01x02 - Stolen lives

[bunniefuu]

[dramatic musical stinger]

[moody dramatic music playing]

Hey there. [shudders]

My baby.

You are just the perfect little girl.

What did they do to you?

Please forgive me

for the hell you suffered through,

but I came to break you out of here.

Now your mother is here with you.

Mm-hm. I will always

take care of you and protect you.

Okay? My little girl, my beautiful

[tense music playing]

[nurse] Why are you in here?

[Perla gasps]

- I I was just asking for

- I asked you to stay in your chair.

Is she all right?

- Let's go, come on.

- What happened?

[ominous music playing]

[dramatic music playing]

SISTERS' FEUD

THREE DAYS BEFORE THE ESCAPE

- [clock ticking]

- [music fades]

[people chattering]

Who gave her that beating?

[ominous music playing]

[inmate] The one with the face tattoo

of the scorpion.

That's Venom.

The other one is One-Eye.

Venom doesn't like people

watching her shower.

They told Claudia,

but the girl ignored it.

They did not like that one bit.

[dramatic music playing]

They bashed her with pipes

and left her in the storeroom.

They found her days later, almost dead.

And why aren't those psychos

in solitary confinement?

[inmate] Oh, honey,

don't be such an idiot.

Those two psychos are well protected.

[dramatic music swelling]

[music fades]

- Ma.

- [Antonia] Mm-hm?

- Got a minute?

- [Antonia] Of course, my love.

Shall we discuss your engagement party?

I need to find my birth parents.

[contemplative music playing]

Why?

Curiosity.

Uh, my love,

you know we have spoken about this before.

Your father and I worked hard

to give you the best life, full of love.

Hey.

We don't know anything about your past.

Come. Sit with me.

[heartfelt music playing]

I know. Um

I just want to know my background.

I didn't give birth, but I raised you.

I was the one who took care of you

when you fell off your bicycle, remember?

[chuckles] And the one

who cried at your graduation.

Just give me the name of the orphanage.

I'll manage the rest.

[music becomes intriguing]

I don't know.

I just

I didn't read any documents,

the lawyer did everything.

My love, don't you think I would tell you

if I knew something?

Yeah?

Now, quit living in the past, okay? Hm?

Let's focus on your future,

that's the only thing that matters.

And your future is so bright.

Hm?

[intriguing music stops]

[people chattering]

[dramatic musical stinger]

[tense music playing]

[One-Eye] Outta the way, b*tch.

Everyone get the f*ck out!

Venom is gonna use the shower.

Come on. Move your asses, idiots!

[ominous music playing]

- [woman] One-Eye?

- [One-Eye] What the hell do you want?

What happened to Lupe?

[One-Eye] What happened?

[woman] She complained to

the warden again, I don't know why.

- [One-Else] Know anything else? Tell me.

- [woman] I don't.

[ominous music continues]

What are you doing here, b*tch? Huh?

I'm taking a shower now. Get out!

- [dramatic action music playing]

- [Venom grunting]

[gasps]

- [screaming]

- [music stops]

My name is Perla Guerra.

Don't forget it.

You mess with me

and I'll bash your head in.

[intense dramatic music playing]

- [groans painfully]

- [One-Eye] Where you think you're going?

[both grunting]

[screaming]

[loud thud]

- [choking]

- Let her go, m*therf*cker!

- Let her go!

- [Venom gasps]

I'm going to f*cking k*ll you, b*tch.

[One-Eye gasping]

[intense dramatic music

builds to a cl*max]

- [Perla] Let's be clear.

- [music stops]

Claudia Flores can take

a f*cking shower in here

whenever she feels like it, all right?

- [intense dramatic musical stinger]

- [One-Eye gasps]

[music stops]

ZENTENO GROUP

- Morning.

- Morning, ma'am.

- Hello, Mrs. Zenteno.

- Morning, Mrs. Zenteno.

How are you?

- I know the deposit hasn't been made but

- [disconnect tone]

Hello? You there?

- The hell do you want, Antonia?

- Pedro wants to find his real family.

Another one looking into our past?

Did you do this?

Of course not.

Then put an end to it, Bernardo.

He's being very persistent.

[ominous music playing]

Or would you like to tell him the truth?

[music builds to a cl*max]

[music fades]

My love!

- Hey.

- Hi there.

[Sofía chuckles]

Are you okay?

[scoffs] Nothing.

What? Come on.

[Pedro sighs]

All right.

How'd you react

if you were told you might die?

[melancholic music playing]

I don't know, I

I'd take a trip around the world, or

Don't tease me, Pedro. You know

I don't like your dark sense of humor.

Now, we better go or we're going

to be late for the movie.

You're not acting weird because you're

considering calling off the engagement?

[music becomes tense]

What? Sofí.

I don't know, you're scaring me.

Come on, let's go.

[tense music fades]

[buzzer ringing]

TWO DAYS BEFORE THE ESCAPE

- [guard] Lights on!

- [clock ticking]

Come on, you slackers!

- [groans]

- [guard] Move your damn asses! Line up!

On the eighth of June,

you have to get onto the rooftop

of Building Three by 4:00 p.m.

BUILDING 3

[quiet dramatic music playing]

[woman] I have what you want.

Are you in? Or out?

In.

[dramatic music continues]

- Perla. Finally.

- [Perla] Efraín?

She's really here. I was near her.

She was right there. She

She's beautiful,

very young and fair.

I will have everything ready for June

eighth, please don't let us down.

Please, Efraín, you're the only one

who can get us out.

Perla?

[sighs] Ah, f*ck.

- [buzzer rings]

- [tense music playing]

Yeah.

- [nurse] Hey. Why are you here?

- What?

- Where is Claudia Flores?

- What do you want now?

Where did they take her?

Is your stomach hurting again?

Is she okay? I

I want to know about Claudia Flores.

[tense music continues]

[person whistling]

[Perla] Who are you?

Are you helping me or

What's going on here?

I'm Consuelo.

And Efra told me to look after you.

- Are you his police friend helping me

- Shh!

[Perla] Sorry.

If they hear us, it'll ruin the plan.

[sighs] You wanna find your daughter?

I know where she is.

[tense music stops]

[moody music playing]

[music stops]

Do you like to bake?

When I was little,

I loved making bread with my mother.

I'm looking for Claudia Flores.

Do you know her?

It depends.

Who wants to know?

If you happen to see her, tell her

Perla Guerra,

her mama,

is looking for her.

I'm your mom. Your real one.

They named you Jacinta.

[tense dramatic music playing]

My name is Claudia.

My name is not Jacinta, 'kay?

And I am an orphan now.

Antonia and Bernardo

left you in an orphanage.

- Shut it.

- I never would've done that.

Antonia is my sister.

She couldn't have [grunts]

Crazy b*tch.

[tense dramatic music fades]

[Consuelo] Did you talk to your daughter?

[sighing deeply]

[Perla] Yes, but

I think I handled it badly,

and I scared her.

It was too much information for her and

she left.

But did you get to talk to her?

[chuckles] Efraín will be glad

to hear that.

By the way,

How do you know each other?

- Efraín worries about you a lot.

- [moody dramatic music playing]

I've known Efraín

since we were little kids.

- Hm. Yeah.

- He's been my best friend since

He asked you to look after her

as well, right?

No. I infiltrated this place

a few hours before you.

And your daughter likes to be left alone.

She doesn't have many friends around here.

Do you know if she's been

treated badly here?

She has.

They told me

she got into a lot of trouble.

She even tried to escape.

Got solitary for a month.

It breaks my heart.

She's had to be so strong.

It's okay.

- On your feet. You have to come with us.

- Why?

Wait. No, no, no!

- I said get up.

- I didn't do anything.

- Get up! Let's go.

- What'd I do? I didn't do anything.

What? Hey!

Can you tell me what I did?

[dramatic music playing]

[exhales deeply] f*ck.

In you go, princess.

It's the best resort in Durango.

Just try not to get too used

to the good life.

What?

You thought that nobody would find out

about you attacking Venom and One-Eye?

[tense dramatic music playing]

[music fades]

Pedro wants to look

for his biological family.

This way here.

That's normal.

- Children who have been adopted

- Uh, sorry. I'm sorry.

At this moment

I have absolutely no interest

in hearing about

the psychology of orphans.

[woman] Hm.

I do want to discuss the fortune

I gave you 15 years ago

to hide Pedro's papers.

Which I did.

What would happen if Pedro returned?

He wouldn't learn a single thing.

- Not how he was adopted?

- Mm-mm.

- Or who his birth parents are?

- No.

Well, then,

here is a little incentive

for keeping your mouth shut.

[tense musical stinger]

- [dramatic music playing softly]

- [crickets chirping]

"Orphanages

in Durango."

[breathing deeply]

Which one is it?

[Antonia] My world's falling apart.

I don't know what to do.

[breathing deeply]

Well, it's not like you

to sit back and do nothing.

Yeah, I know.

But I won't be able to do it alone.

[intriguing music playing]

I need you to keep an eye on Pedro.

He's got a couple of problems,

and I really need you.

Hey.

Leaving already?

[Antonia chuckles]

You and I have a deal, right?

We're out of time, aren't we?

Yeah. I'll do anything.

[lively dramatic music playing]

- [music fades]

- [man exhales]

ONE DAY BEFORE THE ESCAPE

- [tense mysterious music playing]

- [clock ticking]

[Efraín] The most important thing

is that you have only four days.

[music builds to a cl*max]

[music fades]

[people chattering]

[woman] What's up?

You lost something?

If you're looking for Perla,

you're out of luck.

She's in solitary.

They say she's acting crazy.

That she got herself locked up

to look for her daughter.

[woman 1] Is that true?

[woman 2] I wouldn't f*ck myself over

like that for no one.

- [mysterious music playing]

- She's either a dumb b*tch,

or she has a really big heart.

[woman 1] I guess we'll see. Who knows.

- See you.

- [woman 2] See ya.

[music stops]

[tense music playing]

[motorcycle engine starts]

[car engine starts]

[music builds to a cl*max]

[music stops]

[Pedro] Thank you.

All right.

[dialing on cell phone]

- [clicking on phone]

- Hello?

Hello, hi. Good morning.

Uh, I need information

on the family of a boy

who was adopted almost 20 years ago.

Uh, his name's Pedro Zenten

Uh-huh?

Yes?

Ah. Yes.

- Yeah, I know, I just want to

- [mysterious music playing]

Okay. Okay.

Yeah, it's fine, I understand

that information is private.

Thank you.

- [music stops]

- [call disconnects]

[sighs]

[tense dramatic music playing]

[Perla] I'm your mom, your real one.

[Jacinta] Where are we going?

- [Bernardo] Someday you'll understand.

- No!

[Perla] Antonia and Bernardo

left you at an orphanage.

[woman] Your parents pay a lot of money

to keep you locked up here.

[tense dramatic music continues]

[Antonia] Come on,

I want to show my son his new life.

We don't know anything about your past.

[groaning]

[doctor] A kidney transplant

is the only solution.

[tense dramatic music fades]

THE DAY OF THE ESCAPE

- [tense music playing]

- [clock ticking]

[metallic rattling echoing]

[tense music fades]

- Do you like how everything is looking?

- [lounge music playing over speakers]

Relax, Sofía is going to love it too.

Pedro.

What's up with you?

You still thinking

about your birth parents?

[Pedro breathes deeply]

Thank you so much, Mom.

[contemplative music playing]

For what?

The engagement dinner? Oh, Pedro,

you know, I love organizing events.

Hm?

For it all.

Seriously. Thank you.

[contemplative music fades]

[tense music playing]

[tires screeching]

[Efraín] If you don't make it,

you will never see your daughter again.

[tense music continues]

It's a miracle! Efraín!

How are you, brother?

- Great, you? [chuckles]

- Good.

Just here visiting old friends,

and asking for favors, per usual.

What are you up to now, bro?

I heard you're no longer head of security

for that plastic company.

No. One day you work for the law

and the next,

you're over with the other guys.

- [chuckles]

- Lemme borrow one of these babies.

I like that one.

[tense music swelling]

Can you tell me why you need it?

I don't want any trouble.

Don't ask questions.

It's for a good reason.

And I'll pay.

Besides, I can fly it myself.

- [tense music continues]

- [clock ticking]

[people chattering]

[music continues]

[people chattering]

[tense music becomes dramatic]

Very good to see you. Welcome everyone.

Hi.

[indistinct chatter]

- Hello.

- Hey! Hi Bernardo.

Nice to see you.

[rattling door]

[guard] All right. Time to get out.

[tense music becomes faint]

What time is it?

It's almost three. Why do you care?

ONE HOUR BEFORE THE ESCAPE

Your little vacation is over.

[tense dramatic music playing]

[music fades]

Tell me about you and the Zentenos.

- Go.

- [tense musical stinger]

- [Dolores] Over there, that table, there.

- Yeah.

- It doesn't have any. Go on, go.

- Dolores, have you seen Pedro?

No I haven't, I'm sorry.

Well, excuse me,

I'm going to check on the servers.

[people chattering]

[Perla] They made me believe

that you were dead all these years.

When I found out it was a lie,

a friend helped me figure out

how to get in here

to get you, to get you out.

But we have to leave now.

They're coming in an hour.

After that, they're sending me

to another prison

and I'll never see you again.

The Zenteno family destroyed my life,

yours as well.

[moody music playing]

But I think we still have time

to build a new one.

Us two. You and I.

Give me a chance.

Let me try to be your mother.

Please.

Your hand.

What happened to your hand, Jacinta?

My name is Claudia.

Jacinta is dead because I wanted her dead.

[moody music continues]

You're just like Antonia.

Neither of you know how to be a mother.

No, hold on. Don't go. Wait, please!

- [guard] Hey. Hey, you!

- Please, Claudia.

- No, wait! I'm calm. I was just talking.

- Stop! Calm down!

Do you want to go back to solitary?

Get over there!

[ominous music playing]

[Pedro] It's Pedro.

I can't answer right now.

- Leave me a message. Thanks.

- Antonia! Everything looks incredible.

- It's amazing, I love it.

- Thank you.

Today must be so exciting for you.

It's been a long journey, hasn't it?

First with the loss of your little girl

and then Pedro's adoption,

it couldn't have been easy.

No.

Yes, today's important. Yes, it is.

But now we will be family!

- [chuckles]

- Hm.

Oh, by the way, where is Pedro?

Ah, Pedro! [chuckling]

Sof.

Where were you?

Do you know who came? Juan.

I'm sorry, the wedding's off, Sofí.

- Huh?

- [dramatic music playing]

- You can't do this to me right now.

- Sorry.

- Calm down.

- What happened?

- I'm calm.

- We're going to relax.

- You are having a panic attack.

- Enough, stop. Back off now.

Come with me, Pedro.

- [Antonia] What is going on? Tell me.

- What have you done? What did you say?

I didn't say anything.

What is happening? I don't understand.

- It's life or death, Mom. It's serious.

- What is life or death?

- [woman] I don't know what is going on.

- Huh?

- Pedro.

- Hey, attention, everyone!

- It's over, forget it, okay?

- What?

There won't be a wedding.

Go home, everyone. Thank you for coming.

- What was that about?

- Pedro, what's happening?

- What are you talking about?

- Listen here.

- The hell are you saying, son?

- Hey, settle down, settle down, Máximo.

- [Sofía] I feel sick.

- What happened?

- Enough. Take your daughter.

- [woman] We need to talk.

[overlapping chatter]

- I can't breathe.

- [Dolores] This way, please. Come with me.

[dramatic music continues]

You're gonna beg for forgiveness

on your knees.

And give her a ring

like our families agreed.

Let's talk like decent people.

We're old friends after all.

- It's better for Sofí.

- [Máximo] I said I would be

- the largest investor in the mine. Hm?

- Yes.

- You marry her or

- [dramatic music stops]

you're all out on the street.

Understand?

[dramatic stinger]

[music stops]

30 MINUTES BEFORE THE ESCAPE

- [tense music playing]

- [clock ticking]

[tense music continues]

[panting]

- Perla Guerra?

- Yes?

- This way. Let's go.

- No. I need to look for my daughter.

- I can't leave without her.

- Go, I got it.

- I need to talk to her.

- We don't have time.

I'll convince her. I can't go!

- Efraín is almost here.

- I'm not leaving without her.

- I will bring her.

- Swear to me.

I swear. I'll get your daughter.

- I'm not leaving without her.

- Get up there. Just go! Hurry up!

[dramatic action music playing]

BUILDING 3

[music stops]

My father had nothing to do with this.

Pedro will take responsibility

for his actions like a man.

And how will you take responsibility?

Who will wanna buy shares in the mine?

The business and my decision

are two distinct things.

Look, Bernardo.

You knew your company was going completely

bankrupt when you offered me shares.

I will only buy them

if they're married, got it?

How am I going to force my son

to do anything he doesn't want to?

[dramatic music playing]

- Julia!

- [Pedro] Dad, I swear to you

[Máximo] Julia!

- Sofía!

- [Bernardo] Máximo.

Máximo.

Please, I hope you'll reconsider.

You and I have been close friends

for a very long time.

We can't just let our partnership

end like this

this badly.

I think you're right, Bernardo.

In fact

I have a new proposal.

I want a 75% stake in the mine.

And for the same price. [clicks tongue]

[quiet dramatic music stops]

[tense dramatic music playing]

[whispering] g*dd*mn it.

[music continues]

Perla!

You're here.

Climb up, hurry!

[music stops]

Where are you going, dumbass?

[Perla] Don't you touch her, m*therf*cker!

- [ominous music playing]

- [knife swishing]

[Perla] Let go of her.

15 MINUTES BEFORE THE ESCAPE

I said let her go.

We already gave this b*tch

one beating. [panting]

So maybe we'll do it again.

Do what you want to me,

but don't you touch her.

Either the four of us are getting out,

huh, or none of us.

[Perla grunts]

- [man over radio] Tower to 67.

- Yeah, go ahead.

[man] Efraín, the commander

orders you to return.

You are not authorized to fly.

No. No way. I said I'd be there

at four today, no matter what.

So tell the commander

I'm continuing at my own risk.

Go ahead.

- No way. I came here to get you.

- [ominous music continues]

What'll it be, hm?

All four of us, or none of us?

All right, fine.

But let her go first.

Let her go.

[tense music playing]

Hurry, get up there. Climb up.

'Kay. Calm down.

[man over radio] Efraín, you're invading

unauthorized airspace.

They can sh**t you down!

Jesus. Son of a b*tch!

[tense dramatic music playing]

[panting]

So, what now?

What's going on, dumbass?

What is your plan?

If this is a trap, I'll k*ll you myself.

You crazy b*tch!

[tense dramatic music fades]

[approaching footsteps]

- Hey.

- [exhales deeply]

Are you going to tell me what's going on?

Nothing.

Things just don't work out sometimes.

You said it was life or death.

- [moody music playing]

- [sighs] I exaggerated.

[Antonia sighs]

We have always had

good communication, my love.

Hey, why all this mystery?

[moody music continues]

[Julia] What did you do

to make Pedro act like that?

You must've done something

or stopped doing something.

Unbelievable! This cannot happen!

This is ridiculous!

I don't think I'm made

to be a wife, Mom, am I?

Have you lost it?

Pedro has to marry you.

Make him change his mind!

Well, what if destiny or life or whatever

wanted something

entirely different for me?

Or what if now I get to decide my path?

- [door bangs]

- There you are.

Let's go. Let's go.

Right now. Move it!

God didn't give you beauty or charisma.

Understood?

Pray that Pedro regrets his decision.

[moody music fades]

Did you fall in love with someone else?

[Bernardo] Pedro!

I have been working my a*s off

for years to ensure this mine survives.

Now that Máximo finally wants to invest

Pedro has nothing to do

with the mess you created.

Don't you get it? Pedro is part

of this family and has to protect it.

Now he starts with this bullshit!

I'll get us another investor.

[Bernardo] Another investor?

Another investor?

My business is finished, lost.

What part of that don't you understand?

What language do I need to speak?

- Dad, I don't

- Either way, you're going to marry Sofía!

And that's an order.

Then later on you can tell her

to go to hell and get divorced.

You can do whatever you want,

but you're gonna marry her first, dammit!

You understand? Do you understand?

[dramatic music playing]

I'm leaving.

- [groans]

- You have as much tact as an elephant.

You've never known how

to communicate with your son.

[music stops]

- Say something! What's the plan?

- [Perla] Everything's gonna be fine.

- How's it gonna be fine?

- Shut up! I need to think!

- Don't tell me what to do.

- This way, let's go!

[dramatic music playing]

I can't fly in. Activate Plan B. Got it?

You let us down and we're done for.

Copy that.

[dramatic action music playing]

We're going with Plan B, like we agreed.

[Consuelo whistles]

The police are on the way.

And no helicopter.

- [woman] Hey!

- [both grunting]

[inmates clamoring]

[alarm blaring]

[people shouting]

[sirens blaring]

[guard] You two, let's go!

- What the hell is happening?

- Hey, no! Don't touch her.

All of us or none of us!

- [overlapping shouting]

- [Perla] No!

[guard] Venom!

[One-Eye] No!

[groaning]

[alarm continues blaring]

[people shouting]

Get out of here!

Get out! I'll take care of it.

- To the laundry. We gotta go!

- Come on!

[tense dramatic music playing]

[Perla] You okay?

You go first, I'll help you. Careful.

Let's go! That way! Go head to

[people shouting]

[dramatic action music playing]

[both grunting]

[both grunting]

[man] get back! Get back!

Everybody get back!

- Close the doors!

- Should we hide?

How are we getting out?

Efraín has it all covered,

don't worry. Get in.

- Go, go!

- Hurry up! Come on!

[grunts]

[dramatic action music continues]

[shouts]

[screaming]

[hard thud]

[alarm continues blaring]

[beeping]

[man] Stand back! Stand back!

Stand back!

[people shouting]

[dramatic action music fades]

["Lista Pa' La Batalla"

by 5 Alarm playing]

["Lista Pa' La Batalla" ends]