07x02 - Six Hours

[bunniefuu]

Anyone who tries to get to me...

is gonna have to get through them.

- _
- [Walkers growling]

- Morgan Jones?
- I'm not worried about him.

[expl*si*n in distance]

The warheads are separating.

I'm sorry it has to end this way.

[Baby crying]

I can hear her, Morgan.

[Baby crying continues]

Oh, it's alright.

[expl*si*n]

Go. Go, go!

[Mo crying]

♪

[Crying continues]

♪

[Crying continues]

[Sighs]

GRACE: Didn't she just go to sleep?

Think so.

[Crying continues]

[Rufus whines]

Let's go.

You're good.

I know, baby.

I know, I know. Shh.
It's alright. You're doing great.

There you go.

Come here. Come here. You're doing good.

It's alright.

It's alright. I got you.

[Crying continues]

What's wrong?

It's the same as last time, alright?

She's hungry.

[Crying fades]

[Wind howling, metallic creaking]

_

[Mask hissing]

[Walker growling]

[Door bell jingles]

[Geiger counter ticking]

[Rat squeaking]

Anyone there?

[Banging in distance]

I said, anyone there?!

Shoo.

Aw, sh*t.

Oh, God.

_

[Door opens in distance]

[Shelf clatters]

MAN: You hear that?

What is it?

♪

I don't know. Over here!

♪

[Man breathing heavily]

♪

♪

- [Man grunts]
- [Rat squealing]

- WOMAN: Aah!
- Oh!

[Gasps]

Fred, it's just a damn rat.

Ah, sh*t. I clipped it.

♪

Come on. Let's go.

♪

[Door opens, bell jingles]

[Door closes, bell jingles]

♪

♪

♪

[Geiger counter ticking]

_

Damn it.

♪

[Grunts]

I'm right here!

- I said I'm right here!
- [Door opens, bell jingles]

[Walker growling]

Didn't you hear me?!

♪

[Chuckles]

You can rob me!

You can take everything from me!

[Sobbing]

♪

I mean it!!

I don't even want to be here!

♪

[Sobbing]

I don't want to be here anymore!

[Walker growling]

♪

♪

[Crying]

MORGAN: Come on. You don't
want to try some of this?

No? Okay.

I don't know. She ain't gonna eat it.

If she's hungry, she will.

She's not ready for solids.

[Crying continues]

Alright, so it's my turn to go out.

Maybe I'll have better luck.

No. No, I'll go.

Hey, wait. Stop. What? Stop.

There's a reason why there's a limit.

You were exposed once before all this.

- I know.
- And we talked about the fallout

and the weather patterns and...

and the readings you were getting,
and you said six hours.

That was you. You said
six hours is the longest

that either one of us
could be out there.

You said that, right?

Yeah.

Then it's my turn, Grace.

And I'll be back before
the clock hits zero.

[Crying continues]

You'll be fine.

Maybe sing to her.

That used to soothe Duane.

Oh. Okay. Okay.

[Crying continues]

[Keys jangling]

[Crying continues]

Okay. Okay. Please,
just... just for a little bit.

Just for a little bit.

[Crying continues]

Please, please, just for a little bit!

Please, just for a little bit.

Oh, God.

Okay.

[Crying continues]

Okay. I know.

I know. I know.

[Crying continues]

I know. I know. It's not fair.

You didn't ask to be here,
and neither did I.

I know. I know.

I know.

[Crying continues]

[Sobbing] I know what he said.

I know what he said, but I can't.

I can't sing to you.

I'm sorry. I can't.

["Baby Please Forgive Me" playing]

Please listen.

Okay. Shh.

It's alright. It's alright. Okay.

- ♪ No matter how hard I try ♪
- There you go.

- [Crying stops]
- There you go. Good girl.

Okay.

- ♪ To make me forget you ♪
- Thank you.

♪

♪ I can't get you off my mind ♪

♪

♪ So, I'm always feeling blue ♪

♪

♪ Baby, please forgive me... ♪

[Music echoing, fading]

♪ You know I love you so ♪

["Cabin On The Hill" playing]

[Timer beeping]

♪

It's okay. Hey. It's just me.

You were right.

She likes music.

[Chuckles]

Did you find formula?

No.

But I'll be honest,
I didn't really look for it.

I've been working on
something else instead.

What?

[Crying]

This is our way out of here.

You serious?

It is safe for all of us.

I made sure of it.

I made this out of a smock

I found in the ship's dental kit.

It'll protect her from the
background radiation.

It's alright. It's okay. Be good.

[Crying continues]

And the air... the air inside here

is as clean as it is inside the sub.

We should get in.

We know the number of
warheads on that m*ssile...

how they spread out, their yield,

and that the fallout will probably
cover a couple hundred miles

in any direction,

but with the fuel I got from the
sub's diesels, we can make it out.

- It's too far. It'll take too long.
- I can get as far as need to get

in less than six hours, even if
some of the roads are busted up.

We don't even know
what it's like out there.

I have stripped this thing

- of everything we don't need, Grace.
- Morgan...

It is light and it is fast.

Why are you doing this?

This is not what you wanted.

I know it, and it's no place for a baby.

So, we should go.

We can build something someplace
else that would actually last.

You're doing this for me?

And for Mo.

Hey.

You can even pick the music.

It's a road trip, right?

And it'll keep Mo sleeping.

[Engine starts]

["I'll Put That Gambling Down" playing]

♪

♪

["Untie The Ribbon" playing]

♪

♪ I'm standing in the glow ♪

♪ Of the bridges I have b*rned ♪

It's a lot worse than I thought.

The bombs detonated on the ground.

If they didn't burn clean,

there could be a lot of
dangerous stuff out here

that'll stick around for a long time.

It's a good thing we're
getting out of here.

The really dangerous
stuff... you can't see it.

This won't even pick it up.

It's gonna get a lot worse
before it gets better, Morgan.

We're heading in the right direction.

- That's what matters.
- That's what I'm trying to tell you.

- You don't know that.
- Well, I...

I feel it.

Everything I've been through and
everything you've been through.

Ain't we due a break?

[Geiger counter ticking]

♪ It's a game no one can win ♪

We okay?

We're a lot closer to ground
zero than I thought.

You certain we're on the right road?

Yeah.

That town up ahead's on the map.

[Walker growling]

♪ Untie the ribbon ♪

Maybe things are gonna get
worse before they get better.

- Morgan, we need to talk.
- About what?

About what happens when we get...

wherever we get.

- What do you mean "what happens"?
- GRACE: There's a playlist of songs

I left on this tape.

- What is this?
- I hope when you listen to them...

- No.
- ... they'll make you smile.

- Turn it off.
- I didn't know this was on there.

- Morgan, make it stop.
- Okay.

- Turn it...
- I'm trying. I'm trying.

- Stop it right now! Turn it off!
- I'm trying.

Morgan, please stop it!

- ["In Dreams" playing]
- I don't want to hear that song!

Turn it off!

[Mo crying]

- Morgan!
- Ah!

[Tires squealing]

♪

♪ I close my eyes ♪

♪ Then I drift away ♪

- ♪ Into the magic night ♪
- [Crying continues]

- ♪ I softly... ♪
- [Breathlessly] Stop it. Stop it!

- [Music stops]
- Stop it, Morgan!

It's out. It's out.

- It's out.
- [Sobbing] I don't want to hear it!

I don't want to hear it! Make it stop!

MORGAN: Ah, the wheel's bent.

Can't drive on it.

Can you fix it?

Thought I saw a body shop back there.

How much time do you need?

How much time can we spare?

minutes.

We better move.

[Crying continues]

Hey. Hey, what the hell are you doing?

Once you fix the car, you
take the baby and you go.

- What?
- The car will be lighter.

You'll get farther.

The rations will last you longer.

- You don't have to do this.
- The clock is ticking.

None of that will make
enough of a difference.

I'll get the shop open and
you can move the car.

Oh, come on. Put your
mask back on, please.

- No, there's no...
- Put it on.

- Put it on.
- There's no time to argue!

You and the baby need
every second you can get.

- What we need is you.
- That's not true, Morgan.

You've been doing all the heavy
lifting on your own already.

- You'll die.
- I know.

And I'm okay with that.

You're okay with it?

I didn't want any of this, Morgan.

I knew what it was gonna be like.

I knew how hard it would be,

how it would all probably
end in the same place,

but take longer and be a
hell of a lot more painful.

We heard Mo crying. We had to go to her.

- We have to take care of her.
- You decided that.

You put the g*n down and now you
have to live with that decision,

but I don't.

♪

I'm sorry, Morgan,

- but I can't...
- Hey.

I can't...

- Just put the mask back on. Come on.
- I can't do this,

- and I don't have it in me.
- [g*n cocks]

Hey.

Sorry to interrupt the quarrel.

But we don't really
have time for that sh*t.

- Careful, Bea!
- [Rufus barks, Mo crying]

Hey, don't.

Rufus.

- BEA: Where is she?
- Rufus, come back!

If you're smart, you'll do the same.

I hear her.

[Mo crying]

They've got her. She's here.

- Oh, hi. Hi, baby.
- Hey, you stay away from her.

Look, if you want this
car, you can take it.

It's just that Mo, our
little baby, she's inside,

and we just want to
take her someplace safe.

Mo? Her name's Emma.

And she's not your baby. She's ours.

[Crying continues]

♪

Mommy's here. Mommy's here.

♪

[Mo crying]

[Groans]

Did you even feed my baby?

[Geiger counter ticking]

♪

We shouldn't get close.

I think those are Beta burns.

They may have been exposed
to worse stuff, too.

Okay.

What's with the bandages?

Are you hurt?

Were you close to the blast?

Just change the tire.

See, I have to protect that child,

and it doesn't matter
whose kid you think she is.

Are you hearing the clicking?

Wasn't going that fast
'til you two showed up.

You wanna help?

Fix the damn tire.

[Crying continues]

Fred, come help me.

I can get us out of this.

- He'll sh**t you.
- No, I can stop him before.

Shh. Please, please, be quiet. Shh.

I know. I know, I know.
It's okay. It's okay.

Exactly what are they exposing her to?

Depends where they've been.

Right now, I'm more worried
about this running out.

She can survive them.
She can't survive this.

We fix the car, make sure that
we have everything we need,

then we move.

Okay. This won't take long.

♪

I meant what I said before.

I may not want to be here,
but I'm not giving up now.

Not like this. Not with them.

Not when I know you and
Mo could end up dead, too.

You mean that?

I do. But I'm still here.

I'm not with the person
I really want to be with.

You mean Athena?

I'm never gonna apologize for giving you

and that baby another day.

Did you really think that we can
be some kind of family with Mo?

I can't do that. It won't be the same.

- Doesn't mean it won't be something.
- [Garage door thumping]

[Walkers growling]

FRED: Bea, you gotta keep her quiet.

Shh, shh. Shh, shh, shh.
Please, be quiet. Please, be quiet.

- Please, please, please.
- Bea.

- I know, Fred, I'm trying.
- You got to stop her.

- I'm trying.
- Hurry up!

I'm going as fast as I can.

- Shut her up!
- I'm trying!

You remember what happened last time?

sh**t them!

That'll just draw more.

[Walkers growling]

Grace, get the tape.

Shh. Shh. Shh.

- [Whimpers]
- [Crying continues]

[Growling continues]

♪

What happened to those walkers?

They're from the crater. Be careful.

They fall apart when you hit 'em,

and you don't want them
to fall apart on you.

Shh. Shh. Shh. Shh.

[Music playing indistinctly]

She likes it. Trust me.

[Crying stops]

♪

How'd you know?

♪

MORGAN: Door's rotted.
It's not gonna hold.

It'll hold, as long as
more don't show up.

♪

What's your name?

I helped you, didn't I?

I want what's best for her, too.

I'm Bea.

Alright, Bea. I'm Grace.
And that's Morgan.

My husband... he's called Fred.

Bea, this ain't a potluck
in the church basement!

Are you from this town?

Did you live here?

Across the street.
In the old h*nky tonk.

Were there others with you?

People lived in all these buildings.

Ones connected by the strings.
It's how we talked.

Wrap it up, Bea.

The dead ain't known for their patience.

We need to leave. [Sniffles]

For her. [Grunts]

- It's not safe here.
- We know.

I wasn't lying when I said
we want what's best for her.

We can... We can fit in the car.

We can all leave together.

She's right. We know
the way out of here.

We know a safe path we can take.

You know about Padre, too?

- What's Padre?
- Be quiet, Bea.

Your daughter could still be out
there. You could still find her.

She may need you, and we can...

we can help because
the car's ready to go.

FRED: Bea.

Put her things in the car and get in.

[Mo fussing]

[Mo crying]

♪

Against the wall.

Back up. You did this, right?

I wouldn't endanger her.

Much obliged.

We'll never forget how you
folks helped our family.

But the masks... can we
at least get them back

if you're gonna leave us stranded here?

♪

Aah!

[g*n cocks]

[Engine starts]

- Don't!
- [g*nsh*t fires]

You damage the car, no one leaves.

♪

They might be able to
get her someplace safe.

This isn't about her. This is about
you, because you're scared.

[Tires squealing]

Already lost one child.

Not gonna let that happen again.

[g*nsh*t fires]

I lost a child, too!

Then you know why I have to do this!

♪

Morgan!

♪

[Mo crying]

Out!

[Groans]

[Crying continues]

[Both grunting]

Grace! Don't let Mo out of your sight!

♪

♪

I'm not one of them. Not yet.

[Walkers growling]

Let's keep it that way.
Come on. Come on.

♪

Come on.

♪

[Walkers growling]

How close were you to the blast?

A few miles.

Is that how you got those burns?

No.

We were in the root cellar
when the bombs went off.

We got these... later.

I know... I know we don't
have much time left.

I-I just want to get Emma
someplace safe before the end.

I've been in your shoes before.

Still am in some ways.

It's why I'm telling you

- she is not your child to take.
- [Music playing indistinctly]

- She's not yours, either.
- Not by blood,

but I made her father a promise

that I would build a
better world for her.

Least I can do is take her someplace

where that might be possible.

I knew that you were
taking her someplace safe.

If the only way that
I could get her back

was to keep her from
getting to that place,

- I'd let you take her.
- Yeah,

but that's not what happened back there.

Where were you taking her?

We're taking her outside the fallout.

FRED: We tried doing
what you were doing.

There was a storm after
the b*mb went off.

Pushed all that stuff in the
air clear toward Louisiana.

So, we scrounged up enough gas

that still b*rned to make the trip.

Least we thought it was enough.

How do you think we ended up like this?

You keep driving that way,
you'll end up just like us.

So, where were you trying
to take her just now?

I'll show you.

There.

There it is.

What is it?

We know it's safe.

We know it's better than here.

How?

They don't want anyone saying.

- Who doesn't?
- People on the radio.

And you're sure this is where it is?

If you don't tell us, how
can we help you get there?

We know where it's not.

And there's only one more
direction to go looking.

Searching like that, you're
gonna get yourself k*lled.

[Scoffs] It's too late for that.

You're gonna get her k*lled.

I would never do that to her.

Morgan and I... we have a place.

It's not much, but it's protected
from everything out here.

We had to leave because
we didn't have enough food.

For her, for us.

If you come back with us, and
bring some of those supplies

you have here, we could buy time.

Does it look like we have time?

She does.

[Banging on door]

We can't stay here much longer.

We need to get back to the car.

I'll fix the tire.
We'll get on the road.

[Music stops, Mo crying]

She's gonna draw more.

The batteries.

We need to get to the car now.

[Walkers growling]

♪

[Growling stops]

♪

How we doing?

♪

We've got to go back to the sub.

It's the only way to make
sure she stays safe.

We've used half the gas we had.

It's pretty much now or never.

We just need to know where we're
going and what Padre actually is.

What is Padre?

What you said before,

about me being scared,

you're right. I am.

But I'm not the only one.

I'm doing the only thing that we can.

Because you're scared of admitting
what you wanted to build

for Mo might not be possible.

Maybe you're right.

But this thing I wanted to build
was just something close

to what I once had.

I'm not even talking much.

I'm talking about sitting at a
table with the woman I love,

sharing a meal and
getting angry at our kid

because he's reading comics
instead of talking to us.

And I'm telling you that
might not be possible.

♪

I don't even know what
you want me to do.

Don't listen to these people.

Take her back to the sub.

[Engine revving in distance]

♪

♪

- sh*t.
- Morgan?

GRACE: Who the hell is that?

Let's not find out.

♪

[Engine revving]

- Morgan.
- Get Mo inside.

Keep her safe. You take
cover if you're staying.

[Mo crying]

♪

[Walkers growling]

Get in the back, and keep her quiet.

♪

[Engine revs]

♪

[Car door opens]

[Car door closes]

♪

BEA: Who... Who is it?

[Whimpering]

[Crying continues]

♪

MORGAN: Stop!

[g*n cocks]

Take another step and I'll sh**t.

♪

- [g*nsh*t fires]
- [Gasps]

[Growling, crying continues]

♪

[g*nsh*t fires]

[g*nsh*t fires]

♪

[g*nsh*t fires]

FRED: Please be quiet.
Please. Please. Shh. Please.

Please be quiet. Shh.
Please, please, please.

♪

- We gotta go back to Emma!
- [Scratching]

Do you hear something?

♪

[Soft growling]

The hell really happened to your baby?

♪

- [Crying continues]
- Please stop. Please stop. Please stop.

Please stop. Please stop.
Please stop crying!

Stop crying. Please stop.

Please.

- [g*nsh*t fires]
- [Bea screams]

Oh, no, no, no, no, no, no, no, no, no!

[g*nsh*t fires]

[Sobbing]

Bea. Bea.

- I'm sorry, but she was already gone.
- Oh, no, no, no, no, no.

She's not gone.

- She's inside with Fred.
- You know that's not her,

and it's okay to admit it,

because that's how you
start saying goodbye

and how stop repeating the same
mistakes over and over again.

She was sick like us.
She was... She was...

She was not doing well.

She was in pain, and she started crying.

She wouldn't stop.

[Crying continues]

What are you saying?

Fred didn't want her to suffer.

Grace!

Grace!

♪

[g*nsh*t fires]

[Walkers growling, g*nsh*t fires]

[Sobbing] I'm sorry. I'm sorry, Emma.

[Crying continues]

♪

[Trigger clicking]

♪

Grace, can you hear me?

Grace!

Grace, can you hear me?

[Whimpers] I promise.

It'll better this way. I promise.

- Grace! Grace, listen!
- Morgan?

♪

It'll be better this way. I promise.

[g*nsh*t fires]

[Growling continues]

[Crying continues]

Shh.

[Crying, growling continues]

[Distorted, echoing]
♪ ... like dreamers do ♪

♪ Then I fall asleep ♪

♪ To dreams, my dreams of you ♪

♪ In dreams, I walk with you ♪

[Crying, growling stops]

♪ In dreams, I talk with you ♪

♪ In dreams, you're mine ♪

[Sniffles] ♪ All of the time ♪

♪ We're together in dreams ♪

♪ In dreams ♪

[Car horn blaring, walkers growling]

[Splattering]

Okay.

♪

♪

[Engine starts, vehicle departs]

♪

♪

["It's Time To Quit Crying" playing]

♪

♪

Doesn't feel right, leaving her behind.

I get it.

But she wants to spend
the time she has left

with her husband and child.

♪

I'm sorry, Grace.

You don't have to say it.

- No, I almost got her k*lled.
- You saved her.

Only 'cause I was chasing
after what I needed.

♪

I should've listened to you.

I just wanted to give you and her

something more than what we have.

♪

You didn't fail her.

You didn't fail me.

But you would still rather die
than live out here with me.

Not because of what's out here.

Not because of anything you did.

Maybe we're just trying too hard.

Reaching for too much.

We are trying so hard to fix ourselves,

can't even recognize
that it might be alright

just to be a little bit broken.

♪

You're not replacing Athena, Grace.

♪

You know that, right?

♪

♪ So, it's time to quit grieving ♪

- I know.
- Hmm.

♪ It's time for believing ♪

♪ And it's time to quit crying ♪

♪ Over you ♪

♪

[g*n cocks]

♪

We don't want any trouble.

♪

Well, that makes two of us.

This is our sub.

Last I checked, the USS Pennsylvania
belonged to the Pacific Fleet.

You been following us?

You the one came with us on the road?

Look, I said we don't want any trouble.

And that sounds like trouble.

Just thought you'd come and
steal from us, is that it?

Morgan.

Morgan Jones?

How do you know that name?

Victor's told us all about you.

Victor? Victor's alive?

Oh, very much so.

And here we thought this, uh,
scout was gonna be a bust.

You must be...

Grace.

He's told us all about you, too.

How would you like to secure
yourself a place in the Tower?

- The Tower?
- Sorry, Morgan,

you didn't make the cut.

Victor's building a place
removed from the fallout.

Safe from the world around it.

An ark that will carry
us into the future.

The place is actually safe?

He's doing everything you couldn't.

Food, water, security.

What do you say, Grace?

We could use someone
with your expertise.

I know what he did to Morgan.

I'm not interested in
what he's offering.

- I don't want it.
- You don't have to do that.

- Yes, I do.
- You should think about it.

It's what I want.

He's gonna be disappointed.

Let's go.

Hey, wait. Wait.

Look, Morgan, I already told
you... you're not welcome.

Okay, but what about the baby?

- Morgan.
- What about her?

- She could use a good home.
- Morgan, no.

If Victor is building a
place for the future,

he's gonna need people
to live in it, right?

♪

You'd give her up?

I will do whatever's best for her.

Morgan, no. She's staying with us.

Whatever Strand's building,
it's not gonna be what we have.

She's right.

It's gonna be better.

It's your only chance, Grace,

for you and the baby.

Victor's memory is long and sharp.

We're staying.

Suit yourself.

♪

♪

[Mo crying]

♪

Here we go. Here, here, here.

Oh, they raided the pantry, too?

Nothing left to take.

[Crying stops]

Wait. If he didn't run us off the road,

who came after us?

I'm not sure.

But we got more immediate problems.

Mo's gonna be hungry again soon.

Morgan.

Morgan, look at that.

[Mo babbling]

She's crawling.

We're gonna have to baby-proof
a whole submarine.

Great job, Mo!

[Chuckles]

Morgan. Morgan, look.

Look at that. There's
something under here.

♪

What the hell?

Lift.

♪

[Both chuckle]

There's enough to last us for months.

- Powdered milk.
- Powdered milk.

- [Laughs]
- We got powdered milk.

Yeah! [Chuckles]

♪

[Wind howling]

♪

[Engine shuts off, car door opens]

[Car door closes]

♪

♪

♪

[Growling]

♪

♪

♪

♪

I'm sorry, brother.

♪

[Inhales shakily]

Mr. Jones may have got
the best of me today...

♪

... but there's always tomorrow.

♪

_

You shouldn't be out
here without protection.

Is it really as dangerous as you said?

I-I-I-I don't know.

I'm done listening to you, Morgan.

I will come for you, Victor.

[g*n cocks]

Bring it.

♪

June!

♪

- Synced & corrected by[font color="#E "] MementMori [/font]-
-- [font color="# CE "]www.addic ed.com[/font] --

_

_

CHAMBLISS: We titled
this episode "Six Hours"

because it is the amount of
time that Grace has calculated

that she and Morgan can be out

before they are exposed to a
dangerous amount of radiation.

It was very important to
us, uh, that this episode

really illustrate just how
devastated the world has been.

I don't ever want to be here!

This episode really is
about Morgan and Grace

and their very different
viewpoints on being parents

and, specifically, being
parents to baby Mo.

GOLDBERG: Morgan, as he was
at the end of season six,

is nurturing that baby.

He's the one waking up
and taking care of it.

And you can see this just haunted look

on Grace's eyes as she's
watching the baby cry.

She is not emotionally connected.

It was about creating kind
of that sense of tension

and, uh, at the same time, I think,

start to make the audience wonder

if there was something
more underneath it,

uh, as we'll later find out.

This episode required our
baby Mo to do a lot of crying.

- [Crying]
- Come on.

But there was no problem there.

In this episode, the baby is
a... is a fantastic crier.

[Baby crying]

It's an Emmy-worthy
performance from this baby.

Did you find formula?

No.

I've been working on
something else instead.

We wanted this episode
to start off at a place

of this kind of bizarre
take on a family road trip

through the nuclear apocalypse.

CHAMBLISS: We started to think
about other apocalyptic fiction

that we're fans of, and,
you know, of course,

"Mad Max" came to mind, and we
thought it would be really cool

to do something that was
kind of a-a nod to that.

It's safe for all of us.

This vehicle is kind
of hermetically sealed

with duct tape and plastic,

um, and has fuel tanks so
they can drive a long range.

And it also means you need a...

you need a very particular
kind of car seat.

♪

[g*n cocks]

The initial inspiration Andrew and I had

for Bea and Fred was "Invisible Man."

And based on some research we've
done on survivors of, uh, Hiroshima

and other nuclear events,

just seeing, you know,
what long-term effects

of radiation burns would look like.

They've got her. She's here.

Ohh! Mommy's here. Mommy's here.

CHAMBLISS: Bea and Fred kidnap baby Mo

and are threatening to take her

into what will probably
be her certain death.

It does something for Grace.

I think it starts to awaken
kind of that maternal instinct.

You're gonna get her k*lled.

I would never.

For Morgan, seeing Grace
take even that first step

makes him realize that,
you know, his dream

of having a family again
might not be totally gone.

GOLDBERG: These two people...
Morgan and Grace... are able to find

a way forward together
with shared purpose,

and, ultimately for Grace,
that's about, uh, connecting

with this baby in a way that
she never thought she could.

[Cries]

Morgan Jones?

How do you know that name?

I think we can see from
the look on Morgan's face

when Howard tells him Victor is alive

that he's not too thrilled.

CHAMBLISS: Both Grace and
Morgan know what Strand did

at the end of season six.
He tried to k*ll Morgan.

Whatever Strand's building,
it's not gonna be what we have.

She's right. It's gonna be better.

This moment speaks to a larger conflict

that's gonna play out over
the course of the season,

which is a bit of a
Morgan versus Strand,

where Strand wants to
shove it in Morgan's face

how much he b*at him

and how he's going to
do what Morgan couldn't.

♪

Morgan, look at that.

She's crawling!

And the crawling leads to
the discovery of the food.

What the hell?

God!

They'll always remember Mo's first crawl

actually kept them alive.

- Powdered milk.
- [Laughs]

We got powdered milk! Yeah! [Chuckles]

CHAMBLISS: At the end of the
episode, when we see a figure

walk up to the burnt box
that says "Morgan Jones"

and we see that figure lift the head up

and we see him take his mask off
and we realize it's Emile's face

looking back at walker Emile,

um, and, uh, we realize that
he actually had a twin brother.

When we cast Demetrius
Grosse in the role of Emile

and we saw his audition and
then we saw his dailies come in,

we knew, you know, he
was an amazing actor

and he really brought
something special to this role.

- MAN: These are good.
- What's in 'em?

A chef never reveals his secrets.

Besides, it's my brother's recipe.

We wanted to find a way
to bring this character...

or to bring Demetrius back...
even if it wasn't as Emile.

Mr. Jones may have got
the best of me today.

[Breathes deeply]

But there's always tomorrow.

We got the chance to do it, and
can't wait to see what people think

of... of that episode.

♪

♪

♪

♪