01x06 - Episode 6

Episode transcripts for the TV show, "Last King of the Cross". Aired: 17 February 2023 - present.*
Watch/Buy Amazon


The 10-part drama series follows John Ibrahim's journey from early poverty to later success.
Post Reply

01x06 - Episode 6

Post by bunniefuu »

[MANSOUR] You're going to make

ten times as much as you do now?

Yeah. Yeah. Sounds too good to be true.

[MADAME TIEN] So how did you go?

He's in, I reckon.

[MANSOUR] I can arrange

anything you want.

I'm like Sam's lieutenant.

Ah, f*ck. Look out. Here she comes.

Charlie's Angels.

[DOYLE] Apparently Johnny went

from doorman out in Parramatta

to owning three clubs in

the Cross in a heartbeat.

Maybe he won lotto.

[CRELLAN] Liz Doyle. She

made contact with you yet?

[JOHN] She's looking at me.

She's also pretty interested

in you, and your mates.

- Where's Sammy?

- He's busy.

[THUDS]

[WOMAN] Stop!

Sam, people rely on us now.

I need you here.

[DEMI] I used to really think

he was one of the best people I know,

and now he's just a f*cking cockhead.

People respect you Sam,

because you're not like this.

You know when I was a kid I

would've followed you anywhere.

[GENTLE MUSIC]

[SAM SNORTS]

[PHONE RINGS]

Pick up.

[PHONE CONTINUES CALLING]

[SADLY] Sam.

[DOOR SLAMS]

Hey bro, was just coming to see you.

What are you doing? You want

to go get something to eat?

- Hit the gym after.

- No man, f*ck off!

Right oh, I was just

seeing if you wanted to.

- [STREET SOUNDS]

- [MOTORCYCLES REV]

[ROCK MUSIC]

[CAR HORNS]

Get off the bloody road.

You don't own the joint, mate!

[GLASS SMASHING]

Jesus, mate!

[LAUGHS]

[CAR SCREECHES]

[THEME MUSIC]

[BACKGROUND DANCE MUSIC]

- [KNOCKING]

- [MAN] Hold on a minute.

- [KNOCKING CONTINUES]

- [MAN] Hang on.

[DOOR CRASHES]

[MAN] Jesus Christ! Come on man.

I can't go through this again, please.

[THUD]

[MAN EXCLAIMS]

[MAN] Here you are.

Take it.

[ANTON] He's a different

person when he's on it.

He scares me.

Oh f*ck. He kicked

this guy's windscreen in

just because he honked his horn at him.

- He ever off it?

- I don't know.

Did you go to the apartment?

I did, yeah. I knocked.

He didn't answer.

- And how hard you'd f*cking knock?

- Listen, I like the guy.

Okay, I do, but I'm not banging on

any more doors or approaching

him when he's like this.

I'll get flogged. f*ck that.

It's okay. I get it.

I'm worried about him, John.

I'm really worried about him.

It's not going to end well.

I'll sort it.

[LOUD MUSIC]

Go in circles like we've never heard ♪

Always the same ♪

A different day and time ♪

All those faces, they became a blur ♪

Instead I've spent

too many nights inside ♪

And every time that I go out

there's laughter and crowds ♪

But at home it's too quiet

and cold in the silence ♪

Why am I always running in place ♪

I myself the things that

I shouldn't have said ♪

When I close my eyes I'm fine ♪

But the places I can't hide ♪

And the darkness in

my mind is it crying? ♪

Keep your f*cking hands off her.

All right mate, relax.

I'm helping her pay her bills.

No touching. It's the f*cking rules.

All right. Hey Dave, relax.

Sit down. Sit down. Have a drink.

It's on me.

Come on, sit here.

Okay, rum and coke. Drink of champions.

You don't get two punchy

on the rum now do we?

[LAUGHS]

So what do you reckon?

She a big bitch.

She got a cock?

I mean she, she's hot.

Look at her, I'd pot her.

You know her.

Yeah.

- Ahh.

- Simone.

Simon?

- Simone.

- Oh, oh, right,

Simone. Yeah. [LAUGHS]

I'm only pulling your leg.

Good on you.

Nah, f*ck, good on you.

[JOEY] Like he's off his f*cking head.

You understand what I'm saying?

Like he doesn't give a f*ck about

anybody, about the rules, nothing.

He just walked in off the street,

f*cking off his chops and

took the gear and the cash.

Is that for me?

Yeah, sure, but I'm telling you,

if you don't get this

fixed by next week,

you're not going to see half this.

I'm not f*cking making this up, Ezra.

Something has to be done.

To who?

Go on, say his name.

He's going to f*cking ruin us.

Us?

Okay. What do we do?

f*cking hell, Ezra!

If I have to sort this f*cking

sh*t myself, why do I need you?

[SHOUTS] Osmon, we're going

to put the kettle on, mate.

[YAEL] How are those

chickens going down there?

- [YAEL] Okay.

- Did you know that

- Thanks Joey.

- the black one with the white thing?

That's, that's the only cockerel.

[YAEL] Did you see him though?

He's got that funny, cute little head.

- He's serious?

- Yeah.

Who the f*ck do you

think you are talking to?

You can't talk to him like that.

Make no mistake about it, mate.

He'll have someone cut your throat,

and he won't lose a

wink of f*cking sleep.

Now he's given you the real estate,

the keys, the authority to a

business that makes more money

than anything we do here.

But it's your business Joey.

Remember that?

Yeah, you want to straighten this out.

You know what you got to do?

Go talk to his brother.

[STREET NOISES]

[SAM] I don't give a flying f*ck

what you got or how you sell it.

I've only got one rule.

Whenever I want something

you hand it over.

Whenever I need cash,

give me as much as I want.

How much is that, Sam?

Is there like a, you know, a cap?

As much as I want, means as

much as I want. There's no cap.

You don't like it, you go f*ck yourself.

[MAN] How's Joey Romano going to react?

Joey Romano can go f*ck himself.

[BUSY STREET NOISES]

Oi!

What the f*ck do you think you're doing?

I've got the green light from Sam.

- Did you?

- Yeah.

Oh, you want me to piss off?

- Yes please.

- Yeah. Yeah.

[CAR RATTLING]

What are we doing here?

Sam Ibrahim!

- Yeah?

- He's lost his f*cking mind.

He's letting drug dealers run

all over the f*cking street.

f*cking my business.

And what do you want us to do about it?

Get him off the f*cking street.

Shut him down.

f*ck him off. I don't know.

This is f*cking unfair.

I'm not sure unfair is a

word that you should be using

given the enterprise that you're

in and with whom you assoc

I'm doing exactly what I've

been f*cking told to do.

That prick does whatever

the f*ck he wants,

and no one's lifting a finger.

Right, well, we'll note

your grievances in your file.

Hey, he is a total f*cking liability.

He will f*ck all of us, you included.

So to clarify, you would

like us to step away

from our regular duties to

help you with a personal matter?

f*cking hell.

How much?

Definitely a few notches

above the usual, I'd say.

If you want a priority escalation.

f*ck!

[LOUD DANCE MUSIC]

[DOYLE] Are you missing Perth?

Yeah. I miss Penny and the girls.

Shannon and Elwyn?

- Erin.

- Ah.

You close.

- How about yourself?

- What do you mean?

Anyone you miss?

No.

Well, my mum, but whenever

I'm there we fight like stink.

We're much better at distance.

They're not even trying to

conceal what they're doing.

[O'NEILL] Ah, there's

not a cop in sight.

Should we get to work?

[BUSY STREET SOUNDS]

Jack the price up by 75, all right?

I won't get no customers, bro.

- You'll get 'em. Just do it.

- All right.

Hey, what the f*ck?

I got a right to be here.

- I paid

- Kings Cross Taskforce, mate.

You want to come take a

step inside the vehicle?

No, I f*cking wouldn't.

Yeah, it was more of an

instruction than a request.

- Let's go.

- [DOYLE] Hey Luke! Leave him.

We have an urgent message.

We have to return to base.

[O'NEILL] Urgent!?

The legislation passed the

upper house this evening,

and the letters patent

have been delivered.

Which means we've got

a green light, people.

Thunderbirds are Go!

[PEOPLE CHEER AND CLAP]

We are permitted to carry

firearms and, here it is

We have been "conferred with the powers

"of a constable of the New

South Wales Police Service".

And listen to this

"Lying to or misleading

the Commission is an offence

"carrying a custodial

sentence of 18 months jail".

[PEOPLE CHEER AND CLAP]

Anyone got any champagne?

When do the hearings start, Doug?

At the Commissioner's pleasure, Doyle.

So you better make sure

you got all your ducks in a row ASAP.

[MOUTHS] Oh my God.

Congratulations Liz.

[BUSY STREET SOUNDS]

[VAN SCREECHES] Get in.

f*ck me!

- [MANSOUR] Who the f*ck are youse?

- [THUD]

[VAN SCREECHES]

f*ck me, you busted my skull.

What happened to our deal?

Tien, how you doing?

I see you employing your own runners,

and from what I hear,

they're kicking up to Sam.

No, no, no, no. All right.

I spoke to him, he went for it.

He's gone rogue.

He's copping protection from dealers

- that were already there.

- That's not what we discussed.

The runners were supposed

to be my guys, and you kick up to me.

You took our plan and cut me out.

No, no, no, I didn't.

I didn't take nothing. All right.

- I was going to come speak to ya

- What did you think would happen? Hmm?

I was always going to find out.

Did you think, what?

Because I'm a woman that

there'll be no consequence.

Please, please. It's just

Sam, he can't be reasoned with.

He listens to no one.

He's a f*cking loose cannon.

Put an eye out.

Please, please. Look, I know

there's something coming.

All right, it's the Police

Taskforce or some sh*t like that.

All right, they're

going after all the crims

and the corrupt jacks paying them off.

It's going to change everything.

I swear to f*cking God,

I spoke to these people.

A woman.

A woman.

All right.

She's got a hard on

for the corrupt jacks.

We all got bigger problems than this.

No. Wait.

Hey, wait, wait, wait

wait. Please, please.

Go on.

f*ck off.

Give us a lift back to the Cross?

[DOOR SLAMS]

I don't think we should be

sticking our noses down there,

if it's all about to

get turned upside down.

Why do we give a f*ck huh?

We're not paying the cops.

f*ck this lady. She's not looking at us.

We'll draw attention to ourselves.

Listen, if this thing's going to happen

then the Cross is wide open.

We don't need to sneak in.

- We need to take it.

- It's a mistake.

We need to wait until it settles.

- See who's still standing.

- And what? Give them a head start?

We go in hard and we put our flag up.

[SOFT KNOCKING]

[SOFTLY] f*ck.

What the f*ck do you want?

I just want to give

you some free advice.

You need to pull your head in, mate.

Listen, you keep pulling that sh*t

like you did on the Lasers job.

You're going to get f*cking locked up.

Sam. It's time to get off the

gear and clean yourself up.

[SHOUTING IN DISTANCE]

Hopefully your brother can talk

some f*cking sense into you,

- or maybe your mum.

- Don't mention my family, cock.

Get over yourself for f*ck sake.

You're a f*cking

disgrace to your family.

You got a family too, yeah?

[LAUGHS]

That a thr*at?

See this?

That's my family.

And there are way more of

us than there are of you,

and we get to carry these things around.

So you ever mention my family again,

and you're a f*cking dead man.

I'm going to have a line. You want one?

[DOOR SLAMS AND ENGINE STARTS]

[LOUD ROCK MUSIC PLAYING]

- [MUFFLED DANCE MUSIC]

- [BACKGROUND PEOPLE CHATTERING]

Hey, mate, how's it going?

[UPBEAT DANCE MUSIC]

[SAM] Hey, why the f*ck

you keep paging me for?

- [JOHN] You okay?

- Yeah, what do you want,

what the f*ck do you want?

Let's, um, let's talk outside, huh?

[JOHN] Come on.

- Where you been?

- Where have I been?

f*cking nowhere, been

here the whole time.

You understand what's going

on at the moment, right?

With the Royal Commission?

They're here to bring

down this whole place,

the jacks, the gear, all of it,

and the way you are acting

is making it really hard

to go unnoticed, Sam.

Yes, sir.

[JOHN] This is heat we don't need.

That's what you wanted

to talk to me about, huh?

You just want to pull my head

in, so it doesn't affect you.

Are you f*cking listening to me?

- Yeah.

- But you don't think,

do you actually not see it or

are you just too f*cking high?

Look around, the new

heads, the new cops,

we're being watched and you

keep going the way you're going,

you're going to f*ck up

everything that we've built.

"We've?"

You're only here because of me.

[MUFFLED DANCE MUSIC]

If you find my brother,

tell him I want to see him.

["CUT DEEP" BY SOFIA LAFUENTE PLAYING]

Get into your head ♪

Bet you'd never

thought you'd like that ♪

Open up the gates ♪

You don't wanna wait ♪

Yeah you know that you'd regret that ♪

If you feel an ache ♪

Know that I don't mean to hurt you ♪

I would forgive ♪

If you would rather live

in the light and shallows ♪

I like love heavy ♪

Say words that stick to your lips ♪

Know you already ♪

You're too far gone to resist ♪

Hope that you'll let me show you ♪

The things that you missed ♪

I know what you need ♪

'Cause I cut deep ♪

Know that it could hurt ♪

When you tell me the

secrets you've been keeping ♪

But you know it's worth the fall ♪

For the high that you get

when you can let it all go ♪

We could erase all

the pain that we faced ♪

As the ones we'd forgotten ♪

Walk through the doors

till we meet at the core ♪

You like that?

I like love heavy ♪

Say words that stick to your lips ♪

- Know you already ♪

- So what are you going to do to me, Sam?

You're too far gone to resist ♪

You can do anything.

Hope that you'll let me show you ♪

The things that you missed ♪

I know what you need ♪

- 'Cause I cut deep ♪

- [DANCER] f*ck me, Sam.

I know what you need ♪

'Cause I cut deep ♪

- [SAM SOBBING QUIETLY]

- I know what you need ♪

'Cause I cut deep ♪

[BACKGROUND PEOPLE CHATTERING]

[SAM SNORTING]

- [UPBEAT ROCK MUSIC]

- [BACKGROUND PEOPLE CHATTERING]

[MUSIC AND CHATTERING STOP]

Sammy, it's good to see you. [LAUGHING]

Good to see you.

Girls, it's Sammy!

- [ALL CHEERING]

- Come in here. Come on!

Sammy's here!

- [UPBEAT ROCK MUSIC]

- [BACKGROUND PEOPLE CHATTERING]

[MAN] I'll get you a beer, matey.

[MAN] Here you go, fella.

Where you been?

Eh, where you been?

[MAN] How the hell are you doing?

[O'NEILL] Here he is,

public enemy number one.

Doyle, O'Neill.

[DOYLE] You want to hop

in for a second, Bryan?

I would've thought they'd

given you an office.

We're not exactly conducting

interviews in the back seat,

we're just booking them.

I gathered, but yeah, talk

to me anytime you want.

- Well, how about now?

- I'm flat out today,

but so I can give you guys what

you need, what are you after?

That should be pretty obvious

given the press we've got.

Corruption, yeah, I get that.

I don't know if I've got

anything to add to that.

I mean, beyond the small understanding

we have with local crooks

to elicit information.

And how are they conducted,

the misunderstandings?

They give us information

and we don't book them

for every small f*ck

up, we keep them in play.

It's the Cross, mate, it's

how it's always been done.

Is that what you're after?

You're definitely getting

warmer, Detective Crellan.

You call me to set

up a formal interview.

I don't know how I can help you

beyond what I've told you, but sure.

You know, you should be aware,

that we've been watching

and listening for a long time

and your name has been mentioned

in dispatches from time to time.

Good-o.

Ladies.

How do you get that cocky?

Oh, when you've had your

hand in the cookie jar

your whole life, and no one's

kicked you up the arse for it.

[CAR DOOR THUDDING]

[SOFT TENSE MUSIC]

[CAR DOOR CLICKING]

[SOFT TENSE MUSIC]

[CAR DOOR THUDDING]

Cloudy now.

- Here he comes.

- Look at that.

- Hey, Bryan.

- Tones.

All right?

- We've got a problem.

- Oh yeah?

Doyle, she's f*cking all

over me and just told me,

that she has been for a while.

She's really f*cking tall, right?

Mate, she's a dog with a bone

and we need to do something about it.

I like tall people.

f*ck's sake, Ezra, the

- the target is us coppers,

- [PHONE RINGING]

but also everyone that's assoc

Hello, darling.

I'll call you back, I'll

call you back, sweetheart.

All right, love you too, bye.

The target is us coppers,

but also everyone we're associated with,

and that means you, all of you.

So you need to f*cking lean

on your political connections

and make her go the f*ck away.

We are not associates.

Okay.

He's not happy, is he?

I know. [CAR DOOR THUDDING]

[CAR ENGINE STARTING]

- [TIRES SCREECHING]

- [CAR RUMBLING]

He's going to get a ticket

if he drives like that.

Well, for what it's

worth, I think he's wrong.

I think this is all about the

cops and who's getting a feed.

I think that's who they want.

I don't think it's got

anything to f*cking do with us.

[CAR DOOR CLICKING]

Yeah, you might be right.

[CAR DOORS THUDDING]

[SOFT TENSE MUSIC]

If I choose to, I can take

this market from you by force.

- By force, you say?

- I have the numbers.

You didn't let me into your boys' club,

you kept me out of the Cross.

If you want a life

after the investigation,

it will only happen if you cut ties

with the ones who can take you down,

the ones you've partnered with.

Look, why don't you just

go back to Cabramatta?

I'm not from Cabramatta.

- [EZRA] Really?

- I'm from Vietnam.

Very different.

[SOFT TENSE MUSIC]

Mama.

Where is she?

Mama.

I'm doing this for us, all of us.

[MOTORCYCLE RUMBLING]

Quick, go to the bedroom.

No, no, no, lock the door.

[SOFT TENSE MUSIC]

[DOOR CLICKING]

[DOOR THUDDING]

[SOFT TENSE MUSIC]

Where's Mum?

Mama!

Come out.

Sam.

What the f*ck you scaring her for?

Shat yourself, huh?

Was a bit loud for ya?

Cute vest.

Does it come in men's?

What are you doing?

You used to laugh at clowns like this,

now you're one of them?

[SOFT TENSE MUSIC]

[SOFT TENSE MUSIC]

[KISSES]

[DOOR CLICKING]

[DOOR THUDDING]

- [BLOWS THUDDING]

- [TENSE MELODIC MUSIC]

- [MUFFLED DANCE MUSIC]

- [BACKGROUND PEOPLE CHATTERING]

[BIKIES EXCLAIM]

[MAN] Ooh, f*cking hell!

[INDISTINCT CHATTER]

[MAN] Don't you know who this is?

- [MAN] You know who that is?

- Yeah.

All right, in you go boys.

[DICKIE] Here we go.

Here we go boys. Come on.

Let's have a good time,

we're here to have a good time.

Cheers, brother.

- [UPBEAT ROCK MUSIC]

- [PEOPLE CHATTERING LOUDLY]

- [UPBEAT ROCK MUSIC]

- [PEOPLE CHATTERING LOUDLY]

[DICKIE] Back again,

couldn't help yourself, eh?

Yeah.

How long's she got?

About an hour.

Yeah, well, I'd give

her an early mark, mate.

Not with this bunch.

Boy, get the f*ck out of here!

I don't want to see you

defending your girlfriend

or whatever, against this lot.

They're all f*cking pigs.

Take this, come see me tomorrow.

I've got something for you.

Thank you, brother.

- [UPBEAT ROCK MUSIC]

- [PEOPLE CHATTERING LOUDLY]

- [MOTORCYCLES RUMBLING]

- [BACKGROUND PEOPLE CHATTERING]

[JOEY] Ezra, you told me it

was my problem, to fix it.

I can't, he's joined

a f*cking bikie g*ng.

There's millions of them,

they're f*cking everywhere,

and they're doing whatever the

f*ck they want, and he's the one

- [JOEY] that's f*cking green-lighting

- [EZRA] No, no, no.

- the whole thing.

- No, wait, wait, wait, wait wait,

Sam dressed

head to toe in black leather.

That's quite a turn on.

I mean, no, no, no, that's it.

Ezra this is not f*cking

funny, you think this is funny?

- It's f*cking chaos.

- Hey!

- Ssh!

- And it's only going to get worse.

Who the f*ck do you think you are?

Keep your f*cking voice down, Joey.

- Quiet.

- All right.

[BACKGROUND POP MUSIC]

All right, we all know

what has to happen.

If this wasn't him, if

this was anybody else,

they'd already have been dealt with.

It's quite a call you're making though.

Ah, no, no, no, no, no,

I'm not making a f*cking

- No, no, no, no, no, no, no.

- Hey, mate.

- No, f*ck that.

- Ssh!

I'm not making a f*cking

call and I'm not doing

That's why I came to see you, Ezra.

- Shazza.

- Ezra.

[EZRA] Do you have carrot juice?

- We do.

- And can you leave the pulp in?

Thank you, Shazza.

Ezra, please.

You've got to do something

or we may as well both f*cking retire.

[BACKGROUND POP MUSIC]

[DOOR CLICKING]

I don't know, it's a lot of men

loyal to him, a lot of f*cking nutters.

Yeah.

- Could be mayhem.

- Thanks, Shaz.

It's not him I'm worried about.

It's his f*cking brother.

I love you.

[SIMONE] It's that hard to say, is it?

No.

No one else here though is there?

Hey, it's okay.

I love you too.

[MUFFLED BACKGROUND POP MUSIC]

I'm going to get you out of here.

Out of where?

This life.

I don't want to share you,

I don't want you f*cking anyone else.

[LIGHTER CLICKS]

[FOOTSTEPS]

[DOOR OPENS]

[EZRA] This place is f*cking horrible.

Right.

Can we come in?

Yeah, yeah. If you want.

[FOOTSTEPS]

- All right?

- Right.

- Uh, what's all this about?

- [DOOR CLOSES]

So he's a, uh

A bikie now?

Yeah. Black Flag.

f*ck's sake.

You want a coffee? Cake? Something?

- [EZRA] No, no, no, no, no, no.

- No.

- No?

- [EZRA] No, no, no.

- Sit down?

- Yep.

This is

gorgeous, Johnny.

Really?

He's hurting business, John.

Ours, yours, everyone's.

It's not good.

I'm going to ask you, honestly.

Why do you think he's behaving this way?

Sam is Sam.

Does what he wants.

But see,

I know you know the truth

and you are smart enough

to know how this ends.

I don't know what you mean.

The coke.

He's off his f*cking tree.

He's out of control,

and it's dangerous. Right?

For everyone, including himself.

And if he doesn't stop.

[EZRA] And he's not going

to stop by himself, is he?

If you stop wiping his arse,

he's going to end up in jail.

That might be the best thing for him.

Give him a chance to clean himself up.

- You done?

- [EZRA] Hey?

Both of you, are you finished?

Yeah.

My brother is my brother.

His battles are my battles.

That means, if you

make a move against him,

you make a move against me.

You understand?

- Well, here we are then.

- Here we are.

You need to consider this.

For him, and for yourself.

Because he don't give a f*ck.

[FOOTSTEPS]

[DRAMATIC TENSE MUSIC]

[HARD ROCK MUSIC]

[CROWD CHATTERS]

[SUSPENSEFUL MUSIC]

[CAR DOOR OPENS]

[CAR DOOR SHUTS]

[ENGINE STARTS]

[SUSPENSEFUL MUSIC]

[CAR ENGINE REVS]

[SUSPENSEFUL MUSIC]

[TIRES SCREECH]

[TIRES SCREECH]

[CAR DOOR OPENS]

[CAR DOOR SHUTS]

[METAL SHUTTER OPENS]

What do you reckon?

I don't know.

It's f*cking risky.

Look, they won't be back tonight.

We can hit 'em now.

Right through there, that window.

Nah, f*ck that.

I'm not robbing dr*gs from these guys.

It's not dr*gs, it's cash.

- [CAR DOOR CLOSES]

- [DICKIE] The dr*gs are there.

The cash is there.

Do you know that?

Look, I take the dr*gs

from there for the switch.

So the cash is there too.

- Got it?

- [METAL SHUTTER CLOSES]

Cash?

Yes, f*cking cash. Ugh.

[CAR DRIVES OFF]

Think about it.

Me and you. We're in

the same boat, yeah?

f*ck, I can't even wipe my arse

without asking Hamish's permission.

He's got his hand in my

pocket for every earn I make.

This one's f*cking mine.

This one's ours, yeah?

Huh?

We can do whatever we want.

It's in there. On a silver platter.

You little f*cking beauty.

Um, Simone, the girl I'm seeing.

Simon.

I, I'm in love with her.

Okay. That's great mate.

I'm really f*cking happy for ya.

Why the f*ck are you

telling me this now?

Well, 'cause she's on the hammer

and I want to get her clean,

get her out.

I can move out of Gran's place.

Get us a place of our own.

Johnny,

he doesn't know any of this.

Doesn't know about Simone.

I can't take her anywhere with the boys.

Can't take her to dinner.

Can't take her anywhere.

They'd laugh at me.

Laugh at her. Be a joke.

Hey.

This, is your chance

to get her out of it.

Hey no, we don't need that.

Never leave home without it.

Come on.

[SUSPENSEFUL MUSIC]

[CAR DOORS OPEN]

[CAR DOORS SHUT]

[SUSPENSEFUL MUSIC]

[FOOTSTEPS]

[GLASS SHATTERS]

Shh, shh.

f*ck it.

[MAN GROANS]

[SUSPENSEFUL MUSIC]

Jesus.

[DICKIE] Go look over there.

I can't see sh*t.

[DOOR OPENS]

[MAN ARMS p*stol]

[g*n sh**t]

Go! Jesus!

Go!

[MAN GASPS FOR AIR]

[FOOTSTEPS]

[CAR DOOR OPENS]

- [CAR DOOR SHUTS]

- [MAN GROANS]

Go, go, go, go, go.

[TIRES SCREECHING]

I can't believe you f*cking sh*t him!

What the f*ck was I supposed to do?

You said he wouldn't be back tonight.

I was wrong!

We're f*cked. Do you know that?

- We're f*cked.

- We're fine.

I think I got him in the leg.

We'll be fine.

We're not fine! You didn't

sh**t him in the legs.

You sh*t him in the neck!

f*ck! f*ck!

[SUSPENSEFUL MUSIC]

He just lost too much blood.

Who was it?

They were in balaclavas.

One of them had a limp.

I've seen it before.

A Black Flag.

I know him too.

Ibrahim. He's a Black Flag now.

[MAN SNIFFS]

[PUNCHING BAG THUDS]

[JOHN GROANS]

[PHONE RINGS]

It's John.

You know who this is.

Yeah, I know who this is.

What do you want? I'm busy.

Your brother came at us tonight.

- What are you talking about?

- [MADAME TIEN] We're going to come after you.

All of you.

Well, you know where to find us.

[SUSPENSEFUL MUSIC]

[PASSING TRAFFIC NOISES]

[CROWD CHATTERS]

[JOHN] Is this all we have?

[TONGAN SAM] Boys are

clearing the street.

- Where the f*ck's Dave?

- I don't know.

[MAN CHECKS g*n]

[TRAFFIC NOISES]

[SUSPENSEFUL MUSIC]

[MOTORCYCLE ENGINES REV]

[SUSPENSEFUL MUSIC]

[POLICE CAR SIRENS]

[CAR SCREECHES]

sh*t, hey. Everyone's here tonight.

Evening fellas. It's good timing.

Could have been here a few minutes ago.

CBD Drug Squad, my friend.

Hands behind your back.

For f*ckin' what?

Jesus! Could be for a lot of things.

This time it's for

distribution and facilitation

of a commercial amount of cocaine.

Go f*ck yourself, Pete.

Throw him in the car. Make it hurt.

- Let's go mate.

- Hey fellas. Just

[THUD]

[TENSE MUSIC]

["JUST ABOUT TO BREAK"

BY PAUL KELLY PLAYING]
Post Reply