[MUFFLED CHOPPING]
[STRONG WINDS BLOWING]
[HEAVY BREATHING]
f*ck it.
[EERIE VOICES ECHOING]
Liz Danvers [ECHOES]:
Do you see anything?!
Is it safe?!
It's safe!
[LIZ GRUNTS]
Okay.
[TENSE MUSIC PLAYING]
[VOICES WHISPERING]
[SHUDDERS]
You feel it too,
don't you?
It's slippery. Careful.
♪
[STRONG WINDS BLOWING]
[UNSETTLING MUSIC PLAYING]
♪
[VOICES WHISPERING, BREATHING]
Hey... Navarro.
[VOICES CONTINUE]
What are you doin'?
It's here.
What? Wait.
Where are you goin'?
- This way.
- Navarro.
What the...
Oh, f*ck.
Where you goin'?
Navarro? Oh, f*ck.
- Navarro?
- It's this way.
♪
It's here.
Ah, Jesus. Damn it. f*ck.
No.
♪
Let's go back.
No, no, no. It's here.
I know it.
What? That's a dead end.
- Come on.
- Can't you hear it?
What?
She's calling.
Agh. No, no, no, no, no.
- We're, we're gonna go back to the path now.
- Shh. No, no.
I swear to God, it's here.
We're not just gonna walk
around and wait for you...
[ICE CRUMBLES]
Oh, God! [STAMMERS] Are you okay?!
[EVANGELINE GROANING]
- Did you break anything?
- [GROANS] f*ck.
I don't... [SIGHS]
- I don't think so. [SIGHS]
- Alright, just... stay put.
- sh*t. f*ck. The f*ck?
- Um...
I'm gonna try and find some help.
sh*t, I'm sorry.
You were right. [GROANS]
We should've stayed back.
Shut the f*ck up.
- Just don't do anything st...
- [ICE CRUMBLES]
[LIZ GROANING]
- Are you okay?
- Ah, that hurt.
- Yeah.
- f*ck.
[GROANS]
Oh, man. f*ck.
Ah, geez.
- sh*t, sh*t, sh*t.
- [LIZ COUGHS]
- Oh, we're trapped.
- [COUGHING]
Clark!
[INTENSE MUSIC PLAYING]
LIZ: See that?
[LIGHTS BUZZ]
Where the f*ck is he?
What is this place?
[TENSE MUSIC PLAYING]
EVANGELINE NAVARRO: Clear.
LIZ: Clear.
EVANGELINE: Where the f*ck is he?
[WHISPERS] Navarro.
♪
[VOICES WHISPERING]
[MUSIC INTENSIFIES]
["BURY A FRIEND" BY
BILLIE EILISH PLAYING]
♪ What do you want from me? ♪
♪ Why don't you run from me? ♪
♪ What are you wondering? ♪
♪ What do you know? ♪
♪ Why aren't you scared of me? ♪
♪ Why do you care for me? ♪
♪ When we all fall asleep ♪
♪ Where do we go? ♪
♪ Come here ♪
♪ Say it, spit it out ♪
♪ What is it exactly you're payin'? ♪
♪ Is the amount cleanin' you out? ♪
♪ Am I satisfactory? ♪
♪ Today, I'm thinkin' about ♪
♪ The things that are deadly ♪
♪ The way I'm drinkin' you down ♪
♪ Like I wanna drown,
like I wanna end me ♪
♪ Step on the glass ♪
♪ Staple your tongue, ahh ♪
♪ Bury a friend, try to wake up, ahh ♪
♪ Cannibal class, killin' the son, ahh ♪
♪ Bury a friend, I wanna end me ♪
♪ I wanna end me ♪
♪ I wanna, I wanna, I wanna ♪
♪ Why aren't you scared of me? ♪
♪ Why do you care for me? ♪
♪ When we all fall
asleep where do we go? ♪
EVANGELINE: There has
to be another exit.
Navarro.
Star-shaped wound.
[TENSE STING]
[TENSE MUSIC PLAYING]
- EVANGELINE: Where the f*ck is he?
- [CAMERA CLICKS]
[WIND BLOWING]
Danvers.
♪
[WHISPERS] m*therf*cker.
♪
[GRUNTING]
♪
[GRUNTS]
["TWIST AND SHOUT" PLAYING IN DISTANCE]
♪ Come on, come, baby, now ♪
♪ Come on, baby ♪
♪ Come on and work it on out ♪
[LIGHTS FLICKER]
♪ Shake it up, baby ♪
- ♪ Twist and shout ♪
- [SONG VOLUME INCREASES]
[DRAMATIC MUSIC PLAYING]
["THE ONLY SHRINE I'VE
SEEN" BY DARKSIDE PLAYING]
♪ The only shrine I've seen ♪
♪ I'm on a light up in the sky ♪
♪ Smilin' down as if I'm you ♪
♪ We will someday be ♪
♪ We will someday be ♪
♪
[MUFFLED] ♪ We will someday be ♪
♪ We will someday be ♪
♪ We will someday be ♪
["TWIST AND SHOUT" PLAYING IN DISTANCE]
[GRUNTS]
[TENSE MUSIC PLAYING]
[VOICES BREATHING]
♪
[VOICES WHISPERING]
["TWIST AND SHOUT" PLAYING ON TV]
♪ Twist and shout ♪
- ♪ Come on, come on, come on ♪
- [MUSIC DISTORTS]
♪ Well, shake it up, baby, now ♪
- ♪ Shake it up, baby ♪
- [GRUNTS]
- ♪ Twist and shout ♪
- f*ck's sake.
♪ Twist and shout ♪
- ♪ Come on, come on ♪
- [MUSIC DISTORTS]
- Shut the f*ck up!
- [MUSIC STOPS]
[DOOR SQUEAKING]
[KICKS DOOR]
[EERIE WIND BLOWING]
[DOOR BEEPS]
- [DOOR SLAM ECHOES]
- [TENSE MUSIC PLAYING]
[MUFFLED] Fucker!
[NORMAL] Let me out!
f*ck.
[MUFFLED] Navarro!
[NORMAL] Navarro!
[MUFFLED] Navarro!
♪
[YELLS]
[MUFFLED] Navarro!
[QUIETLY] sh*t.
[GRUNTING]
[HEAVY BREATHING]
♪
[GRUNTING]
[GROANING]
♪
[GRUNTS]
Navarro!
[NAVARRO GRUNTING]
♪
No! Navarro. Hey, hey! No!
We need him to talk!
No.
[EVANGELINE PANTING]
f*cking blizzard.
There's no Wi-Fi, there's no radio,
and there's no way we
can drive in the storm.
We're stuck out here.
[GASPING BREATHS]
- Help me.
- [PANTING]
G-Get your ass over here and help me.
[GROANING]
[DOOR OPENS]
- Jesus, you scared me.
- Sorry.
Is Liz here?
No.
She asked me to come
over for New Year's, I...
thought we could maybe...
What are you doing here?
Are you staying here?
- Kayla's not gonna like that.
- Liz went out.
Out where? In this?
Yeah. It was, uh, it was an emergency.
Work stuff, ya know?
And you're cleaning?
Thought I'd make myself useful.
Is everything okay?
Yeah.
- What the f*ck is going on?
- It's just, um...
the whole Kayla thing has
kinda got me messed up.
Can I ask you a favor?
Can I drive you back there?
I don't want her and Darwin
to be alone on New Year's Eve.
Please.
Sure.
Your car's out in the garage?
No, no. Uh, it's out front.
[RAYMOND GROANING]
- Ah!
- Wake up.
Wake up, m*therf*cker.
[PANTING] I'm not talking to you.
Hey. Hey, look at me, you piece of sh*t.
Did you actually love Annie?
Yes.
Okay.
[ANNIE'S VIDEO PLAYING]
Turn that off.
Turn that off, please!
Turn it off! I can't...
Gimme your headphones.
[ANNIE PANTING]
- ANNIE KOWTOK [IN VIDEO]: My name is Annie Kowtok.
- What are you doing? What?
- [ANNIE SCREAMING]
- Ooh, ah.
[YELLS]
No, no. Ow. [YELLS]
[PANTING]
Please.
Ahh, ah.
Please, please, please, please stop.
- Please.
- It's on a loop, m*therf*cker.
[RAYMOND GASPS]
- Enjoy.
- No, no.
- Mm, mm, mm, mm.
- [ANNIE SCREAMING]
[MUFFLED YELLING]
Want some coffee?
[MUFFLED YELLING]
- [ANNIE SCREAMING]
- [RAYMOND YELLING, CRYING]
[WATER WHISTLING]
- [VEHICLE ARRIVES OUTSIDE]
- [VEHICLE BRAKES]
[VEHICLE DOOR OPENS]
[FRONT DOOR OPENS]
[DOOR CLOSES]
- [KAYLA HITS CAR]
- [CAR BRAKES]
What's going on?
I didn't want Leah walking
back in the blizzard.
Don't f*cking lie to me.
I have to do something.
I can't tell you what it is, but...
Is this for Danvers?
Did Danvers make you do something bad?
- Because I swear to God, I will go and...
- Kayla, stop! Stop!
I did it.
Alright? And I'm fixing it now,
but I need your help, Kayla.
Look at me.
I need to do this one thing,
and then I will be here with you.
But right now, I
just... I need f*cking...
Go.
Please stay safe... you hear me?
assh*le.
[ENGINE STARTS]
[FOOTSTEPS APPROACH]
Funyuns? Really?
[MOUTHFUL] Starving.
You have any idea how
long it's been since I ate?
My mother used to love oranges.
Loved them.
She used to peel them
in just one long strip.
Julia too.
[UNSETTLING MUSIC PLAYING]
[SINGERS VOCALIZING]
[GLASS CLINKS]
Prior's f*cked for life, isn't he?
Yeah, I don't know.
Maybe.
It's crazy, the sh*t that we survive.
[SIGHS]
- Think he's ready?
- [TENSE MUSIC PLAYING]
[TAPE RIPPING]
Ah!
- EVANGELINE: Were you there?
- [EXHALES] Please.
Were you f*cking there?
Not at first.
- But eventually you were?
- [RAYMOND SIGHS]
- [SNIFFLES]
- Answer the f*cking question.
It's my fault.
She found some notes, just,
just scribbles, really,
and she started to piece
together what we were doing.
And what were you doing?
We were digging for the DNA
of a microorganism
contained in the permafrost
- that, that could potentially...
- Save the world.
We know, everybody knows,
except it doesn't work.
No, it did.
See, that's what nobody understands.
We cracked it. We could actually do it.
What the f*ck does that
have to do with Annie?
Well, we could do it because
the pollution from the mine
helped soften the permafrost.
Eh, eh, we could extract the DNA
with much less damage and faster
by, by multiple of hundreds, thousands.
I see, so you were falsifying
the toxicity numbers
- for Silver Sky Mine.
- No.
No, we were pushing the mine
to produce more pollutants.
The more waste in the water,
the more waste in the ground,
the better the permafrost
was for our work.
I know, but it could've
changed the world.
It still could.
And that was worth k*lling Annie?
No.
No.
LIZ: Then what happened to her?
I, uh...
God, I didn't even know
she was here. She just...
She must've snuck in.
Yeah, I, I, I think she was just
trying to find a paper trail
to prove that the mine
were paying us, but,
but she discovered the truth.
She destroyed our work,
all those years, all...
all that potential to do so much good,
she just, she just obliterated it.
- [ANNIE SCREAMING]
- [TENSE MUSIC PLAYING]
[PANTING]
[SCREAMING CONTINUES]
- [GRUNTING]
- [ANNIE SCREAMING]
[SCREEN SHATTERS]
And Lund...
he caught her, and he... h-he snapped.
- [SCREAMING]
- Annie, Annie, Annie!
[GRUNTS]
♪
[SCREAMING]
Did you do...
- Why, you stupid girl!
- ANNIE: No, no! [SCREAMING]
No!
No!
[SOMBER MUSIC PLAYING]
And then everyone else just
helped him finish the job.
But not you?
[TENSE MUSIC PLAYING]
I would never hurt her.
♪
[SINGER VOCALIZING]
I'm so sorry.
I'm so sorry.
I'm so sorry. Please forgive me.
[CRYING]
- [ANNIE GASPS]
- [ALL YELP]
[SHUSHING]
No, no.
No. Stop, stop, stop, stop.
- ANNIE: No!
- [SHUSHES] Stop, stop, stop.
- Please stop!
- [BOTH GROANING]
♪
Shh! Stop!
Please.
Please.
♪
LIZ: So, you didn't touch her?
[TENSE MUSIC PLAYING]
I loved her.
But you don't understand.
[HEAVY BREATHING] The project
could've saved so many lives.
They stabbed her 32 times.
It took two years to
build a new robotic arm
and hit a vein down there.
If we could finish the work,
then she wouldn't have d*ed for nothing.
They cut out her tongue.
What?
That wasn't us.
That wasn't us.
We, we, we, we called the mine for help.
They, they needed us to keep
covering up their numbers.
They sent a cop to move the body.
He must've cut out the tongue
to-to-to-to send a warning or something.
I...
Tell me again that you loved her.
I did.
- You're not gonna stop me?
- No.
RAYMOND CLARK: [YELLS] Please!
- EVANGELINE: Shut the f*ck up, m*therf*cker!
- RAYMOND: Please!
[RAYMOND YELLS]
[SIGHS]
[TENSE MUSIC PLAYING]
[WHISTLING]
- [HEAVY BREATHING]
- [DOOR SLAMS OPEN]
- Please! Please.
- EVANGELINE: Shut the f*ck up.
[DOOR CLOSES]
You know, I was just
about to do it myself?
You were about to k*ll Clark?
No.
Wheeler.
[UNSETTLING MUSIC PLAYING]
Navarro.
[HEAVY BREATHING]
[BABY CRYING]
[CRYING FADES OUT]
I need a break.
[LIGHT, TENSE MUSIC PLAYING]
[STRONG WINDS BLOWING]
[MUSIC FADES OUT]
[ORANGE THUDS]
[UNSETTLING MUSIC PLAYING]
- EVANGELINE: Hey.
- Oh, f-f*ck.
Lines still down?
- Yeah. We're stuck here.
- [SIGHS]
You good?
It's a long f*cking night.
We still have a job to finish, Liz.
[SOFTLY] This f*cking storm.
[TENSE MUSIC PLAYING]
What happened to your buddies?
- Huh?
- It was Annie.
She k*lled 'em.
Oh, Jesus.
What are you saying?
I kept, I kept seeing her.
You know, hearing her
voice more and, and more.
I knew she'd come back.
[PANICKING] She-She-She's awake.
[OMINOUS MUSIC PLAYING]
[WAILING] No!
FACUNDO MOLINA: No,
please, please, no, no!
RAYMOND: I knew she'd come for us.
- [CLARK SCREAMING]
- ANDERS LUND: Hey... Clark.
- [WAILING CONTINUES]
- [TENSE MUSIC PLAYING]
Clark.
Hey!
[MUFFLED] Clark!
Clark!
- [INDISTINCT YELLING]
- [BANGING ON HATCH]
Open it!
- [BANGING ON HATCH]
- [MUFFLED] Let me in!
Clark! Let me in!
Open it up!
[ANDERS YELLING]
[GASPS]
ANDERS: No, no! Please!
[YELLING]
[DISTANT YELLING]
♪
[HEAVY BREATHING]
[EERIE MOAN]
- [LOUD THUD]
- [HATCH CREAKING]
♪
[CREAKING STOPS]
[HEAVY BREATHING]
- [VOICES WHISPERING]
- [LOUD THUD]
[RAYMOND PANICKING]
RAYMOND: And I stayed
there... holding the hatch...
for an hour...
or a week.
He was right there under our feet
the whole time we were searching.
What happened to those men on the ice?
- Annie k*lled 'em.
- Did you see them die?
I didn't leave the
cave. I was too afraid.
But you did come up.
It was you the supply
guy saw, wasn't it?
Yeah, I was hungry.
Yeah. And you found Otis Heiss.
- Huh? Right?
- [SIGHS]
I wanted to know how to survive her.
Otis Heiss didn't survive Annie.
She wasn't even born
when he was injured.
She's been hiding in
those caves forever.
- [GROANS] Jesus.
- And before she was born, after we all die,
time is a flat circle,
and we are all stuck in it.
Don't let him sleep.
He'll talk. We got all night.
[HEAVY BREATHING]
[DOORS CLOSE]
[WEAKLY] Please.
Please, I'm so tired.
Just do it, or let me do it.
Please.
Please.
[WIND BLOWING]
[EERIE WHISPERING]
[NECKLACE CLINKS]
[OMINOUS MUSIC PLAYING]
[WIND BLOWING]
["THE ONLY SHRINE I'VE
SEEN" BY DARKSIDE PLAYING]
♪ We will someday be ♪
♪
[VOICE WHISPERING]
[GASPS] I see you.
HOLDEN [ECHOES]: Mommy!
[HEAVY BREATHING]
[CREAKING]
Navarro?
- [WIND BLOWING]
- [CREAKING CONTINUES]
Navarro?
[DOORS FLAPPING]
[TENSE MUSIC PLAYING]
[STRONG WINDS BLOWING]
Navarro?!
Navarro?!
What did you do?!
He's dead!
♪
He's dead, Danvers!
f*ck!
Fuuuck!
You let him f*ckin' go?
You saw him. You knew he
was gonna commit su1c1de,
and you just let him do it.
What, did you cut the power too?
I didn't cut the power.
[SIGHS]
f*ck, seriously.
That frozen m*therf*cker out there
is the only witness we had!
[SIGHS] The f*ck, Navarro?!
We're gonna f*cking freeze
in here just like him.
There has to be an emergency generator.
I'll go find it.
[STRONG WINDS BLOWING]
[GENERATOR SPUTTERING]
Come on. [GROANS]
[SCREECHING]
[GRUNTS]
- f*ck!
- [KICKS GENERATOR]
Ah, f*ck's sake.
f*ck.
[DISTANT CLATTER]
VOICE [WHISPERS]: Evangeline...
[VOICES WHISPERING]
[UNSETTLING MUSIC PLAYING]
[WHISPERING CONTINUES]
[MUSIC INTENSIFIES]
VOICE: Stop.
[QUIET, TENSE MUSIC PLAYING]
[EERIE HEAVY BREATHING]
[MUSIC INTENSIFIES]
[RAYMOND HYPERVENTILATING]
[CONVULSING]
[MUSIC FADES OUT]
[BOTH BREATHING HEAVILY]
RAYMOND: She's awake.
[UNSETTLING MUSIC PLAYING]
[HEAVY BREATHING]
[MUSIC INTENSIFIES]
[RADIO PLAYING]
RADIO HOST [STATICKY]:
This is KDRK, Ennis radio,
wishing you a happy, stormy New Year,
as this northern front moves...
[TURNS OFF RADIO]
[POUNDING ON DOOR]
For Christ's sake, come in.
[ROSE BREATHES HEAVILY]
What the hell are you doing here?
Navarro sent me.
She says take me to where Julia is.
I got someone who's goin'
in the same place, Rose.
[TENSE MUSIC PLAYING]
It's gonna be one of
those nights, isn't it?
[STRONG WINDS BLOWING]
♪
LIZ: I knew it.
We should never have touched this case.
[LIZ SIGHS]
Hey, what are you doin'?
- Nothing.
- Navarro?
[EVANGELINE SHIVERING]
There is something out there calling me.
- Don't f*cking start.
- You need to know something.
Stop!
There, there's, there
is more than this, Liz.
There is so much more than just this.
And it can be, it can
be a comfort, you know?
- Julia wasn't wrong.
- Julia gave up!
Alright? I know she's your
sister, but Julia quit.
You know...
he doesn't really look like you, but...
there's something in his eyes.
What?
Holden.
- Shut up.
- He's out there, Liz,
- and he said that he's...
- Shut the f*ck up!
You don't say his name!
You hear me? You shut your mouth!
You don't know.
When he was trapped in that car...
was he scared, was he hurt?
Was he screaming "Mommy"?
You don't come here
and tell me "he said."
Or I will, I will sh**t your sick
f*cking mouth right off your face!
You wanna go out there and die?
You wanna...
follow your ghosts,
and curl up in a ball,
and die out on the ice
out there, you go ahead,
but you leave my kid out of it!
Or I will rip you apart!
I am not merciful...
you understand?
I got no mercy left.
[VOICES WHISPERING]
[RINGBACK TONE]
LIZ [ON VOICEMAIL]: Elizabeth
Danvers. Leave a message.
Liz?
[MELANCHOLY MUSIC PLAYING]
It's me again.
Just call me back, okay?
Hey, just don't die
out there or anything.
Please.
♪
[WIND BLOWING]
[MUSIC FADES OUT]
[GROANS]
[HEAVY BREATHING]
f*ck.
Navarro?
[TENSE MUSIC PLAYING]
♪
[STRONG WINDS BLOWING]
♪
Navarro?!
♪
Navarro!
Where are you?!
Navarro?!
[VOICES BREATHING, SCREAMING]
[WAILING]
[WAILING STOPS]
VOICE [WHISPERS]: Listen...
[STRONG WINDS BLOWING]
Navarro!
[LIGHT MUSIC PLAYING]
VOICE [WHISPERS]: Come, Evangeline.
VOICE [WHISPERS]: Siqinnaatchiaq.
[SINGER VOCALIZING]
Your name...
is Siqinnaatchiaq.
Navarro!
[TENSE MUSIC PLAYING]
HOLDEN: Mommy?
[MUFFLED VOICE CALLING]
Mommy!
Holden!
♪
[MUFFLED] Holden?
♪
HOLDEN [MUFFLED]: Mommy...
[SILENCE]
[STRONG WINDS BLOWING]
[DRAMATIC MUSIC PLAYING]
[EVANGELINE GRUNTS]
Hey, hey, come on. St... [SHIVERING]
Stay with me, Liz, come on.
♪
You gotta breathe, come
on, you gotta breathe.
[GLASS CRUNCHING]
Stay with me, come on.
Liz... hey, hey.
Come on, breathe, you gotta breathe.
- I'm so cold.
- I know. I know, it's so f*ckin' cold.
I know, you gotta stay with me...
♪
Breathe, you gotta breathe.
Come on, in and out.
Blow out, like a
birthday candle, come on.
- [BLOWING]
- [CHEERING]
[LIZ GASPS]
There you go. Good, again.
- In and out. Come on, Liz. There you go. Again.
- [LIZ BREATHING]
Can you do that again for me? Breathe.
Breathe.
[LIGHT MUSIC PLAYING]
[CHUCKLES]
Liz, come on.
Hey, hey, don't make
me kick your skinny ass.
- [LIZ GROANS]
- Come on. Keep breathing, keep breathing. Hey.
You there? Hey.
Hey, hey, hi.
Hi.
[INCOHERENTLY] What'd he say?
What?
[STRUGGLING] What did he say?
Who?
Holden.
He says that...
he sees you.
He sees you, Liz.
[INHALES]
Holden.
[LIZ CRYING]
[LIGHT MUSIC PLAYING]
[INHALES, GROANS]
[SINGER, ACAPELLA]
♪ Shake it up, baby, now ♪
♪ Twist and shout ♪
[LIZ COUGHING]
It's alright, it's okay.
♪ Come on, twist a little closer now ♪
♪ And let me know you're mine ♪
♪ And let me know you're mine ♪
[ICE PICK STRIKING]
♪ And let me know you're mine ♪
- [GRUNTING]
- ROSE AGUINEAU: That's it.
Stop.
Stop.
Um... now I need you to look away.
No, I wanna see.
You wanna see?
How I cut your father
to let the air out of his lungs
so he doesn't float?
[ROSE GRUNTS]
[SLICING]
[LIGHT MUSIC PLAYING]
[GRUNTING]
Okay.
You need to put him
in the water yourself.
Finish what you started.
Close the door.
♪
♪
[MUSIC INTENSIFIES]
♪
♪
[ROSE GRUNTS]
I guess you're thinking...
the worst part is done.
[SNIFFLES]
Mm, it's not.
[ROSE BREATHES DEEPLY]
What comes after...
forever...
that's the worst f*ckin' part.
♪
♪
EVANGELINE: The storm's
over. We can go now.
Here... It'll warm you up.
[LIZ EXHALES, SNIFFLES]
Happy New Year, Navarro.
Happy New Years, Danvers.
You told me back then that...
you wanted to do it, ya know, just...
walk out and disappear.
Well, if...
if you do it, if you...
if you decide to
just try to come back, okay?
You know that, that
thing Clark said about...
holdin' his hatch...
bein' down there in the dark?
I've been feelin' that way for so long.
Holdin' the hatch...
f*ckin' terrified of the
one tryin' to open it.
I was so wrong.
What did you say?
That I was wrong?
No, holdin' the hatch.
[TENSE MUSIC PLAYING]
[DOOR OPENS]
- What are you doin'?
- There's a UV light over there.
Go get it.
♪
Come on.
- EVANGELINE: What are we lookin' for?
- I don't know.
He said, "holding the hatch."
Danvers.
♪
We weren't asking the right question.
LIZ: The question isn't
who k*lled Annie K.
But who knows who k*lled her?
[SINGERS VOCALIZING]
[DOGS HOWLING, BARKING]
[BARKING]
[DOG BARKING]
SPEAKER: Coming! Jesus,
it's a little f*ckin' early.
Beatrice Malee...
and Blair Hartman...
we need to ask you some questions
about some physical evidence
that pertains to the death of
the seven men at Tsalal Station.
Who wants to discuss it?
I'm Elizabeth Danvers,
Chief of Ennis Police.
This is my partner.
I am Evangeline Siqinnaatchiaq Navarro.
My Aaka's name was Siqinnaatchiaq.
Do you know what it means?
It means the return of the
sun after the long darkness.
[LIGHT MUSIC PLAYING]
LIZ: Right, so... the Tsalal men.
Those f*ckers k*lled Annie K.
You knew...
- all along.
- No.
For six years, we thought
it was the mine, the town.
To shut her up, to shut everyone up.
And then... we understood.
- [WATER SPILLS]
- Damn.
[CURIOUS MUSIC PLAYING]
[WATER TRICKLING]
[TENSE MUSIC PLAYING]
[SOFT GASP]
[CAMERA CLICKS]
LIZ: Why didn't you report it?
- [SNEERINGLY] To you, the cops?
- [BLAIR CHUCKLES]
That would change nothing.
It's always the same
story with the same ending.
Nothin' ever happens.
So... we told ourselves
a different story,
with a different ending.
How does this story go?
- [POWER SHUTS DOWN]
- ["SUBMERGED" BY TANYA TAGAQ PLAYING]
♪
ANDERS: Clark!
- [YELLS]
- BEATRICE MALEE: Down!
ANDERS: Please! No, no, no! No!
[ANDERS YELLING]
♪
[THROAT SINGING]
In this story...
you k*lled the men?
Honey, they did it to themselves.
[INDISTINCT YELLING]
When they dug in her home in the ice,
when they k*lled her
daughter in there...
[TENSE MUSIC PLAYING]
they woke her up.
[MEN SHIVERING, PANICKING]
Get out of the truck!
- Now!
- [CLAMORING]
What do you want? Why?
Take your clothes off!
♪
Take your f*cking clothes off!
Wait, wait! What are you doing?
Hey!
Down!
If she wanted them, she would take them.
Go!
♪
- Go!
- Please don't sh**t.
BEE: And if not, their
clothes were there for them.
They'd be half-frozen,
but they'd survive.
[SCIENTISTS YELLING]
But they didn't, though.
I guess she wanted to take them.
I guess she ate their f*ckin'
dreams from the inside out
and spit their frozen bones.
[WIND BLOWING]
[SILENCE]
But...
it's just a story.
So, Siqinnaatchiaq...
what will it be?
[SIGHS]
[LIGHT MUSIC PLAYING]
Stories are stories.
We just swung by to inform you, um...
that the forensics came back.
Cause of death was a slab avalanche.
This case is officially closed.
Thought you'd wanna know,
seeing as they were
your employers and all.
[CLEARS THROAT] Happy New Year,
Miss Hartman, Miss Malee.
♪
[SINGERS VOCALIZING]
♪
In your story, Annie's tongue...
who left it at Tsalal?
That's not part of our story.
You didn't leave it there?
I don't know what you're talkin' about.
♪
[SINGERS VOCALIZING]
- [CAMERA CLICKS]
- AGENT 1: Alright.
Let's start with the disappearance
of Officer Henry D. Prior
on December 31st of last year.
That's an ongoing investigation.
So the body of a local
vagrant, Otis Heiss,
was found in the trunk
of Hank Prior's car.
Ballistics showed that the b*llet
had been fired from Hank's g*n.
AGENT 2: But you were the
one who checked Mr. Heiss
out of The Lighthouse
Rehabilitation Center
- on the day of his death.
- Yep. That's correct.
Mr. Heiss had some information
about the whereabouts of Raymond Clark.
Um, surveillance footage from
The Lighthouse showed that Hank,
Officer Prior, was watching my car.
So, um...
it's possible that he followed us,
and he approached Mr.
Heiss after we separated.
My best guess is it
was a, a deal gone bad.
Mr. Heiss got sh*t and Hank,
Officer Prior, when he
went to dispose of the body,
suffered some accident in the blizzard.
You know, come summer, we'll find him.
We always do...
unless we don't.
Young Officer Prior...
Pete was Hank's son.
He was out lookin' for us
that night in the storm.
I'm sure you read about
that in the report.
Don't you find it odd that Clark d*ed
in the exact same
manner as the Tsalal men?
Yes.
Incredibly odd.
But...
some questions just don't have answers.
What about Trooper Navarro?
What happened to her?
Well, some people come to
Alaska to escape, ya know?
Get away from something.
[LIGHT MUSIC PLAYING]
Navarro?
Navarro?
♪
♪
Hey, boy. Hey, hey,
hey. Do you want some?
LIZ: Sometimes they come
here lookin' for something.
[MUSIC INTENSIFIES]
[SINGERS VOCALIZING]
Sometimes they find it.
♪
EVANGELINE [IN VIDEO]: Okay. Go.
Uh... [INHALES]
My name is Raymond Clark.
I worked at the Tsalal Research Station
in Ennis, Alaska, for 15 years.
This is the truth.
I am profoundly sorry for
the part I played in this.
Pollution levels in the
region are 11 times higher
than those currently acceptable
by the Vienna Convention and the UNFCCC.
The pollution knowingly
created by Silver Sky
has caused cancer,
stillbirths, birth defects,
and irreparable genetic damage
to both the human and
animal population...
AGENT 2: Have you seen the Clark video?
LIZ: Everybody's seen the Clark video.
AGENT 1: Do you have any
idea who leaked that video?
No... No idea.
Does it matter?
How do you plan on dealing
with political unrest in Ennis?
Well... political unrest is not my job.
Eh, this town was here
long before the mine,
long before the APF.
Long before Alaska
was even named Alaska.
I'm just gonna show up,
do my job every day like I always do.
What else is there?
Anything else?
So, you have no theories about
what happened to Trooper Navarro?
♪
[INDISTINCT CHATTER]
[LAUGHTER]
LIZ: Well, let's put it this way.
I don't think you'll find Evangeline
Navarro out there on the ice.
[SINGER VOCALIZING]
♪
AGENT 1: So, those reports
of sightings of her...
they may be true?
LIZ: Well, this is Ennis.
Nobody ever really leaves.
[SINGER VOCALIZING]
♪
♪
[MUSIC FADES OUT]
04x06 - Night Country: Part 6
Watch/Buy Amazon
The lives of two detectives, Rust Cohle and Martin Hart, become entangled during a 17-year hunt for a serial k*ller in Louisiana.
The lives of two detectives, Rust Cohle and Martin Hart, become entangled during a 17-year hunt for a serial k*ller in Louisiana.