[SIRENS WAILING IN DISTANCE]
[RADIO BEEPS]
[TENSE MUSIC PLAYING]
Cause of death? It was a
fall from a great height.
Was it a su1c1de?
Very likely.
[CAMERA SHUTTER CLICKS]
[MUSIC INTENSIFIES]
[MUSIC FADES]
[SIGHS] Nothing. He's not answering.
I'm going to the police.
- I'll go with you. Let's go.
- Okay. Let's go.
[FOOTSTEPS FADING]
[BIRDS SINGING OUTSIDE]
[NICO] I told you, Rocío.
I told you not to upset Eric.
Sorry. I didn't know.
[FOOTSTEPS APPROACHING]
Rocío, your mom's
taking you to class, okay?
With all that's going on,
it's best you stay with her.
You'll see. He'll show
up eventually. Come on.
- [MARÍA] Let's go.
- [ALFONSO] See you.
[FOOTSTEPS FADE]
[ROCÍO] Nico...
[SPOON CLATTERS]
- [DOOR OPENS]
- [KEYS JANGLING]
Hey.
[DOOR CLOSES]
Where the f*ck have you been, dude?
Nowhere, bro. Just went out. [SNIFFLES]
Bring it in, coz.
[CHUCKLES]
[NICO EXHALES SHARPLY]
[ERIC] Hey.
What's the matter?
What the f*ck's wrong with you guys?
Can you please stop
lookin' at me that way?
[SIGHS, CRYING] Sorry to say,
but I can't do this anymore, Eric.
We tried so hard. I can't do it.
Oh, yeah? What have you tried?
[MARÍA SOBS]
Nico, Rocío's mother is downstairs.
Can you give us a
minute? Be right there.
Sure.
[DOOR CLOSES]
Wait. I'm comin' with you.
- I can't handle them being pissed.
- No, no, no, no, no.
Your pupils are
ridiculously dilated, Eric.
It's nothing. I was hanging out,
partying with the guys from the squat.
You know they miss me and
love the sh*t outta me.
dr*gs? With your medication?
No, no. I didn't mix 'em.
I threw the pills away.
[NICO] Excuse me?
The real dr*gs are meds.
Take the dr*gs! You're sick,
bro! Why hurt those who love you?
Hurting you?
- I'm the only one hurting here.
- It doesn't affect us? We don't care?
You just want me to be
on those shitty pills
to turn me into a drooling,
brain-dead vegetable.
You and everyone else!
We loved you and gave
you a roof over your head
and we gave a sh*t!
When did you become
such an old man, dude?
Right now you sound like your mom.
How 'bout you shut up
and keep her out of this?
You really did a number on her.
Listen up, coz. Maybe we stop there.
- Before you say something...
- Stop calling me "cousin"! sh*t!
You're a selfish piece of sh*t.
[SOMBER MUSIC PLAYING]
Tell him to get his stuff outta here!
I can't take it. Neither can you or Dad.
Just tell him to get the f*ck out!
What the f*ck are you saying?
I said leave! Go back to the
squat house. I don't care!
People there love you. Everyone
here treats you like sh*t.
That isn't what I said!
Just get out. Go live with
your parents or under a bridge!
Who cares? Just not here!
f*ck!
[EXCITED CHATTER]
[SOMBER MUSIC FADES]
You know better than anyone
how hard it was for me to open
up and trust someone again.
You turned out to be
just like every other guy
who gained my trust only
to completely destroy it.
- [DÍDAC] Isa...
- [ISA] Don't "Isa" me.
You've hurt me more than
anyone else, you know?
- That's not true.
- [ISA] Yes, it is.
And the lesson you
taught me is also true.
That family will always come first.
- No, Isa. I'm not involved in their sh*t.
- [ISA] No?
I didn't do it for my
family. I did it for you, Isa.
And also for me. For the both of us.
f*ck it. Come with me.
- Get your hands off.
- Come here.
[SOMBER MUSIC PLAYING]
[DOOR OPENS]
- What are you doing?
- [DÍDAC] Come on.
- I told you not to touch me.
- Let's go. Come.
[DOOR CLOSES]
- Dídac, no.
- [DÍDAC] Dídac, yes.
I'm gonna tell her.
We're gonna tell her.
Can you explain what the
hell Luis has to do with this
and what it is you're trying to say?
[SCOFFS] All right. Come on.
[TENSE MUSIC FADES]
Was it so hard to say
"good morning" to that guy?
[TENSE MUSIC PLAYING]
ARTINIAN GOLDSTEIN FAMILY
ISADORA ROMAR MADRID, LTD.
Dídac has been collaborating
with us, not with his family.
I don't get this at all.
After the sh**ting, I went
undercover at Las Encinas to see
if they were responsible for it or not.
But we began to uncover
a much more complex scheme
that points directly to your parents.
Your parents have a
rather... extensive history.
Extortion, blackmail, kidnapping...
No, stop. Stop. Why're you lying?
[DÍDAC] He's not lying to you.
It's all true, Isa. This is a w*r.
One that won't end, and you
and me are stuck in the middle.
It'll end when one of
the two families falls,
and you've decided it's gotta be mine.
No, his family is
also in our crosshairs.
And Dídac is helping us
and will continue to do so.
We were going after them,
Isadora. That's true.
But... now our priority is your parents.
I don't care if they lock up
my family. They deserve it.
If that's what it takes to end this
and for them to stop f*ckin' our
lives up, I don't give a sh*t.
- Well, I do give a sh*t.
- [DÍDAC] About what?
I don't betray the ones I
love without thinking twice.
Like you did with me and your family.
I have morals.
And you, Luis, you
haven't done anything.
'Cause, obviously, you have no
actual evidence against my family.
Exactly.
And that's why we need your help.
No.
Leave me alone.
You especially.
[INDISTINCT CHATTER]
[TENSE MUSIC FADES]
Good morning, Sara.
Good morning.
Don't t*rture yourself. Don't
give them an ounce of attention.
- Ignore them.
- [SPEAKING INDISTINCTLY]
I didn't think it'd be this hard.
All right. Come on.
What should I do? Forget it?
What if he's a monster to Chloe?
That isn't your problem.
You're jealous and can't
stand he's with someone else.
It's not that.
You're still addicted. That's
normal. I went through that myself.
Emotional dependence
doesn't suddenly disappear.
And you know what?
He's aware of it.
Of what?
That you're addicted to him.
And he loves it, even
though he's with someone new.
He won't stop. He'll do what it takes
to make sure you never leave him.
Because he needs to feel
that he has power over you.
[SOMBER MUSIC PLAYING]
That's why you need to
take some space from him.
Just a second.
[CELL PHONE CHIMES]
[CELL PHONE CHIMES]
Take this.
It's a request to get them to
transfer you to another school.
You want me to transfer?
But I've already moved out. Now
I have to lose everything else?
You're not losing
anything. You're gaining.
Your freedom, mental health.
Your peace.
Seriously, take my advice.
- [RAÚL] Mm.
- [KISSING]
[CHLOE LAUGHS]
- So, hey...
- [RAÚL] Hmm?
Visiting me mid-morning's
becoming a habit, huh?
Uh, I guess so.
- [CELL PHONE CHIMES]
- But it's cool.
[HUFFS] My mother.
Uh-uh.
She says she's at Isadora
House and needs to see me.
Chloe, just stay away from her.
Maybe something's wrong. Hold on a sec.
- May I?
- No, I...
- It's my phone and my mother.
- Right.
It's for your own good. Okay?
If you don't realize
it, I'll do it for ya.
- [PHONE CHIMES]
- Blocked her.
Chloe, don't you get it?
She gives you anxiety, or
she's making you feel guilty,
but it's always something.
Yeah.
Come on. Where were we?
- [CHLOE CHUCKLES]
- [RAÚL] Hmm?
Listen. I gotta go to class.
- [RAÚL GROANS]
- Yeah.
- [RAÚL] Uh-uh.
- Mm-hmm.
I really gotta go.
- I'll see ya later. [CHUCKLES]
- [RAÚL] Pfft.
Bye.
["TIRED AND SICK" BY OTHA PLAYING]
[CELL PHONE CHIMES]
FOLLOW ME.
♪ We're all so tired and sick ♪
♪ Of all the stupid pricks ♪
♪ We're all so tired and sick ♪
♪ Of all the stupid pricks ♪
♪ 'Cause life is such a mess ♪
♪ And this place makes
me super stressed... ♪
Did you wanna talk?
♪ I don't wanna deal with
these people no more ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails more than before ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails more than before ♪
♪ 'Cause life is such a mess ♪
♪ 'Cause life is such a mess ♪
♪ 'Cause life is such a mess ♪
♪ And this place makes
me super stressed ♪
♪ I don't wanna deal with
these people no more ♪
♪ I don't wanna deal
with these people... ♪
[BOTH PANTING AND MOANING]
♪ I don't wanna deal with
these people no more ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ More than before ♪
♪ These people, no more ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ I'm biting my nails ♪
♪ More than before ♪
♪ We gotta clean up this sh*t ♪
♪ This place is packed with pricks ♪
["TIRED AND SICK" ENDS]
[TYPING ON PHONE]
Who are you texting right now?
Chloe.
[SARA SCOFFS]
You're only with her to make me jealous.
[RAÚL LAUGHS]
She's my girlfriend, 'kay?
[TENSE MUSIC PLAYING]
[DOOR OPENS]
[DOOR CLOSES]
[INDISTINCT CHATTER]
Hey, do you need a friend? 'Cause I do.
Honestly, yeah. I can use one.
But tell me what's going on with you.
I've been so focused on Eric lately,
I've been a bad friend to you.
Nico, come on.
Real friends are those who'll be
there no matter how much time goes by.
And I knew you were there, man.
How are you?
It's Eric.
He's really screwed up.
- We had to kick him out.
- [SIGHS] f*ck.
It sucks, man.
He pisses me off, and I'm so done.
But I feel like a bad person.
He can manage a few days.
No, that's not it.
He'll get by on his own.
[SIGHS] I can't help thinking
we threw in the towel
on him way too early.
Nico. Hey.
You guys have been incredible with him.
I know he'll come back.
I'm sure.
[SOMBER MUSIC PLAYING]
- [INDISTINCT CHATTER]
- [SOMBER MUSIC CONTINUES]
RECENT: BUDDY, PARTY GIRL, WORK, HOME,
UNCLE ALFONSO, COUSIN NICO, AUNT MARÍA
COUSIN NICO
[BIRDS SINGING OUTSIDE]
RECENT: DAD, MOM, UNCLE, COUSIN ERIC
COUSIN ERIC
[MUSIC GROWS TENSE]
- [WOMAN ] You should disappear.
- [MAN ] You're disgusting.
[MAN ] You're worthless.
Just a constant disappointment.
[MAN ] You're pathetic.
[WOMAN ] You should disappear.
You'd do us all a huge favor.
[MAN ] Stay away. You
destroy everything you touch.
[MAN ] You're worthless.
Just a constant disappointment.
- What a shame.
- [MAN ] You're pathetic.
- [MAN ] You destroy everything you touch.
- [MAN ] You're worthless.
- [MAN ] Stay away...
- [MAN ] What a shame.
[MAN ] Stay away. You
destroy everything you touch.
You're so pathetic. You
destroy everything you touch.
- [VOICES STOP]
- [MAN ] Are you all right?
[ERIC PANTING]
[SOMBER MUSIC FADES]
[BIRDS SINGING]
Isa?
Hi, baby.
Do you have a minute?
Yeah.
Look, I need you to tell
me what's up with my mother.
Uh, no, girl.
No, I'm telling you, I
wish I didn't know. I swear.
Ignorance is bliss, all right? Truly.
Not if my mother is a
criminal. She's a f*cking judge.
And you shouldn't look
the other way either
if your parents are also
involved in shady sh*t.
We can't let them run
wild, doing what they want
'cause they're our parents.
Babe, distract yourself.
Just dissociate. It's what I have to do.
"If justice isn't just,
we'll do it ourselves."
Remember?
We have to make sure that
those who should pay pay.
No matter who they are.
My mom's always been a source
of pride for me. My role model.
But if it turns out
everything I thought was a lie
and she's corrupt, don't hold back.
Let her pay.
[GENTLE MUSIC PLAYING]
[MUSIC DISTORTS AND FADES OUT]
The police have been
investigating you for months.
Yes, we'll have to be
a little more careful.
Oh, so you don't give a f*ck.
It's part of the job to
know these sort of things.
You don't care, 'cause
unlike other businessmen
who broke a couple laws here and there,
you have broken a million of them.
Nothing's ever happened to us, hmm?
Do you have any idea why?
Because the police have no
idea who did it or didn't do it.
They don't even know
what's legal and what isn't.
And k*lling Amazona? How 'bout that?
Starting a sh**t at
a school full of minors?
Bribery?
What about blackmailing a judge
to tear down a building you
told me was falling to pieces,
but it was bullshit?
What is that? Legal? Illegal? What?
If you want us to
stop, just say the word.
Yeah, of course I want you to.
- Shh. Easy.
- Yeah, yeah, yeah.
We have to stop this, Martín.
- She's in it up to here. Enough.
- Shut your mouth. Just shut your mouth.
Your shitty way of doing things is over.
What do you have there?
The evidence against Catalina.
Mom gave me the folder.
Why the f*ck would you do that?!
[ISA] What's the problem?
You wanted me to join
the business. Here I am.
What'll you do with these documents?
Give them back to Catalina?
I think that's a good way
to change the dynamic, yeah.
And do you know what'll happen
when you give those back to her?
What?
She's gonna come after
us to screw us over,
and she won't think
twice about it, dear.
Is that what you want?
No. I want to trust in good faith.
You want... to trust in good faith?
That's a terrible idea. But here.
Don't do it, sweetheart.
[ROBERTA] Leave her alone, Martín.
Maybe it's not a bad idea to
try to do things differently.
[LINE RINGING]
[CELL PHONE VIBRATING]
INCOMING CALL
Why's Isadora calling you?
[PHONE BEEPS]
[DOOR OPENS]
[CATALINA ON PHONE] Hello?
My parents and I are
gonna meet up with you
to return your documents this afternoon.
What?
What's in these documents
is your business.
But between you and me, I
hope you rot in jail someday.
[INDISTINCT CHATTER]
[SIGHS] All right, then.
Tell me when and where.
[CALL DISCONNECTS]
The three of us are gonna go apologize.
- [CUP CLATTERS]
- [PAPERS SHUFFLE]
- [DOOR SLAMS]
- [SOMBER MUSIC PLAYING]
We're in deep sh*t, Mom.
See?
This is why I always tried to
keep you away from it, bebé.
This is no life for you.
LET'S MEET HERE
- [DOOR CLOSES]
- Why does she wanna meet up?
- That's between her, her parents, and me.
- [ROCÍO] What is, Mom?
Nothing, dear. It's all
just, um... Well, it's over.
[CELL PHONE CHIMES]
NEW MESSAGE
LET'S MEET AT THE SAME TIME ON
THE ROOFTOP OF THIS BUILDING.
IT'LL BE MORE DISCREET.
I'm not going home.
- I'm going with you to see Isa.
- No way, Rocío.
Isa's my friend. You're my mother.
I wanna know what the f*ck's going on.
So if you won't fill me in, she
will, no matter what you say.
[HUFFS] All right, then. But don't
get out of the car, understand?
[ENGINE STARTS]
[SIRENS WAILING IN DISTANCE]
[SOMBER MUSIC PLAYING]
[CRYING]
- [MUSIC FADES]
- [KISSING]
[IVÁN SIGHS]
What you thinking?
[JOEL SIGHS]
[SIGHS] Nothing.
You can tell me.
[SIGHS] I just got so
f*cking cold. Sorry.
[SIGHS]
If you're upset that I'm going...
then come with me.
[GENTLE MUSIC PLAYING]
[LAUGHS]
- No, you're crazy. I see now.
- No.
I'm being serious.
[SIGHS] But what about school?
We can study there. Together.
[SIGHS] Uh, no, no, no. No way.
It's... That's f*cking crazy.
What's f*cking crazy is not enjoying
what's happening with us, Joel.
I know you find it hard to accept
any good that comes your way.
That you even think
you don't deserve it.
But you do deserve it.
Once and for all, you deserve
a life that treats you well.
And I'd love to give you that.
[JOEL SIGHS]
Just think it over.
And let me know, okay?
- [MUSIC FADES]
- [JOEL CHUCKLES SOFTLY]
[SIRENS WAILING IN DISTANCE]
[SOMBER MUSIC PLAYING]
[ERIC SNIFFLES]
[SIREN WAILING]
[MUSIC GROWS TENSE]
[APP CHIMES]
MESSAGES FROM STUDENTS
[CELL PHONE CHIMES]
HELLO??
I NEED TO TALK TO SOMEONE...
BEFORE I DO IT.
[TYPING RAPIDLY]
DO WHAT?
k*ll MYSELF.
[DALMAR LAUGHS]
[MAN ON TV] You're my
friend, Diego's my friend...
Dude.
What the f*ck is going on in
that head of yours right now?
Something bothering you?
What?
Um, yeah, no. I'm doing great.
[MAN ] No, acquaintance
and friend are different.
- You can be friends and not know them.
- [MAN ] See, Pedro?
[MAN ] Right. I know Pedro.
That makes him my friend.
[MAN ] How do you know you know him?
- [MAN ] I know I know.
- [MAN ] You know you know?
CAN WE MEET? I NEED ADVICE.
OMAR IS ONLINE
I NEED ADVICE FROM YOU AND DALMAR.
I NEED HELP FROM BOTH OF YOU.
["IN A MANNER OF SPEAKING"
BY TUXEDOMOON PLAYING]
YOU JUST RECEIVED A
€ , , BANK TRANSFER
HOW ABOUT WE START OVER?
CHLOE HAS BLOCKED YOU. SHE
MAY NOT READ THIS MESSAGE.
[CARMEN SIGHS]
[SARA] Carmen?
How are you?
Great. How have you been?
You're worried about Chloe, right?
Because you can't reach her
since she's been with Raúl.
May I?
♪ You told me everything ♪
♪ By saying nothing... ♪
[SARA SIGHS]
He's keeping her from you.
And from us, her friends.
Her loved ones.
That's how he does it.
He isolates you,
invalidates you, abuses you.
He what?
I went through it myself.
That's why I got out.
It took a long time because it's hard
to get unhooked from someone like him.
But I did it.
Carmen, you have to get
Chloe out of there right now.
And I know you think she's a strong,
brave, and self-sufficient girl
who would never let
a guy push her around.
However, Raúl has that ability.
I never thought I'd
be that sort of girl,
but that's what he turned me into.
He's a f*cking manipulator.
♪ Give me the words ♪
♪ Give me the words ♪
- ["IN A MANNER OF SPEAKING" FADES]
- What's this? Iván's stuff?
[RAÚL SIGHS]
Hi there.
Hi there.
- ["HAZELNUT COFFEE" BY SADGIRL PLAYING]
- [BOTH PANTING]
[BOTH PANTING]
Can you go get me the lube?
My mind and body are
totally disconnected.
[SOFTLY] Sure.
[SIGHS]
[CELL PHONE CHIMES]
- [SONG ENDS]
- [PHONE CHIMES]
[PANTING ON PHONE]
[PANTING STOPS]
I'll put it on.
Chloe, what the f*ck are you doing?
What the f*ck am I doing?
- [CELL PHONE CHIMES]
- I should ask you.
[PANTING ON PHONE]
Listen, that's an old video.
It's old. But you had today's outfit
on? Do you think I'm that stupid?
That video's from when we were together.
- I swear she's f*cking with you.
- I'm sure.
- Stay away from me, you son of a bitch.
- Please, Chloe.
- Let's talk. Chloe! Please!
- f*ck talking! Leave me alone!
- Cheating m*therf*cker.
- Chloe, listen...
Chloe! Chloe, can we talk about it?
- That video's old. Listen!
- Sure, assh*le.
- Old, my ass.
- She's playing you.
- Who you calling?
- My mother.
- No. We need to talk this out.
- My phone!
No. I've got nothing to say.
If I say we're talking,
we're f*cking talking. Okay?
[POUNDING ON DOOR]
Iván!
- [CARMEN] Chloe?
- Momma!
[CARMEN POUNDING] Babe, are
you all right? Open the door!
Carmen, we're okay. You
know you're not welcome here.
[CARMEN] Let my daughter
tell me that to my face.
[KNOCKING CONTINUES]
- Open it.
- [CARMEN] Chloe, what's going on in there?
Get her outta here.
- [QUIETLY] Okay?
- [CHLOE] Mm-hmm.
[RAÚL] I swear, if you play
any games, I'll f*cking lose it.
- [CARMEN] Chloe?
- I'll f*cking go nuts.
[CARMEN] Will you open the door already?
- [KNOCKING]
- [CARMEN] Babe, open up!
I'll be right there. [BREATHING SHAKILY]
Mom, what's the matter?
Are you okay?
I'm perfectly fine. Why are you here?
- May I come in?
- It's not the best time because...
I'm coming in. How could
you not let your mother in?
Raúl, darling.
What's up?
How are you?
Sorry to barge in. Put
something on so we can chat.
- Now's not a good time, Carmen.
- I'll go get the whiskey I left last time.
- Carmen...
- I know where everything is. Don't worry.
Now, go get dressed.
Whose bags are these?
Iván's.
[MARTÍN] All right.
- I'll wait in the car. Don't take forever.
- Yes. We're coming.
[ROBERTA] Bebé, are you ready?
I think it's better if
you don't come with us.
Why not?
I wanna sort this out
alone with Dad and Catalina.
Sweetie, let me come with you.
I can be there as a
form of moral support.
No, Mom. Will you please
just listen? Stay here.
I'm begging you.
[SOMBER MUSIC PLAYING]
- [MARTÍN] Where's your mother?
- She's not coming.
She never believed in me.
You and I've got this, though.
Start the car. I don't want to be late.
[SEAT BELT CLICKS]
[ENGINE STARTS]
[SIGHS] Dude, I think
you're going too far.
Iván's the one who suggested it.
[DALMAR] And you said yes?
I'm not sure if I should.
That's why I'm asking you guys.
So, are you deeply in love with him?
No, please. Just tell
us. Don't be worried.
We're friends.
[GENTLE MUSIC PLAYING]
I think so.
Do you want to play the story out?
- Yeah.
- [OMAR] Well, that's that, kid.
And your classes can come later.
His classes won't have
to come later if he stays.
Just wait for him here.
A few months ain't long.
Oh...
Except you can lose someone in weeks
or days or even hours, trust me.
Well, sh*t. [CHUCKLES]
Thanks a lot, Omar.
I think that...
you're always letting guys just
drag you along, and you should stop.
Iván's in the program.
So what? You'll be there to cook
for him or carry his backpack?
Or do you want him to pay
for you to go there too?
[CLICKS TONGUE] Can you please
stop always being the kept man
and start doing things on your own?
Did you feel like I
was a kept man with you?
- Look, come on. Go with him.
- [DALMAR] Don't. Stay here.
And when Iván comes back, if he
does, then you take it from there.
I think we should leave you alone
and give you time to think things over.
I think that Dalmar and I have
made it more confusing for you.
[JOEL EXHALES NERVOUSLY]
[OMAR KISSES]
Let me know what you decide,
handsome. Let us know.
Both of us.
[OMAR SIGHS]
[SOFTLY] Come on.
[JOEL SIGHS]
[MUSIC FADES]
Uh, Mom.
- This isn't a great time, y'know?
- When's a good time?
When he does it to
your other cheek? Hmm?
[DOOR OPENS]
[SOMBER MUSIC PLAYING]
Go with Iván.
But why?
It doesn't really matter.
Come up with a reason.
Just get out of here. Do me that favor.
[WHISPERS] Go on.
Where are you going?
[TIMIDLY] Uh, mm...
going out for a minute.
M'kay? Just a sec.
[TENSE MUSIC PLAYING]
C'mon. A couple of whiskeys and a chat.
Let's go to the rooftop.
Get some fresh air.
[TYPING RAPIDLY ON PHONE]
[CELL PHONE CHIMES]
DON'T STOP TALKING TO
ME. I CARE ABOUT YOU.
[EXHALES NERVOUSLY] Oh,
come on. Please respond.
[SIGHS]
YOU WOULDN'T SAY THAT IF YOU KNEW ME.
I'M SURE I WOULD.
I JUST WANT TO END IT ALL AND DISAPPEAR.
[EXHALES SHAKILY]
BUT WHY?
ONLY THEN WILL I STOP SCREWING
OVER THE PEOPLE WHO LOVE ME.
I DON'T THINK YOUR FAMILY
THINKS YOU'RE SCREWING THEM OVER.
YES, THEY DO. THEY KICKED
ME OUT OF THE HOUSE.
THE PERSON I LOVE THE
MOST KICKED ME OUT.
[DOORBELL RINGS]
- What are you doing here?
- [SONIA] Where's Eric?
Is something wrong?
I've called a thousand
times. He won't answer.
Why? What's wrong?
[SIGHS] We have to find
him. Hurry. He'll answer you.
- [CELL PHONE BEEPS]
- [TENSE MUSIC PLAYING]
[LINE RINGING]
[MARÍA] Well?
[LINE BEEPS]
No. No answer.
Oh my God.
Sonia, please, just tell
us what's the matter.
[EXHALES]
- He may be a danger to himself.
- My God.
I may know where he went.
- Come on. Let's go.
- Yeah. I'll get the car. Come on.
- Yes.
- No, no, no, no. Hold on.
I should go alone.
Right now, he's pushing you away.
- I hope not me too.
- [MARÍA] Okay.
- Be right back.
- [MARÍA] Okay. Call us.
[SIGHS, SOBS]
- [MUSIC FADES]
- [INDISTINCT CHATTER]
GETTING MY TAXI. SEE
YOU AT THE TERMINAL.
[CELL PHONE CHIMES]
[CHLOE] Iván!
I hate...
how this all turned out.
It sucks.
But I'm glad you're getting out of here.
[SOMBER MUSIC PLAYING]
'Cause you deserve happiness,
and that's not with us.
Iván...
[PANTING]
I HAVE YOUR TICKET. NOW I
ONLY NEED YOU. HOPE YOU COME.
[CELL PHONE CHIMES]
GETTING MY TAXI.
I HAVE YOUR TICKET. HOPE YOU COME.
["JEWELS" BY BOMULL
PLAYING ON SOUND SYSTEM]
[INDISTINCT CHATTER]
Why's Catalina taking so long?
She's not coming.
Why not?
[MARTÍN CHUCKLES]
- Dad, what have you done?
- [PHONE CHIMES]
I'M AT THE ROOFTOP YOUR DAD SENT ME TO.
Where did you send her?
[TENSE MUSIC PLAYING]
SEND ME YOUR LOCATION. QUICK.
What's going on? What did you
do? Where did you send her?
[CELL PHONE CHIMES]
SEND ME YOUR LOCATION. QUICK.
Listen, it pains me to admit to you
and to have to agree with your mother,
but it's become clear
that you can't handle this.
Putting you in charge was a mistake.
I should have taken
care of Catalina myself.
[MUSIC INTENSIFIES]
LOCATION: SUNSET ROOFTOP
NUEVOS MINISTERIOS, MADRID
- [MARTÍN] You see, in business...
- [PHONE CHIMES]
... you have to be cold-blooded.
FORWARD TO...
And, honey, that's something...
you're not ready for.
[DOOR OPENS]
- [CATALINA] Rocío, what're you doing here?
- Mom, why are you here?
I told you to stay in
the car. You don't listen.
[DOOR OPENS]
[TENSE MUSIC SWELLS]
[TENSE MUSIC DISSIPATES]
[NICO] What happens if you do it?
Who wins?
You're better off without me.
You're wrong. I wouldn't be
here if I didn't give a sh*t.
[ERIC] You didn't
think that this morning.
Look, man, I'm so sorry.
I was pissed off.
I thought I was angry at
you, but it was at myself.
Because it pisses me off that
I don't know how to help you
or make you see how
important you are to me.
There ya go.
You gave it a sh*t.
Now you can sleep easy.
Your conscience is clear.
No! No! Eric, please! Eric, don't.
[TENSE MUSIC CONTINUES]
Drink.
I don't like it.
Well, I don't like you either.
But I'm here,
trying to see why my
daughter's into your dumb ass.
[SIGHS]
I take care of her.
- I understand her and protect her.
- Mm-hmm.
Slap her around. And restrain her.
You turn her into someone she's not.
- Carmen, that's not how I roll.
- Sara tells me that's a pastime of yours.
Giving your arm a workout.
Sara was just a f*cking manipulator
who can't get over that
I don't wanna be with her.
When my daughter opened up the
door for me, her face was still red.
I assume that's because you
had just slapped her, right?
Anyone ever taught you that's
not how you treat a woman?
No one taught you that?
- We were arguing. That's all.
- Uh-huh.
- All right?
- And there was a scuffle.
- Ah, a scuffle?
- Yes.
- That's all.
- Uh-huh.
What was the scuffle
like? Can you tell me?
- How'd it go?
- Hey!
- "Let go. You're hurting me"?
- Stop.
- That?
- Back up. Stay where you are.
- Oh, yeah? Huh?
- Carmen!
And in the middle of the scuffle,
that's when you let her have it, huh?
- Hmm? How'd it go?
- It's not.
Maybe a little something like...
Huh? And when you let her have
it, I can assume that Chloe,
and I know this 'cause I'm her mother,
tried to defend herself.
She tried to defend herself,
right? How'd she defend herself?
- Stop.
- Did she push you? I bet she did.
She push you like that?
- [GRUNTS] All right.
- Huh?
- I've had enough!
- Did...
Calm down! Crazy bitch!
You think you can hit me? Huh?
- [TENSE MUSIC SWELLS]
- [CARMEN GASPING FOR AIR]
Where is Catalina?
Why do you care so much about her?
Huh?
[MARTÍN] Catalina was starting
to cause a lot of problems.
- Mom!
- [BOTH SHOUTING]
[MARTÍN] Yeah. She was useful
for a while, and you know why?
Thanks to those documents,
we got the concessions to
set up your Isadora House.
Which you love so much.
The holding company and so much more.
That's what she was useful for.
But now, that's it.
In fact, as of today,
we no longer need her.
[INDISTINCT SCREAMING]
[MARTÍN] Bam. She's out.
Disconnected.
Adiós.
- [ECHOING] Rocío! I'm so sorry.
- [ROCÍO] Someone, help us!
C'mon, Eric. That's not you
talking, dude. It's not you!
You stopped the meds, and it's
making everything seem darker.
Eric, look at me.
[ERIC SNIFFLES]
The only thing the guy
standing in front of you
can give you is his thanks.
[TENDER MUSIC PLAYING]
[SIGHS] Need me to spell it out for you?
I, Nico, wouldn't be
here if you weren't here.
And it's not that I want to be like you.
- Well, thank God.
- [NICO SCOFFS]
[CHUCKLES] No way.
But you were the first person
I could always be myself with.
With no judgments or questions.
You were always my partner in crime.
With you, I was always
Nico, even before I was Nico.
You're so f*cking important to me,
and I should've told you before.
[SNIFFLES] And if you decide to do it...
At least I can rest
easy knowing I told you.
And if I lose you...
you wouldn't have any clue how
big a void you'd leave behind.
Let's go back home, together.
[BOTH CRYING]
[SOFTLY] I'm sorry.
I know you wanted me to
be a carbon copy of you.
- But I wanted to do things my way.
- [MARTÍN] Hmm.
Darling, it's okay.
- It's okay, honey. Really.
- [ISA] You know what?
I don't think my way is wrong.
And you want me to prioritize
the business, right?
To override your point of view if
I think you're making a mistake.
And right now, you're
making a massive one.
You told me never to falter when
faced with making difficult decisions.
You wanted all that from me?
Where are the documents? Hand them
over. The folder. Give it to me.
Where are the documents,
huh? Catalina's papers.
Give them to me.
I don't have them anymore.
EXPRESS DELIVERY
[ISA] They're with people
who should have them.
There's the confession.
We got them both.
Martín and Catalina. Let's get in there.
What have you done?
You were right, y'know?
Trusting in good faith
is a terrible idea.
["OUTRO" BY M PLAYING]
- [CATALINA SCREAMS]
- [g*n FIRES]
♪ I'm the king of my own land ♪
♪ Facing tempests of dust... ♪
CATALINA DURÁN IS HERE.
♪ I'll fight till the end ♪
♪ Creatures of my dreams ♪
♪ Raise up and dance with me ♪
♪ Now and forever... ♪
Thank you.
- Catalina Durán? You're under arrest.
- ♪ I'm your king ♪
You have the right to remain silent.
Anything you say may
be used against you.
[SOMBER PIANO OUTRO PLAYING]
[SOBS]
["OUTRO" ENDS]
[RAÚL] Nobody gets
to f*ck around with me.
[GASPING] I... Ice...
Ice.
Ice.
[GASPS]
What are you saying? Huh?
The whiskey.
- We need more ice.
- [TENSE MUSIC PLAYING]
What the f*ck are you
rambling on about? f*ck!
You're f*cking crazy!
You see? How you don't
know how to treat a woman?
Yeah. No wonder Chloe won't
see you, you crazy bitch.
When a woman... asks you for ice
and you're out of ice, do you
know what you do for her? Huh?
- Do you?
- Yeah? What?
[RAÚL SCREAMS]
[LOUD THUD]
- [SCREAMING AND CLAMORING IN STREET]
- [CARMEN SIGHS]
You go down and get her ice.
[DOOR CLOSES]
So? How did it go?
- Dad got arrested.
- [ROBERTA] What?
Yeah, Dad and Catalina got arrested.
Police were listening to him
confess through a microphone.
The police? Why were they
there? And what microphone?
- Who knew where he'd be?
- No idea.
- I know as much as you do.
- Who planted the microphone?
I'm just thankful you weren't there.
Imagine if they'd
overheard you talking too.
[SOMBER MUSIC PLAYING]
[SOMBER MUSIC FADES SLOWLY]
[OMAR] Dalmar?
Dalmar!
Yeah, man?
Hey, man. What's wrong? You're unhinged.
[DOOR OPENS]
f*ck. That's not good.
[DOOR CLOSES]
[DALMAR] I know you're hurting,
but you did the right thing.
Yeah, but he didn't do
what he wanted to, Dalmar.
[OMAR SIGHS, GENTLY] Come here.
[TENDER MUSIC PLAYING]
[JOEL SIGHS]
You staying for dinner?
Well, the thing is,
it's pretty late, and...
and then getting to my
parents' house is a huge pain.
Well, you could always
crash here if you want.
No. I shouldn't.
It's what's best, Joel.
Come here, friend.
[OMAR SIGHS]
[SIGHS]
- [JOEL SIGHS]
- [DALMAR] Go. I'll clean this up.
[OMAR] Okay, then, guys.
We'll talk soon, all right?
Just let me know.
Ciao, cuties.
[DOOR OPENS]
[DOOR CLOSES]
["SHAKE IT OUT" BY FLORENCE
+ THE MACHINE PLAYING]
♪ Regrets collect like old friends ♪
♪ Here to relive your darkest moments ♪
♪ I can see no way, I can see no way ♪
♪ And all of the ghouls
come out to play ♪
♪ And every demon wants
his pound of flesh ♪
♪ But I like to keep
some things to myself ♪
- [SIRENS WAILING]
- ♪ I like to keep my issues drawn ♪
♪ It's always darkest before the dawn ♪
POLICE LINE DO NOT CROSS
♪ And I've been a fool
and I've been blind ♪
- ♪ I've been blind ♪
- ♪ I can never leave the past behind ♪
♪ I can see no way, I can see no way ♪
♪ I'm always dragging
that horse around ♪
♪ All of his questions ♪
♪ Such a mournful sound ♪
♪ Tonight I'm gonna bury
that horse in the ground ♪
♪ 'Cause I like to
keep my issues drawn ♪
♪ It's always darkest before the dawn ♪
- ♪ Shake it out, shake it out ♪
- [SPEAKING INAUDIBLY]
♪ Oh, whoa ♪
♪ Shake it out, shake it out ♪
♪ Shake it out, shake it out, oh, whoa ♪
♪ And it's hard to dance ♪
♪ With a devil on your back ♪
♪ So shake him off ♪
♪ Oh, whoa ♪
♪ And I am done with
my graceless heart ♪
♪ So tonight I'm gonna cut
it out and then restart ♪
♪ 'Cause I like to
keep my issues drawn ♪
♪ It's always darkest before the dawn ♪
♪ Shake it out, shake it out ♪
♪ Shake it out, shake it out, oh, whoa ♪
♪ Shake it out, shake it out ♪
♪ Shake it out, shake it out, oh, whoa ♪
♪ And it's hard to dance ♪
♪ With a devil on your back ♪
♪ So shake him off ♪
♪ Oh, whoa ♪
- ♪ Shake him off ♪
- ♪ And it's hard to dance ♪
- ♪ With a devil on your back ♪
- ♪ Shake him off ♪
♪ And given half the chance ♪
♪ Would I take any of it back? ♪
♪ It's a fine romance... ♪
[OFFICER] Can you think of any
reason he'd want to take his own life?
[CARMEN] He was a very troubled kid.
An abuser.
Narcissistic.
Toxic masculine insecurity.
♪ And I'm damned if I do and
I'm damned if I don't... ♪
Chloe, you lived here with him.
Where were you when Raúl... ?
She was with me all afternoon.
♪ And I'm ready to hope ♪
♪ It's a sh*t in the dark ♪
♪ Aimed right at my throat ♪
♪ 'Cause looking for heaven ♪
♪ Found the devil in me ♪
♪ Looking for heaven ♪
♪ For the devil in me ♪
♪ But what the hell... ♪
Welcome back, Omar.
Thank you, Mateo.
So where should I begin?
♪ Shake it out, shake it out ♪
♪ Shake it out, shake it out ♪
♪ Oh, whoa ♪
♪ Shake it out, shake it out ♪
♪ Shake it out, shake it out ♪
♪ Oh, whoa ♪
♪ And it's hard to dance ♪
♪ With a devil on your back ♪
♪ So shake him off ♪
♪ Oh, whoa ♪
♪ Shake it out, shake it out ♪
- [RAÚL SCREAMS]
- sh*t!
[BODY THUDS]
♪ Shake it out, shake it out ♪
♪ Shake it out, shake it out ♪
♪ Oh, whoa ♪
♪ And it's hard to dance ♪
♪ With a devil on your back ♪
♪ So shake him off ♪
♪ Oh, whoa ♪
♪ Ooh, ooh-ooh ♪
♪ Ooh, ooh-ooh ♪
♪ Ooh, ooh-ooh ♪
♪ Ooh, ooh-ooh ♪
["SHAKE IT OUT" ENDS ABRUPTLY]
[SOMBER INSTRUMENTAL MUSIC PLAYING]
07x08 - Voy a acabar con esto para
Series is set in Las Encinas, a fictional elite high school and revolves around the relationships between three working-class students enrolled at the school through a scholarship program and their wealthy classmates.