- MOTEL CLERK: That's Chicken Man!
- Freeze!
[g*n FIRING]
My client was apprehended along
with three other white men.
Yet, Mr. Williams was
the only one charged!
CHICKEN MAN: They shot
at my g*dd*mn back.
What if my family was
out there? My kids?
- HUDSON: Where are they now?
- Faye left me last night.
- Whoa! Whoa! Whoa!
- HUDSON: Jenkins took my badge.
You just gonna have to
trust me on this one.
The police came to my job.
And he was tryin' to help you.
HUDSON: We gon' follow McKinley.
Wait till we can get the drop.
[GROANING IN PAIN]
I could use a sharp m*therf*cker
like you up in the city.
McKINLEY: I don't like you
getting chummy with Willie.
Well, at least he stand up for hisself.
- [PHONE RINGS]
- Yeah, it's Emerson.
I need y'all to meet
me in Jekyll Island.
The Dolphin Club.
- CHICKEN MAN: So what now?
- Now we follow 'em.
EMERSON: They all
lookin' to up their stake.
CADILLAC RICHIE: I need them
to be retired permanently.
You know, when I planned the robbery...
Come on, Sweets. She'd
lick you like candy.
CADILLAC RICHIE: ... and the
Firm would finally see that
Frank wasn't that all powerful.
FRANK: They can do what
your daddy would've done,
and that's do what the f*ck I say!
CADILLAC RICHIE: You know,
there's been some utterance.
People questioning your
leadership qualities right now.
Funky bi... [GROANS]
["SWEET GEORGIA BROWN" BY
ELLA FITZGERALD PLAYING]
♪ No gal made has got a
shade on sweet Georgia Brown ♪
[SONG CONTINUES PLAYING FAINTLY]
Mmm. These ribs,
they good,
They ain't got nothin' on
that Rib Shack, remember that?
Nah, I don't remember.
Come on, man. You don't
remember Rib Shack?
You used to beg me to take
you there all the time.
[CHUCKLING] We'd get you the super-size
ribs with the chocolate shake.
- You could barely finish it.
- Oh, yeah, the Shack.
[CHUCKLES] You used to
love that place, man.
You know, it closed after you left.
[ENGINE WHIRRING]
You think they about to leave?
Hmm. Maybe.
My hunch, they're finna take this loot
to whoever's crazy
enough to try to move it.
We're gonna know in a minute.
They're havin' a g*dd*mn picnic.
I don't know why we can't just
go over there and take 'em now?
'Cause we ain't got nothin'.
We gotta follow 'em. Let this
whole thing play out till the end.
CHICKEN MAN: Well, we
should've moved on there
and got some ribs with 'em.
- Hungry as a billy goat.
- Yeah.
MAN: Man, come on, man.
BABY RAY: So, what is
it? Freckles? [CHUCKLES]
Nah, n*gro. Jekyll. Jekyll Island, man.
BABY RAY: Jekyll. Man,
the f*ck is Jekyll?
WILLIE: I don't know.
I didn't name this sh*t.
Hey! Hey, I saw that.
Who you talkin' to, Jack?
Empty your damn pockets. Right now.
Or you can meet my
friends, Smith & Wesson.
You understand me, boy?
Oh, no.
I don't see no boys up in here.
What about you, Ray?
- All's I see is a cr*cker with a death wish.
- Mmm-hmm.
Your funeral.
Uh, uh, uh, uh.
Ray, grab his g*n.
Oh, sh*t!
Get up. Get up!
You know what, Ray?
I think it's time that we pop
your cherry. What you think?
What you talking 'bout,
Black. I ain't no virgin.
Nah, but you is with
that g*n now, ain't you?
Get your a*s down.
When you rocking with me, you gotta
be ready to get down at any time.
Go on, put that b*tch to use.
- Mmm-hmm.
- Just take... Just take what you want.
WILLIE: Oh, your tone done
changed now, huh? [LAUGHS]
[PEOPLE CHATTERING
INDISTINCTLY IN DISTANCE]
McKINLEY: What the hell is goin' on?
[BREATHES HEAVILY]
Ray, put the g*n down.
Hey, man. What's goin' on?
Ray, put the g*n down.
After we teach Billy Bob a lesson.
Please. [WHIMPERS]
You can keep the candy.
- Just go.
- What, I ain't "boy," now?
I ain't mean nothin' by it.
HUDSON: sh*t. They got
their g*ns out, man.
Ray, put the g*n down, all right?
No, he ain't putting sh*t down until
this white devil here apologize.
- [WHIMPERING] Sorry. [WHISPERING] I'm sorry.
- Huh?
- Say it again. Huh?
- CASHIER: [WHIMPERS] I'm sorry.
- [YELLING] Apologize, white devil! Apologize!
- I'm sorry! I'm sorry!
He apologized! He apologized, all right?
Now put the f*cking g*n down!
Wait... Wait, now. Hold on,
hold on. Let it play out.
No, no, look, you can't go in
there playing hero right now,
you just gonna blow the whole thing up!
- Just stay in the car.
- Just hold on!
Ray, put the g*n down.
Put the f*cking g*n down, man.
Come on, now.
WILLIE: Mmm.
[BELL DINGS]
I can't see the cashier.
Just wait. Hold on. Hey,
hey, you said it yourself,
we gotta play the whole
thing through, right?
Chicken, the man could be hurt in there.
Hey, look, and they leavin'.
So, we gotta follow them or
else we're gonna lose 'em.
Follow the van! Come on!
f*ck!
Atlanta PD.
- CASHIER: Here.
- Hello?
Hello?
Oh, oh, no, no, no, no.
I'm a cop. I'm a cop.
I'm a cop. It's all right.
- [GROANS]
- Here, let me help.
- You hurt?
- No.
- [BELL DINGS]
- I thought they were gonna k*ll me,
then that last one came
in and stopped them.
Oh, God! He came back!
- Wh... No, no, no. He's with me.
- What? He said they're back.
- It's all right. Come on.
- What you mean, "It's all right"?
'Cause you in a good
g*dd*mn mood now, huh?
'Cause you get to save whitey,
while our only hope for justice for me
- just rolled off, and went to God knows where.
- Will you calm down, Chicken?
"Calm down." That's all
you've been sayin' to me
all g*dd*mn day is "Calm down."
- You better pay for those!
- [HUDSON EXHALES]
You wanna kiss my a*s,
toilet-faced cr*cker?
Huh?
["LOVE DON'T LOVE ME" BY
BENNY LATIMORE PLAYING]
- ♪ I don't want nobody to need me ♪
- [HUMMING ALONG]
- [SONG CONTINUES]
- [KNOCKING AT DOOR]
Vivian, what you doin' here?
Uh, look, I'm sorry to bother you
at this hour, Ulysses, but, uh,
somebody needs your help
crossing to the other side.
Oh, well, my condolences,
but, baby, we closed right now.
This can't wait.
- Really?
- Mmm-mmm.
ULYSSES: Mmm.
I got his goon in the
back seat under a tarp.
This ain't really my thing.
Come on, I wouldn't be here
if there was any other way.
[BREATHES HEAVILY]
Please.
- Somebody I know?
- Nah.
No.
But believe you me,
world's much better off, Jack.
They hurt you?
They tried.
[SIGHS] You gonna help me or not?
[SIGHS]
$300.
That's fair.
[BREATH TREMBLING]
How long you've been
doin' this, Ulysses?
sh*t. All my life.
My daddy run it till I buried him.
It's the family business.
You ever thought about expandin'?
["THIS WORLD" BY THE
STAPLE SINGERS PLAYING]
♪ This world ♪
♪ This world ♪
♪ My mind holds this world ♪
♪ In its hand ♪
Damn, Mac, why are we
even on this side of town?
'Cause there ain't
nobody else over here.
Come on, let's go.
♪ Holds this world ♪
♪ My mind holds this world ♪
♪ In its hands ♪
[GRUNTS]
WILLIE: Home sweet home.
The Dolphin Club was legendary.
Black folks used to come from all
over just to see these people play.
Yeah, they did.
All them n*gg*s dead now, though.
♪ Or throw it all away ♪
♪ Throw it away ♪
♪ I can throw it away ♪
Are you sure they didn't mention
anything about where they was goin'?
I tell you how we could've
found out where they was goin'.
And we would've followed
their asses the way we...
- Do you mind?
- Do I mind?
- Please.
- All right. All right. All right.
- [CHICKEN MAN MUTTERS]
- Any detail that you could remember...
Ain't you hear me?
g*dd*mn, you know, I have had
enough of you people for today.
I want you out of my
store, off my property!
You know what I've had enough of?
- You say that again, you...
- Chicken, hold on. Wait a minute...
CHICKEN MAN: No, no, no, no!
I'mma deal with this hick.
I want you to listen. I want
you to listen good, okay?
I smell somethin'.
You know what that smell
is? It's rotten apples.
Funny thing is I don't see a
lick a' fruit in here, do you?
No, you don't, do you?
But I see a bunch of sugar,
and I swear the Lord
knows sugar is for yeast.
See, I know how these dry counties work.
And I know that you
got a still in the back.
So, what I wanna do is let
my detective friend here
take a little walk
around then come out here
and bust your a*s for moonshine.
How does that sound,
you f*ck' hayseed?
Huh?
Hmm. How'd that sound,
you f*cking hayseed?
[HESITATES]
When they were walkin' in, they
was yappin' about taking a trip.
Hmm. A trip? Where?
Jekyll Island.
Jekyll Island.
- That good enough for you?
- Yeah.
Detective Sambo. Hmm?
Savin' white lives all over the place.
Kissin' all types of white a*s.
Come on!
[SIGHS]
[EXHALES]
McKINLEY: I saw Sledge play
right here on that stage.
Took Charmaine here for our honeymoon.
She must have had your ba*ls
in a bind for real, my brother.
You wouldn't understand.
You damn right.
b*tch be lucky to get
water from me. [CHUCKLES]
McKINLEY: Nobody wants sh*t from you.
WILLIE: Aw, now you'd be surprised.
You'd be surprised.
Hey, Mac. What happened here?
Integration.
[CHUCKLES] Why go to the Black spot
when you can have uppity white folks
starin' at you while you eatin'?
Ain't that sound fun?
- Not to me.
- [WILLIE SIGHS]
[UPBEAT SONG PLAYING]
[PHONE RINGING]
Hello?
Mac. It's me. I've been
trying you for over an hour.
McKINLEY: Yeah, we just got here.
Aight, yeah, listen.
I'm, uh... I'm on my way,
all right. I'll be there in a few hours.
McKINLEY: All right,
well, we'll be here.
WILLIE: I'll tell you somethin',
it's been way too long since
I had me a good piece of trim.
How 'bout you, youngsta?
Uh... [SIGHS] Way too long. [CHUCKLES]
[LAUGHS]
You funny, n*gro.
How 'bout we call up a titty
bar and get us some gals?
Have us a time.
How that sound?
[CHUCKLING] Yeah.
Sounds good.
[CHUCKLES]
It's just you and Willie?
Me, Willie, and the kid,
it's the three of us.
Alright.
[SNIFFLES] Hey, put Willie on.
Is everything okay?
Yeah, look, I'm... I'm
comin' down with a fence
willing to pay top dollar.
All right, we gon' take
care of you, soldier.
Willie, phone for you.
[SNIFFLES]
What's the word?
Willie, I got orders.
Get rid of the kid. Understand?
That really necessary?
k*ll the kid.
I'll handle Mac.
[CLICKS TONGUE, SIGHS]
[BELL DINGS]
Let's get this party started.
["THE BIG LIE" BY SANFORD CLARK PLAYING]
♪ Down these city
streets I walk tall... ♪
EMERSON: One day, we was pinned down,
gettin' fired at from all sides.
I remember thinking, "I'm tired.
"Tired on waitin' for death to find me."
So, I hopped up out that hole,
saw all them Viet Congs starin' at me.
Next thing I know,
[CHUCKLES] Mac's next to me.
Yellin'.
Pullin' me back down in that hole.
He... He saved me that day.
I owe him.
Hey.
- Hey!
- [INHALES SHARPLY]
You ain't welcome here.
[CHUCKLES]
Oh, sh*t, Emerson,
you done done it again.
Oh, Emerson tellin' w*r stories.
[SIGHS] Apologize, gentlemen.
Finish my drink, I'll be on my way.
Mmm.
[SIGHS]
My man.
[SCREAMING]
Sorry, you know with all
of them bombs over there,
I don't hear so good.
You wanna repeat that, as*h*le?
[BREATH TREMBLING]
Not in here, soldier.
[FOOTSTEPS RECEDING]
[SPITS]
[MUSIC PLAYING ON CAR RADIO]
Hey, I tell you what, good
thing we gassed up, huh?
'Cause we ain't got a clue
where we goin' right now.
Wouldn't even be in
this g*dd*mn position
if you weren't so keen on
kissin' massa's a*s back there.
[SIGHS]
You know it don't rub off,
right? It's gon' stick.
[CHUCKLES]
Oh, that's funny to you,
that make Hudson laugh?
No words, you ain't got nothin' to say?
What'd you used to call me?
You used to call me a hoodlum.
Tell you what, when I made my bread,
I put it right back into my community.
- Mmm.
- Gave my people hope.
- Yeah.
- Give 'em reason to live.
I'd rather be a hoodlum
than a house n*gga any day.
That house part, maybe we, uh,
find a pay phone, call your wife,
see what she gotta say about it.
Oh, wait a minute, you
ain't got one of them.
A house or a wife.
Pull over.
All right, look, that was too far.
- Hudson, pull over right now.
- All right, now, look...
- Pull the g*dd*mn car over right now.
- I'm apologizing.
Pull the car over right now!
C'mon, Chicken...
Don' "Chicken" me...
Get your a*s out this car
and get this a*s whoopin'.
Man, we ain't got time
for this bullshit, man.
- Come on! Ain't no Chicken.
- Chicken, this is crazy.
- Man, we're supposed to be followin'...
- [GRUNTS]
[GRUNTS]
Knock it off!
[MORE GRUNTS AND GROANS]
- [GROANS]
- Knock this sh*t off, man!
- That's it. No. We ain't done.
- Quit. Come on, man.
Hey, my man. Stop, stop. Stop it.
[MORE GRUNTING]
Hey, knock it off! Stop. Stop fighting.
All right!
- Knock it off! We good?
- [CHOKING SOUNDS]
We good.
- [GRUNTS]
- [COUGHS]
I told you. [GRUNTS]
[GRUNTING AND COUGHING]
A nut punch?
I can't breathe. I can't br...
- sh*t.
- [BREATHES HEAVILY]
No, no. Come on.
[BREATHES HEAVILY]
You got me, didn't ya?
Damn it. [SIGHS]
[SPITS]
Uh... [CHUCKLES]
You know, my first date with
Faye was a walk in a park.
She thought I was romantic,
but, uh, I was just broke-a*s.
[CHUCKLES]
I told her, "Don't worry, 'cause
it's only up from here, baby."
[EXHALES]
Look, I'm sorry about what
I said in the car, okay?
That was uncalled for, I didn't mean it.
Oh, yeah, you did.
And it's okay, it ain't like
I didn't deserve it, so...
Look, Chicken.
Back when I arrested you,
I had to let them other boys go.
That stuck in my craw, man.
To this day.
I mean, you broke the law,
and I was in my rights
arrestin' you, but...
If I had to do it all
over again, I don't know.
I don't know.
You wanna know what the
biggest con I ever pulled was?
Biggest con I ever pulled
was convincin' myself
that all this sh*t that I'm doin'
is for my damn family.
It's for me.
Tryin' to be somebody I'm not.
[VEHICLE APPROACHING]
[MUSIC PLAYING OVER CAR RADIO]
Excuse me, sugar. We a bit lost.
Y'all know how to get to the Shark Club?
To the Shark Club?
I ain't never heard of it.
Hmm, see, we got this gig
down at this, uh, Shark
Club on Jekyll Island.
Oh, wait, you talkin' about
The... The Dolphin Club?
- [LAUGHING]
- BOTH: Yeah.
Sounds about right.
Okay, well, The Dolphin Club's
'bout a mile up that way.
Just keep goin' straight.
Thank you, baby!
Right on.
Dolphin Club's been
closed for a while now.
Hey, three girls in the car.
BOTH: One girl for each robber.
CHICKEN MAN: Come on.
[LAUGHING]
- ♪ You know the nighttime ♪
- ♪ Night and day ♪
- ♪ Oh, is the right time ♪
- ♪ Night and day ♪
WILLIE: You know what
I'm sayin', brother.
[SONG CONTINUES PLAYING]
[SNORTS]
Come on, ladies. Get
some of this candy here.
[WOMAN CHUCKLES]
You first, mama.
WOMAN: I got two nostrils.
WILLIE: C'mon I'm sorry for
being stingy baby, I'm sorry.
- WOMAN: Mmm, thank you, baby.
- WILLIE: Mmm-hmm.
WOMAN: Your turn, sugar.
McKINLEY: Ray!
Don't worry about him.
[SNIFFLES]
- [COUGHS]
- [ALL LAUGHING]
WILLIE: Damn, boy, you can't be
wastin' all that candy like that.
- Sorry.
- WILLIE: Come on, now.
sh*t!
[LAUGHS]
Come on, kid. It ain't that bad.
Man, you got a little bit of...
- Aight.
- [LAUGHS]
No, but, Black, for real, man,
I'm really excited to be
goin' up north with you, man.
It's gon' be you and me
runnin' things out there, man.
Ray and Black, I can see it now, man.
Yeah. Yeah, yeah.
[CHUCKLES]
[SNIFFLES AND SIGHS]
Which one of them you like?
Honey.
- Honey.
- [GIRLS LAUGHING]
You think she sweet on me?
You want her to be?
Mmm.
[CHUCKLES] Watch this.
HONEY: Stop.
WILLIE: [WHISPERING] Listen, Honey baby.
I want you to take care of him, okay?
Show him a good time. Be gentle now.
How 'bout we go get us a room?
Come on. [CHUCKLES]
WILLIE: Don't be scared of it now, Ray.
Ain't nothin' but a little bit of water.
[LAUGHING]
I'mma come back for you,
baby. I'mma come back for you.
Yeah, all right. [SNIFFLES]
This ain't smart, Black.
Emerson said he's on his way.
[CHUCKLES]
We got time, man, we got time.
- The hell you think you doin'?
- [SIGHS]
We all got bags to hold on.
Little man left his,
I'm gon' take it to him.
[CHUCKLES]
Loosen up, Mac.
Go get you some of that
a*s on your lap, n*gga.
Say, girl. Let me show you somethin'.
You ever seen heaven before, mama, hmm?
As long as you can make these
legs open like heaven's gates.
WILLIE: Oh, they gon' open,
baby. And you gon' sing for me.
[WOMEN LAUGHING]
Thirsty?
Were you drafted or volunteer?
How'd you know I was in the military?
[CHUCKLES]
It ain't hard to tell.
[SIGHS]
You ever save a life?
You know, most folks just ask
if I ever took one.
I ain't most folks.
I see.
[BREATHES DEEPLY]
Yeah, I saved a brother's life before.
Pulled that man out the line of fire.
Did you get some kinda medal?
[CHUCKLES]
This is America, darlin'.
There ain't no medals for savin' n*gg*s.
I could tell you was a
hero the minute I saw you.
Yeah, well, I ain't no hero.
Yes, you is.
You look out for people.
So, why don't you let
me look out for you, huh?
[SIGHS]
[BREATHES DEEPLY]
[GASPS]
[CHUCKLES]
[MOANING]
- [TABLE POUNDING]
- [KIKI MOANING]
KIKI: Take me to heaven.
[MOANING CONTINUES]
Ooh! Yes!
So was I any good?
- Yeah.
- [KIKI MOANING LOUDLY]
Is this supposed to be like them?
[SMACKS LIPS]
You were sweet.
Sexy.
Uh, have you ever been up north?
Oh, I ain't never been.
Movin' out that way.
Gots this job lined up with Willie.
Been doin' some big things together.
You know, if you ever
find yourself out that way,
I could take you around.
You wanna take me on a date?
[CHUCKLES] I don't know.
Yeah.
Do you have, like, a telephone
number I could hold onto?
That's cute.
[LAUGHING]
[CHUCKLES]
[ENGINE STARTS]
[BREATHES DEEPLY]
HUDSON: McKinley Rogers.
Me and you need to have a little confab.
[SOUL MUSIC PLAYING OVER STEREO]
VIVIAN: All those lights, hmm.
All those people.
And all that potential.
But I'm sure you know that.
I'm sorry, I hope I'm not interruptin'.
Uh, no worries.
- Hmm.
- I could use the company.
Join me.
Sure.
[CHUCKLES]
Ma'am, can I get you a c*ck?
You know, I usually
go for somethin' sweet,
but after the day I had,
I think I'mma switch my groove up,
you dig? [CHUCKLES]
Cognac? Cognac, please. Thanks.
So, what kinda day did you have?
Uh, runnin' around cleanin'
up messes I didn't make.
Some I did.
[CHUCKLES]
I wanna thank you for what you
did for me back at the salon.
I don't have many men
lookin' out for me.
And I also wanna apologize to you
for what happened at the party.
Even though I had nothin'
to do with that sh*t,
it still happened.
I appreciate that.
But I'm sure you didn't
come all the way down here to
shower me with apologies.
No, I didn't.
The cornerstone of a community,
is it churches? Barbershops?
It's funeral homes.
Cash business there, Jack.
That's a market that
ain't goin' nowhere,
- cause n*gg*s gon' die.
- Hmm.
Great space for a smart
businessman to diversify.
And besides, those caskets,
you know, you can move
some things that you don't
exactly want being detected.
Oh, like conk-head n*gg*s
with b*ll*ts in their heads?
[ULULATING]
[BOTH LAUGH]
Oh, thank you.
The, uh,
proprietor of this
funeral home enterprise,
- is he local?
- Mmm-hmm.
Entrenched in the community?
Better than that.
He was grandfathered in
last decade's zoning laws,
which means any property that he buys,
he don't have to tell the state.
Get the f*ck outta here.
I got my fingers in all kinds of pies.
You know, I heard that exact same line
from some little hustler around here.
No. See, what you heard was talk.
I got the f*ck' recipe.
Hmm.
So, you the pig that threatened my ex?
No, you the threat to
Charmaine and that little girl.
You leave my f*ck' family out of this.
Hey, easy!
But they ain't yours to protect no more.
Charmaine remarried, got that good job.
But she can't seem to get
the stink of you off of her.
But you help us out with this thing,
and I'll make sure none
of this touches them.
You done already dug
yourself a deep hole.
Ain't no sense in makin' it any deeper.
How you feelin', k*ller?
[SIGHS] Great!
[LAUGHS]
So you are.
Where's your man?
He's outside, seein' the girls off.
Look it's too late for me,
but Ray, he just a kid.
All he needs is a second chance.
You let him go,
I'll give you what you want.
No, ain't no way I'm letting him go.
He can't just walk away from that.
You can take your chances with
them K*llers that's comin' in.
Listen, listen, the
boy is a minor, right?
- That's right.
- I'mma do everything in my power
to make sure that he's
tried as a juvenile.
He'll get out when he's 18. He can
still make something of his life.
Look, I give you my word on it.
Yeah, I can dig it.
[g*n c*ck]
All right.
So, come clean. Who hired ya?
Emerson Dorsey.
Emerson? The man from the photo?
That's who I took the party from.
But he just the middle man.
- A middle man for who?
- I don't know.
You can ask him yourself. He on his way.
Uh, look, you're gonna
need my help with Emerson.
'Cause he mean with a p*stol.
And the third man Willie Black,
that m*therf*cker's a walkin' virus.
All right.
You get that boy on our side,
we'll apprehend Willie Black.
Then we wait and get Emerson, too.
Now, why in hell would we trust him?
'Cause we in the sh*t, Chicken.
We ain't got no other choice.
Ain't that right, soldier?
- That's right.
- [VEHICLE APPROACHING]
sh*t, he's here.
[HORN HONKS]
WILLIE: Why don't you go over
there and get a fire goin'?
Get some warmth up in here, hmm?
- Get in my van.
- sh*t!
[VEHICLE APPROACHING]
[HORN HONKING]
EMERSON: Get rid of the kid.
[SNIFFLES]
[GRUNTS SOFTLY]
Aw, sh*t!
Where you goin', kid?
I left my bag of loot upstairs.
Come on, man, you gotta keep that sh*t
with you at all times. Go get it.
Payday, soldier. Passed a car
full of broads on my way in.
How's your man, Willie Black?
McKINLEY: You got a problem with
it, you can take it up with him.
Oh, that m*therf*cker would.
Oh, sh*t!
You know a lot about that
m*therf*cker, don't you?
All of you ain't been tellin' me sh*t.
Still keepin' me in the dark.
Soon as I robbed them
K*llers, I was a dead man.
Mac, they don't even
know about you, brother.
Bullshit!
All of my people is dead.
You think we should make our move now?
McKINLEY: Frank Moten ain't
gonna just let me get away.
Well, see that's the thing. You
ain't got to worry about Frank.
- That's being handled, you dig?
- Yeah?
- Yeah.
- By who?
The same m*therf*cker you
been takin' orders from?
Come on, man... [SCOFFS]
You still gonna keep me in the dark?
[SCOFFS]
I asked you a question, soldier.
Name is Cadillac Richie.
- [MOUTHING] Cadillac?
- EMERSON: He movin' on Frank.
It's been a long time comin'.
Listen, I saved you, man.
Pulled you out that jungle.
Kept you from getting your
f*ck' head blown off, man.
This is how you repay me?
Hey, brother, I know you
don't expect me to apologize
for putting 20 large in your pocket.
f*ck that sh*t, man!
Mmm, come on, man, this is me
tryin' to square things with you.
Make it right.
We're cursed, man.
We cursed for what we done.
[SIGHS] Any trouble come
our way, we earned it.
Fence will be here soon.
You got my money, soldier?
I asked you a question.
Yeah. Yeah, I got your money.
Let's all bring it
out here and count it,
put it in your trunk.
Brother, I'm tired of
takin' care of your sh*t.
Well, all right then,
lead the way.
[FOOTSTEPS APPROACHING]
[BREATHES DEEPLY]
[SNIFFLES]
Heard you had a good time.
Don't nothing pass the time like
some a*s and a little bit of sugar.
[SUCKS TEETH]
g*dd*mn!
[BLOWS]
Well, that's quite the haul, soldier.
I see why y'all wanted more bread.
Yeah, it's not nearly
enough for what we lost.
Yeah. Well, you know how it go, Mac.
Times, a few soldiers gotta get
sacrificed for the greater victory.
What'd you say?
f*ck wrong with you?
Take care of them loose ends?
[INHALES SHARPLY]
Yeah, about that...
sh*t went left.
f*ck you mean?
Uh, loose ends?
f*ck y'all talkin' about
with these loose ends?
Nothin' for you to worry about, Mac.
Is Baby Ray a loose end?
Am I a loose end?
What the hell you talkin' about, Mac?
Whoa, whoa! What the f*ck, Mac?
Y'all m*therf*ckers been thick as
thieves this whole g*dd*mn time.
- Mac...
- Shut the f*ck up, n*gga!
Hey, Mac, listen to me, all right.
Yeah, we took a couple of casualties,
but there's a whole shitload of
cash for us to split over there.
So, why don't we all
just calm the f*ck down!
All right, McKinley, stand down.
I knew you was a snake from the
first time I laid my eyes on you.
Says the baby k*ller with
the medals to prove it.
f*ck you, man. Prison
ain't good enough for you.
Prison? Ain't nobody going
to f*ck' prison, man.
Both of y'all, put them g*ns down.
[g*n FIRES]
Ray...
EMERSON: Mac!
g*dd*mn it!
f*ck, f*ck, f*ck, f*ck!
- [GASPING]
- f*ck. Mac.
[GASPING]
Mac.
I thought he was gonna sh**t you.
Mac?
[EMERSON MUTTERS]
What's that sayin' about
honor amongst thieves?
How the f*ck should I know?
Exactly.
[BREATHING HEAVILY]
[SPITS]
Atlanta PD. Drop the weapon.
Do it.
f*ck!
Oh, sh*t!
[GROANING]
Anything happens to me, call it in.
Where you goin? Hudson.
g*dd*mn it! sh*t!
[GROANS AND PANTS]
f*ck! [GRUNTS]
[BREATHING HEAVILY]
[GRUNTING]
f*ck it! f*ck it! f*ck it! f*ck it!
[YELLS]
[WILLIE GASPS]
[PANTING]
You wanna keep doin' this sh*t?
You're the one shot.
It's not even your money.
It ain't yours either. Give it up.
f*ck that.
[GRUNTS]
[PANTING AND GRUNTING]
[GROANING]
[GRUNTING]
Stop! Stop!
- [g*n CLICKS]
- Oh, f*ck!
[YELLING]
Argh!
[PANTS] Man, who the f*ck are y'all?
We the police, n*gga!
Ain't no... b*tch, show
me your f*ck' badge!
Oh! sh*t!
- [GRUNTS]
- [SCREAMS]
- All right, all right, all right.
- That's for Vivian.
Who the f*ck is Vivian?
So, what do we do now?
We stick to the plan.
Cadillac.
CADILLAC RICHIE: You know how
much I love Nonna's baked ziti.
Tell her to save me a plate
and I'll see y'all when I'm
done with this Harlem problem.
Bye.
Hey, Goose, you got somethin' for me?
Yes, sir, boss.
LEOLA: I hear my beautiful
boy is headed South again.
CADILLAC RICHIE: A day
down in that godforsaken,
country-a*s, backward
town is an eternity, Mama.
Hey, Ruck.
Let my mama see what you got there.
You see anything you like?
The white one.
El blanco, por favor.
Uh-uh-uh-uh.
Don't nobody touch my mama.
[CHUCKLES]
This is beautiful. Mmm!
When I get back from the
South, I'm gonna bring you
a nice, big, four-carat
diamond necklace.
You just do what needs to be done
and get your a*s back to civilization.
Oh, it's gettin' done.
I got Frank in a whirlpool
of craziness right now,
and by the time I'm done,
he ain't gonna know
that I had a hand in it.
[KISSES]
Humiliation ain't enough.
Your daddy, Big Richie,
used to stay awake nights,
plottin', plannin', dreamin' of
givin' Frank what he had comin'.
That day never came.
So, I had to stand by and watch
that stripe-headed snake
undermine your father,
bring him down from
a king to a middleman,
just like what he doing to you.
Your daddy wasn't strong enough
to make the right decision,
but you, my boy,
this is your time.
I want that. I want all of that,
for you, for us,
for Big Richie.
At the appropriate time,
I shall crush that snake.
That's my boy!
[KISSES]
You honor your father's legacy.
And put that two-faced, licorice-chewin'
m*therf*cker where he belong.
Yes, ma'am.
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