08x10 - Keeping Her Alive

[bunniefuu]

We cremated what was left
of Nick and brought him here.

MADISON: This is my son?

TROY: Belonged to Alicia.

Took it off her corpse
after I k*lled her.

You took everything from me.
I'm just doing the same for you.

- What did I take from you?
- It doesn't matter.

What matters is PADRE.

MAN: Troy. It's Tracy. She's missing.

Tracy!

- LUCIANA: We lost Charlie.
- [g*nsh*t]

And now Troy knows about my people.

- We're at risk.
- MADISON: You have to do it.

You have to keep the promise
you made to Alicia.

TRACY: What do you want with me?

You're going to help me save PADRE.

[INDISTINCT CONVERSATIONS]

MAN: Be right back.
I'm gonna get some tools.

I need a couple sledgehammers.

All right, let's settle down.

We left with you, right?

Almost. You forgot to carry the one.

Thanks.

[SPEAKS GERMAN]

♪ ♪

♪ ♪

Hold it right there.

Step aside, please.

Afraid we cannot.
No one's to go down there.

Under whose orders?

Mine.

Where is she?

Where's who?

We know you have
Troy's daughter down there.

You think we'd leave the fox
in the henhouse

without keeping eyes on you?

Perhaps we could discuss this
in a more civilized manner.

This seems pretty civilized.

Dwight, hello.

Been a long time.

[SCOFFS]

Why'd you bring that girl here?

Because I knew Troy wouldn't
dream of attacking the island

if he knew we had
his daughter as leverage.

Or it's the perfect reason to att*ck.

He doesn't know that we're here.

Now you have his kid, he'll find it.

How? It's not like she's been
tagged for migratory purposes.

Maybe you'd know how badly
a parent would fight

for their kid if you were doing more

than playing father to Klaus.

After all these years,
you still don't know me.

Oh, I do, Victor.

I stood by that Tower and I watched you

make bad decision after bad decision.

People lost their lives
because of what you did.

John's father lost his life
because of what you did.

I'm not making that same mistake again.

June, many people lost their lives

because of you, as I remember,
when we first met.

We've all done things
to build and survive.

None of us are ones to throw stones.

The girl went missing
while you were gone.

I saw an opportunity.
Someone had to make the call.

Yeah, that's the thing, Victor...

None of us remember asking you
to be the one to do that.

And there were plenty of prefects

that could've held down the fort.

They're children.

So are you.

June...

I'm not the man I used to be.

How do we know that?

Because I know you're not
the woman that you used to be.

Am I right...

Naomi?

- He's told me everything.
- I'm sorry. Who's this?

I'm his husband.

If you want us to believe
you've changed, Victor, show us.

Help us fix this.

How? The girl's already here.

We'll bring her back to her father.

You think that will satisfy Troy?

It might if we give him
the man who kidnapped her.

[EXHALES SHARPLY]

- Start walking.
- Hey, hey, wait, wait.

It's not gonna work.

You don't know Troy the way I do.

We already lost the hotel.

This island is the last chance

I have to do good on
what I promised to Alicia.

Ah, I wish I could believe that.

You want to show us you've
changed, now's the time.

♪ ♪

Let's walk.

- I'll go get the girl.
- FRANK: Victor.

I'll come. Stay.

I won't let you do this.

You know me. I'll figure something out.

I saw what that man did at the hotel.

He'll k*ll you if you hand
yourself over.

And I'm afraid they will
as well if I don't.

I don't want you caught
in the crossfire.

Wait for me.

I'll come back to you.

I'll be waiting.

♪ ♪

♪ ♪

[THEME SONG PLAYS]

[ENGINE REVVING]

JUNE: Troy, if you're listening,
we have your daughter.

I repeat, we have your daughter.
She's safe.

We're willing to return her
to you if we can agree to terms.

DWIGHT: Don't worry, he'll pick up.

Is the blindfold really necessary?

[CHUCKLES]

What?

- It's not going to work.
- What's not going to work?

They're not going to remove
your blindfold.

The reason this settlement
has lasted so long

is because it's impossible to find.

Stop trying to be my friend.

You're the one that brought me in.

JUNE: Troy, we repeat,
we have your daughter.

She is safe and we will
return her to you

if we can reach terms we both agree on.

No matter what he says,
he's gonna k*ll me and hurt her.

You don't know my dad.

He'd do anything to protect me.

I think I know your dad
a little bit better

than you think I do, and he's
not the man you think he is.

So you can change, but he can't?

He's a sociopath on a revenge
tour, I have issues.

There's a difference.

Why am I the only person
looking after the girl?

I think we all know who you're
really looking out for.

Okay, for the last time,
Sherry, this isn't about me.

It's about her. It's about PADRE.

It's about building the place
that Alicia wanted me to build.

TROY: Who is this? Who has my daughter?

You don't know me.

I'm one of the people that freed

Madison and Strand from the hotel.

Okay, well, where is Tracy?

♪ ♪

You can talk to him.

It's okay, Dad.

They're gonna bring me back to you.

She's right, we will,

provided you can give assurances

that you will not try to take PADRE.

You took my daughter.

What makes you think I'm gonna
make a deal with you?

We didn't take her, Victor Strand did.

And we'll bring her back to you

and we will bring Victor to you, too.

Well, there's just one problem
with that proposition...

It's that we need a place to live.

You've already got one.
You can stay at the hotel.

We won't bother you there.

And Madison's not even at PADRE anymore,

so whatever beef you had with
her, you don't have with us.

You want your daughter or not?

Okay, you have a deal.

Bring her to the hotel.

And bring Victor, too.
If this is a trick...

It's not. We'll be there.

Okay.

June! Don't do this.

- Please!
- It's too late.

♪ ♪

Look around. Remember the lighthouse.

- Hey! Hey!
- Now you can't hand her over.

She'll tell him where PADRE is.

- [GRUNTS]
- Tracy!

Tracy!

What the hell did you do?!

SHERRY: Hey!

Hey!

Victor, stop!

Turn it around, D!

I-I can't, there's no power.

♪ ♪

[WALKERS GROWLING]

[SCREAMS, GASPS]

Oh...

♪ ♪

♪ ♪

[PANTING]

I'm not gonna hurt you.

Only 'cause I'm not worth
anything to you if I'm dead.

Come on.

Hey, wait, Where'd you get
that necklace?

What's it to you?

JUNE: Tracy!

We've gotta go. Come on.

You don't want them to find you.

They're not gonna take you
back to your father,

not after what you just saw.

Where are you going to take me?

To the one person
who can help both of us.

DWIGHT: We're not going to hurt you.

Tracy!

Come on.

Tracy!

[MOTLEY CUE'S "LIVE WIRE" PLAYS]

♪ ♪

♪ Yeah! ♪

♪ ♪

♪ Plug me in, I'm alive tonight ♪

♪ Out on the streets again ♪

♪ Turn me on, I'm too hot to stop ♪

♪ Something you'll never forget ♪

♪ Take my fist, break down walls ♪

♪ I'm on top tonight, no, no ♪

♪ You better turn me loose ♪

♪ You better set me free ♪

♪ Because I'm hot, young, running free ♪

♪ A little bit better
than I used to be ♪

♪ 'Cause I'm alive ♪

♪ Live wire ♪

♪ ♪

- VICTOR: Madison?
- ♪ Come on, baby ♪

♪ Gotta play with me ♪

♪ Well, I'm your live wire, yeah ♪

What are you doing here?

I already told you
I can't help you build

PADRE back into what it should be.

We'll have to agree to disagree on that.

But that's not why I'm here.

[MUSIC STOPS]

You're looking for Alicia, aren't you?

My kids deserve to be at rest.

I can do that with Nick,

I'm gonna do the same with Alicia.

You don't know where she is, Madison.

Who's your friend?

I'm not his friend.

Troy's daughter.

What?

I found her wandering
around the wilderness.

I saved her life.

He kidnapped me.

Perhaps the truth lies
somewhere in the middle.

What's your name, kid?

Tracy.

You certainly have your father's eyes.

Don't worry, I won't make you
pay for his crimes.

What "crimes"?

He k*lled my daughter, on top
of a lot of other sh*t

he probably didn't tell you about.

He told me everything.

How you k*lled his father,

how you turned his brother against him,

how you left him for dead at the dam.

That's not exactly how it happened.

You also k*lled my mother.

Sorry, kid, but I don't know
what your father told you.

I don't know who your mother is.

He wouldn't make something like that up.

Why'd you bring this girl here, Victor?

I took her back to PADRE to use
her as leverage against Troy.

You took her to PADRE?

You weren't there.
It's the only play I had.

So what's she doing off the island?

The peasants revolted.

They thought it too risky
to keep her there.

Well, they're probably right,
so why'd you bring her here?

She may be your best sh*t
at finding Alicia.

This belonged to her.

How do you know that was Alicia's?

Because I gave it to her.

- Why?
- That doesn't matter.

What does matter is she may
be able to lead us to her.

Is that true, Tracy?

Maybe.

I'm not getting pulled
into this for a "maybe".

Well, perhaps she'll be
a bit more forthcoming

when she realizes that we're
the only people

who can save her life.

Save her from what?

June, Dwight, Sherry.

They're after her because
she knows where PADRE is,

- and they're not alone.
- She wasn't blindfolded?

He pulled it off.

They were going to send her
back to her father.

We can save her from that life.

By giving away PADRE's location?

The one thing that's keeping
Troy from attacking it?

I had to make it impossible for
them to turn her over to Troy.

It's what Alicia would've done.

He did it because they were
gonna hand him

over to my dad, too.

[SIGHS]

[SIGHS]

♪ ♪

Madison, you're the only person
who knows the man

who I used to be and still
believes that I've changed,

so believe me when I say this...

This isn't about saving my own skin.

It's about saving her's, too.

You really know where
I might find Alicia?

And you'll take me there?

I don't think I have a choice.

Smart girl.

All right, I'll help you keep her safe.

But first, we find Alicia.

What happens after I take you to her?

I don't know.

But Victor's right about one thing...

You can't go back to your father.

Come on, big mouth.

♪ ♪

[ENGINE TURNS OVER]

- It's got a full t*nk.
- Ah, good.

Ooh.

Thank you, Luciana.

You think she's gonna mind?

Sign says, "Take what you need".

All right.

We're right there, so
where do we need to go?

TROY: I don't care how many
people are at the hotel.

You push west along the access road.

They're nowhere near us.

What about June, Dwight, and Sherry?

WOMAN: Madison's got to be
out there somewhere.

- Keep looking.
- Wait, go back.

Who's that? Why are they looking for me?

These are the coordinates she gave.

Are these your father's people?

They don't know I'm with you.

I've never heard them before.

Who the hell are they?

Don't worry, Madison.

We'll be long gone before
they catch up with us.

So, where do we go?

I need to see a bigger map.

My dad's fight with Alicia,

it happened way farther than this.

Huh. A bigger map.

Dad, I'm at a gas station off
Route ...

Don't ever do that again.

Do you even know where Alicia is?

Don't make me ask you that again.

It's okay, Madison.

Troy's people are by the hotel.

We still have time.

Are you sure?

[VEHICLES APPROACHING]

Victor.

♪ ♪

♪ ♪

♪ ♪

What do you think you're doing?

We've been monitoring the radio chatter.

Why did you bring Troy's
daughter to my truck stop?

We're just passing through.

I made it clear...

I didn't want to drag
my people into this fight.

Is that her in the truck?

We'll make sure Troy knows
you had nothing to do with it.

He won't believe you.

He's gonna think we helped kidnap her.

MADISON: I'm sorry, Luci.
We didn't mean for her

to send that message,
but we need you to let us pass.

You already put us in danger
by stopping here.

I can't let you travel on our roads.

Luci, she's helping me find Alicia

so I can just put her to rest with Nick.

I've got people who are
still breathing to protect.

So, please, step away from the truck.

What are you going to do with the girl?

- Give her back to Troy.
- Ah.

She knows where PADRE is.

That's not our problem.

You know more than anyone
what that madman is capable of.

That's why we have to give
her back to Troy, Victor.

Now step away from the truck.

Luciana, let them go.

Daniel, why?

Troy already knows about this place.

Even if they return the girl,
he's still gonna att*ck us

to get everything we have
because that's his nature.

Set up a defensive perimeter.

We have enough people to do that.

It will be easier to do now

without the distraction
that this girl brings.

Daniel.

What if Strand already made
a deal with Troy,

and what if Madison is in on it?

I need to get close to them
to find out what's going on.

VICTOR: Daniel.

Daniel.

Why on Earth would you want to help us?

- Why?
- Yeah, why?

Because I know what a parent
goes through

when they lose a daughter.

That's why.

I'd like to help you find
Alicia and bury her

if you let me, Madison.

We can use all the help we can get.

♪ ♪

Take shotgun.

♪ ♪

Luci.

♪ ♪

TRACY: Wait, wait, slow down.

Hang on. I'm...

still trying to figure out
where it is on here.

You've been looking at that map
for minutes.

She's a child, Daniel, not an atlas.

You're Daniel Salazar.

My dad told me about you.

Did Daddy also tell you
why I want to k*ll him?

Daniel, don't scare the girl.

She deserves to know the truth.

Even children have to understand
that what we do

or not do creates consequences.

They need to learn no one
gets a free pass.

He told me your daughter d*ed

because she tried to poison
a lot of innocent people.

Well...

my daughter, Ofelia, d*ed

because your lunatic father

led a herd of the dead
to destroy his own settlement.

She d*ed fighting to defend it.

She d*ed because of your father.

That's why you're here.

You don't give a sh*t whether
or not Madison buries Alicia.

You don't give a sh*t about the girl.

You want to use her to make

Troy feel what he's made you feel.

There's something
fundamentally wrong with you.

- Victor!
- We're leaving.

Why am I the only one
trying to do the right thing?

You both know how far I'll go
to do what I believe is right.

Come on. We're going.

- [TRACY GASPS]
- Go, go, go!

Aah!

What the hell was that?

You want to find Alicia or not?

♪ ♪

Ah, sh*t.

[WALKERS GROWLING]

Ah. Really not in the mood today.

♪ ♪

[GRUNTS, COUGHS]

♪ ♪

♪ ♪

♪ ♪

♪ ♪

Oh! Aah!

Aah!

♪ ♪

♪ ♪

[GROWLING]

[GRUNTS]

Who are you? I thought you were...

Alicia Clark? I get that a lot.

♪ ♪

You coming or not?

♪ ♪

VICTOR: How many of you are there?

Let's save the introductions for inside.

♪ ♪

[WIND WHISTLING]

This is where we're gonna find Alicia?

It's what you said you wanted.

♪ ♪

This is not a good idea.

It's the only one I got.

[WALKERS GROWLING]

♪ ♪

The entire herd is stuck.

You ever see anything like that before?

It's frozen.

Alicia was in the herd.

My father led it here
before the weather got cold.

Why?

The herd was following us
when we were travelling here.

He didn't want it to get near the hotel,

so, when the temperature
started dropping,

he knew the mud would freeze them here.

Your father told me
he didn't know where Alicia was.

He lied.

He didn't want you to find her.

He didn't want you to bury her.

How do you know all this?

♪ ♪

It doesn't matter.

Let's go.

♪ ♪

[WALKERS GROWLING]

Anything?

We're sitting ducks until
we get the g*ns reloaded.

SARA: We know nothing.

Troy doesn't know we're here.

For now.

You okay?

The last time I was in here,

I was with someone who I thought
I'd never see again.

We know.

Alicia told me...

before she d*ed.

Before Troy k*lled her.

I'm sorry, I don't understand.

You knew her?

Briefly.

She passed through all of our lives.

Why are you dressed like her?

We're doing more than dressing like her.

We're keeping her alive.

Doing for other people
what she did for us.

Which was?

My settlement was under
siege from bandits

when Alicia passed through,
made them regret

they tried to shake us down.

I had pneumonia.

Alicia found antibiotics for me.

What about you?

You don't remember me, do you?

We spoke years ago, back in
Texas, when I was still a kid.

But maybe you didn't get
a good look at my face

because you were all
the way up on the roof.

You interviewed to enter the Tower.

I was with my dad.

You turned us away.

I thought we were gonna die
because of it.

We couldn't find food or water
that wasn't contaminated.

Didn't have a place to shelter

when the winds brought the bad air in.

But then, we heard a voice
transmitting a message.

Alicia, she told us
to come to your Tower,

that she needed help to
build it into something better.

So we went.

And when we got there,
there was a fire burning.

It was destroyed.

Yeah.

I should've left it in a better state.

We weren't the only people
who showed up.

Dozens of survivors heard the message.

We all stood there watching
the Tower burn,

thinking this is where
we were going to die.

But then, a figure
emerged on the horizon.

Alicia.

She, uh...

went back to the Tower
after she put us on the rafts.

She went into the Tower.

She got fuel from the generators
in the basement.

She used this to drive us
out of that wasteland,

away from the radiation
that was slowly k*lling us all.

My father d*ed a few months after that

from exposure.

♪ ♪

I am so sorry.

Your father d*ed because of me.

Why'd you save me back there
after all that?

It's what Alicia would've done.

How was she when you first...
When you met her?

Was she still sick from the bite?

The fever stopped,
but I don't really know.

I didn't spend much time with her.

Once she got us settled, she
went off to help more people.

DELLA: It's where she met us.

Yeah, she never stayed
in one place for very long.

Word spread about her.
It gave people hope.

We're trying to spread some of the same.

What's your name?

We want Alicia's legacy to continue.

It's better if people believe
she's still out there helping.

So you want people to believe
that you're her.

Why are you here?

We heard Madison's message
on the radio and knew

Troy wouldn't be far behind.

Why did Troy k*ll Alicia?

We don't know.

But word spread because she wasn't

the only person he k*lled.

There used to be more of us.

Ah. [SNIFFLES]

Do you mind?

♪ ♪

Madison.

Madison, this is Victor. Please respond.

I need to talk to Tracy.

Madison!

They could be anywhere.

We're not going to find them
driving blind.

TROY: Victor?

Troy.

Victor, where is she?

Where's my daughter?
You better not have lost her.

I didn't lose her.

In fact, I know exactly
where she's going.

- Where?
- To wherever you hid Alicia.

She's with Daniel and Madison.

I can help her, but you got to
tell me where to go.

And why would I do that?

Because I don't know
what's gonna happen to her

after they find Alicia.

I may be her last chance.

You're the one who took her.

I'm the only one trying to save her now.

You'll never catch up,

- not on foot.
- Well, that's the thing...

We're not gonna be on foot much longer.

What does that mean?

Troy?

Troy.

Where do you think you're going?

I remember you.

[SPEAKS SPANISH]

We don't want any trouble.

Well, it's a little too late for that

seeing as my daughter's already in some.

You can use our roads to get to her

as long as none of my people get hurt.

All right.

And you're gonna help me?

Even though Nick chose the,
uh... the ranch instead of you?

My people are more important
than my pride.

Well, if you really care
about your people,

then you'll... you'll stand down

because now you're outnumbered

and you're outgunned.

Fan out, men.

Take anything worth taking.

Don't.

This doesn't end well.

For you, not for us.

♪ ♪

♪ ♪

♪ ♪

All right, so this was
all bullshit, huh?

I just needed you to get close.

Now, why don't you stand down?

You know I trained every one
of these men, right?

Every one of them.

So we'll just take out more
of you than you will of us.

We'd be happy to test out
that theory, bud.

FRANK: So are we.

We've been looking to make
some room in our hotel again.

Well, that's nice.

That's really nice, but, look,

I-I really don't have time for this.

My daughter's in danger.

So stand down so we can
negotiate a cease-fire.

JUNE: Your daughter seems
as good a reason

as any to lower your weapons.

RUSSELL: Boss?

Don't.

Easy, easy.

It's just a walkie, all right?

It's just a walkie.

Victor, are you still listening?

VICTOR: I'm listening.

I, uh... I've been held up.

Which, unfortunately for you,
means you're

the only person that can help me.

Will you make sure
that my daughter is okay?

Yes.

Now tell me, where are they?

[GROWLING]

Long way from home.

He's not the only one.

How long has this herd
been following you?

I-I don't know.

I didn't know about it
until we got here.

Something's not right.
This doesn't make sense.

- We should leave.
- We're here.

They can't hurt us.

Where is she?

Somewhere in here.

Madison, we should leave.

We're talking about a man
who led a herd of dead

against his own people.

You can go back.

I got her.

I'm not letting her out of my sight.

Move.

♪ ♪

[WIND WHISTLING]

There.

Alicia.

♪ ♪

[GROWLING]

♪ ♪

♪ ♪

You want me to help you?

Give me a minute.

I'm so sorry.

Alicia.

I would've come for you if I'd known.

I would've stopped him
from doing this to you.

♪ ♪

♪ ♪

It's not her.

Hey!

This was all bullshit.

I can't believe I listened to you.

- You k*lled her.
- Where is my daughter?

Where is she?!

Why did you lie to me?

She's my mother.

I wanted her to make you pay.

I've never seen that woman before.

But she saw you...

and Alicia.

She believed what you believed.

That's why she's dead.

What does that mean? What does it mean?

"No one's gone until they're gone".

It k*lled her,

just like it k*lled your kids.

♪ ♪

[INHALES]

We should leave.

We need to figure out
what to do with her.

We use her to get to Troy

and make him pay for what
he did to our daughters.

She knows where PADRE is.

If Troy ever gets her back...

There's only one way
to protect the island.

♪ ♪

You got the stomach for that, Madison?

She just tried to use her
own mother to k*ll me.

♪ ♪

No, no, no! You can't!

Look... No! Y-You can't do...

Should've thought about that
before you brought us out here.

Please!

No, please!

Y-You can't! Please!

Wait, I know where Alicia might be!

I-I know where my dad k*lled her.

I don't believe you.

Uh, an old mansion off Route

- near Fort Worth.
- Bullshit.

It's the truth, I-I swear!

Doesn't change the fact that
you know where the island is.

[SNARLING]

VICTOR: Stop!

Madison!

[TRACY SOBS]

It was a lie, Victor.
Alicia wasn't here.

I'm sorry, Madison.

Her body may not be here,
but she still is.

These women, they're
carrying on Alicia's legacy.

[SNARLING]

♪ ♪

Tracy!

Wait.

You're just like my dad said.
They were gonna k*ll me!

N-No! She knows where PADRE is.

- You're gonna get k*lled.
- We have to go after her.

♪ ♪

We'll help you protect PADRE.
We knew your daughter.

She wouldn't want you to die like this.

♪ ♪

♪ ♪

Let's go.

[WALKERS GROWLING]

♪ ♪

[INDISTINCT SHOUTING]

♪ ♪

LUCIANA: Daniel!

Hey.

There.

So glad you're alive.

How bad is it?

Troy and his men, we
had them surrounded,

but it's like they didn't care
if they lived or d*ed.

- Strand and Madison?
- They had no part in this.

JUNE: Clear a path. Hey.

VICTOR: Frank?

Frank? Frank!

Victor!

[SPEAKING GERMAN]

Frank.

- [SNARLING]
- [GASPS]

♪ ♪

♪ ♪

♪ ♪

Where is he? Where's Troy?

He's not here.

Someone stole one of our trucks
after the sh**ting broke out.

He's gonna find his kid,
he's gonna find PADRE.

Troy lost most of his men.

What does it matter
if he knows where PADRE is?

Because he's not gonna use
his men to take it.

He's gonna do what he did at the ranch.

The dead. That's what they were for.

They are his army.

How many people do we have left?

I don't know. We'll get a head count.

How far are your roads cleared?

I've lost too many people
by getting involved.

It's not about the fight
with Troy. His kid...

She said Alicia was k*lled
in a mansion near Forth Worth.

Somewhere off Route .

I'll take you there after this is over.

Is there a problem?

No, it's just...

you have no idea what it means for us

to be standing across
from you right now.

Until we heard your message
on the repeater network,

we thought you were dead.

I don't understand. How do you know me?

SARA: We watched your interview.

So many times that the tape wore out.

You put them up to this?

Alicia's not here. Nick's not here.

None of what I said
on that tape means anything.

It does, and you need to hear it.

When I came to you
at the library, it was because

I thought I needed you to face
what was coming, but I don't.

- You need me.
- You came looking for me.

You almost k*lled that little girl.

To protect everyone else!

You see, Victor, unlike you,

I don't have anyone left to disappoint.

I can get my hands dirty.

Madison, I pushed Alicia away

so she wouldn't get her hands dirty.

That medallion, I gave it to her
so she'd remember who she was

because I was afraid
I wouldn't be able to.

I thought I was protecting her,
but I was wrong, Madison.

It wasn't about protecting her.

It was about giving myself an
excuse not to be the better man.

I don't want that to happen to you.

I won't let that happen to you.

- Madison, wait.
- Someone has got to stop him.

Let me come with you.

Madison, let me come with you.

- What's going on?
- I got it.

Doesn't look like it.

Madison, please.

I hate Troy as much as you do.

Use me for this.

You could end up dead
like the rest of them.

I can help you one way right now...

by finishing what I started
years ago at the dam.

♪ ♪

[ENGINE TURNS OVER]

♪ ♪

Madison!

♪ ♪

Madison!

This is not the way to end this!

♪ ♪

MAN: Where are you going?

To k*ll Troy.

This is how we survive.
This is how PADRE survives.

We finally have a home.

He's gonna say whatever he has
to say to get what he wants.

Madison never gave up on me.

You k*lled my daughter.

♪ ♪

Hold it right there.

Step aside, please.

I'm afraid we cannot.
No one's to go down there.

- Under whose orders?
- Mine.

This whole episode
is really asking the question,

can Victor Strand change?

- Where is she?
- Where's who?

A lot of what Strand is doing
is reminding them

of the Strand they knew from The Tower.

After all these years,
you still don't know me.

Oh, I do, Victor.

DOMINGO: People always looking
for something to do

in the name of good.

And they have that as their North Star.

And now I have Alicia as my North Star.

- I'm not the man I used to be.
- How do we know that?

Because I know you're not
the woman that you used to be.

Am I right?

Strand has been reconciling

how to honor Alicia
and his promise to her

the last time they saw each other.

You want to show us you've
changed, now's the time.

Let's walk.

GOLDBERG: What he's coming
to realize is that PADRE

is the way to do that.

It really represents the antithesis

of everything that Strand
built at The Tower

when he went down that dark path.

Tracy becomes a symbol for him
of how to achieve that.

This isn't about me.

It's about her. It's about PADRE.

He truly believes that
handing Tracy back over to Troy

is gonna lead her down
a path in her life

that is the opposite of what
she would have at PADRE.

STRAND: Look around.
Remember the lighthouse.

Hey, hey!

Says, "You can't turn her
back over to Troy

because I've just allowed her
to see where PADRE is".

And it just shows Strand
really putting his money

where his mouth is in terms of

he will do anything
to protect that settlement

and what it represents emotionally.

♪ ♪

I'm not gonna hurt you.

Only 'cause I'm not worth
anything to you if I'm dead.

DICKENS: Once Strand is
finally in a place

where he does want to live

in Alicia's vision of a better place...

Where are you going to take me?

To the one person
who can help both of us.

... when he's finally
honestly in that place,

Madison then turns and decides,
you know what?

The way I thought
we should live for so long,

the way Alicia wanted us to live...

No one's gone until they're gone,

giving second chances, forgiveness...

It's never gonna work.
It's what gets people k*lled.

Madison is approaching this
from a much more

pained point of view
as it relates to Troy.

Madison was confronted at the
beginning of this half season

with Troy telling her that
he m*rder*d her daughter.

You certainly have your father's eyes.

She may be your best sh*t
at finding Alicia.

The height of that comes
in the frozen swamp.

[GROWLING]

Madison has realized
that Tracy has led Madison

here to k*ll her.

And so Madison is prepared to go

to maybe the darkest place
we've ever seen Madison go...

I need to figure out
what to do with her.

... where she's prepared
to let Tracy die,

and that even surprises Daniel.

You got the stomach for that, Madison?

In an effort to protect
Alicia and her legacy

and her philosophy,

she is losing sight of her purpose.

She's so driven to protect that place

that she might lose her soul
in the process.

[GROWLING]

How can Madison honor
her daughter, her children,

but not lose her soul in the process?

I can help you one way right now...

By finishing what I started
ten years ago at the dam.

♪ ♪

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