06x06 - Concrete Jungle

[bunniefuu]

- What happened?
- BUCKLEY: Kane got out.

Place was a bloodbath.

Bodies on top of bodies.

So how the f*ck did they miss?

It was Franklin. Pulled Kane out.

(YELLING) Ah, sh*t!

You know, Frankie, you know
what sh*t I want to take care of?

Your f*cking uncle and
that bitch wife of his.

I know you know something
beyond that f*cking club.

- What?
- Stable man says Louie

rides a couple times a week.

And Kane wants her alive.

Ain't nothing normal about
this g*dd*mn business.

These young n*gg*s ain't
got no respect, no code, no honor.

They ain't us.

Everything all right?

JEROME: I'm out.

Where you going?

- JEROME: Out.
- What?

Jerome, where are you going?!

If I had to leave,
would you come with me?

Are you using Russian spies as an excuse

to get me to move in with you, Teddy?

TEDDY: Can you get
surveillance up on the residence

without telling Langley too much?

HAVEMEYER: You want to get in there?

TEDDY: Let me figure it out.

FRANKLIN: Took a little trip today.

Figured I'd treat your
old man to some dinner.

What do you think it's
gonna do to your future,

you k*ll a CIA officer's father, huh?

FRANKLIN: Wrong answer.

- (GASPING)
- (CASSANDRA SCREAMS)

- TEDDY: What did you just do?
- FRANKLIN: Transfer my f*cking money.

Or next I'm gonna go after your woman.

Then your kid Paul.

I'll bleed them.

Just like I did your daddy.

(PHONE RINGING)

(CLEARS THROAT)

(RINGING CONTINUES)

Yeah?

Hello?

TEDDY: Julia, it's Teddy.

What?

What is it?

There has been a viable
thr*at against your life

and you need to relocate immediately.

What? What kind of thr*at?

TEDDY: I'll tell you
everything once you're settled.

But right now you need to get moving.

There's a police escort and
a few officers on their way...

Teddy, stop. Tell me what happened.

My father...

was m*rder*d.

And the person responsible said
that you and Paul were next.

So you have to pack whatever
you need and get moving, okay?

We'll talk more once you're secure.

Oh, f*ck.

Yeah, fine.

Okay.

Number was traced to a
farmhouse in Tangonoxie,

about miles outside of the city.

It's been b*rned to the ground.

They're starting to search the site now.

I don't want any other law
enforcement agencies involved.

We handle this ourselves,
we just got to put eyes on Franklin,

on his penthouse,
his mother's house, his office.

He's not gonna be dumb
enough to show his face again,

but we got to be ready if he does.

Look, I know you and
your father weren't close.

But I can tell you from experience,

losing a parent you had a
complicated relationship with

can be just as difficult...

It wasn't "complicated,"
it was nonexistent.

But this is very important.

So, no, I'm not walking away.
Not for a day, not for an hour.

Okay. Okay.

I can't make you do anything, okay?

We have problems, can't
afford mistakes. I get it.

You say you're good, fine.

But you better make damn sure.

Because it's not just
your ass on the line here.

Yeah.

♪ ♪

I'm gonna settle up, check on my mom's.

Back in a minute.

What are you doing?

Thank you.

I'm not getting back on that plane.

And neither are you.

VERONIQUE: Let's just
get back to L.A. and we can

figure out what happens next, okay?

What happens next?

Full-scale government scorched earth.

This is over, my love.

Time for self-preservation.

Did you see what I just saw?

Your man is coming undone.

And the only way you have a future

is if you walk away from him right now.

We'll play it smart.

You say you're scared,

you want to get his baby out of
harm's way, you will be waiting

when he gets the money.

And then we vanish,

like we have a hundred times before.

I have passports for the both of us.

We will raise this baby, you and me.

It's how it has to be.

Since when?

Since when do you have passports for us?

Since the moment you told me
what you were involved in here.

Did you think for a second

that I'd agree to any of
this without an exit plan?

This is what you wanted from the start.

Why you came here, why
you agreed to all...

You called me, and I came.

Because you are my
daughter and I love you.

Unlike that man in there,
who will sell you out in a second if...

FRANKLIN: What's this?

CASSANDRA: Oh, well, we've been talking

and in light of what's just transpired,

we think it might be best if,
uh, Veronique and I

didn't go back to L.A.

Oh, yeah?

CASSANDRA: We all want
what's best for her,

for your baby.

So, we'll take a car to
Phoenix, fly from there,

make sure she's safe...

then you can come meet us
when you've sorted this all out.

Is that what you want, V?

No.

No, it isn't.

I won't go back to that life.

Rootless and always running.

And I won't condemn
my child to it, Mother.

But you'll condemn your
child to death or prison?

- Life with a monster?
- He's not a monster.

Not to me.

To me, he's a man who hasn't lied,

or raised a hand,

or left me alone in a prison cell.

He's the first person
to ever put me first.

He's doing everything in his
power to deliver the life I want,

no matter how he has to do it.

And until that changes, Mother,

I'm staying.

Okay?

Come on, babe.

(JET ENGINE WHIRRING)

Sir.

(JET ENGINE WHIRRING)

But you know Tony doesn't
give a f*ck about the KGB.

He's threatening to shut it all
down and send me to prison.

And what about Franklin?

He's in Kansas City.

Kansas City? What is he doing there?

k*lling Teddy's father.

(SHAKY BREATHS)

You still think it's a good idea
to make the deal with him?

(SIGHS)

Pos a ver que pedo.

Searching blind ain't smart.

Yeah, well, I can't sit around
doing nothing no more.

And y'all two, y'all
been waiting for weeks.

Where the f*ck was he going?

He mostly been holed up here.

Or out doing business.

- (ENGINE APPROACHING)
- (CRASH, GLASS SHATTERING)

(CAR DOOR ALARM CHIMING)

(ENGINE SHUTS OFF)

Jerome f*cking Saint!

Whoops.

Guess you got to put that on our tab.

(SCOFFS) You know what?
I'm not doing this with you.

You can't even barely stand up.

We'll talk tomorrow.

Uh, talk tomorrow
ain't gonna work for me.

I'll be gone, going to Jamaica.

- Getting on a plane.
- What?

Yeah. I'm gonna pack my g*dd*mn bags,

go to the airport,

get a ticket for g*dd*mn Kingston.

Sit back, real easy. Free.

(LAUGHING): Okay, Jerome. Fine.

- Think I'm bullshitting?
- No, I think you're looking for a fight.

And I ain't biting.

I ain't looking for no g*dd*mn fight.
I'm telling you I'm g*dd*mn done.

Done selling cr*ck.

I'm done getting sh*t at.

I'm done trying to
k*ll my g*dd*mn family.

Okay! Fine!

What the f*ck am I
supposed to do with that?!

Maybe you're supposed to acknowledge
this sh*t is f*cking insanity.

The money ain't worth this sh*t, Lou.

No matter how f*cking
wrong this sh*t is,

ain't nothing gonna make it right.

Or maybe...

maybe you stop this
sh*t 'cause you love me.

Hmm?

I know I stayed in this
sh*t for you, right?

Because if I left,
your ass would be dead.

I know it ain't your fault.

You're just f*cked up.

Yeah.

You don't got no way to be happy.

And it's my g*dd*mn fault
for trying to fix you.

But I'm g*dd*mn done.

I... It ain't my problem no more.

I'm free of this sh*t.

You don't mean this.

It's the realest thing I
ever f*cking said to you.

(ENGINE SHUTS OFF)

You made the right choice.

Come on.

Teddy will retaliate.

So we got to stay out of
sight until this is over.

The house, the shelter...

can't go to either one.

He can come at you, too, Lee.

If Teddy want to come
at us in the projects,

I say good luck to that
cr*cker m*therf*cker.

So this was all part
of your original plan?

Waiting around wasn't working.

Now he wants us just
as bad as we want him.

And he'll be rattled,

vulnerable.

I just need to draw
that m*therf*cker out.

(SIGHS)

Listen, um, I'm exhausted.

Okay? So, uh, Mama...

why don't you follow me and V
back to the stash house? Huh?

CISSY: I'll be right here.

Leon's right, Teddy ain't
coming to the projects.

And I'm not laying on
some cot in a flophouse,

or hiding in a hotel
room under a fake name.

Mama, you're not listening...

Hey, look, we'll-we'll keep
her safe. It-It's all good.

All right.

Let me know if you need anything.

(DOOR OPENS)

(INDISTINCT VOICES ON RADIO)

(KNOCKING AT DOOR)

(KNOCKING AT DOOR)

TEDDY: Ben, are you in there?

If you don't want your
neighbors to hear this,

you should open the door.

Could come in.

I was just heading home.

That's not really true. I-I was
heading to my girlfriend's house.

And it occurred to me that...

this might be the last opportunity

we have to speak before it's too late.

Are you making coffee?

You want me to make you a coffee?

TEDDY: There's so many
questions I wanted to ask.

The things you must have
done to end up in this place.

All the lives you must've lived.

You're wondering what the play is here.

There isn't one.

I know how this is supposed to go.

I know how this is supposed to end,

but I thought maybe we could sit down,

and talk.

See if there wasn't another way.

Before you try to explode
my world and I k*ll you for it.

(COFFEE MAKER BUBBLING)

I'm open to suggestions
if you have them.

TEDDY: Go to your people, you
tell them you got it wrong.

I'm not doing what you think I am.

(CHUCKLES)

And if I did?

You think I'm allowed to determine
what I can and cannot pursue?

I just think a dead end's a dead end.

They're not here.

You are.

(SCOFFS)

What if I believe what you're doing
is a crime that should be exposed?

Then I'd say there's
people in this world

who think the way that you
live your life is a crime.

But maybe that's none of
their f*cking business.

There's just so few
people on this planet

who understand what it is we do.

What it costs.

And how hard it is to keep going.

When you know that, inevitably,
you're gonna end up all alone.

Your whole life sacrificed
at the altar of secrecy.

And then you wonder if it was worth it.

Or, worse, you wonder why you
did it all in the first place.

What am I actually trying to live up to?

And I know how crazy this sounds,

but ever since I learned you were here,

I actually felt less alone.

Holy sh*t.

I can destroy you just as easily
as I could've k*lled you tonight.

And you know that.

Walk away. Take the gift I'm giving you.

Take whoever's size ten
shoes those are in your closet

and go live the life you want to live.

If you're still in this
apartment tomorrow night,

I'll assume you still want my help.

You head out...

slip our surveillance...

next time I see you, I'll k*ll you.

How you feeling?

Been better.

I know you said you're done.

But I got some things to
say, if you want to hear.

Sure.

I'm sorry...

that our life has become this.

I knew that Franklin wouldn't be happy

if I went over his head.

But I could never have known
that Teddy would do that.

And that that would bring us here.

With you and Franklin on
opposite sides of the g*n, I...

I been asking myself, why?

Why I couldn't just be
happy with where we were.

Because we had money, right?

Power. Respect. (SIGHS)

But no.

You did.

'Cause I've been running
this thing, right?

And you see that. But our customers,

all they see is you.

Every deal we make, they talking to you.

They look at me long enough to wink,

or lick they lips...

They ain't dealing with me.

Is that enough to die over, though?

Self-f*cking-worth?

Yeah.

Yeah, I think... I think maybe it is.

JEROME: Lou, I've done
everything for you.

Everything.

I know you have, Jerome.

So when you're saying that
you can't do that here,

that you done...

I hear you.

But I just need more time.

Because I made promises.

You mean like Teddy?

I'm not scared of Teddy.

Maybe I am.

I just want to get our
money out of Panama.

And then I don't know. I don't know.

That's what I'm saying.
I just need some time.

(PAGER BEEPING)

(SIGHS) Skully.

I'm supposed to be doing a drop.

I'll do the m*therf*cking drop.

You go on and get your mind right.

Business.

Lou, I can't stay.

I won't.

♪ ♪

Hey. Whoa.

Sorry.

(TEDDY PANTING)

I'm sorry.

I think I was having a bad dream.

(SIGHS)

I know you don't want to leave, but...

after this, I don't
think you can stay here.

So I can help you find a place,
if you'd rather not be with me.

For how long?

Till Franklin's dead.

So that's what happens now?

You k*ll Franklin?

And then what?

I'm not good with having my
fate in someone else's hands.

If you and I are going
to continue this...

I need to know how you see
things playing out from here.

It depends.

PARISSA: On what?

On what you want.

I keep looking around my life,

and I got no one.

The one bright spot in all of it is you.

What do you want?

You want to leave?

Do you want to take the money and we'll

figure out how to use it? That's fine.

I'm done giving up things for them.

What do you want?

PARISSA: I'm going to be honest.

That might be the sexiest thing

a man has ever said to
me in my entire life.

(VEHICLE APPROACHING)

(BRAKES SQUEAKING)

GUSTAVO: You're a
difficult man to reach.

Yeah, I've been busy.

So I heard.

Look, I'm guessing Teddy's not
too happy with me right now.

He'd probably give you anything
you want to help set me up, right?

Problems I got, you're the
only one who can solve them.

What you need to get this done, Oso?

You said ten million.

- I did say that, yeah.
- Mm-hmm.

And I can get that money to you,

- but you got to wait till after I have him.
- No.

It can't wait. Need it now.

In that case, I can give you a million.

Look, you know what
Teddy did to me, okay?

Why I'm after him in
the first f*cking place.

This is all I got, a
million. Take it or leave it.

Okay, a million.

- Good. Anything else?
- Yeah.

I'm gonna need passports,
for me and my entire family.

Can you help me?

All right.

Call this number.

Guy called Top Notch will
answer. Tell him I sent you.

Tell him I'm paying. All right?

Okay.

How soon can you move?

As soon as I get the
documents and the money.

You know it's not going
to be easy to find Teddy

after last night, right?

- I know.
- One more thing.

I'm gonna need your
word that after you get

what you need from Teddy
you're gonna k*ll him.

No problem.

I'm f*cking serious, moreno.

You could've left me with those
vatos and you didn't,

so I trust you, but this time, it's...

it's-it's not only me,
it's my family, okay?

Teddy cannot be alive to come
after us once I betray him.

This is the easiest promise I'm
gonna make to you today, Oso.

If you get me Teddy, I'll
k*ll that m*therf*cker.

A toda madre.

♪ ♪

So we got to just keep coming here?

Yeah.

Till she turns up, I guess.

It's your turn.

(SIGHS)

Yeah, I know.

I promised I'd visit more, it's just...

been a lot going on.

After we ride, I'll
tell you all about it.

Yeah?

(SIGHS)

Y'all hang back, yeah?

Let's go, baby.

(HORSE WHINNIES)

- (SCREAMING)
- (HORSE NEIGHING)

(g*nf*re)

(HORSE SCREAMING)

(GRUNTS)

sh*t. Oh, sh*t.

For Leon?

Uh-huh.

Should you really be
going there right now?

It's a drop.
We both got keys to the same car.

VERONIQUE: In case anything happens,
shouldn't I know where the car is?

th and Fig.

- A Chevelle.
- (PAGER BEEPING)

(LINE RINGING)

KANE: Do you fish, Frankie?

No.

KANE: Well, I do.

And I caught something big.

(CHUCKLES)

Alameda.

Come and see.

(LINE CLICKS)

(KANE CHUCKLES)

(CHUCKLES)

You know, you doing an
awful lot to protect a pig.

He worth all of this?

I tell you, and then what?

You really gonna let me
just walk out that door?

(GARAGE DOOR OPENING)

KANE: You know, when
I woke up this morning,

my girl was threatening
to move back to Vallejo.

I begged her to move here after my bid.

Said it was safe.

So, we get to arguing and sh*t, right?

Because now, I'm looking like a liar.

Used to be, days like this,

I'd talk her down.

You know, pull her panties to the side,

show her I needed her,

that I loved her.

But this argument...

kept going on and on...

all because of you...

and a f*cking cop.

Don't you...

owe me this kindness?

Where the f*ck is he?

(GRUNTS)

(KANE CHUCKLES)

(LOUIE GROANS)

(GRUNTING)

(KANE CHUCKLING)

(SOBBING)

Oh, look at that.

Mm.

Look at that.

(PANTING)

Stay put.

(SNIFFLES)

(SOBS)

(GATE SCREECHING)

I've got a g*n and I'm not giving it up.

Kane asked me to come.

I walk in or I leave. Your call.

(TRAIN WHISTLE BLOWING)

(HIP-HOP MUSIC PLAYING)

ANT: Hey.

They in there.

You straight, homie?

(KANE CHUCKLES)

Yo, the stables was a lick, my n*gga.

FRANKLIN: Yeah, I can see that.

What you need me here for?

Well, once I get what I need...

I figured you'd want to do the honors.

Take her out.

Nah.

That's all you.

KANE: Ever tell you
my people were from...

Allensworth?

Black farmers.

So, the water got bad.

Lost a lot of ranchers, so...

one summer...

Grandpa said that I
had to brand the cows.

I was like, nine, ten,

crying and sh*t. (CHUCKLES)

'Cause, you know, I
didn't want to hurt them.

But he said...

the farm was how we protect our family,

that the farm...

is how we protect our livelihood.

A legacy.

To take pride in that.

So I did.

Branded...

every cow...

with my head held high. (CHUCKLES)

You know what I want.

(LAUGHING)

(SCREAMING)

You still don't want to talk, Louie?

Okay.

(SCREAMING)

KANE: Tough one, huh?

See I'm gonna have to break you down.

Got a lot of n*gg*s fresh out.

Love feisty red bones like you.

(KANE LAUGHS)

Guess we having
ourselves a little party.

(CHUCKLING)

Hey. Call Percy, tell him I got
a business proposition for him.

Damn, she bad.

Get Ricky's ass over here, too.

You mind?

KANE: Yeah, n*gga, do your thing.

Come on, Indiana.

(BREATHING SHAKILY)

(LOUIE EXHALES)

FRANKLIN: Give up Buckley.

And pray for a quick death.

Because what these n*gg*s
plan to do to you...

Why do that to yourself?

Franklin...

you did this to me.

Oh, yeah?

Fine.

You want Teddy?

I'll help you.

Sorry, Louie.

I already got an in.

(DOOR OPENS)

- (DOOR CLOSES)
- (SOBBING)

♪ ♪

(TIRES SQUEAL)

(ENGINE SHUTS OFF)

(SIGHS)

f*ck.

(PAGER BEEPING)

(BABY CRYING IN DISTANCE)

(TRUNK LID SHUTS)

Come on.

(PAGER BEEPING)

(SIGHS)

- RENNY: Project counsel?
- Got a problem,

they bring it to whoever
we elect for that.

They squash it. That
way, we govern ourselves.

You gonna do this before or after
you resupply the cook houses?

We need rules and regulations first.

RENNY: Lee, we need everyone on
a full stomach. Then they gonna listen.

What I'm not about to do is have
chaos up in this m*therf*cker.

I just got to handle this sh*t first.

WANDA: Leon!

Franklin's on the
phone, he sound stressed.

All right.

FRANKLIN: Leon.

Yeah, I got you, but I can't
guarantee he'll hit me back, though.

Look, just keep paging him
until he does, okay?

LEON: Then what?

Ain't much I can say to make
sure he call you if he does.

There is.

I'll bring a g*dd*mn calvary.

Give me the f*cking address, Leon!

Duarte Street. I'll be right there.

(DIALING)

(PAGER BEEPING)

(PAGER BEEPING)

(BEEPING FADES, ECHOING)

SKULLY: What's up, G?

They got her.

- Who?
- Kane got her.

LEON: Grabbed what I could.

- You ain't have to come, man.
- Yeah, but it's my sh*t, too.

- Yeah, we all did something.
- (TIRES SCREECHING)

Bitch n*gga!

The hell is this?

Where the f*ck she at?!

If I'd have told you straight up,

you would've charged in there
and gotten yourself k*lled, man.

The f*ck you care?

'Cause then they'd know I'm
the one that dimed them out

and I'll be f*cking dead. Now
you want to yell and scream?

Or you want to do sh*t
the right way and survive?

You can k*ll me if you want to.

Or we can stop wasting
time and save your wife

from what them jailhouse
n*gg*s plan to do to her.

It's knowledge right here, homie.

Man, f*ck that book.

There's weed, drink,
and a bitch in there.

But you out here with me.

You a simp, homie.

Who want to run a train

on a ho that's crying and sh*t?

sh*t, me and every n*gga here.

(CHUCKLING): I ain't f*cking with you.

(HIP-HOP MUSIC PLAYING ON STEREO)

What's going on in here?

Oh.

- Okay.
- Mm-hmm.

Nice little red bone. Hmm.

Yeah, there might be room on the track,

if that monkey talking.

Well... (EXHALES) talk to it.

It'll talk back.

Like what you hear, give me what I need.

Make a nice bottom bitch.

- Mm.
- (CHUCKLES)

Well, all right, then. (CHUCKLES)

FRANKLIN: Sup?

Thought you left.

FRANKLIN: I did.

Now I'm back.

Got to search your ride.

ANT: Nah, nah.

Chill.

He good.

Let him go.

You seen Todd?

Boy looked like the
back of a Nestle Crunch.

(LAUGHS) You stupid, n*gga.

Blunt got my mouth all dry.

I'm gonna head to the store.

Roll with me?

And miss an opportunity to go in?

Hell no.

You gonna tell me where Buckley is

before or after we
get started, Ms. Lady?

Kane tell you who I am?

A bitch that'll bend but won't break.

A loaded bitch.

Can pay you whatever you want.

Just let me out of here.

- (SCREAMING)
- Don't let her go.

Oh, sh*t. Don't run.

Don't run.

Don't... don't f*cking touch me!

(PERCY CHUCKLES)

Kane f*cking up the church's money.

It's all right.

They're paying for the inside,

not the outside.

Mm.

Ah...

(TRAIN WHISTLE BLOWS)

♪ ♪

(CHOKES)

♪ ♪

(CLOSES QUIETLY)

PERCY: I'm-a need you to
take all that sh*t off.

(LOUIE PANTING, SOBBING)

LOUIE: Oh, I see.

You was young when you got put on, huh?

Who did that?

Your sister, or your mom?

Mom had you turning
tricks for the light bill

even before you could bust a nut?

You probably sucked more d*ck than
the hoes you got on the stroll, huh?

This make you feel better
about what they did to you?

Because I see your scars,

made from pinning women down.

You like it when they fight you off.

Like you tried to when you was little.

Oh, you a loquacious ho, huh?

All that mouth.

You gonna have to do better than that.

Now take them m*therf*cking clothes off

before I have to do it for you, bitch.

I'd rather take a f*cking b*llet.

(SCREAMING)

Talking that sh*t to me?

Somebody sprinkle a rubber on me,

I ain't trying to catch that die slow.

("THE BRIDGE IS OVER" BY
BOOGIE DOWN PRODUCTIONS PLAYING)

(INDISTINCT CHATTER)

Damn, this where the party at, huh?

♪ The bridge is over, the
bridge is over, biddy-bye ♪

♪ The bridge is over,
the bridge is over ♪

- ♪ Hey, hey, the bridge is over ♪
- (LOUIE SCREAMING)

- ♪ The bridge is over ♪
- You good?

- ♪ The bridge is over ♪
- (SCREAMING CONTINUES)

Kane still in there?

Nah, his lady paged him.

I'm gonna let Kane know you here.

♪ Marley ♪

sh*t!

(MUSIC CUTS OUT)

- (LOUIE SHOUTING)
- (MUFFLED BANGS)

PERCY: Hey, get...

Get out there and see
what the f*ck that was.

♪ ♪

(g*nf*re)

Go!

Get 'em, come on! Let's go.

(g*nf*re)

Go get g*dd*mn Leon!

(g*nf*re)

Man, I got to get the f*ck out of here.

Hey. Perce.

Hey! Percy, don't open
that f*cking door, n*gga!

f*ck.

Ricky...

g*dd*mn, n*gga, come on. Come on.

Louie!

- LOUIE: Aim at the door!
- KANE: Get up!

(LOUIE SCREAMING)

I'm okay. I'm okay, baby.

I-I'm okay.

Stay right there, n*gga.
You'll get your bitch back...

when I get out that door.

Put your f*cking g*n down.

(KANE CHUCKLES)

Oh, no.

KANE: Or we could sh**t it out.

And I promise you, she gets
the first f*cking b*llet.

You get the next one.

Come the f*ck on, Rome!

You know how this sh*t go.

We from the same block.

We squared up, we squared out...

while a lot of n*gg*s d*ed.

(CHUCKLES)

So how about...

we call it even?

What you think about that, OG?

Huh?!

Nah, n*gga.

(b*llet CASINGS CLATTER)

Jerome...

No, boy! Boy, no.

Jerome. Jerome. (SOBBING) Jerome.

No! Stop, stop, stop, stop. No!

Jerome...

Baby, baby, wake up. Wake up, wake up.

Don't leave me.

Don't you... No, no!

No! No! Wake up!

Don't leave me.

Get up.

Get up, baby. Get up, get up, get up.

Come on, baby,
let's go home. Let's go home.

- Unc?
- LOUIE: You've got to get up right now.

You've got to get up, you've
got to get up right now!

Come on...

Get up! Please, get up.

- (SOBBING)
- Unc?

LOUIE: No...

Get up. We got to go, we got to go.

- (SOBS)
- FRANKLIN: Unc?

(LOUIE SOBBING)

(ECHOING): No!

No! You get up!

Get up!

♪ ♪

♪ ♪