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01x04 - Episode 4

Episode transcripts for the TV show, "Moonflower Murders". Aired: 2024*
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It is an adaptation of the 2020 mystery novel of the same name by British author Anthony Horowitz and the second novel in the Susan Ryeland series.

01x04 - Episode 4

Post by bunniefuu »

Melissa James

had no enemies,

but somebody broke into

her house and strangled her.

We have information

that could help you.

"My darling darling,

we have to tell the world

about the love we share."

PÜThis is not addressed

to her husband.

Mr. Marsh has suggested

that he and Miss James

were more

than business partners.

We had a very close

relationship.

She said that the hotel was

crooked.

An eyehole concealed in the

wall.

£980,000.

You are the sole beneficiary.

He's my brother--

I've got to tell him.

I've got an interview.

It's an independent

publishing company,

and I know the C.E.O.

I'm hoping to speak

to Stefan Leonida.

He's in jail in Norfolk.

I have a friend who works

with the prison service.

You can take

whatever money

the Trehernes are stupid

enough to pay you

and get the hell out of here.

If I see you again,

I will arrest you.

It was here, I know it was.

Cecily, what are you

looking for?

The pen, my dad's pen.

He lent it to me for tomorrow.

Well, why do you need it?

Something borrowed.

Cessy, relax.

We can just find

something else.

It was expensive,

and he'd never even used it.

Who could've taken it?

Hey.

Hey, hey.

You're not having

second thoughts, are you?

No.

Look, this is

what we're gonna do.

We have this party

this evening, but first,

we're gonna have

a quiet drink,

just the two of us

and then we're gonna

watch the sun come down,

all right?

I don't want to drink

too much tonight.

One is not gonna hurt you.

I wish Dad had closed the hotel

for the wedding.

We have weddings here

all the time.

Nobody's ever complained.

I know, but this one's

special.

I'm glad you think so.

I can't believe

that this time tomorrow,

we'll be on our way

to Antigua.

And married.

Oh, God.

Aiden.

Mr. Parris,

what can I do for you?

Well, you can start

by introducing me

to your lovely fiancée.

Uh, Cecily, this is the guest

that I mentioned to you.

The one who didn't like

his room.

Ah, yes.

I hope your new one's

all right.

Oh, it's perfect.

Well, almost perfect.

This is for you.

Sorry?

It isn't working.

Have you had it

next to your phone?

That can demagnetize them.

No, I don't think so.

But I can see

that I'm intruding.

Can I offer you

my congratulations

for tomorrow?

Thank you.

And I understand there's

a party this evening.

Yes, uh, I hope

it won't disturb you.

Oh, not at all--

I'm actually going out.

There's an opera being

performed at Snape Malting.

What opera's that?

Uh, Mozart.

"The Marriage of Figaro."

It's one of my favorites.

God, what a creep.

Better get him a new key.

Oh, sure.

There is one thing,

though.

Yeah, what's that?

The opera he mentioned.

"The Marriage of Figaro."

What about it?

I was looking at the program

just yesterday, and,

if he's going to

Snape Malting tonight,

he's wasting his time.

It's not on.

Hm.

Craig Andrews.

Susan!

Wonderful

to see you.

Oh, this is so kind.

Not at all,

it's a pleasure.

Uh, where's

your car?

Uh, I'm, I'm in a bay,

round the corner.

Perfect--

come on in.

I hope I haven't disturbed

your writing.

No, honestly, it's fine.

How long was

the drive down?

Oh, about two hours.

That's not bad.

Still got

that little red MG?

Yeah, afraid so.

Would you, um,

like some coffee?

Uh, yeah, I'd love some.

These are for Louise.

Louise?

Oh, God-- um

Didn't I tell you?

What?

She's not here.

We, um

We went our separate ways.

Right.

When?

Uh, last year.

You didn't say anything

on the phone.

Well, I assumed you knew.

No.

Oh

I feel a bit embarrassed now,

um

I hope you don't feel, um,

uncomfortable,

staying here, it

Oh, no, I'm, not at all,

but

There's a hotel up the road,

if

No, no.

No, it'll be fine.

It's just, you know,

if I'd have known

Well, I,

I love flowers.

Oh, well!

So

There you go.

Thank you.

Mm.

Why don't you make

yourself comfortable?

Um, your room's at the top

of the stairs,

first door on the right.

Okay.

I'll get the coffee on.

Sure.

So, what happened?

What, me and Louise?

Mm.

Well, you know what it's like

being married to a writer.

Oh.

I'm not sure

there's a more

selfish, inward-looking

profession in the world.

Anyway, we had

three good years,

and, um

Then she met someone else.

I'm sorry.

No, don't be.

I mean,

we're still good friends,

and, um, I'm very happy.

This house, the books.

Which I owe all to you,

by the way.

Oh, Craig.

That's not true.

Well, you found me.

You encouraged me.

And somehow,

you made the books, um

Bestsellers?

Exactly.

You and Alan Conway.

Yeah, I was sorry

about Clover Books.

Me, too.

I am looking

for another job.

Well, anyone

in their right mind

would snap you up.

Actually, I've got

an interview today.

Oh, really, who with?

Uh, Parker Chance.

Do you know them?

They're an independent.

They're small, but,

you know, they're successful.

Thought you were happy

in Crete.

I am, but I, I--

I miss publishing.

What does Andreas think

about all of this?

It's not easy.

God, we've got so much

to catch up on.

Why don't we do it

over supper?

There's this

new little bistro

that's opened up

just around the corner,

if you're up for it--

I mean, it's very informal.

Yeah, I'd, I'd

I'd like that.

Great.

Oh, by the way,

I managed to

track down your prisoner.

Mm!

Um, Stefan Leonida.

He's being held in

HMP Weystone in Norfolk.

Right, um

Can you get me in?

As it happens,

I know the governor.

Basically, I've added you

to their literacy program.

Obviously, there are

some forms to fill in,

and Mr. Leonida has to

agree to a one-to-one.

Mm-hmm.

Brilliant,

thank you.

I'm glad to help.

Hm.

Did you know

that last year,

my books were the

third-most popular in prison

after James Patterson

and Jeffrey Archer?

I'm not surprised.

Well, you know.

ANDREAS

YANNIS

Susan.

Nathan.

Sorry to keep you waiting.

Oh.

It's great to see you again.

And you.

How are you?

Yeah, I'm good,

thank you.

Yeah.

Please, come on up.

So, you've been in Athens.

How long is it now?

Oh, a year,

and actually, it's,

it's Crete.

Yes, that's it.

And you've been,

uh, running a hotel.

Mm.

The Trifilli.

Yes, it's Greek for clover.

Andreas named it after

Clover Books.

Yeah.

I was very sorry to hear

about what happened.

Yeah-- yeah, it was horrible.

So.

You want to come back.

That's why I'm here.

Yeah, I miss publishing.

And I heard you were looking

for a senior editor.

If you don't mind, I'll just say

right from the off,

I feel a little awkward

interviewing you, Susan.

Oh!

I thought it was

just a conversation

between two friends,

one of whom had given

the other

his first job in publishing

15 years ago.

I'm still grateful.

You don't need to be.

You did a brilliant job.

Okay, then.

Look, as a friend--

I'll be honest with you,

Susan--

I'd love to have you

on board.

If it was my decision,

you'd start tomorrow.

But I'll have to talk

to my partners.

Persuade them.

Persuade them?

Well, they don't know you.

But they know Alan Conway.

18 million copies sold.

I mean, they, they've heard of

the "White Dagger" series.

They've read Craig Andrews.

Alan Conway's dead,

"White Dagger's"

out of print,

and even Craig Andrews

doesn't sell like he used to.

Well, that's told me,

I suppose.

I don't mean to do that,

I'm just saying.

Look, you've been away

for a year, Susan.

And things have been changing

very fast:

the people, the industry

Are you saying I'm out of touch?

I didn't say that.

I think you implied it.

Okay, then, fine.

Let me ask you something.

Do you have

an Instagram account?

No.

Are you on TikTok?

No.

What do you think

of romantasy?

Why do you ask?

40 million copies sold,

mainly through BookTok.

I'm not on BookTok,

either.

And that's what I mean.

That's what

I'm talking about.

No, what you're talking

about is genre fiction.

Romantasy may

sell millions, but

You're really a fan?

I'm a fan of the sales.

Ah.

And some of the biggest

writers

in the world

aren't writers

in the old-school sense,

not anymore.

They're influencers.

Oh!

Right, yeah, okay.

Do you really believe that?

Do you?

Times have changed, yes.

Of course they have.

But you know

as well as I do

that what sells books

isn't social media

in any shape or form.

It's writers

who can tell stories

that mean something

to people's lives.

That's my world,

and if you want to

make me feel like

I'm Methuselah's great-aunt,

then I'm disappointed in you,

because that is not who I am

and it's not how you were

when you started out.

Okay, then, um

All right, let me ask you

something else,

if you want to talk

old school.

We're publishing a crime novel

by Lucy Foley.

She's very good.

Here's the cover.

What do you think?

It's a good title,

I like the colors.

But, um, I'm not sure

about the image.

Why not?

Because it's

It's crass and clichéd,

and it's,

it's actually

rather horrible.

Lucy Foley's

an intelligent writer.

She needs this sort of image

like a hole in a head,

which is actually

what it shows.

Our marketing team

liked it.

Well, they're wrong.

Lucy's readers

use their brains.

They don't need to see them

splattered over the page.

And it was my idea.

Well, I don't think

it's a good one.

We'll let you know.

I think you already have.

We'll have a bottle

Oh!

of the Chablis Premier Cru.

Perfect.

Thanks.

I shouldn't be drinking

at lunchtime.

Richard'll be mad with me.

Um, who's Richard?

My current live-in.

Ooh!

Actually, he's more than that.

We're thinking of getting

married.

God! Isn't that awful?

Must be getting old.

You've done very well

for yourself.

You mean Alan Conway

did well for me.

I got two million

for that house, Susan.

Wow.

Did you ever think

I was the one who did him in?

Oh, you were

my number-one suspect.

Glad to hear it.

Poor Alan.

Even after all this time,

it's still hard to believe

he was m*rder*d.

Mm, it is.

Oh, it's good to

see you again, James.

Oh.

- Chablis?

Yeah, that's fine, just pour it.

Now a second m*rder.

Oh.

You never stop, do you?

Well,

the whole world believes

that a Romanian hotel worker,

Stefan Leonida,

k*lled Frank Parris.

Cecily Treherne had

her doubts,

and now she's disappeared.

Now, it may be

that Alan hid something

in the book, and you knew him

better than anyone.

Yeah, well,

I knew Frank Parris, too.

Did you?!

God, yes.

In the bad old days,

when I was working, Frank

took me to bed

maybe half a dozen times

at 300 quid a pop.

To be honest, he wasn't

a very nice man, Susan.

In what way?

He liked to have

all the power.

He liked to play games.

Not at all my cup of tea,

but he was paying top whack,

so I didn't complain.

And actually,

I should be grateful to Frank.

It was Frank

who introduced me to Alan.

That was

before Alan came out?

Oh, yeah, long before!

Yeah, Alan was g*y, obviously,

but he didn't want

anyone to know it.

He'd just finished

his second book,

and he was married.

He was terrified-- if anyone

found out about him,

it would just ruin his career.

But it was Frankie

who changed all that.

In what way?

Frank was a sort of

mentor to him,

encouraging him to,

you know

explore his sexuality.

So Frank introduced you

to Alan to help him?

Absolutely.

I was part of his therapy.

JAMES

I quite liked Alan

when I first met him.

He was so unsure of himself.

It was only much later,

when Alan's book sales

went ballistic,

he became a monster.

Alan,

you're g*y,

you like men.

Why don't you just

admit it?

I have a wife and son.

suspect that maybe something

isn't quite right?

What do they think

that Daddy's doing in London

on his own half the time?

It's not just that.

I work at a school.

Alan, there are hundreds of

g*y teachers out there.

Doesn't make them

dangerous or predatory.

You're just scared,

and you're making excuses,

and you don't see it, but

you're harming your own life.

Be what you are!

Be happy.

I've got to dash.

Leo's waiting for me

outside.

Why didn't you invite him?

I'm spending enough on him

as it is

without buying him dinner.

Nice to see you again,

James.

Look after my friend.

I'm not just a commodity,

you know.

Actually, that's exactly

what you are.

But you're a very nice one.

Have fun.

JAMES

That was the last time

I saw Frank Parris.

We were sitting at

that table over there.

Alan became a regular

client of mine,

and then we became an item.

And finally, he came out of

the closet, and of course,

nobody gave a damn--

welcome to the 21st century.

Tell me about Leo--

did you ever meet him?

No.

I'd heard his name mentioned

quite a lot on the circuit.

Alan met him, with Frank,

a couple of times.

He used to say Leo was

much sexier than me.

Exactly the sort of thing

he would say.

Nothing else?

Not really.

Do you know

where he came from?

Actually, maybe I do.

I have a feeling

he was Australian.

Why do you say that?

Alan made a joke

about him once.

He said Leo had just

got back from Melbourne,

so he was probably in bed

with jet lag.

Ah.

You know, Alan's third book

was dedicated to them.

"For Frank and

In Remembrance."

What do you think he meant?

Maybe Leo died.

A*DS was still k*lling

loads of young men,

even in 2013--

500 a year.

Leo disappeared off the scene.

That could've been why.

I take it you never

read the book.

I never read any of 'em,

till I was in 'em.

But I only showed up in

book number five.

But I have got something

that may help you.

I managed to dig

these out for you.

They're the notes Alan made

when he was writing

"Atticus Pünd Takes the Case."

That is exactly

what I wanted, thank you!

It's even better than that.

I found all the interviews he

did when he visited the hotel.

Branlow Hall?

Yes!

He spoke to loads of people,

and they're all on

these memory sticks.

Imagine that,

you can actually

hear Alan's voice again.

That'll be an experience.

I'll bet.

You can keep it all.

It's no use to me.

Anyway

I suppose we should

have a toast to Alan.

No.

To you and Richard.

I hope you'll be

very happy together.

ALAN

Do you mind if I record this?

Why do you want to?

I like to keep a note

of everything I do.

I take it you know

who I am.

I can't say I do,

I'm sorry.

Alan Conway.

Well, I'm a writer--

you might have heard of me.

Are you a journalist?

It's been six weeks since

the death of Mr. Parris,

and we've still got journalists

turning up all the time.

Some of them have

even booked rooms.

I don't think we really

have any more to say.

I am not a journalist.

I used to teach

at Woodbridge School,

but I've just given in

my notice.

I'm a full-time writer now.

Fiction--

I write detective stories.

Oh, yes, yes, I'm sorry.

Uh, I don't really have

much time for literature.

I was also a very close friend

of Frank Parris.

Well, I'm very sorry.

Mm-hmm.

We were all shocked

by what happened,

you can imagine.

I was thinking of

writing a story

based on

what happened here.

A novel?

Yes.

Oh, I'm not, I'm not sure

I'd feel very comfortable

being in a book.

Oh, I wouldn't do that.

I never use real people

in my books,

and certainly not without

their permission.

That's room, uh, 13, Moonflower.

Interview with Cecily Treherne,

24th of July

Can I just start

by saying how sorry I was

to hear about

what happened?

And on your wedding day?

Of all days?

Thank you.

Did you manage

to get away?

No, we had to postpone.

We hope to go to Antigua

in a couple of weeks.

Oh-- thank you.

I'm sure it will be lovely

when you get there.

How well did you know

Mr. Parris, Mr. Conway?

Oh, no, Alan, please.

Well, he was a very

good friend.

Although I hadn't seen him

for a couple of years,

after he went to

Australia.

Oh.

Did you know he was

coming back to this country?

No.

I did hear about the collapse

of his business.

It was sad.

Frank was

a very generous man.

He was quite

a difficult guest.

In what way?

Didn't like his room.

Complained about the food.

And I'd be interested to know,

did he have a habit

of making things up?

What do you mean?

Well, there were

two things.

First, he said his room key

wasn't working.

But later on,

when we checked it,

it was absolutely fine.

Mm?

And there was something else

that was strange.

What was that?

He told everyone

he was going to the opera,

to see "The Marriage of Figaro"

in Snape.

Made a big thing of it.

But it was nonsense.

I actually double-checked,

and it wasn't on.

"Figaro."

Why do you want

to know all this, Alan?

Oh, to be honest, I

I'm a little bit stuck

with my newest book.

I thought it might

give me a few ideas.

But don't worry, I'm not going

to write about any of you.

I'm setting my new book

in Devon.

Tell me about

Stefan Leonida.

He's on remand.

His trial's coming up

in a few months.

Do you think he did it?

Well, there was money

in his room,

and Derek saw him

in the corridor

the night it happened, so

Derek is your

night manager, yes?

Yes, but it's all irrelevant.

The police tell me he's

made a full confession.

Well, you don't sound

so sure.

I liked Stefan.

I trusted him.

He had a criminal record.

He wasn't the only young

offender working in the hotel.

My father was

running a program.

So who else?

I don't think it's fair

to give out names.

No.

I'm sorry.

I shouldn't have asked.

Cecily?

Oh, this is Aiden,

my husband.

Yes, we've met.

I showed Mr. Conway

to his room.

Oh.

I hope it's all right.

Fine, thank you.

Alan's been asking me

about the m*rder.

Yes.

I was told you were talking

to Lawrence.

We had a brief chat.

Forgive me, Mr. Conway.

I know who you are

and what you write.

But it's my job

to look after the interests

of this hotel,

and, all in all, I don't think

we need any more publicity.

And I really don't think

you could stop me

writing what I want.

No, but I can politely ask you

to stop asking

intrusive questions.

No offense meant.

Aiden? No.

Archie?

No.

Algernon.

Yes!

Algernon Marsh had no decency,

no scruples,

and no loyalty to anyone.

This was something

his brother-in-law,

Dr. Leonard Collins,

was about to discover.

You are a swine,

Leonard.

You weren't going

to tell me.

How dare you search

through my desk.

I was looking for

the bus timetable.

But this is what I found.

"The last will and testament

of Clarissa Marsh,

late of Brooklyn, New York."

£980,000.

She left it to Samantha,

not to you.

Ooh, she was my aunt, too.

Oh, she saw you for

what you were, Algernon.

And so did Melissa.

Those shares

you were selling her

weren't worth the paper

they were printed on.

How do you know that?

She told me!

She knew you

were lying to her.

Mmm.

Well, you'd know a thing or two

about lying,

wouldn't you, Leonard?

I don't know

what you're talking about.

£980,000.

She didn't want you

to have the money,

and there is nothing

you can do about it.

See, that's where I think

you might be wrong, Leonard.

You can talk to Samantha.

You can persuade her

to divide it two ways,

50-50.

And why in God's name

would I do that?

Because there are things

that Melissa told me

about you, Leonard.

Things that might make my sister

see you in a very

different light.

Are you threatening me?

Do you know?

I think I might be.

And where is Samantha now?

In the church, hmm?

'Cause that might make

a very good place

to have a little chat.

So, eight years ago,

Alan Conway visits Branlow Hall.

He talks to Lawrence, he talks

to Aiden and Cecily, to Derek.

And he must have met

Derek's mother, too,

because she's

in the book.

And he turns them all

into caricatures.

Um, shall we, um

Shall we get another one?

Oh, my God, have we finished it?

Well, it's been

that sort of day, hasn't it?

Uh, just a glass.

Okay.

Excuse me?

Yes, sir.

Two more glasses, please.

Of course.

He must have known

who k*lled Frank Parris.

Yeah, but it

might've been, um

Oh, God, what was

his name again, Stefan?

Leonida?

Yeah.

Well, yeah,

except if it was Stefan,

it would've been

an open and shut case.

And DS Locke

would've actually

got it right for once.

But I just don't think

that would've interested Alan.

Well.

It's quite a puzzle.

Mmm.

Why did Alan have to be

so bloody inscrutable?

Inscrutable.

Mmm.

I love that word--

it's so Edgar Wallace.

Oh, God, don't tell me

you used to read him.

Yeah, pulp fiction--

I loved him.

When I was about five.

Do you have to go back

to Suffolk tomorrow?

I'm working

for the Trehernes.

I'm on the payroll.

They won't miss you

for one more day, will they?

I need to see Katie again.

I'm worried about her.

There's something

she isn't telling me.

I said we'd have supper.

I'll be honest with you, Susan,

it's really great

to see you again.

Here you are,

madam.

Thank you.

Cheers.

Cheers.

Oh, she's always been

the sensible one.

Is she older than you?

No! Younger!

Oh, God.

But Katie's married,

she's got two children,

she's got

a sensible job.

Oh, a part of me's

always envied her.

Well, I would've said that Crete

was much more of an adventure.

Yeah, you would've thought so.

It hasn't really turned out

like that.

Here we are.

Shall we, uh, have

a little nightcap?

Why not?

Oh, wow.

So, will you go back?

Where?

Crete.

Um

Hmm

I don't know.

No, no.

Hmm.

Don't think so.

Sorry, sorry.

Oh, just, uh

Don't be.

No, you're, you're right.

You need to go back

to editing.

Yeah, my books

were so much better

when you were working

on them.

That's not true.

Mmm?

Hmm.

You should tell Parker Chance

that if they give you a job,

I'll come over to them.

Oh, well,

I think they'd like that.

I've really missed you,

Susan.

Oh.

What are you doing?

Well, don't, don't tell me

I've offended you.

No.

No, no, you haven't

offended me.

But I

But what?

No, I

I'm really grateful,

Craig, I, I am--

I mean

Mm-hmm.

But I'm still with Andreas,

so

But you just told me

that you

No, no, no, no,

no, no, no.

Oh, come on.

Look, you're fed up

with Crete,

you're fed up with the hotel

Yes, but I'm not fed up

with him.

Then why have you

been leading me on?

What?

No, I

No, Craig, you have

completely misread this.

Oh, I don't think

that I have.

Yeah, no.

Craig.

I did not come here

Right, I think I'm

gonna have to

Oh, God.

I'm gonna have to go.

What?!

No, no, no,

you, you can't go.

You're, you're

too drunk to drive!

I'm gonna get a cab.

Oh!

Taxi!

Hi-- uh, nearest hotel,

please.

Hi.

Hi.

Um, can I book a room

Yes, of course.

please, for the,

for the night.

Where's my phone?

My phone.

Where's my

Oh, my God.

Must have left it in the cab.

Great.

God.

I have to say,

this is very good of you,

Mr. Pünd.

Oh, the pleasure

is all mine.

Mmm, it's one of

the benefits of being

a private investigator

that it is the client who pays.

I'll send the bill

to Mr. Schultz.

And now who is that?

He was Melissa James's agent.



Her American agent.

It's he who employed me.

Well, I'm glad

you're here.

This case is a right puzzler,

and no mistake.

Nothing makes any sense.

Oh, I do not agree.

It's, it's certainly,

on one level,

it's complicated,

but on another,

everything is

straightforward.

Go on, then.

No fewer than seven people

may have wished

to k*ll Melissa James,

all of them for

the most ordinary reasons.

Lance and Maureen Gardner.

She knew they were

defrauding her.



Indeed so.

Phyllis Chandler

and that ghastly son of hers--

a Peeping Tom, of all things.

That was an unpleasant business

she discovered.

What, you think his mother

was protecting him?

Well, it's possible.

And then there is

Algernon Marsh.

Oh, God, a nasty piece of work.

Also cheating her,

in his case with a,

an investment

almost certainly valueless.

Oscar Berlin.

She decided not to appear

in his film.

That would've ruined him.

And John Spencer.

Now, that's where

I'd put my money, Mr. Pünd.

Do you think he knew

Miss James was having an affair?

Jealous husband

who strangles his wife?

Just like Shakespeare.

Uh, uh, Othello!

He strangled Desdemona

for exactly that reason.

Mmm-- hmm.

Well, the motivation

is clear.

But it is the order of events

that perplexes.

At28, Melissa James

is alone in the house.

The Chandlers

have the night off.

Her husband is at the opera.

Then she calls Dr. Collins.

She's in tears,

in fear of her life.

She makes the call

from downstairs.

So it would seem.

She tells Dr. Collins that there

is an intruder in the house.

She says quite distinctly,

"He wants to k*ll me."

The call is overheard

by his wife.

That is correct--

I wonder only

why she then returns

to her bedroom.

If, if Miss James believed

herself to be in danger,

why did she not

leave the house?

Oh

I know you'll find out

who did this, Mr. Pünd.

Forgive me for saying this,

but, um, I hope they hang.

I'd say that's

unlikely, Miss Cain.

Do you not think

Mr. Pünd will solve the case?

I'm sure he will.

The death penalty's

all too rare these days.

Judges no longer have

the appetite for it.

They're actually talking

about changing the law.

More's the pity, in my view.

What do you say,

Mr. Pünd?

I have seen too much death

in my life, Detective Inspector.

It's my belief

that to k*ll a k*ller

is to descend

to his or to her level.

But to think someone

could k*ll a woman

as talented as Melissa James

and get away with it!

I agree with Miss Cain.

Then we must at least ensure

that they are apprehended.

Hmm.

Oh, uh

Almost forgot, uh

I do have one piece

of information

which may be of help,

Mr. Pünd.

I did as you said

and checked out

that theater in Barnstaple,

the night that

John Spencer claims

he went to

"The Marriage of Figaro."



The lead singer was struck down

by a car that did not stop.

And the performance

was canceled.

So wherever he was,

Mr. Spencer wasn't there.

Cheers.

I just don't get it.

What is so important about

"The Marriage of Figaro"?

It's an opera!



You don't like opera?

Well

I've never really got it.

The stories are just

so ridiculous, and miserable.

I mean, women throwing

themselves off castle walls

or dying of consumption.

"Tosca" and "La Bohème."

Ah.

You're a fan.

Oh, yeah, I went often

to the Vienna State

Opera House.

It was before it was destroyed

in the w*r.

Will you

have any breakfast?

I think not.

I shouldn't have come.

To London?

To England.

But you've made progress.

Well, yes.

Yes.

I've blown my one chance

of returning

to publishing,

which probably means

I'll spend the rest of my life

changing sheets

and shouting at waiters

in a language

that I can't even speak.

But you are perhaps closer

to discovering the truth.

Why did Frank Parris

go to the hotel, hmm?

He lied about his key

not working, and then again

The opera.

John Spencer did exactly

the same in the book.

But if he didn't go to

the opera, where did he go?

Oh!

When's the next flight back

to Crete?

ANDREAS

Uh, service?

Coming!

Yes?

Who's this?

This is Craig Andrews.

Sorry, can I speak

to Susan Ryeland, please?

She's not here, I'm afraid.

Um

She was here last night,

and, uh

Katie!

Sir?

How you bearing up,

Mr. Spencer?

Um, not so bad,

thank you.

Do you have any news?

Yes, sir, we do.

You made an arrest?

We're about to.

We just have a few questions,

if you don't mind.

No, of course.

Anything.

Mr. Spencer,

although it is, um, painful

to ask you this,

even so,

it is necessary.

Were you aware that your wife

was having an affair?

We do need an answer, sir.

I didn't know.

But I'm not surprised.

Why are they here?

They didn't say.

What do they want?

What do you think they want?

They're here about you.

But you still

loved her, hmm?

She meant everything to me.

We found a letter.

It's written

in her hand.

"My darling darling.

"I can't go on living

this lie anymore.

"I simply can't.

"We have to be brave

and tell the world

about the love we share."

Any idea who this

might've been written to?

Of course I don't--

I have no idea at all.

Do you mind if I?

Mmm.

Thank you.

Mr. Spencer, on the night

of your wife's death,

you told us

you was at the opera,

attending a performance

of "The Marriage of Figaro."

Yeah, that's right,

she was meant to come with me,

but she changed her mind.

So you went alone.

Yes.

Did you enjoy it?

Yes-- no, no!

Why are you asking me that?

Because on the night

in question,

the opera was canceled, sir.

So you couldn't

have gone to it.

So where were you?



It would not be wise

to tell us further untruths,

Mr. Spencer.

It's too late now for that.

I was here.

You never left?

No, I, I left--

I drove as far as the village.

But I was in no mood

for the opera.

I came back and

And you confronted

your wife.

Oh, we had a terrible row.

She told me she was leaving me.

And?

You m*rder*d her.

Yes!

Yes, I strangled her

in the bedroom.

Oh, thank God.

Oh, thank God it's over.

Yeah, you won't believe it,

but it's all I've wanted,

just for it to be over.

I'll make a full confession--

I'll tell you everything.

Am I under arrest?

If you'll come with me,

sir,

we'll formally charge you

when we get to the station.

May I go upstairs

to get my shoes and a jacket?

Of course, sir.

We'll wait for you here.

Thank you.

You've no idea

how sorry I am.

How much I hate myself.

I couldn't have lived

with this any longer.

Forgive me,

Detective Inspector, but

is that wise?

He, he could make a run

for it.

I don't think so,

Miss Cain.

I have two men outside.

Yet, it is interesting,

though, that

there's so much

that is not right.

In what way?

Well, the argument.

Did it take place here

or in the bedroom?

Maybe it happened in here,

and he followed her up.

And if he was angry

with her,

violent, even,

why did she not lock the door?

Or better still,

and I've asked

this question before,

why did she not leave the house?

Well, I agree there are

plenty of questions

we still need to ask,

Mr. Pünd.

That's why I'm taking him

to the station.

But you heard him.

We had him bang to rights,

and he confessed!

You can't argue with that.

Mmm.

Ooh, Mr. Pünd!

There's someone outside!

She's right! I saw him, too!

But who?

That's what I mean to find out.

Will you stay here, Miss Cain?

Oh, yes, of course.

Either of you two

see anything?

No, sir.

Right, there's an

intruder in the grounds!

One of you stay here

and make sure

Mr. Spencer

doesn't leave.

And you, round the other way!



There's nobody.

Anything?

Nothing, sir.

Right, keep looking

round.

There was definitely

someone here.

I think a man.

Where does that go?

It's the kitchen, I think.

Has anyone come in here?

No, sir.

And neither of you been out?

No, sir.

We've been here

all the time.

Miss Cain?

What now?

CHUBB

Miss Cain!

Oh, no!

You met Alan Conway.

What actually happened?

One thing led to another.

I think you'd better sit down.

Mr. Pünd has something

to tell you.

I'm trying

to help you find Cecily.

The only way I can do that

is to know what she knew.

Susan.