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Sing Sing (2023)

Thanksgiving & Drama Movie Collection.
(Philosophical/Docudrama/Melodrama/Psychological/Anthropological/Teen/etc.)

Moderators: Maskath3, GabrielAlejo2341, sidolanters, Maskath3, sidolanters, GabrielAlejo2341

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Thanksgiving, Dramas Movie Collection.

Sing Sing (2023)

Post by bunniefuu »

For aught that

I could ever read,

could ever hear

by tale or history,

the course of true love

never did run smooth.

But either it was different

in blood or else misgraffed

in respect of years,

or else it stood upon

the choice of friends,

or if there were a

sympathy in choice,

w*r, death, or sickness

did lay siege to it,

making it momentany

as a sound,

swift as a shadow,

short as any dream,

brief as the lightning

in the collied night,

that, in a spleen, unfolds

both heaven and Earth.

And, ere a man has

power to say, "Behold!"

The jaws of darkness

do devour it up.

So quick bright things

come to confusion.

Yo,

we got you, we got you.

Mike Mike, you k*lled

it tonight, man.

Don't I

do it every time though?

Yeah,

that's true.

But you could have definitely

used that same energy

for opening night

that you had tonight.

I'm gonna

let that one go.

Yeah,

I know, I know.

You good?

Yeah.

Okay, I'm gonna take off.

All right.

You gonna bust

outta here? All right.

B block, step forward.

Hey, f*ck you, CO.

Who the f*ck said that?

Who the f*ck said that?

What the f*ck you doin', man?

No f*cking cigarettes.

Um, excuse me.

You know, I've been,

trying to catch you

in the yard, man.

It's been kind of hard,

you know?

And basically I

wanted to know,

would you mind signing,

you know this book, man?

Oh, man.

You from, wait,

you from Rikers?

Yeah. Yeah, man. I did two

years on the Island, man.

Very popular there.

Yeah, yeah.

It did really

good there, man.

- Got a pen?

- Oh yeah, absolutely.

Yeah, well, you got it

right there?

Ever ready, yeah, man.

I really appreciate this, man.

That's me. G.

Yeah.

Put a little star

right there for you.

D-DAN: Yeah, man.

Ooh wee!

I'm still flying high,

you feel me?

Still flying high.

That monologue had

everybody paying attention.

- What monologue, mine?

- Divine G, Divine G.

Coldest sh*t he's done, right?

No, I was all right,

I was all right.

But we still got more work

to do I think, all right?

No, no, no, no, no, no, no.

What do you mean "No,

no, no, no, no, no, no"?

Let's bask in it for a minute.

Those transitions were

rough though, hold on.

Parate con easy.

Let's just enjoy it

for a minute.

- I still just remember...

- Remember the moment.

...the feeling being

on the stage.

D-DAN: It does feel good.

You always gotta be

onto the next.

All right. Okay, I hear you.

All right, so why don't we

just go over the wait list?

- All right. See who could-

- We can do that,

- we could do that.

- Right?

See who can move up.

All right?

- Easy, man.

- All right, cool. Here we go.

- Just gotta make things better.

- Who we got?

We got, uh, Curtis Cross.

- Curtis Cross.

- Who's that?

D-DAN: I don't think so. What?

I'm with you.

Short answer, hell no.

What's the long answer?

The long answer is

he one of them dudes,

he always primping

and propping, you know,

he's gonna step in here,

sit right there,

try and take over every time

we put him in anything.

Put him in a hot seat

from the beginning.

D-DAN: He only wants to-

Yeah, but he don't

think it's a hot seat.

D-DAN: He only wants to sit

next to the females.

He makes women

feel uncomfortable.

Got you. All right. Okay.

How about, all right,

how about this?

We have, uh, now this

is his second time.

Who?

Is, uh, Divine Eye.

- D-DAN: Divine Eye.

- Mm-mm.

Eye...? From Mount Vernon?

D-DAN: I don't think

he's ready.

The brother's smart.

You gotta admit it though.

He teaches history class

at the NAACP.

I'm sure there's a lot of

smart drug dealers

in the yard.

Maybe he, what he

may need from us

is to be able to put that

- energy into this program.

- Divine G.

Divine G, you gonna

vouch for him?

I'll vouch for the interview.

Just for the interview?

Yeah, for the interview.

- And the rest is on him.

- Him getting in, it's up to us.

You know what?

Yeah, we'll give it to you.

Always trying to

save somebody.

Mike Mike, you go check him out

with me. See what's up.

- You and me?

- Yeah.

Let's check him out.

What's up? Make sure done get

that paper to me, right?

Oh, sh*t yo.

I gotta go do

something real quick.

Damn.

The f*ck's he gotta do?

What's up, birdie?

Hey, man.

That little jump shot you did...

-Yeah? You saw that?

- It was nice, yeah.

You got my sh*t?

- Oh yeah. Um, yeah.

- Yeah, the sh*t I gave you.

The sh*t

I gave you, you got it?

- I got it.

- Yeah. Get it.

Just a young dude.

Here we go.

Always a

young white boy.

You really

wanna watch this?

Word, well what

is this though?

What?

What? What you mean what?

What the f*ck is this?

This ain't f*cking what

I gave you. Do you know...

- This is...

- That, that has not come...

- This is f*cking aspirin.

- ...out of my pocket.

This is not what the...

You know what I gave you?

- No.

- Not f*cking aspirin.

Worth $500.

This is $500,

- did you know that, brother?

- No, no, no.

I'm gonna be needing it.

I don't give a f*ck

what was in your pocket.

I don't care where you had

it or who you know, or none...

I don't know

who's f*cking you,

but you not gonna f*ck me

- out of 500.

- I'm not trying to f*ck you...

I'm gonna be needing

all of that.

- You heard what I said?

-Look, I, I, I...

I don't care what the f*ck

you's talking about right now.

This what's going on, $500.

Don't care how you get it.

Don't give a f*ck what you

got to do to get it.

Get my f*cking bread to me,

you heard what I said?

I can't get you $500.

- You're going to get me $500.

-I can't get you $500.

You're gonna do whatever

the f*ck you got to do.

I don't give a f*ck

what you got to do.

You're gonna do that sh*t

to get my f*cking bread.

You heard what I said?

Or I'm gonna tear your

f*cking face off in here.

Now here, take this bullshit

and get the f*ck out my face.

Go get my money.

Peace, King. Peace.

What's happening?

Peace, brother. Hey.

That was really f*cked up.

Yeah well, sh*t happens,

man, you know.

Dude gonna get schooled by

somebody somewhere,

so, you know,

I'm just charging

for the lessons, homie.

Expensive lesson.

Listen, you signed

up for the RTA program.

Yeah. Yeah.

And we have a few spots open.

Yeah, just like one

or two and that's it.

And we wanted to know

if you wanted to put

those acting skills

that we just saw down there

to some good use?

- What, that?

- Yeah.

Y'all thought that was acting?

Yeah, man.

You ain't seen nothing yet.

All right.

So why'd you sign up

for the program?

Yeah, you know, you got

some pretty volunteers

I saw up on that stage.

Chicks, y'all got up in here.

Yeah, man.

It's not really like that.

They're our colleagues.

Do I need a reason?

Do I really need a reason?

-Yeah.

- Well, we just...

I'm just asking you

to be honest.

- Honest, huh?

- Yeah.

All right.

Well, one day I came

across a book, man,

on keeplock in my cell,

so I ain't got

sh*t else to do.

So I got this book,

cracked it open

and some of the things

the brother was

saying in the book,

really resonated with me, man.

I mean, the brother said...

what'd the brother say?

He said, "When we are born,

"we cry because we're

born to a stage of fools."

And I said, yo,

whoever wrote this, man, had to

did a bid before, you know?

- Yeah.

- So...

King Lear just

fell off of a library cart

and you just happened to pick

it up and read a few pages.

Yeah. sh*t funny, right?

- Yeah.

- Huh.

We'll be in touch.

All right.

Stay up.

Okay, he knows verse.

Yeah.

Two and a half hours?

He called me an old

man just a second ago.

- How much you want?

- What you got?

Yeah

man, I'm just holding uh...

Hello, everybody!

Good to see

some familiar faces.

For those of you

who don't know me,

my name is Brent and

I'll be at your service

as your director for

whatever you decide to do

for your upcoming production.

But there'll be plenty of

time for all that later.

Right now, let's just

warm ourselves up.

We're gonna warm up the space.

Warm up your instruments.

I want everybody

to start walking around

like you just won the lottery.

- Yeah!

- Whoo!

- Oh, yeah!

- Yeah!

How about a zombie,

what does a zombie walk like?

There! I like... Oh, that's...

Basehead,

that's all that is.

Some of your

best work, my friends!

Doh doh, doh doh doh doh

How about

if you're walking

- on some hot coals?

- Hot coals.

- Hot coals.

-Hot coals.

Gentlemen, congratulations

on Midsummer.

I mean, I gotta say

Shakespeare,

you guys did beautiful work.

You should all be proud.

Really.

-Not easy.

- Oh, yeah.

So have you decided

what's next?

We know what it won't be.

No more Shakespeare.

What? I like Shakespeare.

We can do West Side Story.

Not back to back.

Sacrifice?

Wizard of Oz?

August Wilson's good...

Why don't we do

one of Divine G's plays?

- Yes.

- Time we take it back

to one of our own.

-Please.

- Why don't we talk about it?

Nah.

I love that idea.

No, no, no.

I don't know about that.

I don't know about that.

Well, wait.

I... Oh, pressure's on.

Okay, well, how about, I

don't know if it's ready, but,

all right, I just,

I just finished one.

-Okay.

- Now that he just

put my business

in the streets.

It's called Fine Print.

It's a saga of Zabar Turner,

he's a record producer.

It's all about him

getting tricked

into giving up

his record studio

by a conniving Fast Freddy.

It's a story of the dangers

of overzealous ambition.

Mmm.

And how all relationships

under heaven contain...

Fine Print.

-There we go!

- I like it.

Fine Print!

You know what?

That sounds amazing.

So, have you guys decided?

Are we gonna take a vote here

or anybody else

have any ideas?

Oh, hold on, new man.

Yes, sir.

Yeah.

I don't mean to

step on anybody's toes

in here or nothing.

Or disrespect the group,

but do all the plays

have to be so serious?

Yo, what do you mean

by serious though?

I mean like every day we

dealing with trauma, drama.

Every day we got tragedy.

I mean, I think population

just might appreciate

a comedy.

How do you guys

feel about that?

Makes sense.

You got a comedy?

I ain't got a comedy,

I don't write comedies.

I got satires.

We never did it before.

What kind of

comedy would you propose?

I mean, would it

be a broad comedy

or something more

low key or...

I don't know, I'm just talking

about making people laugh.

Yeah, I understand,

but I'm just trying to

be more specific

in terms of like

what kind of comedy you want.

I mean,

that's just my opinion.

How about

a cowboy comedy?

There we go.

I always wanted

to do a western,

like Blazing Saddles

or something.

Egyptians!

Egyptian comedies?

We could sneak some

Shakespeare in there.

Hamlet.

Hamlet in the comedy?

Hamlet in the comedy.

All right.

We could do something

in the forest,

Robin Hood

or something like that?

- Peter Pan. Yeah.

- Yeah.

How about Jason?

Nightmare on Elm Street.

Could I ask a question?

Can someone name a comedy

that contains all that

bullshit that you just named?

We could do time travel.

Well now that is true.

I mean, with time travel,

we could put all

the things in there

that you guys are mentioning

and have a ton of roles.

Get more people up on stage

and maybe even

have a message in there

or not, I don't know.

What do you think

about that, G?

If you're not into it, I could

take a stab at writing it.

I think that's cool.

You take a...

You do it, you got it.

It's what everybody

else wants, right?

That's not really in my

wheelhouse, so you got it.

I'll tell you what,

I'll run it by Katherine

and if the script sucks,

we can always pivot to

something else, right?

All right.

Mike Mike, go ahead.

So Maestro,

we take it to a vote?

Yep.

Let's do it.

Let's go for it.

- Everybody?

- Raise your hand, Mike Mike.

Let's go.

Hey, man.

All right, done.

G, I've read

five drafts, at least,

of Fine Print front to back.

It is really solid, man.

And it could be funny.

I mean, you know, if you

do the right take on it.

It's a straight drama.

No point in trying to

change that, I mean, come on.

All right.

But maybe you got another

play that's funnier

and then we could run

it up for another vote?

Mike Mike, you know,

look, it's really okay.

I'm really good with it,

all right?

Okay.

Not gonna be pushy with you, man.

Maybe that knucklehead

is right.

Ah, man.

I mean, it'll take

the edge off around here.

It will be a lot easier

than all that dying

we normally do.

"Dying is easy. Comedy is hard."

A character actor said that.

I heard that from...

Brent told me that.

This sh*t gonna k*ll me.

All right, men.

Took everything you wanted,

and put it right in here.

It's got ancient Egypt,

pirates, Old West gunfights.

I even sprinkled a little

bit of the Black Plague

and Roman Gladiators in there

because at the time

it just seemed like

it was a good idea.

- Oh, yeah?

- Uh-huh.

All right.

Whoa.

147 pages?

In one weekend?

Well, I had a lot

to fit in there,

but it's got

a couple of dance numbers,

a couple of songs,

a Hamlet soliloquy.

But at the heart of the story,

it's all about an

Egyptian prince

who follows clues through

time to find his mummy.

Freddy in this?

Oh, Freddy is

definitely in this.

It'll make sense when you guys

start to read it, okay?

But while you're reading it,

I want you to pick out a

role that you identify with.

Now, the cast list

is on the board.

Pick a time slot.

There's enough in here

for everybody

to have at least one role.

Good afternoon.

My name is Dario Pena,

and I will be auditioning

for the role of Whiskerandos.

My name is Carmine.

I'm auditioning

for the part of Coal.

My name is Patrick Griffin,

they call me Preme.

I'm gonna read the role

of the ring announcer.

I'm D-Dan, reading

for the part...

Alotincommon.

"Now indeed, I am a prisoner.

"Yes.

"Now I feel the galling weight

of these disgraceful chains,

"which cruel Tilburina,

"thy doting c*ptive

gloried in before."

"I'm tired of bashing guys'

brains out with mallets

"and ripping their hearts

out with my bare hands.

"I gotta get outta here."

My name is David James

Giraudy, also known as Dap.

And I'll be reading

for Leslie.

"Mummy, mummy, is that you?"

D-DAN: "Yes, son,

that is your mummy."

"Oh, mummy, mummy,

I miss you so."

"Draw your g*n, Marshall.

"Point it at me

and pull the trigger.

"In the time it takes

"for your little b*llet to

travel from there to here,

"I'll have ducked, rolled,

"and filled you

with so many holes

"that you'll whistle like

a steam kettle

"when the wind blows."

"Coal, prepare to meet

your maker."

There's no other lines.

You pull a carrot

and I pull a broccoli.

D-DAN: No, that's fine,

that's pretty good there.

- There's no lines.

- D-DAN: No, no, no.

You're absolutely right.

Everything's good.

"We like maiming,

flagellation,

"skewering and flailing.

"Nothing pleases us more

than to see an exposed liver

"or a popped eyeball."

"I'll duck, roll, and

fill you so full of holes,

"that you'll whistle

like a steam kettle

when the wind blows."

Hello, my name is

James Williams,

also known as Big E.

And I'm reading for the part

of the ring announcer.

And I'm six foot five.

I want you to

imagine yourself

in a coliseum, and I want

you to be a gladiator

fighting to the death,

not only for survival,

but for performance.

Survival?

And the performance,

as gladiators do.

I got this signature move,

you gotta wait for it.

What other roles

have you played

in other productions?

To be honest with y'all,

I lost count.

I could sit here and tell you

Chief Bromden, Stratford.

I was in Macbeth

as King Duncan.

I was in

The Silence of the Heart,

I was a police officer.

And I was the boss

in Of Mice and Men.

Once I played an angel.

Except that wasn't

here in RTA,

that was when I was

three years old.

I've been playing

a role my whole life, bro.

"To be or not to be.

"That is the question.

"Whether 'tis nobler

in the mind

"to suffer

the slings and arrows

"of outrageous fortune,

"or to take arms against

the sea of troubles

"and by opposing,

"end them.

"To die,

"to sleep,

"no more.

"And by asleep to say

we end the heartache

"and the thousand natural

shocks that flesh is heir to

"'tis a consummation

"devoutly to be wished.

"To die.

"To sleep.

"To sleep.

"Perchance to dream.

"Ay...

"there's the rub."

Thank you.

D-DAN: Divine,

can you step out please?

- Sure.

- D-DAN: Divine G.

Thank you.

D-DAN: We got someone

else reading for Hamlet.

I'm sorry, somebody else

is going out for Hamlet?

Divine Eye.

Okay. All right, thanks.

You're up.

You sounded

great in there. Intense.

Thank you, I appreciate it.

Hey, yo.

Can I ask you something?

-Anything.

- You wanted to do a comedy,

- right?

-Sure did.

Now we're doing a comedy.

And I'm excited.

And yet you're auditioning

for the only dramatic role

in the whole play.

Comedy's very difficult, man.

I don't wanna get up

on that stage

and get ya'd off

the stage, bro.

Hey, there my boys,

right here.

How about some Hamlet?

Whoa, Laurence Olivier.

Here we go.

I'd also like to note,

commissioners,

that I was a candidate

to become a New York City

police officer.

Yes, yes,

we see that in your packet.

We also see some other things.

Was this before you

decided to become

a rampaging drug dealer?

Well, sir, I only hustled that

one year after my accident.

And, my God...

Mike Mike, can you please

stop messing around

with that paddle, I can't...

- I'm listening.

- But I can't focus

when you're not giving

the whole vibe.

You know what, my bad.

I got you.

I'll do the commissioner

voice this time, everything.

- Man.

- All right?

All right. Come on, come on.

Listen up, Whitfield.

The commission is not here

to talk about what

you could have been.

We're here to talk about

who you really are.

It says here that you were

in some sort of enterprise

called Mix Machine, some sort

of criminal organization?

No, sir, it is not a

criminal organization.

I was a DJ.

- A DJ?

- Yeah, yeah.

Well, I bet you was

funky as hell!

Weren't you? Admit it.

Admit it! You was funky.

You was funky.

Did you, did you pop lock?

- Did you pop lock?

- Ga ga!

- Zz-zz-zz.

- Kah, kah.

All right gentlemen,

I need your attention

and your bodies.

- Form a circle.

- RTA!

Let's go.

Thank you, men. Thank you.

C'mon D-Dan.

D-Dan!

This one's asleep.

What's up?

Let's get to work,

let's get busy.

We're gonna do

a character exercise.

I'm gonna pick somebody out.

They're gonna come to

the center of the circle,

introduce yourself

as your character,

in that character's voice

and then hand it off

to the next actor.

You sir, are number one, first.

Alotincommon,

the Egyptian high priest.

Get it. Get it.

I guess

I'm f*cking Gravedigger.

What's the matter,

Gravedigger?

Freddy's claws got

you tongue tied?

Freddy! Oh, I am... no.

I am Leslie,

the Egyptian prince.

Okay, can I start a cuss?

Because I am Startacuss!

No, I am Start... man.

I'm the gunslinger Coal.

The rootin' tootin',

carrot totin', shootin',

you know.

I am Gladiator Goliathan.

And I'm Zakariedies.

If you want to play

in the coliseum,

you gotta see me.

And I am Captain Hook.

Arr, arr.

Hit it.

I'm Prince Hamlet of Denmark.

Oh!

Hold on, back off now,

come on now.

We just saw Divine Eye.

We wanna see Prince Hamlet.

Bring it, come on.

I am Prince Hamlet of Denmark.

- D-DAN: There we go.

-All right.

It's gonna get better,

it's gonna get better.

Yes, sir.

I got a question

about my character.

I mean,

wouldn't he be freaked out

by some dude

from ancient Egypt

time traveling

all the way into like

the middle of the ocean?

And do we even have

a common language?

- Language?

- Well, good questions.

Remember, it's a comedy.

So we can take some liberties

and have some fun with it.

You can make it up.

Yeah, we're gonna

have some fun with it.

I'll tell you what, we can

workshop it when we get to it,

- when we get to it...

- I have a question.

-Yes, sir.

- Can't let this go. I'm sorry.

We gotta talk about

this time travel.

Is it gonna be a wormhole?

I mean, we're gonna

breach the fabric of time?

Like what kind of effect is it

gonna have on a human body?

- Gentlemen, again...

- Brent, hold up.

All good questions,

but you know...

Go ahead.

Hey, all right you guys.

All right, just listen.

Okay, listen, you guys,

you wanna do a

cowboy play, all right.

Somebody right here

wanna do ancient Egypt

and somebody, for

God knows reason,

threw in Freddy Krueger,

all right. He did.

- So how...

-I just got the role,

- I didn't ask for it...

- Okay, well anyway,

it doesn't matter. But how was

Brent supposed to get

all of that in here?

He did it, right? He delivered.

I think we should just

focus on the scenes.

Look at the emotion of it,

the arcs,

and the work

will take care of itself.

- Fair.

- Well said.

Trust the process.

You are correct, sir.

- Thank you, G.

- Sure.

Okay, that's just great.

So, why don't we

start with your scene.

- Gotcha.

- MIKE MIKE Ooh.

I'm really tired of

this miserable profession.

I don't want to be all

mean and tough no more.

I'd like to be

gentle and kind.

Really?

Me too.

Look, I'm trying to escape,

but my boss has threatened to

k*ll me, my wife, and kids.

My boss too.

Why, I've been trying

to organize the guys

for like forever!

Let's break out.

Let's.

Amazing.

Amazing!

You see that sh*t?

You see that sh*t?

I made some choices,

I made some choices.

Come on.

There you go.

I made some choices.

Ooh!

All right.

So, who's next?

- Yeah, I got that.

- You got it. Come on.

We're doing Shakespeare.

-Get it.

- Yeah, come on. We got you.

f*ck this sh*t, man.

- Did I miss something? What?

- That's it?

That's all right, men.

We're just gonna

trust the process here.

That's all right. We're here

to support each other.

Who's next?

Who's next? Come on.

Come on, Dap. Let's go.

It's hard to follow him,

but all right.

That's all right.

What's up, what's up? Peace.

Son, get that money, son,

you heard?

All right, men. Let's take five!

Yo, yo, yo, Eye.

Let me holler at you

for a minute.

All right.

Yo, want you to

check some sh*t out.

Five means five.

It does not mean 15,

like Mike Mike.

Man, this is my spot.

Look at that, you can see

everything out there.

Yo, Eye, I just wanted to say

I recognize that you're

a little frustrated

with the way

things are going...

I'm not frustrated with sh*t.

Them exercises

is goofy as f*ck.

Yeah, they are goofy as f*ck.

But there's an intention to

them, you know what I mean?

I feel like it helps you get

some depth. Helps you find a...

Is this the speech you

give all the new guys?

I'm not trying

to give you a speech.

Listen, I already

know what you're doing,

know who you are,

what you about, bro.

- What?

- You wanna run around here

herding everybody up

with the little lessons,

and you call all the shots

and all that.

That's all good and all that.

But I'm not here for that.

I ain't come here for that.

I know you got a

knife in your waistband.

Of course.

Brother.

This f*cking program is all

these m*therf*ckers got.

Makes them feel like they can

get the f*ck up outta here.

If not literally out there,

out there in here.

Don't take that away

from them, all right?

And a knife in your waistband

will be the first thing

to make sure this

sh*t f*cking crumbles.

You don't get to f*cking

tell me what I need in prison.

You don't get to do that,

nobody do.

Nobody take care of me.

Nobody do nothing

for me or mines.

So don't tell me what to do

and don't bring me in no

f*cking dark corners no more.

This sh*t make

a n*gga nervous, you heard?

We don't use n*gga in here.

We use beloved.

You feel me on that?

Where's Blaze?

Anybody seen Blaze?

Blaze?

Blaze in five building.

They been keeplocked all day.

What about Divine Eye,

is he in five building?

Nah,

Divine Eye is in A block

but I don't know

where he's at.

You could send Dap

to get him though.

Only place to catch

a breeze, man.

How's your girl doing?

The little one?

Growing up, I guess.

Yeah.

When's the last time

you talked to her?

Oh...

I don't count those days, G.

Gentlemen,

I'd like you to go to

your most perfect spot.

Perfect moment.

Do you hear anything?

Are there any sounds?

Are you with somebody?

What is the temperature?

Are you inside?

Are you outside?

Now, just hold

that feeling tone.

Hold it.

Remember it.

Savor it.

All right men, you can

open your eyes.

Does anyone wanna describe

where they just were?

Blaze?

So, I'm sitting in seven

building yard on a bench

that overlooks

the Hudson River.

And on the other side

of that yard

or the other side of that

water, actually, is my mother.

And I know that sometimes

she goes down that mountain

and looks over the water

to where I am at Sing Sing.

And for me, just looking

out at the water,

I gain my peace

because I see the waves

and they're peaceful

and it gives me something

to focus on.

June of 1972,

my wife and I had a picnic

by the lake in Prospect Park.

That's the first time I ever

told my wife I love her.

If anybody here knows,

we bought Manhattan Specials.

You know what

a Manhattan Special is?

It's coffee soda, comes in

glass bottles about this big.

We bought four of them,

I love that stuff.

And we went to Prospect Park.

And, uh, we went by the lake.

And six months ago

I lost that.

She passed away from

pancreatic cancer.

Boy am I gonna miss her.

Summer, 1977.

It's hot.

Water ice truck coming

down the street.

Mom gives me 25 cents

and I go running down

the street to get it.

It taste all cool in your mouth.

What flavor?

Cherry, I love cherry.

Mouth all red.

Spending time with

my son and my daughter.

Just watching 'em grow,

living their life, you know?

90 degree weather,

cutting grass in the backyard

to a point where

I'm just so exhausted

and I just lay back

and I smell the fresh grass

I just cut and I'm dozing off

and my dog come

licking sweat off my face.

Every summer, my mother

sent me to Baltimore

with my uncles and they only

a few years older than me.

And it was a sense of freedom

'cause my mother wasn't

looking over my shoulder.

I tried to do one about

the islands, you know?

My grandma would always tell

us about the islands.

The islands, that's where

our people are from.

Couldn't do it, Maestro.

I ain't never been there.

Ain't never been there,

and I'm not gonna get there.

This is real.

I'm stuck in this space.

But if I'm gonna be

stuck in a space

I guess I'll do it

with you suckers.

Payasos.

In here it's all right,

get a little release.

So I guess this is my space.

I think you guys

are becoming actors.

Just being real with

each other and vulnerable.

It's something men don't

really get to do too often.

To be, or not to be

that is the question.

Whether 'tis nobler

in the mind to suffer

the slings and arrows

of outrageous fortune

or to take arms...

- Bro, what's up?

-What's up?

Why you walking

behind me, bro?

I'm supposed to be

walking behind you.

- Bro, all this room right here?

- Why don't you just do what

- the hell you're supposed to?

- All this room right here

- and you gotta...

- That's his blocking.

Bro, I'm saying this the sh*t

n*gg*s wanna do in the yard

Focus on what

you're supposed to.

That's what I'm supposed to do, man.

Bro listen, don't be doing sh*t

- you wouldn't be doing

in the yard.

- Or what?

- Put your f*cking

hands down man.

- The f*ck you talking about,

-"put my hands down"?

- You heard

- what the f*ck I said man.

- Enough!

Yo, Eye.

I used to be a keeplock

monster, man,

consumed in my own anger.

'Til one morning in breakfast,

the guy sitting

across from me,

someone stepped behind him

and he cut him ear to ear.

And we all sat there

as the blood flew

across our clothes

and our faces,

and we pretended

that was normal.

Brother, we're here to

become human again.

To put on nice clothes

and dance around.

And enjoy the things that

is not in our reality.

All right,

you remember your mark?

Yeah,

I'm supposed to be standing

next to the Gravedigger

then Marion and Leslie

come outta nowhere.

Materialize from nowhere.

All right, somebody's gonna

walk behind you eventually,

act like it don't bother you,

that's all.

Now let's go, you know

your first line, let's go.

Let's run it again.

Come on man.

f*ck it.

Use the whole thing.

There you go.

Sweep through.

Yeah, same thing.

I'm focused.

You were doing great...

Why aren't you up there?

They're not rehearsing

any scenes I'm in today.

So you just drifted on in, yeah?

Yeah, I sure did.

Okay.

What's those notes?

What notes?

Those notes.

These... just some things

I'm working on

to help some brothers out.

Get healthier food

around here.

And then some

litigation business.

Hmm.

That's dope.

You got any kids?

Wait, so you just gonna be

all in my business today?

Is that what today is?

All right.

Yeah, I got kids.

Two girls and a boy.

What's their names?

Divequa, Dinasia and Karron.

Karron is the boy, he was born

right when I got in here.

So, uh, you know.

He actually wants

to be an actor,

like this bunch of nuts.

He's doing YouTube videos

and stuff.

What about your girls?

They, uh, they have

their own lives.

Yeah?

When I started this bid,

my son was real young, man.

You know, the homies in the

hood, they took care of him.

'Cause that's my son.

Rolled out the

red carpet for him.

Anything he wanted,

treated him well.

Then it wasn't long

before he started doing the

same things I was doing.

Putting in the same kind

of pain I was putting in.

And now he's in prison,

just like me.

Wearing greens, just like me.

Line?

You're looking through

the wrong end of the eyeglass.

Seems like

I'm not the only one, huh?

Nah.

He doesn't know that there's

tricks to learning lines.

Tricks?

Yeah.

What?

Yeah.

What's the tricks?

Everybody has

a different process.

Some people like me,

I write out

every single one of my lines.

You know what I mean?

That's the way I know

how to digest it.

Some people, and it might be

helpful for you

to just underline

every action,

every active word, right?

Take it little by little

and break it down.

Eventually, you know,

you start

paraphrasing a little bit,

but then it'll all start

to make some sense.

You know what I'm saying?

And then you sort of like

break it down, you know,

like how you would

eat an elephant.

You wouldn't swallow

that thing whole, right?

You would just...

take every little bite,

bite, bite, bite.

And then it all makes

more sense.

I think I learned some of that

in the law library.

You know what I mean?

Some of these cases

are so in depth,

you know, especially like

preparing for my

clemency hearing.

I mean, I gotta like

break it all down.

Yeah, I heard you

found a tape or something

that proves your innocence?

Yeah, man,

it took me 10 years but...

- Mmm-hmm.

- ...I got it.

So you don't need no good luck

or nothing, man.

You already got

the golden goose.

I hope so, I think I do.

- I hope so, man. I hope so.

- Yeah.

Um, what about you?

I don't mean to be

in your business,

but I did look at the docket

and I saw that you have

a parole hearing coming up.

Yeah.

Hey listen,

I gotta hit the yard.

Take care of a little bit

of business, all right?

Peace.

Yeah, if I can be of any,

um, help...

Yep.

All right.

To die,

to sleep,

to sleep,

perchance to dream.

Ay, there's the rub.

Okay, you wanna

take that again?

Why, did I do something wrong?

No, no, no,

we're just working at it.

But, I'll tell you what,

let's try something here.

As long as we're not eating

no f*cking elephants

or nothing.

Okay, I don't know what

that means, but I won't.

Let's start from the

very beginning,

- okay?

- To be...

I don't mean the beginning

here on your mark,

I mean in the wings.

That's where it begins.

So I want you

to go back there.

I want to see you come on

the stage with Hamlet's...

You're in Hamlet's world

and you're bringing that

all the way to your mark.

And then you say your line.

Let's try it.

It's the moment before, guys.

- To be...

- Hold up, did you do it?

Because we all fell asleep.

Ooh!

You ain't see me just

walk from over there?

I saw you walk out here

like a man who's

asking this audience

for permission to be here.

I wanna see

Hamlet come out here,

take the stage and say,

"Hey! It's time to start

paying attention to me."

- You have to show...

- Ah, Brent, Brent.

-Yes, G?

- Do you mind if I...?

Please.

Cool. Watch. All right.

Yo, Eye.

The world expects

brothers like you and I,

all these brothers, to walk in

with our heads held down,

you know, apologizing

for being there.

Now, what you gotta walk in

- is like a m*therf*cking king!

-Ooh!

Like you own all this sh*t.

Everything is yours.

So you want me

to do it right now?

Right now.

Yeah.

f*cking...

I'm the f*cking king, n*gga.

Like the yard, but bigger.

I'm Divine f*cking Eye!

Yeah.

Yeah.

I own this f*cking theater.

This is my f*cking theater.

-I own this b*tch!

- I own all this sh*t.

That's it, yeah.

Now give him some love,

give him some love.

All right, all right,

that's enough.

All right, now, what's your

emotional state?

What's underneath that?

Mad as a m*therf*cker.

Okay.

No, no, no. Okay.

Anger is the easiest thing

to play.

Am I right, Brent?

Too easy.

What's more

complicated is to play hurt.

That helps you name the thing,

all right?

Now try that. All right.

From the top.

There you go, Brent. Ha!

Guys, the superintendent's

got some big money

sitting out in these

seats tonight.

Money that can get us

new stage curtains.

Ooh.

I need you guys to melt

their faces off with this.

- Okay?

- Yeah, yeah.

We gonna

beat 'em down? Oh, no.

I want you to be savage.

So let's go.

Let's go!

Sure. All right. Okay.

Let's go. Come on.

Come on, man.

Take this sacred amulet

with you for your protection.

You will need it one day

before the end

of your journey, young man.

Scooch to the right a little.

I'm on my mark, bro.

Scooch your f*cking light.

We can move the mark a little,

we can move

the mark a little bit.

We're gonna move the mark.

Just a skosh.

d*ck.

This headband is not Egyptian.

It's clearly Phoenician.

- Really?

- Yes.

I'll talk to props. Thank you.

Cucumbers? Eggplant?

Come on, Brent,

I need six shooters.

E, that's why it's funny.

They're expecting

to see six shooters.

You pull out vegetables,

it's a comedy!

You'll need it before

the journey's end.

Let's be gone, young one.

Oh, take this amulet man.

Wear this sh*t,

it's gonna protect you.

You gonna need it before

the end of the journey.

Let's get the f*ck outta here,

let's go.

Ah.

Ah.

- Oh!

- m*therf*cker...

Thank you.

Well, uh,

thanks for coming.

You see the look on the one

with the hair like this?

She was not having us.

I think they cursed us.

We don't really need

those curtains anyway.

We sure worked hard

for it though.

Shut the f*ck up.

Can't believe that

you picked that scene.

But they loved it.

Oh!

sh*t.

This is good. This might work.

Yo, how about this for you, man?

Here you go.

Bam.

What's up? You all right?

Yeah.

It's just,

my slings and arrows

on the inside

and all this make believe

acting and college degrees...

It don't really change

the fact I'm a gangster

and that's my destiny.

That's what's waiting for me

on the outside, bro.

It's like Hamlet.

All he wants is Maid Marion,

and he'll go against

the whole Greek army.

But to what end?

What?

Oh, sh*t. I'm sorry.

I keep forgetting

how different

this version of Hamlet is

from the original.

Yo. What I...

what I do know,

if I don't know anything,

is you're an artist.

This is just bringing

out parts of yourself

that has been hidden,

you know, remained dormant.

Just go for it, trust it.

All right? Leave all the

other sh*t behind.

Go full out.

Try something new,

get into some sh*t like this.

No, I'm not gonna never

get into no sh*t like this.

Why the f*ck you ain't

gonna get in this?

This is f*cking regal,

it's a prince.

How about this? Look.

How about that with the towel?

- Nah, it's not my thing.

- All right, well,

that's all right.

A towel?

Come on, bro.

All right, well, how about...

- Find something for me, man.

- I don't know.

Something I could rock, man.

Yo. How about this?

How about this? Look.

That's kind of funky.

I might could do

something with that.

All right.

- I might could rock that.

- There you go.

All right.

Either this or the towel,

I think.

I think this towel might-

Come on, bro, why you keep

trying to put me in the towel?

I told you this right here, man.

Who next? Who next?

Wait, I thought

you were gonna

do some sh*t next.

You gotta do that.

- Whoa.

- Oh!

That one, that one!

Ba da cha da da

- Cha

- Hey, lock it up, lock it up.

Lock it up.

Lock it! Lock it!

Lock it! Lock it!

Lock it! Ah!

Yeah!

Let's go, let's go, let's go.

Go, go, go, go.

Blaze, what about you?

There you go.

Whoa!

- Uh-oh!

- Uh-oh!

Go Brent. Go Brent.

No man, I'm too white!

Go Brent, go Brent!

To be

or not to be.

That is the question.

Whether 'tis nobler

in the mind to suffer

the slings and arrows

of outrageous fortune,

or to take arms against

the sea of troubles

and by opposing, end them.

To die.

To sleep.

And by asleep to say we end

the thousand natural heartaches

that flesh is heir to.

'Tis a consummation

devoutly wished.

To die.

To sleep.

To sleep,

perchance,

perchance...

Line?

Yo!

The champ is here!

Where Brent at?

Where Brent at? Hey Brent,

how'd I do, Brent?

You did it!

Ooh, wee!

Listen, I don't mean to

step on your toes or nothing,

but I know

you haven't had time

to prepare for your

- parole board hearing.

-Mmm-hmm.

- So I took the liberty to, uh...

-Liberty?

...do some prep work.

Man, what I told you

the last time

we talked about this sh*t?

Oh, come on, man.

All you gotta do is, like,

fill out the essay

and I just need some

addresses that I don't have.

Listen man,

how you sitting up here

with all this faith

in the system?

The system don't

give a f*ck about us.

The system that's trying

to keep you in here.

Even with all the evidence

that you got

to prove your innocence.

What do I got bro?

I got nothing.

They gonna slam me.

What you trying

to tell me? They got you?

- Who got me?

- Letting you think

that you belong in here.

- No, man.

- They got you.

Well, what I got out there?

All my people in here.

My son is in here, sh*t.

Sometimes I think

this might be the best place

for me right now.

No, no. Don't say that sh*t.

Don't say that.

That's what they

want you to think.

They want you

to think you some

m*therf*cking lapdog

or some sh*t.

When you're not that

and you know you're not that.

You know who you are?

You know who you are?

Let me remind you,

you're a m*therf*cking wolf.

All right?

A wolf.

Yo, listen man,

I heard sometimes

you might not even

get a decision.

You sitting on your bunk

waiting and waiting and sh*t.

Not the truth, not the truth.

What they give you

is a letter.

Thick as a brick,

you keeping your a*s here.

Light as a feather,

you're free.

- Yeah?

-Yeah.

I do all that sh*t right

there, man, and it don't work?

You try again.

And again.

And again. And again.

- Yeah?

-Yeah.

Well, how long

this essay gotta be?

That's my boy. That's my boy.

Come on.

They better let me out

off this bullshit too.

Come on. Come on.

I can't sleep.

It's too hot.

You're too hyped.

It's the play, man.

sh*t is wild, right?

Yeah.

Space and time and histories.

And, I still haven't

cracked that whole

time portal thing, but...

you know

what's really fun though?

What?

Playing all those

characters and names

in one piece,

'cause that's me, man.

That's my whole life.

It's like the name game thing.

You remember Role Call?

My name is...

Yeah, but that's

what all the girls did.

No, man, everybody

did that. Except for me.

- I couldn't do it.

- Why?

Name was

too damn long.

Wait, wait, wait.

What's your whole name, man?

Come on, man,

my government name?

- Do I know your... Wait.

-Yeah.

How many... What?

My Christian name, Miguel

Francisco Benjamin Garcon.

Benjamin? Is that

like Arabic or something?

Benjamin.

Come on, man, you don't

know Spanish for sh*t.

I mean, we're islanders.

So I guess it

could be anything.

But, you know, the only thing

I answered to

growing up, though,

Miguelito.

That's what my

grandmother called me.

Miguelito.

She was my word and my God, man.

Miguelito. Mm-hmm.

You remember the clique

I came with, right?

There was two Mikes.

So they thought it was, like,

Mike and then I was Mike Mike.

But nah.

You know, G, that came

from outside, from before.

When I used to be high, high.

They say, "Mike do his dope

for Mike."

And then he always

come right back again

and do more dope for Mike,

so Mike Mike.

Yeah, man.

That sh*t was so nice,

I had to do it twice.

Yeah.

And more.

And more.

Hoo.

I was f*cked up.

I really did f*ck up, man.

That was the one thing

that broke my grandma.

Drugs and me.

But that's me, man.

That's what I work on in here.

That's why I'm good in here.

I mean,

I'm here...

and I'm good.

You know

they called me...

a couple names

in the neighborhood.

They called me Mix Machine.

- Yeah.

-My DJ name.

Yep.

And then

they called me, uh...

you know, they call me

Divine G in here,

but they called me

Davey at home.

Davey.

Yeah, Davey,

when I was at the Fame school.

The High School of Performing

Arts in Manhattan.

- Ooh.

-For dancing.

You mean the Irene Cara thing?

So you was Leroy?

No, I wasn't Leroy,

but there were a whole

lot of Leroys there.

But let me tell you, those

Leroys could dance and fight.

- Okay?

-You danced?

Me and my boys. What?

-You danced too?

- Yeah, I danced.

I danced modern and ballet.

-Hmm, tutus...

- And ballet

was not what you think

it is, all right?

- Ballet is like...

-The tutus

- and everything, right?

- ...disciplined.

It is, um... It's physical.

It's strong. It's like

football, to be honest.

It takes a lot of focus

and dedication.

Man, I used to love to do that.

But I couldn't because I

had to fight every day.

Once the fellas found out

in the neighborhood,

I'd be fighting every

time I went home, man.

"Yo,

"you wear them tights.

Yo, f*gg*t, whatever."

Like, everybody

thinks something about you

just because you dance.

I gave it up, man.

Man, the things you give up.

Yeah, I miss it.

Man... if I only

stayed with it, man.

I ain't thinking

about that, you know,

you can't look back.

What if I kept, what if I did?

Mike Mike?

Oh, man.

All right, I listen to

your bullshit stories

about being called

Benjamin and whatnot.

Good night.

Yeah, I'm still here.

Where's the body?

I don't know, they

bagged it before my shift.

Didn't have

much property so...

Well,

don't be late for lunch.

I ain't gonna

wait on you all day.

Yeah, I know.

I could understand

a person hanging up.

I could even understand

a person getting stabbed.

But a brain aneurysm?

I don't get it.

You know, when they called me

down to the chapel

and let me know

my mom had passed,

I sat in the audience

while RTA

was putting on a show.

Mike Mike was on stage,

you know,

every performance after that,

I came down and watched him.

Mike Mike brought me in.

I guess Mike Mike's gonna

finally visit the Island.

Is there

anything you need

to talk about, bro?

Everything that needed to be

said got said, right?

I'm only asking,

bro, because you ain't

having much to say when

we was in the circle.

What's that supposed to mean?

G, I don't mean no disrespect

or nothing.

I'm always here

for you, if you ever need me.

I got a dozen letters to

write to his family tonight.

What I need to do right now

is finish with these chairs.

All right, man, listen,

my bad. Peace.

Ahoy, mateys!

I think I spy a ship

on the horizon.

Nah, that's not a ship.

It's a sailboat.

No, no, no, Mom.

That's not what I'm saying.

But you just have to tell them

that they can't

talk to you like that.

That's all I'm trying to say.

Well, if you're not gonna

do anything about it

then I don't even know

why we're...

I don't know why we're talking

about it then, all right?

Just let them

run over you then.

Oh, man. Ma, I'm sorry.

No, no, I'm not nervous.

I'm just ready for it

to be done.

I'm just, you know,

just waiting.

I'm just ready to see you, Mom.

I'm ready to see you.

Mr. Whitfield.

This is a clemency hearing

for your conviction of

m*rder in the second

as well as weapons possession.

Two counts on each,

25 to life.

Two to seven, and

five to 15 respectively.

That is correct.

Okay.

I will note at the outset

that we were able to acquire

the sentencing minutes

and they will be considered

as well as your parole packet.

Yes.

But we are talking about

the March 25th, 1988 homicide

of Randall Birch.

He had been shot many times

in the head and body, correct?

As far as I understand.

And in terms of this offense,

you have exhausted

your appeals.

- Yes.

-You had

the Innocence Project

look at it.

Legal Aid.

You hired an investigator.

Apparently you've raised

other issues of, um,

prosecutorial and police

department misconduct.

And there were some other

exculpatory statements

made by another person

that were never given

to you for your trial.

Another man confessed

to the crime on that tape,

but it was buried along

with other key evidence.

Yes, and that's

part of the issue.

It's been next to impossible

for us

to authenticate the validity.

The person who

made it is deceased

and we can't get the DA's

office to return our calls.

I don't know how...

what I can...

You

understand that this creates

a complicated legal issue,

don't you?

- Yes. But I...

- Since you've been in custody,

you've been involved

in numerous programs.

It's too long a list

for me to go through.

But I do have a question

about the theater program.

You've been involved in that

many years, have you not?

Yes. Uh, yes ma'am.

I am a founding member

of this program.

It's something

I'm very proud of.

And what part do you play

in this program?

Actor? Director?

Well, we all do a few things.

I'm on what is called

the Steering Committee.

We make a lot of decisions

for how it operates, and...

from time to time

I do act, like we all do,

and um... it's been a program

that was established

to help the population

with management skills.

And it's turned into something

a bit more, I don't know,

wonderful,

because it helps people

get more in touch

with their feelings

and able to process

and actually move through

and truly get

some rehabilitation.

So are you acting at all

during this interview?

Absolutely not. Uh...

I truly hope that

you can understand

that I've been very sincere.

I know how meaningful this is.

I would never...

Actually, that's not

the intention of acting.

Acting is just to, you know, process.

I read about the program.

It's a good program.

Okay.

Any other questions

from the board?

Well, thank you,

Mr. Whitfield.

We'll take all of this

into account

and deliver our decision

in two weeks.

You're going home.

Yeah.

I can hardly believe it.

It don't even seem real.

What about you?

I wouldn't even be here

without you, beloved.

Thank you for everything.

C'mon,

they're waiting for you.

The tree costume

is great.

This looks perfect,

don't lose any of those.

Reach for the sky, Marshall.

You look just like Gary

Cooper, you know that?

- My lady!

- Hey!

You've arrived!

- So good to have you here.

- Oh, it's so good to see you.

- We'll talk? We'll talk later.

- Yeah. Yeah.

We got it.

Ah!

I told you I was no ghoul.

I'm happy as the

Gravedigger now.

Thank you.

15 years since

I put on a suit.

And you look good champ

but can I get this mirror?

Take this sacred amulet

and wear it.

You will need it before

your journey's end.

Well, we made it.

Still a lot more work to do.

Dress rehearsal, this is when

you guys get to grow.

It's when the director

kind of lets go

and lets you guys take over.

So don't be afraid

to try things.

No acting allowed.

A lot of listening,

let's listen to each other.

Let's support each other.

I want to thank you guys

for trusting the process.

I know we're thinking

about Mike Mike right now.

And I want you to know,

I got a feeling Mike Mike

has not left the building.

So we're gonna do this

for Mike Mike.

Let's go, man.

Bring it on in here.

- Bring it in.

-Everybody.

-All right. Yep. Yep.

- We got it?

One, two, three.

RTA!

- Yeah. Yeah.

-Whoo!

I am Alotincommon.

I am the high priest of Egypt

from the year...

Hell, it was a long time ago.

Sweet Egyptian

Princess Neotali

has been the victim

of a m*rder,

a crime most foul.

She was a good mummy,

to her little one she named,

Leslie.

Mummy?

Mummy? Is that you?

Oh, Mummy, I miss you so.

Now I am a prisoner.

Yes.

Now I feel the galling weight

of these disgraceful chains.

And so

the young lovers set out

on their journey seeking

something black and white,

above water and sky.

Oy!

I think I found

her here, guv'nor.

What a pretty mess

she turned out to be.

Wait.

Keep this with you always.

Keep it near to your heart,

so that you'll always

remember me.

Yo, these are mine.

My bad.

Zakariedies' got me locked

into a 25 year

no pay contract.

If I don't do what he says

and be his

number one gladiator,

he's gonna k*ll my wife

and daughters,

and feed me to the lions.

Line?

We sure could

have used you

for some serious backup.

Why, we sure could use

you for some serious backup.

Yeah, we sure coulda used

you for some serious backup.

And then I say...

Never fear!

Gladiator Goliathan is here.

I'll smash 'em and bash 'em,

whether short or tall.

Got it?

And then I come out and

say the most profound line.

If you help me escape,

consider it done.

And remember everybody

say it like it's really funny,

'cause it's a comedy.

Ha, ha, ha.

It's a f*cking comedy, yeah.

Uh.

Okay, men.

- Let's take five.

- Why?

Why Brent?

Like it's gonna

f*cking matter?

Like we're gonna

get any f*cking better?

Like he's gonna remember

any f*cking line he has?

You tell us to trust

the f*cking process, right?

Well, the process is f*cked!

I think we need

more than five, Brent,

for him to learn

his f*cking lines.

Hey, c'mon, brother.

Let's take a walk.

Yo, get the f*ck off of me.

The f*ck you gonna do?

You gonna step? You wanna step?

Yeah?

What the f*ck

are you wearing, man?

What the f*ck are we doing?

This silly bullshit we do

every f*cking six months,

as if it f*cking matters, man.

And we're still f*cked.

We're still right back

where we f*cking start.

Are you done?

No.

I'm not done.

Isn't that f*cking hilarious?

Yo, this is gonna set

us back for how long now?

He walked away.

He just walked away.

You can't do that.

We're all going through stuff.

This is about

acting professionally.

We're in the middle

of a production.

We all have breaking points.

Listen, we all understand

breaking points.

We've all been through

our own breaking points,

yet we show up and we do

what we have to do.

You have to.

So I want you to

picture in your mind's eye

a very dear and old friend

that you haven't seen

for a very long time,

but you'd love

to see him again.

So what does that look like?

And what does he look like?

Is he taller now or shorter?

Does he still got

the same haircut?

Maybe he needs a shave.

Maybe he looks a little bit

different, a little bit older.

We're all getting older.

Have that brotherly feeling

of love and safeness.

What would that be like?

Should be joyful.

Should be wonderful.

You know?

Just to be with that person

one more time.

You can open your eyes now.

Was it me?

Oh, what's good, boys?

Oh, man, it's good to see y'all.

Yo, good to see you, man.

Dapper Dapper,

you still here, bro?

Tell us

what's going on outside, man.

Oh, man.

The world, man.

I get up, 4:30

I'm in that bakery, man.

Pumping out donuts,

cheesecake. Grinding.

But, man, I take so much joy

in just being out at night,

you know what I'm saying?

Like, it's summertime,

10 o'clock at night,

you know what I mean?

You go to the basket and still

seeing kids out there.

Remember how we used

to play ball at night?

Like, you go to

the schoolyard

or wherever at night

and play ball and whatnot.

Bam, I just walk past.

See the...

Oh, man, you know.

But then my greatest joy,

my greatest joy, right?

It's washing my car,

going to the car wash,

getting that baby

spit fine clean,

finding me a destination.

Go grab my dog,

put my road dog on the side,

throw my jazz on,

hit the road at 60,

throw that cruise on

and let everything else go.

I got up the other day, man,

at two o'clock in the morning

and made some pancakes

and grits and sh*t

just because I could.

That feel good as hell.

On another note though, right?

I just had to put my dog down.

Hey.

I had a 85 pound red nose

pit bull named Girly.

That b*tch,

all she wanted to do,

she thought she was a lap dog.

She just wanna lay in your lap

and eat Scooby snacks.

You know what I'm saying?

She just wanna play.

But, um, she was sick

and I didn't know.

And so,

her nose started bleeding.

She was...

She was the only one

that was really

happy to see me

when I walked

through the door.

You know what I mean?

She, uh...

She looked... the day that

we had to put her down,

I couldn't really...

I couldn't go.

'Cause I'm not gonna watch

nobody walk my dog off.

She was suffering,

she was suffering.

This emotional

rollercoaster, man, is really...

it's really something else.

And it don't hit you at first

'cause everything is...

Everything is lovely.

You know what I mean?

It's cotton candy, baby.

You know, peaches and cream.

First years out, you get...

It's exciting

getting to know them.

But then, you know,

you settle down.

You find out you

got these feelings, man.

And everybody want a piece

of your feelings, you know?

And because you care,

you open up.

And that's when the hurting

come on in, you know.

But, uh, yeah,

Brent asked me to come in

'cause y'all got this

production coming up

and here I am

with all this heavy sh*t

sucking the air

out of the room, right?

- Oh, man. But listen...

-It's all right.

It's real.

Yeah.

I appreciate that, man.

So on that vein, yo...

But you think maybe like

we could do a exercise

or something so I could be

reinvigorated, re-energized?

Definitely, man,

let's get up on our feet.

This ain't no g*dd*mn

sewing circle, come on.

Yeah, that's

what I'm talking about.

So let's shake up this

space for brother Charlie.

Let's walk around,

let's walk around here.

Let's walk it out...

What it's like when the air

is really heavy and hot?

You know, I was artistic

as a kid, you know.

Used to draw, paint... like

those little geese right there

and everything.

Man.

That was dope.

Yeah, man.

Mom used to try

to tell me to paint a lot

and I skipped over that.

You know where

that landed me, so...

I got a label.

Everybody perceived me to be

a thug, a gangster, whatever.

And that kind of like

put me in a box

and you don't have a box.

Everywhere I saw you

at in the jail,

you always was Divine G

and you was free to be that

because you

didn't have a label.

And I see that

you need help, bro.

But you won't ask for it.

You got all of us here,

man. We love you, bro.

We gonna do anything

we can for you.

But you refuse to extend your

hand to ask for help, bro.

As many brothers as you

helped in here.

I f*cked up.

Yeah, you did,

you f*cked up.

But, you know, we all know you.

We all love you

and we took a vote.

Yeah, everybody's willing

to take you back right now

under one condition.

What is that?

Well...

you gotta, you gotta admit

wholeheartedly,

possibly even in writing

that I m*rder*d that

Hamlet scene, bro.

I mean listen, man,

the dude Shakespeare is

in his grave right now.

He rolled over

just to hear that magic

I put on that thing, man.

You did your thing, beloved.

Yes, I did, beloved.

Everybody, let's just

take a cleansing,

deep breath.

Just let it all go.

Who would have thunk,

that the beginning of

the healing for this planet

would start right here

behind the walls of Sing Sing.

Anybody else have anything

they want to add right now?

Yes, sir.

Sometimes

it's just all a little

too much on the heart.

But that's no excuse.

And I hope that

you could forgive me.

Bring it in, RTA.

Yeah.

Yeah. Yeah.

Gimme those hands.

Gimme those hands.

- All right, all right.

- All right?

One, two, three.

RTA!

Yo, B block,

they was loving it.

Yeah, see, the comedy...

Comedies are different, man.

D-DAN: Yeah.

That was a little hard

but it was... it's different,

it had a different hit.

D-DAN: And Carmine, yo,

he came around in that

- Gravedigger, didn't he?

-Gravedigger, yeah.

He definitely did.

D-DAN: Yeah!

You're right about that.

Carmine did,

Blackseed, Winter, Tye.

All of them did their thing.

The cast stepped up.

Yeah, the cast definitely

stepped up.

And I still don't

understand time travel.

We did all that,

I still don't understand.

I don't think

we'll ever understand.

D-DAN: From pirates and... yeah.

I don't know how

it got from Robin Hood

to pirates

and then all over the place.

D-DAN: All over the place.

That's the craziest thing.

We were all over the place

and the population was

still able to follow it.

D-DAN: They enjoyed it.

They enjoyed it.

-They got all that in there.

- D-DAN: Right.

Shakespeare.

D-DAN: But fellas,

what are we gonna do next?

It's too hard to top.

What do you think Dap?

Yeah, it's hard to top,

I don't know, man.

Divine, what you got for us?

You always keep

something in the stash.

What you got

for us Divine G?

sh*t, what I got for you...

I don't know,

I ain't got nothing.

I know you keep

something in the stash.

D-DAN: You always

working on something, man.

How about my play, Fine Print?

Wait, but it's a little

lost in the second act.

But maybe I could...

Come on,

you got something else.

Wait, all right, how about...

Man, I've been working on

this play for a couple years.

Maybe it might work.

It's called Pro Se.

Now that's gonna

appeal to the population.

It's a satire, man.

It's about this

dude who's been

like working out, you know?

Just hitting the gym...

Come on.

Come on, man.

All right,

all right, we here man.

We out here now.

- Yeah.

- We out here now.

- Yeah. We out here now.

- We out here now.

And we got work to do.

What's up?

How you like my joint?

Ah, man.

- Yeah, man, yeah.

- Yeah, it's good.

We out here.

Yeah, oh, man.

We're cruising now.

Oh, man, the air feels

different out here.

It is different.

We ain't gotta

smell no toilets

or nothing out here.

Man, we good.

What you wearing?

Look at those.

Hey, where you gonna

get you some?

Man. Man.

Yeah.

(LIKE A BIRD BY

ABRAHAM ALEXANDER

AND ADRIAN QUESADA PLAYING)

I introduce to you

Breakin' the Mummy's Code,

by Brent Buell.

Mummy. Mummy.

Is that you?

Now indeed I am a prisoner.

Yes.

Now I feel the galling weight

of these disgraceful chains!

You know,

I'm really tired of this

really miserable profession.

I don't wanna be all mean

and tough no more.

I want to be gentle and kind.

Really?

Me too.

Keep this near to your heart

so that you will remember me.

Always.

Let's go, Horatio!