He got his head stuck in the gate.
Oh no.
Poor baby.
Is he dead?
Is our chicken dead?
I don't know, but he ain't looking good.
[theme music]
NARRATOR: Josh asks Jordan about her boyfriend.
I'm not sure what I feel exactly because I remember when
I first found love, it was like this crazy love,
like this intoxicating love. - OK.
Let me ask you this, then.
When you're with him always, does your heart beat hard?
Every time you see him, do you go, wow?
Does that happen to you?
Did that happen the first time when you were in love?
The first time I was in love?
When I was in love, that's what happened to me.
Yeah.
But I feel with Ben like I've kind of grown into that
when we first started dating.
That sounds like an old marriage.
Like, oh, I've been with him for so long
that I couldn't be with anyone else,
even though he might be the greatest guy in the world.
I know exactly what you're saying.
Mhm.
He sounds like the perfect guy.
Every person's dream and everything that you could
look for and want for in a guy.
Because like you said, he's worldly and he fascinates you
and he's nice, tenacious, patient, probably good-looking,
and everything else.
Very intelligent.
Intelligent.
Mhm.
Is that enough?
See, these are all questions I have.
Like as far as me getting--
That's what I'm trying to tell you.
--really excited, like feeling giddy and kind
of out of control, I've never felt
that way in this relationship.
That's what I'm trying to tell you.
But is that necessarily something you have to have?
That's something necessarily I have to have.
I don't know about you.
That's your own choice.
But what I'm trying to tell you is you
don't have to think about those things.
If it's really, really meant to be,
you don't think about those things ever.
They don't come across your mind.
You just know.
You just don't.
I've had that in relationships,
though, before and they've-- - And you get hurt.
- --failed. - And they fail miserably.
They've totally failed.
But what about the one that doesn't fail
and it's like that?
My god, how great is that?
But the thing with Ben is, like, I feel really
stable with him, like happy.
I feel happy.
And I feel like I'm not so intoxicated with this love
that I can't function without it.
I got you.
You know what I mean?
That's not bad, either.
You're at like--
So I'm totally experiencing a different relationship
that's I've never had before, and it makes me happy.
And is it going to be the one?
I don't know.
I'm still trying to figure that out, you know?
But it's all about--
Well, I can end this conversation real easy.
How?
You will figure it out.
And you'll figure it out by the time you leave here.
That's what I think.
NARRATOR: Why is Brittany crying?
There's no point for it to sit there in pain.
And it's like-- it just irritates me.
NARRATOR: Stay tuned.
Shocked to hear that you're interested in women.
Well, I don't really consider myself like,
yes, I'm interested in women.
I want to have a torrid love affair with a woman, you know?
You're open to it.
But I question how I've been socialized.
And I know that I find women really beautiful.
I don't know.
I'd be open to-- you're just like--
you're just--
All of us have like these [muted] eating grins on.
[laughter]
No one's interrupting.
I don't have--
I don't talk about it a whole lot because I don't want
to be labeled one of those women that just
wants to be titillating to men.
So I'm going to be like--
and I know for a fact I would never
be l*sbian because I love men.
I love-- I'm so attracted to men.
But--
So you would do multiples?
I just don't think it really stops there.
What?
Would you do like multiples then?
What I do multiples?
Yeah, like menage a trois or [inaudible]..
That's an interesting que--
I mean, I don't know.
No, I don't want to answer that question right now.
I'm so open about talking about life,
and I question everything.
So if I talk about my deepest viewpoints,
people could easily label me as like, oh, she's this
or she's that, especially when it comes to talking about sex.
I could so easily be labeled like loose or slutty or
whatever when I'm totally not.
NARRATOR: This Thursday, the HouseGuests
will nominate two of their own to leave the house.
I think I'm going to be one of the people that get
voted out first round, though.
Why?
Because this is not my crowd.
OK.
You see what I'm saying?
When I look at other people, how they're interacting,
it seems a little more natural for them.
Mhm.
This is not my crowd.
I don't think it's going to be based on that.
I think it's going to be who--
I mean, well, first of all, everybody's working.
But I don't think it's going to be based on who you like
or who you dislike or who you feel
like you can hang out with.
I hope not.
I hope it's more geared towards who's contributing
to keeping the house going.
Are you concerned about that?
Concerned?
No, I think I will survive the first round.
I would think between--
since it's going to be two people, me
and whoever the other person was,
I think I could beat them out.
But I felt like you were really connecting with people.
I mean, because that's what I have to do.
--how you play.
You know what I mean?
That's part of what I do as a professional and much
of what I do outside of my work profession
in terms of my community goes and things I do.
So using those skills just to maintain some sanity.
But if it was about choice--
Well, come on.
I mean, let's be real.
If it was by choice, it wouldn't be.
I mean, how would we have ever had a cha--
I mean, I don't know your life.
I could see a lot of these people get [inaudible] now.
I mean, with the exception of the age differences
like with George and--
Karen.
--Karen.
I could see you and Curtis coming across one
another in the same circle.
It's a similar circle.
Same city.
But I don't see me crossing with any of you.
Think this chicken got its head--
And he ain't moving.
He got his head stuck in the gate.
Oh no.
Poor baby.
Is he dead?
Is our chicken dead?
I don't know, but he ain't looking good.
[inaudible], open the door.
- Can you hold your neck up? - Oh god.
Don't. Oh god!
Is he dead?
Did he die?
He's fading away, guys.
People eat chicken every day.
Now they're crying over a dead chicken.
Then they'll come in here eating a dead cow or a dead fish.
That's ridiculous.
It's OK.
Come on.
Wonder if it's scaring him more, having all of us here.
No, it don't make no difference.
Oh honey.
Come on.
Get you some air.
Maybe if we give him like CPR or something.
I'd do it if I thought it'd work.
What about if you blew some air in his?
Well, the thing is, if his neck's broken,
there's nothing they can do.
Look, this is k*lling me.
Let's be for real.
What are they about to do?
What's everybody about to do?
What's everybody about to do?
Yeah.
But they're eating dead animals
that they delight in k*lling.
Now they're acting like they're all upset about a dead-- oh,
that's such a shame.
Nobody back there's a vegetarian.
No, but we only have a limited number of chickens.
Oh, so it's a selfish thing?
They're not upset that the chicken died.
They're upset that they won't be able to get
something from the chicken.
Oh, that was an accidental death.
Opposed to, oh, you meant to k*ll me.
I'm dead.
They're going to come in here and eat some more dead animals.
Everybody.
You know, come on.
Yeah.
Come on.
Now, will his mouth dry out if you hold it open?
I can wash out a [inaudible].
Oh, he acts like he wants it-- she wants it, doesn't she?
Come on.
I mean, obviously there's something
seriously wrong because he wouldn't be--
she wouldn't be so calm.
Was she hanging?
Just stuck.
She got her head caught in there
and she's fought to get out and she broke her neck.
Probably right.
Is there any thing that they can reset her neck?
Or they just need to k*ll her?
She's dead.
Her heart's slowing down, too.
Come on.
Are you OK?
Come on.
Come on, Mama.
NARRATOR: The chicken was left in the Red Room
so it could be immediately taken to the animal hospital.
Don't worry, girls.
NARRATOR: The HouseGuests are called into the Red Room
to find the chicken back from the vet and instructions
on how to nurse it back to health.
Oh!
He's back.
And he's got a nice little cage, too.
Aw, look at him.
How you doing, bud?
Look at his little eye.
Cool.
How's One-Eye doing? - Yeah.
He's all right.
It's a girl, you know.
Yeah, sorry.
She's got to stay in the cage for hours.
Should we keep her indoors, then?
Let's keep her indoors, yeah.
She said we could put her outside
but just not in the sun.
So tomorrow night--
I think we should put her outside by her friends.
Yeah, that'd probably be a good idea.
OK. OK, yeah, you've got to--
OK.
There you go.
Cool.
The sun-- by the time somebody gets up in the morning.
That'll be OK.
Now what are you doing to her?
We've got to put eye drops in. We can do that.
But we've got to give him water and feed.
You've got to do it right now?
No.
:.
We give it to him in the morning at : and then at :
at night.
Can I pet her?
Sure.
For three to four days.
You got it, Brit?
Yeah.
Will the sun get her here?
No.
You sure?
No.
Here you go, sweetie.
There's some food and some water for you.
Cool, guys.
Thanks for your help, Brit.
Did they all came over to see her?
Yeah.
It's our friend.
That's interesting.
Say hi to your friend.
Your friend's back.
No Campbell's soup for her.
A happy moment.
Aw, look at them.
This is like one of them Kodak moments for them, you know.
So put the eye drops--
Can't. They already did it.
Oh, they did?
Yeah, : in the morning--
Can't believe they came over there.
That's unbelievable.
Oh, yeah.
Do you think we should take them all-- let
them all walk around the cage?
No. Just let her alone.
We'll let her sleep.
She'll be OK.
Now, we should put this lid on because she's
supposed to stay-- [interposing voices]
Definitely.
Yeah, we'll put the lid on.
You doing OK, sweetie?
Here's your water.
Yeah, she'll get it when she [inaudible]..
Cool, guys.
Excellent.
We're OK.
No losses yet.
You OK?
It's OK.
Listen to this.
What's that?
I have no idea.
They come into the Red Room and told me
to set this stuff up like this.
Light the candle and put this thing at the head of the table.
They said we have until o'clock today to figure it out.
And we can't let the candle go out.
OK.
So this is some sort of riddle.
Did they tell you to put the plants there?
To put the plants the-- exactly how I set it up.
And they tell you exactly where everybody should sit?
Or did you just do that?
They didn't say sit.
They said put these--
turn them upside down.
Place the mask in order around.
Place this ball around here.
The ball that was there too?
Yeah.
I think-- I think--
I think we're supposed to alternate turns pushing
this ball back and forth between the two of us,
whoever's across like this.
I'm going to see if they'll let me read it.
OK?
Yeah, see if they'll let you read it.
Maybe the counselor can figure it out.
Open your eyes, Curtis.
There's pain.
What time is it?
Early.
:, probably.
That's not so bad.
We have a [inaudible].
A riddle or something.
The face up has to be something.
It has to be.
Maybe that ball symbolizes the earth moving or the earth--
or life going on.
Life goes on.
Mhm.
I don't understand what you're talking about.
OK, we're supposed to figure out--
this stands for something.
It's like a riddle or whatever.
And you've done this to our kitchen why?
Don't blame me.
They told me to do it.
They called you to the Red Room
and there was instructions to do that.
Yes.
More answers.
No way.
Can only one person can see that paper?
PRODUCER: Karen?
Yes?
PRODUCER: There is no riddle.
Oh, it's not a riddle?
PRODUCER: There is no riddle.
So we don't have to figure anything out?
Let's see what they said.
They said there wasn't a riddle.
The kitchen table riddle or whatever?
PRODUCER: There's no riddle.
Did you make this up, Will?
Oh, you're going to blame it on me?
You've gone mental, dude.
PRODUCER: Let me repeat.
There was no challenge and no typewritten instructions
left for William today.
So do we still have to keep the candle burning till
PRODUCER: William was not given any challenge by Big Brother.
Ugh!
All right, Well, you're mental.
Divide and conquer, right.
I'm putting it back.
We'll put it back.
I don't want to hear it.
Just remember, when o'clock comes around, don't look at me.
Maybe they thought you were bored.
You think?
Poor Will, he has nothing to do.
There was no challenge, challenge, challenge.
OK, Big Brother.
Thanks for going in with my joke.
NARRATOR: By fabricating a challenge,
William has deliberately compromised the HouseGuests'
trust in Big Brother.
Every Monday, the HouseGuests get a week-long challenge
and have the opportunity to wager % to %
of their grocery money.
Yo, guys, bring it in.
Bring it in!
We've got two minutes to decide on how much we want to wager.
We've got two minutes to decide on how much we want to wager.
%!
Ladies, let's go.
We've got two minutes to decide.
All right, let's hear it.
Two minutes to decide, % to %.
%.
What is it?
Don't know.
We've got to read it.
"On Friday, you will be asked three names
and you must indicate whether or not
the person is dead or alive.
As a group, you may only miss three questions.
You may take this paper, along with the gray envelope,
out of the Red Room.
But you must return everything clean and intact on Friday."
Basically, there's names in here
we have to memorize and find out which ones are dead or alive
and decide and memorize which ones
are dead or alive by Friday. - So what are the names?
Let's see what the names are.
If you know them.
[inaudible] shouldn't be a problem.
Oh my goodness.
Pour them out right here, but don't lose any.
Oh my god.
Phyllis Diller.
But the key thing is this.
We need to determine, right, Ed?
Yeah.
We got about a minute. - --how much we want to--
--got about a minute. How much do we want to wager?
Everybody's memory good or what?
No.
They don't tell you.
We have to figure out if they're dead or alive.
Personally, I wouldn't wager too much on this.
- I'll say let's do %. - %.
%. I know he's dead.
- %? - %.
%?
Is that a group %? - %.
- %. - %.
All right.
We'd like to wager % of our weekly allowance
on this challenge.
PRODUCER: OK, thank you. Good luck.
Thank you.
NARRATOR: In order to give the chicken its medication,
the HouseGuests need to distinguish it from the rest.
Oh, look at how pretty you are.
And you're getting a second coat.
Oh, how cute.
So you have to know which [inaudible]..
Oh my god.
What?
Look at the nail polish.
The name of it.
Lucky.
Oh cute.
It was made for you.
You're a lucky one.
Ooh, look at how pretty you are.
My.
Watch her peck your forehead.
Doesn't she have pretty nails?
I know.
Yeah, they're very pretty, aren't they, sweetie?
They're shaped so nicely.
Oh, oh, now she thinks she's a little prima donna.
OK.
There we go.
Aren't you're going to be the bell of the ball.
NARRATOR: Big Brother confronts William
about his early morning prank.
Well, you want me to let everybody
know that I played a trick on them?
Or are we just saying that I violated the big rule
and it's time to go?
NARRATOR: Is William going to leave the house
or confess to his HouseMates?
Find out tomorrow.
[music playing]
[SINGING] Live, 'cause we're living today.
Feel the thrill of life and don't be afraid.
NARRATOR: America Online is CBS's internet partner.
You can get to the "Big Brother" website by logging
on to bigbrother.com or AOL keyword Big Brother.
[music playing]