[OTTO] Ah!
Oh, gee!
Sam!
I'm okay.
- Sam!
- I'm okay.
No!
The f*ck off me, Sasquatch.
I can't breathe.
[FOREBODING MUSIC]
[GASPS]
♪ ♪
It's Colin's girlfriend.
Hey!
Hey, you!
Inside!
We saw you in Colin's house!
Uh, what, what?
Tell us your name!
Sweetheart,
this... this is gonna go very badly
if it goes any further.
The neighbors
have already called the cops.
Open the door,
set the g*n down where we can see it,
then go back inside,
lie face down with your arms out.
[DRAMATIC MUSIC]
♪ ♪
[GROWLS]
♪ ♪
[MARJORIE] Pete?
I have no idea what he's up to.
[AUDREY] You were
working together last week.
That was last week.
Look, if you're gonna sh**t me,
sh**t me, 'cause I'm tired.
I know it's something to do with
the storage facility in Mount Vernon.
Pete and Maggie were involved in
a robbery there three years ago.
You take my advice,
and you stay
as far away from that place
as you can.
Why?
The owner is not a good man.
I met him. Luka something.
[SIGHS] Do you know
where your family is, Audrey?
I am so sorry.
Shut up.
[BREATHING HEAVILY]
Is anybody else here?
No.
[GROANING]
Oh, f*ck!
[HANNAH] Help!
[DESOLATE MUSIC]
♪ ♪
Sammy...
[OTTO] Sammy!
[♪ THE BRIGHT LIGHT
SOCIAL HOUR: "HARDER OUT HERE"]
♪ ♪
♪ It's getting hot around here ♪
♪ Ah ♪
♪ I keep trying to just make my way ♪
♪ It's not lying ♪
♪ Ah ♪
♪ I'm only trying ♪
♪ ♪
♪ Just trust in me ♪
♪ Trust in me ♪
♪ Just trust in me ♪
♪ Trust in me ♪
♪ Just trust in me ♪
♪
[BRIGHT MUSIC WITH STEEL DRUM]
♪ ♪
Hey, [SPEAKING NATIVE LANGUAGE]
go get two...
Rakija.
You think they have rakija
in f*cking casino?
No, whiskey.
Whiskey.
♪ ♪
Got any quarters?
For what?
The slots.
I want to make it look real.
They don't take coins anymore.
Get a card.
No bucket of nickels?
♪ ♪
Bako.
You have hundred?
Nyet.
♪ ♪
Any idea
where the leak is coming from?
No, I just called maintenance.
Oh, and by the way,
I spoke to our slot guy.
He said a bank of slots
doesn't come in a crate.
Oh, really? Even the Excelsior ,
the new non-touch eye-tracking slots?
Okay, let's open it up
and see what happens.
Maybe it'll get water damage.
- Get the crowbar.
- No, no.
- Get the crowbar.
- No, no, no,
we can just move the slots
and then, you know,
until we get the leak stopped.
Why would you move it?
It's protected already.
All right, we're probably going
to have to move the buffalo,
but I think it weighs, like,
pounds or something.
Uh, call Facilities,
see if we can get
some moving guys up here.
May I make a suggestion?
For the time being, just cover it.
The painter over there
has a drop cloth.
I'm sure she'll let you use it
to cover the buffalo.
[SMOOTH MUSIC]
♪ ♪
[MARIUS] Just cover the slots
too, okay?
I'd better call Suzanne.
Keep on maintenance to stop the leak.
♪ ♪
[PHONE BEEPS]
[GAS WHOOSHES]
She climbed out of the storage unit,
kept crawling over the ceiling
until she got to the bathroom,
knew it would be unlocked.
Okay, but she got out.
Why the hell would she stay there?
Figured it'd be safer
than being on the street
with Luis looking for her.
How much of a lead does Colin have?
Ten minutes.
Go.
No, no.
Not until the ambulance gets here.
Go. Unless you're going
to give me a transfusion,
you're useless here.
Hey, this make us even?
For what?
Vietnam.
I just saved your life.
Yeah, before I called the ambulance,
so technically,
I saved your life more recently.
assh*le.
Takes one to know one!
I thought you were the bad guys.
Julia?
It's Grandpa.
You're in danger.
Come on.
Ugh.
[CLEARS THROAT]
What are you doing?
It went straight to Otto's voice mail.
Great, I'll text him. Jesus.
[PHONE RINGS]
Is it Otto?
No, it's Taylor.
Well, give it to me.
Give it to me.
Yes?
- Where are you?
- [AUDREY] Headed back
from New York. Why?
You need to turn around.
Roby got the test results back
from the blood she found
on Winslow's car.
Belongs to a post-menopausal
Caucasian... Hey.
Caucasian woman.
[TAYLOR] Grandma, she's...
She's going to want a cheek swab.
She has more than enough
for a warrant.
Once she has your DNA,
she'll be able to
put you in the car with Winslow
on the night he d*ed.
Maybe the cops will
find the g*n that k*lled Winslow
before Roby finds you.
What you gotta do...
What you have to do
is stay away from the farm
for as long as you can.
I can't.
[TAYLOR] Why? Grandma, what...
There's a thr*at against the family.
[TAYLOR] What?
Pete and Maggie
are involved with a man
who said he was gonna
burn down the farm
with everyone inside it.
What?
Oh, for f*ck's sake.
Okay, okay, okay.
Look, look.
I will round up Grandpa and Julia.
Then, I'm going to go to the farm.
You have Carly,
so just stay away.
Yeah, okay.
Look up Lori Tuttle in my contacts.
Who's Lori Tuttle?
She's an old friend of mine.
She's... She's who you're
going to be staying with tonight.
What? No, Grandma, I'm not going...
It's not an argument.
It's not a discussion.
I don't know what the hell's
gonna happen back home,
but you aren't going anywhere near it.
You shouldn't, either.
Look up Lori Tuttle!
Gr... [SIGHS]
Hey, here it comes,
here it comes, here it comes.
[SMOOTH MUSIC]
Why is it dragging?
♪ ♪
[AJ] Think something's caught
in one of the wheels.
Whoa!
♪ ♪
[ELECTRONIC BEEP]
♪ ♪
Oh, sh*t.
This machine! This game is rigged!
Help! It's taking my money!
[PORTER] Somebody get the management!
Anybody!
The machine's not working!
- Come on, come on...
- Somebody!
Please!
[SLOT MACHINE CHIMES]
Ah! Never mind, never mind.
Whoa, hey, look at that!
[LAUGHS]
[MAN] Well, why'd you say it's rigged?
[PORTER] Well, take a look.
Yeah.
[SLOT MACHINE BLARES]
♪ ♪
Uh...
Hey, I got the green lights!
I see the lights flash and everything,
but where's the money?
Come on, where's the money?
♪ ♪
[ELECTRIC SAW WHIRRS]
Where's the money? You see the flash.
Everybody, they going away
from me now.
[PORTER] Fix the damn machine!
[♪ TOM PETTY: "YOU WRECK ME"]
[COUGHS]
♪ ♪
[TOM] ♪ Tonight we ride ♪
♪ Right or wrong ♪
♪ Tonight we sail ♪
♪ On a radio song ♪
♪ Rescue me ♪
♪ Should I go down ♪
[GAS HISSING]
♪ If I stay too long ♪
♪ In trouble town ♪
♪ Oh ♪
♪ Yeah ♪
Stop the case!
[TOM] ♪ You break me in two ♪
♪ But you move me honey ♪
♪ Yes you do ♪
♪ Now and again ♪
Go, go, go, go, go.
♪ Well if I don't win ♪
♪ I'm a-gonna break even ♪
♪ Rescue me ♪
♪ Should I go wrong ♪
♪ If I dig too deep ♪
♪ If I stay too long ♪
FBI! Freeze! Stop!
[TOM] ♪ Yeah ♪
♪ You wreck me baby ♪
♪ Yeah you break me in two ♪
Keep moving, go, go, go.
[TOM] ♪ But you move me honey ♪
♪ Yes you do ♪
♪ ♪
Where is the buffalo?
I heard somebody say it went that way.
Hey, I don't know
if I'm really comfortable
with these expensive machines
staying here
if sh*t's getting stolen.
Well, get 'em out.
You heard the man.
♪ ♪
Thanks.
♪ ♪
[TIRES SQUEAL]
You, in the truck!
Do not move!
[MAN] Check the front.
[MAN] All clear.
Let's open it up.
[UNEASY MUSIC]
♪ ♪
[CHAINSAW WHIRRING]
[PHONE BEEPING]
[CHAINSAW WHIRRING]
- Wait.
- [KENT] It's empty.
The buffalo's f*cking empty!
You did it, chief.
[PHONE BEEPING]
[FRANK] Yeah.
Where are you?
Almost there.
And what happened with the FBI?
They took bait,
hook, line, and sinker.
Miro watched Maggie.
[LUKA] Where's Marius?
Last I saw him,
he and Gina were running for his car.
[SMOOTH, QUIET MUSIC]
♪ ♪
I'll wake you when we get there.
Ugh, I'm fine.
♪ ♪
Where is he? Marius?
[FRANK] Not here.
I told you they would try to f*ck me.
That you did.
[PHONE TRILLS]
[SUSPENSEFUL MUSIC]
[BOTH SPEAKING NATIVE LANGUAGE]
[LUKA] No f*cking Marius here.
Money must be in bags.
Where are they?
Bags still on the car.
♪ ♪
[SPEAKING NATIVE LANGUAGE]
[BREATHING HEAVILY]
[SPEAKING NATIVE LANGUAGE]
m*therf*cker!
We unpack buffalo.
Open f*cking case.
f*ck!
Buffalo's never been opened!
[GRUNTS] I'll open it.
[SPEAKING NATIVE LANGUAGE]
♪ ♪
f*ck.
[SPUTTERING AND HISSING]
Nothing.
[SPEAKING NATIVE LANGUAGE]
Money never in f*cking buffalo.
What, they put on
a whole f*cking show?
Buffalos, casinos...
♪ ♪
Right, they... they...
They want me here.
They don't want me there.
Where?
Why Maggie rented locker
for f*cking niece.
To get entry code to get in.
♪ ♪
[CAR ENGINE APPROACHES]
[COCKS g*n]
[TIRES CRUNCH ON GRAVEL]
[SUSPENSEFUL GUITAR MUSIC]
♪ ♪
Place is still standing.
♪ ♪
I don't see anyone.
You in Mount Vernon yet?
♪ ♪
[AUDREY] Otto.
If you run into that little prick...
What's his name?
Yeah, yeah, Colin.
Well, if you run into Colin,
watch it.
He struck me as a punk
with something to prove.
♪ ♪
- Hello, Marius.
- Oh, sh*t.
Hand me your g*n, grip-first.
Very slowly.
I was told someone might be coming
to burn this place to the ground.
I didn't imagine it would be you.
Oh, no.
No, it's not... I'm not.
No, my...
Pete's mom, Maggie...
She told me to come here
and to make sure that nothing happened
to the farm
or to anyone in the family.
Put these on.
Ah, ah, ah.
Now tell me what the hell is going on.
Get in the driver's seat
and keep the engine running.
We're here?
If you get anything close
to a bad feeling,
you get the f*ck out of here.
What?
But this isn't Durham.
We were supposed to
meet Maggie in Durham.
We're in Mount Vernon.
Why are we in Mount Vernon?
'Cause this is where the money is.
[SUSPENSEFUL MUSIC]
♪ ♪
Listen, Valerie.
I know you're here.
It's smart,
coming back to a locked unit.
My name is Colin.
Luis sent me.
He wants to make things right.
I'm gonna disarm this lock,
and then we'll talk.
[g*nsh*t]
♪ ♪
Valerie, what are you doing?
[COLIN] Are you standing on the door?
Look,
I know you're probably scared.
[COLIN] Just open the door,
and everything's gonna be okay.
[SUSPENSEFUL MUSIC]
♪ ♪
I remember you.
Valerie, open the f*cking door,
or I'll blow through it!
I'm Valerie's bail bonds officer,
and I'll sh**t back!
♪ ♪
Bail lady,
I told you what would happen
if we met again.
♪ ♪
Look, I got no beef with you.
Open the door and walk away.
That's not happening.
Hard way it is.
Who the f*ck are you?
[AYAWAMAT] We're both looking
for Valerie.
She's in here with her bail lady,
but I got here first.
I got bail lady's cousin.
Split?
Why not?
Bail lady,
your cousin's here.
[EERIE MUSIC]
Pete?
Julia, don't open the door!
Look, Julia,
you're out of options.
[COLIN] Give us Valerie,
and we'll give you Pete.
Otherwise,
he dies now,
and we come through the door
and k*ll you both.
[OTTO] There is another option.
f*ck.
Put down your weapons
and let my grandson go.
I don't think so.
Listen, numb-nuts,
my cop grandson is right behind me.
You got about two seconds
to put your f*cking weapons
on the floor.
You can sh**t me,
but they already know
who the f*ck you are,
sh*t-for-brains.
♪ ♪
Come on, kick 'em over here.
Kick 'em over here!
Get away from the door.
Julia...
- You okay?
- Uh, been better.
[JULIA] What are you doing here?
- Yeah, what are you doing here?
- I'll tell you later.
Come on, we gotta get out of here.
No, you go, you go.
Taylor should be here by now. I'll...
[OTTO] I'll handle these guys.
Wait, wait, Grandpa, you don't...
I will handle them.
[PETE] Come on.
♪ ♪
Wait, wait, wait, Julia!
Julia!
- No, no, no.
- Go, go, go, go!
Go.
[COLIN] What are you gonna do,
old man?
You gonna k*ll us?
k*ll you?
Why the f*ck should I even bother?
Prove something to yourself.
[OTTO] Let... let me ask you
just one question.
You guys ever met each other before?
The f*ck you care?
'Cause your friend here...
He's the guy
that stuck his Kn*fe
in your old man's neck
and k*lled him.
♪ ♪
m*therf*cker!
[BOTH MEN YELLING]
♪ ♪
[g*nsh*t]
♪ ♪
[TAYLOR] What the hell is going on?
Can I explain later? Right now,
we need to get her to jail.
I'm no safer in jail
than I was here.
Yeah, but in jail,
you're not my problem anymore.
Where's Grandpa?
[OTTO] Grandpa is right here.
Where's Pete?
Isn't he with you?
[TAYLOR] Why the f*ck is Pete here?
Yeah, Pete can take care of himself.
We gotta go.
What did you do to those guys?
I just made an introduction. Come on!
♪ ♪
I f*cking knew it.
[CLAPPING]
He f*cking knew.
[LUKA] Bravo.
So many clever people.
Marius, I want to know about this.
Maggie go to great length
to get code to get in.
You?
Uh, when, uh, Frank and... and Joe
brought me here for the first time,
I... I, uh... I memorized it.
[CHUCKLES]
You memorized it?
Good for you.
[INHALES HEAVILY] Hey,
you know how money end up behind wall?
[LUKA] Maggie just tells me.
Good story.
I was fixing wall
after FBI tore it open
was when Maggie and boyfriend
found money.
Boyfriend, bleeding,
looking for hiding spot for money,
unscrewed drywall,
hide money,
screw back in.
[SPEAKING NATIVE LANGUAGE]
That make you laugh?
Me here,
money right there, whole time?
[LUKA] Is that funny to you?
[LAUGHS]
Is good joke to end on.
[SIGHS] Hey, so...
Maggie tell me
to wait for you to show up
before I k*ll her.
Said you are reason
she is here
with my money.
I... I don't know what that...
that means.
No?
No.
[SPEAKING NATIVE LANGUAGE]
- What?
- [LUKA] No?
What? First she is here,
now you are here.
All [SPEAKING NATIVE LANGUAGE]?
It's "coincidence."
[LUKA] Coincidence?
Oh, no, no, it's not a...
it's not a...
it's not a coincidence, no.
I... I figured it out.
[MARIUS] A couple of days ago,
I tried to open the buffalo,
and she stopped me,
and that's when I knew the...
the... the money
wasn't in the buffalo,
and then when she, um,
rented the locker for Julia,
I knew the money was still here.
Somewhere.
But you still need Maggie
to show you where?
And if you'd been faster,
you'd be gone. That was plan?
Yeah. Yeah.
That was...
[SPEAKING NATIVE LANGUAGE]
[WHISPERED] All you had to do
was trust me.
[WHISPERED] Like you trusted me?
$ million is big payday.
Why not work together?
[MAGGIE] I had to do it this way
so that I could give it back to you.
A lie.
I swear, it's not a lie.
No? What, then?
You have f*cking vision?
Yes.
Of your future.
Huh?
Tell.
What is my future?
I can't... I can't...
[SPEAKING NATIVE LANGUAGE]
Gypsy f*cking bullshit.
[UNEASY MUSIC]
I pour you some of my special brew.
♪ ♪
Luka, you have the money.
You won.
Doesn't matter.
Frank understands.
That I do.
You make big show for Luka.
Buffalo, casino, secret meeting,
all lies.
You lie with mouth,
you lose mouth.
[PETE] No, no, no, no!
She's not lying!
- Shut up!
- She's not lying!
[SPEAKING NATIVE LANGUAGE]
For that, you drink first.
No, no, I know...
I know what her vision is.
Say it.
Say it!
She's been working me all along.
She...
She wor...
She ordered me to protect her.
What is vision?
It's that I k*ll you.
[LAUGHS]
You think con man will protect you?
Con man is cheat, sneak,
only take care of self. [g*n COCKS]
People change.
[SPEAKING NATIVE LANGUAGE]
[g*nsh*t]
[UNEASY MUSIC]
What the f*ck?
Marius, put down the g*n.
♪ ♪
Put down the g*n and kick it away.
♪ ♪
Luka, you think
I'm gonna let Marius k*ll you?
♪ ♪
Promised I'd do that myself.
[g*nshots]
♪ ♪
[ACID SIZZLING]
[LABORED BREATHING]
♪ ♪
Frank...
♪ ♪
[MARIUS] Frank...
♪ ♪
I didn't k*ll Joe.
If you hadn't f*cked around,
Joe wouldn't have d*ed!
That's on you!
[YELLS]
♪ ♪
[g*n COCKS]
♪ ♪
Gina,
take your g*n and point it at Maggie.
What?
What now?
We're gonna take what we came for.
Three people just d*ed.
Death is just a transition,
right, Maggie?
[KENT] FBI! Hands up!
Drop your weapons!
Drop 'em!
Everybody down on the floor.
- Let's see your hands.
- Don't you freaking move.
Get some EMTs here now.
♪ ♪
See, Marius? If you'd taken
our immunity deal,
you'd be walking out of here
a free man, but you didn't.
How did you find us?
We tracked his phone.
So we still got your cooperation,
and you got nothing.
[GREER] What about these two?
No federal warrants pending.
Cut 'em loose.
Change of plan.
What?
[JULIA] I'm not taking her to jail.
[SLOW MUSIC]
♪ ♪
We got it!
[PEOPLE CHEERING]
[LAUGHTER]
That's my boy.
♪ ♪
We got it! [LAUGHS]
Way to go, girl.
You didn't trust me?
It's not about trust.
It's about as few people knowing
as possible. What happened?
We came as soon as we got your text.
You were supposed to call, not text.
Texts get delayed.
Oh, I'm sorry.
I had a Kn*fe to my throat.
Is Luka alive or dead?
He's dead.
[KENT] So's Frank and, uh,
the bald guy.
[GREER] The big hairy one's
in the wind.
They were the ripcord?
Oh, yeah, Gina, meet Adam and Nicole.
Hey, how you doing?
I thought you guys were real.
Yeah, maybe a little too real.
Next time, warn me
about that stomach punch.
[ADAM] Well, fake looks fake.
Are we gonna stand here
jawing about old grievances,
or are we going to chop?
Let's chop.
Let us chop!
Come on. [LAUGHS]
So them chasing Luka
and the second buffalo...
We needed to sell it to Luka.
Let's open it up.
[FAINT MUSIC]
♪ ♪
Where is he?
o'clock, in the trees.
Too far to hear voices.
Chainsaw?
Chainsaw.
♪ ♪
But they had files on us.
[MARIUS] Yes, they had files.
Files you never saw the inside of.
Anyone want these magazines?
Yes, yes, I'll take them.
Nerd. Reduce his cut.
♪ ♪
You okay?
Yeah, why?
I've known you longer
than you've known yourself.
You and Maggie worked well together.
Yeah, until she tried
to pull a switch on me.
No hard feelings.
It's all part of the game.
Switch?
What's this?
♪ ♪
Where'd you find that?
It's at the bottom
of one of the boxes.
♪ ♪
[PORTER] Marius?
♪ ♪
[PORTER] What's wrong?
♪ ♪
[COUGHING]
[COUGHS]
[PHONE VIBRATES]
[SIGHS] Hello, Marius.
There's a g*n pointed at my head.
If you don't give them the money,
they're going to f*cking k*ll me.
[MAGGIE] I decided to switch the money
when I realized your FBI were fake.
Of course they're fake!
That's why they have a g*n
pointed at my head.
You know when I realized
they were fake?
They weren't in my vision.
[JAUNTY STRING MUSIC]
Maggie,
your vision
is gonna get me k*lled.
[MAGGIE] Marius,
I applaud your ability to...
How do you say it?
Never drop the con?
I saved your f*cking life,
and this is the thanks I get?
You know, when you look back,
you'll see
your big mistake was not believing me.
Listen, listen, okay, look.
They're... they're agreeing
to take half.
All right? I think that's reasonable.
The only time I ever lied
is when I said my vision had changed.
Never changed.
The only way we get to be free
is giving the money back to Luka.
[HANGS UP PHONE]
♪ ♪
Open the f*cking door.
[COUGHING, SPUTTERING]
During this next part,
whatever pain you're feeling,
I want you to think of Reggie.
[DISCONCERTING STRING MUSIC]
♪ ♪
How much?
$ million.
♪ ♪
Is that why they didn't say anything
about a thr*at to the family?
Because they wanted the money?
No.
The bad guy said
if it looked like you knew,
that they'd k*ll all of ya.
That's why.
And now all the bad guys are dead,
according to Maggie's text
on your phone.
Yeah.
♪ ♪
That should be her.
That should be Maggie, right now.
♪ ♪
It's not.
♪ ♪
[UNEASY MUSIC]
♪ ♪
[AUDREY] [COCKS g*n]
You work for Luka.
I saw you in Mount Vernon.
What are you doing here?
I have job.
Looks like you have two jobs:
sh**t me and burn down the house.
Why would you want
to do something like that?
I give word.
To the wrong man.
You go now, I won't stop you.
If I don't?
You gonna sh**t me?
You do anything other than
drop that g*n, I will.
Come on now, son.
Your boss and
the other g*n thugs are dead.
Just go.
[AUDREY]
Maybe try another line of work.
Maggie Murphy's mom.
[QUIET MUSIC]
♪ ♪
Got her passport?
And the bag?
[PHONE VIBRATES]
sh*t.
What?
Roby.
[SOFT ELECTRIC GUITAR MUSIC]
♪ ♪
Taking it all, huh?
It'll barely cover
what we lose by you skipping.
How am I supposed to get
from Canada to Mexico?
Walk? I don't know.
I could still take you to jail.
No, no.
[SIGHS]
Does this make things good between us?
No...
...but they will no longer be
as bad.
[GUITAR MUSIC]
♪ ♪
Marius told me everything.
Marius?
Is that true?
Okay...
Well, Mom,
it was the only way I could see
to get through it.
Did you get the money?
No, no one did.
Ah, then it was all for nothing.
Oh, my God, Mom,
the house is still standing.
We're all alive! Oh, my God.
I gotta get going.
I j... I just came back
to make sure you were okay and, uh,
see if, um,
Marius here needed a ride.
Yeah, that'd be good.
Where's Pete?
I... I don't know.
I think he's mad at me.
Things didn't work out
the way he hoped.
I think he'd want
to come back here, though.
Given his involvement in all of this,
I can't say he's welcome.
Well, Mom, you know,
you have a problem forgiving people.
Maybe you could give Pete a try,
see how that works out.
Will you, um...
[SIGHS]
Will you tell Dad I love him?
You could tell him yourself.
[MELANCHOLY MUSIC]
No, I... I think I need to put,
um, miles between myself
and everything here.
Uh...
♪ ♪
Take care, Mom.
♪ ♪
You're an odd one, Marius.
♪ ♪
But I like you.
♪ ♪
You know,
you never apologized.
♪ ♪
Neither did you.
♪ ♪
[PHONE RINGS]
I...
♪ ♪
Audrey Bernhardt.
♪ ♪
Oh, hello, detective.
You leave the package?
Yeah, I did.
You didn't tell her who you are.
I wanted to, Mom,
but then, you know,
with everything that's happened,
we can't stay here right now.
What's the point
in making things worse?
Yeah, well,
me and you,
we have family.
What does Marius have?
♪ ♪
Look, I... I know this wasn't
the score we talked about.
Not even close.
Look, Marius,
it ain't bad for three days' work,
but you promised this was the big one.
Where you going?
I don't know.
I just hope it's somewhere
you can't find me.
$ million, almost too much.
Yeah, well, you know what they say:
go big or go to Canada.
You almost ended up
in a tub of acid, you know that?
The key word there is "almost."
There's another "almost."
You almost k*lled a man.
You think about that.
♪ ♪
- [ROBY] Hello.
- Look, Detective,
I don't know why you've got
my grandmother in your sights,
but I'm advising her to lawyer up.
Really?
Well,
when I talked to her, she said
she'd give a cheek swab
- voluntarily.
- You talked to her?
- Just now.
- Without telling me.
Well, we already spoke.
Did you Mirandize her?
Oh, Officer Bowman, please,
just listen.
When I spoke to her,
I told her that a cheek swab
would not be necessary at this time.
A text came in to
the Connecticut state tip line,
saying there was a g*n at an address
that may be linked
to the m*rder of an NYPD cop.
Wow.
It gets better.
Staties say the owner of the house
has been on their radar
as a possible contract k*ller.
Holy sh*t.
And the suspected hitman's son
has a girlfriend...
apparently they all live together...
And said girlfriend sh*t a man
in Bridgeport earlier this morning.
Given that tip,
state police ordered
a preliminary comparison
between the slug
from this morning's sh**ting
and a slug from Winslow's chest,
and they say it's a match.
No sh*t?
No sh*t indeed.
Wow.
Wow, I guess you'll be sticking around
a little bit longer, then.
Sadly, no.
Captain called,
needs me back in the city.
Case is once again
in Bridgeport hands.
My guess,
they'll stick with
the original theory.
[ROBY] Winslow was a dirty cop,
k*lled by a pro.
[ROBY] Or...
Your grandmother sh*t him...
by accident, I'm sure;
she doesn't come across
as a stone-cold k*ller...
and you covered it up,
planted the g*n at the hitman's house,
texted the tip from a burner,
and let nature take its course.
But I'm gonna go with option A.
Dirtbag on dirtbag crime
makes a lot more sense.
If you're ever in the city,
give me a ring.
I owe you a meal.
[OTTO] It worked, what Taylor did.
For now.
Ah, they have a dirty cop's m*rder
and a dead hitman to pin it on.
File is closed, belie... trust me.
What about all the rest?
Bodies... bodies in Mount Vernon?
Bad guys all around.
No one gives a sh*t.
Sam got sh*t.
Yeah, he told them
he was tracing a skip,
and then he pulled the age card,
said he couldn't remember any more.
[CHUCKLES]
She didn't say if she was coming back?
All she said, I told you.
Well...
It was good seeing her.
What a price.
[LOUD BANG]
I'm not sorry, Carly.
[AUDREY] I'd do anything
to protect you,
even piss you off.
Is everyone okay?
Yes.
Hey, want a sandwich?
I want sleep.
[TENDER MUSIC]
♪ ♪
Mrs. Reid.
What can I help you with?
Where can we talk?
Stay there.
We don't want to raise
any more eyebrows.
What does it matter?
Sean already knows everything.
Yeah, I know. He told me.
He also told me you were f*cking
that New York detective.
I'm not f*cking her.
We were working a case.
Taylor,
I didn't believe him.
I know you a little bit.
Yeah.
Look,
my apartment's kind of small,
but we could make it work
for a couple of months,
till we find our own place.
You changed your mind.
Not about you.
Just...
just about leaving right now.
No, no, I get it.
You know?
Timing's wrong.
I need to be patient.
It's not a matter of "if,"
but "when."
Oh, my God, you believed him.
[SHANNON] That bullshit
he likes to spout about
love or money...
"If you say you want both,
you want money"...
Well, fine...
I want love.
Then leave.
Not until I know
what he's doing at Hartford.
Used to be, putting your family
out of business
was the icing on the cake.
Now it's the cake.
You need somebody on the inside.
[FAINT DISQUIETING MUSIC]
Mm.
[SNIFFS] Well...
♪ ♪
If we're going to do this
the right way,
then we need to set up
a series of dead drops,
so that you can leave information
and I can get it.
What are you talking about?
Well, you... you're going
to be our spy, right?
So you need to earn Sean's trust back,
which means that we can't
see each other.
No phone calls, no texts,
no contact.
And then, in a year,
maybe two,
maybe he'll let down his guard enough
to actually say something to you
worth hearing.
♪ ♪
f*ck.
♪ ♪
You get some sleep?
I will.
I just wanted to thank you for
taking me on that
little adventure to New York.
It was fun spending time with you
and tracking down that woman.
I'm glad.
I've even forgiven you
for dumping me at your friend's house.
But what I can't forgive you for
is lying to me
about my parents' death.
What are you talking about?
Aunt Maggie left me a bunch of letters
my mom wrote her,
and this one is postmarked
the day before Mom and Pop
were k*lled.
Read it,
and then maybe you can tell me
how everything you've told me
isn't a lie.
[UNEASY MUSIC]
♪ ♪
I backed out, Marius,
so, technically speaking,
you don't owe me anything,
but that is certainly not enough.
The rest was soup.
♪ ♪
Well, you made it out alive.
Barely.
I almost k*lled a man.
Hey. Was he a good man?
Do you know any of those?
What do you think
you're going to do now?
It's too bad you're b*rned
with the family.
No, I'm not.
I got a call from Audrey,
checking in to see if I was okay.
Pete didn't tell them anything.
I thought he was desperate
to go back to them.
I know. I guess he just didn't want
to turn their lives upside-down again.
I did like the grandma.
Yeah, yeah.
Go back.
I don't know. I guess there's...
there's some con
you could run with bail bonds.
Oh, for God's sake,
Marius, come on!
You like them.
Why can't you just admit it?
You really have
the wrong impression of me.
- Really?
- Yeah, I'm a bad person.
I'm a bad person.
[UNEASY MUSIC]
♪ ♪
Marius, you threatened
to k*ll yourself
if they harmed Julia.
♪ ♪
[PHONE RINGS]
You.
You sound surprised.
[JULIA] Shouldn't I be?
Listen, I'd like a...
a chance to explain myself
to, uh... to the family.
Why should we believe you?
Julia, I... I didn't...
I didn't know what to do.
That's why I wanted you
to carry a g*n.
Did you have Carly carry a g*n?
Taylor?
Taylor's a cop.
He always carries a g*n.
Shut up.
I was thinking
I could come to the farm
and... and say my piece, and then,
if you never want to see me again,
it's fine.
Okay.
[MARIUS] Thank you.
Look, I'm meeting someone.
I've gotta go.
[HANGS UP]
Mr. Bagwell.
[BAGWELL] Ah, Miss, uh...
begins with a B.
Bowman, Julia Bowman.
Right.
Would you care to sit down?
Thank you.
How's your daughter?
Losing a pet can be traumatic
at any age, especially for a child.
She's getting through it.
But that's not why you're here, is it?
- No.
- No.
Well, I hope you're not here
to make excuses for your ex-boyfriend.
He was supposed to come see me,
and he hasn't.
No, that's not it.
Then what can I do for you?
This is gonna sound a little strange.
You know, Miss Bowman,
I work with ex-convicts.
I live with strange.
All right, well,
my ex-boyfriend...
What's his name?
[♪ DIVINE FITS: "FLAGGIN' A RIDE"]
♪ ♪
[MAN] ♪ I know you see me,
I'm just like you ♪
♪ ♪
♪ I'm just trying to make my way ♪
♪ I got a feeling
that you can relate ♪
♪ A lot of talk
but you sh**t straight ♪
♪ ♪
♪ Can't you see me wavin' ♪
♪ I'm flaggin' a ride ♪
♪ ♪
♪ Can't you see me wavin' ♪
♪ I'm flaggin' a ride ♪
♪ ♪
♪ Maybe you've been
caught out once before ♪
♪ ♪
♪ Maybe you're an angel disguised ♪
♪ ♪
♪ Maybe you've got room to spare ♪
♪ ♪
♪ Can't you see me wavin' ♪
♪ I'm flaggin' a ride ♪
♪ ♪
♪ Can't you see me wavin' ♪
♪ I'm flaggin' a ride ♪
♪ I'm out in the cold ♪
♪ ♪
♪ I'm-m out in the cold ♪
♪ Ahh, oh ♪
♪ Oh, oh, oh ♪
♪ ♪
02x10 - Switch
Watch/Buy Amazon
"Sneaky Pete" is about an ex-con who, when released from prison, assumes the identity of his cell mate, Pete and moves in with his long-estranged, unsuspecting family, where he discovers the family life he's never had.
"Sneaky Pete" is about an ex-con who, when released from prison, assumes the identity of his cell mate, Pete and moves in with his long-estranged, unsuspecting family, where he discovers the family life he's never had.