01x08 - Kickboxer Kills r*pist

[bunniefuu]

(light music)

(doors slamming)

- Hey, how ya goin'?

What have we got?

- Triple oh call made by the barman.

One of these guys races out from the car park,

says his mate's been hurt and they need an ambo.

Apparently this woman was having sex

with an unspecified number of guys,

and whether she consented or not is unclear at this stage.

Another woman comes out, she gets into a fight,

and one of the guys ends up dead.

- Yeah, so nice night out at your local basically.

- She k*lled him?

- Ambos reckon he d*ed from a single blow.

- What did she hit him with? - Nothing.

- What do you mean nothing?

(light music)

- All right, well see if you can round up

this bunch of (voice muffled),

tell the publican to close the bar and (voice muffled).

(voice muffled) - Yeah mate.

- You reckon we can organize some transport

and get this whole circus back to the station?

- There's a r*pe in question so maybe Cameron and Guido

can do the sexual as*ault unit run?

- Well that's a chick gig isn't it?

- What am I?

(light music)

- Hey there.

I'm Donna Parry, I'm a detective.

Are you okay?

- I just k*lled someone.

- Can you tell me what happened?

- They were raping her and I kicked him.

I think it triggered a reflex cardiac arrest.

- Are you a nurse?

- Kick boxer.

- Right.

(upbeat music)

(crowd murmuring)

- [Woman] Would you all like to sit down?

Quiet!

- I watched them go outside

and a few minutes later the others went after them.

- I didn't give a rats when it was just Dan,

but when the others went out.

(crowd murmuring)

- [Sharon] In the interest of efficiency, find a uniform,

find a space, find an interviewee.

- Hey, where are you off to in such a hurry?

- So Dan finished, and then what?

- Todd asked her if she wanted seconds.

- She's that kinda girl, right.

Hey everyone said they go to the pub on their own,

they get pissed as pot plants,

then they complain about anything happening to 'em.

- Mate, she was holding my hand

while Todd was in there, yeah?

- What are you up to these days?

You back to your old tricks, hey?

Hoisting booze and cigarettes or what?

- Honestly, I swear.

- You know, I can refer to your release conditions, right?

And they specify that you don't go meters

near a poker machine or it's straight back to jail.

- I was having a beer.

All right and just a little bit of a bet,

but you don't have to say that.

You could just say I was passing the car park.

- Were you?

- What?

- Were you passing the car park?

Or were you in the bar?

- Mate, look, I didn't see anything.

I was inside having a beer

and a bet.

But you don't have to say that.

- She was trying to push Todd off her

and Dan was holding her down.

- [Donna] Did she say no?

- No, she wasn't saying the word no,

but everything about her was screaming it out.

- So he gives her a bit of a push,

just to get her off him.

And then she just loses it.

Goes straight for the point and drops him.

She might give you some spiel about

being there just to look after Mel,

but she knew exactly what she was doing.

- Well, how do you know that?

- Well I taught her how to do it, didn't I?

I used to be her trainer.

- [Donna] What did Dan say?

- He's trained her for five years,

lived with her for three, given her a kid.

He reckons that she's gonna feel bloody,

you know, pissed off with him being with someone else,

so you know, she goes out in the car park

with an a* to grind.

- Yeah, so that's why Todd's

in the morgue instead of Dan, yeah?

- Right, what great news can I give

to the parents downstairs who've lost their son?

- Well you can tell them their son was

in the process of raping someone when he d*ed.

- Now hang on, hang on.

No one saying they're nice guys,

but it's three to one that r*pe even occurred.

- Well I'm sure as soon as Mel sobers up

she can completely corroborate Beck's version of events.

- She's got an intoxicated persons sheet

as long as your arm.

DPP's just gonna mince her statement

before you get to court,

but hey, it's your show.

- No I don't know if it can be our show.

One of the witnesses is an old informant of mine

from a few years back.

So anything he gives me is gonna look tainted.

- Right, you guys take it up.

Donna and Eddie will help you with backup.

- [Donna] I'd rather not.

- [Sharon] Any reason?

- Well, I'm not, I'd just like to follow it up.

I could work with Guido, yeah?

- I'm easy.

I can work with Eddie.

- Fine, sort it out yourselves.

But I want it to be handed over

to the DPP as soon as possible.

- Thanks, mate.

- Can I go now?

- Mel said yes to you, that's your story?

That it was consensual?

- Yeah, yeah, she said yes.

- Right, and she was

holding your hand while Todd was in her.

Is that right?

Look Dan, even if she said yes to you,

if she said no to the others and you hung around to watch,

or held her hand, you're going down for r*pe.

I will see to it.

- What are you grilling me for?

I didn't k*ll anyone.

This is your one chance to do the decent thing.

If Todd was raping her you tell me.

- She wanted it, okay?

Now can I go?

(intense music)

- Get outta here.

(intense music)

- Are we gonna be done soon?

'Cause I've gotta get my son home.

- We've let the boys go, Beck.

- You've let 'em go?

- We had to.

Mel's not up to making a statement tonight,

at least not one that will stand up in court anyway.

- Yeah, well, what's wrong with my statement.

- Well nothing's wrong with your statement, per se,

but because Todd d*ed--

- He was raping her.

All I thought was that I had to get him off her.

- That might be true, Beck,

but you k*lled him.

And people are gonna want to know

whether that was an accident or...

- You're charging me, aren't ya?

- We have to.

I've got no choice. - With what, m*rder?

- Yeah that's what it'll say on the charge sheet,

but your lawyer'll be able to argue it down, you know?

Provocation, self defense.

- I'm a single mother.

I work part time in a corner store.

You're lookin' at my lawyer.

- We can organize you one.

- I've gotta talk to my little boy.

- Look, look, come here.

Beck, please listen to me.

Please listen to me.

Please come and sit down, all right?

I'm gonna get you a damn fine legal aid person, all right?

I'll get you someone really good.

But you have to be really careful

about what you say, all right?

Because once we get a statement on that tape.

(sad music)

Okay?

- Okay.

(sad music)

- [Rebecca] Auntie Hills will take you home tonight

and I'll be home by lunchtime tomorrow.

- Promise?

- Yeah, I promise.

He's good, this lawyer of yours?

- She's good.

- I'm ready.

(sad music)

- Rebecca Ann Sharpe, you are charged

with the m*rder of Todd James Loftis.

- [Cop] Go ahead and start with your right hand.

(sad music)

Madeleine?

- Hi.

- Hey.

I got a favor to ask you.

- Oh yeah?

- I've got a bail hearing in the morning,

and the woman involved, it's not one she should lose.

k*lled a guy who was raping someone.

- And I'm the only lawyer you know

who you figure owes you emotionally?

- No, you're the only lawyer I know

who might be able to pull it off.

And who owes me emotionally.

She doesn't deserve to go to jail.

- All right.

Can I have a look at the brief in the morning?

- Thanks.

I'll wash up for a month.

- Two, minimum.

(phone ringing) (crowd murmuring)

- [Donna] Oh, thank you.

- Sorry darling, not for you.

- Well where's mine?

- You bailed out on the partnership,

you don't get the coffee.

- Cheers. - Cheers.

(upbeat music)

- Hi Eddie.

- Hey Madeleine.

Didn't know your firm was stretching out

to legal aid matters these days.

- It's not, it's a favor.

- So Rob lets you do favors now, does he?

- Rob's got nothing to do with why I'm here, Eddie.

- Well good luck, either way.

- You're not coming down to the bail hearing?

- No, I've had to pull myself off this one,

so you'll be working with Donna and Guido.

- Right. - All the best.

- See ya.

(laughing)

- As soon as he walked in I could see

he was in for a big night.

He gets smashed every couple of weeks

and thinks we should get back together.

(crowd murmuring)

(voice muffled)

- Don't bother sittin' down.

- Oh come on, I've just come to say good day.

- Yeah, I don't want to talk to you.

Go back to your girlfriend.

There's no point discussing--

- Yeah, all right, it's gonna be like that.

You have a good life. - Yeah, it is, it is.

I was gonna leave (voice muffled) finish my drink.

After a while they all went outside.

- Right.

So when they went outside you thought they were headed

to have sex with Mel who was clearly

too drunk to give consent.

(upbeat music) (crowd murmuring)

And then when you got outside

that's what they appeared to be doing.

- No, that's what they were doing.

Why do you keep saying thought and appeared?

- I know it's frustrating, Beck,

but at the moment we don't have any facts to dispute.

You went into the car park, you kicked Todd, he d*ed.

- Yeah, because they were raping her.

- It doesn't matter what they were doing, Beck.

If there is a trial, there'll be a separate one for the r*pe

and one for Todd's death.

But at the moment this case hangs on

what was going on inside your head.

It's that simple.

So, would it be reasonable to say

that you went into that car park,

and based on what you know of those men

you had a reasonable idea of what might have been going on

and that if you tried to stop it there might be a struggle

and you might have to defend yourself?

- Yeah, that would be fair to say.

- All right, great.

Then we've got a defense.

(knocking on door)

- You ready? - Yeah.

- I forgot to tell you,

I've got a fight on tonight at the gym.

- I don't think it's very good idea to ask a magistrate

who you want sympathy from to give you time off

to show how good you are at punching people.

- Boxing and Sam are the only two things that matter to me,

and I'm not gonna give one of them up

because a bunch of pricks were raping someone

and got hurt in the process.

(intense music)

- Can I help you?

- Yeah, we're all right, thanks.

Dan.

Dan, where's Sam?

- He's out the back, why?

- Well according to your custody arrangements

you have access to him the first weekend of the month,

and it's not the first weekend of the month.

- What's she doing here?

- She's out on bail.

- Sweetheart, would you go get Sam?

- Don't you bring him into this.

- Yeah, you're right, the agreement

is for the first weekend of the month,

but it's also based on that being what Sam wants.

Now Sam, did I just rock up to your mum's place and take ya?

Or did you call me and ask me to come get ya?

- I called you.

(intense music)

- When Beck kicked him in the throat,

the sensors located here in this (voice muffled)

they went off.

And what they did was send a false alarm

to the rest of the body that the blood was dangerously low

and that it should get its act together.

Result being reflexively triggered bradycardia.

What's also known as your common variety,

irreversible heart att*ck.

- It's a really small spot isn't it?

- Yeah, you have to be very lucky.

Or you have to be very good.

And there are about points in the body

which will spell the end without raising a sweat.

In acupressure, that one there is small intestine point .

Just a little bit higher and to the left.

Yeah, just there.

- Just there.

- Yeah, you don't need much force at all

to trigger the reaction.

- Autoerotic asphyxiation.

- What?

- It's the autoerotica point, isn't it?

- Yes it is.

A thousand deaths a year.

That's testimony to the fact that limiting any blood

or oxygen supply to the brain increases the intensity.

Okay, given Beck's training I'm assuming

you'll be pursuing some type of Mike Tyson

hands as deadly w*apon style prosecution.

- Oh it's not as cut and dry as that.

- Well are they ever?

Let me know if things do get cut and dry.

- Justin Carmody, how long's that been bubblin' away?

- [Donna] There's no bubble.

- You're talkin' about sex, there's a bubble.

- You're the one who brought sex into it.

- I just spoke the word, Donna, just spoke the word.

- Dan White said that you consented to having sex with him.

- [Mel] Yep.

- You did?

- Yeah, he's a nice guy, I like him.

- And what about the other two guys,

Todd Loftis and Eric West?

- I don't remember

I blacked out.

I was really pissed.

- And you knew these guys, yeah?

You know Todd and what's his name?

- Eric. - Yeah, Eric, yeah.

So you'd say like you're friends with 'em?

- Yeah, at the pub.

- Yeah, they seemed like nice guys,

good guys (voice muffled).

- Yeah.

- [Guido] Bit of fun, bit of a laugh.

- Yeah. - Yeah.

So have you ever had,

this is a bit hard to ask being a bloke,

though, have you ever had sex with 'em?

- Yes.

- And was it both of 'em?

- Yes, but not at the same time.

- No, no, no, this was in,

this wasn't in the car park was it?

- Yes.

- Okay, and did it happen more than once?

Like I mean on more than one occasion?

(sighing)

Hey, no one's judging you here.

I'm serious, no one is judging you.

You should see some of the things,

some of the places I've done it.

Top of the, top of the opera house.

(laughing)

The guys in the car park (voice muffled)

there were others I suppose.

There were others, yeah?

- Don't answer that, Mel.

You don't need to answer that.

What matters is that you wouldn't consent to having sex

with those three men at the same time.

- No.

- So it was r*pe.

- Yes.

- But you can't remember anything

if you had to say yes or no?

- No.

- Well try Mel.

Try to remember, it's very important to this woman

who tried to help you.

- How did you get on top of the opera house?

- I knew this girl,

and she just had a key.

- Flippin' (voice muffled) the answer

to everything with you isn't it?

- No it's not, flippin' (voice muffled)

only answer to some things.

It actually requires a reasonable degree of thought.

- This is serious.

- I know, you know, m*rder's serious, r*pe's serious.

Sex, that's fun.

(upbeat music)

- Hi, I'm looking for Phil Anderson.

- I'll just see if he's upstairs.

- Thanks.

(upbeat music)

- Is Phil there?

Tell him there's a cop up here to see him.

Thank you.

He'll be down in a minute.

- Great, thanks.

(upbeat music)

Chicks drinking free hey, Phil, how does that do for you?

- Oh, brings in the blokes.

No women, no blokes, no blokes, no money.

- All very bottom line, is it?

- The way it has to be, I'm afraid.

- Yeah, well these are interiors,

where's the exterior?

You got a camera out the back?

- Oh yeah.

(laughing)

You guys aren't gonna believe this,

but see, last night at seven p.m. I,

I went to clean the heads on the recorder

and forgot to turn it back on, again.

- Yeah, you're right, we're not gonna believe you, Phil.

Can we have the tape you put into the machine, please?

- There's nothing on it.

- Well, there might not be now,

but you know, technology's a wonderful thing.

The old erase button just doesn't cut it like it used to.

- There it is, good luck, it's yours.

- Thank you.

(upbeat music)

- Donna, lunch.

Are you having some sort of feminist crisis, are you Donna?

(upbeat music)

Maybe I've been misjudging Eddie.

Maybe he's (voice muffled)

- These are the tapes from the pub,

at least the ones the publican remembered to turn on.

They need going through.

- Justin dropped this in for you.

- Oh look out, I'm going to eat.

- So you guys enjoying working together?

- Yeah, it's great, how 'bout you two?

- Smooth as silk.

- Well it would be 'cause Cameron's nice and compliant.

I'm really sorry, that was a really sh*t thing to say.

It's complete crap and it's completely not true.

- Don't worry about it.

(clearing throat)

- Nice work, partner.

- Shut up.

(intense music)

Hey.

(sad music)

Why did I grab this one?

(sad music)

- I don't know.

I don't need to.

On the other hand, you need to know.

(sad music)

You'll be all right.

(sad music)

- Yeah, you invite his mates around.

Say you wanna come over this arvo and fight my sister?

So I spent most of the time rolling around the floor

with a bunch of guys who later on

were asking out all my friends.

I never fought anyone seriously.

- They never asked you out?

Sorry, sorry.

- Nah, that's all right.

At least I know what I'm up for now.

Nah, they were into girls who were soft, you know?

Smelt pretty, wore skirts.

- You know, the first few fights I had

I couldn't stop apologizing.

Punch and say sorry, punch, you all right?

Then I realized that my dad used to do the same thing.

Wack, sorry sweetheart, wack, sorry darling.

(breathing heavily)

Anyway you can get Dan to take that up to Sam

I think he'll be missing that.

- Yeah.

- I haven't really had a chance

to say thanks for giving a toss.

Are you always this committed?

Or did I just get you on a good day?

Look I've got no one in my corner tonight.

I was wondering if you might do the honors?

- Love to.

- Does the expression you're on apply in boxing?

(intense music)

(crowd yelling and cheering)

- That bitch needs to go to jail

for what she did to my brother.

- Back off, mate, all right?

(crowd cheering and screaming) (intense music)

- Come on, you do it.

Let's go Beck. (crowd screaming)

Get in there.

(crowd yelling)

Yes, go Becks.

(crowd yelling)

- There's something I need to tell you.

I have to tell you something.

(crowd screaming) (intense music)

I've really tried.

I still can't remember the actual incident.

(intense music)

The headlights were in my eyes.

Somebody else saw what happened and drove away.

(crowd screaming)

- Don't let 'em b*at you.

Don't you let 'em b*at you.

Don't let 'em psych you out.

(crowd yelling)

- Yes.

Get in there.

(bell dinging)

Yes!

(crowd screaming)

(crowd booing)

You're a jerk, mate.

You're a bloody jerk.

Even I can tell she should have won.

- All (voice muffled) need to learn to lie down and shut up.

(crowd screaming)

You were robbed.

- Ah, doesn't matter, mate.

- You sore?

- No it's fine.

- It's not what I expected.

It's more than I expected, the energy, you know?

- You mean the v*olence?

- How'd you get into it?

Kick boxing.

- Wanted to be good at something.

Sick of being pushed around.

Life kicks me I kick back, you know?

(door slamming)

- Beck, when you went into that car park

did you have an agenda?

You know what I mean.

- Did I go out there to k*ll him, no I didn't.

But I wasn't gonna stand there

and watch them to do that to Mel.

And if that means going to jail, stuff it,

I'll go to jail.

It's as simple as that.

- No, it's not as simple as that.

You have a child.

(crowd screaming)

- Are you tell me that I could go to jail?

- Let's not go there yet.

- [Rebecca] Well how long?

- Could be months, could be years.

- How many years?

- Two,

five.

(crowd yelling)

- It's the gray button on top.

- I meant to give it to your dad for you.

Forgot.

Mum thought you'd want it.

She did good tonight.

- Dad doesn't reckon I should be around her.

- Yeah what do you reckon?

- I don't know.

She k*lled someone.

- Hey sometimes you do bad things for good reasons.

- She wanted it though.

- Who wanted it, Sam?

- Mel.

- Sam, I'm tellin' ya, that's not the way things work.

- Dad was there. - Sam,

Mel was so drunk that she couldn't walk,

she couldn't talk, she couldn't say no.

What she needed was someone to look after her,

and it doesn't matter how it turned out,

that's what your mum was tryin' to do.

- [Donna] So what did she say?

- All she can remember is that it was a truck.

- It was a truck.

Like there's only one or two floatin' around Sydney.

- Well at least she's trying.

- Hey Beck, does any of this mean anything to you?

- No, hey, I'm gonna walk home.

- I don't think that's a good idea.

- I'll try not to hurt anyone.

- No, I mean you.

- I think we've established that I can look after myself.

- Hey Beck,

it's gonna work out, you know?

- I wish that was a promise.

- It is.

(light music)

- What's that, a promise?

- Don't.

- A promise?

- Yeah.

(light music)

- Hey.

- You been upstairs yet?

- No, why?

- Justin's waiting for you.

- Oh sh*t.

Do you reckon it's too late to cancel?

- I think if you were gonna cancel

you should have done it before he took the time out

to spruce himself up.

- He spruced?

- Oh yeah.

- Clean shaven, showered, nice new shirt,

you know, Brute.

(laughing)

Good luck.

(crowd murmuring)

(light music)

- What?

- Just lookin' at your face.

- What about it?

- I keep wondering if it gets you into any trouble.

The way you look.

- Are you having a go at me?

Because this is what I've got.

This is the face I've got.

And you know, I thought you might have taken a look at it

before you asked me out,

but obviously you were looking elsewhere.

(light music)

- In laymen's terms it's called a compliment.

Yeah, well aware as I am of the trouble

these things get you in,

and because I find,

because I find you attractive.

It doesn't make me one of those guys in the car park.

(light music)

- No, no it doesn't.

(light music)

- Hey.

- [Donna] Hey.

- Mel Gilham called.

She said it was a Johnnie Walker truck.

A white pantech Johnnie Walker truck.

(light music)

Goodnight.

(light music)

- [Guido] There goes the publican out the door.

So he wasn't there during the r*pe was he?

- Okay, the truck was stolen Tuesday at two p.m.,

$, worth of scotch on board.

It was found dumped out west this morning

minus the scotch, needless to say,

and yeah.

- Prints?

- No, clean as a whistle.

- Hey Guido, did the tickos confirm

that the exterior tape was turned off

and not just taped over? - Yeah.

- All right, so the publican didn't lie to us.

He did turn the tape off.

All right, he turned it off half an hour before the r*pe.

Why does he do that?

He does it because he knows the truck's about to arrive.

And when he goes out after the guys

it's to get rid of the truck.

He was the one who was driving it

right past the whole thing.

(intense music)

- [Cameron] It's the police.

Please stay calm.

Conducting a search of these premises.

(crowd yelling)

- Settle down, turn the music down, please.

Music down.

Whoa, whoa, whoa, whoa, whoa.

- Hello Phil. - There you go, Phil.

- What's this?

- I'm after some scotch.

Whole lotta scotch actually.

- Awwww.

(phone ringing)

Does that ring any bells?

- Well, is it meant to?

- You will see these are batch numbers.

And every batch of liquor is coded

before it leaves the bottle factory,

but you know all of this don't you?

Now these codes here,

they're from bottles of scotch,

and they're gonna match the bottles

that we confiscated from your pub.

- I'd like to wait for my lawyer, if you don't mind.

- No I don't mind at all, but your lawyer's gonna say

that you're missing out

on the chance of a lifetime here, Phil.

- Well, what are you suggesting?

- I'm suggesting that you do a short stretch

for receiving stolen goods instead of a very, very long one

for aggravated sexual as*ault.

(laughing)

You think this is funny? - What?

And lose my license?

Aha, come on.

Hey, I didn't even touch a hair on her head.

- Maybe you didn't,

but you know what, when this kind of thing happens

the law is very interested to know

how those people who were around contributed

to the scale of events.

Now where were you Phil?

I'll tell you where you were.

You got into your truck.

You walked outta that pub and you got into your truck

and you drove off.

Look at me when I'm talkin' to you.

When these blokes get together their mentality changes.

And by you storming off the way you did,

you contributed to what happened.

You made it okay and you became a part of that group.

- We want Eric White, Dan West for r*pe.

- No dice, sorry.

- No dice, lotsa spice.

Have it your way, mate.

Let's bring out the big g*ns.

Not gonna get that, and she had promised her.

- Why'd she go and do that?

- I don't know, 'cause she wants it to be true.

We've got Phil for the scotch and that's it.

- (voice muffled) hey, listen, come with me.

- What?

- Somebody stole that booze, right?

- I don't care about the booze.

Why would I care about the booze?

- Just come with me.

- Settle down.

Hey, mate. - Hey.

- How are you, mate?

- Yeah, good.

A bit slow, though.

- Never mate.

- You know what, if I watch

a pub surveillance tape enough times

and watch you pumping cash,

a heap of cash into those poker machines,

it makes me ask the question, Marty,

where'd you get the money from?

- I've got a job, mate.

- See I reckon you're back to your old tricks.

I mean, you were in the truck with the publican.

- I wasn't in the truck, mate. - You hoisted the scotch.

All right, we can get the fingerprints

and your DNA off the truck and off the scotch.

We've got you for the scotch, Marty.

See the thing now is we've got you

for sexual as*ault as well. - No, no, no,

you don't have me for r*pe, mate.

- You were in the truck, you drove past the whole thing.

You saw the whole thing happen.

The point is you did nothing to stop it.

You were there and you did nothing to stop it.

That makes you an accessory to the r*pe.

You drove right past it, you saw the whole thing,

you did nothing to stop it.

- They were raping her.

- Sorry?

- She was yellin' to 'em stop,

tellin' 'em get off, you know?

(light music)

They were rapin' her.

(light music)

- Thank you.

Hey.

We've got a witness.

He saw the r*pe.

He corroborates everything you said.

We've charged them.

- Yeah.

- You still gotta go to court.

None of that goes away, all right?

But at least Sam knows you're not lying.

- Have you told him?

- No, I thought you might wanna do that.

- He's just upstairs.

- Can I give you guys a lift home?

Does it ever drive you mad?

- Did you leave out a few words there?

- Being a bloke.

Do you ever wake up some mornings

and just wish you could have the day off?

- Why?

Do you want a day off being a woman?

- Yeah, sometimes I wish I could just switch it off

so that you could just be a you

instead of a woman and a you.

You don't really need to change too much

depending on the situation, how much of a bloke you are.

- No, no.

- You don't get what I'm saying do you?

- No I don't (laughing).

- We're gonna walk home.

- Good.

- Heya, thanks for everything.

- No worries.

See ya. - See ya.

- See ya, Sam. - See ya, mate.

- Hey if you ever get bored,

you weren't a bad training partner.

(light music)

- Today's your lucky day.

- Aha, coffee.

- I have to tell ya, you better watch it, though,

Cameron was a tough act to follow.

One wrong move from you and you're on your ass.

- Yeah, right, give me the coffee.

- Oh and you had a call last night as well.

Justin phoned through.

He's thinkin' about having another drink with you tonight.

(light music) (phone ringing)

Tonight.

- Hi.

I was just wondering whether you'd like a drink tonight.

- Yeah I'd love to.

- Okay, good.

(light music)

(upbeat music)