yeah, right in Abaddon.

I guess, they figured

since the hotel's gone,

all is well again.

(dark music)
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