04x32 - Love and Shotgun Gibbs

Episode transcripts for the TV show, "The Life & Legend of Wyatt Earp". Aired: September 6, 1955 – June 27, 1961.*
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Series is loosely based on the life of frontier marshal Wyatt Earp.
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04x32 - Love and Shotgun Gibbs

Post by bunniefuu »

[Ken Darby singing

"Legend of Wyatt Earp"]

♪ Wyatt Earp, Wyatt Earp

♪ Brave, courageous and bold

♪ Long live his fame

and long live his glory ♪

♪ And long may

his story be told ♪

[humming]

(male narrator)

Preventing the train robbery

when you have a tip

on the time and place

should've been no problem

for Marshal Wyatt Earp.

Any competent peace officer

would nab the robbers

before they started

or trap them at the scene.

But Wyatt first had to deal

with Shotgun Gibbs

his mule, Roscoe, and a lady

known asPhronsie LaTour.

Oh, my dear girl,

I simply couldn't.

You know, I wouldn't go at all

with my French accessories.

- Oh, but it's lovely on you.

- I couldn't, well I think..

It looks to me like you've

got it on backwards.

[bell clanks]

Ooh!

Well, I can't decide

right now, dear.

You know how we girls are,

never can make up our minds.

Well, Chief Deputy Gibbs.

What are you doing

buying a lady's hat?

- Bonnet, for Roscoe.

- Ro-Roscoe?

Yes, ma'am, my mule.

[chuckles]

I certainly hope you find

a becoming bonnet.

Thank you, ma'am.

I'm Ms. LaTour.

How do you do, Ms. LaTour?

Did I hear you say

you're looking for a bonnet

for a mule?

- Yes, ma'am.

- Oh!

I've seen mules and horses

wearing straw hats.

Shouldn't you try

across the street?

Well, Roscoe don't like 'em

farmer hats.

Let me see that one right there,

if you please.

[chuckles]

- This one?

- Yes, ma'am.

Well, I haven't had

this happen before, I mean..

[chuckles]

Selling a bonnet

for a mule.

Well, I don't reckon this one

would hardly be big enough.

I got to cut holes

for his ears and

if I done that,

there wouldn't be no hat left.

Alright. I sure thank you

just the same.

Oh, not at--

[gasps]

I'm afraid.

Hold it, you're not gonna

be afraid of it.

Here, I'll take the shells out.

Oh, I might maybe

going to faint.

No, no. Don't do that, lady.

Now, watch, watch it.

The last job they tried

was out of Kansas City.

And they got a tip

on a payroll shipment

and tried to stop number .

Did they pull

the job, Mr. Castlin?

No. They got too excited and

exploded the dynamite too soon.

Our agents drove them off.

They headed west

toward Dodge City, Marshal.

It's my job to see that One-Eye

and his g*ng don't hit us again.

Mr. Castlin, Dodge City

is surrounded by cattle camps.

It's the last drive

of the season.

It'd take quite a while

to shake those camps out.

Do you have any

other information, uh..

...besides the identification

in this case.

No, just gossip.

One-Eye has a sister.

She's supposed to be

a nice looking blonde

who cases his jobs.

She uses about

a dozen different names.

But maybe it's...

it's all just talk.

You know the bold woman outlaw,

all that kinda stuff.

[chuckles]

Yes, sir.

Well, I'll start trailin'

Mr. One-Eye Brown.

Not too many

one-eyed hoodlums around.

[Roscoe braying]

Hush up, Roscoe,

our lady's sick.

- Leave her alone, you jackass.

- 'Gibbs.'

Doc is...is she dead?

Just a fainting spell.

She wants to talk to you.

Oh, I don't know

about that, Doc.

I'd scared the wits

plummet of her.

- I better go get, Wyatt.

- She wants you.

- Leave that cannon outside.

- Yes, sir.

Said something about,

uh, being in danger.

It's a tight corset

if you ask me.

Don't worry. The women

will take care of that.

Why don't you go

with me, Doc?

I got a pneumonia case.

You're a brave man.

Act like one.

- Hello, Kurt.

- Mornin'.

You seen, uh,

Mr. Gibbs around?

No, but, uh, Roscoe's tied up

outside the new millinery shop.

Thanks.

He forced his attentions on me.

And after all, in a stagecoach,

a lady cannot withdraw.

You, you think he dare

to come here?

- Well, you just let him come.

- Hm!

But you might not be around

when he does.

Oh, I'll be around alright.

- Even at night?

- Yes, ma'am.

It might get us talked about

and you never know--

[bells clang]

Shh!

Oh, uh, Marshal Earp's outside.

He wants to see you.

Yes, ma'am.

Oh, uh, would you bring me

my smelling socks?

They're somewhere

in the shelf.

Yes, ma'am.

What are you up to?

- Up to?

- 'You're a milliner.'

And it's my experience

that milliner's

are up to be flippant.

You think I'm flippant, really?

That faintin' spell of yours

didn't seem very real to me.

And what enemies you got that

Mr. Gibbs needs to protect you?

I can't say.

Mrs. Denton...

I'm gonna be honest with you.

Mr. Gibbs likes me.

I like him and I aim

to stay here.

Oh, I beg of you

to believe me.

Oh!

Dear, dear.

Well, now just take it easy.

Don't take it all in one bite.

What's up, Wyatt?

Oh, the Chief's special agent

from Santa Fe came to my office.

Said he's lookin' for a fellow

by the name of One-Eye Brown.

Thinks he and his g*ng

are hiding out in the cow camps.

One-Eye Brown.

Never heard of him.

And he's a train robber.

Come on you and I'll scour

the cow camps.

Well, not me.

What's the matter?

Well, I...I promised

to protect Ms. Phronsie LaTour.

She's, uh, new lady's

hat maker, here in town.

O-oh, I see.

Well, uh, now,

why does she need protection?

Her hats that bad?

Well, that ain't funny, Wyatt.

There's a hoodlum she met with

on the stage been pesterin' her.

Hm.

She don't know what his name

or I'd go bust his gizzard.

You seem to feel this

mighty deeply, Mr. Gibbs.

Well, I know more than

you would if a

poor, alone gal

was threatened.

Well, I guess I just have

to take Dale with me.

Oh, uh..

Mr. Gibbs, I,

I wish you luck.

You watch out

for those hatpins.

- Mr. Gibbs.

- 'Yes, ma'am, Ms. Phronsie.'

Mr. Gibbs, I'm an awful coward.

I know it. But I'm so--

[screaming]

O-oh, that mule.

He tried to bite me.

Roscoe!

- You mind your manners.

- Oh.

Is it your mule?

Yes, ma'am.

I'm ashamed to say.

Guess, he doesn't like me.

Oh, it ain't that,

Ms. Phronsie.

You see Wyatt's

spoiled him by givin' him

apples and carrots

and all that stuff.

Now, anybody passes by,

he expects a handout.

You didn't have nothin'

to eat so he..

...well, he just tried to take

a nip out of you.

[chuckles]

Is Marshal Earp gonna

send you away from here?

No, ma'am.

I ain't leavin'.

Oh, thank heaven.

It's time for tea.

Mrs. Denton's put

the kettle on.

[Roscoe braying]

Oh, hush up.

Howdy.

Supper ain't until

an hour from now.

I'm looking for a man

they call One-Eyed Brown.

Well, we used to

have a Peg-Leg Brown.

But he got k*lled in Amarillo.

Uh, I never heard

of this One-Eyed Brown.

Well, thank you

just the same.

[music]

Hold it right there.

[g*nshots]

Mr. Gibbs.

Mr. Gibbs.

Oh!

Is he...is he?

I'm afraid so, ma'am.

Oh!

[dramatic music]

When Gibbs hits him with

that cannon, they're dead.

Why don't you just

wing 'em with a ?

Any man that breaks into

a lone woman's house

in night deserves k*lling.

He was firing at me.

What'd you expect me to do?

Sit there like a big bird?

Doc, I'd like to talk

to Ms. Phronsie.

- Maybe she can identify him.

- Not tonight.

I had to give her some laudanum

to make her sleep.

Alright. I'll send

a coroner over.

Mr. Gibbs, I'd like to talk

to you over in my office.

Alright, sir.

Dale, you take over here.

That about sums up what, uh,

Mr. Castlin of Santa Fe told me.

Mr. One-Eye Brown

does have a sister.

Well, now, don't get sore.

I'm not, uh, implying

that Ms. Phronsie

is in anyway connected

with Mr. Brown.

You got more sense than that.

I'll still have to ask you some

questions and search your place.

Help yourself.

Maybe it'll stop some

loud-mouth women from gossipin'.

I'm sorry, Mr. Gibbs.

Well, don't pay no mind

to me and Ms. Phronsie.

We're gettin' hitched.

enough nerve to ask her.

I'll be here guardin' her

from now on.

Here's the rest

of the house, Marshal.

I know it doesn't make

much sense.

If that man was the masher

you met in the stage coach.

He broke into your store

and Mr. Gibbs k*lled him.

That man must have friends.

I still need police protection.

- Mr. Gibbs?

- I prefer him, yes.

Mr. Gibbs is sweet

on you, isn't he?

I guess so.

Only...kind of silly

to say it, but..

Roscoe doesn't like me.

Or he might cause trouble.

I see. You...don't want to come

between Mr. Gibbs and his mule.

Well, have you tried

apples and carrots?

- No, so?

- You oughta try 'em.

A mule craves love.

- Love?

- 'Yes.'

Now, Roscoe, he loves

Mr. Gibbs because, well..

Mr. Gibbs is fond of him.

You know, I-I really think

that Roscoe is jealous of you.

[laughs]

I never thought of that.

Well you think about it?

And you, uh, you try

making friends with Roscoe.

I'm sorry

to have bothered you.

A-aren't you going to search

the rest of the house?

No, I don't think you could

be One-Eye Brown's sister.

One-Eye Brown?

Never mind.

But, I will assign

Mr. Gibbs to guard you.

[dramatic music]

They got Joel

in Phronsie's place.

k*lled him?

Argh.

- You talked to my sister?

- I couldn't get near her, boss.

She promised she wouldn't do

the job. And she's not gonna.

Earp's gotta a day-and-night

guard in her place.

We'll fix that.

Minor, Bruce.

Go in with Sullivan.

Take that guard tonight

and bring Phronsie

back with you.

She'll know something

about that Santa Fe station.

We'll get it out of her.

You'll see.

Right.

Now, don't try to sweet-talk

Roscoe, Ms. Phronsie.

All that mule

cares about is stump.

[panting]

Thanks.

Now, you wait here.

I gotta do this myself.

Nice, Roscoe.

Here, Roscoe, see--

[screams]

He bit me. He bit me. Look.

[braying]

Well, that's that.

I'm gonna sell that mule.

You take 'em vegetables

and run home back to the store.

Alright.

[intense music]

(male # )

Well, that's a fine horse,

Mr. Martin

Men, Chief Deputy Gibbs

asked me to sell his mule

to the highest bidder.

Now, he's a fine animal.

You all know.

His name is Roscoe.

He's broken to wagon,

buggy and saddle.

- Now, how much my offer?

- $ .

- ' .'

- '$ .'

- ' .'

- A hundred dollars.

A hundred dollars

for this fine animal.

Why I'll even bid a myself.

.

.

- $ .

- Too much for me.

.

All done?

Going once. Going twice.

Sold to Marshal Earp for .

Yeah, thank you, Mr. Abraham.

You come on over to the jail

when you're finished.

I'll have the money for you.

- Come on.

- Alright, Marshal.

- I want to see that tame bear.

- Yeah, let's to see that thing.

music]

Mr. Gibbs,

you don't look too happy.

'What's she do?

Turn you down?'

No, I ain't ask her.

Who bought Roscoe?

Oh, a real mean looking

mule-skinner.

Never did get the fellow's name.

Well, he deserves it.

Trying to bite Ms. Phronsie.

He'll sure get

his punishment now.

Yes. This fellow is one of the

meanest fellows I've ever seen.

Great big, long moustache.

Carried one of those

great big black snake whips.

'You know how those

mule-skinners use those whips.'

Well, I'll tell him..

I'll...tell him,

you're not to...mistreat Roscoe.

Take the guard for me,

will you, Wyatt?

Sure.

(Castlin)

'Wyatt.'

What is it?

I got a wire

from a field agent.

He says Brown's camped about

eight miles outside of Dodge.

I think we oughta form a posse

and jump One-Eye before dark.

We'd never make it.

I've reason to believe that

Brown's sister is here in Dodge.

- Well, good. We'll arrest her--

- No, Mr. Castlin.

Run over to my office.

I'll explain why.

Oh, well, of all fools.

Your Chief Deputy

in love with a woman.

And what was that

about another man named Roscoe.

Roscoe isn't a man.

He's a mule.

- A mule?

- Mm-hm.

Mr. Gibbs, he sold him

because..

Well, he doesn't like

Ms. Phronsie. Tried to bite her.

Oh, come now, Marshal.

What's a love affair and a mule

gotta do with

catching train robbers?

A mule can tell you an awful

lot about people's character.

Oh, yeah. If things aren't just

right, they can be awful ornery.

This mule, he told me

an awful lot about Ms. Phronsie.

- You don't say.

- 'Yes, I do say.'

Also I think

Brown and some of his men

will call on Ms. Phronsie

tonight because last night

the man that Brown sent

was k*lled by Mr. Gibbs.

That makes

a little more sense.

Also makes more sense if we try

to arrest Brown and his men

here in Dodge than try and chase

him through cow camps.

All we need is a few prisoners.

Maybe, they can tell us

what we're looking for.

You think

they'd expose the woman?

Yep.

- Uh-hm.

- I need it.

[melodic musical note]

Ms. Phronsie,

go into your bedroom

take the mattress

and pillow off your bed

and put it on the floor

and please stay there.

I don't understand this. Why do

I need three men to protect me?

Well, you see, hon, Marshal Earp

thinks there's gonna be

worse trouble

than we had last night.

Well, maybe she should stay

at the hotel.

No.

Now, Mr. Gibbs,

you can watch the back door.

Now, does that give you

little more confidence?

Oh, yes. Much more.

Just so I'm close

to you, hon.

But, don't just stand there

like a big bird. Go on.

[dramatic music]

(male # )

Ho-o-o!

One-Eye wants us to take

the alley behind the store.

Kicking the door,

grab Ms. Phronsie

and get outta town fast.

Understand?

Let's go.

[intense music]

Hon, I don't think

it's safe here.

Why wouldn't the Marshal

let me go to the hotel?

Well, Wyatt's trying

to catch some train robbers.

He thinks

you're mixed up with 'em.

'Tarnation.'

And you go in over

and get yourself some rest.

Past midnight

and maybe nothing will happen.

Will that convince Mr. Earp?

Will make no difference

whether it does or don't.

We're getting married.

[chuckles]

But you haven't even asked me.

Well, there's

plenty of time for that.

Go in over

and get yourself some rest.

Yes, sir.

Thank you.

[romantic music]

[dramatic music]

[horses trotting]

[music continues]

(Wyatt)

Hey!

[g*nshots]

Sit down and stay there.

Can't you ever sh**t

at a man without killin' him.

Now, go help Castlin

with his man.

Sorry, Marshal.

I hit my man pretty hard.

Well, that's great.

One witness, huh?

Alright, you ever hear

One-Eye Brown?

Never heard of him.

You see that woman over there.

Isn't that Brown's sister?

Never saw her before in my life.

Don't you owe the lady

an apology?

No, he doesn't.

My real name is

Phronsie Brown.

(Phronsie)

'The man you call

One-Eye is my brother.'

They planned to rob the Santa Fe

and they sent me in to Dodge

to case the payroll shipments.

But I told him

I wouldn't help him.

I cased nothing.

I want no more robbing.

I'm through and I told him so.

Too bad, Mr. Gibbs.

'Cause you're a real nice fella.

She told the truth. You ain't

gonna lock her in jail, are you?

No, she didn't do anything.

Mr. Castlin.

- You start forming a posse.

- Right.

- Take him with you.

- I won't tell you nothing.

Yes, you will.

He's Pete Sullivan. He's wanted

in Missouri for hog stealing.

It's better to take a wrap for

hog stealing than train robbery.

- Will it be a deal?

- You'll help us catch One-Eye.

Alright.

You're riding in-charge

with the posse?

- I'll be with you in a minute.

- Alright, come on.

You folks still aim

to get married?

Ne, we don't.

It could never work out.

I'm taking

the first train east.

But, Phronsie?

He likes his mule

better than me.

And I don't blame him.

[melodic music]

Phronsie?

[bells clanking]

[dramatic music]

Ah, we took One-Eye

without a fight.

Ms. Phronsie, ah,

she leave town?

Yep.

Well, I guess I'll go catch

myself a nap at the hotel.

Wait a second.

I...bought myself a second-hand

mule that I'd be willing

to sell for a ten dollar profit.

Ha!

[melodic musical note]

You alright, Mr. Gibbs?

I reckon so.

You know, any woman

can fool any man.

There's not one woman living

that can fool a mule.

Come on, mule.

♪ Well he cleaned up

the country ♪

♪ The old wild west country

♪ He made law

and order prevail ♪

♪ And none can deny it

♪ The legend of Wyatt

♪ Forever will

live on the trail ♪

♪ Wyatt Earp, Wyatt Earp

♪ Brave, courageous and bold

♪ Long live his fame

and long life his glory ♪

♪ And long may

his story be told ♪

♪ Long may his story

♪ Be told ♪

[humming]
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