02x01 - Strangers in a Strange Land

[bunniefuu]

Sometimes I remember
when it wasn't like this.

- Don't do that.
- Do what?

TABITHA: Why is there a tree
in the middle of the road?

- [CROWS CAWING]
- How is this possible?

We're on the same f*cking road.

- [TIRES SQUEAL]
- [HORN BLARES]

Oh, my God!

DONNA: There are
things you need to know

about where you are,

about the way things are now.

- Do you believe in monsters?
- Meagan, no!

We have an arrangement, sheriff.

You don't come here.

I came to see my son, Donna.

We lost a couple of people last night.

Look, I'm a little
busy, so if that's all...

That's all.

I built a software company
based on nothing but imagination,

but this? It was here
and then it wasn't.

- [SHRIEKS]
- [SCREAMS]

There was this weird f*cking
symbol right on the ceiling.

What are you looking for, hmm?

I think there's two
pages stuck together here.

Whoa, whoa, whoa.

[SPEAKS CANTONESE]

You're from one of those two cars?

- What do you think it means?
- Please don't.

Victor, take your peaches and shoo.

He's creepy, but he's harmless.

He's just been here a really long time.

[DOG BARKS]

ETHAN: What is that?

A faraway Tree. Watch.

It works for people, too.

- Really?
- Problem is,

you never know where you'll end up.

When Thomas d*ed, something
inside of me broke.

So we pretended everything was fine,

and I think that just
made everything worse.

Sorry.

JIM: I just feel so broken.

We're gonna figure it out together.

- Don't worry.
- [SARA PANTING]

I hear their voices.

They told me this was the last one

- Mom!
- Then everyone gets to go home.

- Ow!
- Ethan, run!

No! You don't understand.

- Nathan, please!
- Nathan.

I wish you had the luxury of
grief, but you don't, Boyd.

These people need you.

You need to be the one
to lead these people home.

BOYD: No!

- [WHEEZING]
- Stay with me.

ABBY: The only way for us to go home

is to wake everyone up.

- Abby, stop.
- FATIMA: What happened...

- Mom!
- Wasn't your dad's fault.

- No, no!
- [g*nsh*t]

And it wasn't yours. It was this place.

- ELLIS: Dad, I'm so sorry.
- No, no. Hey. Hey, no.

This is not goodbye.

What is she doing here?

She might be helpful for us to find out

what we're looking for out there.

No one can know she's with me.

Where are we going?

To find our way home.

How about you and I have an adventure?

The game's gonna be called

"Where does the light come from?"

KENNY: You don't think
the tower's gonna work?

DONNA: You guys look at Colony House

and figure it's all just
drinking and f*cking.

It was more than that.

- Cheers!
- Cheers.

DONNA: There was joy in that house.

If it does work, I think you'll find

there's more you're gonna
miss about this place

than you thought.

KRISTI: Iceland. Nice.

If this radio thing works,

maybe we could go.

I'm engaged.

Part of me really wants to go back

and find out the woman I fell
in love with waited for me.

What does the other part want?

To go to Iceland with the
most amazing guy I met.

ELLIS: You are the love of my life.

We could be anywhere in the world,

but it would not matter
because you are my home.

- [STATIC]
- JIM: It's working.

We got a signal!

- Where are you?
- MAN: Is this Jim?

Your wife shouldn't be
digging that hole, Jim.

[SHOUTS]

[ELECTRICITY ZAPPING]

What the f*ck?

You're here. We have to go.

- This is where they sleep.
- Oh, my God.

Tabitha!

It's angry now.

You have to get inside.
You'll be safe in there.

I'll follow behind.

Hey, hey!

Hey!

["A HARD RAIN'S A-GONNA FALL" PLAYS]

♪ Oh, where have you been
my blue-eyed son ♪

[BELL RINGING]

♪ And where have you been
my darling young one ♪

♪ I've stumbled on the side
of misty mountains ♪

♪ I've walked and I crawled
on six crooked highways ♪

♪ And I've stepped in the middle
of seven sad forests ♪

♪ I've been out in front
of a dozen dead oceans ♪

[THUNDER RUMBLES]

♪ I been , miles in
the mouth of a graveyard ♪

♪ And it's a hard, it's a hard ♪

♪ It's a hard, it's a hard ♪

♪ It's a hard rain's ♪

♪ A-gonna fall ♪

[GASPS, PANTS]

[GRUNTS]

Okay. Okay.

[GRUNTING]

[GRUNTS]

Hello?

Hello?

Oh. Okay. All right.

Okay.

[PANTS]

[GRUNTS]

[SHOUTS]

Motherfuckin' f*ck you!

f*ckin'... f*ck!

[MUSIC PLAYS THROUGH EARBUDS]

♪ And what did you hear
my blue-eyed son ♪

♪ And what did you hear
my darling young one ♪

No, no, no, no, no.

Jesus.

What the f*ck?

- Stop the bus!
- What?

Hey, bro. It's fine.
We just took a little detour.

MAN: No. We have to turn around.

- We can't be here.
- Sit down.

- MAN: Please! Please!
- Hey. It's alright, man.

- Whoa, whoa, whoa.
- We have to...

Go sit the f*ck down, okay?

Can you please just stop the bus?

Everyone please return to your seats!

- Come on. That's it.
- You don't understand.

Bad things are gonna happen if...

- [VOMITS]
- [OTHERS EXCLAIM IN REVULSION]

- Oh, God.
- Jesus. Stop the g*dd*mn bus!

♪ It's a hard, it's a hard ♪

♪ It's a hard rain's ♪

♪ A-gonna fall ♪

["QUE SERA, SERA [WHATEVER
WILL BE, WILL BE]" PLAYS]

♪ When I was just a little boy ♪

♪ I asked my father ♪

♪ "What will I be?" ♪

♪ "Will I be handsome?" ♪

♪ "Will I be rich?" ♪

♪ Here's what he said to me ♪

♪ Que sera sera ♪

♪ Whatever will be will be ♪

♪ The future's not ours to see ♪

♪ Que sera sera ♪

♪ What will be will be ♪

♪ Now I have children of my own ♪

♪ They ask their father ♪

♪ "What will I be?" ♪

♪ "Will I be pretty?" ♪

♪ "Will I be rich?" ♪

♪ I tell them tenderly ♪

♪ Que sera sera ♪

♪ Whatever will be will be ♪

♪ The future's not ours to see ♪

♪ Que sera sera ♪

♪ What will be will be ♪

♪ Que sera sera ♪

- Cover the circuit boards!
- Just keep it steady.

JADE: Stuff's getting
destroyed. Grab everything!

- [SHOUTS]
- Oh, f*ck!

- DONNA: Get back.
- Pull them back.

Stay away from the lights!

Kristi, we need you in here.

- KRISTI: Coming.
- Check the windows.

Lock this place down.

- Okay. Let me see.
- Ah, God.

There's something in my eye.

- Yep. Stay with me.
- Ow!

- Got it?
- Give me that pole there.

Wait, wait, wait.

JADE: Get someone on the roof.

We need that g*dd*mn winch tied down.

That looks like a car radio.

These, guys. These
speakers. Grab the speakers.

Get everything inside.

f*ck!

One more piece of that. Hold on.

See if you can tie it down.

With what? There's nothing up here.

f*ck me.

Donna, why did my dad run off like that?

- Julie, please.
- ELLIS: I'm on it.

Donna! Donna!

We have a problem.

- DONNA: Get the kids upstairs.
- What?

- Ethan? Hey, hey.
- ELLIS: Get them upstairs.

- JADE: Donna!
- How about you and I

go upstairs, huh?

[SCREAMING]

Ellis, go get her! Bring her back here!

I got it.

- Donna?!
- Don't touch it.

We're gonna take you in the
kitchen and clean you up, okay?

- Donna?
- DONNA: Check the windows

and lock this place down.

- Donna!!
- What?

There is a bus parked outside the diner!

Tabitha?

Are you down there?

sh*t.

Tabitha?

Come on, baby. Please.

[TABITHA INHALING AND EXHALING]

Come.

Come.

- Where are we going?
- [QUIETLY]: Shh! We can't talk.

They're close now. You'll wake them.

- Wake who?
- Shh!

No, no, no. Victor, we need to stop.

You need to tell me what's going on.

- Where are we?
- We're underneath the town.

This is where the monsters
live. This is where they sleep.

But I can get us out.

The boy in white, he showed me the way.

The what?

I went through the
tree, then I was here.

He told me to wait for you.
He showed me where to hide.

It's okay to be scared.

We just need to be quiet.

We just have to...

- What the f*ck?
- What?

We have to hurry. They'll be awake soon.

Yeah.

- Deep breath, okay?
- Okay.

Yeah. Don't touch.

All right. One, two... three.

Don't touch it, okay?
You're doing great.

All right. Don't touch. Don't touch.

Tell everyone unless they're bleeding,

they better be securing
the g*dd*mn windows.

- Mattias, grab the shotguns.
- Got it.

We don't need to do that.

No?

There's a f*cking bus down there.

God knows how many people with zero idea

of the sh*t storm they just rolled into.

How do you think they're gonna react

when we tell them they can't leave?

Look.

We have a long night ahead of us.

Boyd picked one hell of
a time to go on safari.

If this sh*t goes sideways,
you have to be ready to step up.

You got that?

You're sheriff now.

- Kristi?
- Yeah?

Grab your stuff.
Meet us down at the diner.

We're about to make some new friends.

[PASSENGER LAUGHING]

It's locked.

[LAUGHS, WHOOPS]

f*ckin' shirt.

You all, come join me!

Ha ha!

Whoo! Whoo!

- Oh, the sun! Ha ha ha!
- No way.

Ah. Rain dance is done.

Just follow my finger with your eyes.

Good.

Great. Okay. Can I see your hand?

Okay, pulse is good.

No sign of a fever.

Look, I need everybody off the bus.

Seriously?

Just give us a minute. Please?

You a doctor or something?

Pediatric nurse.

Oh.

Hey.

Hey, what's your name?

Elgin.

Elgin?

Elgin, do you know where you are?

Do you?

Why were you screaming like that?

I had a really bad dream.

Hey. Hey, what the f*ck was that?

- Hey.
- Back off, man.

Why don't you back off? I'm the one
with f*ckin' puke on my shirt.

What the f*ck is wrong with you?

I'm sorry.

You're a g*dd*mn freak.

Let's give him some space, okay?

- Excuse me.
- You alright, man?

Smells f*ckin' terrible in here.

assh*le.

Hey, cut the guy a break.

Do you wanna go outside?

Elgin?

How about I just sit here
with you until you're ready?

Okay?

Okay.

[PANTS]

Oh, my God.

Julie! Hey.

- I need to find my dad.
- Wait, wait, wait.

Ellis! Pretty crazy, huh?

Maybe the magic tower summoned them.

You ever see something like this?

- Dad? Dad?
- Nope. These people are f*cked.

Everybody? Everybody gather round.

Gather round. Just
want y'all to sit tight.

I'm gonna clean things up in
there and we'll be on our way.

- Hi. Hey.
- Hi.

Uh, listen.

There's gonna be a bunch
of people on their way down.

- Mmm.
- Um...

And they're gonna help
you guys out, alright?

So we'll get the diner unlocked,

and we'll get you guys sorted out.

Okay, well, this isn't a pit stop, okay?

So unless you have a mop,
I'm good. Thanks.

Holy sh*t.

What happened?

- The floor just...
- JIM: I don't know.

Where's Mom?

I, uh... Ethan?

Uh, where's Ethan?

[STAMMERS]: He's fine. He's at Colony.

Dad, is she down there?

Julie, listen to me.

I need you to get help, okay?

Get as many people as you can.

Julie!

Okay. All right. Come here. Come here.

[CRIES]

Now is the time for you to be strong.

Your mom needs you, okay?

Go and get help.

- Okay.
- Go. Now.

- You sure you're okay?
- Oh, yeah. I'm fine.

- Okay. Just let me know...
- JULIE: Ellis!

What's wrong?

- It's my mom. She's trapped.
- Wait, wait. What?

She was digging in the
basement. My dad's inside.

- She needs help. Please.
- Whoa, whoa. Stay with the bus.

- I got this.
- You sure?

You're not gonna do much with that.

I'm a bartender. Crowd
control's my thing.

Hey, people? We got a little
situation on our hands here.

Listen up.

There's a woman trapped in the basement

of that house over there.
Her husband's inside.

We could use some help.

Yeah. All right.

Yeah. I'll help.

- I'm going.
- No, no, no. Just stay there.

Hey, no. I need everyone
to stay by the bus.

Well, there's a woman trapped in there.

Then let emergency services handle it.

Oh, you're a peach.

Okay. Okay, look. You guys go.

Listen. There are people on the way.

They're gonna help everyone out, okay?

They're gonna get everything
squared up. You're with...

- Hey! Hey, no. Whoa.
- I'm going, too.

They can't focus on your mom if
they're worried about you. Okay?

Okay, come on. You're
needed here. Come with me.

Remember, the most important thing is...

Keep everybody calm. I know.

Uh, you talk to the bus driver,
and I'll get everyone inside.

- Let's go.
- Donna.

We've got some problems.

No sh*t. Where's the driver?

Folks, sorry about
your inconvenience here.

Let's get you all inside,
huh? Get some tea brewing.

Get you all warmed up.

Sounds like a good idea.

- Right? Some tea sounds good.
- Uh-huh. Yeah.

Come on in, guys. Please.

Let's go, folks. Come on.

Sorry again.

Jim!

Oh, thank God.

Who are they?

We, uh... our bus stopped here.

- Your bus?
- Can you hear anything?

- Is she talking?
- No.

I, uh... no.

What the f*ck? What
was she doin' down here?

JIM: Digging to see
where the wires went.

It doesn't matter.

If she was digging down here,

what the hell caused that?

Please just help me.

Hey, bud, look at me. Look at me.

We're gonna get your
lady out of there, okay?

JIM: Wait, wait. Whoa, whoa, whoa.

Before you lift anything out,

just make sure that it's not
holding up somethin' else.

Last thing we want is to
collapse things further.

Okay. Yeah. We got this.

Let's get this done quickly, alright?

Yeah. Come here. Wait, wait, wait.

[VICTOR WHISPERING] Come.

Come on.

- Are you sure this is the right way?
- Shh.

Oh, no, no, no. Victor.

No, we have to keep going.

No, no, no, Victor. We have to go back.

No way. There's no going
back. We have to go through.

That's what he said.
We go while they sleep.

You have to be brave.
We both have to be brave.

Sara?

Sara, you up there?

You said we'd be safe
inside this tree. [LAUGHING]

Well, this does not feel
very safe to me, Sara.

MAN: Hey.

Hello?

Hey, is anybody up there?

[MAN IN THE DISTANCE] Are you real?

What?

MAN: Are you real?

Yeah. Yeah, yeah, I'm real.

Are you? Are you f*ckin' real?

MAN: I can help you if you help me.

Okay.

MAN: You promise?

Yeah, man. Anything you want.

Just please, just get
me outta here, man.

MAN: You'll have to climb.

What?

No. I...

[SHOUTS] I can't.

I just... tried.

MAN: Wait.

BOYD: Hey. What... f*ck!

What?

MAN: You have to hurry.
They'll be back soon.

Okay. All right. Uh, okay.

CLARA: Hey.

Do you think we made it angry?

What are you talking about?

That storm came out of nowhere,

and the way the lights exploded,

it's almost like we
made something angry.

What do we do now?

Well...

I got one rolling paper left...

So I'm getting stoned.

Okay.

[OMINOUS SYNTHESIZER MUSIC PLAYS]

[DUMMY SCREAMS]

[SCREAMS]

Okay. Okay.

Here. I found this.

There's a lot of broken glass.

[SPEAKS CANTONESE]

You careful.

Why do you think they broke?

That was scary.

Very scary.

Do you think the others
will be back soon?

You don't be afraid. I protect you.

I'm not afraid.

Well, maybe a little afraid.

Sometimes a quest can be scary.

And when it gets close to the end,

that's when it gets really scary.

I guess we're sleeping here tonight?

Whatever.

What are you doing out here?

Oh, for f*ck's sake.

Go back inside.

Why?

Because...

You know, I don't know,
kid. Do whatever you want.

You know cigarettes
are bad for you, right?

It's not that kind of cigarette.

What's wrong with you?

Gee, I don't know.

I mean... [CHUCKLES]

maybe I just spent
the last week thinking

we might actually get
out of this sh*t box,

only to see our entire plan
come crashing down around us.

Literally.

So? We try again.

Yeah.

We'll get right on that, kid.

Maybe we'll try something else.

Whenever the Cromenockle
failed, he always found...

What the f*ck is a Cromenockle?

- Oh. Um...
- No. I don't care.

You're friends with Victor, right?

Do you know which room is his?

Why?

[TABITHA WHISPERING] Okay. Shh.

[VICTOR WHISPERING] Look. Right here.

[GASPS] Let's go. Let's go. Let's go.

Let's go. Let's go.
Please, please, let's go.

TABITHA: Oh, my God.

Oh, my God.

- Victor?
- Shh.

What?

- No, Victor!
- Come on.

Victor, Victor, Victor?

Victor, Victor?

Victor, which way?

[PANTS] Victor?

[STAMMERS]: I don't know. I got scared.

What?

This isn't the way
that he told me to go.

- [MOANS]
- What?

No, no, no. Victor, Victor.

- Hey. Listen to me, Victor.
- Mm-mmm. Mm-mmm.

Look at me. Look at me.

- [MOANS]
- Yeah.

I know you're scared. I'm scared, too,

but we have to f*cking move, okay?

Please. Yes. Yes, yes, yes.

We're going to do this together, okay?

It's okay. Let's go. Please, Victor.

Come on, Victor. Please, please, please.

Let's go.

Let's go here.

There's gotta be something here!

You shouldn't be doing this.

Victor wouldn't like it.

All right. Well, I
got news for you, kid.

Victor is, uh, he's
probably dead, alright?

I'm sorry.

I shouldn't have said that.

It's okay,

'cause you're wrong. He's fine.

Wherever he is, he's doing his part.

Yeah? His part of what?

The quest.

Sorry, the what?

That's what this is. It's a quest,

and everyone has
a part to play. Even you.

Why do you care so much about Victor?

Because...

All right, look.

Between you and me, alright,

I have been seeing some
very crazy sh*t lately.

You swear a lot.

Get over here. The point is,

every time I see something
really weird, I see this.

This symbol.

Okay.

Okay? I didn't draw this,
though. I found this.

Well, Kenny's mom gave
me tea, and then she...

When she... Anyway, look.

The point is, this
journal is old, alright?

And whoever it belonged to kept
drawing the same weird symbol

that I have been seeing

over and over and over again.

I've been looking at this,
and then the other night,

I noticed two of the
pages were stuck together.

And in between there, there's this, uh,

this old Polaroid.

- What's a Polaroid?
- Jesus f*ckin' Christ. It's a...

I'm sorry. It's a photo.
It's like a little photograph.

How do you not know what
a Polaroid is? Come on.

Here, look. This. See this?

What do you see?

He's got the journal.

Yeah.

What else?

That's Victor's lunchbox.

Ah. Not just Victor's lunchbox.

That's Victor.

- ETHAN: Really?
- Yeah.

And if he was here back
when that guy was here...

He might know what the symbol means.

Exactly.

And that's why I'm in his room.

- So, we good?
- Well...

Symbols are important,

especially on a quest.

Yeah?

But you have to figure out

if they're good symbols or bad symbols.

Well, what do you mean?

What do you mean, "bad symbols"?

Sometimes, they make you do bad things.

You're a creepy little kid.

Okay. One big step.

There you go.

Let's just head around the front, okay?

The point is, these
things don't just k*ll.

Hold on. Stop.

Is this... are you out
of your f*cking mind?

Look, I know this sounds crazy,

and there is not a single
reason in the world

you should trust me.

But if you get those
people back on this bus

and try to drive out of
here, if you're outside

- when the sun goes down...
- Know what? I'm done.

- Excuse me. Excuse me!
- No. Please.

Seriously.

You can't go back on that bus.

Get out of my way.

I can't do that.

[JIM GRUNTS] There's something.

There's something, uh...

there's a chamber or
something underneath.

- Let's lift this thing. Ready?
- Yeah. One, two...

Oh, whoa!

Elgin, you okay?

Uh, I was just a little dizzy.

Okay. You wanna go inside?

We'll try and get you some water.

I can help you.

Nice and slow.

- You okay?
- Ooh. Whoa, whoa.

Are you okay? sh*t. sh*t.

- Elgin?
- [GRUNTING]

I need some help over here!

Places don't just come apart like this.

- Jim?
- Uh, wait. We're almost there.

Hey. Help me. Help me.

- What happened?
- I don't know.

- He just started seizing.
- Okay. Easy, easy.

Elgin, I'm gonna put
this under your head.

Aw, f*ck!

I need you to help me
roll him on his side.

One, two, three.

He was sick on the bus.
Stay with me, Elgin.

It's okay. You're gonna be okay.

You gotta get out of
there, man. Come on, Jim.

This is the beam that I gotta get out.

[LOUD CRASHING]

Hey, you're okay. Keep breathing.

- There you go. Good.
- [HOUSE FRAME CREAKS]

Let's go! Let's go.

Let's go!

- Jim!
- I'm not leaving.

[MEN YELLING]

- Dad!
- Julie!

- Dad!
- Julie, no. Be careful. Stop.

- KENNY: Wait!
- Dad, can you hear me?

DONNA: Jim!

[TINNITUS RINGING]

- Dad?
- DONNA: Jim?

Dad, are you down there?

ELLIS: If anyone else is down there...

- JULIE: Dad!
- DONNA: Jim?

- Dad! Dad, can you hear me?
- [RINGING STOPS]

- [GROANS]
- Dad?

DONNA: Jim, can you hear me?

- [STRUCTURE GROANS]
- Hello? Dad, Dad?

- DONNA: Jim.
- Dad, just hang on, okay?

Dad, if you can hear
us, just please hang on.

[GRUNTS]

- Dad, are you there?
- Just hang on, okay?

Dad? Dad, talk to me, please.

- Dad, Dad!
- Julie.

- Julie?
- Dad, can you hear me?

Julie?

- Dad!
- Julie?

KENNY: Over there.

- Dad, I'm here.
- JIM: Julie?

Jim, we're gonna get you
out of there, alright?

Is there anyone else
down there with you?

You guys better hurry.

- Over there.
- Tom!

Dad, it's okay.

- Tom, is there anyone with you?
- Hey. Careful. Careful with that.

The kid with the
jacket, he's not moving.

DONNA: Is he breathing?

I can't tell.

Dad, listen to me, okay?
We're gonna get you out.

- We just, uh...
- Be careful when you get...

[EXHALES SHARPLY]

I want you to stay with Donna.

You do whatever she says,
and you do not leave her side.

Dad, Dad, we're gonna get you out, okay?

Uh, we just... We need to do something.

- Jim, we're gonna get you out.
- Hey. I got someone!

Who else is down there with you?

- DONNA: Is he alive?
- I don't know.

- Hey, man, you alright?
- Yeah.

- Yeah, he's okay.
- Get him down here.

- I'm coming.
- Easy. Stand up.

Hey, hey, hey.

- Kristi, can you grab him?
- Yeah.

- Okay.
- Oh, my God.

- I got you. I got you.
- Hold me. Yeah, good.

- I can't see anyone.
- Whoa, whoa!

Watch your step, guys. Come on.

- Easy, easy.
- Whoa! Whoa!

- You got him? Alright.
- Nice and slow.

- You're good.
- Alright, Kristi.

- Make sure he's okay.
- Okay. You're good.

- Whoa, whoa! Okay sit.
- I wanna sit down.

[GASPING]

DONNA: We're gonna get
you outta there, alright?

[WOOD CREAKS]

- Any pain when I touch at all?
- No.

- Down your back here? No?
- No, no.

[PANTING]

TABITHA: What is this?

[GASPS]

- [WHIMPERS]
- It's okay, Victor.

It's okay. It's okay.

[SHRIEKS, PANTS]

You shouldn't have done that.

- Okay.
- We have to go.

Hey, wait. Where's
the water coming from?

They're waking up.

What?

Oh, my God. Oh, my God. Oh, my God!

Victor, Victor, Victor.

No, no, no! There's a tunnel.

Please, follow it all
the way up. Go, go, go!

Go, go, go. Go, go, go!

Look up. Good. Any blurriness?

Trouble seeing at all? No?

- No.
- KRISTI: You're good?

Okay. Squeeze my hand. Squeeze. Good.

Are you feeling okay?
How are you feeling?

You guys still good?

- Here's some water.
- Stay with him.

Wait. Where are you going? I have to...

Gotta get something from the bus.

- Take it easy.
- [COUGHS]

Okay.

It's okay now.

What?

What?

[GROANS]

- ELLIS: Dad?
- [GRUNTS]

Dad?

It's getting dark. You
said we'd take the boat out.

MAN: You okay down there?

Yeah.

Great. [GASPING]

[MONSTERS VOCALIZE IN DISTANCE]

Go.

Victor, okay. Go, go, go.

Go, go, go. Go, Victor, go!

Victor?

[GROANS, PANTS]

[MONSTERS SHRIEK IN THE DISTANCE]

Victor, Victor? Victor, which way?

What? I don't know.

Which way, Victor? Which way?

We have to... We have to go.

This way.

[GROANS, GASPS]

Alright, everybody, back on the bus.

No, there are people trapped in there.

That's right, and we
need emergency crews here,

and when we get to the next
town, we'll send some help.

Let's go!

Mattias, keep an eye on her.

- Yeah. Got it.
- Let's try... Let's try again.

ELLIS: Hey. Let's clear this piece.

Okay. Let's see if we can pull it.

Slide this over and give me a hand.

- Good. You got it.
- Watch out.

Aah! Whoa. Wait. Wait,
wait, wait! Stop, stop.

Wait, wait, wait. Guys, stop.

- DONNA: Hold the work.
- KENNY: Everyone stop.

[GROANS]

Don't move anything else.

Everything here is
resting on something else.

If you move anything too quickly,

all the rest of it could come down.

Jim, we don't have time to be delicate.

Yeah. We can't just stop.

In order to get us all three out safely,

you have to do it slowly,

and you gotta do it right.

Dad, the sun is about to go down.

I know.

That's why you're gonna leave us here.

What? What? No. No, no,
no. We're not doing that.

- Okay? We're not.
- Yes, yes.

If we cover them up, leave right now,

those things might not
know they're down there.

We have to give them
a talisman or something.

It won't work.

You can't just wear
them around your neck.

They have to be inside something...

A house, a car. There's
nothing down there.

Listen, Julie.

I survived here for almost a year

before Boyd found those talismans.

If these guys stay quiet,

there's a really good chance that...

- [IGNITION TURNS]
- Oh, for f*ck's sake!

f*ck. Kenny?

Yeah. Can you please go into
the diner, grab some tarps?

Yeah, okay.

All right. Everyone on, right now.

- We're leaving. Come on.
- [INDISTINCT CHATTER]

Hold on!

Turn off that g*dd*mn bus.

You stay away from us.

You're gonna get people
k*lled, you realize that?

If you want to stay,
you can make arrangements

with emergency services
once they arrive.

There are no emergency services.

If you're still outside
when the sun goes down,

you and everyone else on this
little death trap are gonna die.

Whoa, whoa. What the
hell is she talking about?

DONNA: I'm gonna say this once.

None of you are safe here.

Things are gonna get
really f*cking scary

when the sun goes down,

and if you're outside,
you are going to die.

If you want more of an explanation,

then I'm happy to give it to
you when things settle down.

But meanwhile, if you want
to live through the night,

you need to get your ass
back inside that diner.

Everybody on board.

What does she mean,
"Everybody's gonna die"?

Calm down. Calm down for a second.

- f*ck this!
- Everyone needs to calm down.

Calm down for...

Are we supposed to buy that sh*t?

Calm down.

[INDISTINCT CHATTER]

- I gotta be in...
- You don't understand!

Start the f*cking bus. Start the...

- [SAFETY CATCH CLICKS]
- Donna, no!

Whoa, whoa, whoa. What the f*ck?

[SHOUTING OVER EACH OTHER]

- Stop!
- Wait!

- Oh, my God.
- Fatima, get back here!

We can't just leave them!

- Fatima.
- ELLIS: Fatima!

[FIRES sh*t]

- Stop!
- Fatima!

Inside the diner, now!

Get inside. Get inside.

Get inside!

- Julie?
- Dad? Dad, I'm here.

Oh.

I, uh, I heard g*nshots?

Yeah. They just...

They needed to get
everybody into the diner.

Julie, there's, uh... there's a cavern,

or some kind of space,
underneath the basement.

What?

I saw it when we were
clearing the debris.

If your mother made it down there,

then that means she's okay.

You hear me?

So, if you could just
wait for her to get back,

then you'll be okay.

- We're gonna get you out, Dad.
- I know, sweetie. I know.

You just be strong, okay?

Julie? Julie, the sun's almost down.

- We have to get inside.
- No.

JIM: He's right.

The longer you stay out there,

the more chance they
realize we're down here.

- Come on.
- [CRYING]

JIM: You've got to go.

It's okay, honey.

[SOBS]

JIM: I love you.

I love you, too.

Come on. Let's go.

You two guys, too. Come on.
You have to trust me.

We have to get inside.
Let's go. Come on. Please?

Let's go. Inside. Inside!

[GRUNTS]

[GRUNTING]

[PANTS]

Got it.

[PANTS]

MAN: You made it.

What the...

MAN: I wasn't sure you would.

It's such a long climb.

MAN: We don't have much time.

Is that a g*n?

Yeah.

Oh.

My eyes, they're not
what they used to be.

It's good that you have a g*n.

That'll make it easy.

Make what easy?

I need you to k*ll me.