03x07 - Jusqu'à la dernière seconde

[bunniefuu]

You tried to screw us over,
till the last second.

I was very disappointed
that you contacted the prosecutor.

So, you think you have
a big scoop on us?

Enough to lock us up for 15 years?

But you know what?

I don't buy your story.

You know what I believe?
I think you're bluffing.

You have no proof against us.

You thought you'd get away with it?

You have a kid?

Shouldn't have acted honorable,
snitching on your colleagues.

Let me tell you a secret.

You won't get out of here alive.

Back up.

Back up, let's go!

Back up! Don't make me sh**t!

Cut! We got it.

72 on 1, 7th, it's a wrap.

- Bravo, Kader. A real pro.
- Yeah?

What an actor!

- The writing is good.
- I can get promoted now.

- A captain spot is opening up.
- A what "spot"?

- Here.
- Don't hurt yourself.

- Alright, let's go to review it!
- Good job!

Could I see it again?

One pat down
and they found the w*apon?

The story isn't realistic.

- It's a movie.
- In real life, you're quicker.

What if I take you to school
looking like the Walking Dead?

Captain, I'm here late,
but I saw the important part.

Frankly, you stole the spotlight.

You were amazing.

7 takes in one hour,
that's not amazing.

You don't look well!

- Circle it!
- I'm leaving.

Glad I could see
your first steps in the biz.

See you tomorrow.

I'll walk you out.
I've done some theater too...

Excuse me.
You need to move out of the way,

otherwise you'll be in the sh*t.

I never should've accepted
to film this here.

It's not like the commissioner
left a choice.

Your outfit for the next clip.

Give it to Chris.
He'll put it in my room.

He has the key, and he's been
MIA since this morning.

Tell him we aren't his minions.

Is my little darling, upset?
Don't worry, I'll take care of it.

If the film was sh*t by the house,
I would've spent the day there.

We aren't allowed to talk
and you spend all day waiting.

Have a fun, OK?
Call you later.

- OK. Cool.
- Bye.

You're leaving?
You want an autograph?

No! Chris! No!

Oh my god! No!

- Did you hear that?
- Let us through.

Please.

f*ck, Chris... He's dead.

- What happened?
- He was like this when I came in.

- His body is still warm.
- Yes, it was recent.

I'd say between 8:30 and 9:30.

- What else did you see?
- Nothing.

He was strangled.

Secure the perimeter.
And get everyone out of here!

Please don't stay here.

Right in front of my locker.

Where were the cops?

Stéphane, have you seen anyone leave
in the past 2 hours?

Some guys who went to get
some stuff,

but then they went back into
the open space,

and also Sarah.

The k*ller could still be here.

No one comes in or leaves
without my authorization.

Confiscate the entire film crew's
cell phones.

Find the one who turned
my station into a crime scene.

...36 30 55. Thanks.

You are good... Your turn.

Are you allowed to do this?

- Seriously?
- How am I supposed to work?

Alright, action!
With a smile, please.

Can I have your digits, Miss?

Thank you.

- Next!
- We're talking about

interrogating 23 people at once

and keeping them separate.

I don't have the staff or the space.

I already called the staff
in for an emergency.

We'll only do custody if necessary.

I went in to change, found him there.

What time will you be here?

I'll send Chris... I mean,
someone will come and get you.

Tom, we need to act quickly
to find out who did this.

Did he have any enemies on the set?

Are you suspecting someone
from the team?

Answer us.

Chris was my assistant.
He made my life easier.

Sometimes that created tensions
but nothing serious.

Do you remember
if the door was locked?

Yes, I opened it with my key.
Only he had an extra set.

After the m*rder,
the k*ller must've taken it

and locked the door.

Do you have his family's number?

I need to call his wife, Cécile.
She will be devastated.

- Can you give me your phone?
- What?

We will call her.
A colleague will interrogate you.

Wait, I'm a suspect?

We need to interrogate
the entire film crew.

It's normal procedure.

No police are involved.

The IGPN cannot come here!

Let me remind you that
filming here was your idea.

So, we stay united.

My hands are tied, chief.

Give me 48 hours.
If we don't find anything, then

the IGPN can come in.

I'll give you 36 hours.
That's all.

- So?
- The lockers are secured,

we're starting interrogations
and fingerprints,

and the victim's wife will be here.

Whenever Duval is here,
something shitty happens.

Let's look at the bright side.
We're at home.

Yes?

Let them in.

The PTS team is here.

The victim's wallet.

Nothing under his nails.
He wasn't fighting back.

He wasn't facing his aggressor.

He got strangled
facing on the ground.

The k*ller put all his weight
on his back.

His watch broke as he fell.
It stopped at 9:17.

Yes. That matches up
with my first observations.

And that helps clear some suspects.

Well yeah, at 9:17, the "boss"
was sh**ting his big scene,

and we were admiring him.

Let's not exaggerate.

This was unplugged.

I may not have studied film,
but I have an education.

He wasn't electrocuted,
it was strangulation.

What is this?

"The requested number
is unassigned."

And nothing online either.

What do people write in their hands?

Lottery numbers,
bank pin codes,

something you see
and want to remember.

This case is crazy.
Ever imagined such a thing?

A m*rder right here, during
a filming? No, not really.

Let me summarize,

our victim is
Christophe Revel, 44 years old,

married, one kid,

Tom Duval's personal assistant
for 15 years,

nothing in his criminal record.
An ordinary guy.

But a guy who was strangled.
And we have these numbers.

Tom Duval might know what they mean.

I was able to get the results
from criminal records.

You have speeding tickets,
parking tickets, and 2 DUIs.

These four have a record,
and we're interrogating them.

Thanks, Christelle.

You're welcome.

Thanks.

What do we have?
2 sentences for drug possession.

Weed, cannabis resin.

Another for stolen checks in '98,

and one for an act of v*olence.

Oh! Captain, Chris's wife is here.

- I'll show Tom the number.
- OK.

Thanks, buddy.

Oh! Mister Cherif!

Mister Cherif!

I am Matthew Baker,
the movie's producer.

I'm here to see Tom Duval.

I want an Aston Martin,
but I'm patient.

I have 7 guys inside.
I have a right to know.

Yeah, but now I gotta see
Chris Revel's wife,

if you don't mind.

Mrs. Revel?
I am Captain Cherif.

I'm sorry about your husband.

Will you follow me, please?

I live across the street.
It'll be quieter for us to chat.

We're trying to establish
Chris' schedule.

"Christophe", please, not "Chris".

I'm sorry. Go ahead.

I saw him 2 days ago.

All he talked about was Tom,
their plans after the movie.

Last week-end was
our wedding anniversary.

We were supposed to spend
a romantic weekend together.

My parents would babysit our son,
and...

it was kind of our last chance.

And he cancelled.

There were some issues on the set,
some decor issues...

Did that happen a lot?

All the time.

So, when Christophe
came the day before yesterday,

I told him I wanted a divorce.

Excuse me.

I spoke to Tom. He doesn't know
what the numbers mean.

OK. I'm coming.

Hello.

Captain Briard.
I work with Captain Cherif.

Thanks.

Do you know if someone from the team
was mad at your husband?

He'd say that everyone was
jealous of him.

I wonder why...

But apparently, I don't
understand any of this.

We've been living apart for a while.

But the man I married
was a good, nice guy,

serious.

We lived in the same world,
at the time,

until he met Tom.

- How did they meet?
- 15 years ago.

Christophe was a bouncer
in a night club,

the Night Lounge.

One night, he excitedly called me:

"Tom spent the evening here
with his wife."

Tom wasn't famous yet,
but Christophe was already a fan.

They spent the evening together.
They stayed till closing.

That evening,
Tom had a terrible car accident.

Christophe found them
on his way home.

He called 911.

Then, he visited them
in the hospital every day.

Is this when Christophe became Chris?

You know...

the saddest thing is...

Tom, would never do anything
without his wife. Ever.

That's the only thing
that Christophe didn't imitate.

Have you ever seen these numbers?

Is it linked to his death?

That's what we want to know.
Has he ever been threatened?

He would thr*aten people.

Really? Who?

Well, when we'd fight,

he wanted to show
how important he was.

When talking about crew members,
he'd say: "That guy

"will never be on another movie
again after this."

Do you remember any names?

He'd say it all the time, so...

The movie's pyro technician...
Jérôme?

Bellami. He's the one
with a violent record.

Quick, follow me. 1st floor.

Excuse me.

All of the rooms are taken.
My office or yours?

Follow us.

Sit down, here.

So, Jérôme Bellami.

You're 33, the son of Lyon's
largest gunsmith,

you wanted to get into
the movie industry.

I saw your website. Promising.

Too bad Chris didn't like you.

He wanted you fired from the movie.
Why?

He found something out,
you followed him and strangled him.

The crew confirms that you were
away at the time of m*rder.

Where were you?

And the money?

Do you often walk around
with so much cash?

Where did you get 2,500 euros?

Where were you
at the time of the m*rder?

I think you aren't understanding
the situation.

Cherif, Briard, follow me, now!

Stay here.

I got your text message.
Was I mad enough?

- Yeah. Keep yelling at us.
- I don't need to be told.

I am managing 23 people!

In about 30 hours,
the IGPN will show up!

Have you ever seen a police station
in custody?

You don't want to see that,
neither do I! Back to work!

- Care to explain?
- Yeah. Come.

If our friend refuses to talk,
either he's guilty...

Or he's hiding something. We'll
check everyone's interrogations.

That'll take all day.
You had plans for today?

I did actually.

We can figure this out in 5mn,

but there's some text to learn.
You in?

Starsky and Hutch,
season 1, episode 14.

- Where were you this morning?
- I have nothing to tell you.

Get up!

I just got yelled at by my boss.
You better tell me the truth!

- Understand?
- Don't start this again!

Out! Come on!

- You have one chance!
- Come on!

Come.

He's crazy.
I want a lawyer.

You'll get one.
Sit down.

By the time he gets here,
it'll be too late.

Too late for what?

He'll be back in 30 seconds.

He'll apologize,

ask me to get you a coffee,
and then...

But he can't do that.

They'll say that you fell.
It worked on the last 2 guys.

That's disgusting.

You know, this whole thing...

I feel bad.

You were right.

Some fresh air did help.

I'm really sorry, buddy.

You OK?
Tell us if you aren't.

- You want a coffee?
- I'm good.

- C'mon.
- No.

- My treat.
- No.

Captain, 2 coffees, please.

It's your turn to get them.

It's her turn to get them.

Cherif, I don't think this
is a good idea.

Trust me. It'll relax us.

Don't leave me with him.
I'll tell you everything.

I'll tell you everything.

He resold collector's

weapons to one of our cops?

Yes, Jack Tissier, from vice.

Jérôme was using the set
to sell collector's weapons.

This morning, he sold one to
Tissier, a Walther PPK from '62,

and a chrome Colt Python from '72.

It explains all the cash.

- Great.
- He has an alibi.

We need to search Tissier's office.

If I call the prosecutor now,
IGPN will come.

You're letting him go?

Find the k*ller.
I'll deal with Tissier later.

Yes?

Just a second.
Captains,

the entire crew is in custody

except Tom Duval,
the cameraman and boom operator.

- We're not done with Tom.
- Yes, go ahead.

Everyone in custody gets
a medical exam. No one faints.

Yes, I know how many there are.

One more reason to stop wasting time.

Yes, thanks.

Thanks for your support.

I'll know more tomorrow. Go home.
I'll call each of you, OK?

- OK.
- Thanks, I'll let you close.

- Hi, everyone.
- Hi.

I'm b*at.

- You should've waited at the hotel.
- Would you have done that?

- How are you?
- Tom!

- You were supposed to call.
- Tomorrow, OK?

I had a long day.
Do you get that?

Any idea how much money
we're losing right now, huh?

Hey! What's going on here?

- I'll call you tomorrow.
- It's OK.

He's my co-producer.

I don't understand.
Usually he's fine.

Darling, Captains Cherif and Briard,

they welcomed me
during my training.

You're the one acting too?

Yes, hold on...
Watch out.

Tom, we need to talk.

I'm coming with you.

OK.

Believe me,
a k*ller is on the loose.

You need to think.
Who was mad at Chris?

You think I'm not asking myself that?

I've rehashed everything,
and I don't understand.

- Do you know Chris well?
- Yes.

- He was like family.
- And Cécile, his wife?

Cécile is more complicated.
She always kept a certain distance.

It's hard on a relationship
when you have different objectives.

I'm sorry.

I always dreamed of being one of
these actors people recognize.

It happened in season 1
of Max et plus si affinités.

Except that everyone
thought I was Max,

the guy who only says jokes.

"If I may..."

Even you, the first time you saw me,

you thought of it.
Didn't you?

Yes, I plead guilty.

Comedians aren't taken seriously.
Look at Bourvil.

He received his first award with
La Traversée de Paris.

Chris and you gave me strength.

You encouraged me to start
my production company, for this film,

Until the last second.

To think that the title
was foresight.

We don't know yet.

We'll find your friend's m*rder*r.

Thank you, Tom.
You can go.

Come on.

Let's go.

Good night.

- He's very narcissistic.
- Yes.

His friend just d*ed,
he's all about "my life, my work"...

He's an actor.

It must change your character
to always have a camera on you.

You know that you're good?

Christelle, is there an Alice,
in the film crew?

Yes, she's in a cell.

Can you bring her stuff
and the camera?

Thanks.

She's filming "behind the scenes".
Maybe she saw the k*ller.

I'm on it, thanks.

Tissier, in my office.

Doucet will start
procedures against him

which will shorten the delay
for IGPN.

Do you prefer salty or sweet snacks,
for the video?

I'd rather watch it at home.

Oh, good idea!

Let's go?

I'm kidding.

Don't feel guilty. You weren't
supposed to be here today.

- I'll watch the video.
- Thanks, Cherif. See you tomorrow.

See you tomorrow.

- Good night.
- Good night.

You OK?

Yes.

- Want to go back?
- Oh, no...

I'm sorry.

I thought you left.

I was afraid someone would
go though your office. Need help

watching it?
2 of us will find him faster.

Thanks, but...

I'll order some food,
then we can start.

OK?

Thanks Christelle, really,
but I'm not hungry,

I was going to take it home.

I thought I'd find you here.

- Can you give us a minute?
- Of course.

Captain, Chief, good night.

Well. Tissier confessed.
He bought 2 weapons from Bellami,

in his office,
at the time of the m*rder,

which clears him from Chris' m*rder.

Did you find something?

- I'll tell you first thing tomorrow.
- Sounds good.

- What do we do?
- It depends on you.

How do you feel? Tired,

starving?

Starving.

How about a nice restaurant,

with a beautiful terrace,
overlooking Lyon?

- Is that good?
- Very good.

- Captain.
- Hello.

- Croissant?
- No, thanks. Not hungry.

Short night?

And you?
Not too tired after your night?

We never played "moment of truth".

You and Garnier,
how long has it been going on?

Don't say: "It's not what it
looks like", I have eyes.

54 seconds.

We already did this scene, Cherif.

So, you and Garnier,
can we talk about it?

50 seconds.

Did you find anything in
the "behind the scenes" video?

We won't talk about it, OK?

Yes. Look, I found this
in the images.

Look.
Who is fighting with the victim?

It's Matthew Baker,
the film's producer.

I thought he wasn't here
at the time of the m*rder.

The welcome desk guy
doesn't know when Baker left.

He's not supposed to note
all arrivals and departures.

What is Chris taking from
Baker's hands?

I don't know.
It looks like a datebook.

No, that's not it.

I know why Chris Revel was k*lled.

Yes. Very well, I'm coming.

I have to be at the headquarters.
Things have changed.

The commissioner wants a detailed
report on the investigation.

We have the budget.
Look at the number at this chapter.

It's the same as the one
on Chris's hand.

- Sit down.
- Those are the decoration expenses.

Some of the expenses
don't appear in the story.

Some money was embezzled.
Chris knew it.

As co-producer,
Tom was relieved of 500,000 euros.

Chris was his best friend.
He wanted to warn him,

it cost him his life.
- What do we know about Baker?

His real name, Hector Larsson,
a failed actor from the '80s,

and king of the '90s series.

"Hector Larsson." Oh yeah!

Ninja Cannibal,
Zombie Cop 2, 3...

- What?
- Everything changes for him,

by marrying a French lawyer.
He changes his name and identity.

- No more horror movies?
- Do you remember the actress

and two stuntmen who d*ed on set?

Baker produced those films.

Images from the accidents
were visible in the films.

"No such thing as bad
publicity," he'd say.

Bring him in.
I'll stall the commissioner.

If Baker is involved, we'll show him
what bad publicity is.

- I can explain about yesterday.
- The fake fight?

A m*rder on a film set,
that wasn't enough?

The problem with the French:

you're afraid to push the envelop,

to go further.

Photos of the producer
fighting with the star,

during a m*rder investigation...
is that "going further"?

Tom is convinced that
the quality of the movie is enough.

He makes 12 per week.

If he thinks that the public
is waiting for him...

After you.

Chris' death is sad, of course,

but we have to, as you say,

"make lemonade

"out of lemons",
and see our opportunities.

Right. You had a fight
with Chris. Why?

What?

We watched the "behind the scenes".

We found these images.
Isn't that you?

Yes, it's true, we had a fight,

but I can't remember why.

Well we do,
and we'll refresh your memory.

Of the 6.9 million budget,
half a million was embezzled.

We found 350,000

redirected to house repairs.

The house is under
the name of Jane Turner.

A gift for your mistress.

No. Jane is not a mistress,
she's my daughter.

I never recognized her.

But she suddenly reappeared
in my life.

- That's all you can come up with?
- I had no choice.

My wife knows nothing about my past,
and it must stay that way.

We're talking about your daughter,
you know.

You don't know my wife.
She's been my lawyer for 12 years.

Believe me, one should never
marry their lawyer.

- I understand.
- If she finds out

about Jane, she will destroy me.

That's a good motive to k*ll Chris.

I ran no risks with Chris.

He was incredibly loyal to Tom.

He would have never done anything
to harm him.

Tom knew about the embezzlement?

Tom found out 1 week ago.

He came to me, asking

for 150,000 euros cash, quickly.

Chris couldn't reveal anything
that Tom didn't already know.

No transfers on Tom Duval's account.

150,000 euros is a big amount,
but it's not a lot for him.

Maybe Tom also needed to
keep the secret from his wife.

I know... But we may have just
discovered the motive.

No, no.

Chris and Tom
have been friends for 15 years.

We were filming with Tom,
at the time.

Let's still interrogate him,
just in case.

I'm not supposed to know this,
and the commissioners want to see me:

IGPN is coming
this afternoon at 3:00.

That gives us 4 hours to find
the k*ller.

Very well.

Let's call in the Duvals.

It won't work,
if we don't separate them.

We lost your interrogation files,

and I need your signature.
- Let's go.

Sorry, but the police station
is very strict.

I'll wait.

How about we wait for your husband
at my place?

I live across the street.
We'll be more comfortable.

Sure.

My mom taught me how to make them.
You'll see, it's good.

Did you know about Chris's
artistic ambitions?

No. He never talked about that.

We would've helped him.

Of course.

Without Chris, I'd be dead
behind the wheel of that car.

I know, his wife told me.

Did she tell you that I was driving?

I've had to live with this
for 10 years.

Let's get to the point,
what's your question?

Tom told me you audition
people in your home.

OK.

Do you think that your husband
is an honest person?

I'm not sure I understand,
but I'll try to answer.

After the accident, Tom stayed
by my side, despite my handicap.

Most men would've left,

especially with a job like his.
But he stayed.

That's moral honestly, isn't it?

Professionally, he's the same.

I saw Tom fight for every cent
of the film, so yes,

I know that Tom is honest.

Oh yeah?

Then why did he embezzle
150,000 euros of the film's budget?

Is it me, or has something changed
between you and Captain Cherif?

Read.

Brigitte is at Kader's?

We know about the embezzled money.
Why did you need it?

You're bluffing.

- What do you mean?
- You know what I mean.

Excuse me. I'm sorry.

Yes, I'm coming.

Please, come in.

- You OK?
- Yes.

Come on, let's go.

Didn't you forget
to tell us something, Tom?

What did he say?

I told her about the 150,000 euros,
but she knew nothing about it.

- We don't owe an explanation.
- You're being arrested

for the m*rder of Christophe Revel.

Now, you'll be able to
answer our questions.

I needed a real assistant,

since my career was about to explode.

After all the years,
Chris probably didn't like that.

He took it pretty well.

He just wanted a bonus,
off the books.

I'm not proud of it, but...

it's the only thing I could think of.

Where are the 150,000 euros?

My client gave them to Mr. Revel
two days before the m*rder.

We don't know what he did with it.

Without telling your wife?

He wanted to protect her
from a sad separation.

It's a part of life,

hiding some truths
to protect loved ones.

"Making lemonade out of lemons."

And your shared projects?

Cécile Revel mentioned
some projects you had with Chris.

I don't get it.

OK. We'll get going.

No. Tom, stay here.

Any details that Christophe
may have mentioned about the story?

I understand.

If you think of anything,
don't hesitate. Thanks.

Christophe's widower
confirms the existence of a script.

But he never mentioned the content
to her...

and she never asked.

What if this was the reason
for their fight?

Chris wrote a story about
Tom and Brigitte.

After all this time,
he knows their secrets.

Even if such a script exists,
Tom would've destroyed it.

I've seen that, "deposit-SAG",

on a statement
from Chris's bank account.

Really?

Here. "20 euros for SAG."

Chris thought about protecting
his work before publishing it.

Recorded 2 days ago at the SAG.

Wanna hear the title?

The truth about the night
of April 27th, 2001.

- Not a great title.
- That depends.

It makes us wonder what
happened that night.

True.

Do you know what night
I'm talking about?

The night of the accident.

We've read enough to understand
what the 150,000 euros was for.

It was for Chris,

but not a departure bonus.

It was either to buy the script,

or to make sure he doesn't show it
to anyone.

Who cares what it says!

It's fictional work. You know,
when everything is imagined.

- Like a movie.
- Exactly.

OK. Let's imagine
that the story is true,

and the story between
Tom and Brigitte

is in fact based on a huge lie.

Chris was the first to arrive,
but what you didn't say

is how he helped you
disguise the truth.

You were driving, not your wife.

This b*mb could put an end
to your career,

right as your career was taking off.

But knowing you, the real problem

is that your wife would find out.

That's why you k*lled Chris,

to make the only witness disappear.

Aren't you forgetting a minor detail?

How would he have committed
the crime?

He hasn't left your sight
for a second.

Don't tell me you were with him
at the time of the crime!

Watches can be adjusted.

But the body's temperature indicated
a death between 8:30-9:30,

and during that time,
Tom was with us.

He could've paid someone.

Maybe that's what the money was for.

Tell another team member?
He already took risks

by k*lling him here.
He knew we would be

his best alibi.
- OK, very well.

Find out how he did it, quickly.

I have an idea.
Come with me.

Let's re-enact the m*rder.
Baudemont, you're the k*ller.

- Surprise, surprise!
- Fine, I'll do it.

You'll be the dead guy.

Go here.
Christelle, go behind him.

We know that Chris
was strangled from behind.

Show us how you'd do it.

Hey, gentle!
We're acting here!

- She's really strong.
- Oh, c'mon!

Baudemont, fall on the ground.
Christelle, keep strangling him.

When we came in,
Tom was right here,

against the lockers,

between the cadaver and the plug.

Wait, wait.

You think that Tom k*lled him before?

Strangled at 8:00, broke the watch
and set it to 9:17?

That's not possible.

When we came in,
the body should've been cold.

So, what do we have?
Some toiletries, jeans,

a pair of shoes...

What's this?
An electric blanket.

Columbo.

That's how you did it.

- You need to prove it.
- Not once we have a confession.

Why would my client confess?

Because he has to explain the content
of the script to his wife.

Will you lie again?

How much longer, Tom?

It's Chris.

For 15 years, I did everything
so he could enjoy my success.

But in the end,
he wanted to do his own thing.

He thought he'd become famous
by telling my story.

I told him it would ruin everything.

My career, my life, and Brigitte's.

He laughed.

He said my fans
would forgive anything,

and that Brigitte would feel

alleviated from the guilt
she's had since that night.

So, I offered him money,
but he didn't want it.

He gave me 24 hours,

24 hours to think,
before sending out the script.

I spent all night thinking.

I needed the perfect alibi.

So, I did what you did.

I searched TV shows.

You k*lled him that morning.

Yeah.

The electric blanket,

it worked in Columbo
season 3, episode 1.

When I came back,
I hurried to remove it, but...

I forgot to plug in the mirror.

Then, I screamed for help,

and it worked.

I couldn't stand the thought of
Brigitte discovering the truth.

I always knew it.

Ever since that night,
I knew I wasn't the driver.

Why not say anything?

I thought it was the only way
to keep Tom.

What's the glue
that hold couples together?

Hopefully, not just lies?
Well, I hope so.

Well, since we're talking about it...

I know it's none of my business,

but I don't think that
Garnier is good for you.

Why?
Pascal is too handsome,

too active,
and too reasonable for me?

Let's not exaggerate. He was
your brother's best-friend.

Uh... What I...

I mean there's too much history...

You're right, Captain.

It's none of your business.

Sorry.

Whoever kills my son,
even acting, will pay for it.

- Thanks for watching Sarah.
- I wasn't going to leave her

across from the station,
filled with K*llers!

There was only one, but you're right.
I have to go.

Call you later. Bye.

Gentlemen.
May I help you?

- Chief commissioner Muller.
- From IGPN. Oh yeah!

Boss, it's the extras.

I'm afraid you're late.
The filming is done.

May I? Excuse me.