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Ghost Game (2024)

Ghosts, Monsters, Vampires, Werewolves, and Witches oh my! Halloween/Horror Movie Collection.
(Satanic, Slasher, Splatter, Cannibal, Occult, Giallo, Chinese/German Underground/Japanese/Korean/New French Extremity Horror etc.)

Moderators: Maskath3, GabrielAlejo2341, sidolanters

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Horror, Scary, Halloween Movie Collection.

Ghost Game (2024)

Post by bunniefuu »

What the f*ck?

We're leaving.

ADRIAN:

f*ck that.

You know the rules.

ADRIAN: What f*cking rules?

It's punk rock.

sh*t.

f*cking sh*t.

(GROANS)

(ADRIAN PANTS)

Holy sh*t.

Holy sh*t.

LAURA:

What are you doing?

I...

You've only been here a week

and you're spying on me?

No, I was-- I was gonna.

LAURA:

On my f*ck' laptop?

Mine's dead.

The cord's still packed.

That was you, wasn't it?

Jesus, no.

VIN: What is this,

like, a snuff film?

Three stitches

and a night in the hospital.

But that was you.

In the mask.

And the softball trophy.

Come on, Laura.

This is bullshit.

How-- how can you expect

to make living together work

if we're keeping secrets

from each other?

At least throw down some pants!

Neighbor said there was

a dead body in this car.

-Is that you?

-Yeah. Yeah.

Uh, girl kicked me out.

Okay, we have two choices.

You can go make up with her,

or you gotta clear out.



Come on, I brought breakfast!

(KISSES)

Unpacked pack your Xbox.

Who's...

Oh, Vin, meet Adrian.

The creep with the scissors.

Harsh, but not inaccurate.

Adrian and I met online.

Through a private board.

VIN:

Private board?

Sit down. Sit down, Vin.

Yeah, you know

that video that you saw,

so it's not exactly a sex thing.

It's not a violence thing

either.

It's-- it's a hobby.

A lifestyle.

It's art.

We call it Ghost Game.

Hey, just-- just show him.



(SCREAMING)

VIN:

This is, like, prank sh*t?

LAURA:

Watch.

Okay, that's Mr. Whatley.

He has the best theories.

Whatley's overhyped.

VIN: So, this is, like,

some cosplay home invasion?

LAURA:

No.

Again, it's a challenge.

You live in the house without

the homeowners knowing.

Mr. Whatley was inside

that house for eight nights.

ADRIAN:

That's my hand right there.

Money shot, money shot.

Oh! No!

Oh, no, sh-- sh*t!

(ADRIAN LAUGHS)

VIN:

Real nice.

LAURA:

Okay, Whatley has three rules.

Don't get caught.

Don't steal anything.

And have a plan.

I don't get it.

What's the point?

Well, the point is the thrill.

It's like...

An orgasm?

I was going to say therapy.

(CHUCKLES)

Look.

Adrian and I have been

planning something short notice.

We got an opportunity.

An opportunity

to break and enter?

LAURA:

A haunt.

That's what they're called.

And Adrian got a lead.

Can't really call dibs

on a lead.

It's the first to the location

who gets it.

So, you're not really asking

for permission?

Okay.

I don't need

anybody's permission.

So, if we're gonna do this,

I have to be able

to live my own life

and you live your own life.

We have our own interests,

our own hobbies.

Hobbies?

A hobby is f*cking

playing Catan.

Just tell him about

the Halton House.

That might shut him up.

-Adrian.

-What?

Halton House?

The Amityville place?

ADRIAN: Oh, Amityville

is a mass sh**ting.

This is a mass drowning.

It's way harder.

Logistically speaking.

But wouldn't that place

be empty?

Well, see that's the tip, Vinny.

The place was empty.

Previous owners

already sold the property,

but new owners,

new owners are just movin' in.

Dude, can I get a minute?

With my girlfriend. Please.

Picked a real winner here.

Good job, Laura.

LAURA:

Okay, shut up, Adrian.

(SIGHS)

You're gonna break into a house

with that as*h*le?

It's a two person-job.

Well, what if you

had a new partner?

You can show me the ropes.

I can learn.

Well, you can't exactly

pick up a basketball

and play for the Wizards.

He doesn't seem

like LeBron James.

Is he on the Wizards?

Okay, you know what?

Laura, you showed me this

for a reason.

You wanted to let me in.

What about Adrian?

Tell him...

Tell him you're calling it off.

That I f*cked everything up.

Your square boyfriend.

Always messing things up.

(KISSES)

Always.

What? f*ck' what?

It's everything off

that we've done!

I'm not f*ck' anything up!

Everything!

Why the f*ck are you yellin'?

Laura, shut the f*ck up!

Okay, alright. In the car.

You don't want to us ruin

our friendship, Adrian,

get the f*ck out of here then!

(INDISTINCT SPEECH)

Get the f*ck out of here!

Get out of here!



(GASPS)

I made it for you.

Do you like it?

Yeah, it's-- it's perfect.

(KISSING)

Halton House.

Perhaps the most infamously

haunted house in the U.S.

Despite its spacious

accommodations

and dramatic architecture,

it sits abandoned

on Terrace Hills, rotting.

The story of its

prior residents,

so tragic and chilling,

it's warded off even the most

curious for over half a century.

What lurks inside these walls

that could have driven

an ordinary woman

to the most heinous of acts?

Adelaide Halton

grew up in the manor.

Her father, Abraham Halton,

had inherited it

from his father,

the former mayor

of Terrace County,

Gunther Halton.

Both died young,

mysteriously, in the house.

Adelaide Halton was named

Maryland's

Homemaker of the Year,

a record five times,

a record that still stands,

even in death,

if only that is

what she was remembered for.

By all accounts,

the family was happy

and thriving

up until that tragic evening.

Neighbors saw Adelaide playing

with the children in the yard

just hours before,

laughing, smiling,

a picture-perfect family.

What happened between then

and the moment she prepared

for that final meal

is anyone's guess.

Some have claimed the house was

tainted in some way, haunted.

ADELAIDE:

Time for dessert.

I've made custard.

Little did

the unsuspecting family know

they were ingesting

nightshade custard.

The flour is poisonous

in large doses,

but Adelaide had

other intentions,

lacing each pie with just enough

to only paralyze her prey.



The house had five full baths,

enough for even

the smallest members

to have their own tub.

It's unclear what happened next,

but legend has it that

after k*lling her family,

Adelaide returned

to the sitting room

for a glass of rosemary tea.

She then climbed

to the top of Halton House,

for her final act.

After several days, authorities

were sent to the home

to find all four members of

the Halton family deceased.

Don't let me go now

Don't let me go now

Don't let me go

A million little lies

Holdon' on

To somethin' resemb--

Do is wake up early

in the mornin'

Smoke a little weed

And drink

some f*ck' coffee

Yeah

For the first time

in my life

I can see myself

with my eyes closed

(INDISTINCT LYRICS)

raisin' up the dead

Hey, hey, hey

They call me creepy

Hey, hey, hey

What can I say

Hurt me

Thrill me

Nothing on earth

can k*ll me

Hunt me

Bind me

Nothing on earth can find me

You must have been told

about me

I think-- I think this is it.



Whoa!

Oh, look. Look, look, look.

The window at the very top.

VIN:

f*ck.

DANIEL:

Hey!

Private property. Get lost!

He'll see our faces.

Hi! How are you?

I could sh**t you.

LAURA: I really wish that

you wouldn't do that.

And I know that this

is private property.

Our bank actually holds it

until we can get

these papers signed.

My associate and I

would love to speak

with the Trammels.

Are they in, mister...

They ain't here yet. I'm Daniel.

LAURA:

Oh, you're the caretaker!

Yeah, yeah, I see

that you've been very...

...busy.

DANIEL:

That's the gardener's job.

Mostly I watch rodents.

Set traps.

Well, we would really love

to get these signed

before habitation

can be finalized.

Do you know when the family

will be arriving?

Do you live on the premises?

Shack out back.

But I got evicted.

Bank would have known

about that, wouldn't they?

Different bank,

different assets.

Listen, you've been

extremely helpful.

I'm gonna let

you get back to it.

Don't you need to talk

to Mr. Trammel?

Drive.



Coats.

We forgot coats.

Don't be a tourist.







Can we get through this?

Not without a blowtorch.

What if we break a window?

What if I slice my hand open?

Do you know first aid?

No. But Siri does.

There's a basement

around the corner.

Watch my back.



Daniel?

I don't know.



VIN: Behold

the horror of Halton House.

-Dude.

-Yeah?

Where's my bag?

sh*t. sh*t. sh*t. sh*t. sh*t.













-Hey!

-Jesus Christ!

Uh, got the bags.

Don't do that.

Lots of space down here.

Lots of places to hide.

Possible home base?

No.

What do you think

is in those boxes?

Adelaide's fine China.

Halton House swag

could be valuable.

We're not thieves!

Okay. Yeah.

Rule number two.

I was testing you.

Okay. Let's go this way.

Come on.









Oh,

that's some Phantom Opera sh*t.

Laura, check it out.

Hold my calls.

Focus.

We don't have that much time.

Actually, you know what?

Go find some linen.

I'm gonna find a place

for us to hide.

Meet back here in five minutes.

Wait. You wanna split up?

In the haunted mansion.

Are you sure that's a good idea?

Have you ever seen Scooby-Doo?

It's just the house settling.

That's not settling.

Okay. Okay.

Blankets. Sir, yes, sir.















(VIN SCREAMS)

Vin, what happened?

(ADRIAN CHUCKLES)

Howdy there, partners.

What?

You two surprised to see me?

It's okay, 'cause I'm surprised

to see you, too.

'Cause last I remember,

it was all,

"Let's just let this one go,

Adrian.

It's not worth ending

our partnership, Adrian."

You can't be here, Adrian.

Yeah, well, here I am, so...

You're gonna get us caught?

Burn the house down.

What is this?

Wait. It's scented. It--

The place smells

like a rat toilet.

It'll air itself out

by tomorrow.

They're coming tonight.

Sweet.

Let's just go.

Plan's f*cked.

Boyfriend still thinks

this is a hobby.

Doesn't get that he's a hobby.

Okay, no.

You can't pull that crap.

Not here.

And you're the b*tch who lied.

You brought this f*ck'

as*h*le to Halton House.

It was my f*ck' lead. My f--

Oh, no, you two, stop!

Stop! Stop!

Enough! Stop!

They're here.

Here. Careful.

Careful, honey.

It's bigger when you own it.

Spookier, too.

(BOTH CHUCKLE)

-We did it.

-Oh, my gosh.

Just needs some light.

Oh, Pete.

You-- you've gotta go slow

with her.

Damn light.

Old world charm.

And fixtures.

Why don't we just get a hotel

for the night?

No reason to force it,

just to say we're moved in.

PETE: No, no, no.

That's just one switch.

Must be

a lamp around here somewhere.

Vin, where is your bag?

Oh, f*ck!

A light.

Just one light.

Just one f*ck' light.

Save me the price of a hotel.

And bedbugs.

Sammy, go home.

Oh, Sam.

See, Daddy Pete and I

bought this house.

This is our home now.

If they find that bag,

we're blown.

Then let's leave.

(LAUGHS)

You're just

the flavor of the month, bro.

That girl's heart

belongs to Mr. Wattley.

Hide. f*ck' hide.



Oh, what's this?

Jesus!

There's no electricity at all?

I thought you checked that.

PETE:

I did check, Megan.

The guy told me he was--

PETE:

There's no reason to yell.

Or call me Megan.

PETE:

Okay, Meg.

Thanks for clearing that up.

It's been a long ride,

and I-- I just wanna

get us moved in.

The next payment on the house

is contingent upon me being--

The-- the advance. The book.

I get it.

Just, please find the fuse box

so the girl can charge her iPad.

Hey, okay, I'll-- I'll try.

Thank you.







Hello?

(GASPS, SIGHS)

Goodnight, iPad. iPad all done.

Charger, please.

Oh, it's in the car.

Not that we have--

Charger, please. Thank you.

(KISSES)

Just stay here, okay?

Be right back.



Ugh! Rats?

sh*t!



MEG:

Honey?

Honey? Everything okay?

What do you see?

Go home. Go home.

Let there be light.

Oh! There we go!

(CHUCKLES)

My hero.

(CHUCKLES)

You want to open up a bottle?

Oh, well,

we've got a long day tomorrow.

The truck will

be here in a few hours.

LAURA:

We'll set the cameras tomorrow.

Maybe if we're lucky,

they'll leave

for a couple of hours.

What about Adrian?

It's a big enough house.

It's probably

a three-person job, anyway.

Laura, he's dangerous.

I can handle Adrian.

Don't make a sound.

(KISSING)













(SPEAKS SPANISH)

(SPEAKS SPANISH)

(SPEAKS SPANISH)

Hi!

Hola! Uh, um, hi.

Um, he says he won't go in.

He, uh, didn't know

it was this house.

Um, we paid you

to take the furniture

in the house, not the--

the driveway.

Yeah, um, I'll--

I'll talk to him.

Um, sorry.

(SPEAKS SPANISH)

(SPEAKS SPANISH)

-(SPEAKS SPANISH)

-(SPEAKS SPANISH)

(SIGHS)

MEG:

Looks like I missed the party.

Are you trying

to burn the house down

before we can even move in?

What?

Th-- this moving guy you hired

won't come in.

They're dumping all the stuff

in the driveway.

What the hell is a Halton house?

Is this where the advance you're

talking about is coming from?

Baby, it's not what you think.

I-- I thought we moved here

for Sam.

For the school.

Schools don't come cheap.

I-- I thought you were done

with this stuff.

This weird stuff.

The sensationalism.

You lost your last family to it.

You don't know anything

about that.

What-- what happened

to writing novels?

To teaching?

Adjunct teaching salaries

don't--

Don't pay for special schools

and-- and therapies.

Novels?

They wouldn't pay for the taxes

on public schools.

Right, let me see

about the movers.



Why aren't you in the room?

Why aren't you in the room?

I was lookin' for you.

I heard noises outside.

The movers are here.

Oh.

She's been doing this

all morning.

I think she's on the spectrum

or something.

What, are you

a clinical psychiatrist now?

No. My brother.

We didn't find out

till he was older.

He used to drive my dad crazy.

But it's not his fault.

He didn't know.

Look, I don't think we

should mess with her.

It wouldn't be right.

Or very sporting, at least.

LAURA:

We're not here to hurt anyone.

At best, we're here to give them

a sense of something bigger

in the world.

Mr. Wattley says

that that's the point.

Being a part of

something bigger.

Something mysterious.

Dangerous.

Feeling alive.

We all need a little

reminder of that sometimes.

Yeah.

Oh, sh*t.

The kid?

No, no, I've been watching her.

Our phones are missing.

Adrian.

Damn it.

What if I give you both

an extra 50?

He saw somethin' in the window.

He keeps sayin' "bruja"

and "phantamos".

It's not a bruja. It's Sam.

-Alright.

-It's my stepdaughter.

Alright, sir. I'm sorry.

We can't help you.

Guys!

(SIGHS)

The-- the caretaker isn't here.

It looks like he cleared out.

He-- he was supposed to stay

through the week.

His truck's gone.

I texted him twice.

Come on.

Let's go. You and me.

You-- you look ready to puke.

It's just-- can we get it done?

Please?

Alright.

Just please watch your back.

I got it.



ADRIAN:

Hey. What's up?

You want some?

-Give me the phones.

-Hey, hey, hey, hey!

Don't f*ck' touch my sh*t.

I didn't take your phones.

Probably just lost 'em.

I have a system.

Maybe Vin's new little buddy

took 'em.

The creepy kid.

And I suppose you didn't start

that fire last night.

I didn't do sh*t last night.

I was up here.

Sticking to your plan.

I mean,

I might have rubbed one out,

if you wanna know the truth.

Maybe two.

Not to brag.

I won't let you

mess this one up.

Oh, you mean like last time

when you f*cked everything up?

Only because you went off plan.

Huh, yeah.

And here I was about to share

my lucky charms with you.

That kid is wandering around

unsupervised,

so we should

probably just wait.

You know, for a girl

who likes to break

into people's houses for kicks,

you had a real

stick up your a*s.







Sam,

don't use too much hot water.

Your mom's getting in next.

You've been in long enough.

(GRUNTS)









MEG:

Honey?



Adrian?

What's in here?

His daughter

went missing years ago.

The UFO Girl.

Yeah. I kinda remember it.

She went missing and then

she walked out of the woods

or something.

Yeah, she said she was abducted

by aliens.

Can you please stop pacing?

They're gonna hear you.

Sit down.

Anyway, his ex-wife said that

he actually just had her hiding

in some rented cabin

or something like that.

There was a messy divorce,

fraud charges, yada yada yada.

Now he's back.

New wife. New kid.

Same old piece of sh*t.

Wait.

You knew all this before?

LAURA:

Yeah.

I Googled the names

on the deed, didn't you?

Stickin' it to some ex-con man.

Makes this one extra sweet, huh?

Hey. Miss me?

You know, uh,

I know you went through my sh*t.

I didn't touch

your f*cking stuff.

We need our phones back.

Well, I don't have 'em, Vinny.

you know, maybe

it's better this way.

Sometimes when you have

a safety net, you lose focus,

make mistakes,

break the rules.

Ain't that right, Laura?

Yeah.

Don't f*ck' touch my sh*t.





Sam?



Hello?



Pete?



(SIGHS)

(SCREAMS)

What is this? UFO Girl 2.0?

Like I got nothin' better to do?

Someone did this.

PETE:

It wasn't me.

I'll call Daniel.

I called Daniel.

I've been calling him all day!

Fine. I'll get an exterminator.

We don't need an exterminator.

The rats are dead!

Well, what do you want me to do?

My daughter is not sleeping

in this house.

Damn it, Meg!

(SAM SOBBING)

We can't afford a f*cking hotel

and room service.

This is the only plan.

Not my plan. Come on, Sam.

Oh, honey, where--

where are the keys?

Sammy, were you playing

with mommy's keys?

Hey, I'm talking to you.

Hey, hey!

Take your hands

out of your ears!

Pete.

She understands.

Don't you, kiddo?

Go home. Go home.

Where are the g*dd*mn keys?

What the hell?



Go home. Go home.

Go home.

Pete! What is happening?

Jesus.

What's wrong with you?

Why did you do this, huh?

Do this? Do this?

This isn't a joke.

Do you understand? Huh?

She didn't do this.

Then who did it?

I don't know. Bad pipes.

Pipes.

Why are you doin' this?

It's not part of the plan.

You think--

you really think I did this?

I can barely unclog

a f*cking toilet.

It's this guy.

It's this f*ck' prick.

He's up to those

old tricks again.

VIN:

But why?

It's not like

there's f*ck' press here.

Well, he certainly

got his wife's attention.

Right?

We need to entertain

the obvious explanation.

It's Halton House.

Oh, f*ck off. f*ck it, man.

VIN:

What if the rumors are true?

Why'd you bring a g*dd*mn

tourist in a house like this?

(SHUSHES)

This is a bad situation.

The kid. The drinking.

The shotgun on top

of the f*ck' fireplace.

Your boyfriend's Dr. Phil-ing.

You hear this sh*t?

VIN: I've seen this sh*t before.

I know how it ends.

VIN:

What the f*ck are you even--

Okay, okay, okay.

Hey, hey, hey, hey, hey, hey.

Shh! Look at me. We are ghosts.

We are not social workers.

We don't get involved.

Listen to yourself.

Ghost Game isn't a thing.

You're just f*ck'

home invaders.

Hey, look at me!

We don't get involved.

Do you hear me?

Nod that you hear me.

Nod your head yes.

Yeah, good luck with that one,

Laura.

(CHUCKLES)

That's my cue.

Okay, just give it--

give it ten minutes, Adrian.

f*ck you, Laura.

He's probably still downstairs

with the buckets. I--

f*ck you, Laura.

(GRUNTS)

f*ck, okay.

This whole thing is

gettin' out of control.

Okay. Plan. Plan up.

Alright.

You're on the second floor.

You know the plan.

VIN: What about giving it

ten minutes?

Just don't use any flashlights.

Put all the cameras

in night vision.

Put them high enough

that they stay out of sight.

And be sure that you--

-Angle them down.

-Angle them down.

Yeah.

Doesn't exactly take Spielberg.











Hey.

I told you to angle 'em down.

We're barely getting the floor.

Wait, wait, wait.

There's only eight cameras.

Where's Adrian's?

I don't know.

Adrian's bein' Adrian.

He's probably going through

the mom's panty drawer

or something.

Or practicing stylist skills.

What happened to

no interference?

What happened to

Mr. Wattley's rules?

I've tried.

Lord knows have I tried.

That boy is his own worst enemy.

Even the community

wants him excommunicated.

Are you sure she didn't see you?

VIN:

What?

No. No. No.

Definitely not.

I don't think you have

to worry about Sam.

Okay.

Okay, we'll move those cameras

in the morning.

Before she tells her parents.

Is this place normal?

(SIGHS)

It's never normal.

That's the point.

(SIGHS)















Laura?

You want me, b*tch, f*ck--



(KIDS GIGGLING IN DISTANCE)

Hey.

Hmm.

-Hey.

-Hmm.

You hear that?

What the f*ck?

f*ck' Adrian.

-Hey, hey.

-What?

You can't go out there.

Ghosts won't go out

in the morning.

Well, they do

if they're about to get caught.

We need to move those cameras

before everybody else wakes up.

Then I'm gonna find

that f*ck' as*h*le

and deal with him myself.

-Hey, hey.

-What?

Wait.

What if this wasn't Adrian?

Will you please shut up?





PETE:

(INDISTINCT SPEECH)

You still in London?

Paris. Oh, nice. Lucky you.

Yeah.

I still haven't gotten

the check.

I'm working right now.

Writing every night.

Wait till you see the pictures.

Those weirdo f*ck are gonna

eat this sh*t up.

(PETE CHUCKLES)

PETE:

Tomorrow? That's quick.

I was thinking next week.

Uh, I thought this was

a done deal.

I have bills.

What about

the reality show people?

I know. I know.

That book cost all of us.

But I'm doing this

one the right way.

Nigel?

Nigel?

Dammit!

Yup. He bailed.

His keys.

His wallet. His cameras.

Adrian mows lawns for a living.

He's not exactly swimming

in disposable income.

Maybe-- maybe the basement?

No, I checked the basement.

Laura, what are we doin' here?

Riskin' our life for--

for cheap thrills

like some f*ck' teenagers!

Yeah, well, this was a mistake.

Yes, exactly.

It's a mistake.

And we can fix it.

No. I meant you. Us.

We started as a Tinder hookup,

and you immediately

quit your job,

and moved into my apartment.

You started spying

on my computer.

Adrian's not

the only one unhinged here.

I thought

we were past this sh*t.

You knew I wasn't spying on you.

But you know what, Laura?

I'm done.

Tonight, I'm gone.

I'm done playing second fiddle

to the great Mr. Wattley.





Shevirah

It's shattering

It's taking apart

Dissecting

Everything that binds

Humanity

I've cracked the codes

I've seen beneath

The skin of man

Is thin and weak...

You shouldn't be lurking around.

It's time to go.

I know you probably

won't understand at first.

But eventually, you'll realize

I'm doing this for us.

What is this?

You f*ck!

I can't pretend

like I don't care.

-Who do you think you are? Huh?

-You're a f*ck' idiot!

(SHUSHES)

They're still awake.

God.

You're more

than this f*cking game.

Game?

What do you know, huh?

I work at a damn call center.

I used to do wild sh*t.

Every night was a ride.

College couldn't contain me,

you know?

But now-- now it's temp work.

Lean Cuisine dinners

and I'm binge-watching

The Office.

Come on, Laura.

This? It's over.

No, I got-- I got my laptop.

Still got my camera.

You're f*ck' nuts!

LAURA:

Yeah, I know.

That's already been established.

So get the f*ck out of my life!

LAURA:

Go out the back door.

Take the long way out.

Don't go past the sitting room.

I'll lock up later.

f*ck' idiot.





(GRUNTS)

What the f*ck?

(GRUNTS)



PETE:

Where is she?

What?

Your daughter.

Sam?

Sam?

-Where is she?

-MEG: Sam?

Honey?

Honey?

Honey, what is it?

What's wrong?

What the f*ck have you done?

You think this is a joke? Huh?

To burn things?

To f*ck everything up?

You have any idea

what you've done?

No!

(GRUNTS)

Kiki!

No! No! No! No! No! No!

No, no, no! No!

How would you like it

if I burn your things?

Stop! She's just a kid!

Kids need to be taught lessons.

Kiki! I want Kiki! I want Kiki!

I wanted my laptop! My writing!

MEG:

You're drunk! Stop!

PETE:

You coddle her!

She needs to learn!

I want Kiki! I want Kiki!

Stop!

PETE:

I'm sorry.

I-- I didn't want to.

You came at me.

Don't you touch me!

Go home. Go home.

This is what happens

when you play games!

When you're a bad girl!

Let go of the kid!

(YELPS)

Who the f*ck are you?

Look, look, look.

You--you've had a lot to drink.

Your wife needs

to go to a hospital.

I'ma get 'em out of here.

Let go of the kid! Now!

-Sam!

-Meg, wait!

Did you see?

It was him!

All along screwing with us!

-Let Sam go!

-It wasn't me.

None of this.

This evil f*ck!

Always trying to screw with me!

Stop!

(SOBS)

I've done everything I could!

I want Kiki! I want Kiki!

-Run!

-Stay out of this!

-Just run!

-Come. Sam, come on!

(GROANS)

Sam.

(GRUNTS)

Come on!

Come on!

(SAM CRIES)

Sam, it's okay. It's o-- okay.

(MEG SCREAMS)

(CRIES)



Hey! Hey! What just happened?

We need to

get the f*ck out of here!

Okay, okay, okay. Uh, basement.

Let's go to the basement.

They didn't do that.

We didn't do that.

Come on, let's go. Come on.

(PANTS)

f*ck! Oh, sh*t! He locked us in.

I see a light. Maybe it's--

Oh, no. Don't move.

No, no, no, Vin, he's got a g*n!

Holy sh*t. Holy sh*t.

This flashlight.

Okay.

-It's-- it's-- it's mine!

-Okay, okay, okay, okay, okay.

-It's from my bag.

-Okay!

Okay, yeah,

we need to get our stuff

and get out of here.

-Okay, come on.

-We touched everything.

No.

Our fingerprints are everywhere!

-Vin, please. Please, Vin.

-It's a setup.

No, no, no, no, no, no, no.

Oh, come on. Vin, Please.

I touched the g*n!

I touched the g*n!

The wife saw my-- saw my face.

Oh, my God.

Sam. Sam. Sam. Sam, Sam, Sam.

Sam, hey, hey.

Sammy go home. Sammy go home!

It's okay.

We're gonna get you out of here.

Sammy go home. Sammy go home.

(SOBS)

-That time is--

-Yeah, okay.

-It can't be right.

-Okay.

It's okay. It's okay. It's okay.

You like to watch?

(PANTS)

Watch this.

You like that?

(PANTS)

f*ck' Adrian.

No, Adrian wouldn't do this.

He wouldn't do this.

VIN:

Where else?

Point to it.

Point to it.

That one.

Look out!

(WHIMPERS, GROANS)

Vin.

-You okay?

-Yeah.

(GROANS)

I'll try to-- try to lift it.

(GRUNTS)

-Can you walk?

-Oh, my God.

I'm not stayin' here.

Okay.

-We need to get the kid.

-Yeah. Yeah. Yeah.

Yeah, go get her.

Go get her. Okay, go, go, go.

Go, go, go. Go, go.

I got it. I got it. Go.

Hey, hey.

Sammy go home.

(GRUNTS)

Yeah, we're-- we're gonna

get you out of here, okay?

But Kiki's scared

and she needs you to be brave.

Can you be brave?

(GRUNTS)

House all done.

(WHIMPERS)

Okay. Okay.

Okay, let's go. Come on.

Okay. Okay.

Let's get you out of here.

Come on.

(WHIMPERS)

Oh, God! Come on!

Okay. Okay.

If he's inside,

there's definitely a way.

(PANTS)

VIN:

So this is definitely a thing.

He's f*cking with us.

Is that your phone?

He's carrying it.

He's right there.

Okay. Wait, wait, wait.

He wants you to chase!

Do you think that guy in there

really just k*lled himself?

That's not what you people do.

That's not one of the rules,

right?

Okay.

None of this is what ghosts do.

Well, the cameras

are still capturing.

We need to find my keys.

Okay. Let's go. Go, go, go.

Come on.

Come on. Come on. Come on.

Come on.



Okay, okay, okay.

Okay. I got it.

Hey!

Oh, Vin, damn it!

Vin! Wait!

Vin!

(GROANS)

I'm gonna

kick the sh*t out of you.

LAURA:

Vin, stop!

Stay back!

LAURA:

Vin!

Vin.

VIN:

What the f*ck?

-LAURA: What?

-VIN: Secret door.

I'm not leaving you.

Well, save yourself.

How many do you think there are?

One downstairs and--

and one here.

Here. Trade me weapons.

I'm not much of a g*n girl.

Okay.

Hey.

Be careful, okay?

Okay, looks like

it's just me and you, kid.

Sam.

Sam!

God damn it! Sam!

(GROANS)



f*ck.

Sam!

Sam!

Sam!

Sam!

Sam!

Sam!

Sam!

Sam!

Oh, my God.

Oh, my God.

Oh, my God, Sam!

Hey, hey, hey, hey!

Don't look, okay?

I'm gonna get you out of here.

I promise.

I promise.

I'm sorry. I'm so sorry.

Oh, sh*t.



(VIN SCREAMS)

(COUGHS, PANTS)







(GROANS)

sh*t! Wait! Wait!

(GROANS)

-WATTLEY: Please! Please!

-What are you doing here?

-WATTLEY: Stop.

-Answer me!

(GRUNTS)

Amateur.

You k*lled those people.

You and your wh*re k*lled them.

Apostate!

What the f*ck

are you talking about?

sh*t. He's down here!

(BOTH GRUNT)



(PANTS)

I can hear you.

I know you're right there.

(PANTS)

Oh, you think this is funny?

What's real funny is the fact

that we destroyed

all your cameras.

Nothing else in this hallway.

No footage for you.

I got one of those, too,

as*h*le.

Number one rule,

don't get caught.

Who are you?

Stop.

(WHIMPERS)



(PANTS)

What the f*ck?

What the f*ck?

This broadcast is a message

to Vin Cruz

of 449 Sequoia Street,

Secaucus, New Jersey.

(CHUCKLES)

He's an organ donor.

That's good for him.

May come in handy today.

Go to hell.

I'm sorry.

There's no sound on my end.

But from the look

on your face,

I don't think that

was very pleasant.

Oh, no, stop.

Stop. Stop, please.

Don't f*ck' touch her!

LAURA:

Vin! Don't let them get to Sam!

Sam. What?

Hide her!

Don't let them find her.

(SOBS)

Mr. Wattley doesn't exist.

Mr. Wattley is a collective.

And we, Mr. Wattley,

are getting pretty tired

of you.

Especially the ones

who have been visited

by the police.

And even more importantly,

the punks who got caught!

Like little Miss Laura

and her pal Adrian!

Huh?

Oh, Laura,

have you been keeping secrets?

Oh!

Our little princess

bludgeoned a girl with a trophy.

And then she panicked

and called 911 for help!

She wasn't breathing.

-She was gonna die.

-No, no. No.

She could have been a legend

if only she followed the rules.

This is just

some stupid f*cking game!

(SCOFFS)

You're just a tourist.

Another one of

Laura's reckless acts.

Ta-da!

Pretty good, right?

Did my caretaker act fool you?

Let's do this.

This is a message

from Mr. Wattley.

Mr. Wattley will no longer

tolerate amateurs.

(GRUNTS)

No! No! Vin! No!

The kid is gone.

Where? Where did she go?

Home.



(TAKES A DEEP BREATH)









Hey.

Are you okay?

Can you talk?

What's your name?

Kiki go home. Kiki go home.



(SOBS)

Wattley isn't a person.

Wattley is not just one person.

It's all right here.

It's right here.

It's on this camera.

Just watch the footage.

They just broke rule number one

on the Ghost Game.

They broke all the rules.

Wattley is bullshit!

He's bullshit.

Okay. Somebody please stop this.

Give me Kiki.

(LAURA WHIMPERS)

(SOBS)