03x14 - The Percentage

Episode transcripts for the TV show "Alfred Hitchcock Presents". Aired: October 2, 1955 – June 26, 1965.*
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American anthology series featuring dramas, thrillers and mysteries.
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03x14 - The Percentage

Post by bunniefuu »

Oh, good evening.

I bring good news to those of you who
are plagued with faulty television sets.

I am prepared to repair your set.

It only stands to reason
more can be accomplished

working from the inside-out,
than from the outside-in.

Let's see. Perhaps I should tighten this a bit.

On second thought,
it looked very good the way it was.

Oh, here's the trouble. We can't have loose
wires hanging around.


Tonight's playlet is called "The Percentage",

and it's about a professional
hoodlum named Big Eddie,


who meets up with a television repair man.

As you see, it has exciting prospects.

Someone has sent me the bird.

But let's go on with the show.

Perhaps we should get some ideas
from the repairman in the story.

I phoned that shop over an hour ago.

Oh, keep your shirt on.

Hundreds of TV repair shops in Manhattan,
and you phone for one way out in Queens.

So?

So how dumb do you think I am?

I don't know what you're talking about.

No? I'm talking how this set was working
fine until you began fiddling with it.


Then, bingo, it goes on the blink.

Next thing, you phone for a repair man
miles and miles away in Queens.

Shut up.

Okay, I'll shut up.

Hey, stop frowning.

Maybe I have reasons.

You got reasons? For instance?

Ain't I good to you?

Yeah, you're good to me.

Then what's wrong?

Eddie, you just not in this world.

Talking to yourself all the time,
and drinking too much.

Getting those dizzy spells.

Something's going on inside of you. And
it's been going on for a long, long while.


You're eating sawdust. I'm okay.

That's the repairman now.
He'll fix that TV set in a jiffy.


Leave us alone, baby.

Okay.

Hi, Sarge.

Pete, how's the boy?
Put it there. Come on in.


You don't seem surprised to see me.

The minute the boss gave me the call,
I knew it was you.

I read in the papers how you lived here.
You're a famous guy.


I even saw you on television during
that anti-crime committee thing.

How did I look?

Best dressed guy in the room.

Oh, there it is.

Say, isn't it a coincidence you calling our
shop way out in Queens to do a repair job?


It was no coincidence. I wanted to see you.
I've been looking for you for years.


Yeah?

I even hired detectives.

No kidding.

I couldn't find you.
You sure did drop out of sight.


How was I to know you'd changed your name
from Wyzonski to Williams?


It's easier for business.

Say, this is some place you got here.

Yeah, this is... This is real fancy.

Boy, you really got it made.

I said leave us alone.

I need a cigarette.

Meet Pete. This is Faye.

Hi.

A pleasure.

You acquainted with Eddie?

Look, go inside and...

And jump in the lake.

How long have you known Eddie?

We were in Korea together.

Thanks.

Oh, by the way, it's just a tube.
Eddie broke it himself on purpose.


Did you think you fooled me?

That dame's too smart.

Sure nice.

Say, you went to a lot of trouble
finding me. Why?

Do you know what I owe you?

Oh, sure. This visit here will
set you back five bucks,

and the tube, if that's what it is,
will cost another buck.


Leave that set alone.

Tell me what I owe you. Name it.

I don't dig you.

Boy, you really did bust this tube.

Say it.

Huh?

Go on, say I was a coward.

Say I was the kind of sergeant
that went chicken.

Say I got scared and ran away. Go on. Say it.
Say you covered up for me.

So it's that patrol that's bugging you?

Forget it. I haven't thought about that
in years.


I've never forgotten, not for one day.

You think I could forget how you kept them
from knowing I was chicken?

Look, so for a minute you went chicken.
We all could have.

All of us was gonna get k*lled if somebody
didn't do something. So I knocked you out.


But the patrol came through
okay. So what's the difference?


I got the credit.

What's wrong with that?

I don't like it that way.

Hey, what's the matter?

Just dizzy for a minute. It'll go away.

I've been getting them spells ever since
this whole thing started.


Trying to find you,
so I could fix the percentage.

I wanna pay you for shutting up,
for saving my life.

Pay me?

How much you make a week?

Pretty good.

How much is pretty good?

$ a week.

Don't make me laugh.

$ suits me fine.

I say it's peanuts. You got a wife?

The best.

Don't she want a fur coat,
a new car, a nice house?


You think a woman's happy to spend
her life cooking and washing your socks?


I want to make you rich, so you can buy
your wife everything she wants.

It's certainly a temptation, Sarge.

Stop calling me Sarge.

Look, Eddie. I can't let you
hand me a lot of dough.


I owe it to you.

You don't owe me nothing.

The whole thing's screwy,
it's not even worth discussing.


There, now.

Let's see if it works.

You got a mortgage on your house?

Don't have a house. Hope to someday.

How much dough do you need?

Look, Eddie, I'm not taking that kind
of dough, and that's all there is to it.


There, your set's working okay.

Isn't there anything you want?

Yeah. It would take me an hour
to tell you everything I want.

But I intend getting them
on my own steam.

What's the angle? You got
something on me. I was a coward.


Why didn't you tell the world I was chicken?

You're talking nuts.

I don't let nobody have
a percentage on me.


I got to pay you back!

Hey, let go with the fingers, huh?

Name it. Name something I can do!

Okay.

Louise likes to go out to fancy places.

So, if you wanna take us out on the town
some night, that much I'd like you to do.


On account of my wife would get a kick
out of going to a fancy place.

A measly hundred bucks for food,
drinks, cover charges, so what?

I'm talking about handing you thousands.

Eddie, I told you, it's no use.

Now, you want to go out with us,
or don't you?


Okay, okay. When?

Well, tomorrow's my night off.

I'll show you the town.

Okay. Here's the repair bill.

$ . cents.

Six bucks.

You got something on me nobody knows.

Sooner or later, I'm gonna pay you back
and you can't keep saying no.


Oh, gee, that's a beautiful fur.

Thank you.

Well, here we are, the four of us.

Just like a dream, ain't it, Pete sweetheart?

Sure is, hon.

Oh, boy. To think I'm sitting
with Eddie Slovak.


I mean, you read the papers, and
every day there's Eddie being indicted


or something important like that.

Say, why don't you take a spin around
with Eddie, huh?


Yeah. I'd love to.

Oh, you don't mind, do you?

Oh, no, not at all.

How about it, Eddie?

You bet.

Eddie sure is a great guy.

Yes, he is.

You dance wonderfully.

Thanks.

What did Pete say about me?
I mean, way back.

Oh, he said you was a big hero
in Korea.

He said that?
Yeah.

I bet you was, too. A real hero, I mean.

How would you like to put
a lot of dough in Pete's way?


What do you mean?

You got to help me talk Pete into letting me
stake him to a shop of his own.

His own?

I'd be the silent partner.

He buys the equipment,
makes the place look real fancy.

I'd pay him, let's say, $ a week.

$ ?

What's the catch?

There's no catch.

I don't get it. Why should anybody
want to pay Pete...


What's the matter?

Come here.

Pete can make a fortune.

I know ways to pull the wool
over customer's eyes...


No. Pete wouldn't like that.
He's got what he calls scruples.


Don't you want him rich? Sure, you do.
Then you got to make him say okay.


I'll try.

Hello?

Boy, am I glad to hear from you.
What do you think, baby?

Sure, we'll be glad to. What time?

: ? Swell.

Give my regards to Pete.

Yeah, we'll see you then. Goodbye.

That was Pete's wife, Louise.

I thought as much from the sounds
you were making.

Meaning what?

Eddie, I'm not jealous.

But I think it's rotten for you to make a play
for your own friend's wife.


Don't worry. She don't mean nothing.

Playing both of us now?

What are you talking about?

Listen, tomorrow night we go
to Pete's house for dinner.


Not me. I've rehearsal. Are you glad?

Now, you can show off
for your washed-out blonde.

But don't hurt that little guy, Eddie.
Pete thinks the sun rises and sets with her.


Stop worrying. She's doing
Pete and me a great favor.


Eddie, oh, I'm so glad to see you.

You're early.
Yeah.


Where's Pete?

He's getting ice cream for dessert.

Sit down.

Go on, sit down.
Gosh, you're sure a nervous guy.


I don't know.

But I guess when a man's as important as
you are, you get nervous after a while, huh?


Did you talk to him?

Pete?
Who else?

Yeah, I talked to him, the chowder head.
He's a stubborn chowder head.


He said no?

In spades.

"I can't let a guy hand me a
lot of dough for doing nothing.


"I'd feel dishonest," he says.
Imagine, dishonest. Did you ever?


He's crazy about you.
He'd do anything you asked him to.


Yeah, except this.
We had an awful fight over it, believe me.

He's so stubborn and proud.

Why don't you take off your coat,
and make yourself comfortable?


You should have persuaded him.
You must have said the wrong things.

Well, don't get sore, Eddie.

I counted on you.

The dope. He was nice looking
in his uniform, wasn't he?


I thought you'd get a kick
out of seeing him all dolled up


the way you remember him back in Korea.

You got a drink?

Yeah, sure. On the table.

Don't you feel good?

I'm okay.

Hey, where's Faye?

Rehearsing at a musical.

Then she'll be busy for a while, huh?

Yeah.

Well, maybe if you and me met
someplace kind of private,

you could think of some clever way to make
Pete let you back him.

Yeah. That's an idea. When?

Maybe tomorrow? He'll be at work
until late at night.


I'm crazy about you, Eddie, and you know it.
So, you be nice to me.


You keep at Pete to take the dough,
understand, honey?

Yeah, sure, sure.

Hi, folks.

The flavor of the month.
Chocolate Peppermint.

I tell you, Eddie, people want too much.

I say, when you got yourself a fine job,
a little dough in the bank, a place to live.

A gal who loves you.

Then, like the song says,
"Why ask for anything more?"



Hey, Louise, leave finishing the dishes until
later. Come on out and be sociable.

I'll be finished in a minute, honey.

Leave her out there.

I happen to like Louise around.

Look, Pete, if you're so crazy about her,

don't you want her to have a maid
to wash the dishes?


Move out of here to a better neighborhood?

Just for once, Eddie,
talk about something else, will you?

Now, try and feel at home here.

Home? You call this dump a home?

Listen. I like it fine, see.

It's a breadbox.

It suits me fine.

Yeah, and my jalopy suits me fine.

This suit I got on, maybe it costs bucks
but I like it fine, too.

You lunkhead.
You could live on Park Avenue.

Real paintings on the wall,
furs and clothes for Louise.

I'm the one who says what goes
in this family.


Now, you stop talking to Louise.

Either quit making trouble or stay away
from here, Eddie, I mean it.

Look at this. Nickel and dime stuff.

Okay. Get out of here, once and for all.

Oh, Pete, I didn't mean it.

Get out. You're going nuts.

Here, this will pay for it.

I don't want your dough.
Not a dime. Just get out of here.


What's all the shouting and yelling in here?

Where's Eddie?

He's gone.

What happened?

He flipped his lid.

Oh, look.

Leave that money alone.

He sure is generous.

I said leave it alone.

But there's bucks or more here.

Yeah.

And I'm sending it back, every dollar.

Hello, Eddie.

Sit down, Eddie.

The boys tell me you get hot
under the collar these days.

And when the boys get sore,
they don't work well with you.


I've been a little shook up.

You let the Lexington Avenue
number bank get overloaded.

How was I to know some jerk could get
a hunch on a number and clean up?

Why all this drinking?
Who is this mosquito who repairs TV sets?

Just an old buddy from the w*r.

You've a couple of million dollars worth
of assets to take care of.


I will not have you ruin those assets.

You will stop visiting old buddies
who live in neighborhoods

where people ask questions.

You will stop seeing him.

And his woman.

Boss, you don't understand.
I've got to see him and convince him.


I'm taking the concessions
away at Third and at Harlem.


Gordo will handle them.

He can't clean my shoes.

Good night, Eddie.

Boss.

I don't appreciate people touching me.

Hello, Beacon TV?

Is Pete Williams there?

Yeah.

Hello, Pete, this is Eddie.

Look, yesterday I put twenty grand
in your account.

Oh, you know about it. That's great.

No, it's nothing.

You did what? You sent it back?

Oh, you can't. Pete, don't hang up.

Pete, I know you got work to do,
but this is more important.

Pete, don't hang up.

I wanna talk to you. Pete, don't...

Hello?

Hello, Eddie. I want to see you.

No, the boss just called him out on an
emergency. He won't be home for hours.


Well, then dress and shave
and get over here, honey.

I get kind of lonely sitting here all by myself.

I got ideas about how to make Pete

change his mind about taking the dough
you want to give him.

I will get over there as soon as I can.

Attaboy.

Yeah.

Right away, Eddie.

Oh, no. You've had enough.

It's nice, you and me together like this alone.

You sure about Pete?

I tell you, he had to take the
subway to Brooklyn Heights.

You know, he's crazy about you.

Yeah, I know, that's what makes it easy.

I mean, he believes everything.
He thinks I'm in love with him.


But I really fell in love with his uniform.

You're so different from Pete, Eddie baby.
You're so strong and successful.


Fuss over me, please.

Tell me you like me more than that Faye.
Fuss over me.

You said you had ideas
about how you could get Pete

to change his mind about taking the dough.

I was only kidding.

Your fingers, they're so strong.

Eddie, you're hurting me.

You dirty cheat.

Mrs. Williams? Mrs. Williams,
are you all right in there?

Let's call the police.

I'll be right back.

Oh, Mr. Williams,
something's happened to your wife.


We're even now.

She made a play for me, and I let her have it.

I did the best thing I knew.

For your sake, Pete, all for you.

She was no good, a cheat.

It's even now, Pete. The percentage, I mean.

Pete, don't look at me like that.

We'll tell them a prowler came in.

We'll make a good story, you and me,
like we did in Korea.


This is the apartment, Officer.
That's it. That's it.


Open up, police.

Don't forget to tell them about the
prowler. You know how to do it.


A good story, make it good story, like
you did for me before. Please, Pete.

I said, open up.

People have been phoning that there's...

Hey?

Pete, tell him how we found her.
Look, officer, this is his wife.

We just found her dead.
A prowler must've k*lled her.


We just come in, him and me.

Is that your story, too?

My name is Pete Williams.

He's Eddie Slovak.

He k*lled her.

Who is it?

It's me, Pete.

Oh, Pete.

Come on in.

I wanted to tell you Louise is dead.

Oh, no.

Eddie k*lled her. The cops have taken him
down to headquarters.

Things are going to be all right, Faye.

From now on.

Well, that's the way the old body bounces.

I can't seem to find out what's the matter
with your set.


What's this?

No wonder so many
television tubes are broken.

If you don't care for the program, turn off
the set. Don't throw your shoes at it.


Of course, I realize that there are some
of you who can't turn the knob.


Your present tube seems to be
in fine shape, however.

Oh, well, I'm afraid you'll have to wait
until next time


when we shall be back
with a new story and a new tube.

Until then, good night.
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