Welcome to our World! Where we serve you cookies to ensure you get the best viewing experience on our site.

Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?

Register or sign in here: ucp.php?mode=register

Teorema (1968)

The older Classic's that just won't die. Movies from before 1960's.

Moderators: Maskath3, GabrielAlejo2341, sidolanters, Maskath3, GabrielAlejo2341, sidolanters

Watch on Amazon   Merchandise   Collectables

The older Classic's that just won't die. Everything from before 1960's.

Teorema (1968)

Post by bunniefuu »

Your boss has given you this factory.
What do you think?

So he's the main character
in this story?

Hasn't this blocked all chance of
a workers' revolution in the future?

Is his act unique, or a general
modern world tendency?

A general tendency, I think

Can such acts, as symbols of
a new source of power…

…herald the transformation of
all humanity into the bourgeoisie?

The bourgeoisie will never turn
all humanity into bourgeoisie

So the not very original answer is:

No matter what he does, even giving
away a factory…

…a bourgeois is always wrong

- Is that it?
- I don't want to reply

This bourgeoisie is making
revolutionary changes…

…in our situation

It's identifying all humanity
with the bourgeois class

It no longer faces a class struggle…

…using the army, the nation
or the church

Then it would fail; it would lose
its natural allies

You must answer the new questions
raised by the bourgeoisie

Of course

What are the answers to these
questions?

God led the people about
through the way of the wilderness

ARRIVING TOMORROW

Pietro, how about some music?

Well, do you feel better?

It was nothing

Sorry. I'm afraid it's all rather
makeshift

It's fine

It's been a real invasion

I used to sleep in this room
when I was little

I'm here

Sorry

Your friends are calling you

You're a serious player

These are my friends

What's the time?

I don't know

- What does it matter?
- It's six o'clock

It's about a sick man like me

Even in this disagreeable situation
Ivan Ilyich found comfort

Gerasim came to wash him. Gerasim
was a clean, fresh peasant boy

What are you reading?

His life was his and his alone

It would take longer to duplicate
his goodness than to create a star

The godhead which had come
without my hoping for it…

…has not returned, and will
never return again

I like speeding. Now I'll show you
what the car can do

I believe you, but I'm not young
any more

You're not Gerasim…

…it's difficult to face you

There are two reasons
I must talk to you

Firstly, there's my moral sense

Then there's a sort of confusion
within me…

…which maybe I can only clarify
by talking about it

You have seduced me, Lord,
and I have let myself be seduced

You have violated me
and you have prevailed

I have become an object of daily
derision, everyone mocks me

For I heard the defaming of many,
terror on every side

"Denounce him, and we will
denounce him"

All my friends awaited my downfall,
saying:

"Perhaps he will let himself be
seduced…

"…and we shall take our revenge
on him"

What did you say? So you do talk!

I must go. Tomorrow

I don't know myself any more

Because what made me the same
as others has been destroyed

I was like all the others,
maybe with many faults

You've made me different by taking
me from the natural order of things

While you were near,
I didn't realise it

Now I understand, you're leaving…

…and knowing I'm losing you
makes me aware of my difference

What will become of me from now on?

The future will be like living with
someone nothing to do with myself

Maybe I must probe the depths of
this difference you have revealed…

…which is the innermost anguish
of my being

But whether I desire it or not, won't
this set me against everyone?

I realise now that I've never had…

…any real interest in anything

I don't mean some special interest

Not even ordinary interests,
like my husband's in his work…

…or my son's in his studies,
or Odetta's domestic cult

I had no interests

I don't know how I could lead
such an empty life, but I did…

If there was anything…
some instinctive love of life…

…it dried up like a garden
where nobody goes

That emptiness was filled
with false, mean values…

…with a hideous load of false ideas

Now I realise it, you've filled
my life with a total interest

So, in parting, you're not destroying
anything I had before…

…except perhaps my chaste bourgeois
reputation. What do I care?

But what you yourself gave me…

…love in my empty life…

…by leaving me
you're destroying it completely

By knowing me, you've made me
a normal girl

You've made me find the right
solution for my life

Before, I didn't know men,
but I was afraid of them

I loved only my father

But now, in leaving me,
you're making me worse than before

Did you want that? Now the pain
of losing you…

…will cause a relapse more
dangerous than the sickness I had…

…before this brief cure
that your presence brought

Before, I didn't understand
this illness, but now I do

Through the love you gave me
I've become aware of my illness

Now how can I replace you?
Is there anyone who can?

I don't think I can go on living

You must have come here to destroy

The destruction you've caused in me
couldn't be more complete

You've simply destroyed the image
I always had of myself

Now I can't see anything at all…

…that can rebuild my identity

What do you suggest?

A scandal like death
in the eyes of society…

…a complete loss of myself

How can this be for a man
used to the idea of order…

…of the future and, above all,
of ownership?

- I'll carry it
- No, I'll carry it

Then let's carry it together

- Have you got a tape measure?
- At once, miss

Time to eat, miss

I can't help it. It's beyond my
expertise. Sorry

Open your fist, miss, please

How pathetic! I'm a real sh*t!

I'm not eating

You must eat. It's good

I don't want to

Why don't you want to eat? It's good

At least tell us what you want to eat

We must try to invent new techniques,
unrecognisable…

…which are unlike any
previous method…

…to avoid childishness, ridicule…

…make our world unlike any other…

…where previous standards
don't apply…

…which must be new,
like the technique

Nobody must realise that
the artist is worthless…

…that he's an abnormal,
inferior being…

…who squirms and twists like a worm
to survive

Nobody must ever catch him out
as naive

Everything must be presented
as perfect…

…based on unknown,
unquestionable rules…

…like a madman, that's it

Pane after pane, because I can't
correct anything…

…and nobody must notice

A sign painted on a pane…

…corrects, without soiling it…

…a sign painted earlier
on another pane

But everyone must believe…

…that it isn't the trick of an
untalented artist, impotent artist

Not at all. It must look like
a sure decision…

…fearless, lofty and
almost arrogant

Nobody must know that a sign
succeeds by chance… is fragile

That as soon as a sign appears
well made, by a miracle…

…it must be protected,
looked after, as in a shrine

But nobody must realise…

…that the artist is a poor,
trembling idiot, second-rate…

…living by chance and risk,
in disgrace like a child…

…his life reduced to absurd
melancholy…

…degraded by the feeling of
something lost for ever

DOWN WITH ALL STATES

DOWN WITH ALL CHURCHES

UP WITH PAINTERS OF…

Blue reminds me of him

But obviously blue isn't enough,
it's only a part

Who can permit me such mutilation,
what ideology can justify it?

Weren't my first miserable attempts
at portraits better?

Look at the state she's in,
eating nettles

Lord, what a scandal

I don't smoke

Which is the road back to Milan?

Turn left, then straight on

What would happen to me if…

…I stripped myself of everything,
gave my factory to the workers?

Let's go

Don't be afraid, I didn't come to die,
but to weep

Not tears of sorrow

No, they will be a source…
but not a source of suffering

Go away now