01x06 - Episode 6

[bunniefuu]

-Mireia, we're ready for you on set.
-Coming.

I've got the camera, Héctor.

Tripods...
I want two low and one high.

Mireia's coming for rehearsal.

Can someone look at this camera?

How are you?

Good.

-How's the texture?
-Great.

Really great.

I think it really looks like
it's been undone. It's perfect.

How about her beauty spot?
Perfect.

Do you think you'll be able
to take this off, Mireia?

If not, I'll ask...

Lola, what's this she's got here?

Yes, like that.

-That's right.
-Great, that's perfect.

-OK.
-I'll let you know.

Don't we need make-up?

That's OK, right?

OK, let's clear the shot, please.

Clear the shot.

Am I starting here?

-Yes, then Mireia, you open the door...
-And I walk in.

OK, here.

-Here?
-Yes, you on the right, you on the left.

Silence, please.

This isn't on right...

Should I run in or not?

-Yes.
-OK.

OK, rolling.

Rolling!

-Silence, please.
-601-615. One, take 3.

SELFTAPE
A SERIES BY JOANA & MIREIA VILAPUIG

OK, it's here.

-Where? On the right?
-No, here, on the left.

I don't get why
it's so important, Joana.

I don't know, Simó.
That's what it said in the email.

-Are we nearly there?
-Yes, it's right here.

Run!

Run!

OK, which ones did you bring last?

These ones here.

OK. The box is marked "clothes".

OK.

OK.

-Simó, help.
-OK, be careful.

Be careful.

OK.

-OK, there are clothes in this one.
-OK.

Open it.

Is this it?

Those are pantyhose.

They're fishnets!

It's so weird them asking you
to wear a red dress

just to meet the director.

I really hurt myself.

It really hurts!

-sh*t...
-OK, keep looking, keep looking.

-OK, clothes, clothes...
-OK.

Awesome!

-Is this is?
-Yes!

OK, great!

OK...
-Amazing!

Give it here.

Ah, the one with the buttons.

Yes.

OK.

Arms, arms.

Hair down?

-Yes.
-Down?

Down, down!
Let it down.

OK.

How's my fringe?

Well, it's a bit sweaty...

-What?
-No, it's fine!

-Do I look ugly?
-Your collar...

-I look awful, don't I?
-No.

You look perfect, gorgeous!

OK.

-My top lip's sweaty.
-This?

-OK.
-OK.

You've got this! Focus.

-I'm really nervous.
-I know.

-Now go!
-OK, I'm going.

-Run.
-You lock up.

-Yes.
-OK? Thanks!

-Love you!
-Love you too!

You start.

You shouldn't be here.

I've been looking for you all night.

Francisco told me he saw you crying.

You sound just like him!

-That's not your business, Don Marco.
-Without Don Marco.

That's not your business.

If your pain has to do
with my desire, then yes, it is.

You came looking for me?

-Why are you crying here?
-Move your head a bit.

This line isn't coming out straight.

I'm worried about this back bit.

Don't worry, if you mess it up,
I'll just shave my head.

OK.

Don't cry.
Your tears break my heart.

Don Marco kisses Catalina
and takes her in his arms.

I haven't always been able to shed...

-Morning.
-Hi.

-I haven't always been able to shed...
-To shed...

I haven't always been able
to shed my tears.

Please, don't speak.
I need to feel your skin.

What is this sh*t?

The series we're sh**ting.

Oh, wow!
What's it about?

Just your typical romantic period piece.
That's all.

-Have you read it, Or?
-Yes, I've just started it now.

Nah! They don't send me anything.

Why not?
You work there too.

Because I'm a runner and
they don't give a sh*t about my opinion.

But it's the same story as always.

Lots of dudes, men,
in period costume

and a Don Juan chasing a younger woman.

And that's you, right?

Exactly.

If you see Ruth, tell her
to change the toilet paper.

OK.

Want to do it again?

No, it's fine.
I know it already.

-Hello.
-Afternoon.

I have a meeting with Valentina Sato.

-OK. Your ID, please.
-Sure.

I know I'm a bit late, but...

-Joana, put this where it's visible.
-OK.

-Take the elevator to the first floor.
-OK.

OK, thanks.

Joana.

Joana.

Hi, hun!

-How's it going?
-Good.

-How are you?
-Good and you?

I'm good.
You look great.

Listen, is this a second audition?

Yes, well, I sent in a selftape.

-Yeah, me too, but I didn't know...
-Yes, yes.

This is so cool, hun!

And this is the only day
they're auditioning.

Just today?

How did it go?

I think it went really well.

Yeah.

Good luck.

Were we supposed to prepare something?

No, no.

-It's a meeting with Valentina Sato.
-Yeah.

I think she's so amazing... I'm...

I'm kind of nervous.

Relax, you'll be fine.

Listen...

Did you get an email
with all the information?

-About today?
-Yes.

My agent called me directly.

I guess he got the email, but...

Clara Alonso?

-See you after.
-Good luck!

Hope it goes well. Bye!

He wanted the underskirt,
but then I think Rubén said no bustle.

We'll check with the director.

Let's see your panties.

-Lift up your underskirt a moment.
-I'm wearing these...

-The ones I came in.
-OK, no.

Hang on.

Put these on.
They'll be more camouflaged.

Put them on so we can check, OK?

And Marina, look here...

You need to tie it up tighter.
She's so thin, it's falling down

and we can see her underskirt, OK?
I'll go talk to Rubén.

OK.

Are you wearing anything
under the corset?

No. Why?

He unties it in the scene.

What?

It's part of the action.

He unties my corset? Really?

Rubén didn't mention it?

No.

Do you know if there's an intimacy coach
or someone I can talk to?

No idea, Mireia.

But you do know
he's supposed to untie my corset.

Right?

I think I heard Rubén saying something
to Lupe, but I'm not sure.

How are you?

Good.

Great.

I'll explain what we're doing today.

I'm asking you questions

to get a feel for you
and how you feel...

So I can get to know you better.

OK.

Any questions?

-No.
-OK, then.

So, let's start filming.

I'll start by asking you a question. OK?

Don't be scared,
because this is just for me.

No one else will see it.

OK?

Let's get started.

Whenever you're ready.

OK.

When are you coming?

Can you open this?

OK? Aurora, can you hear this?

It's too quiet, darling.

Mireia.

I'm glad you're here.
Perfect.

Can you get Luis, please?

Thanks, darling.

How are you?

Better? Calmer?
Everything OK? Yes?

Then let me explain.

You'll start lying on the bed.

But not lying flat, OK?

More like lying in wait
for something... pleasant.

We'll see.
So, we'll start with the camera on you,

-then pan over to Don Marco.
-OK, one thing.

-Yes?
-In this scene, there wasn't any...

It didn't mention any nudity.

We changed the end
to give it more punch.

-More punch?
-I just tried it as you,

and I'm not as sexy as you,
and it worked. Trust me.

OK, crew down to a minimum, please.
We're clearing the set.

OK?
Let's make the actress comfortable.

Luis.

I'll be right with you.

OK, OK, I get you!

Let's put on a good show.
Come on, Mireia.

Everything OK?

Yes?

Where do you live?

In Barcelona.

Do you live alone?

Yes.

Are you in a relationship?

No. Not right now.

What's the longest
relationship you've had?

Not very long.

Around...

eight months, more or less.

Eight months.

And... do you want kids?

Yes.

I guess so.

Have you, or anyone close to you,
ever had an ab*rtion?

-No.
-No?

Have some water if you like.

No, I don't want any water.

OK, then, let's start with you.

With the line:
"You came looking for me?". Remember?

Luis, a bit closer.

A bit more.

Yes, that's great.

OK, this is where you stroke her hair.

Come on, Mireia.
Look at Luis, not at me.

Trust me, honestly.
If you play her demure like that,

it really works.

But this is quite a tender moment.

-OK.
-OK, then. Aurora.

Good.

You came looking for me?

Don't cry.

Your tears break my heart.

This is where we kiss.

Yes, but lying on the bed...

OK.

No!

Mireia, you on top.

Luis, you underneath, OK?

OK, so you lie down first.

Mireia.

You on top. Come on.

-Lupe!
-Yes?

What's this sh*t?

A skirt? Rags? What is it?

It's like I told you.

-I want movement.
-It's the underskirt.

And I'd like you to understand!

OK, leave it,
but don't go too far away.

Watch her, OK?

Can you simulate the movement?

-See any movement?
-No.

Me neither.

Move your hips.

Your hips. More hips.

Use your hands.

Grab her more tightly.

Stop, stop, stop.

I don't know.

It's doing nothing for me.

I'm being honest.
It's doing nothing for me.

I don't know.

Lupe.

This... top bit.

The bodice.

-Take it off.
-You do it, Marina.

Marina.
Take it off her quickly.

Let's get some movement.

Maybe from her chest.

Right? When she moves her hips.

It's possible, yes.

Quickly! Come on, Marina.

sh*t...

OK, good.

I think... Listen to me.
You're an actor.

This is a sex scene.
End of story.

OK? I want movement in the hips.

I want to see
your chest bouncing up and down.

OK?

OK, honey.

Movement. Movement.

Let's try it with movement.

And hips. Just move your hips.

Just that movement.
More hips...

What would you say is the worst thing
that's ever happened to you

What do you care?

Joana.

This is really interesting.

Very interesting.
Let's keep going...

in this direction.
We'll do some improv.

What do you think?

Now a bit more movement. Use the corset.
Keep going, keep moving.

Seriously, Luis, go for it.

Why don't you take off her corset?

Take it off.

More hips.
Luis, squeeze her hands.

Hands there.
Movement, movement...

Keep trying.

Harder, harder, harder.

When we're rolling,
take off her corset, Luis.

I'm not sure how this thing works.

Yeah, OK... Hey!

What are you doing?

-I don't want him touching me.
-No, Mireia...

-OK, we'll do something else.
-No, I'm leaving.

No, no, no.

Don't touch me!

Your series is bullshit!

OK?

Mireia, Mireia.

Great. Ole. Nice attitude.

Bravo.

f*ck you!

f*ck you!

Forget it.

You're crazy.

So no... forget it!

Joana.

Tell us...

Do you know Hamlet's monologue?

You know what?
I'm going to have a go on the swing.

You are?

Hold it up. Hold it up straight.

That's it.

Don't be scared.

-He's not doing anything.
-He's biting me a lot!

We did it!

No.

Not yet.

We have to do it again.

You thought the other one was better?

Cowgirl!

Give me a hand.

-Will you help me?
-Help me take this off.

Otherwise, I can't...

-Can you do it?
-Yes.

-Oh my God!
-It's a pain in the a*s, right?

OK.

Over my head.

OK.

Let's go.

Coming.

Oh, wait.

-OK?
-OK.

Ready?

One, two...

-Go! No, no.
-No, no.

Let me grab it here.

Wait.

Joana.

Sorry.

Sorry.

-OK, three...
-Wait a second.

We're going to do our backs in!

OK, one, two...

Three.

-Wow!
-OK, OK, OK.

OK, we've got it.
Are you turning? Are you turning?

With my back to camera?

Stop swaying.

You're swaying a lot.

Mireia, Mireia, Mireia!

I'm treading on your dress.

OK, OK.

Slowly, remember I'm wearing...

OK, OK.

-One...
-Wait.

-One...
-Two...

-OK?
-OK.

Wait, let's turn it on its side.

-Put it like this.
-No...

-Like this? So we can push it?
-Yes.

OK.

-Damn underskirt...
-One,

two, three.

Wait. Let me open the door.

OK.

I'm so hot.

OK.

One, two...

OK, OK, OK.

One, two, three.

-Shall I grab the other side?
-Yes.

-OK.
-OK.

-OK, ready.
-Be careful.

Mireia!

Wait! The cushion, the cushion.

-OK, go.
-OK.

-OK.
-That's it, that's it!

-Be careful, be careful.
-OK.

OK, I've got it.

OK.

Good job!

OK.

Push a little bit more.

OK.

In the elevator?

-No, the stairs.
-I'll go down first.