NARRATOR: Previously,
on "Hell's Kitchen."
We are catering for
a wedding reception.
MAN : Don't k*ll anybody.
NARRATOR: The teams
were challenged to come
up with a menu for a wedding.
WOMAN : This is overdone.
WOMAN : I know, you
made it overdone.
NARRATOR: And the women
served up a lame duck.
Oh dear.
Wow, this is really tough.
I don't think
I've ever been so
embarrassed in my entire life.
NARRATOR: Giving the
men a clear victory.
Bloody well done.
You won hands down.
NARRATOR: With the men
enjoying a day at the spa--
We're getting
pampered, I love it.
NARRATOR: --the
women were divided.
Bonnie, Jen, and
Julia versus Melissa.
If one of you think you
could do a better job, go.
I'm like, this close
to strangling her.
NARRATOR: During the
wedding reception--
The most important table of
the night, bride and groom.
How long?
How long?
NARRATOR: --the men got
off to a lousy start.
No, hold up, this isn't ready.
Oh, come on.
f*ck me.
NARRATOR: While
the former leader
of the red team, Melissa, had
her worst dinner service--
Give me three minutes,
this has to braise.
What is she doing?
Get out of here, you!
Get out.
NARRATOR: Jen
emerged as a leader.
JEN: Four ribeyes, I'm going.
Meet me up there.
- Really well done, Jen.
NARRATOR: And in the
end, both kitchens rally
together pull off a
successful wedding reception.
Thank you very much.
NARRATOR: But there would
still be a losing kitchen.
Ladies, you are
the losing team.
NARRATOR: At elimination, Jen
had an easy time nominating--
JEN: Melissa, chef.
NARRATOR: --but had
a tough time choosing
between Bonnie and Julia.
My second nominee is Bonnie.
NARRATOR: Chef Ramsay
made his decision--
Melissa, give me your jacket.
NARRATOR: --but then
shocked everyone.
You are going
to the men's team.
NARRATOR: And with that,
Melissa moved to the blue team,
keeping her dream of
running a restaurant,
and the Green Valley Ranch
resort alive, for another day.
[theme music]
NARRATOR: And now, the
continuation of "Hell's
Kitchen."
I put you up there because
I knew you'd survive.
Man, we have to
start kicking butt.
After you.
Chef Ramsay did
an excellent favor
by taking Melissa
off the red team
and putting her on the blue.
Hey, we got a new teammate.
MELISSA (VOICEOVER):
My chemistry
on the red team was horrendous.
I don't see why I would have
any problems with the boys.
I mean, I hope we can all
work together as a team.
Let me tell you something,
now that I'm on your team,
I will never
sabotage any of you.
Well, we run our kitchen
a little different.
We'll talk to you tomorrow.
Tonight it's all about
everybody still here.
Melissa's still going down.
Without a doubt.
She's going to lose, it's
just, he gave her another day.
Melissa's a blue.
The sex barrier has been broken.
Hell's Kitchen's
getting interesting.
BONNIE: Let's go.
Not you, bitch.
Melissa's a pipsqueak.
She can't bully us anymore.
I think now that
the bully's gone,
this is our time to shine.
It really is.
So step up, all right?
I know we're going to be tested,
and I know it's going be hard,
but I think the girls
can pull through.
Hug it out, my girls.
You guys, I love you.
[music playing]
NARRATOR: As a new day
dawns, the aspiring chefs
are discovering that, in Hell's
Kitchen, people are not always
as they seem.
So many restaurants
in New York.
I mean, so many.
- You ever heard of Le Bec-Fin?
Yeah, in Philly.
Yeah, Georges Perrier.
JOSH: Yeah, he works with
one of my good buddies.
I worked there.
JOSH: Did you?
Did you?
Not at Georges Perrier,
but I worked in Philadelphia.
You said you never cooked,
and all of this jazz,
and I've never done this,
and I'm a pastry chef.
JOSH: Uh, yeah.
JEN: I'm not going to
go and announce myself,
because then
everybody's expectations
are set really high.
I'd rather be like,
OK, yeah, I do pastry,
I live in a small town.
And then people see my
skills, and they're like, wow,
this girl's got game.
You little liar, you.
No!
Well, the bulk of my
experience the past five years,
I worked in pastry, I worked at
the Ritz, I worked at Morimoto.
I don't--
I don't tell people
about myself.
Of course, when you're in
a competition, why would you?
ROCK: Jen wasn't lying,
she just held back.
And I like it, I appreciate it,
because that's gamesmanship,
and this is a competition.
You know Wolfgang Puck?
V manos, chop chop.
BONNIE: Whenever you line
up in front of Chef Ramsay,
there's always nerves,
because you never
know what's going to happen.
He was standing next to
something that looked
like a piano that
was covered up,
and I was going,
what's going on,
are we going to have
to sing about food?
Good morning.
CONTESTANTS: Good morning, chef.
Melissa.
Yes, chef.
How are you bonding
with your new team?
Good, chef.
GORDON RAMSAY : Good.
Today's challenge
is about creativity.
To succeed as a chef,
you've really got to succeed
with your ingredients.
Today you're working
with lobster.
Shit.
Live, beautiful,
stunning lobsters.
Oh my god.
I don't even know if I've
ever eaten lobster before.
So he said lobster.
The first word that popped
into my head was awesome.
Bonnie.
Yes, chef.
You look distraught.
What's the matter?
Chef, I hate k*lling
lobsters, I cry every time.
So do the lobsters.
The quicker you put the knife
through the head, the better.
Everyone laughed at me.
I hate lobster, I
hate working with it.
I mean, I love to eat it,
I think it tastes great,
but I just hate being
responsible for k*lling
something.
- Josh.
Yes, chef.
Unfortunately you can't
identify the difference
between lobster and scallops.
What was that?
- Scallops, chef.
[buzzer sounds]
Oh god almighty.
You're sitting out
of the challenge.
You can advise your team,
but under no circumstances
do you touch the lobsters.
Three against three.
The winning team will be part
of something incredibly .
Glamorous And the
losers, well, you
do not want to lose this
challenge, I can assure you.
Now you will have to get
your lobsters from the t*nk.
They do pinch, and
they do hurt, yeah?
Be careful.
I just like touching them.
They're just weird
little things.
They are all delicious.
This whole thing
freaked me out.
Are you ready?
CONTESTANTS: Yes, chef!
Let's go.
Rock, you grab the
lobsters, Melissa--
Go!
NARRATOR: For this
challenge, the teams
have one hour to
prepare three lobster
dishes that are creative
and delicious enough
to impress chef Ramsay.
GORDON RAMSAY: Com on, guys.
Get those lobsters out.
Taking the lobsters
out was pretty cool.
You know, they didn't have any
rubber bands on their claws,
so I was a little
worried about that.
[snapping sound]
- Hey!
This guy f*cking pinched me.
Shit, he's big.
We were geared up
for this challenge.
We love the pressure,
I love the pressure.
I feel I perform
best under pressure.
I told Jen and Julia
to get the lobsters,
and I would go get the pan.
What are you gonna get, baby?
Pan!
I thought I would
get out of this one.
Just do it.
Oh, you guys suck.
I hate lobsters.
Ugh, I don't wanna touch them.
I knew we only had
an hour, I didn't
want to let my girls down.
No, no,no, no,no!
Yeah!
OK.
Good job Bonnie, good job.
Right over here.
- I did.
- In there, Bonnie.
Hi guys, I'm sorry.
I know you're sad, Bonnie,
but we just gotta do it.
BONNIE: You happy now?
I was proud of her.
She overcame her fear.
Rock, what are you--
what are you feeling?
ROCK: I'm doing a
fried lobster tail.
Rock knows what he's doing.
Brian knows what he's doing.
I'm working primarily
with Melissa on this one.
You want to do a nice,
chilled, cold lobster.
OK.
I think going over to
the blue team is great,
and they're confident,
and they have great ideas.
I was worried about Julia,
but she's not as knowledgeable.
We're going to really
focus on coaching her.
So I would say, add, like,
some wine and some stock to it.
I'm gonna put the
brains in here, OK?
OK.
So we can get
it more flavorful.
NARRATOR: It's half way
through the challenge
and both teams are starting
to feel the pressure.
If I keep burning
this freaking butter.
Get your ass in there.
Get in there!
JOSH: Try it.
Josh couldn't touch
anything in the kitchen,
but he coached the
hell out of Melissa.
minutes to go.
In, in, right there, good.
Don't want to overcook it.
Jen, what kind of wine?
White wine.
All right, guys, just
over five minutes to go.
Start plating up,
start plating up.
- Start plating!
- [inaudible]
Go.
Bonnie, Bonnie, you're plating?
Yeah, Jen, I'm plating.
JULIA: Plate, plate, plate.
GORDON RAMSAY: Last minute.
Three, two, one, stop.
NARRATOR: Time has
expired, and the team
whose dishes are most
appetizing and creative
will be the winner.
ROCK: We have to win this one.
We gotta get some momentum,
we've got to build on it,
we have to win.
NARRATOR: First up,
both with salads,
it's Bonnie versus Melissa.
Bonnie.
Yes, chef.
GORDON RAMSAY: What
What have you made?
BONNIE: I made a grilled
lobster salad with baked apples.
Um, very ambitious,
grilling lobster.
This is the first time,
in a while, that I've
shown him what I can make.
I was so nervous.
Mmm, that's nice.
Grilling the lobster is
dangerous, but it worked.
Thank you.
Melissa.
Yes, chef.
What have you done?
MELISSA: It's a citrus herb
salad with poached lobster.
I like the freshness
of the citrus fruit
with the lobster salad.
And then, there's a
slight disappointment
with the lobster, because it's
not really cooked properly.
But the edge goes to Bonnie.
Julia, what have you made?
JULIA: I made a lobster risotto.
Well, I just went with the
regular recipe for risotto
and then added lobster.
That's something that we
know that I know how to make.
Lobster, very tender.
It's nice.
I've never had quite such
an intriguing, spicy lobster
like that.
JULIA: That was a
huge compliment,
coming from chef Ramsay.
And I just kind of
guessed, really,
on how long I should cook it.
I mean, I really did just guess.
Risotto, boring.
I expected a little
bit more excitement.
- Yes, chef.
- Rock.
Yes, sir.
GORDON RAMSAY: Blow me away.
What is it?
Buttermilk fried lobster tail.
Ambitious, yeah?
Lobster tempura.
It was different,
it was creative.
Trying to win some cool points.
Mmm, cooked perfectly.
Very, very good.
Rock--
Yes, chef?
GORDON RAMSAY: --you've
got the edge on that one.
So it's a tie.
Jen.
- Yes, chef?
GORDON RAMSAY:
What have you made?
JEN: I made a lobster
and crab bisque.
I used some saffron, some thyme.
I never made a
bisque before, but I
knew about different
flavors, and I had an idea.
Simple, classic.
Nice.
Lobster's not too chewy.
Nice and soft.
Nice.
All right, blue team.
Brad.
BRAD: Yes, chef.
What is it, please?
BRAD: It's a lobster bisque
with Disaronno chantilly.
Classical's good, but I just--
I like to go modern.
Everybody's seen
classical, so I like to,
kind of, put a twist on things.
Lobster's cooked nicely.
Thank you, chef.
It's nice.
Tough, it's very, very tough.
I'm so sorry there
has to be a loser.
The winners are the red team.
Well done.
Chef he doesn't
like foofy food.
The red team was
more simplistic.
The proof was in the flavor.
Don't be disappointed,
because that was
the hardest decision, so far.
Red team, the prize
is extraordinary.
All three of you are going to
have an exclusive photo sh**t
and interview with
"In Touch" magazine.
Oh my god.
Where you're
going to be dressed,
makeup, haired, because you're
ready get photos taken, yes?
And I'm with you.
Now--
I am so excited right now!
I'm gonna be in a
magazine with chef Ramsay?
We get to pose with
him and people are
going to make me look pretty?
I'm so excited.
Ladies, the champagne's
on ice inside the limo.
Go and get changed,
because we're leaving, yes?
Hurry up, let's go.
Losers, unfortunately
the punishment
is at the other end
of the spectrum.
It's incredibly unglamorous.
I can't think of any
worse place to be.
Today, I'm looking for
everything, that's possible,
to be recycled,
from every garbage
bin inside this restaurant.
I've never seen anything
inside of a garbage
can and should be taken out.
I might find it's
a little difficult.
I can guarantee within one
hour you'll find something.
ROCK: Chef Ramsey tells
us that, you know,
they get to go to
"In Touch" magazine,
and we have to dig to
some f*cking trash.
I grew up in the
ghetto, in the hood.
And I ain't never
been in no trash.
Let's take our punishment
like, uh, like gentlemen.
Let's do this.
Brad, thank you
for being a man.
BRAD: Thank you, chef.
ROCK: I guess I'm not a man.
I'm pissed off.
That was the dumbest
f*cking decision I've seen.
That was bullshit.
Rock, he was pissed,
pissed to the point
where I thought he
was going to flip out.
What kind of shit is that.
Well, I'm sorry,
thought-- he flipped out.
Lobster bisque.
Get that shit in a
m*therf*cking corner bakery.
You can go everywhere
and get a f*cking lobster
soup, a grilled bullshit salad
with some f*cking apples.
Originality, being creative,
and they get the f*cking win.
Wasn't nothing creative
over there, and we lose?
What the f*ck is original about
a crab and lobster bisque?
Nothing!
MELISSA: Does Rock
always get that mad?
I've never seen
him act that mad.
Never.
Everybody down the
stairs, come around front.
I guess we gotta dig
through some trash.
And it's going to f*cking suck.
Not my idea of a,
you know, fun day.
But I know it's going to stink,
I know it's going to be dirty,
and I know it's
not going be fun.
Doesn't look pretty, does it?
[dramatic music]
You're gonna separate
all the recyclables,
you're gonna rinse
them out, you're
gonna put them in
their respective bins,
everything clean.
Does everybody understand?
Yes, chef.
NARRATOR: With the blue
team buried in trash,
the red team meets chef Ramsay
to begin their day of glamor.
Ladies.
RED TEAM: Chef!
Hi chef.
How's it going, guys?
In we go.
RED TEAM: Bye!
Bye guys.
BLUE TEAM: Bye, have fun.
Have fun, ladies.
You're such a diva now, look
at you, your first photoshoot.
Hey, hey, hey, hey.
It's always nice
to get out of Hell's
Kitchen for a little while.
You know, relax and get
in the chill in the limo.
So it was real nice.
GORDON RAMSAY: Cheers, guys.
Well done.
Ladies, hello.
Hello, hello.
BONNIE: We walked
in, and we're greeted
by the hair and makeup people.
We've met the "In Touch" guys.
We had food and
champagne waiting for us.
What first, makeup?
- Makeup, let's get started.
- Absolutely.
Let's get you pretty.
- OK, ladies.
I'm so excited.
We sit down, they start
doing our hair, primping us.
Makeup, I don't even know
how to put blush on right.
And they just made
me look so beautiful.
Chef, are you
gonna go into makeup?
GORDON RAMSAY: No,
chefs don't wear makeup.
Are they gonna do
something with your hair?
You look like you got stuck
in a wind tunnel or something.
A wind tunnel.
Thank you for that, Jen.
Where is wardrobe, this way?
The hair and makeup people
made us look beautiful,
and then we got beautiful
dresses to wear.
All three of us had these
really beautiful dresses.
GORDON RAMSAY: Wow, bloody hell.
BONNIE: Cheers, guys.
To the hotties of
Hell's Kitchen.
No longer hell's b*tches.
Yeah.
Yes, ladies.
JOSH: Oh, this is fun.
This is fun.
Real fun.
Rock, you're actually needed
at the photoshoot right now.
Photoshoot?
Yep, you're on
your on your way.
Get over there, man.
Get going.
MELISSA: Have fun, Rock.
GORDON RAMSAY: Right,
how do you feel?
I feel beautiful.
Oh, this is so fabulous.
GORDON RAMSAY: Ooh, hello.
How are you?
You guys look great.
In walks Rock.
And we like, what the
heck are you doing here?
I'd rather be complete
from start to finish.
Would you mind taking out that
into our garbage tin there,
please.
Sorry.
He was so mad.
I felt really bad, I
just kind of did that.
Shit, what's that smell?
It's me.
GORDON RAMSAY: Is it.
[laughter]
So that's what I came for?
GORDON RAMSAY: Yeah.
You sure you wont like a
sandwich for the journey?
I'm great, I'm
full of shit already.
Wow.
Bye.
GORDON RAMSAY: Take care, Rock.
[inaudible]
Hey guys, so we're ready for
your "In Touch" photoshoot.
Come on over here.
Them.
So you're right in the
center, and all the girls
are around you.
He's Charlie.
We're all there,
like Charlie's Angels.
And, you know, chef's kind of
in the middle, like Charlie.
OK, this is so perfect.
BONNIE: The best part of
the "In Touch" photoshoot
was just feeling
like a rock star.
You know, you go
in there, and you
just feel like you're
someone important,
you're someone special.
Everyone just felt like a
model, it was really fun.
So eyes are at me.
Let me see--
JULIA: I've never done
a photoshoot before.
It kind of gave me
a day of knowing
what it would be like if
I were a model, you know.
PHOTOGRAPHER: Everybody's
happy now, you're laughing,
things are good.
JEN: I felt gorgeous, I
felt like a million bucks.
It was just such an
amazing experience.
Jen, just watch where you're
rolling that pizza cutter.
OK.
We're almost done.
I love I love your attitude.
BRAD: Rock came back and
he was even more upset.
JOSH: Did you eat?
It was like rubbing
salt in the wound.
That was bullshit.
Gotta go through trash?
Go through the
m*therf*cking trash?
What do I look like?
I don't ask my cooks to
go through no damn trash.
If you don't like what
I'm putting in the trash,
fire me then.
NARRATOR: After a long day,
there's no rest for the weary,
as both teams must now prepare
for tonight's dinner service.
BRAD: Rock was so mad, he went
from loud and angry to quiet.
You know, I just let him be.
Some people need their
space, some people don't
want anybody to talk to them.
I was really angry
earlier, when we lost,
but right now, I'm gonna
go back to being leader.
I'm gonna make sure
my team is on point.
I'm ready to cook, go
back to my sanctuary,
and do what I do best.
NARRATOR: As the aspiring chefs
begin prep for dinner service,
the blue team gets its first
taste of working with Melissa.
Those potatoes, I
know they're not ready,
but could you just get
some cream and butter on?
OK, I'll get it.
BRAD: This is our some
prepping with Melissa.
We're working as a team,
we're getting things done
we're getting things together.
And if we stay on the same
page, we should win this one.
So I'm going to just
tighten up, start it,
and then we'll take a look
at that station together.
OK, so you want me to start
the-- start more rice for you?
I want to put everything
out perfect and quickly.
This is our night, fellas.
So I know.
ROCK: Nice and controlled.
NARRATOR: While the blue
team is feeling confident
being one woman up,
the red team is feeling
confident being one woman down.
Peas, bok choy, shitake
mushrooms, all done.
JULIA: The red team is doing
just fine without Melissa.
Everything is moving along, but
the real test will come, you
know, once we get to service.
Julia, baby, here
are your quails eggs.
I know I've got--
I'm fixing to do them.
BONNIE: Oh I-- no, no,
I got them, right here.
They're freaking me
out, because we have
so much more work to do now.
And there's only three of us.
So I'm a little nervous,
got a lot to do.
Like, a lot.
GORDON RAMSAY: OK, blue
team, two tickets, please.
Let's go--
BLUE TEAM: Yes chef.
GORDON RAMSAY: --quickly.
Let's go.
It's a nice menu.
A special main
course on tonight.
Bonnie, that's your dish.
The grilled lobster salad is
going on as a main course.
MELISSA (VOICEOVER):
I made grilled lobster
salad with baked apples.
Mmm, that's nice.
I don't think the blue team's
too happy with me right now.
Everyone on the team is
kind of looking at me.
Maybe I do have a little bit
of a skill that I'm honing.
This is definitely
a huge honor for me.
Blue team, you
lost the challenge.
As the order comes on, it is
your job to run to the t*nk
and get the lobsters.
For both kitchens.
I got it, chef.
Melissa, this is
your last chance.
Don't clam up.
We got her, chef.
Let's go guys, yeah?
OK, Jean-Philippe, open
Hell's Kitchen, please.
Let's go.
[music playing]
NARRATOR: With the dining
room filling with customers,
and a new lobster
dish on the menu,
the chefs anxiously
await their first orders.
MALE CUSTOMER : I'll have the
spaghetti with lobster, please.
We also have an
excellent lobster salad.
Red kitchen, good.
On order, let's go.
Four cover table
, two scallops,
one spaghetti, one seabass.
Entree, two Wellington, one
monkfish, one lobster salad.
- Yes chef.
- Let's go.
Seven minutes to
the window, OK guys?
Seven minutes, thank you.
You have three cooks in here.
- Yes, chef.
- Yes, chef.
They've got four.
That means all of us
have to work quicker.
Yes, chef!
Julia, don't stop
looking for it.
I won't chef.
GORDON RAMSAY: But as you
look, keep your ears open.
Yes, chef.
I need a lobster, guys.
Lobster.
JULIA: Thank you.
GORDON RAMSAY:
Hear what she said?
Got it, yes chef.
Move.
Tonight, in Hell's Kitchen,
I was the lobster bitch.
It sucked.
Beautiful.
NARRATOR: While the red team
forges ahead without Melissa,
Rock wants to make sure she
is ready for her first dinner
service with the blue team.
ROCK: Melissa.
I wasn't really
concerned with Melissa,
and saving her, and
redeeming her, you know.
I was just concerned with
bouncing back and winning.
OK, quiet please.
On order, two covers table ,
one spaghetti, one seabass.
Entree, one monkfish,
one Wellington.
Yes, chef.
GORDON RAMSAY: Let's go.
Seven minutes to window, yes.
Why is that water
not boiling, there?
BRAD: We put fresh water in it
about five minutes ago and--
Ah, f*ck me.
OK, so there's spaghetti in
there and the water's boiling.
It should be
coming up any second.
Thank you, Rock.
f*cking hell.
NARRATOR: With the blue kitchen
already off to a slow start,
Josh answers another
call for lobster.
GORDON RAMSAY: Come on, Josh.
Coming down.
Yep, Julia.
Thank you, darling.
It was a pretty big
help, that somebody could
run and get the lobster for me.
But, I mean, me, myself, I
would have preferred just
to already have had it dead.
How long, please?
Five seconds to
the window, chef.
GORDON RAMSAY: Good.
Five seconds, I'm
plating right now.
Let's go,
- I'll meet you up there, OK?
All right, plating up
the seabass, come on up.
GORDON RAMSAY: Service, please.
Let's go.
Julia, that's a lovely
color on the scallops.
Thank you, chef.
NARRATOR: With the red
team getting good marks
from chef Ramsay,
Brad is anxious to get
his appetizers to the pass.
One spaghetti one seabass.
What's he doing this
one with the risotto?
Brad?
Yes, chef?
Two appetizers,
you served me three.
It's not a good start, guys.
Water's not boiling properly
for the f*cking pasta.
I call away a spaghetti
and a f*cking seabass,
I get a risotto as a little
gift I don't even f*cking need.
Stop panicking.
Seven minutes to
window, scallops,
risotto, spaghetti, seabass.
Let's go.
Unbelievable.
JEN: Four minutes.
Four minutes.
I'm counting down
baby, I'm counting down.
All right.
Jen is great when
she's on appetizers.
Jen really knows
how to count down
and get the food to the
pass in a timely fashion.
Three minutes,
guys, three minutes.
BONNIE: Chef, next
Wellington is out.
That is normal.
That's communication.
Chef, Wellington resting.
BONNIE: Wellington
resting, chef.
There you go,
shut the f*ck up.
Service, please.
NARRATOR: While the red
team's appetizers are leaving
their customers hungry for more,
the blue kitchen's customers
are just hungry.
CUSTOMER : I wonder when
we're going to get our food.
CUSTOMER : Do you know
where my Wellington is?
JEAN-PHILIPPE: I
appreciate your patience.
Melissa.
Yes, chef.
GORDON RAMSAY: It's
like paper scallops.
I'll get new ones, chef.
GORDON RAMSAY: There you go.
Have a look.
Some of the scallops
she did, I mean,
they were like slices of paper.
There's like nothing there.
Pass it back to chef
Melissa, the f*cking gremlin.
Everything she
touches, she screws.
There you go.
- Sorry, guys.
Hey, madam, this is
not our first night.
Yes chef, no chef.
Yes chef, no chef.
f*cking gremlin.
NARRATOR: It's just over an
hour into dinner service,
and while Melissa
stumbles on the scallops,
the red kitchen has pushed
out of appetizers.
So, away.
Seabass, risotto,
spaghetti, scallops.
Yes, chef.
Double check what you're
doing, because right now you
are on a roll.
- Yes, chef.
GORDON RAMSAY: If any
of you screw it now,
you've only got yourself
to blame, and one of you
is going home.
We've had a phenomenal
start, and it's
the best start we've had in
this f*cking restaurant so far.
Yes, chef.
GORDON RAMSAY: Six
minutes to window.
Chef Ramsay was
complimenting us.
You don't get that often, so
when it comes, you take it.
NARRATOR: With the red
team blazing along,
it looks like nothing
can stop them.
[grease crackling]
Oh!
GORDON RAMSAY: Bonnie.
JOSH: You've got
a fire over there.
Take it off the
heat, take it off.
GORDON RAMSAY: Oh
no, oh no, no, no.
Stop, stop, stop.
Bonnie, put the pan down!
Oh no.
BONNIE (VOICEOVER): You know
when, your pan catches on fire
like that, it's like,
what the hell do I do now?
I was just like, do I
drop it and run, or like--
I had no idea.
Other way, other way.
Never walk around
with a pan on fire.
Will you stand back.
That's the first
thing, you stand back.
No water, no stock, nothing.
BONNIE: Yes, chef.
GORDON RAMSAY: What
are you trying to do,
evacuate the place?
- No, chef.
That would be a first, setting
fire to the f*cking restaurant,
hello.
Now she's burning
the place down.
NARRATOR: After cooling
things off in the red kitchen,
chef Ramsay is desperate
for something, anything,
good to come out of
the blue kitchen.
Is the mashed
potatoes ready yet?
JOSH: Yes, chef.
- Hey there, Scott--
that looks gloopy and runny.
It's like he's pouring
into the f*cking bowl.
Hey, hey, come here.
Did we put salt in the potatoes?
No, no, chef.
Josh is all over the place.
He's scattered.
You've gotta focus your
shit in the right direction,
and he's not doing it.
Get some potatoes on, you--
Yes, chef.
f*ck off, f*ck off.
It's like a bunch of
f*cking babies here.
NARRATOR: While
Josh's potatoes bring
the blue kitchen
to a standstill,
there's no stopping
the red kitchen.
MARY-ANN : Jen.
JEN: Yes, chef.
MARY-ANN : Potatoes are perfect.
Thank you.
Nicely cooked, the
Wellingtons, crispy pastry,
yes.
Thank you, chef.
Go, please.
I swear, if anyone
screws this now,
you've only got
yourself to blame.
Fantastic, guys.
Come on, let's go,
let's keep it up.
NARRATOR: With the red kitchen
turning out excellent entrees,
it's Brad's turn,
once again, to show
chef Ramsay what he can do.
Scott is risotto.
Come on, Brad.
Ooh-la-la-la-la.
That looks so overcooked
it's f*cking unbelievable.
The whole f*cking lot's
got to be done again.
Hey, a word to you here,
it's been your worst service.
Yes, chef, it has.
I got screwed by Melissa.
She cooked the risotto tonight
and I couldn't serve it,
it was mushy.
GORDON RAMSAY: Unbelievable.
NARRATOR: An hour and a half
into service, another setback
in the blue kitchen gives
the red team a chance
to get even further ahead.
GORDON RAMSAY:
Where's the seabass?
I don't have it.
Oh, yeah I do, I'm
tripping, I'm sorry.
GORDON RAMSAY: Now don't be
sorry, just wake up, Julia.
Yes, chef.
GORDON RAMSAY: That's all.
It's cooked, she
doesn't know it's there.
How could I not have it?
I'm not that much of a idiot.
Stop, stop.
What are you doing?
One scallop.
Yes.
We're waiting on a monkfish,
a Wellington, and a chicken.
Hey are you--
I'm listening, chef.
I mean, he was going off on me,
which I know he's only doing
it for my own good, you know.
But that just don't make
my situation any better.
Do you want to go?
No, No, I'm listening, chef.
I can listen and talk.
You're not listening
to me, it's not
even going to f*cking Julia.
Thank you, chef.
And you still won't listen!
NARRATOR: While Julia
struggles on the fish station,
chef Ramsay is praying
that the blue kitchen
can deliver a proper monkfish.
GORDON RAMSAY: Let's go,
two monkfish, please.
Monkfish.
Yeah, right.
Fish king, come here, you.
There's the monkfish.
Overcooked?
That's overcooked.
Oh god almighty.
You don't know
that's overcooked?
MELISSA: Sorry, chef.
GORDON RAMSAY: Hey, Brad, she
doesn't know that's overcooked.
Rock, she doesn't know that
is too f*cking overcooked.
God, she doesn't know
that's overcooked?
ROCK: Oh my god, it's clearly--
Melissa was nervous, I
could see it in her eyes,
and she fell apart.
The monkfish was overdone.
Brush up us pipes, baby.
GORDON RAMSAY: It looks
like regurgitated dog shit.
Where has the other
monkfish gone?
I have one left, chef.
Oh no.
Table six [inaudible]
order are all f*cked?
Yes.
No, no, no.
Right, Rock, listen to me.
No choice now.
Stop the vege, get on the fish.
Yes, chef.
You, oi, oi, get
on the garnish.
Get the f*ck off of there.
Get off!
Honestly, I got this far.
And I'm not just gonna
sit there and be like,
forget it, I don't
want to do it,
because chef Ramsay's
yelling at me.
GORDON RAMSAY: Yes,
we're in the shit.
No, we never give up.
NARRATOR: As Rock takes
over Melissa's station
in the blue kitchen, the
red kitchen is working
on their last two tickets.
MARY-ANN : Bonnie, it's done.
BONNIE: Julia, it's not done.
JULIA : It's done.
Listen --
BONNIE: Julia, it's my
station, put it back in.
No.
Please don't talk
to me that way.
- Julia.
- Please don't.
Then listen, OK.
I think things are
getting rough for Julia.
It's Hard for her to
keep up with this,
because her
experience is limited.
Julia, what's wrong?
Nothing.
Are you mad at me?
I don't know.
I'm not use to, like,
messing up so bad.
I just got, like,
really overwhelmed.
I was trying to use
my head too much.
NARRATOR: Chef Ramsay is
starting to run out of patience
with the red team,
while the blue team is
running out of something else.
Only have this much potato.
We don't have any more potato.
Please don't me we've
run out of mashed potatoes.
Does anybody know where
anymore potatoes are?
BRAD: No, I don't know.
Oh, f*ck me.
CUSTOMER : The lobster does
taste-- it tastes overcooked.
It's chewy.
JEAN-PHILIPPE: Let's bring
everything back, then.
GORDON RAMSAY:
What's the matter?
Lobster's chewy, chef.
And the beef, overdone.
All
Oh no.
The whole f*cking
six top return.
Hello, look at me.
Thanks for the overcooked
monkfish, thanks for shafting
me on the mashed potatoes,
and thanks for being
a twat on those appetizers.
It's just so sad.
Shut it down.
Clear down.
JEAN-PHILIPPE: When it's
closed, it's closed.
CUSTOMER : f*ck that.
NARRATOR: After a
lopsided dinner service,
chef Ramsay has
an easy decision.
Blue team, let's put
you out of your misery.
You lost.
You were crap.
Sous chef, right?
Yes, chef.
Executive chef,
sous chef, line chef.
You got beaten by a
nanny, a short order
cook, and a pastry chef.
Josh, you're the only
one, out of every cook
left inside this competition,
that hasn't had a good service.
Brad.
Yes, chef.
Tonight was your
worst service.
That was the worst service
I've ever had, ever, chef.
Rock, why is-- why is
all this taking place?
You put a lot
of pressure on us.
Welcome to Hell's Kitchen.
Some people can't
handle pressure well.
All four of you come up with
two individuals who you want
to nominate for elimination.
Now f*ck off out of here.
Does anybody
want to volunteer?
That's what I say,
does anybody want to--
MELISSA: What do you mean?
Volunteer for what?
I think I did f*cking shitty.
I don't want to go, I want
to be here, I want to learn,
I want to win.
But I'm not going to, you
know, hide behind something
and not go up there.
It's my first night
on the blue team,
and tonight was my worst
performance so, obviously, I'm
going to be nominated.
I mean, let's decide first,
you want to go on tonight,
or do you want to go on overall?
We're a team, let's decide this.
I think we should vote
on overall performance.
What we're trying
to decide right now
is, if we should base it on
tonight's performance, which
would be, Melissa
and I go, or we
should base it on overall
performance, which
would be Melissa and Josh.
Now, I'm not trying to
put you on trial, Rock,
but I think it's an overall.
Everybody has a shitty night,
and tonight was my night,
and I don't think I
deserve to be booted
because of one shitty night.
MELISSA: I mean, I'm
going off either way.
So, I guess, overall.
If we decide to go for
overall, I'm up for that.
You think overall?
OK, I think overall.
Even overall, come on, I mean,
I have not had a bad service.
And, you know, they
haven't been great,
but I have not
had a bad service.
That's my piece.
Chef Ramsay gave
me one more shot,
and chef Ramsay gave
Melissa one more shot.
And if the two of
us go up there,
he's going to have a
hell of a decision,
and it could really
go either way.
[music playing]
Blue team.
Yes, chef.
Have you made your decision?
Yes, chef.
Was it difficult?
Yes, chef.
Cut the crap, wouldn't you?
Melissa.
Yes, chef.
Step forward.
Take your jacket off and
get out of Hell's Kitchen.
You, madam, have had more
chances than anybody.
Good night.
MELISSA: I was the worst person
in the blue kitchen tonight.
I'm upset that I had to leave.
I didn't want to leave.
I think chef Ramsay sent me
home tonight because he expected
me to perform, and he said
he'd give me one chance,
and I didn't.
BROCK: I wasn't shocked.
The way he booted Melissa
out, it was obvious.
Essentially, I don't
feel bad for anyone,
because for me to win,
I'm gonna have to see
everybody walk out the door.
GORDON RAMSAY: Blue team.
Yes, chef.
I'm not done yet.
Brad and Josh, step forward.
Josh.
Yes Yes, chef.
You've done sweet, f*ck all
since you've been in Hell's
Kitchen, why should you stay?
Chef, I've improved
every service I've been in.
I've got a lot more to show you,
and I do not want to give up,
and I will keep fighting chef.
Brad.
Yes, chef.
GORDON RAMSAY:
Tonight, you were shit.
Yes, chef.
In fact, you were
worse than shit.
BRAD: That's correct, chef.
You complemented shit.
Yes, chef.
You were that bad.
Why should you stay here?
I've never been that
embarrassed to put out food
like I was putting out and just
go down that bad on a station.
It was so humiliating, I feel
like I'm here to win this,
and I feel like I'm good,
and I feel like I can--
Cut the bullshit, will you.
Endless excuses, pathetic
cooking, and a complete
let down.
Is the mashed potatoes ready?
BRAD: Yes, chef!
That looks gloopy and runny.
It looks like he's pouring
it into the f*cking bowl.
I call away a spaghetti
and a f*cking seabass,
I get a risotto as a little
gift I don't even f*cking need.
Stop panicking.
My decision is both of you.
Get back in line.
I'm giving you another chance.
Thank you, chef.
Now, three girls, three guys.
Get a grip.
JOSH: I deserve to be here.
You know, I'm good
enough to be here,
and I'm strong
enough to be here,
and it's game face,
% of the way.
BRAD: If I'm as good as I
say I am, I need to win.
Action speaks louder than words.
Tonight, I didn't
do that at all.
Now f*ck off out of here.
Here I am, the little
Waffle House, I'm still here.
You know, I would be lying if
I said that it wasn't hard,
because it is hard, you know.
But I don't plan on giving up.
It's now three on three.
I think our team is
up for the challenge.
The girls seem to just
work better than the guys.
Red team just needs to keep
working their little asses off.
GORDON RAMSAY (VOICEOVER):
That was really
difficult today,
because Brad and Josh
were absolutely horrible.
With Melissa, she's
very assertive,
and she sounds like a
leader, but unfortunately,
she doesn't cook like a leader.
NARRATOR: Next time
on "Hell's Kitchen",
it's payback time
for chef Ramsay.
And the competition is
getting more intense.
- How long, please!
- We're coming.
So is your elimination.
NARRATOR: It's blue
menu versus red menu.
It looks like baby vomit.
This is your menu, here!
I'm dying.
Does anyone want to use
their brain a little bit?
NARRATOR: The women crumble.
I'm confused now.
No one's even
talking to each other.
NARRATOR: And on the
men's team, chef Ramsay
has a secret for Josh.
Come here, let me
tell you something.
You can't cook!
NARRATOR: With the restaurant
at the Green Valley Ranch Resort
hanging in the balance, chef
Ramsay does something drastic.
Stop!
Get out!
NARRATOR: Next time
on "Hell's Kitchen".
03x06 - 7 Chefs Compete, Part 2
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Reality television show that uses a progressive elimination format to narrow down a field of 20 to 12 aspiring chefs to one single winner over the course of one season.
Reality television show that uses a progressive elimination format to narrow down a field of 20 to 12 aspiring chefs to one single winner over the course of one season.