19x20 - The Top Ten Alien Petroglyphs

[bunniefuu]

Ancient paintings

of strange, humanlike figures,

rocks engraved

thousands of years ago

with images of flying machines,

and stone carvings

of what appear to be astronauts.

For more than a decade,

Ancient Aliens

has traveled the globe

to examine some

of the most extraordinary

and mysterious rock art

ever discovered.

Now, we're investigating

the Top Ten Alien Petroglyphs

that just may hold the proof

that Earth has been visited

by extraterrestrials.

On Ancient Aliens,

we have investigated

some of the most

mysterious carvings

and paintings ever discovered.

Our ancestors spent

countless hours

leaving strange images

and symbols on stone

to create a record

of what they experienced.

And at one site in Nevada,

the rock art is not only

some of the oldest in the world

but predates any known

civilization in North America.

At number ten on our countdown

of the Top Ten

Alien Petroglyphs:

The Rock Art of Winnemucca Lake.

In the dried-up bed

of what was once Winnemucca Lake

are several limestone

boulders that are covered

with what appear

to be ancient carvings.

In Nevada are some

of the most remarkable

petroglyphs found on Earth.

They're called

the Winnemucca Petroglyphs.

They are extremely large,

extremely deep-cut,

beautiful pans of leaves,

zigzags, spirals

and other motifs.

It's a remarkable site.

So far, researchers

have been unable

to determine what

the abstract patterns mean.

But what's even more mysterious

is the fact

that the local Paiute people

say the petroglyphs were not

created by their ancestors

but by a race of giants.

The Paiutes said that initially

they did not create petroglyphs,

that an ancient race, uh,

called the Si-Te-Cah did.

The Si-Te-Cah

was a race of giants

that was said to have

been white-complected,

having red hair,

and well over seven foot tall.

The Paiutes explained

that these giants

lived on the lake in Pyramid

Lake, on floating cities.

In 2013, samples

of the limestone were taken

to the University of Colorado

at Boulder

where scientists performed

a series of radiocarbon tests

on sediment within

the petroglyphs

to determine their age.

The results were astonishing.

They revealed

the carvings were etched

between 10,500

and 14,800 years ago,

making them

the oldest petroglyphs

ever found in North America.

And what's so special about

these is their extreme age

because no one

was supposed to be living

in North America at that time.

This is before the Clovis,

this is before

the first settlers

in North America,

so who could have done this?

Could the petroglyphs

at Winnemucca Lake

really have been created

by an ancient race of giants?

Ancient astronaut theorists

say yes

and suggest that the origins

of these mysterious beings

was even recorded

into the stone.

When we look at petroglyphs

with their incredible spirals,

the doorways, the strange

beings that are featured,

the stories that are told,

it suggests

that they all have an origin

with extraterrestrials

themselves.

If you travel 800 miles

southeast from Winnemucca Lake,

you will come

to a remarkable site in Arizona.

It's a place where the Navajo

people carved thousands

of petroglyphs into rock walls

and cliffs centuries ago.

The images tell a story

of their encounters

with celestial visitors

called "the star people."

Number nine on our list:

Rock Art Ranch.

Ancient astronaut theorists

Giorgio Tsoukalos

and William Henry

have traveled to Rock Art Ranch

to investigate

one of North America's

most extensive

collections of petroglyphs.

This is sensational.

Joining them is

esteemed Navajo Tribal Ranger

Jon Dover.

Rock Art Ranch's 5,000 acres

are home to nearly

3,000 ancient petroglyphs,

and on nearly every panel

are figures that the Navajo

identify as star people.

Tell me, Jon, petroglyphs

are regarded as

picture books

that tell a story all at once.

That's right,

and also en-enmeshed

- in all this are religious symbols.

- Mm-hmm.

Things that tell you something

- about how they worshipped, pictures of gods.

- Mm-hmm.

- And when you say gods

- Gods, right.

what, in-in your culture,

what does that mean?

It could be anything

from somebody coming to them

and meeting with them

and imparting knowledge.

And in the case of the Navajo,

that's what

the Yeibichai represent.

In the case of the Hopis,

the Kachinas

represent those gods

- Right.

- that came to Earth

to give them knowledge.

And could one make the argument

that these

may have been visitations

by flesh and blood

extraterrestrials

- in ancient times?

- Oh, definitely.

From what we understand,

there's many different races

of alien that are coming

t-to this world.

Jon guides Giorgio and William

to another site

at Rock Art Ranch

with even more

strange petroglyphs.

- Wow.

- Look at this.

- I mean, look at the hollow body with the star inside.

- Mm-hmm.

One hand pointing to the sky,

the other down to Earth.

And just beneath that,

look at that is a Grey alien.

That triangular head.

- Very strange.

- That is.

You have all kinds

of different types of figures,

different representations

of gods.

Right. I mean, what we have to

fill in with our imagination

is that these beings

off the wall, 3D,

- walking amongst the people.

- Yeah.

Look at all the different

types of beings here.

And then all the way

across there,

y-you've still got

even more variety.

I mean, this is almost like

a meeting place

of all these different worlds

and different beings.

So, you know, you have giants,

you have little people.

And the giants

and the little people

are talked about

in th-the other world

that they came from before

they came to this world.

And seeing creatures

here having,

- for example, three fingers.

- Mm-hmm.

You know, as far as I know,

uh, except for

a couple of reptiles,

there aren't any

three-fingered creatures.

- No.

- You know? So, and especially nothing humanoid.

- Right.

- So, again, our ancestors

had impeccable powers

of observation.

- That's right.

- That's all they did all day.

- They-they observed.

- Mm-hmm.

And so your estimation,

then, too,

is that this was

not a bunch of kids,

you know, on a Saturday night

not knowing what to do.

Absolutely not.

These, these were people

that came here with a purpose.

And the purpose was to put

their history on the wall

showing where they came from,

where they were going.

Do the petroglyphs

at Rock Art Ranch

present a historical record

of extraterrestrial visitation

in the distant past?

For Jon and many who share

the traditional beliefs

of their ancestors,

the answer is a resounding yes.

I believe that these visitations

have been documented

in pictographs and petroglyphs.

They're not art, actually,

for art's sake.

The petroglyphs

have been done this way

for basically

thousands of years.

And that tells me

that there were a lot

of different types of beings

that were interacting

with early Natives,

with early Natives,

much more than

we even, uh, think.

Some of the most incredible

rock art I have ever seen

can be found on one of the most

remote islands on Earth.

And in my opinion

what the people who

carved it were depicting

was actually misunderstood

alien technology.

Coming in at number eight

on our countdown of the Top Ten

Alien Petroglyphs:

The Birdmen of Easter Island.

This remote landmass

in the South Pacific

is famous for

the colossal stone statues,

called moai, that dot its coast.

But on the southwestern tip

of the island

are a serious of equally

mysterious petroglyphs

that represent one of Easter

Island's oldest creation myths

the legend of Tangata manu,

or the birdmen.

According to the Rapa Nui,

the Indigenous people

of Easter Island,

when the great creator god

looked in the mirror,

he saw a bird over his shoulder

and thought the image was good.

And so he created a creature

that was a combination

of bird and human.

But the creator god

was still lonely.

So he created humans.

But the humans

worshipped the birdman

because that was

the great god's first creation.

One of the central focuses

of the rituals,

the annual rituals

at Easter Island,

was that of Tangata manu,

the birdman.

And the birdman

is a universal symbol

that we find

in many parts of the globe

that relates to ancestry

associated with figures,

characters in feather coats

who were seen

to be able to go between

this world and the next.

The birdman motif

is found in Egypt

with Horus the savior figure

and Thoth the god

of divine magic and alchemy.

We find birdmen in among

the Maya with Quetzalcoatl,

the feathered serpent,

a birdman.

We also find birdmen

in Cahokia, Illinois.

When we look

at the birdman legend,

it always has

a cosmic connection,

that these are humanoid figures

that also have

a celestial dimension to them.

They can fly, they can ascend,

therefore they're

referred to as birdmen.

For ancient astronaut theorists,

the most intriguing

depiction of birdmen

can be found

by examining the stories

of the Sumerian civilization

that emerged 5,000 years ago

and the beings they called

the Anunnaki.

The term Anunnaki means "those

who from the heavens came."

And our ancestors thought

they were being visited

by these divine magical beings.

In the ancient Sumerian texts,

they were described as bringing

knowledge and science.

They were often depicted

as bird-type people.

So we have to ask ourselves,

are these birdmen

actually representatives

of the Anunnaki

who are extraterrestrials

who appeared all over

the world in prehistory?

For ancient astronaut

theorists like me,

many of the mysterious images

created by our ancestors

provide compelling clues

that suggest extraterrestrials

visited Earth

thousands of years ago.

However, at one site

in Northern California,

the carvings aren't just

records of the distant past

but depict UFOs

that are still seen today.

Number seven on our countdown:

The Petroglyphs

at Lava Beds National Monument.

60 miles northeast

of Mount Shasta,

at Lava Beds National Monument,

are thousands of petroglyphs.

These large geometric carvings

were created

as much as 6,000 years ago

by ancestors of the Modoc tribe.

Lava Beds

has probably over 5,000

different petroglyphs.

And a lot of these

were done down in caves.

A lot of the rock art

you find in Lava Beds

is very different and unusual

from rock art you find

in other places of America.

One of the most striking

images you find in Lava Beds

is an image of Mount Shasta

carved into a cliffside,

and inside of it is a depiction

of some kind of being.

According to the Modoc,

this figure represents

their creator, known as Skell.

The local people

believe that in ancient times,

the great Sky Chief Skell

came down from the sky

to live in Shasta

and has been there

ever since and protects it.

Is it possible this petroglyph

represents an otherworldly being

that the Modoc people

encountered centuries ago?

Ancient astronaut theorists

say yes

and suggest further

evidence can be found

by examining the bizarre stories

that have been associated

with Mount Shasta for centuries.

I was driving back

from, uh, Klamath Falls.

It was, eh, around 7:00 in

the evening in the summertime.

All of a sudden

I seen the whole mountain

toward Yreka side open up.

And then this big ship came

and hovered for a minute

and then went right in.

And the next thing you know,

the mountain closed,

and I was like,

"What is going on?"

Almost everyone who lives there

has-has seen something unusual.

One of the most remarkable

UFO sightings I've heard of,

it took place in 2008.

Witnesses in the town of McCloud

saw a UFO that looked

like a giant glowing jellyfish

move over the town and then

fly off into the distance.

For many hundreds of years,

Mount Shasta

has been known

for mysterious lights.

They seem to just manifest

out of the mountain.

So, what is it

that might be responsible

for causing this activity?

I believe that places

like Mount Shasta

are in many ways Earth portals.

They are places of connection

between this world

and somewhere else altogether.

Is it possible that

the mysterious winged figure

at Lava Beds National Monument

is connected

to the UFO sightings

that continue to be reported

around Mount Shasta?

The petroglyph that shows

something coming out

of the mountain,

that's basically what,

what I seen right here

when it happened to me.

That's what I seen.

And I-I guess maybe

I had to see it, too,

before I could believe.

In 2014,

a mysterious cave painting

was found in India

that I believe

contains some

of the best evidence yet

that our ancestors encountered

extraterrestrial beings.

Number six on our countdown:

Charama Rock.

Central India, July 2014.

While exploring caves

in the region of Charama,

Indian archaeologist J.R. Bhagat

makes a stunning discovery.

He finds an incredibly

well-preserved

10,000-year-old cave painting

that depicts

several large humanoid figures.

Very recently,

in the Charama region of India,

there was a cave

that was discovered with

paintings that appear

to show creatures

with kind of

distorted-looking faces,

no noses, no mouths.

They seem to be holding weapons.

Archaeologists said

that some of them

appeared to be

wearing space suits.

The Times of India

actually proposed the idea,

what if what we have

depicted here

are some type of

extraterrestrials

or at least some type

of flying craft?

Because it's the basis

for much of

the Hindu pantheon of gods.

Ancient Hindu texts

feature stories

about intelligent beings

existing on other planets,

like the Mahabharata,

which tells of the gods coming

to Earth in flying machines.

In the Mahabharata,

there they write that one day,

gigantic cities

surrounded the Earth.

They did not have a word

for "spaceship" at that time.

They say "cities."

And they make clear difference

that these cities

were in the firmament,

not in heaven.

And small vehicles came down

from these cities

on the firmament.

The old Indians called

these vehicles "vimanas."

And out of the vimanas,

the teachers came out.

No doubt they were visited

by extraterrestrials.

Might the figures

in the cave paintings

of Charama be depictions

of extraterrestrials

witnessed by our ancestors

as ancient astronaut

theorists suggest?

Perhaps the answer can be found

in the local legends

of a mysterious race of beings

known as the Rohela.

The locals told them stories

of space beings,

Rohelas they called them.

Tiny beings that landed in craft

and would abduct

one or two humans at a time

never to return.

What's incredible about this is

that this is not

ancient astronaut theorists

looking at this art and saying,

"Hey, this looks like

"it could be some sort

of a space being

or extraterrestrial."

This is what

the locals are saying.

In the early 20th century,

archaeologists discovered

some very mysterious cave art

in the Sahara Desert,

and the experts who studied it

found it to be

out of this world.

Number five on our list:

The Tassili Astronauts.

Tassili n'Ajjer, Algeria.

Located on a vast plateau

of the Saharan Desert

lies an incredible collection

of prehistoric cave art.

The ancient paintings

cover an area

of 28,000 square miles

and are believed

to be 12,000 years old.

The scenes that you see

at Tassili n'Ajjer

are totally bizarre.

They're showing a Sahara

that was once fertile

with giraffes and antelope

and other animals

we find only

in Central Africa really.

And combined with them

are these bizarre pictures

of what even the archaeologists

have called

the Martians and the spacemen.

The petroglyphs that we find

there are incredible.

They look like

modern-day astronauts

with suits, with helmets,

with visors.

And even the ethnologists

who found those rock paintings

actually called it

"the astronaut."

It's called

the Tassili astronaut.

Might the figures

painted throughout

Tassili n'Ajjer

be depictions

of otherworldly beings,

as ancient astronaut

theorists suggest?

Perhaps the answer can be found

in the oral history

of a mysterious

West African tribe

known as the Dogon.

There's a really

incredible story

of the Dogon that describe

an ancestor spirit called Nommo

that descended from the sky

in a loud, noisy whirlwind

that made the earth

shake when it landed.

And their knowledge

of everything

was given to them by that being

that descended from the sky.

In the 1930s,

when French anthropologists

were first discussing the Nommo

with these Dogon priests,

the Dogon priests

said that the Nommo

were coming from

the star system of Sirius.

Well, the French anthropologists

were amazed at that

and were confused as well.

According to the Dogon,

the Nommo didn't come

from Sirius A

a star that is clearly visible

in the evening sky

but from its tiny companion.

A dying star called Sirius B

that can only be seen

with advanced,

high-powered telescopes.

Here, we have this ancient

tribe that says that,

well, no, Sirius is

not a single star at all

but actually

a double-starred system,

and how could they

have known it,

given the fact that it

requires telescopes

to see the double star?

Well, one theory is,

maybe the aliens

gave them this knowledge.

It can't be ruled out.

That's one possibility

because they got it

right on the dot.

The Dogon have

always been focused upon

in the sense

that they have this story,

this information

about their ancestors

who somehow had this contact

with this nonhuman intelligence.

Now, the question is,

how did they attain this?

It really might come

from the Sahara Desert,

from specifically culture

pockets like Tassili n'Ajjer

and that the Dogon are

descendants from these people.

Is it possible that the beings

described by the Dogon

are the same figures

depicted in the cave paintings

of Tassili n'Ajjer?

I think the power of

observation of our ancestors

was as powerful and as accurate

as it is today.

was as powerful and as accurate

as it is today.

And to attribute that motif

simply to only coincidence,

in my opinion,

does not hold water.

So one has to wonder,

are these extraterrestrials?

When it comes to

mysterious petroglyphs,

one of the most

extraordinary examples

we've investigated can

be found in the Italian Alps.

In 2019,

William Henry got to study

this remarkable piece firsthand.

Number four on our countdown

of the Top Ten

Alien Petroglyphs:

The Spaceman of Val Camonica.

Val Camonica, Italy.

June 13, 2019.

Ancient astronaut theorist

William Henry

has traveled to this

UNESCO World Heritage Site

to investigate the area's

mysterious petroglyphs.

Hi, I'm William.

Nice to meet you. Pleasure.

Joining him is Luca Giarelli,

the head of the Val Camonica

Historical and Anthropological

Society.

This place is massive.

I'm ready, let's go.

I'm here at Val Camonica

because it is a treasure trove

of images from the ancient world

that have been well documented

and studied by scholars.

They don't agree

on the meaning of the images,

but some of them

are very open-minded

to the ancient astronaut theory.

Luca leads William to an area

with a panel

of ancient petroglyphs

that appear strikingly

familiar to modern eyes.

Wow.

Oh, look at that.

- Spaceman, exactly. Look at the helmet.

- Astronaut.

Right.

It's like he's glowing.

The Camunian rose.

Wow.

Archaeologists call

this mysterious object

the Camunian rose because

of its flowerlike shape.

While its exact meaning

is lost to history,

some believe it to be

a religious symbol

or a representation

of the movement of the stars.

But ancient astronaut

theorists suggest

it might also depict

something else

the vessel that brought

these helmeted figures

to Val Camonica.

Luca, that-that looks

like a spaceship.

It's like you look up

in the sky,

and you would see this kind of

twirling, spinning ship

in the sky.

It seems to me,

just looking at it,

they are trying

to talk about beings

coming from other worlds,

maybe to this place.

Tell me about

that five-pointed star.

Mm-hmm.

Sometimes the-the stars

mean energy,

like energy from the stars

would come to this place,

or star beings

would come to this place.

Yeah

Mm-hmm.

Okay, so this is

like a newspaper then.

It says, this was in the sky

above us at some point,

and this spaceman

came down and maybe met

the Camunian people.

According to ancient stories,

the nearby city of Turin

was founded by a character

from Greek mythology

called Phaethon,

who came to Earth

from the stars.

Legend states that Turin

was founded by the god Phaethon,

who is a son

of the sun god Helios,

and in the myth of Phaethon

we learn the story

of how he descended

to Earth in a fiery chariot

perhaps crashing

into Mount Musinè.

This also led to

something fortuitous

because he brought gifts

to this place,

he had great skills,

was a metallurgist,

and taught this

to the local people.

When we look at myths

such as the myth of Phaethon,

here is really

the story of a UFO

landing on a mountain

and interacting with the locals.

When we look

behind this myth of Phaethon,

perhaps this is what we're

also seeing at Val Camonica.

I think, given the connection

with the spacemen

that are etched into the rock,

we have to be open

to the possibility

that what the ancient artist

is trying to portray

is something that he

actually saw in the sky,

something coming out

of the heavens.

For ancient astronaut theorists,

the Spaceman of Val Camonica

and the legends that surround it

are evidence that our ancestors

were visited

by extraterrestrial beings.

But an even more

compelling depiction

of these possible visitors

can be found on

the opposite side of the world

in the rock art of Australia.

Number three on our countdown:

The Wandjina.

Northwestern Australia.

Here, in a rugged desert region

known as Kimberley,

are dozens of caves

that are covered

in paintings of mysterious

figures called the Wandjina.

If you look at these Wandjina

figures in the cave art,

they have big, white faces.

They have really

no mouth to speak of.

They have very large,

black eyes,

and there's a field

around their heads.

To the Aboriginal people

who have lived in Australia

for thousands of years,

the Wandjina

are important figures

in their creation myths.

The Aboriginals have

all kinds of ancient stories

of Wandjina figures,

of great heroes

and sky gods who manipulated

the continent,

created the rivers

and mountains,

and fought amongst each other

and then they left.

We all have stories

of people in crafts

coming from the stars,

going to the stars, and so on.

In order to keep them, pass them

down to next generation

we carved them, we painted them.

We sung them.

We danced them in stories

to guarantee

that they passed down.

So when the visitors left,

we didn't forget about them.

And we never forget about

the things

that they passed down to us

and the knowledge

they passed down.

In many ways,

these Wandjina figures

look exactly like Grey aliens.

And you have to wonder, then,

if the cave art is depicting

extraterrestrials.

The Wandjina petroglyphs

are actual physical

representations

of what the First Nation

people of Australia

of what the First Nation

people of Australia

actually witnessed.

So this to me is

an incredible treasure trove

for the ancient

astronaut theory.

Of all the mysterious

petroglyphs

we've examined

on Ancient Aliens,

some of the most astounding

can be found

in the American Southwest.

The region is chock-full

of carvings

that show strange

humanoid figures

who came down from the sky.

At number two on our countdown:

The Rock Art of Utah.

Nine Mile Canyon, Eastern Utah.

Often described as "the world's

longest art gallery,"

the red sandstone cliffs that

border this 46-mile-long canyon

are covered with more

than 10,000 petroglyphs.

Many depict hunting scenes

and contain images of animals

found in the region.

But one mysterious panel

seems oddly out of place.

One of the most

important galleries

is referred to

as the Family Panel.

What's interesting

about this one

is that it shows

these apparently luminous

humanoid-type beings

that appear

to have space suits on,

a helmet, even antennae.

The Navajos themselves claim

that these petroglyphs were from

people who were

before the flood,

before this cataclysm

had come to the Earth.

And they maintain

that these images

were many thousands

of years old.

Just 70 miles

south of Nine Mile Canyon,

in Sego Canyon,

another panel of petroglyphs

shows nearly identical figures.

They look like spacemen.

You have these strange creatures

that for all intents

and purposes

seem to be floating

up in the sky.

They appear to wear helmets.

Very strange.

So you have to ask, what was it

that inspired

these unusual images?

Is it possible

that they depict sky beings

who came down from the stars

to help the people,

which is what

the Native legends say?

According to the traditions

of the Navajo,

Fremont and Ute peoples

who have lived

in this area for centuries,

these figures represent visitors

who descended from the sky.

In talking about star people,

all Native American tribes

have these, uh, traditional

oral histories

that people came

from the stars to visit them.

And it's universal,

all across the United States

that these gods,

as we call them today,

came to Earth and visited

to provide knowledge.

The creation story,

if you understand it correctly,

we are all from the cosmos.

Our ancestors

were extraterrestrial.

The story is told

to Indigenous people

for thousands of years

through oral histories

and through the petroglyphs

and pictographs

and the sacred sites

that continue to be part of

our Native cultural traditions.

The Native Americans

traditionally use

a oral tradition.

Everything is spoken.

The oral traditions actually

go back thousands of years.

It's just the way it was.

And we've maintained

that tradition even to this day.

If in fact what we're seeing

are portraying visitors

from the stars,

it would make sense why they're

wearing these space suits.

Because they would

conceivably need protection

from Earth's atmosphere

and Earth's environment.

Do the petroglyphs

at Nine Mile Canyon

and Sego Canyon

point to Utah being a place

of ancient alien visitation?

Native American people

have been very clear

when they speak of celestial

beings that imparted knowledge.

when they speak of celestial

beings that imparted knowledge.

And so, if you compare that

to the ancient astronaut theory,

that's exactly

what it talks about,

that the knowledge was imparted

by beings who visited us.

While Utah has thousands

of petroglyphs

that feature mysterious beings,

one stands apart.

It depicts a group of figures

meeting with what appears to be

an extraterrestrial.

Number one on our list:

The Holy Ghost Panel.

Horseshoe Canyon, Utah.

Located within

Canyonlands National Park,

the sandstone walls

of this five-mile-long ravine

feature some of the most

remarkable petroglyphs

in the United States.

The intricate designs depict

Native American shamans

and the otherworldly creatures

they claimed

to communicate with.

Well, here we have

a classic shaman,

with the hourglass figure,

feet pointed outward,

arms which have bird's feet

at the end,

which signifies spirituality.

And it's got the horns

with the fringes coming out.

But one section

is of particular interest

to ancient astronaut theorists.

It's called the Ghost Panel.

When you see the Ghost Panel,

you see

what are seven or eight

very tall figures

in unusual garments.

They look like space suits.

They're wearing some long robes,

and it looks like they

have helmets and things on.

They're quite large

and very strange looking.

And certainly they look

like some kind of spacemen

or extraterrestrials

who have come down.

For researchers,

the most perplexing

part of the painting

is a curious detail

on the large central figure.

The central ghost-like figure,

which is called the Holy Ghost.

If you look at the head

of the Holy Ghost,

you'll see his two eyes

in the front of his face.

But if you look to the left,

you'll see the side of his head.

This is a device

which you do not see

in any prehistoric art,

and this motif is one

of the reasons why I-I feel

that this represents a-an event.

Archaeologists suggest

the Ghost Panel

was created 10,000 years ago.

Just who made these

images remains a mystery.

But ancient astronaut

theorists believe

clues can be found

within ancient traditions.

The Navajo, they tell us

that this rock art

was actually created

by their ancestors

who lived there long, long ago

and in fact were

the survivors of a flood.

The Navajo

referred to themselves

as descendants

of the Holy People.

And that these Holy People

in fact helped them

emerge after a cataclysm.

The story of mysterious,

humanoid beings

assisting Native peoples

has been recounted

for centuries

in the American Southwest.

Many researchers believe

these encounters

were so significant

that they were carved in stone.

For hundreds of years,

the Native Americans

who lived in that area

called the Ghost Panel

the Panel of the Star People.

Clearly, they are strangers

of some kind to these people.

And if that's what it was,

then we might assume that they

are depicting extraterrestrials.

The moment you lay eyes

on the Holy Ghost Panel,

you know you're looking

at something extraordinary.

And it's much more

than a mere coincidence

that all around the world

our ancestors made

carvings and paintings

of mysterious beings

that they believe

came from the sky.

Could it be

that these illustrations

are all telling the same story?

That we were visited

in the distant past

by extraterrestrials.