NARRATOR: There is no rest for those who live
in the great house at Collinwood.
For a new terror has come into their lives.
A strange giant of a man
has appeared mysteriously on the estate,
and he is believed to be a maniacal k*ller on the loose.
Only three people know his true identity.
Cassandra, where have you been?
Oh, I took Julia to see Professor Stokes.
And we had a fascinating conversation about the occult.
Well, never mind about that now.
David was very nearly k*lled this evening.
k*lled? How?
Well, I'll tell you about everything in just a minute.
He's alright. He's up in his room resting.
I'm gonna call the police.
They ought to be able to find the man before he gets too far.
- What man? - The man who tried to abduct David.
I shot him in the shoulder.
He couldn't have gotten too far in that condition.
♪♪
[ERRIE THEME MUSIC PLAYING] ♪♪
This is Roger Collins.
I want to report a sh**ting.
I don't know the name of the man who was shot.
Yes. Yes, I did.
It happened a few hundred yards from Collinwood.
In the woods.
The man was trying to abduct my son!
No, the boy is here now, he's safe.
I never saw the man before, he was a complete stranger.
Yes, I remember quite well. He was an enormous man.
Well over six feet, broad shouldered,
dressed in black.
His face was quite ugly.
I didn't get close enough to see for sure,
but his face seemed to be d*sfigured.
Cassandra, I have to take something to the old house,
- would you mind apologizing to Roger? - Why yes, of course.
I'll be back soon to see David.
ROGER: Well the man can't have gotten too far,
he's been badly wounded.
He's probably still somewhere on the estate.
Well how many men do you have available?
Well very well, send them all, now!
Yes, all of them.
Or shall I interrupt Sheriff Paterson at his banquet?
Thank you.
There's a k*ller loose
and all the desk sergeant can think about
is the safety of the police station.
Roger, I'm so sorry I wasn't here.
I hope you're not angry with me.
No, of course not, darling,
how could you know that David was in danger?
He shouldn't be allowed to play in those woods alone.
Oh, I don't know how many times I've warned him against it,
but he never listens.
It's so fortunate that you came along in time.
I wouldn't have if it hadn't been for Liz.
Why, what do you mean?
Well, she was returning from the old house
and she encountered this man in the woods.
He frightened her, and she came running here
to tell us about it.
I knew David was out playing and I got a g*n
and went out looking for him.
Barnabas went with me.
Barnabas?
Yes, as a matter of fact,
but for Barnabas's quick thinking,
David might not be here now.
Why, what did he do?
I don't know exactly.
It seemed as though he had
some influence over this strange man.
- Influence? - That's the only way I can describe it.
The man held David in his arms.
Barnabas warned me not to fire at the man
because I might hit David.
And then, Barnabas, slowly went toward the man,
and began to speak to him very gently
as one does to a child.
Well, and then what happened?
Well, for some reason he must have been affected
by what Barnabas was saying.
He began to listen to him and believe him,
and he put David down.
Then David went over to Barnabas,
and then this man started, a sort of a growling
and came toward David.
That's when I shot at him
and he disappeared into the woods.
- Did this man ever say anything? - No, not to me, no.
- To Barnabas? - No, not to Barnabas, either.
To whom, then?
He said something to Liz when he saw her in the woods.
I don't know exactly how he would've known this,
but he pronounced Barnabas's name!
And Liz said that he kept repeating it over and over.
Do you think it's possible that Barnabas
and this man know each other?
- Well, it's hard to imagine how they would. - Why?
Well, Barnabas is a cultured, well-bred man and this man,
the other man was obviously of a lower class.
He was quite grotesque, he was mean tempered,
and then there was something -
something very unnatural about his behavior.
- Unnatural? - Yes.
What do you mean, Roger?
Cassandra, if I hadn't seen him moving about,
making those curious grunting sounds,
it would have been even easy to imagine that he was dead.
A walking dead man?
Yes, I know it sounds absurd.
Yes, but it's also rather fascinating.
We must ask Barnabas about this strange creature.
Don't worry, I intend to do just that.
♪♪
Barnabas.
Julia, where have you been?
Never mind, I heard the news at Collinwood.
Tell me, what's happened?
Adam is on the loose somewhere, he's been shot.
Yes I know, Roger told me while he was calling the police.
- The police? - Yes, he's asked them to come and search the grounds.
Julia, we can't let the police find him.
- You mean, you haven't found him? - No.
Barnabas, let's go inside and think this through calmly.
How did he ever manage to get out of here?
I don't know.
You don't know? Weren't you with him?
Well if I had been he wouldn't have got out, would he?
I suppose not, but you were supposed to stay with him
until I came back, Barnabas.
Well I did until late this afternoon,
and then I took him some food and...
Julia, he spoke to me.
- He did what? - He spoke my name.
I was so astonished, I didn't know what to do.
I decided that I had to find you,
so I left for Collinwood.
Oh, Adam must have gotten upset when you left him alone
and tried to follow you.
It never occurred to me he'd do a thing like that.
In his own childish way, he sees you as a father figure
and he wants to be with you.
Well, that analysis may be valid,
but it's not helping us at the moment.
- Well, what would you suggest? - Well, we should be out looking for him.
We must find him before the police do.
Where's Willy?
He's still searching in the woods.
- Good, have you searched the house? - No.
I think we should.
Adam would never come back here.
Well, why wouldn't he?
Julia, he was shot in the shoulder,
he went screaming off into the woods like a wild animal.
That's precisely why he would come back here.
What do you mean?
When a child's been hurt he goes home.
The only home Adam's ever known is here,
downstairs in a cell.
Yes, you could be right.
Begin downstairs and then we'll search the rest of the house.
Well you better get your medical bag.
He may be seriously hurt.
You have to let me go first.
♪♪
You were so right, Julia.
He did come back.
The poor thing must be in terrible pain.
We've got to attend to that wound.
Barnabas, be careful.
[GROANING]
He's afraid of us again, and it's understandable.
Why?
Was he with you when Roger shot him?
Yes, but he knows I don't want to hurt him,
he knows I didn't want Roger to sh**t him.
He's so confused and upset now.
He's hurt.
And he's angry, and his anger may be dangerous.
We'd better not move too fast on it.
[CHAINS CLINKING]
Adam.
Try to understand me.
We want to help you.
Your arm is bleeding.
We must stop the bleeding.
You do understand me, don't you.
We don't want you to die, Adam.
We want you to live.
We're going to help you.
Dr. Hoffman is going to make you well again.
[SOBBING]
It's alright Adam, there's nothing to be afraid of.
We're going to take good care of you.
Now, sit forward.
Forward, that's it.
There.
Now, Dr. Hoffman is going to see
that you're going to be well.
[SOBBING]
Careful now, Julia.
Don't worry, I'll be careful.
[CHAINS CLINKING]
[GRUNTING]
Is it bad?
Either Roger's a dreadful shot or Adam is just lucky.
It's not serious.
I can handle it easily if he'll cooperate.
Oh, he will.
He realizes that we don't want to hurt him anymore.
How long will it take?
Oh, maybe half an hour.
[GASPING]
Very well. I'll be back.
Where you going?
- To Collinwood. - Well, what for?
- Didn't you say that Roger called the police? - Yes.
Well, I want to see that they don't come prowling around here.
Well, how will you do that?
I don't know.
[GRUNTING]
What'd you do to him?
Nothing, he doesn't want you to go.
Well, I can't stand by him hours a day.
He doesn't know that, he expects you to.
How can I convince him that it is important for me
to go to Collinwood?
I don't know.
Adam, sit back.
Sit back.
I'm going outside, but I will be back soon.
Very soon.
You stay here and let Dr. Hoffman look after you.
Let her help you.
It's amazing how he can sense what you're saying
without understanding the words.
Yes, Julia.
I think he's going to learn fast.
Very fast indeed.
♪♪
[GRUNTING]
[KNOCKING]
Good evening, Barnabas.
Good evening.
I'm here to see Roger.
Yes, he's in the drawing room.
Barnabas, well I was beginning to wonder
what had happened to you.
What do you mean?
Well you disappeared so quickly when David was rescued.
Well, I was hoping that I might be able to find the man
who apprehended him.
ROGER: And were you able to?
No, he disappeared into the woods.
Perhaps the police will have better luck.
No, they haven't been able to find him either.
Oh, well that's too bad.
Yes, it is.
Had you ever seen that man before, Barnabas?
What made you ask that?
Well you haven't answered my question.
No, I had never seen him before.
Why?
When Liz saw him in the wood this afternoon,
he kept saying your name.
Yes, I know, she mentioned that at the time.
Yes, in fact, that's all he could say.
If he had never met you,
it strikes me as being rather odd,
doesn't it to you?
Yes, it does.
Well, I'm sure that there's some explanation for it.
Well, if there is, I can't provide it.
ROGER: Just as I'm sure there is some explanation
for his reaction to you.
- I don't know what you mean. - Well, he obviously recognized you,
he seemed to know who you were.
That's impossible.
Well, I know what I saw.
When you began persuading him,
only then did he seem to have a willingness
to put David down.
Roger, this was an emergency situation.
I did the first thing that came to my mind.
I could see that sh**ting at him would only endanger David.
So I thought that persuasion might be the best approach.
Fortunately for David, I was right.
So you were, and I'm very grateful.
But you can understand my curiosity,
that he knew your name,
and seemed to recognize you.
Well, I can, of course,
but you'll have to wait until he's apprehended
before you can find out, because he, after all,
is the only one who can tell you.
Goodnight, Roger.
Cassandra.
Goodnight, Barnabas, I'll see you to the door.
♪♪
There you are, Adam.
All finished.
Are you happy about that? Good.
What is this?
You're showing your gratitude?
[LAUGHS] I think we are going to be friends after all.
Adam.
Adam, you're hurting me.
[GRUNTING]
Music.
Music!
I taught you that word and you remembered it.
Barnabas was right.
You are going to learn very fast.
[ORCHESTRAL MUSIC PLAYING] ♪♪
MAN: Julia, when you do the experiment again,
if both Barnabas and my creation live,
if they both live,
Barnabas will be free and healthy
as long as Adam lives.
Adam will drain Barnabas' affliction from him,
but will not suffer from the disease itself,
because he lives.
But if Adam dies,
Barnabas Collins will be as he was before.
♪♪
Music!
[ERRIE THEME MUSIC PLAYING] ♪♪
Welcome to our World! Where we serve you cookies to ensure you get the best viewing experience on our site.
Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?
Register or sign in here: ucp.php?mode=register
Did you know that you can remove censorship board-wide, use our advanced search functions, be notified when new content is posted, join our memberships, set episodes to show in any order you want & more if you are logged into your account?
Register or sign in here: ucp.php?mode=register
496 - May 20, 1968
Watch/Buy Amazon Merchandise
The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.
The show depicted the lives, loves, trials, and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place.