["Alfred Hitchcock" theme music]
- Good evening.
I thought you might enjoy
seeing this ghost town.
These towns sprang into being
overnight
and prospectors flocked here,
enticed by the lure of easy
riches.
Everyone wanted to get rich
quick.
And for a while it looked
as though everyone would.
Then the bubble burst.
No one even took the time
to turn off the ticker tape.
And lest I keep on running too
long also
perhaps we should begin
tonight's show.
In keeping with the
theory that we shall have
nowhere to go but up, we
begin with the following.
[tense orchestra music]
- Sure, the whole world's
full of problems, Miss Naomi,
in all of us.
We all gotta puzzle over
what we're supposed to think.
None of us, 'cause
nobody's gonna puzzle over
what we're supposed to do.
- Oh that's so clear me, Robbie.
You know what to do and you do
it.
I feel so free.
No more aches and pains.
- Well that's the way
you're supposed to feel.
What's the matter with you?
That's the way I want everybody
to feel.
I want the whole world to feel
just free and lighthearted,
just kinda movin' easy.
Course I'm not so sure about
you.
I think you're feelin'
good because you've been
beltin' that wine bottle on the
side
when I haven't been lookin',
have ya?
- Mercy.
- A little bit too much
juice of the grape.
- Mercy no.
No, I'm waiting.
- Waiting for me, are ya?
- Oh you've got the patience of
an angel.
And I'll tell ya, you look
like one too, sittin' there
with all those candles around
ya.
- Well now what about
the juice of the grape?
Wine's got your tongue,
Robbie, wine's got your tongue.
- No, no, no, that's got
nothin' to do with it.
I just have an eye for a
pretty girl and always have.
- [Naomi] Ah well now, leave
the dishes just this once.
- I just wanna get 'em outta the
way.
- But the maid'll take them up
when she comes in the morning.
- Well I just wanna get 'em
outta sight.
You see, you don't
understand, dirty dishes
and delicate women, they just
don't mix.
- So thoughtful.
- Well here we are.
We've got wine, we got the
candlesticks,
we got everything we need
for a proper celebration
except one thing, one thing's
missin'.
Now let me see if you
can guess what it is.
- [laughing] Well let me see.
- Oh let me see.
Be here all night lettin' you
see.
What we need is music.
- Music.
- Let me see if we can find
a few twist records here.
- Well they're all twist.
Well you put them on [giggling]
and they twist around
and around and around.
Well it's a bad joke but it is a
joke.
What a difference in this old
house.
You deserve it, you do.
- Now listen, don't you go
givin' me all the credit.
- Oh I know, I know how tired
you must be,
at your own work all day long
and here you come visiting me.
I appreciate it, Robbie, I
appreciate all your visits.
That's why I want so much
to, to show you how much.
- Now listen, why don't
you let me thank you
instead of you always thanking
me?
- But I am grateful.
- All right, we're gonna
have a new rule around here.
From now on we're gonna
cry when we feel like it
but we're gonna laugh when we
drink wine.
- You know, I think I am
getting a little drunk.
- Well you better take it easy,
'cause you know what the book
says.
Book says, drink your
wine, but it also says,
all things in moderation.
[soft jazzy music]
Guess who I'm gonna ask to
dance?
- Oh, oh no.
Oh, no, no.
No Robbie.
[stammering] Robbie,
I, I've forgotten how.
- Oh I'll bet you have.
[soft jazzy music]
Oh you're a graceful one.
- Ah, when I was a girl.
- You were the belle of
the ball, weren't ya?
- Well I never wanted for beaus.
Robbie, you know I used to wear
blue,
the most heavenly shade of
blue and I'd wear it very often
and my partners would
say it matched my eyes.
I'd pretend that I didn't know.
[laughing]
Oh no, no, no, that's too fast.
Really, I'm getting, I'm getting
giddy.
No really, Robbie, really.
No!
I'm getting giddy, no,
I'm giddy, no, no, no.
Oh. [panting]
[gasping]
My heart.
Oh Robbie, Robbie please.
Pills.
Quick dear, quick.
Robbie, quick.
Please.
[panting]
Please.
My pills.
[gasping]
Oh, Robbie.
[music stopping]
[record scratching]
- Dr. Stanford.
This is Robert Evans, I'm
calling from
Miss Freshwater's home.
I want you to get out
here as quick as you can.
I think she's had another heart
attack.
No sir.
No, I think the poor old lady's
dead.
[pensive orchestra music]
Taxi, ma'am?
- Yes.
- Hey, wait a minute, Evans.
- See ya in church, brother.
[tires squealing]
- Are you in a hurry?
- No sense wasting time.
- Would you like to know
where you're taking me?
- [Robbie] All right.
- It's the old Freshwater place.
- That's right.
- I don't remember a Gospel
Mission here in town before.
- Well it's here now.
- Do you mean people
are more religious now
then they used to be?
- More anxious, ma'am, more
anxious.
- Anxious?
- Yes, there's been a mighty
comin' to the Lord around here.
- Are you religious?
- Yes ma'am.
Matter of fact, back there
at the Gospel Mission
I'm the preacher.
[car horn honking]
How long since you've lived
here, Laura?
- Should I know you?
- Oh no, ma'am, I've only
lived in town a little bit
and a year.
- But you seem to know me.
- Oh not really.
Just a few of the facts.
I know you're Miss Naomi
Freshwater's niece.
I know your name is Laura.
I know she left you the house in
the will.
- There's one thing about
this town that hasn't changed.
- Well I wouldn't say it
was all just gossip, ma'am.
You see, your aunt and me,
well ah, we were kinda close.
- Close?
- Oh yes, ma'am, your aunt,
she was the finest woman,
she ah, she used to toil
right there beside me.
- At the Mission?
- Yes ma'am.
- That's odd.
I don't remember Aunt Naomi as
being,
well, actively religious.
- The Lord found her
as he finds all of us.
- I see.
You didn't by any chance
assist him in the search?
- Yes ma'am, a little,
sorta pointed the way.
You see, people change.
For instance, you're not the
same girl
that left here 15 years ago, are
you?
- No.
Would you mind opening a window?
This house smells of-
- Death.
- No, the past, which is worse.
Do you by any chance know an
agency in town where I could
hire a girl to help me
clean up this place?
- Pretty big job for a girl.
- Or some man then.
- I might know one.
[slamming]
- Where are you?
What's the matter, is something
wrong?
- I told 'em to get a lock for
this door and keep it shut.
- I beg your pardon?
- Oh that gardener fella,
he comes here every week
to mow the lawn, him and his
boy.
Boy always leaves the door open.
I'll tell ya, kids today,
there's a good boot now and then
and a dose of scripture
wouldn't do any harm.
- Hey, hey wait a minute.
Hey!
Hey!
Hey, wait a minute.
How much do I owe you?
- $1.50, ma'am.
You can keep the flowers.
- I don't know your name.
- Robert Evans.
- Did you have some kind of
an arrangement with my aunt?
- Arrangement?
- Well you seem to know
the house so well, I.
- Tell me, um, did your aunt
every write to you about me?
- We didn't correspond very
much.
- [Robbie] Why?
- I don't think that's any
of your business, Mr. Evans.
- I was with your Aunt
Naomi when she passed away.
- Oh, I didn't know.
- You see, nights when
she'd be out here alone
in this great big house,
I'd drive out, light a fire
and sit with her, read to her.
- Read?
- The scriptures.
- That was very kind of you.
I'm sure my aunt was grateful.
- She meant for me to have
this house for the mission
and it didn't work out that
way but it was in her heart.
She promised it to me.
Not to bring that up, ya
understand.
Well, you mentioned how
grateful.
The last word she said was my
name.
[pensive orchestra music]
[car starting]
[suspenseful orchestra music]
[clattering]
Afternoon, Miss Laura.
- Where did you come from?
- Downstairs.
- [Laura] What're you doing
here?
- I brought along a lock
for that shed out in back.
I didn't mean to scare you.
- Well, you did a little.
- What're you gonna do with all
this junk?
- [Laura] Burn it.
- Burn it?
Oh, you're gonna need an awfully
big fire.
- Yeah, I guess it will.
Did you find a man downtown to
help me?
- Yes ma'am.
- Well when's he coming?
I'd like to get started.
- He's here, ma'am.
- You?
- You need a man.
I looked around, all I could
find was me.
- Well what about your taxi?
- My afternoon's are free.
- Don't you have a home
to go to or a wife?
- Ma'am, my wife's dead and
my home's wherever my heart is
and my heart's wherever
there's work to be done.
Now if you wanna take
advantage, you're welcome.
We better hurry up because well,
you're gonna need a firepit
I figure, oh, four, five feet
deep.
[pensive orchestra music]
That oughta do it.
That's deep enough to
burn Sodom and Gomorrah.
- You must be exhausted.
- Who me?
Nah, nah.
Work's good for ya.
People oughta do more of it.
- Well, how many souls
did you save this week?
- Seven.
- Really, in this town?
- Right here.
- Think you could save mine?
- Does it wanna be saved?
- Perhaps.
Perhaps it's too late.
To be saved that is, 15 years to
late.
Robert, where were you born?
- Me?
I was born, I was born in
a Pennsylvania mining town.
- I've never been in a coal
town.
Must be interesting.
- Yeah it's interesting, if
you like dirt it's interesting.
Every evil, every sin,
every sin you've ever seen
or even heard of, we had it
there and we did it there
and we did it in spades.
- Perhaps that's my trouble.
I don't believe in sin.
- You believe in anything?
- Oh, in independence mainly.
- Did you ever find it?
- Oh to a degree, I have.
- Find religion, you'll
find it all the way.
- How did you find it, Robert?
Did someone convert you?
- I had a vision.
- A vision?
[laughing]
Not really, a genuine vision?
- It was down in the
mines, very bottom of it.
You see, Laura, I was bad, I
mean rotten.
I was a drunk, liar, a
hypocrite, married at the time,
went around with other women.
Ah, I spend a lot of
time just runnin' around
grabbin' women.
I was a fool.
There was no sin that the
devil didn't lead me into
but what I didn't know was
the word was waiting for me.
- And what about the vision?
Tell me about the vision.
- Oh that was a miracle.
I was ah, I was 23 at the time.
I was working in what's
known as the lowest gallery
of the mine and just kinda
working and diggin', thinking.
You know what I was thinking
about?
I was thinking about a
girl named Alice Davis.
She was a good lookin',
long-legged thing around town.
I was thinkin' how I'd like
to take her up the mountain.
- Nevermind about Alice
Davis, what about the vision?
- Don't worry about it,
she's doin' all right,
she's married now.
Anyway, as I was saying,
I was digging and thinking
and suddenly I heard a rumble.
Then a louder one and then
a roar and then there was a
terrible fall of rock and men
were hollerin' and screamin'.
There was kinda dust and
thunder, everything shaking
and everything tearing loose.
And just as fast, dead silence.
I realized there'd been a cave
in.
I was trapped and I was alone.
- Were you hurt?
- I wasn't hurt, I wasn't even
scratched.
But I was alone for 12 hours.
this little black hole
and I, I could hear them digging
for me, trying to get to me
but there was a second
cave in after the first
and then, well then I
thought I was finished.
- Well what did you do?
- Stared into the blackness.
I could feel my own fear.
I could feel it jumping around
inside me.
I started to pray.
The more I prayed, the
more I could feel this fear
and it got worse.
And I remember trying to control
it.
I remember trying to keep
it down because I thought,
I thought I was gonna go mad.
Then it stopped.
I saw a picture.
I saw my mantle piece at home.
I saw a photograph, a
phonograph of my family.
I saw my mother and my father,
my sisters, four sisters,
my brother and they were staring
at me,
just staring, that's all.
And I stared back.
I started thinking about them.
I couldn't think about anything
else.
Everything else went out of my
mind.
And that saved me.
- And that's all you saw, that
photograph?
That's what the vision was?
- I swore to my family
that if I ever got out of
that mine alive I was
going to cleanse my soul.
- And later you did cleanse your
soul.
- Yes.
And if I did it, you can do it.
I can help ya, Laura, I can give
ya faith.
I've got a power in me.
♪ In the sweet by and by ♪
♪ We shall meet on that
beautiful shore ♪
♪ In the sweet by and by ♪
♪ We shall meet on that
beautiful shore ♪
I'm gonna talk to you
tonight, my friends, about
the riches that's all around us.
I'm talkin' about the
wealth of unveiled glories
that we most of us here
are just to blind to see.
'Cause when ya look for
the riches that count
ya got to search with
the eyes of the soul.
Now listen to this, you can
seek the world over for gold
and diamonds and even after you
find them
you can read this in the
Proverbs.
Surely your gold will take
wings and fly away to heaven.
Fly away.
And what's gonna fly
down to ya from heaven?
What's gonna down till
you're light as a feather,
sweet as honey, everlasting as
the moon?
The power, the power.
The power bringing you love!
The power bringing you charity!
And the power makin' ya humble.
And the power, openin'
up the eyes of your soul
to the riches all around ya.
Now what kind of riches
am I talkin' about?
Not talkin' about earthly
riches.
I'm not talkin' about riches in
the bank.
I'm not talkin' about a shiny
automobile.
I'm talkin' about a peace
and a happiness inside of you
so that wherever you
look, whatever you see,
everything's beautiful.
- We now pause for a moment.
This is the last chance
our local stations have
to identify themselves before
we plunge on into our story.
At the conclusion of the
identification, I shall
reappear.
Two stations did not have
the proper identification
and were arrested for vagrancy,.
For the others, we now continue
our show.
[tense orchestra music]
- Robert, when you're through,
come up here a minute,
I need you.
- All right, I'll be right
there.
[soft orchestra music]
- Give me a hand with
this trunk, will you?
It's stuck under the shelf.
- Here, I'll do that.
Old trunk's really been around,
hasn't it?
- Around the whole world.
- What's in it?
- Oh, my past.
- Did you wear this?
- Years ago.
- Where, at a party?
- I 'spose.
- Put it on.
- Don't be silly.
- I've never seen gold
slippers on a woman.
I remember once, back home,
my sister borrowed a pair.
She wanted to go dancing.
Go ahead, put it on.
- All right.
- Here, let me.
Small foot.
- It's funny.
- What?
- It still fits.
We really must get this attic
cleaned out.
- What else is in there?
- Everything I once owned.
I shipped it all back
here after I got divorced.
I've forgotten half the
stuff that was in it.
- What's this?
- Oh, it's an album.
- Oh, is there a picture
of your husband in here?
- Nope.
- Why not?
- There just isn't.
Strange, it all seemed
so unhappy then, but now.
- Your marriage turned
out to be a mistake, huh?
- Yes, but at least it
got me out of this house
and out of this town.
A few years later we were
divorced and now I travel.
- Just travel.
- Mmm hmm.
- Never got married again?
- I never found it necessary.
- Laura, you weren't cut
out for that kind of life.
You want something that really
counts,
that you can hold on to.
- Like the right man?
- Why not?
[bell ringing]
- Meetin' time, Robert.
- Saved by the bell.
- Saved from what?
- From answerin' my question.
Think it over, sister,
'cause you just may be
called upon to testify.
[soft orchestra music]
- Who is it?
- Glory be.
- Don't you ever knock?
- Well I did, I guess
you just didn't hear me
and I'll tell ya, ma'am,
I don't blame ya 'cause
I wouldn't hear the devil
himself if I was up here
watchin' you parade around in
that dress.
- I found it in the trunk.
It's what I wore with these gold
slippers.
I wanted to see what I looked
like then.
- You were beautiful then,
you're beautiful now.
- What's that?
- I'd have to say it was a
bottle.
As a matter of fact, I'd
have to say it was champagne.
- Are you about to celebrate
something?
- Yes ma'am, that's the general
idea.
Bet ya $5 you haven't had
supper.
- I wasn't very hungry.
- Now you see that, I won $5.
Now I'll tell ya what we're
gonna do.
You finish up what you're gonna
do here
and I'm goin' downstairs, I'm
gonna make a little supper
and then who knows,
you and me, we just eh,
have a little champagne
together.
[pleasant orchestra music]
- That's what I was like when I
was 19.
We were staying in Athens.
See, there's the Acropolis.
- Well what's that thing you're
wearing,
what's that supposed to be?
That a nightgown?
[laughing]
- That's a Greek costume.
- Where was this one taken, this
one here?
- Oh, that was Paris.
- That you in front of the cafe?
- Mmm hmm.
- Your hat's so big I
can't even see your face.
[laughing]
- I certainly wore big hats that
year.
- No pictures of your husband,
hmm?
- You got any pictures of your
wife?
- No.
- Well?
- I guess there's some people
you'd just as soon forget.
- What was she like?
- Who?
- Your wife.
- Kinda big, kinda stubborn.
She just didn't believe in me.
- When did she die?
- Spring I left the mines.
- Was she ill?
- No, Laura.
No, she wasn't ill, she had an
accident.
She fell.
- Oh, I'm sorry.
- Hand of Providence.
She wanted me to get back in the
mines.
What're we talking about this
for?
What are we doing here talking
about all those things?
We're supposed to be having a
party.
We have the wine, we've got
candlelight.
[soft jazzy music starting]
We've got the music.
Here's to the next lady that's
willing to dance with me.
- Oh Robert, I wonder if
you realize how you've
brightened this deadly week.
- Well why don't you stay on a
while then?
Better still, why don't you just
stay?
- I'm a wanderer, Robert, I told
you.
I can't stay in any one
place for any length of time.
- Well there has to be a right
place.
Something to stay for.
This could be it right here.
Woman with a house like this,
she's lucky.
You know, it's a fine house.
Oh I could just see it.
See it painted and fixed up.
To hear the sounds of the tune,
natural sounds, a kid yelling,
a man calling out if dinner's
ready.
I can see a woman in the house,
cheeks bright with happiness
because she's worked,
she's clothed and fed, she's
done something for others,
she's not just lookin' for
herself alone,
all self-inveigled.
She's got no need to go
wanderin'
off across half the world
because her home's right
here, right in this house.
- Another vision, Robert?
- Yes, maybe.
But not from mortal danger
from bein' down in the mines
but from havin' my hopes up
high.
I'd make you a good husband,
Laura.
- Robert, I swore I'd never
marry again.
- Burn it, burn it, take your
whole past
and burn it out there in that
fire pit.
Start a new life with me.
- I don't have your faith
in new lives, Robert.
- But I told you once, I've got
the faith.
[soft jazzy music]
[tense orchestra music]
Laura, I'm here!
Come out, come out wherever you
are!
- [Laura] Robert?
- Where are you, upstairs?
Sorry I'm late but I
had a last minute fare
and then I stopped at.
Where are ya?
- [Laura] In the attic.
- Goodness, girl, I thought
you'd be finished up here.
Look what I brought ya.
- Oh Robert, they're lovely.
How sweet of you.
- Dressed up.
Didn't you work today?
- Yes, I carried down everything
I could.
There's still some things
in the kitchen though.
Perhaps you wouldn't mind
burning them
before you cover the fire pit.
- What's wrong, Laura?
Mad because I'm late?
- No, I'm, I'm glad really.
It's given me a chance to think.
- Think about what?
- Robert, we've had
some good times together
and you've helped me
put an unpleasant part
of my life behind me.
So I'm gonna do you a favor, I'm
leaving.
- Leaving?
Well you can't, you promised.
- No, I didn't really.
But you have a right to think I
did.
But now's the time to set things
straight.
- Well they're straight now,
they are,
you can't change anything now.
- We're not changing anything.
We're simply facing facts.
Oh, I was tempted.
You're a very attractive man.
And I would've had some
roots, I suppose, but
Robert, I can't change.
I am what I am.
- You're lying.
- Robert.
- You're lying, I know women.
- I don't like being told I'm a
liar
and I don't like being
compared with other women.
- Well you better get used to it
because you're like all the rest
of 'em.
Tell a man to go when
you want him to stay.
You tell him to stop when
you want him to go on.
- I didn't know you were a
psychiatrist
as well as a preacher.
- You want me to make
love to you, don't you?
- Perhaps.
- Well?
- Oddly enough, if I
say no it's your fault.
- Why mine?
- You're right about me, Robert,
I drift.
My heart's, well, empty, like
that trunk.
But you made me think about
myself.
You see, I really have sinned.
Oh not enough to be stoned
in the village square perhaps
but I've sinned and now I've
decided
that I must put my life in some
order.
- But not with me.
- No Robert, not with you.
I'm going to sell this house.
I'm going to go somewhere, I,
I don't know exactly where yet.
- Leaving.
It's all so quick.
It's hard to believe.
I'm all mixed up.
- I know, it's hard for me too.
You see, I really was saved.
You saved me.
- The house, what about the
house?
- Robert, let's not talk about
that.
- But the house is important.
She promised it to me.
- Oh Robert.
- You don't understand,
my wife tried to stop me.
She tried to keep me back in the
mines.
She wanted to send me back.
The devil had made her obstinate
and I said to her, kneel
down, we're going to pray.
I said, we're going to ask for
guidance.
Now kneel, Laura, ask for
guidance.
Ask, ask who has a right to this
house.
Ask why you were sent here.
Ask for help, pray, pray.
Pray.
[thumping]
[dramatic orchestra music]
[bell ringing]
- Hi, Mr. Evans.
- What're ya doin' here today?
Supposed to be tomorrow.
- It's supposed to rain
tomorrow, sir.
- Oh.
- Anyhow, I guess you put
a padlock on the tool shed
and I need to get a wrench out
so's I can
check them sprinklers, sir.
- Door was open.
- I'm sorry.
Thank you.
[dramatic orchestra music]
- Say there, son.
Listen, son, I've got a little
job for ya,
I want you to help me out
on, give ya half a dollar.
Go in the shed, get the
wheelbarrow, bring it around
front
and I'll meet you there.
- Yeah, sure.
[pensive orchestra music]
- Lotta trash.
House is full of trash.
- Hey, Mr. Evans, you said
somethin' about
half a dollar, sir?
- Oh yeah.
- Thank ya.
- That's all right, I got it.
- Boy, you sure must be burning
a lot of junk back there.
Hey, ah, is that lady gonna stay
here?
- No, she's leavin'.
She left me, more or less, in
charge.
- Boy she sure is a good looker,
huh?
Ah, I'll be seein' ya.
[pensive orchestra music]
[car engine starting]
[thumping]
[flames crackling]
[bell ringing]
- All right, come on in, folks.
Take your seats, the
meeting's about to start.
Come on in, brother, you won't
regret it!
We're gonna begin the
meeting tonight, my friends,
with a song.
We're gonna begin with, "Shall
We Gather By the River".
[flames crackling]
♪ We'll gather at the river ♪
♪ The beautiful, the beautiful
river ♪
♪ Gathered with the saints at
the river ♪
♪ That flows by the throne of
God ♪
♪ Yes we'll gather at the river
♪
♪ The beautiful, the beautiful
river ♪
♪ Yes we'll gather at the river
♪
♪ The beautiful, the beautiful
river ♪
♪ Gathered with the saints at
the river ♪
♪ That flows from the throne of
God ♪
[rain smattering]
♪ Yes we'll gather at the river
♪
♪ That flows from the throne of
God ♪
♪ Yes we'll gather at the river
♪
♪ The beautiful, the beautiful
river ♪
♪ Gathered with the saints by
the river ♪
♪ That flows from the throne of
God ♪
♪ Yes we'll gather at the river
♪
♪ That flows from the throne of
God ♪
I wanna talk to you
tonight about adversity,
misfortune, fate.
Adversity, like you take
rain, to some it's a blessing.
We've all been blessed by the
rain.
[sirens blaring]
But it's when things go wrong,
then that's when a man's tested.
- Do ya have to tell him
I left the shed door open?
- Well why not?
- Well see that always makes him
mad.
I mean if he found out that
I left the shed door open
and had to go back and lock
it, that's how come I saw
the trunk and everything.
Well that'd just make
him awful sore at me.
- You needn't worry, I don't
think he'll be botherin' you
for quite a while.
- I've seen a couple of
things in my life, I have.
I've been down deep in the mines
and I've seen me a vision there.
I've seen my wife made
obstinate by the devil.
Yes I have, to the point where
I had to set her straight
with these two hands.
But I'll tell ya this.
Whenever you make a
promise you gotta keep it.
A promise is a promise
and you've got to keep it.
I'm going to have me a
temple, a wonderful place.
I'm gonna have loudspeakers
up on all the corners
so I can shout 'em down.
So I can shout down their
noises.
'Cause folks, you're gonna
hear about Robert Evans.
I aim to be heard.
I aim to be heard.
- That is the end of our story.
Next week we hope to
bring you another one.
Next for you is a commercial.
Meanwhile, I shall see if I
can turn off this ticker tape.
[rustling]
[suspenseful orchestra music]
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