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Big Town After Dark (1947)

The older Classic's that just won't die. Movies from before 1960's.

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The older Classic's that just won't die. Everything from before 1960's.

Big Town After Dark (1947)

Post by bunniefuu »

Good morning, Steve.

Call me back.

Good morning, Lorelei.

What's this bilge I hear

about your selling a novel?

What novel?

Oh, every reporter has

a novel in his trunk.

[inaudible] is a

good place for them.

I thought you'd be pleased.

I am pleased.

I congratulate you.

Only I hate to see you waste

your time writing tripe.

Tripe?

Look, Lorelei, you're a newspaper

woman, and a good one.

As phenomenal...

Now, wait a minute, Steve.

That's the way you feel

about it, as of right now

I'm not a newspaper woman.

What's that?

I'm through.

Oh now, just a second, Lorelei.

You can't do that.

And why not?

I have another novel in the works.

Look Lorelei, If it's a

race you want, $10 a week.

No.

$20?

No, Steve, I'm through.

Very well, if your mind's made up

you'll have to give

me two weeks notice.

OK, two weeks.

Steve, I... oh, good


morning, Lorelei.

Good morning, Mr. Peabody.

I hear you sold your novel.

Congratulations.

Thank you, Mr. Peabody.

Great girl, Lorelei.

She's made a fine police

reporter, hasn't she?

She certainly has,


and I'll sure miss her.

That is, the newspaper

will miss her.

Miss her?

Yeah, she's given

me two weeks notice.

But you're not going to

let her leave, are you?

Not if I can help it.

Good.

By the way, Steve, did you ever


meet my niece, Susan Peabody?

No, I don't believe so.

I had brought her here

from California a year ago.

Been putting her

through a journalism

course at State College.

Now she wants to quit school


and take a job on the paper.

I have a full

staff, Mr. Peabody.

Now just a minute.

After all, Steve, I

own this paper, and...

According to the

terms of our contract

all hiring is in my hands.

I don't need a cub reporter, I'm


not running a finishing school

in journalism, and if your niece

wants a job on a newspaper,

let her try "The Chronicle."

I was hoping you'd

see it that way.

Well...

I'd much rather she


stayed in college.

Well, why don't you tell her so?

Well, it's hard for me to

say no to one of the family.

I'd rather you did it.

She waiting outside.

If there's anything I'm

good at around a newspaper,

it's saying no.

You'll need to be good, Steve.

Susan's quite aggressive.

I'm afraid her folks haven't

been too strict with her.

She needs discipline.

Come in, dear.

Steve, my niece, Susan Peabody.

How you do do, Miss Peabody?

How do you do, Mr. Wilson?

I'll leave you two

to talk things over.

Well, it's nice to see you.

Sit down, sit down, please.

Thank you.

So you want to be a

newspaper woman, hmm?

There's nothing I'd rather do.

Well, the journalism course

at State is excellent.

But it's so slow and so expensive.

I hate being on Uncle Amos.

I want to earn my own

way, and I want to get

it working on a newspaper.

A very commendable

ambition, Ms. Peabody.

But I wonder if you know

that there's more to being

a reporter than sticking

your press card in your hat

and going to all the better fires.

You sound like Uncle Amos.

Now listen Mr. Wilson, if

I'm going to work for you

we should have no secrets.

I'm in a terrible jam.

Oh?

For the past six months I've been

working on "The Lindbury Eagle,"

cub reporter, $16 dollars

a week.

Lindbury, it's a

pretty tough town.

Is it?

I really wouldn't know.

I only worked on campus news.

But I cut so many classes

I flunked out of college.

Oh, that's bad.

Does your Uncle know?

Not yet.

And if you'll give me a job

I won't have to tell him.

Please, Mr. Wilson.

I simply can't let him

find out what's happened.

He'd be so disappointed and so...

Steve, what goes?

Lorelei says she's

quitting in two weeks.

Lorelei quitting?

Don't take any bets

on it, Fletcher.

Oh come in, Fletch.

Come in.

You want to meet your

new police reporter?

Stay out, you [inaudible]!

Funny thing is, suppose

those "Chronicle" boys don't

want me in the press room.

Hello, Louie.

What's new?

The dicks say ready to

sing on the bank caper.

I'm going to check with the DA.

Oh, thanks Louie.

OK babe, no charge.

See Steve?

Uh-huh.

Pleased about your novel?

Of course he was pleased,

like you'd be pleased in losing

a part on "Four Kings."

You didn't quarrel him, did you?

No, I didn't quarrel, I quit.

Quit?

I thought you were

Steve were sort of...

Don't exaggerate, Wally.

Well, if you're really

quitting that's the best news

I've heard since the mayor

tripped over that cornerstone

and broke his leg.

You couldn't mean you haven't

enjoyed working with me?

Aw, we haven't got anything

against you, Goldilocks.

It's just we don't

want a dame on police.

Any dame, dames upset our style.

You know, this press room used

to be a nice, rough dirty dump

until you moved in, Lorelei.

Now it's... now it's like a tea

room, only [inaudible] tea.

We got any tea, Harv?

No tea, Wally When

are you gonna quit?

Two weeks.

You'll never make it.

Nobody ever quit the

newspaper racket.

Hilde Johnson tried to quit

and look what happened to him.

Somebody stole his watch.

Remember?

I remember.

Hey, somebody stole my watch.

Oh, that Louie Sneed.

That thieving rat.

I'll chew him up and spit

him off the 14th floor.

Oh, by the way, call your office.

Steve's been trying to get you.

Thanks.

You know, Lorelei, with you gone

things aren't going to be the

same around the old press room.

Steve Wilson, please.

You mean you'll miss me?

Mm-hmm.

Like I'd miss a toothache.

Steve, Lorelei.

I've just sent over

your replacement.

So soon?

Two weeks little enough

time to land a police beat,

so please cooperate, will you?

I'll be glad to.

Just a gag, he says.

OK, so a sock on the

jaw... just a gag.

Why the sorrow face, Goldilocks.

Won't be [inaudible]?

Steve's sending over

a new police reporter

and I'm supposed to break him in.

[inaudible], don't you think?

Yes, like a gutter.

Well, I hope he plays poker.

Bad poker, that is.

We'll find out.

Oh yeah, and phone

the janitor, Harvey.

Tell him to bring back a cuspidor.

Hello there, beautiful.

Jay, what are you

doing in Big Town?

Came over to make a

little payoff for the boss.

Doing anything later?

I'll be tied up all

day, and you know it.

Maybe some other time, then.

Where you want it, boys?

Where it belongs.

Right in the middle of the room!

Yes?

I'm Susan Peabody.

Mr. Wilson sent me

over to cover police.

How do you do, Miss.

Peabody?

Name is Peabody, it's my uncle.

Miss Peabody, I want you to

meet Wally Blake and Harvey

Cushman of "The Chronicle."

Hello.

How do you do, Susan?

As fine a pair of jackals as ever

slit a cub reporter's throat.

Oh, now you don't want

to pay any attention

to Lorelei, Miss Peabody.

We're a couple of worms,

sure, but as long as you

don't try to step on us, why...

That's box 3.

I'll show you how

to find the fire.

Tea room.

Well, well.

Jake Sebastian.

Ain't you off the reservation?

How are things in Lindbury?

Sucker still playing poker?

Go get lost, will you?

Sure.

You know any good

places to get lost in?

OK, OK.

Thank you.

What could you learn

in a rag like that?

Oh, you'd be surprised.

"The Eagle" office is only

a block from the [inaudible].

Oh, one of those poker joints.

Hello, Moore?

Lorelei Kilbourne.

Anything?

21.

Hold the suspect.

No make on the license.

No, that the police radio.

Pay no attention to it.

So you've played poker?

Harvey?

Susan, I have a woman

beaten up in a drunken ball.

She may die in a

floater at the morgue.

Someone might think they've

paid us to work in this job.

Louie, this is Susan Peabody,

our new police reporter.

Susan, Louie Snead.

He happens to like you.

Louie's the best news

source in the city hall.

Pleased to meet you.

Did you say Peabody?

My uncle owns "The

Illustrated Press."

What do we do about this, Lorelei?

Better get upstairs, boys.

The DA dug up a hot lead

on that Boyle m*rder.

Wait a minute, boys.

Susan's going with you.

How come?

One of Steve Wilson's brilliant

plays, leading with a queen.

Rewrite, please.

Thinks I'll get jealous and

change my mind about quitting.

Hello, McCabe?

I'll have a couple of

yarns for the last run.

Mabel Steely, 24, of

519 Jameson Place.

Jameson Place.

Removed to the emergency with

cut, bruises, and lacerations.

Husband, John B. Steely,

held in the city jail.

Both drunk.

No, no identification on the body.

That's all, McCabe.

Hmm.

Interesting?

What in the world

are you talking about?

Am I talking again?

Do you ever stop?

Want to play a

couple hands of cards?

You know I haven't

got time to play cards.

I got a hunch it might

be a good idea for you

to start practicing.

Here's my five.

I'm in.

I'll call.

Full house, kinds on the roof.

42, 10th and Oak.

A man down.

Ambulance, 14.

Roger.

Well, little poker?

It ain't poor starvers, doc.

We just thought we'd

k*ll at little time.

Time ain't all you

can k*ll, [inaudible].

Deal me out, boys.

How have you been doing

your first day on the beat?

How's he been doing, he asks.

Haven't had a bit of trouble.

Everybody's been wonderful to me.

That's good.

Lorelei go home?

Mm-hmm.

That's funny, I thought she

was having dinner with me.

Well, I guess she misunderstood.

88, no

make on the license.

You haven't had

dinner yet, have you?

No, and I'm starving.

Well, let's go.

Isn't this a bit irregular,

the managing editor taking

the cub reporter out to dinner?

Miss Peabody, as

far as I'm concerned

you're not a cub reporter.

You're the boss's favorite niece.

On a deal like that,

how can I lose?

You get her in a poker game, doc,

you'll find out how you can lose.

47, no make.

Profit, eh?

Roger.

Good?

Mmm, wonderful.

I was crazy about

that [inaudible].

Where'd you learn to play poker?

Winner's Club.

One of those poker

joints in Lindbury?

Mm-hmm.

That's quite a racket

they've built up.

It's too bad, too.

They shouldn't allow those

clubs so close to college green.

Too many kids get the poker fever

and spend so much time

drawing inside straights

they flunk out of college.

Cigarette?

No thanks, I don't smoke.

It's really a shame.

Those dives should be locked up.

Well, there's a bill

in the legislature now.

Bars private gambling

clubs within ten

miles of a university.

However, it's buried in committee.

Suppose we got it out.

We?

How?

A crusade in "The

Illustrated Press."

Pictures, editorials, sob stories.

Uncle Amos, you know,

just loves a crusade.

Yeah, don't I know.

Well, don't you like crusades?

When they're news.

I'm old fashioned, Susan.

I've always believed a

newspaper should publish news.

Wouldn't it be news if we

closed up those gambling clubs?

Trouble is, people

who want to gamble

will find a way,

clubs or no clubs.

Listen, Mr. Wilson.

Have you ever been in

one of those joints?

Uh-uh.

Then do me a favor.

Go out to the Winner's

Club with me tonight.

Get into a game and

watch the people,

and then decide if they

shouldn't be closed up.

All right, I will.

Maybe this is my lucky night.

Come out, Marcus.

Wait a minute big shot.

You didn't pay for

those cigarettes.

Go buy yourself a mink coat, baby.

Now life was never

easy for mother and me

even before dad died.

California's supposed to be

the land of sunshine and gold.

Well, you can't eat the

sunshine and the gold never

seem to stick to dad's fingers.

You see, he was the black

sheep of the family,

the one who wouldn't keep

his nose to the grindstone.

I'll bet I'd have liked him.

Oh, I'm sure you would.

Everybody liked dad.

Everybody but Uncle Amos.

Uncle Amos never had

anything to do with him.

I never even saw my uncle

'till I came to Big Town.

He was just a legend,

a legend about a mean,

grasping old millionaire.

Was I surprised when I met

him for the first time.

Ah, Peabody's all right.

Why, he's a darling.

Look at all he's done for me.

Brought me east, paid my tuition,

rented me an apartment

in College Green,

gave me an allowance.

Well, there's the Winner's Club.

Good evening.

This way, please.

That'll be a dollar for each chip.

All right.

Thank you.

Thank you.

[inaudible] mac.

Sure.

OK, Chuck.

She's at table 14 with that guy

off "The Illustrated Press."

Good.

Mark, come in here.

What's she been doing all day?

She left her apartment

in College Green at 9,

drove her crate into Big

Town and went to the press.

She was at the...

Mark, send in O'Hara.

O'Hara coming right up.

She was at the press an hour,

and she went to the city hall.

Stayed there until 7:30 tonight.

She got into a poker

game, the press room.

Ah, she would.

You want me, Mr. LaRue?

There's a peasant at table

14 I want you to take care of.

Check.

So?

At 7:30, Wilson took her to

dinner at the Green Lantern.

The left the lantern at

nine and came on out here.

All right, you know what to do.

I'll wait for you here.

I'm out.

I'll stay.

I'm in.

Five more.

Four.

I'll see it.

I'm in.

Nice going, I think you have it.

I've had enough.

Good evening, leave

you to our deal.

You come here often?

Every night.

How you doing?

This is my third stack.

Guess it's not my night.

I'll have a new deal,

if you don't mind.

Next time deal off

the top of the deck.

I don't take that from nobody.

You were dealing

bottoms and I saw you.

Why you lying [inaudible], you?

Wait a minute, wait a minute.

What is this?

Let go, let go.

Stick around.

Deal the cards.

What's going on?

Hey!

Let go, let go of me.

Hold it, Monk.

Why not?

Get him on his feet.

I don't have [inaudible].

Now put him in a car

and dump him in Big Town.

How'd you get in the act?

Press room got the

flashing [inaudible].

You might have been k*lled, Steve.

How do you feel?

Never mind that.

What's the story?

You were found unconscious

on the 9th street causeway.

What happened?

Oh, I got out of line in

someone else territory.

The Winner's Club, one of

those poker joints in Lindbury.

Caught a dame cheating...

where's Susan?

Susan?

Is that who you were out with.

You didn't waste

any time, did you?

Never mind the sarcasm.

What time is it?

One o'clock.

Call home, would you?

See if she got in all right.

What's her phone number?

I don't know, look

it up in the book.

College Green.

Nurse, where's the phone?

In the hall.

First turn to the left.

Thank you.

Nurse?

Where's my coat?

On the chair.

But if you want to play

safe, you'll stay in that bed

- the rest of the night.

- Thanks.

Get me another cup of

coffee, would you please?

Oh.

You get her?

What'd she say?

There was no answer.

Those two mugs.

That's big dame

working for the house.

Lorelei, I was framed.

Taking Peabody's niece

to that [inaudible],

what did you expect?

Fanfare and an open

corsage on the house?

- Here.

- Thanks.

Taking her my eye.

She took me.

She's been living there

practically for months.

She didn't learn [inaudible]

journalism [inaudible],

you know.

What time did you say it was?

I think it's time

you call the police.

OK, let's go.

Press room.

Yes, sergeant?

81.

Vermont and Gary, a woman down.

Yeah.

I see.

Thanks.

Well, the dicks went

after the Winner's Club

with a couple of Lindbury bulls.

She wasn't there.

Claimed they never saw her before.

They know when she

went, where, or how.

What happened to her car?

Some woman phoned in a

stolen car report, 11:42 PM.

Susan's?

No, my guess is no.

All units,

keep alert for a woman, age 20.

Red hair, 5 feet to 2.

Weight, 115 pounds.

Believed to be in the

hands of kidnappers.

They're not using her name.

I asked him to keep

it on the secret file.

building up a

scandal if she's all right.

Shouldn't we phone Mr. Peabody?

We've got to tell him, Steve.

If it is a snatch, he'll

have to pay the ransom.

Stop talking like that.

Rat.

Try the number again, will you?

Oh, why don't you try?

Can't you see I'm so

jittery I can't dial?

She's home.

For a girl who's supposed

to be at work at 9 AM,

that little number

keeps late hours.

Oh, quit it.

Do you want to take me home now,

or do you want to wait

here and talk to her?

I'll wait.

Poor kids.

She may have been

out looking for me.

Maybe she's worried.

You hope.

Oh, lay off, will you?

What did you say her number was?

Now he can dial.

R, B, 1, 4, 6, 9, 2.

She was there just a minute ago.

Do you suppose she

had the party line

and the other party's using it?

With Peabody's influence

would she use a party line?

When you got that busy

signal before you just dialed

a wrong number, that's all.

Yes?

What now.

Louie, don't you ever sleep?

Not if I can help it.

Looks bad for the kid, huh?

What kid?

You don't have to play dumb, chum.

Dumb chum.

Hmm, I'm a poet, huh?

I thought you had those

dicks in your pocket.

Don't play the dicks,

they didn't tip me off.

I got other sources.

You don't have to worry, anyhow.

I wouldn't give it

to "The Chronicle."

Press room.

Wilson speaking.

Yeah, you will check the

wheel for prints, won't you?

Thanks, Hyde.

They find her jalopy?

Where?

In a vacant lot

outside of Big Town.

Well, that's bad.

It's natural right?

You think so, Louie?

It's a cinch.

Come morning, that

Winner's Club mob will

put the pressure on Peabody.

I wonder what the little

filly will bring on the hoof.

Well, if I run into any

angles, I'll pass them on.

Wait a minute, Louie.

Come here.

Come here.

Sit down.

Sit down.

Louie, you pick up

more dirt around here

than 17 street cleaners.

OK, suppose the girl

has been snatched,

we're going to need

an intermediary.

A go-between Louie.

Go between what?

Oh, quit stalling.

You know what I mean,

and you're elected.

Hey, look, Lorelei,

don't let him do this!

Louie, before we can put

that girl in circulation

we've got to know the score,

and you're the only one

who can find it out.

Please, if you think

for one second...

We've been good friends, Louie.

Why, we've been batting around

this city hall for a long time

now it's seems.

Me for you, and you for me.

You wouldn't let me down

now, would you, Louie?

Oh, baby, you're k*lling me!

Aww, come on, Louie.

Well, OK.

But... I'll see what I can do.

Atta boy, junior.

Come on now, get going.

Well, no use stalling any longer.

I'll have to call Peabody.

Press room, Lorelei Kilbourne.

Thanks.

No prints on the steering wheel.

Well,

that wouldn't be Susan.

Well, that cinches it.

I'll have to call.

Oh.

Missed it.

I never should have

given her that apartment

in College Green.

If she hadn't been living

by herself going around

with those college

kids, she'd never

had heard of the Winner's Club.

I made a mistake bringing

her here in the first place.

Oh, you were only

trying to be kind.

Yes, but look what

I've done to her.

The poor child.

They won't hurt her.

They'll only shake you down.

You'd better start

worrying about yourself.

Do you think I care about myself?

To have her back right

now I'd gladly pay...

Yeah, very well.

I'll wait.

It's Louie Snead.

Steve, we ought to

get a squad of cops,

go out to the Winner's Club,

and round up the whole mob.

We've been over that

before, Mr. Peabody.

We have no evidence.

We can't even call in the

FBI until the kidnapping

has actually been established.

Yeah, Louie?

Uh-huh.

Yeah.

All right, I got it.

Thanks, junior.

Louie's made contact with someone

who is in touch with the mob.

What do they want me to do?

They want you on the southwest

corner of Fifth and Grant

at 10 o'clock this morning.

You must be alone.

I just have time to make it.

Now, now, wait a minute.

You're not going to

pay off, are you?

Oh, I might.

Why?

It's the wrong way

to handle the snatch.

Why, if that mob shakes you

down without any trouble...

Steve, my niece is in danger.

If I have to pay, I'll pay.

I want that girl back unharmed.

Miss Whitley, call

the detective bureau.

Tell Captain Murphy to

have two of his best men

meet me right away

at Fifth and Grand.

Northeast corner, got it?

Yes, Mr. Wilson.

Second desk on the

right, Mr. Peabody.

Nice of you to

come, Mr. Peabody.

I'm Charles LaRue, Managing

Director of the Winner's Club.

How much do you want?

Now about that stock.

It's a block of 50,000

shares of common stock

in the Winner's Club.

Par value, $1 per share.

I'll sell at par.

The stock is already made out

in your name, Mr. Peabody.

Make the check out

to me, Charles LaRue.

I see.

You'd be very slow if you didn't.

I think you'll find it's

an excellent investment.

Of course, this stock has

never paid a dividend.

Maybe it never will.

But every investment

has intangibles.

Values which can't be

reckoned in dollars and cents.

Quite.

Good morning, Mr. LaRue.

Good morning.

Deposit this to my

account, please.

There he is, boys.

Here's your stock, Mr. Peabody.

You'll find it a

very good investment.

All right, boys, take him along.

What's all this about?

You'll find out at headquarters.

What's that?

Stock in the Winner's Club.

$50,000 worth.

I just bought it.

Not good, Mr. Peabody.

Not good.

Come on, honey.

What's the rap?

Did you talk to the cashier?

He told me the money

had been legally

deposited in LaRue's account.

For the last time,

Harding, I demand that I be

allowed to phone my attorney.

He has a point there,

Mr. Peabody, of course.

However...

Take him down and book

him on an open charge,

then bring him back.

What did the corporation

commissioner have to say?

The Winner's Club is a

legitimate corporation.

LaRue had a legal right

to sell that stock.

The commissioner said if

you want your money back,

you'll have to go to court.

I don't care about

getting the money back.

I want Susan back.

Harding speaking.

For you, Wilson.

Thank you.

Yeah?

What goes, Steve?

Oh, I see.

How long will you be up there?

I'll call you.

Louie, they have a

man in the DA's office

by the name of LaRue.

He just shook Peabody

down for $50,000.

Chuck LaRue?

I was afraid of that.

Goldilocks, this

whole caper smells.

And that babe with

the innocent look.

What does Steve Wilson

want to go taking

her out for when him and you...

Maybe he only did it to

make me jealous, huh, Louie?

Maybe he did and maybe he didn't.

But, Goldilocks, if he's

giving you the run around...

Louie, you're just a

sweet sentimentalist.

Well, this whole caper smells.

Forget it, Louie.

If anything goes wrong,

no one will blame you.

I know, but...

Darling, I'm terribly

sorry I'm late,

but my car was stolen last

night and I had to spend

- the night with a girlfriend.

- Girlfriend?

Yes, Mona Lawrence.

And we got to talking over coffee,

and time just slipped by and...

Include me out of this.

Steve wants you to

call him right away.

Oh, is he all right?

I know there was some

trouble last night.

So I heard.

I'll get Steve on

the phone for you.

I suppose he's mad at me.

Oh dear, I wonder

if he'll fire me.

No, I don't think he'll fire

you, he'll probably m*rder you.

Steve Wilson, please.

Hello, Steve?

Oh, I'm all right.

I spent the night

with a girlfriend.

Well, never mind that.

I'm in the DA's office

on the 14th floor.

Get up here right away.

And bring Lorelei with you.

He wants us both to come up

to the DA's office right away.

He says that...

Never mind what he says.

Come on.

14, please.

OK, Susan, start talking.

About Steve?

Oh, I think he's wonderful.

You didn't mind about his taking

me out last night, did you?

Why should I mind?

Well, I thought maybe

there was an understanding

between you two...

The only understanding

between me and Steve

is that I'm quitting

13 days from today.

Susan, would you be

interested in knowing

that your night with Mona Lawrence

cost Mr. Peabody $50,000?

How?

Never mind.

Well, I don't see what

I did that was wrong.

There was some trouble

at the Winner's

Club and Steve disappeared.

I waited a while, then

decided to go home.

My car was missing,

so I called the police

and told them it was stolen.

Then I took a bus

and went to Mona's.

Weren't you at all worried

about what happened to Steve?

Of course I was.

I kept calling his

house, and finally I

called the office and the

operator told me he'd come in

and gone out on a story.

I presume you know my niece.

Sorry, I've never

had the pleasure.

On the contrary, Mr. LaRue.

You cashed a check

for me once, remember?

I've cashed checks

for so many people.

That's all, LaRue.

You're free.

Now wait a minute, this man just

swindled me out of $50,000.

You're not going to let

him get away with it!

I didn't swindle

you out of anything.

You bought some stock in my club.

Sure, I did.

But that was on the assumption

that he had my niece.

You led me to believe...

I don't know where you

got that idea, Mr. Peabody.

I never mentioned your niece.

Now look here.

This is nothing but an open

and shut case of fraud.

And I'm going to sue!

Take it easy, Mr. Peabody.

I'm sure your investment

is going to pay off.

Are you through with me?

Anytime you want to get

a check cashed, drop in.

Excuse me a minute.

Now, young lady, just exactly

what happened last night?

Wait a minute, LaRue!

That was a very clever trick.

But don't get the idea

we're through with you.

That's just part payment on

last night's account down.

And I spent most of the time

telling her about my new job.

So there it is.

You should have phoned the office

this morning instead of

sitting around chatting

with your friend.

I never seem to do anything right.

It wasn't your

fault. Forget it.

It was my fault, and

I'll never forget it.

I've caused you nothing

but trouble and expense

ever since I came here.

I'm going to give up and

go back to California.

You're doing nothing of the kind.

You wanted to be a

reporter, very well,

we'll make you a reporter.

Now get back to the press

room and go to work.

Oh, Uncle Amos, you're a darling!

Coming, Lorelei.

No, Lorelei's staying here.

You're on your own, Susan.

Oh, Susan?

No one knows anything

about this business,

so don't talk to Wally or Harvey.

Of course not.

What was the idea of

stopping me with LaRue?

LaRue wasn't as

smart as he thought

when he sold you that stock.

We're going to use it to

close up the Winner's Club.

Yes, and every other

club in Lindbury.

That's a worthy

ambition, Mr. Wilson.

And not an easy thing to do.

Of course, there's that

bill before the legislature.

It's buried in committee.

We'll dig it out of committee.

Will you cooperate, Harding?

Absolutely.

Good.

We'll use a full-page

spread with pictures.

Lots of pictures.

We'll put on a good,

old-fashioned muckraking

expose.

And what's more, AP,

I'll get your money back.

Lorelei Kilbourne, Sergeant.

Anything?

Thank you.

Everything is quiet.

Are you sure you won't

need me any longer?

You had a hard day.

Go home and rest.

You've been so

kind to me, Lorelei.

I do appreciate it.

Forget it.

Goodnight.

Goodnight, Lorelei.

Goodnight, boys.

Goodnight, beautiful.

Take it easy, kid.

Hi-ya scoop.

What's breaking?

Same to you, sister.

Hey, you guys, that Hawkins story.

The dicks are holding out on you.

The dame sang two hours ago.

I had a hunch they'd try

to pull a fast one on us!

Come on, Wally.

I'm giving them the run around.

The dame's still clammed up.

They'll m*rder you.

Let me worry about that.

You know, I've been thinking.

And?

Little Miss Innocence

ain't on the level.

Her racket with Steve.

Please, Louie.

I don't want to hear

any more about her or...

Don't try to kid me, Goldilocks.

You're carrying a torch

like the Statue of Liberty.

I didn't think it showed.

Well, it does.

Are you going to be a sap and

let that piece of no-good fluff

break you two apart?

I'm sure Steve

knows what he wants.

Well, it ain't what he wants.

And most of all, it

ain't what you want.

And between the both of us,

we're going to straighten him

out about her.

She's palsey-walsey with

more wrong G's than a...

than a bail bond broker!

What am I saying?

You know Jake Sebastian?

Should I?

Top man at Chuck LaRue's mob.

Yesterday, right here

in the city hall, I

seen him talking to her.

So?

So take that shakedown.

Say that Chuck LaRue

had Steve framed.

Say he had Susan's car stolen.

Say he had her trailed out

to her girlfriend's house.

Say that he knew she'd be out

of circulation until morning.

What I want to know is...

How he'd know she wouldn't

check in here until after 10

this morning.

Ah, so you've been

thinking about it too, huh?

Naturally.

OK, do something.

What should I do?

Should I bothered

because her uncle

was shaken down for $50,00?

Should I care if Steve Wilson

is making a fool of himself

over the girl?

Don't give me that, Goldilocks.

You care all right, and plenty.

All right, I care.

So do I. I was the go-between

on that deal you know.

I was double-crossed too.

OK, Louie.

I might do a little checking.

OK, kid.

You go in to your [inaudible]

and I'll go into mine.

And tomorrow we'll

compare notes, right?

Right.

When we get through

with her, they'll

be putting her face where it

belongs, on iodine bottles.

Hello, "Lynnbury Eagle?"

City desk, please.

Hello, Hanks?

Lorelei Kilbourne.

Fine.

I want to check up

on one of the new cub

reporters, Susan Peabody.

No, she claimed

she worked for you.

Oh, I see.

Thanks.

Not more than half a column, Joe.

We're tight now.

And when we break that Winner's

Club story in the final.

OK, then k*ll it.

I'll be ready any time.

I'll be with you in five minutes.

Hello, Jimmy.

Lorelei.

Are you in on this

Winner's Club thing?

Lorelei's covering a

political meeting tonight.

Republicrats United.

Very important.

Ah, you lucky girl.

Steve, I hate to mention

this, but I've been doing some

checking on a new reporter and...

Very interesting, Goldilocks,

but I can't go into it now.

I'm going out to

the Winner's Club.

We're going out to

the Winner's Club.

To play this thing

right, you'll need

some human interest angles.

- Very well, I'm your girl.

- Uh-uh.

That's out.

This job is too dangerous.

If it's dangerous for me, it's

twice as dangerous for you.

- I'm going.

- You're not.

I am.

You're not going to the

Winner's Club tonight!

Winner's Club.

Wait for it.

You bet, Mr. Wilson.

Sure, but not too loud.

Not with Monk and Marcus

breathing down our neck.

He was right, Chuck.

They're here.

Good, bring them in.

After the trouble you

caused last night,

Wilson, you and your

friends aren't welcome here.

You want to get out peacefully?

We're not leaving, LaRue.

Oh, no?

Keep out of this Monk.

You too, Marcus.

Remember I told Mr. Peabody

his investment would pay off?

Well, he's assigned

his stock to me.

Owning a piece of this

joint, I have a legal right

to enter it at any time.

So, if they still want

to put us out, hop to it.

What do you say, LaRue?

Come on, Lorelei.

How much is 17 take away eight?

I don't know.

LaRue, how about a shot

of you and the boys?

Oh no.

The boss don't like

his picture took.

Call Mr. Wilson's cab.

One cab, coming right up.

Well, thanks.

It was a successful evening.

We got some nice pictures.

Give us a good spread, Wilson.

Bad publicity is better

than no publicity.

An aphorism, Mr. LaRue,

which I hope to disprove.

Come on, Lorelei.

Pardon us.

Come on, O'Brien.

Get the car.

Well, I... I never expected

it to be that easy.

We're not home yet, Goldilocks.

Keep going, bub.

Straight into Big Town.

Listen driver, your cab is

in the garage and the guy

that stole it is in jail.

They didn't beat you up, did they?

Good.

Well, send in the bill.

I'll OK anything within reason.

How are they?

They're pretty good.

I'll have some more

when they [inaudible].

Anything familiar about that girl?

What's on your mind?

That suit.

It's [inaudible] There are

hundreds like it in Big Town.

Uh-uh.

It's an original.

It came from Paisley's

and it cost plenty.

You can't fool a woman.

What you're trying to tell me is

that the girl is Susan Peabody.

What you're not trying to tell me

is how Susan can afford

an original Paisley

on the allowance that

Peabody gives her.

Do you know how much he gives her?

No, but I know Peabody.

So, you know Peabody.

So I know that suit and

the girl who's wearing it.

What's it prove?

Plenty.

Only suddenly you've

gone stone blind.

Well, Lorelei, you

must love limbs.

You climb out on so many.

Very well, Steve.

You asked for it, here it is.

I checked with the phone company.

Susan has a one-party line.

When I got that busy

signal last night,

Susan was home in her apartment.

You dialed the wrong number.

OK, pass that one.

The girl never worked

for the "Lindbury Eagle."

Well, don't all would-be reporters

lie about their experience?

Yeah, skip that one too.

Now, see if you can knock

this one out of the lot.

She never stayed with

Mona Lawrence last night.

Mona Lawrence hardly knows her

and hasn't seen her for weeks.

So she told a fib.

A fib?

Steve, she's not only a

liar, she's pure poison!

Are you going to write that

story on the Winner's Club

or should I give it

to a rewrite man?

How do you like that girl?

Susan has

a one-party line.

You should get that one.

She didn't work on

the "Lindbury Eagle."

She didn't stay with

Mona Lawrence last night.

Did she think

we've been asleep?

We've known all that since noon.

If we hadn't been so

busy, we'd have been

able to do something about it.

Well, we're not too busy now.

Hey, this is pretty good.

Wait a minute.

Yeah, good find.

Excuse me a minute, darling.

Don't go.

Yes?

Oh, hello.

Oh, no.

No, you didn't get me out of bed.

I was wondering.

Mind if I drop around for a while?

Why not?

Fine.

I'll be over in 20 minutes.

Bye.

Bye, darling.

You were sweet to bring me home.

What's the matter?

No more of that.

Why not?

Let's stay healthy.

Your boyfriend's

beginning to get wise.

If he finds out about us...

So you're scared?

Look, I know him

when he's jealous.

He'll blow his top.

Oh, so I'm getting a brush-off.

Don't get sore.

I know a brush-off when I get one.

And I won't forget

it, not for a minute.

Now get out.

If that's the way you feel, sure.

Goodnight, baby.

Oh, shut up!

It was nice of you

to come and see me.

It was nice of you to let me.

Well, cozy little

place you have here.

I like it.

I planned to stay at

the sorority house,

but Uncle Amos insisted

that I take an apartment.

Now I'm glad that I did.

Yeah, sororities sort of,

uh, cramp a girl's style.

If you know what I mean.

I'd be pretty dumb if I didn't.

How'd you make out with

the Winner's Club story?

Fine.

When that blast hits the capital,

it'll be all over but

nailing on the padlocks.

Did you get some good pictures?

Now don't tell me, I was there.

Oh?

I wanted to see the

fun, so I went out.

And your cameraman

started making wild shots

and I had to duck.

I was afraid that Uncle

Amos might be peeved

if he knew I was there again.

Uncle Amos is already peeved.

I know.

- I'm so...

- Sorry?

Sure, sure.

Are you also sorry you

lied to me about working

on the "Lindbury Eagle."

You don't hold that

against me, do you?

No, but you shouldn't have

lied to me about staying

with Mona Lawrence.

All right now, tell

me the truth, what

really happened last night?

Well, when I found out

my car had been stolen,

I called up my boyfriend and

had him come out and pick me up.

We drove around for a

long time, then about 2:30

I came back here.

I needed a coat.

It was a cold night, remember?

Mm-hmm.

How long did you stay?

Oh, just a few minutes.

Then we went out again

to a few late spots.

Who did you call

while you were here?

Oh, I didn't call anyone.

But my boyfriend did.

Just who is this boyfriend

you're talking about?

He's just a boy.

College boy?

Of course.

He, uh, wouldn't be connected

with that LaRue mob, would he?

Oh, heavens no!

He's just an unsophisticated kid.

He gets mad whenever he

finds out I've been gambling.

He's told me again

and again I should

stay away from those places.

If he's that concerned, he

must think an awful lot of you.

He does.

He's frightfully jealous too.

Oh?

I wonder if...

if he should happen

to come by tonight, would you mind

going down the fire escape?

Yes, I could just picture myself.

It wouldn't be the

first time, would it?

Would, uh, that be your boyfriend?

He bores me.

It could be for me, you know.

I suppose you told

everyone in the office

- you were coming here.

- No, no.

Just Fletcher.

Hello?

Just a moment, Mr. Fletcher.

Thanks.

Yeah, Fletch?

Uh-huh.

All right, tell him

I'll be right along.

Bye.

Your uncle is leaving for

the capital in half an hour,

wants to see me before he goes.

Sorry, I have to rush off.

When Uncle Amos

tosses the herring,

the trained seals bark.

Tell me, Steve, do you also

balance the ball on your nose?

You never stop pouting.

It was sweet of you

to come and see me.

All right, honey, see

you in the morning.

Yeah, see you in the morning

and maybe, uh, tomorrow night.

Bye now, darling.

Bye.

With the Greer Agency.

They needed a smart private eye...

So they hired you.

Huh.

Some [inaudible].

What kind of a case you on?

If I get the goods on

this two-timing tomato,

her old man will pay off.

Well, keep your nose clean.

Hello, junior.

Hi-ya, boy.

No, no, look I...

What are you doing here?

Hey, take it easy!

That's my good suit!

Come on, come on, give!

What are you hanging

around here for?

I'm checking up on

that Peabody dame.

Who's paying you, Lorelei?

Oh, come now.

Don't be a cad.

Let's keep her name out of this.

And if you want to know something,

you ought to be ashamed what

you're doing to that girl!

All right, Louie.

Have fun.

But I suppose you know

you're playing with dynamite.

What do you think you're

playing with, marbles?

Uh-uh.

Dice.

Loaded dice.

Well, I'll be seeing you.

Hello, baby.

You're home early, darling.

Business was slow.

Jake got you home all right.

I'm here.

You're not jealous

of Jake, are you?

I'm jealous of everybody.

Chuck, quit.

Haven't I a right to be?

After all, you're my wife.

Then it's about time you started

treating me like a wife.

What are you talking about?

Jake.

It wasn't his idea to trail

me around all day yesterday.

Oh baby, you're just a kid.

That was a big deal.

I had to be sure it was set

up right before I sat into it.

You picked a fine

guy to follow me.

At the Green Lantern

he was so obvious he

almost tipped the play.

I still don't see

why it was necessary.

You can't blame me for

trying to protect myself.

I only blame you

for not trusting me.

Does that look like

I don't trust you?

Is it all here?

It's all there.

50,000 bucks.

But don't get any ideas,

half of it's mine.

No, darling.

All of it is ours.

OK, Uncle Amos,

penny-pinching old skimplet!

Now what do you think

of your favorite niece?

A millionaire, and he puts

me up in a place like this.

He buys me a car, a

second-hand roadster.

He gives me a fur coat, rabbit.

And jack rabbit at that!

I get an allowance,

30 bucks a week.

And you know how he lives?

I can guess.

Do you know how he

dresses his daughters?

Mink, no less.

OK, starting

tomorrow, I wear mink.

You don't want to

crowd your luck, baby.

Maybe

I do want to crowd my luck.

When you have the cards

you play them, don't you?

OK, so we've got the cards.

And we've only started.

We've got 50,000 bucks,

and pretty soon we'll

take him for another 50,000.

And after that... What's

the matter, Chuck?

Quit dreaming, Susan.

We got 50 Gs and we were lucky.

Have a smoke and cool off.

You know very well I don't smoke.

Who's been up here?

Stop it!

Stop it!

Who was up here?

Jake.

Jake, huh?

My good friend, Jake.

So that's why you put

on a fancy outfit.

That's not true.

I put this on for you.

Jake only stayed a few minutes.

Long enough to smoke a

couple of cigarettes, huh?

And long enough to make

a couple of passes at me.

Which you brushed off, of course.

Yes!

That I'd have to see.

I've been watching you two.

- Darling...

- Shut up!

Hello, Marcus?

It's Chuck.

Is Jake there?

OK, now look and

get this straight,

as soon as Jake comes in I want

you and Monk to take the car...

Sorry to have kept you

waiting, Mr. Peabody.

I had a little business.

Look what "The

Chronicle" is running.

"Amos Peabody, publisher

of the "Illustrated Press,"

has bought a block of common

stock in the Winner's Club.

It was revealed today.

The Winner's Club is one of

several private gambling clubs

now operating in Lindbury.

That changes everything.

Why?

In the light of that story

our blast against the gambling

clubs is not an expose, it's

a publicity stunt to build

business for the Winners Club.

Well, it'll certainly

look like that all right.

And what does that make me?

Appearing before the

legislature and asking

them to pass a law closing a club

in which I own an interest.

They'll say that's a

publicity stunt too.

Well, there's only

one thing left to do.

Run the whole story of the shake

down exactly as it happened.

However, that means

dragging Susan in to it.

Steve, I'm afraid

she's already in it.

Well, I'll have Lorelei

write the story right away.

When you get back from the capital

we'll see what we can

do about your $50,000.

We'll see what we

can do about Susan.

Your taxi's

waiting, Mr. Peabody.

Good luck with the legislature.

Thanks.

Lorelei there?

Yeah.

Send her in, will you?

Lorelei.

What do you want, Steve?

"The Chronicle" is running a story

on Peabody's buying that stock.

So we've got to run a

story on the shake down.

The straight, unbiased,

unvarnished story of what

happened.

Will you write it?

Now?

Tonight?

Naturally.

We can't use it as follow

up, it'll look too phony.

Wait a minute.

Steve Wilson.

Wilson, this is Chuck LaRue.

I understand you're running your

big story on the Winner's Club

tomorrow morning.

Now look, Wilson, why don't

you talk it over with me?

I realize all that, Wilson,

but what have you got to lose?

Well, boss, here we are.

Ordinarily I'd be glad

to come to your office.

To be perfectly

frank, Wilson, I don't

dare stick my face in to Big

Town until some of this heat

is off.

No, I'm not at the club,

I'm in College Green.

Wilson doesn't know

where you live, does he?

The address is 595 Oak

Street, Apartment 402.

I've got it.

I'll be right over.

Did you hire Louie to

watch Susan's apartment?

I certainly did not.

Then what's he doing there?

How would I know?

Where are you going?

Susan's.

Why the heater?

It's a cold night.

Your [inaudible].

Look, Steve, you're only sticking

your neck out for what?

For Peabody's dough,

the 50,000 bucks.

Don't give me that.

You don't care about

Peabody's dough.

You have your mind on Chuck LaRue.

So he beat you up last night

and showed you up today.

Why not forget it?

Forget it?

Are you kidding?

Now get on that story.

Send Fletcher in here.

Inspector Steve wants you.

You want me, Steve?

Yeah, Fletcher, here's the play.

LaRue wants to see me.

He just phoned from

Susan's apartment.

Here's the address.

Susan's, eh?

Well, I'm not surprised.

Well, neither am I. Now

look, if you don't hear

from me in 40 minutes...

I'll be out there

with a carload of cops.

No, that's no good.

We've got nothing on LaRue yet.

Get a couple of

boys in circulation.

I know just the pair.

And stand by for a call.

I'll be waiting.

Not yet, Goldilocks.

Now listen, kid...

Put down a fin for me on Wee Willy

Winky in the third at Hialeah.

A fin on Wee Winky

in the third at...

No.

No.

Now look, Steve

just went upstairs.

You'd better hurry out

here right away, Lorelei.

There's something cooking and

I'm afraid it's too hot for me

to handle.

OK.

I'll be waiting for

you in the lobby.

Up five.

Up your five, and

up you five, boss.

Are you nuts?

Ain't my money.

I'll stay.

How many?

Two.

One card.

You?

I'll play these.

Dealer takes three.

In the kitchen.

Come in, Wilson.

How are you?

Fine, thanks.

I believe you've met the boys.

Monk, Marcus, and Jake Sebastian.

Sure.

Hi boys.

Hi, Wilson.

Little game you're having?

Yeah, Postman's Holiday.

Mind if we finish this hand?

No, go ahead.

Well, cozy little

place you've got here.

I like it.

Jake, you open.

Uh, 20.

20 more.

There's still time to k*ll

that story isn't there, Wilson?

Plenty of time.

I'm saving it for our final.

You guys are awful brave

betting in to a pan hand.

I'll call.

And 50 betting.

What are you so proud of?

50 more.

Are you sure you don't want

to change your mind about it?

The story?

I can't.

It isn't up to me.

It's up to Peabody.

If it's persuasion

you were looking for,

you should have invited him here.

You'll do.

Yes, I think you'll do very well.

What do you say, Monk?

It's 100 to you.

I'll call.

I'm in.

What have you got?

Four deuces.

Deal, Jake.

Look, LaRue, if there's

something on your mind,

let's have it.

Don't worry, I got

plenty on my mind.

You want a drink?

No thanks.

What will people say when

they find out the managing

editor of the "Illustrated Press"

owns a piece of the Winner's Club?

When they read the

paper in the morning

they'll find out just how the

whole shake down was engineered

and they'll say that

LaRue and his mob

ought to be run out of the state.

Why don't you sit in here?

No thanks.

Too rich for my blood.

Able stakes.

As much or as little as you like.

OK.

What will you have?

I'll take $100.

You deal, Wilson.

No, no.

It's Sebastian's deal.

Go ahead, Jake.

Jake doesn't like to deal.

He doesn't even

like to play poker.

Jake just likes to play

with dames, don't you, Jake?

Yeah, Jake is a great

boy with the babes.

He can make more passes

than a leatherneck

with a pair of crooked dice.

And he has a particular

yen for other guys' wives.

You got a wife, Mr. Wilson?

Nope.

You're lucky.

I mean, with Jake around.

What are you're getting at Chuck?

Just kidding, Jake, old boy.

Just kidding.

You won't need a rod

around here, Wilson.

It isn't that kind of game.

Just a big, happy family, huh?

OK.

You crossed me up

very neatly, Wilson.

Running that shake down yon.

I'm surprised Peabody would

want to get his niece mixed

up in a sordid story like that.

You don't know Peabody.

He's a tough old guy.

I wonder if he's

tough enough to take

what I'm going to dish him.

Baby, come in here!

Mr. Wilson, meet Mrs. LaRue.

I've already met Mrs. LaRue.

I found her very charming.

She's charming all

right, but not very smart.

No?

Who planned this caper?

Who dragged Wilson out to the

Winner's Club and set the deal?

You did, dear.

Well,

what do you mean I'm not smart?

Sit down, baby.

Deal her in.

Anybody mind?

Six hands, nice game.

Yeah, set a shy though.

That's better.

Check.

Open for five.

What do you mean I'm not smart?

Put it on the line.

I'll stay.

Would a smart girl,

knowing me very well,

play around with my best friend?

You staying?

Yeah, I'm in.

Me too.

Look, LaRue, I don't know what

you and your marital problems

have to do with my

running that story.

Card?

One.

One card.

Two cards.

Look at it this way, Wilson,

how would Amos Peabody

like for it to be known that

this kid here, this green pea

from the west, came

into town and made

a sucker out of her uncle?

He won't know anything

about it until the paper

hits the streets.

He'll know it if you

tell him right now.

Peabody left town 10 minutes

ago for the state capital.

Get a bill through the legislature

that will close you up.

Then you're the only person

in town who can k*ll the story.

Right.

Wrong.

Check.

Check.

Check.

Bet 10.

You don't seem to

understand, Wilson.

There's a story

breaking right here

that will back your

Winner's Club story

right out of the newspaper.

Monk, Marcus on your way.

You've got your stories.

Hey, what goes.

Sit down.

Marcus, what do you tell the cops?

You and me and Monk

was playing poker here

with Jake and this guy,

Wilson, and the dame.

I mean, your wife.

Yeah, then we got a

call from the club.

Trouble with a couple

of the peasants.

Then me and you and

Monk hopped in the car

and hightailed it out to Lindbury.

Leaving?

Jake and this guy,

Wilson, and the dame.

I mean, your wife, here alone

in the apartment together.

OK, on your way.

Pull the car around

in the alley and wait.

I'll be down the fire escape.

Scram!

OK, boss.

What are you doing?

Half of that dough

is mine and if you...

Shut up, you two-timing tr*mp.

Half that dough is

mine, I tell you.

Don't you think you're

going to powder with it.

Yeah, the money is

half yours all right,

but where you're going, baby,

it won't do you any good.

You can't phone the cops, Lorelei!

If there's nothing wrong up there

that mob will sue you

paper for a million bucks.

Come along with me.

But Louie...

Come along, Goldilocks.

Leave everything to Louie.

Hold it, Monk.

Who's that?

That ain't good.

Let's take him.

Yeah.

Get up in the back of

that truck, you guys.

- In you go.

- Now listen...

Aww, come on.

We don't want any yakety-yak.

Get in the truck.

Come on.

Get in.

Get in.

Drive it around

back, in the alley.

Yeah, then I'll get the boss's

car and bring it around too.

You're acting like a fool!

If you've got the crazy

idea that I've been

- playing around with your wife...

- Quiet!

Chuck, you're insane!

I lied to you about Jake.

He...

Chuck, listen to me.

Chuck, please!

Operator, get me the police.

Sit down.

Don't try anything funny, Wilson.

Police?

I want you to send a car to

595 Oak Street, Apartment 402.

I've just k*lled

a man and a woman.

I'm going to k*ll myself.

My name?

Wilson.

Steve Wilson.

306.

304.

Are you sure you know

where you're going?

Sure, I cased this

joint all night.

Come on.

POLICE DISPATCHER

27.

595 Oak Street, Apartment 402.

A sh**ting.

Good.

Police have traced the call back.

Well, what are you waiting for?

I want to hear a

[inaudible] There it is.

It's a nice set up, LaRue, but

you'll never get away with it.

Why should the police believe

I k*lled these people?

You've been playing

around my wife.

So was Jake.

After the boys and

I left you here,

you and Jake must have got

in to an argument over Susan.

And you, evidently, blew your top.

I trust this g*n is

registered in your name.

It is.

But you can't have a suicide

without powder burns.

Let me take care

of the powder burns.

Don't touch the g*n, Louie!

His prints are on it.

Well, here's Peabody's 50,000.

Steve, she's still alive!

Oh, too bad.

Look, Kelly, I'm not

interested in clinical details.

Will she live?

OK, Kelly.

Keep in touch.

Well, here we are.

Where's Fletcher?

He's swearing out a complaint

against Monk and Marcus.

Kidnapping, conspiracy,

accessory before the fact.

Hey, they left one out.

Parking in front

of a fire hydrant.

Yeah, they booked

them on that too.

They better.

Well, what do you think of it?

A beautiful blast, huh?

Will it turn the trick?

Will it turn the trick?

I guarantee that within

30 days every poker

club will be closed up

tighter than a Puritan's lips.

How's Susan?

Kelly just phoned from

the general hospital.

They've given her a transfusion.

They say she'll live.

Good.

Hey, them mugs don't need bond.

Thanks for everything, Louie.

OK, junior.

No charge.

Well, should we call it a night?

Oh, that Louie Snead.

Now there's a character.

He's brash.

He's sharp as a tack.

He's hep to all the angles.

You know, I think Louie would make

a pretty fine police reporter.

Still, I guess I already have

a pretty fine police reporter.

Lorelei, you're not really

going to leave me, are you?

Well, I...

Are you?

Oh, Steve.

You big lug.

Hey, this building's on fire!

Call me when the walls get hot.