02x08 - Cosmic Ocean

[bunniefuu]

[CLACKING]

- [MAYA, ECHOING] Mitsuki. Mitsuki.

- [CHITTERING, STATIC]

I know you're feeling tired.

[TYPING]

Losing time?

Memories?

[IN JAPANESE] No. You're not here. I need to work.

you need to tell me if you're experiencing symptoms.

[IN JAPANESE] Not here you're not here

[IN JAPANESE, BREATHING HEAVILY]

Not here

you're not here

I need to find the pattern

Stop!

You need to let your mind heal.

I'll be here, Mitsuki.

- You're here.

- I'm here.

Touch. The perfect bypass.

Circumvents the signal to the brain.

I'm here.

You've been losing time.

Hearing things?

It will pass.

I'll stay here with you while

you learn the alien's language.

The others the other scientists.

You're not there yet. I promise.

I have to [STAMMERS] The frequencies.

[PANTING] I'm missing something.

Okay. Tell me about it.

I need more data.

There's a dozen frequencies.

I'm close. I just can't see the pattern.

If I can decipher it,

we can understand them.

You tried to warn me.

I won't let what happened

to the others happen to you.

I promise.

In a few hours, when your head

clears, we'll check your baselines.

I know how valuable learning

their language would be,

but you have to take a break.

- I'm missing something.

- [HEADPHONES CLATTER]

Mitsuki?

I'm missing something.

I know it's in here.

I just can't hear it.

Listen to me. First, you lose time.

Then you lose connection

with the outside world.

Then you lose communication. That's

what happened with the others.

The others?

[MAYA] You need to stop. Rest.

The others.

[MAYA] You're not there yet, I promise.

- I told you

- That's it.

- That's it.

- What is?

[TONGUES CLICKING]

[CLICKING CONTINUES]

Mitsuki? What are you doing?

[SHUSHES] Quiet.

- I need quiet.

- [MACHINE WHIRRING]

[MAYA] Quiet.

- [WHISPERS] Turn that off.

- [MACHINE POWERS DOWN]

[CLICKING CONTINUES]

What's happening?

I don't know.

[CLICKING SLOWS]

You were wrong.

[MAYA] About what?

[MITSUKI] They didn't

lose communication.

They're just not

communicating in our language.

They are communicating like them

The aliens.

[CLICKING TONGUE]

[TREVANTE] What the hell?

[CLANKING]

[GRUNTS]

[ALARM BLARES]

[SOLDIER] Code red. Code

red. We have a breach!

All available personnel.

Check the north quadrant.

[SOLDIER 2] Get your g*dd*mn

hands up! Move away from the hatch!

On the ground, now!

I said, on the ground!

[SOLDIER] We will sh**t you!

- [ALARM CONTINUES]

- [RUMBLING]

- [SOLDIER 3] Last warning.

- [TREVANTE] No! No!

- What are you hiding down there?

- Just shut up!

- What are you hiding?

- [SOLDIER] Lock the damn hatch!

- [SOLDIER 4] Let's go, let's go!

- [SOLDIER 5] Check the floor!

- [SOLDIER 4] Secure the perimeter!

- [SOLDIER 6] Go, go, go!

See anything?

[SIGHS] Trev.

Bro, it's a bloody fortress.

Are you sure they're in there?

I can hear them.

We'll look for a way

in. Just you and me, Alf.

If they see us, we're lost children.

I could be a lost child.

I'm smaller.

And cuter.

She does add authenticity.

[MONTY SIGHS]

Okay, fine.

But Penny? Hey, Penny, you're

gonna listen to Jamila, all right?

I'll look after Caspar.

Thanks.

Alf.

[CROW CAWS, FLAPS AWAY]

[MONTY SIGHS]

Jesus. What?

You don't trust me.

Oh, yeah? What gave you that idea?

It's all right.

I don't really know if I trust myself.

I mean, I hear things. I see

things I don't really understand.

Well, no worries.

I've got my eye on you.

Good.

Hey, look. You've been

gone for a long time.

I mean, sh*t, people have

been gone for a long time,

you know, sometimes

they come back different.

You know, they've got a whole other

whole other family or whatever.

Or little voices in their heads.

But do you think maybe you're different?

Maybe you're you're not you?

Then who else would I be?

Them.

I would never hurt Jamila.

Oh, I know that, mate.

'Cause I'll make sure of it.

Looks like we've got more

in common than you thought.

I don't need superpowers to see it.

I think she's probably the

only one that doesn't see it.

[JAMILA] See what?

Nothing. Nothing at all.

Fine. Keep your secrets.

While you boys were busy

gabbing, I figured a way in.

[TONGUES CLICKING]

What's she doing in here?

We're recording ticks. Binary code

built the Internet, ones and zeros.

If she's recovered, I want

her back in the enclosure.

She's not cleared yet.

The worst of her symptoms have receded,

but her readings are still erratic.

I don't care.

Transmit these to my lab.

I'll reassemble there.

What's she gonna learn

from these burnouts, huh?

Fear? Failure? [SLAMS LAPTOP SHUT]

I want her back inside,

and I'm losing patience.

You mean the WDC is losing patience.

I mean the world is.

How many more need to die

so you can play f*cking Mother

Teresa to a room full of crackpots

- who've outlived their purpose.

- You mean your purpose?

I mean the g*dd*mn

world's purpose, Maya!

You say this is all personal

for me like that's a bad thing.

I don't mind your judgment.

Your high-and-mighty morality.

- I'm used to it. It's how I survived.

- If you don't care,

then why are you wasting your

time saying all of this to me?

Because I'm not the one

who changed. You are.

This girl, she means

more to you, doesn't she?

Maybe I should put you in

that room of yours, huh?

Ask you some questions. Poke around

in your head for a bit, Doctor.

Or we can both serve our purpose.

And by "our" I mean the

whole f*cking human race.

I'm not going to talk

to her until she's ready.

Fine.

I will.

You scared it.

The alien. That's why

it came at you so hard.

You got too close. Too close

to whatever it was hiding.

We You have the advantage now.

I'm starting to learn its

language structure. Its syntax.

Maybe I was wrong. Maybe

you're the one who's scared.

Is that what it is?

It's not the alien that got

inside your head, it's Maya.

The others. You're scared

you'll end up like them.

So, you're doing exactly what

that entity wants you to do.

You're hiding.

If I can learn its language,

I can hack its internal

communication pathways. I can

You can do what? What then?

What if it doesn't feel like talking?

What if it lies to you?

Manipulates you? How will you know?

We're not trying to figure out how

to make friends with this thing.

We're here to destroy it. Destroy them.

Do I need to remind you,

of all people, about that?

They k*lled your lover.

They k*lled your family.

They're in the process of

k*lling everyone else you know.

When you got here, Maya

said you were operating

from a place of guilt and anger.

She was worried that

wasn't a good motivator.

But you know what?

Those those are the best

motivators if you wanna win a fight.

Win a w*r.

So you can stay in here

and operate through fear

or you can suit up and fight back.

It's hiding something. Get

in there and find out what.

[DOOR CLANKS]

[SOLDIER GRUNTS]

What the hell are you doing

with those people? Huh?

Huh?

What are you guys hiding in there, huh?

[SERGEANT] What's

your purpose in Idabel?

What's your purpose in Idabel?

- How did you know to look in the crater?

- You're kidding me.

We're gonna have to elevate

the level of discourse.

There's a giant hole with

security three layers deep.

I don't know where the f*ck

you think I was gonna look.

We know all about you.

Sure. That's why we're having

this conversation, right?

[SERGEANT] You've been

on the outside a while.

Quit the service right

when we needed you most.

Biggest att*ck world's ever

known. "Family reasons."

You know we had the exact

same training, right?

Your wife says you're depressed. Manic.

Don't talk about my wife.

Delusions of saving the world.

Must be rough, huh?

Punching the clock.

Following that playbook, hoping

to God it'll make a difference.

But y'all gotta look outside

because the rules of

engagement have changed up.

But you just keep pushing.

Pushing that pencil.

Daddy's calling.

Chief Cole.

I'm General Mitchell.

[TREVANTE] General.

Apologies for your treatment.

What we're dealing with here is

highly classified, and you're right,

far from the usual playbook.

There's no protocol for any of this.

So I'm gonna need to

ask you some questions.

For your safety. For

ours. For everyone's.

And maybe, together, we

can make a little progress.

What led you here?

Kid's drawing in a notebook. It's

in that file. Look it up. Okay?

I got debriefed when I came stateside,

I'll tell you everything

you need to know,

but I need to know some

things in return. Got it?

What are you guys hiding in that pit,

and what did you do with those people?

We didn't "do" anything to

them. We're examining them.

They were taken by the aliens.

So if they were taken by aliens,

how did you get them back?

That's classified.

- "Classified." [CHUCKLES]

- Who knows you're here?

- No one.

- No one?

No one on the outside

waiting to hear from you?

I can make sure they're not harmed,

but only if I have all the facts.

I'm alone. This town has been

as hospitable as you all are.

How did you get them back, General?

Okay.

Well, we're we're gonna

need to keep you here.

Security reasons. I really

wish you hadn't come.

It's a bad time to be

away from your loved ones.

[STAMMERS] Instead of locking me

up, why don't you use me, okay?

Use me. I have more experience

than any of your men,

and I've fought these things before.

Bring me in, General.

- Nice meeting you, Chief Cole.

- General, read me in.

- [DOOR SLAMS]

- General. General!

f*ck!

f*ck!

[GATE RATTLES, SQUEAKS]

[PENNY] This way.

[GATE SQUEAKS, SLAMS]

[VOICES ECHOING]

[ALFIE SHUSHES]

- Soldiers.

- [FOOTSTEPS DEPARTING]

I think they're leaving, though.

Casp. Can you hear them?

The voices.

[CLATTERING]

[IN MALAY, SHONA, SPANISH,

SWEDISH, URDU] It's him!

It's him! From the dream!

[ALL SPEAKING INDISTINCTLY]

[GABRIEL, IN FRENCH]

Esmee, what's happening?

[VOICES ECHOING LOUDLY]

[IN SHONA] He's the boy in the dream!

They're with us!

They're with us. [PANTS]

Caspar? Caspar Morrow?

[CHILDREN CHATTERING INDISTINCTLY]

How are you alive?

I don't know.

Maya! So shocked to see you.

You can't send her in.

It's of endless fascination to me

that a person with such compassion,

such empathy for the whole world,

repeatedly chooses

the one over the many.

It's called basic humanity, and

I thought that's why I was here.

No. No. I brought you here to

map an alien's consciousness.

Just think about that, eh?

An alien's consciousness.

Neurobiologists would

k*ll for this opportunity,

so imagine my disappointment

to find you're better

suited to play nursemaid.

- [SCOFFS] What a waste.

- That won't work on me.

Here we go. What won't?

Foster insecurity. Seed guilt.

Offer the one and only solution.

Close the deal before

they have time to think.

- You're predictable.

- I'm effective, unlike you.

Just for a moment, let go

of your ego, and listen.

Whoa, that's a tall order.

You asked me to map

a hive consciousness.

That's exactly what I'm doing.

You asked me to

supervise anyone going in

to make sure we maintain

the strategic advantage.

That's exactly what I'm doing.

If you push Mitsuki in now,

you will cede that

advantage, and we will lose.

That is my professional opinion.

Ignore it, and I'll resign

my position right now.

Really?

Would you do that?

Resignation accepted.

Eh, thank you for your time

with the Amazon Project.

I wish you all the best

in the outside world

Or whatever's left of it.

Watch your back. I hear there's aliens.

[SCOFFS] I'll take my chances

with the monsters outside.

[BIRDS CHIRPING]

What are you doing here?

I'm leaving. I came to say goodbye.

You said you would be here for me.

And I want to be. More than anything.

But I can't. Not anymore.

- I have to fix what I broke.

- You broke nothing.

You gave us two of our

biggest victories in this w*r.

You don't have to do this.

Your mind

your heart, that's what we need.

You go in there like this,

you may never get them back.

You're right.

My head tells me you're right,

but my heart tells me to go.

You can't save her this way.

[MITSUKI] I know.

She's not in there.

I know.

- I'm sorry.

- Me too.

[SNIFFLES]

[DOOR OPENS]

[GABRIEL] I'm gonna ask

you to look at the light.

[EXHALES SHARPLY] That's

good. You can rest. We're done.

He's okay.

- And you go to medical school for that?

- [SIGHS]

I have no explanation.

Yeah. Well, there's no real

explanation for any of this,

so I say we move on.

Yeah?

Where did you find him?

Same hospital you left him in.

We heard it was overrun

just hours after you left.

Guess he was lucky. No thanks to you.

Okay, no. [CHUCKLES]

Listen, these children,

they were found in hospitals

all around the world

after the first alien ship

was sh*t out of the sky. Okay?

They were all struck by

the blast. Psychically.

How did you find us?

- We had this.

- [OBJECTS CLATTERING]

And Caspar.

He hears their voices in his head.

[SCOFFS]

God, this is unbelievable.

[EXHALES SHARPLY] We never

imagined their connection

could have such range.

Maybe he had help.

What's that supposed to mean?

Well, look,

- I'm only asking, but is your friend

- What?

Himself.

His connection with the aliens ran deep.

Deeper than the others.

Of course he's himself.

He's not, Jam.

He's been through a lot.

- You try and act normal after

- Don't.

I'm not trying to say that. You

know I'm not trying to say that.

He's my best friend.

He's fine.

Oi. You all got to hear this.

[IN MALAY] It was like

a wall going this way

- and then to the left of it, right?

[IN SHONA] For me, it was the

right. That's where I saw him.

- [ELKIN TRANSLATES INTO SPANISH]

[IN URDU] I saw him too,

but far away, really far.

[IN SWEDISH] Yes, exactly, me too!

away. They all saw me.

The children have visions of,

you know, of locations, of people.

We've been trying to understand

why the aliens are

focusing on certain places,

- but it doesn't

- [IN MALAY] Not the visions!

[NATORI, IN SHONA] Not the

visions! When we were asleep!

were all there. Before.

When they were unconscious,

before they woke up,

we were all there in the darkness.

Except they woke up, and

and I stayed.

Is that where you were

when I saw you in my dreams?

I think so.

Yeah.

You think so?

What is this "darkness"?

Um

I don't know. It's just

It's just dark and-and-and cold and

[INHALES DEEPLY] scary. Very scary.

That's not much to go on.

You could draw it.

- What?

- [PENNY] A map.

If they all saw Caspar, they

could draw a map of whatever it is.

- I love maps.

- That's That's actually brilliant.

You don't have to sound so surprised.

Caspar's an artist.

He can draw anything.

[CHILDREN CHATTERING]

[CASPAR] Can we Can

we have more pink up here

and then green round here?

Yeah, perfect. And then,

uh, green round there.

And then if you can bring

a darker blue round here.

'Cause I remember that's how it was.

- Yeah.

- [CHILDREN CONTINUE CHATTERING]

Dark blue. Yeah. That That

was in That was in there. Dark.

Make the background white, at least.

Everyone is excited.

Yeah.

You're less excited.

[SIGHS]

Hey, what did you mean his connection

"ran deeper" with the aliens?

We could not break it.

So, then what did?

[JAMILA] Hey.

Do you speak any English?

Thank you for bringing us here.

For calling him so we could find you.

He was not the one we were calling to.

You weren't calling Caspar?

No.

Then who?

We found one more.

Someone is still out there.

[ELECTRICAL HUMMING]

In Hindu mythology, there's

this sage, Markandeya.

One day, he climbs up and

out of the belly of the world

and finds himself looking out

through the mouth of the great

god, Vishnu. The cosmic ocean.

His mind snaps with the enormity of it.

He stumbles.

Falls back down the god's

throat. Smack, down to earth.

He spends the next several millennia

searching for a way back out.

He finally finds it,

but only with the help

of Shiva, the supreme god.

I think you just had the

wrong partner all this time.

Come on.

Let's find the cosmic ocean.

[ALARM BLARING]

What's happening?

[ALARM CONTINUES BLARING]

- What the

- [MISHA] Suit malfunction.

Let me see.

What's wrong with it?

The circuit's been b*rned. I

don't know what happened. [PANTS]

Base Camp Three to clean room. Prepare

another suit for Mitsuki Yamato.

All three suits coded

to Mitsuki are disabled.

All of them? [SCOFFS]

Hey!

You shorted the suits.

You sabotaged this project! Our

best defense against the invasion!

Is it? Or is it all about you?

I disabled the suits, yes.

All except one.

The one you're wearing. Fitted

precisely to your biometrics.

So if you really believe

everything you say, go.

Risk your mind, your life, for once.

I stopped you from going in today.

I won't be here next time.

They'll have your suit

repaired in a day, maybe less.

I hope your mind clears before then.

You're more than just

a life to be sacrificed.

[WADE] What the hell?

[ROSE] Put your hands up and

turn around real slow, Wade.

Rose?

Wade.

Why don't you go ahead

and put the g*n down?

You're not gonna sh**t me.

Remember when that ranger

came in eighth grade,

we did that marksmanship unit?

He said I was a natural?

Pretty sure I can wing you.

Somewhere painful, you know, not lethal.

So, you're gonna step

into that cell for me.

Ah, the hell I am.

Okay, okay. Okay.

[ROSE EXHALES SHARPLY]

- [KEYS CLANG]

- Thank you. [SIGHS]

I figured this would be the best

way for us to have a conversation.

You've gone crazy.

[SCOFFS] I wish.

I may be the only sane

person left in this town.

So, I went by Ben Shelton's farm.

That's m*llitary territory.

Cal, Chet, Ben, Joanie

and Sheriff Tyson.

All vanished there.

Hell on wheels, Rose! Is this

about your missing people?

They're yours too, Wade.

I know they're mine too.

But the world's on fire. I can't

think about every damn thing.

You stop paying attention

to the little things,

you miss half the picture.

Now, sit down.

[SIGHS]

I want you to listen real close.

I hid something in the evidence locker.

It's a kid's notebook. It's got

clues, it's got answers, Wade.

I know I know I sound

like one of those people

with their drawings and

their theories. I know that.

But you've known me

since grade school, Wade.

You know I wouldn't do a careless thing.

This is real. I swear it.

I need you to keep that notebook

safe, in case I don't come back.

In case you don't come back?

Rosey!

What the hell is that?

Whatever it is, it's sitting in

the center of the Shelton farm.

Now, what the hell kinda installation

does the government wanna build

in the middle of a cornfield?

Do you ever wonder that?

They're hiding something.

I think they're hiding what

happened to those people.

It all centers on this farm,

and I'm not waiting around for

someone to believe me. Not anymore.

I'm going back to the Shelton

farm, and if I don't come back,

if I end up on that

missing persons wall,

I need you to take

that notebook serious.

Okay?

Follow them clues.

No. No, no, no, no.

Ro Rosey, you can't leave me in here.

Come on, we'll go talk to the sheriff.

- I'll make him listen!

- You can tell Sheriff Perkins

I fixed his coffee maker.

[MACHINE WHIRRING]

[IN JAPANESE] Our trip to

Osaka It rained all day.

On the way to a movie

that we didn't like

the sun came out, and

you kissed my neck

I don't know

I don't know

I don't know

So. Day one.

I hate you this morning.

For taking my ring.

For finishing the beer.

For leaving me here.

I reinstalled Tinder.

Don't worry, it's just to keep

your side of the bed warm

- Until you get back.

- [ALARM BLARING]

[ALARM BLARING IN DISTANCE]

[ALARM CONTINUES]

- What's going on?

- It's Nikhil.

[MITSUKI] Who's running

the safety protocols?

No one. The tether is jammed,

non-operational. We can't extract him.

- Turn off the magnet.

- We can't. He's rerouted the controls.

[MISHA] Look at those sine

waves. What is he doing?

- [TOMAS] He's turning it up.

- He's fighting it.

Nikhil, you have to stop!

- It's too unstable.

- No progress without radical

[SCREAMS]

[RUMBLING]

[ALARM BLARING]

[RUMBLING]

- [NATORI] Wajo! Wajo! [GASPS]

- [RATTLING]

Wajo! Wajo! Waj Wajo! Wajo!

- Wajo! Wajo!

- [INDISTINCT SHOUTING]

[NATORI] Wajo! Wajo! Wajo!

Wajo!

Casp, are you doing this?

You're the only one

not losing their mind!

If you're doing this, please stop!

Jam.

[CLATTERING]

[PEOPLE CONTINUE SCREAMING]

Why is this not happening to you?

I don't know.

Let's go.

[SOLDIER] Quick! Come with me.

Everyone, out of the lab! Now!

[PATIENTS MUTTERING, CLICKING]

[MITSUKI] Nikhil!

Nikhil.

[BEEPING]

[GROANING]

[SCREAMS]

[WHIMPERS]

[ALARMS BEEPING]

Clusters of epicenters in Eastern

Europe, North America and the Amazon.

Get me Nikhil now.

Yes, Madam.

[MISHA, ON SPEAKER] We have to evacuate.

All personnel evacuate

the site immediately.

All personnel evacuate the site.

[BREATHING HEAVILY]

Nikhil! Nik

[ELECTRICAL HUMMING]

- [MACHINE POWERS DOWN]

- [MITSUKI GRUNTS]

[MAYA PANTING]

[MITSUKI GRUNTS]

- [GRUNTS, PANTS]

- Why is it not stopping?

[ELECTRICAL HUMMING CONTINUES]

I don't know.

[SOLDIER 1] Let's go!

Let's go! Oh, sh*t!

[SOLDIERS SHOUTING]

[SOLDIER 2] Grab whatever

you can, and strap it down!

[SOLDIERS SHOUTING]

[ELECTRICITY CRACKLING]

- Hey! Hey!

- [SOLDIER 3] Let's go!

Hey, what's going on out there?

Hey!

Hey!

[ROSE GASPS]

Who the hell are you?

Cool it 15 degrees.

We're losing structural integrity.

[OPERATOR] Base station, I'm

patching through a call from the WDC.

Got it. On the screen.

Where is Nikhil?

Not available.

We're a little busy

here, Madam President.

We're recording global seismic activity

and you're the primary epicenter.

- What have you done?

- W-we just

Whatever it was, stop it now.

We don't know how. The

entity is out of control.

Let me be clear.

We have a global seismic

event with multiple epicenters.

We have to stop it

before it gets any worse.

I think I can do it.

I sabotaged the suits.

You don't even have a

You won't be tethered.

You could be trapped in there.

I have to try.

I have to try, Maya.

I'm the only one she'll let in.

[ELECTRICAL HUMMING]

Hinata

Hinata!

[HINATA, IN JAPANESE]

Why did you hurt me again?

I didn't

I never wanted

never meant to hurt you

Ever

[HINATA] Then come back to me.

I said those words so many times.

"Come back to me "

"Come back, Hinata."

"Come back, Hinata."

[ENERGY HUMMING]

[HUMMING INTENSIFIES]

[DISTORTION ECHOING]

I know what pain feels like

I've lived with it every

day since she left

You left

[HINATA] Then let go of your world

and come to mine

We can be together.

We'll always be together.

But not like this

because

my Hinata is dead

[DEVICE POWERS UP]

[HUMMING INTENSIFIES]

[ELECTRICITY CRACKLING]

[NO AUDIBLE DIALOGUE]

[ALARM BLARING]

[ALARM ENDS]

[PEOPLE CHATTERING]

is gonna sting. Okay?

You pulled away from me.

I know.

I know, Casp.

It's just

I feel like some part of

you is still with them.

And I need to know which part.

Casp,

whose side are you on?

I'm not with them.

I don't wanna be.

I saw your face when I

showed you the drawing.

It was everything to me. I looked

at it every day, for months.

You don't even remember

drawing it, do you?

Look at it.

Casp, look.

Are you here?

Or are you still there?

[ECHOING] Nikhil!

[MOUSE CLICKING]

[MAYA SIGHS]

Mitsuki, what are you doing?

Checking the readings

from Nikhil's suit,

from when he went into the alien.

The atmosphere, it wasn't ours.

Maya, the alien

It was a portal.

Our way in.

It was our only way into their world.

And I destroyed it.

I destroyed it.