02x05 - The Devil You Know

Episode transcripts for the TV series, "Blood Ties". Aired: March 11 – December 7, 2007.*
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Set in Toronto, Ontario, centers on Vicki Nelson, a former Toronto Police Service officer who left the force to become a private investigator when her eyesight begins to degenerate from retinopathia pigmentosa.
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02x05 - The Devil You Know

Post by bunniefuu »

[thudding at door]

[music playing]

There's another vampire out there,

and this one is k*lling people.

I need your help.

Henry, what's going on?

It's best if you don't know.

If the other vampire believes she's with me,

Vicki will most certainly die.

He wants my territory and that puts everyone

who's close to me in danger.

Wait a second.

You know who it is, don't you?

Stay out of my way.

She's too powerful.

She.

The woman behind the vampire, Christina.

HENRY: So the Tall Man is still in Boston?

Yeah, I know Manhattan's divided 51st and the Park,

but who's got the Village?

Really?

Now the German's still in Chicago.

Who claimed Detroit?

Nobody ever claims Detroit.

[knocking at door]

[sighs]

Augustus, can we drop the pretense.

You know I'm looking for her.

I need to know where she's settled.

Nothing more recent than that?

All right, call you later.

Well, it's nice to see you're returning someone's calls.

HENRY: I'm heading out soon.

OK, so another vampire leaves a dead model on your doorstep

and you go to Mike for help, which is astounding, really.

But then you turn around and you say, leave it alone.

I'll handle it myself.

And I'm left wandering the streets

wondering what the hell is going on, alone, at night, by myself.

Well, under the circumstance, it's probably not a good idea.

You know, I understand that you want to protect us,

but this is not about just any other vampire

invading your territory.

It doesn't matter who it is.

Now, will you go?

VICKI: Not till you stop stonewalling me.

As we both know, there's only one person

that could do this to you.

Just admit it's Christina and we'll move on.

There's no guarantee it's her.

VICKI: But you suspect it?

Henry, people are being m*rder*d,

so this is no time for your mommy issues.

I don't have issues. [scoffs]

[phone ringing]

Yeah and denial is just a river in Egypt.

[music playing]

Hey.

Yeah.

OK.

There's something you need to see.

[sighs]

Now it's a spree.

I told you any more deaths and it

was going to be on you, Henry.

Now you listen up, I want you to use your vampire mojo,

or your vampdar, or whatever the hell it is you call it,

and you get this Christine off my streets.

Do you understand me?

HENRY: You told him?

He needed to know.

You just made a difficult situation even worse.

Christina is out of control.

On the contrary, this seals it.

Christina didn't do this.

Oh, Henry, come off it.

This is a mask.

A garish show.

You don't walk among humans undetected for 600 years

by putting on lurid displays like this.

[music playing]

Listen.

Don't.

Don't.

I don't care.

Michael let my streets turn into a vampire w*r zone, all right?

VICKI: All right.

I'm leaving.

Apparently I'm the only one interested in catching

the real k*ller.

Yeah, give my best to OJ while you're at it.

[THEME - TAMARA RHODES, "LIVE FOREVER"]

TAMARA RHODES: (SINGING) I can't explain these things of late.

And it burns in the night in the place where I keep my peace.

Yeah.

And I can't explain these strange things of late.

And when the darkness falls I'll hear you call.

It goes on, and on, and on.

I say who wants to live forever?

Who wants to stop the sun?

Who wants to live forever?

It's you.

It's me.

It's in our blood.

Who will be my fantasy?

Who will be my ecstasy?

Who wants to live forever?

It's you.

It's me.

It's in our blood.

[breathy gasping]

First, I need some information.

I know exactly what you need, treasure.

There's an out-of-town photographer

working with local talent.

One of the girls ended up dead.

You hear anything about that?

I hear the photographer's a dish.

Any idea where she might be found?

I do run Why Not Print.

Now.

[breathy gasping]

[music playing]

HENRY: (SNARLING) Go now.

Don't come back.

[growls]

Show yourself.

[music playing with vocalizing]

CHRISTINA: (ETHEREAL VOICE) Mother.

Now.

[breathy gasping] Time, my love.

You must be sure.

I've never been more sure of anything.

The court, the privilege, that life, all of that

is lost if we proceed.

You must understand that.

I do and I'm ready.

No, you're not.

But we still have a little time yet.

[breathy gasping]

[knocking upon door]

Official police business, now available with Szechuan.

You just always seem to forget that he's not human.

That's not true.

OK.

This whole vampire attachment thing, it

just doesn't make sense to me.

I don't get it.

They just can't be anywhere near each other.

If one of those strays into the other one's territory,

it's like--

Like mangy, rabid dogs fighting over scraps.

Yeah, that part I get.

If this other vampire turns out to be Christina,

what makes that different?

Well, Christina and Henry were lovers.

And she's the vampire that turned him.

She's his ex and his vampire mommy.

That's sweet.

OK, listen.

Oedipal issues aside, I don't know what to tell you.

It just doesn't really translate.

Well, that's the point.

That's my point exactly.

OK, no matter how he feels about Christina, whether he loves

her, he hates her, both, neither,

whatever the hell it is, that makes Henry unpredictable.

And unpredictable Henry--

Is a dangerous Henry.

I know.

Exactly.

You, um, said you had some police business?

All right.

These photos were taken from the m*rder scene

earlier than tonight.

A uniform found this brooch outside near one of the bodies.

Here's where it gets interesting.

Photographer snapped a few more.

He caught Henry in one of them near the table.

Look what happens next.

[music playing]

The brooch is missing.

Yeah, I checked the chain of evidence myself.

Broach is found, it's photographed,

but not cataloged.

Henry stole it?

He lied to us.

Christina is involved.

Not only is Henry unpredictable,

he is actively working against us.

[music playing with vocalizing]

[sniffs]

When I first met you, you lived in a palace.

And now you own a condo.

It's nice to see you.

This music's beautiful.

I'm so glad you have records.

This obsession with making everything digital,

it's terrible for those of us who can hear the gaps,

don't you think?

You didn't come here to listen to records.

And the thread count on these sheets,

you always did like the best of everything.

You should go.

But I just got here.

Every time you show up you cause nothing by trouble.

But I really need your help this time.

Poor, Henry.

You feel it don't you.

Nerves on fire, blood pounding, reason just a little shaky.

You can't help it.

You want to tear me to pieces, but in a good way.

Not at all.

Liar.

[snarling]

So now what?

You tell me.

Well, I can crush your larynx, and you can crush mine.

Or?

A truce.

Because that's worked so well in the past.

Don't be that way, Henry.

one.

Two.

Three.

The last time I encroached on your territory

you almost k*lled me.

That was a lifetime ago.

Or two, or three.

You ran me over in a coach.

Only to let you know I was serious.

I was a little territorial, Henry,

it's a woman's prerogative.

Yet you waltz in here, climbing into my bed.

I fluffed your pillows.

I loved you.

Oh.

Past tense.

Don't push it.

Right.

I admit, I did stray into your territory, but for good reason.

Does that reason have anything to do with dead models.

So fragile and so dumb.

So human.

You do know I didn't k*ll them.

So who did?

His name is Alexander.

He's one of us.

You must have felt him lurking.

I felt something, but it was muddled.

Three vampires sharing a single territory will do that.

Alexander's followed me across the continent

for over a year now attacking whoever I come in contact with.

He wants to expose me, ruin the life I've built.

So you led him into me.

He's completely irrational.

I didn't know where else to go.

But if you'd rather spend time with your current plaything.

Yes, I have seen her.

I've been watching.

There's a police detective, Celluci,

he's working the model murders.

He's going to want to ask you a few questions.

And why would I talk to a human policeman?

Because it'll make my life a lot easier.

And while you're in my territory,

you will play by my rules.

That's fair.

So if I help you take care of this Alexander, you'll leave?

Your city, your life.

All will go back to the way it was.

No hug?

If you hunt, stay north of St. Clair, east of Mount Pleasant.

I'll let myself out.

[music playing]

[door opening and closing]

And you believe her?

Yes, I do.

Where is the calm and rational Henry Fitzroy I know?

I don't have to be calm.

I need to find this Alexander and k*ll him.

What is this power she has over you?

The instinct tells you to hunt, to k*ll,

to remove the thr*at from your territory.

But just underneath that, there's the memory of love,

and the ache of that loves unnatural death.

I know Christine in a way, I don't know if I can explain it.

VICKI (ON PHONE): I think you did

a pretty good job right there.

[magical whooshing]

Henry, I got to call you back.

Did they not knock in your century?

I wanted to greet the competition.

CHRISTINA: (ETHEREAL VOICE) Sit down.

You have a little thing in your throat.

I'd make you some lemon tea, but I don't like you.

You have a strong will.

That must be what he sees in you.

So let me get this straight, you're a vampire

with a vampire stalker.

Now that's a movie of the week I would watch.

You're funny.

He doesn't usually like funny.

He likes pretty.

[music playing]

I'm not afraid of you.

Nor should you be.

You think you know him, but you don't.

You think you know what he is, you don't.

You think he cares for you.

That is none of your business.

He does.

But you can't forget you're on the outside.

You think you know him, but I made him.

And your toy, I'd keep that down there if I were you.

Mm, gosh, this is swell.

Why don't you hang out for a while.

Sun's coming up.

I have a great view.

Well, that would take the fun out of everything.

[magical whooshing]

[music playing]

VICKI: Anything?

Ooh, there's a little edge on top of your usual edge today.

Found Alexander.

VICKI: Uh, he's a cutie.

Alexander D'amore, he is a bit of a hottie,

but it makes total sense.

I mean, he's a male model in Montreal.

Have a look.

VICKI: Oh, these were all taken at night.

And look at his resume.

Check out his references.

VICKI: Anastasia, Christina's fashion photographer alias.

So they work together.

Do you think he's a vampire model.

Well, that's one way of keeping your looks.

All right, so she's not lying about Alexander,

but she's lying about something.

Looks like Henry's not the only one being all territorial.

Would you just make some calls?

See if his friends or his family knew why photographer

and subject fell out.

COREEN: Sure.

Mike, it's me.

We got to talk.

Blood's drained, extensive trauma to the throat.

Poor thing, they made a real mess of didn't they?

Is there any way to tell if the attacker is male or female?

Well, with a blade they say longer,

deeper strokes favor a male assailant.

But with this, there's one interesting difference

though, I'm not sure it answers your question.

What's that?

Well, we see a real savagery to the wounds.

The artery is cut in several places.

But look at these marks here.

Those are hesitation marks.

Like he was unsure?

I don't know that unsure is exactly the right word.

More like incompetence.

From everything you told me, that

doesn't sound like Christina.

Yeah, it doesn't sound like a crazed stalker either.

Well, thanks, Doc.

There's one more thing.

There were hesitation marks on these bodies

compared to the first one.

He's getting more confident?

Means he's also getting more dangerous.

Well, that's wonderful.

That's great news.

[sighs]

You as hungry as I am.

God, I gotta get something to eat.

Oh, hey, Dave. How's it going?

What? Are you kidding me?

Models and m*rder.

It's like chocolate and peanut butter, two favorite things

all mixed together.

[laughs]

But it's-- it's a tragedy, of course.

Yes, of course, it is.

You, uh, dig up anything juicy?

Well, surprise surprise.

Models could be unstable.

Who knew?

Yeah, who knew?

DAVE: A few drunk and disorderlies, four drug

busts, domestic v*olence beef, one armed man, wrong cell

phone. - Naturally.

Man, don't laugh.

It hurts.

Not nearly enough.

Did you, uh, come across a guy named Alexander D'amore?

No.

He's out of Montreal.

See what you can dig up on him, OK?

Vicki came across some info that says

he might want a deeper look.

Hey, um, if you could not solve this case

before I interview a few more models, you know, get that--

Yeah, I'll see what I can do, Dave.

I thought you guys were focused on Christina.

Yeah, she's still a person of interest.

You haven't even interviewed her yet.

Well, you know, I she's kind of difficult to get

a hold of during the day.

What?

Vickie, don't look at me like that, OK?

How many actors, photographers, high profile people like that

get stalked every day?

Uh-huh, and how many of them are vampires?

Currently, more than you would think.

So you're siding with Henry on this?

Wow!

What's next?

A rain of frogs, a cloud of locusts?

Look, I don't like having one bloodsucker in the city.

You think I'm thrilled about having the unholy trinity?

[sighs]

In any case, that brooch left out in the open

is an obvious setup, right?

Yeah, OK.

MIKE: This is exactly what Henry was worried about, OK?

This guy is using him to get at Christina so there

could be some serious fallout.

[music playing]

[camera shuttering]

CHRISTINA: You can't sneak up on me.

I wouldn't even think of it.

You miss me?

How can I miss you when you won't go away?

I love the theater.

All those people, heart's b*ating together

in the dark waiting for the show.

You make it sound like a buffet.

It's just so human.

Opera never survived the switch to electric.

Candle light provided such--

CHRISTINA: Mystery, yes.

[growling]

But if you go now, you won't start any fires.

That was one time and you had me so distracted.

Would it k*ll you to smile?

Poor distracted Henry.

Wanna lick?

Foreplay was always your forte.

[music playing]

[growls]

[soft moaning]

This century is strange.

They're all in such a hurry.

Yet, they never seem to get where they're going.

That's why I like the camera.

You can freeze a moment forever.

Like us.

Don't tell me you still believe love conquers all.

I believe it should, no matter what we are, what we've done.

I was afraid you wouldn't help me, not after Vienna.

Don't remind me.

You made sure I lost my lease.

Had me banned from the oldest Philharmonic in the world.

I had to get you out of town.

Vienna wasn't big enough for the both of us.

I got chased out of the city by the Bundesheer.

80 years ago, who remembers?

[sighs]

Why is Alexander after you?

You know what the young ones are

like, all bravado and impulse.

He's looking to make his mark.

Take out an old one.

Why you?

He doesn't play by code, Henry.

He wants to expose me, drag me into the light.

You too, and Vickie if he gets the chance.

[exhales loudly]

Oh Henry.

That's rich.

What?

You haven't had her.

Why didn't I see that before.

, Henry don't be that way.

Sometimes it's good to wait.

[sighs]

Say thank you.

For what?

I found one, a relative of Alexander's.

She's been living here for two months.

Well, what did she have to say?

NICOLE: Ms. Nelson?

Sorry, she's a hugger.

Vicki meet Nicole D'amore, Alexander's sister.

Ms. Nelson you have to help me.

He goes missing, the police do nothing.

And now they're calling and saying that he

did these horrible things.

Here have a seat, have a seat.

Can you get her a water.

Sure.

[sighs]

When was the last time you had contact with him?

Six months ago.

Alexander's harmless.

He's gentle and considerate.

Our parents are dead.

Since I was 15, he was the only one there for me.

You have to help me find him.

Of course.

We'll see what we can do.

Now I need to know what he was doing before he disappeared.

He met a woman about, um, nine months ago.

Said she was crazy about him.

Said she was going to help him with his career.

This is the most recent photo I have of him.

I took it just before he disappeared.

He was so happy and--

This was taken six months ago?

[music playing]

HENRY: Last sunset.

Yeah, that's what I said.

It doesn't matter.

VICKI: How can you say that?

Christina has already lied to you.

He wasn't a vampire six months ago.

He hasn't been stalking her for a year.

Why does he hate her?

It's irrelevant.

All right, then why does she need you.

She's a big girl.

You said she tried to k*ll you once.

More than once.

Right, but she can't handle a little baby vamp.

He's smart.

He doesn't go at her directly.

He knows he's no match for her.

He doesn't play by the rules.

If he's trying to expose her, he can do that with any one of us.

He's a menace.

Shouldn't he be with his parent now?

I mean, didn't you say they stick

together for the first year.

To some might come sooner, some later.

Is it Christina?

Did she turn him?

No, that's ridiculous.

How do you know that?

Because, you don't turn to enemies.

Only friends, lovers.

If Christina turned Alexander six months ago

he wouldn't be stalking her.

He'd be completely devoted to her.

As devoted as you are?

I don't think that's possible.

[music playing]

MIKE: We heard from Christina.

She's got a midnight job, Massey Art Center.

It's a couture sh**t, but she could probably

spare us a few minutes.

That's very public.

Yeah, that's what I thought.

Is she trying to draw him out?

Did cross my mind.

Mike, are we missing something here?

I mean, what, first he just dumps

a body on Henry's doorstep, and now all of a sudden

he's posing them.

Does that add up?

[music playing]

It's so easy for us to go from hunter to hunted.

That is why you drink and resist the k*ll.

Giving into bloodlust, it's many a young ones undoing.

You drink what you need, not all you can.

[snarling]

You took sick in the woods.

Saw a wolf.

Go home and sleep.

People are so fragile.

Easily manipulated and easily broken.

Sometimes our power over them can be so intoxicating,

but you can't--

You've said all this before.

Must you treat me like a simpleton?

I'm of noble blood.

Yes, of course.

And soon you'll leave me.

Never.

CHRISTINA: Yes.

I'll make you.

[music playing]

Alexander, show yourself.

Show yourself.

[sniffs]

[footsteps approaching]

Hi.

Hi.

Thanks for staying late.

No problem.

I like it here at night.

During the day, they don't let me get a word in edgewise.

Listen, I have another one of my crazy hunches.

Good, they're my favorite.

You know how you said that the first body had more hesitation

marks than the others.

Yes.

Is there anything else about it that was different?

Good hunch.

Meet Gabriel, our first victim.

An interesting anomaly.

There's two very small puncture wounds here.

I don't know how I missed them the first time.

Gabriel has the same pattern of wounds on her neck,

but on closer inspection, these are how she d*ed.

Blood was completely drained.

Very clean, very precise.

She didn't bleed out through the neck?

She didn't bleed out at all.

She was drained completely.

No fuss, no muss.

So the k*ller tried to make it seem messier

than it actually was, as if they didn't

know what they were doing.

Yep.

[snarling]

HENRY: Alexander!

[growling]

[music playing]

[soft moans]

It was a mistake to ever involve me.

ALEXANDER: Chase me or save her, it's your choice.

You'll have to face me eventually.

ALEXANDER: You can protect Christina or those close

to you.

You can not do both.

Just watch me.

The photographer your brother is accused of stalking

is having a photo sh**t tonight.

The police are fairly certain he's

going to make an appearance.

We have to go.

No, wait.

I don't care what the cops say.

I know what my brother's capable of and what he isn't.

In six months everything can change.

I think Alexander's gotten mixed up in something.

dr*gs?

No.

Something worse?

Something different.

I just think there's more to the story

than anyone is telling us.

No matter what, he's my brother.

I know I can reach him.

I can talk to him.

I'm sure of it.

[music playing]

OK.

We'll give it a try.

[chatter]

So how long is this interview gonna take?

Oh, this shouldn't take long.

Can you tell us what it was like working with Alex?

He showed up on time.

He had a good look, boyish but dangerous.

Urban women are a sucker for that type.

Don't I know it.

I see.

And your relationship with him before?

He was gentle, sweet.

I had high hopes for him.

So when did things change?

I was in New York.

I had a small showing in a gallery in Chelsea.

Alexander showed up and broke a plate glass window.

Which gallery was that?

A collective on West 22nd, PSIHU.

I'll check into that.

Then he broke into my suite when I was

on assignment in South Beach.

He stole some equipment, some personal belongings.

What kind of things did he steal?

A watch, hairbrush, and my favorite brooch.

So why didn't you file a restraining order?

I mean, that's usually the first thing ladies do.

Well, I don't have much faith in the police.

And before I came here, he certainly hadn't k*lled anyone.

Now I don't know how I'm going to get

models to work for me now.

They're afraid of k*ller carbs, let alone stalkers

so are we done here?

I won't take much longer.

Just a few more questions.

CHRISTINA: (ETHEREAL VOICE) Don't you have enough?

And you?

OK, we're done.

Yes, thank you for your time.

[background chatter]

You know, uh, she's a little pale, but, uh, damn.

Mm.

[music playing]

OK, Nicole, I want you to wait here.

But I want to come inside.

Listen, hey, I let you come with me,

but I will not let you get hurt.

All right, I'll find your brother.

You just wait here.

[chatter]

HENRY: (ETHEREAL VOICE) You're thirsty.

You need a water.

And a cookie.

I need five before a final.

Stay close, dear.

Everybody, five minutes.

She could use a cookie.

Rather progress, they're notions of beauty are barbaric.

I don't like this.

It's an expensive century, Henry.

Girl's gotta work.

Alexander's strong and impulsive.

There's no reason there.

I already told you that.

Let go.

I don't like it when you.

CHRISTINA: I don't know what you're talking about.

He's untrained.

He has no idea what he's doing.

Why would he fixate on you?

I already told you, I don't know.

I chose to listen to the echo of feeling

and the pounding of the blood in my head.

Henry, let go.

He's already been here and he was close.

How could he get so close without you sensing him?

Because the bond between you two is still there.

Your body doesn't consider him a thr*at, because you're

the one who turned him.

Henry.

No.

Vicki was right.

You cast him out to the world without showing him who he was.

No wonder he hates you.

It doesn't matter now.

He's seen you with me.

If he takes me out, where is he going to go to next?

To your apartment?

To Vicky?

You have to protect me, because your next.

[music playing]

We've wasted enough time.

can we get some lights, please.

Fredericka, Darlene, I need you back here at once.

Come on, guys, let's get some lights.

[dripping]

Lights.

[grunts]

Oh, God.

All right, let's get some lights, please.

Come on, guys.

[music playing]

k*ll the lights!

k*ll the lights.

[sizzling]

Somebody k*ll the lights.

Henry!

Henry!

It was Alexander.

He put UV bulbs in the lights.

Her hand, it's burnt pretty bad.

Yeah.

[scoffs]

Get somewhere safe.

I'm going after Alexander.

Fine.

[music playing]

Alexander?

Alexander.

[screams as he growls]

No, Alexander!

Don't look at me.

HENRY: Alexander, let her go.

NICOLE: This isn't you.

No, you were never supposed to see.

I can make her forget.

She doesn't have to remember you like this.

HENRY: (ETHEREAL VOICE) The last time you saw your brother,

he said he will always be with you.

You did not see him tonight.

Now go.

You try to run and I'll k*ll you.

Then I'll go after her.

No!

HENRY: Try me.

You strayed into my territory.

You threatened me and my associates.

You brought attention that could expose me.

I should k*ll you for any one of those things

How many have you k*lled in your time?

To count would be sentimental.

You're a monster.

That's true, but I'm a monster control his needs.

I'm not ruled by my passion, or my hatred, or my instinct

alone.

When you surrender, you surrender your humanity, not

your conscience.

Only then do you become a thing.

You act like you can just shut it off, but you can't.

There is no way to control it.

HENRY: You're wrong.

Who are you to judge me?

I'm the monster that's walking out of here.

Before you look into the abyss, the abyss

looks under you, Alexander.

I wanna know why.

She said she would teach me.

But then, my sister, I saw her neck.

The blood beneath, I could hear it sing.

How could I want to--

my sister!

HENRY: Once you turn your connection to everything

is different.

Christina would follow me up and down the street

of old Montreal.

I couldn't get away from her.

Everywhere I went--

She was there.

She poisoned me.

She made me this devil.

You didn't ask for this?

What did she say to you?

She said it would take away my doubt.

But then everything was different,

and there was no love, no hope.

And there was only thirst.

Don't tell me that you can control it.

Don't tell me that, because I will not be worse than you.

Christina lives still.

She does.

It doesn't matter now.

I just needed someone to know what she was.

What she did to me.

You'll do.

If you let me, I can teach you to come

to peace with what you are.

[exhales]

I hate what we are, and that hate is the last part

of me that's left.

There's only one thing I want from you.

[speaking non-english]

Deliver us from evil.

Amen.

[music playing]

[coughing and groaning]

Amen.

[ragged breathing]

[magical whooshing]

[music playing]

OK.

Yeah.

You got my b*ll*ts.

Your sunburn's all better.

I get it.

Vampires are cool.

And I'm still hungry.

Too bad, smorgasbord's closed.

Your blood is pumping twice as fast as it was a second ago.

Careful.

You're becoming a tease.

[scoffs]

Well, you'd know all about that, wouldn't you?

You got Henry all hot and bothered so he'd

do your dirty work for you.

Why do I get the feeling you do that a lot?

The model outside Henry's door, Alexander

had nothing to do with it.

That's an interesting theory.

It's not a theory.

She was drained like a pro.

You just messed up her neck to make it look good.

And why would I do a thing like that?

Because it made Henry easier to manipulate.

Alexander wasn't after Henry or any of us.

He was after you.

And you knew Henry would be terrified of a turf w*r.

That's the difference between you and him.

You think people are just a means to an end.

I see you've got a new toy.

Oh, the Illuminacion del Sol.

You gonna to use that on me?

Drain my powers like that crazy old priest?

Try me.

You think you're fast enough to use that on me?

That's just sad.

Does Henry know you have this.

We share everything.

You know what you don't understand?

No, but I'm sure you're going to tell me.

One day, you're going to beg him to turn you

so you can be like him, like me.

It won't matter what happens next.

Even if you lose him, you won't be able to help yourself.

[grunts]

People are all the same.

HENRY: You're wrong.

[hisses]

You broke the only code that matters.

The one that keeps order.

[snarling]

I left Alexander on the roof.

In an hour, the sun will take his body

like you took his soul.

Once again, I've cleaned up your mess.

If I catch you my territory again, I will k*ll you!

You think you're the only one who felt the loss of us.

To feel that again, I'd give anything.

Alexander, was--

You can be 50 miles from here by sunrise.

Get going.

[music playing]

Is she really worth it, Henry?

You're the past.

She is the future.

We'll see.

I'm sorry.

It's almost sunrise.

I know.

I'm going.

That girl doesn't remember very much.

I assume that's thanks to you.

Believe me, Detective, it's better that way.

I'm not so sure.

These women, the families for the rest of their lives

are going to think that k*ller is

out there somewhere unpunished.

He was punished.

You k*lled him?

He got off easy.

I won't judge him and you don't have the right.

I reserve my sympathies for the people left behind

like that girl over there.

To her, her brother will always be a stalker, a k*ller.

She'll never know what happened or why.

I don't expect you to understand about Christina.

What?

A relationship where the line is never clear.

Some days you think you'll do anything just to get past it.

And you know you never will.

You're right, Henry.

How could I possibly be expected to understand that?

Understand what?

Mike, understand what?

[MUSIC - TAMARA RHODES, "LIVE FOREVER"]

Who wants to live?

Who wants to live forever?

Who wants to stop the sun?

Who wants to live forever?

Who wants to stop the sun?

Who wants to live forever?

Who wants to stop the sun?

It's you, it's me.

It's in our blood.
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