Hyde Out (2024)

[bunniefuu]

(upbeat music)

Just take those old

records off the shelf

(upbeat music)

We'll dance the night away

Can't help ourselves.

We got that rhythm, we got that soul

Just you and me baby

letting the good times roll

(upbeat music)

No, no worries, no fears

Just living the dream

A love like ours can't be unseen

(upbeat music)

Yeah

Yeah

(upbeat music)

Every moment, every kiss

Forever young in a state of bliss

(upbeat music)

Whoa

We're living life like

it's rock and roll

(upbeat music)

Young and wild, never getting old

In love and free

Just you and me

(upbeat music)

Dancing through life to

that rock and roll beat

(upbeat music)

We keep on rocking

(upbeat music)

Come what may

(upbeat music)

Two young lovers

Finding our own way

(dramatic music)

[All] 10, nine, eight, seven,

six, five, four, three, two, one.

(all cheering)

(dramatic music)

(people speaking indistinctly)

(dramatic music)

[Guest] Happy new year.

(gentle music)

Should old acquaintance be forgot

And never brought to mind

Should old acquaintance be forgot

And auld lang syne

(gentle music)

Ooh

(gentle music)

Oh, oh

(gentle music)

We two have run about the slopes

And dipped the daisy fine

We've wandered many a weary foes

And auld lang syne

For auld lang syne my dear

For auld lang syne

We'll take the cup of kindness yet

For auld lang syne

(gentle music)

Ooh

(gentle music)

Mm, mm

(gentle music)

Oh

(gentle music)

And surely you will buy your cup

And surely I'll buy mine

We'll take the cup of kindness yet

For auld lang syne

For auld lang syne my dear

For auld lang syne

We'll take the cup of kindness yet

For auld lang syne

(dramatic music)

(dramatic music continues)

A shadows moving

It's you that I'm craving

Can't shake this desire

(gentle upbeat music)

Ooh

(upbeat music)

So close

Can't shake this desire

(upbeat music)

You wanna dance honey?

Maybe some other time.

What's the matter?

What, I'm not your type?

I didn't say that.

I want a dance.

Shut the f*ck up, Carl.

What's your buddy's problem?

I don't know.

Maybe he needs to get laid.

So maybe you down with that.

He doesn't seem to be interested.

And yet you still here.

Don't be a jerk.

Look, I'm not trying to be.

All right.

Why don't you do the lady

a favor and take her out back

and show her a good time.

How about you go do that.

Maybe I will - Both of you could.

(upbeat music)

Hello gentlemen.

(upbeat music)

How come not buy coney

and pies like everybody else?

(upbeat music)

Why you here?

Right.

About that.

(Kylie screaming)

Wake up fool.

It's a robbery.

Everybody be cool, nobody get hurt.

(dramatic music)

Let's go.

You don't who you're messing with.

Shut the f*ck up.

Get down.

Ain't nobody playing with you.

(dramatic music)

Now, we need that money.

(dramatic music)

Dude, look around you.

There is no f*cking money.

f*cking lie, dude.

The f*cking safe.

I know what y'all do around here.

(dramatic music)

You heard what the man said.

Ain't no f*cking money.

(dramatic music)

(g*n firing)

(Kylie screaming)

Now shut the f*ck up Carl.

(dramatic music)

So Paul, how come

you're not with that Latino,

the one I had those real nice curves?

Was I supposed to bring someone?

I mean, no, but that

would've been nice for me

to look at all of that.

That would've been.

Come on man, selfish.

Hey, look, if you are worrying

about me stealing Emily from you.

You're my friend, I won't do that to you.

(gentle upbeat music)

What?

(gentle upbeat music)

Relax man, it's a joke.

A joke.

I know it's a joke.

What, you don't think I

know that it's a joke, Paul?

Making sure.

You know what?

I need another drink.

Let's go get a drink.

(gentle upbeat music)

Yeah, let's do that.

(gentle upbeat music)

Hey Paul.

[Paul] How you.

You have fun at the party?

Oh, beautiful night.

Thank you very much.

Paul, you don't have to take that.

I can get it.

Oh, it's not a problem.

It's the least I can do.

Really, Paul, I can get it.

It's okay.

I want it help.

I appreciate that but.

Paul, Emily,

what's going on here, huh?

I was just telling Paul

that he doesn't have to help clean up.

And I've been telling Emily

that I don't mind helping.

And you guys are still holding

the same dish, aren't you?

(all laughing)

Come on Paul.

She's a female and she knows

her way around some dishes.

Why the hell you think I'm married, right.

Let's go get one more

drink, before you hit the road.

How about that?

(gentle upbeat music)

That sounds really good, so all ears.

(gentle upbeat music)

And this one.

One more baby.

About that Latina girl.

Fat a*s.

(gentle upbeat music)

Hey you man, what the f*ck was that?

(dramatic music)

Get in the f*cking car.

(dramatic music)

(car door thudding)

What the f*ck happened in there?

Drive the car.

I asked you a question.

Dude, we gotta go.

I'm not moving until somebody tells me.

Drive the f*cking the car.

(dramatic music)

f*ck.

(door hinge creaking)

Thank you both for an

absolutely amazing night.

You're welcome.

You get home safe, Paul, all right.

I will do the best I can.

Thank you.

And it was a wonderful,

wonderful night, as usual.

You should be proud.

Thanks Paul.

And you lucky, lucky man.

That's right.

She's a good one, you keep her.

Good night.

All right, Paul.

(gentle upbeat music)

(door hinge creaking)

You embarrassed me.

You embarrassed me tonight.

(dramatic music)

(door lock clicking)

(dramatic music)

You guys said no one was gonna get hurt.

What the f*ck do you want me to do?

Leave witnesses.

Who are they gonna tell?

No one knows who we are.

And that's why I did what I had to do.

We agreed.

We come to town, we get the money and.

And we got the money.

You lied to me.

Hey, look, I'm not happy about

what happened either, okay.

(dramatic music)

Of course.

It wasn't supposed to go down like that.

But it's done.

It's not the point.

The point is that no one

was supposed to get hurt.

(dramatic music)

News flash,

how about you do what

the you were hired to do

and drive this f*cking car.

(dramatic music)

You wanna tell me what

that was all about, earlier?

What, what was about?

Wow, with Paul, that.

Paul?

You know, he was trying

to help me with the dishes.

(dramatic music)

You don't think that

I know what that was?

(dramatic music)

What are you talking about?

I am talking about the fact that men

they don't just offer to help women

do the dishes.

He did.

(dramatic music)

(Emily gasping)

(dramatic music)

(glass clanking)

And why do you think that, that was, hmm?

He was being polite.

(glass crunching)

(Emily screaming)

(dramatic music)

(people speaking indistinctly)

I wasn't.

(dramatic music)

You think I don't know.

The way his eyes popped

out of his head Emily,

the way he lit up when

he saw you in that dress.

Hmm.

I'm sorry for wearing the dress.

Shh, shh.

(dramatic music)

Everything I've done, Joe.

(dramatic music)

Yes.

I trust that you dress this way for me.

Not Paul or anybody else.

Look at me.

Look at me.

You dress this way for

me, you understand me?

You understand me?

Only for you, Joe.

Do you understand me?

Yes.

(dramatic music)

(Emily gasping)

(dramatic music)

You belong to me.

(dramatic music)

Only yours Joe.

(dramatic music)

Come on baby.

Baby, it's so late.

(dramatic music)

Not tonight.

(Emily screaming)

(people speaking indistinctly)

Get away from me.

(dramatic music)

(Emily crying)

You're drunk.

(Emily crying)

(dramatic music)

Did you just tell me no, Emily?

(dramatic music)

(Emily crying)

Joe wait.

Did you just tell me no?

(Emily crying)

Joe.

(Joe speaking indistinctly)

(dramatic music)

(Emily crying)

(dramatic music)

(Emily crying)

(dramatic music)

(Joe speaking indistinctly)

(dramatic music)

Emily, take off your dress.

(dramatic music)

(Emily crying)

(dramatic music)

(Emily crying)

(dramatic music)

(Emily groaning)

(dramatic music)

(Emily crying)

(dramatic music)

No, no.

(dramatic music)

(Emily crying)

(dramatic music)

(Emily crying)

(dramatic music)

(Emily crying)

(dramatic music)

Now you be a good little girl

and go clean yourself up.

(dramatic music)

(Emily crying)

(dramatic music)

(police sirens blaring)

[Reporter] Tragedy strikes

on this New Year's Eve.

Earlier tonight, an unknown

suspect enters Booty's Main Tap,

k*lling several people.

An eyewitness says that

they saw a dark colored SUV,

possibly an older model

Jeep, leaving the scene.

(gentle music)

I know that things kinda of, you know,

I got a little rough there,

but it kind of made it

more exciting, didn't it?

(dramatic music)

What's going on?

(car hood thudding)

We're f*cked.

Radiator's shot.

Let's get moving.

(dramatic music)

Gimme the bag.

f*ck no.

I got it.

(dramatic music)

f*ck.

(dramatic music)

(insects chirping)

(dramatic music)

Silence creeps in the dead of night

Darkness creeps, steals the light

Bruises hide, the stories untold

A shattered heart forever cold

Sweet dreams are made of these

Who am I to play this game

Trapped inside this twisted fate

There's no escape, no open gates

(upbeat music)

Shadows dance on the bedroom wall

Whispers echo down the hall

Promises broken, love turned to dust

In his grip, there's no one to trust

Sweet dreams are made of these

Who am I to play this game

Trapped inside this twisted fate

There's no escape, no open gate

(upbeat music)

Mirror reflects a hollow face

In this cage there's no saving grace

Silent cries, a desperate plea

Broken wings, I can't break free

Sweet dreams are made of these

Who am I to play this game

Trapped inside this twisted fate

There's no escape, no open gate

(upbeat music)

Chains of fear they bind me tight

Lost in darkness, no end in sight

Hope is fading, a distant star

In his world I've gone too far

Sweet dreams are made of these

Who am I to play this game

Trapped inside this twisted fate

There's no escape, no open gate

(upbeat music)

Hold up, hold up.

Look, no, no come on.

We gotta go, come.

I need a break.

You guys into this sh*t

and you want a break?

No, let's go.

(police sirens blaring)

Gimme a f*cking minute.

Look man, we ain't got time for this,

don't you hear 'em coming.

Come on.

Do think I don't f*cking hear 'em.

I f*cking hear 'em.

Then get f*cking moving.

Why are we stopping?

We need to slow them down.

(dramatic music)

Now how you suggest we do that?

(police sirens blaring)

What's that?

(police sirens blaring)

Yo.

Man, what the f*ck are you doing?

What is this?

What are you doing?

Hey bro, it ain't personal.

But they coming.

We gotta slow 'em down.

So I figured a dead

body would do just that.

(police sirens blaring)

(dramatic music)

Man, you ain't gotta do this, okay.

We can outrun them.

(dramatic music)

Listen man, it's just business.

I was gonna k*ll you later anyways.

Wait, I thought you two were friends.

Oh, we're friends.

But there's a lot of f*cking

money in that f*cking bag.

You're selfish son of a b*tch.

Ooh.

Don't worry darling, you next.

You want this?

Yeah.

You want the money?

You f*cking right I do.

Take it.

(police sirens blaring)

(dramatic music)

[Dice] What the f*ck?

[Cash] You coming?

[Dice] I damn sure

ain't staying with him.

(dramatic music)

(g*n firing)

f*ck.

You're f*cking dead.

You hear me?

You're both f*cking dead.

(dramatic music)

(insects chirping)

(gentle music)

(Hendricks coughing)

Pull yourself together, Hendricks.

I'm sorry Kane.

I just never seen

anything like that before.

Yeah, neither have I.

You don't see me pissing myself, do you?

(dramatic music)

No, can't say I do.

(Hendricks coughing)

Grab your d*ck, shake it off

and get your a*s back in there.

We got work to you.

(dramatic music)

You got it.

(dramatic music)

Deputy Kane, what can you tell us

about what happened here tonight?

Get that microphone out of my face

or we're gonna have one more body on ice.

(dramatic music)

(insects chirping)

(fire crackling)

(insects chirping)

(fire crackling)

(gentle music)

(Emily crying)

(gentle music)

(Emily crying)

(gentle music)

(Emily crying)

(gentle music)

She wakes up every morning

to the same old empty bed

With shattered dreams

and broken promises

Echoing in her head

Her heart aches with longing

For a love that's yet to come

But she's trapped in this cage

Her spirit's feeling numb

In the silence of the night

She whispers her plea

To break free from the chains

And finally be free

With every tear she cries

She's reaching for the light

Fighting through the darkness

With all her might

(gentle music)

She wears a smile like armor

To hide the pain within

But behind closed doors,

the cracks begin to thin

(gentle music)

She longs for a glimmer

Of the love she once knew

But in this loveless prison

her dreams remain untold

In the silence of the night

She whispers her plea

To break free from the chains

And finally be free

With every tear she cries

She's reaching for the light

Fighting through the darkness

With all her might

(gentle music)

Through the stormy weather

She'll find her way

With courage as her

compass she won't betray

She'll rise from the ashes

Like a phoenix inside

Determined to survive

in this endless night

In the silence of the night

She whispers her plea

To break free from the chains

And finally be free

With every tear she cries

She's reaching for the light

Fighting through the darkness

With all her might

(gentle music)

Though the road may be

long and the journey tough

She'll keep holding on

for she knows she's enough

With hope as her anchor

She'll make it through

For in the depths of her soul

She knows she's true

(dramatic music)

(police sirens blaring)

(dramatic music)

Don't move.

Drop the cigar.

Crush it.

(dramatic music)

How many people in the house?

Just two.

You better not not be lying.

No, it's just me and my wife, that's it.

Let's go Go.

Okay.

(dramatic music)

Look, take whatever you want, it's yours.

Just take it please and

please take it and get out,

all right.

- Where's your wife?

(dramatic music)

What's going on?

Go sit next to you husband.

(dramatic music)

Who are you?

Just do what he says

okay and nobody gets hurt.

(dramatic music)

Listen to me, I can help you guys.

Just trust me.

Tell me what you want.

How about that?

(dramatic music)

Your phone, where's your phone?

- It's.

- Where's your phone?

It's right, right here.

Here it is.

Get his phone.

What the f*ck dude, go get his phone.

(dramatic music)

Where's yours?

- I don't.

- She doesn't have a phone.

Look, I'm not gonna ask you again.

She doesn't have a phone all right?

(dramatic music)

I don't, I don't have a phone, I swear.

How the f*ck you don't have a phone.

He won't let me have one.

(dramatic music)

Go get rid of his phone.

(dramatic music)

Look at me man, okay,

I've got a lot of

connections and a lot of pull,

so if you just tell me what

it is that you guys want,

I can help you all right.

(dramatic music)

Rope.

Yeah, yeah, yeah.

We need some rope.

We have some in the basement.

(dramatic music)

They got rope in the basement.

Go get it.

Listen, you don't have to do this, okay.

Shut up.

(dramatic music)

(car door thudding)

(dramatic music)

Glad to see you can make it, Sheriff.

Don't you start with me Kane.

I'm not starting anything,

Sheriff, I'm just saying.

(dramatic music)

Well, why aren't you

inside there, you know,

processing the scene?

We think we found their vehicle.

Really, where?

Abandoned on Hogan

Street, couple miles north.

Nothing out there, but trees,

couple residential houses.

(dramatic music)

Do you know that means he's on foot?

(dramatic music)

And he's carrying a big bag of money.

(dramatic music)

Yeah, couldn't have gotten far.

Well you better get out

there and look for him, Kane.

I was just heading that way.

Are you coming?

(dramatic music)

I guess.

You've gotta get it together, Dalton.

This is not the way I plan

to ring in New Year's Eve, Kane.

And the wife, not so happy.

I'm sure she understands.

Oh, she understands.

She's thrilled.

It's kinda like hugging a rose bush.

Sheriff, he m*rder*d multiple people.

Geez Kane.

Do you know that if a duck had

your brain, he'll fly north,

north for the winter.

Excuse me.

You don't think I know what

happened in there tonight?

Then you should understand

that this is a little more

important than New Year's.

Forgive me Kane, you are right.

I just did a little bit too

much celebrating this evening,

if you know what I mean.

I do.

And it's fine Sheriff.

We have a m*rder*r on the loose.

I know that.

And I know that you're gonna find him.

Even if you have to

stay out here all night.

You are gonna find him.

Yes I will.

(dramatic music)

Can you people just go upstairs?

I got about a half a million dollars

worth of jewelry to sell.

Just take it and get out

of our house, all right.

Man, didn't I tell you

I don't want your sh*t?

What do you want from us?

(Emily crying)

We can't stay here.

They're looking for us.

(dramatic music)

That was you two at the bar, wasn't it?

What's what mean?

You two k*ll those people?

I didn't k*ll anyone.

(dramatic music)

We need to talk.

(dramatic music)

Emily, do you want die, hmm?

(dramatic music)

No.

(dramatic music)

I suggest you at least

start making yourself useful

and try and get out.

'Cause if you don't, these people,

they're gonna come

back in here and k*ll us.

You don't know that.

Well, I'm not gonna stick

around you and find out.

Try and get out.

(dramatic music)

You convince people to

do things you want them to do

all the time.

Can't you convince them to let us go?

(dramatic music)

What do you think this is, huh?

What do you think that I've

been trying to do this all time?

I don't know Joe.

I'm scared okay.

(dramatic music)

All right,

well I'm scared too,

but you don't me

sitting and not doing sh*t.

(Emily crying)

Try and get out.

(dramatic music)

What do you want?

Let me handle this.

Not you, shut up.

(dramatic music)

Hey man, listen,

what do you want from us, huh?

(dramatic music)

Hey, I'm asking you a question.

What do you want us to do, boy?

(dramatic music)

How about you stay alive, boy.

(dramatic music)

(insects chirping)

(dramatic music)

(footsteps crunching)

(dramatic music)

(footsteps crunching)

(dramatic music)

Well, he's not alone.

What makes you say that?

Passenger side door is open.

[Sheriff] So what, two suspects?

Looks that way.

All right.

I guess we better get forensics out here.

They're already on their way, Sheriff.

Good.

I want these sons of caught, Kane.

I'll find 'em.

Gotta be around here somewhere.

(dramatic music)

I'm gonna get looking,

you wait for forensic.

I'm not babysitting this piece of sh*t.

Sheriff.

I'm going home to the wife, Kane.

It's New Year's Eve.

This is the one night a year,

she lets me take the scotch

out of the bottom shelf.

But the suspects.

I'll send Hendricks out

here to search with you.

Hendricks?

I don't want him out here.

That boy's so stupid he

couldn't pour piss out of a boot

with instructions written on the heel.

Could you quit bitching

for like one second, Kane.

Because we need to find these b*stards

and we need to find them now.

Come on Sheriff.

Send Decker at least.

Decker?

You know that man is this worthless

as a steering wheel on a mule.

Let's just let him keep

answering the phones, okay.

I understand that it's New Year's

and you would rather be

celebrating with your wife,

but I really think you should

stick it out with me tonight, Sheriff.

40 years on this job,

Kane, and still married.

I ain't planning on doing

anything tonight to screw that up.

(dramatic music)

(footsteps crunching)

(dramatic music)

What are you doing?

Joe.

Do something.

Shut up.

I can't think.

You have to.

You said they were gonna k*ll us.

(dramatic music)

Just shut up.

Emily shut up.

Shut up for once and just let me think.

(dramatic music)

Listen.

All right, I had time to

talk to my partner, and.

You're not gonna hurt us, are you?

(dramatic music)

I really don't want to.

Then don't.

(dramatic music)

(insects chirping)

(dramatic music)

(car engines revving)

(dramatic music)

(car door thudding)

(dramatic music)

Okay, this is gonna

end in one of two ways.

What's going on?

Cops are here.

f*ck.

Joe, you gonna answer that door,

you gonna tell that damn

deputy that everything is okay.

(dramatic music)

No.

I'm not f*cking around man.

You gonna go do this or

I'ma blow your head off.

Just do what he says, okay.

(dramatic music)

No you're not.

How about this?

Go to the kitchen and get me a beer

and then go f*ck yourself.

I'm not doing it.

I'll do it.

[Cash] You wanna do it?

I can do it.

(dramatic music)

(Kane knocking)

No, she's not.

You are not doing it.

Untie me.

Hurry up, untie me, I'll do it.

(dramatic music)

(Kane knocking)

(dramatic music)

(door hinge creaking)

Mr. Cunningham?

Yes.

Sorry to bother you

at this time of night.

That's all right.

I'm still up.

(dramatic music)

Well, I don't know if you heard,

but there were multiple

homicides this evening.

Yeah, I did hear about that.

It's terrible.

(dramatic music)

Well, we found the suspects' vehicle

a couple miles down the road.

So a few houses in the area,

we thought it'd be a good

idea to check in on everyone.

Make sure everyone's okay.

See if anyone saw anything suspicious.

(dramatic music)

No, I didn't see anyone, anything.

(dramatic music)

Nothing?

Nothing out of the ordinary.

Nope, can't say that I have.

Is Mrs. Cunningham around?

Maybe she's seen someone or something.

She went to bed.

She wasn't feeling so well, so.

(dramatic music)

Poor thing.

Sick for New Years.

Yeah.

I'm sure she will be okay.

I think she's got the stomach bug, but.

(dramatic music)

All right, well, if you

see anyone or anything,

anything at all, gimme a call, will you?

Yeah, I'll do that.

Hey Mr. Cunningham.

(door hinge creaking)

(dramatic music)

Yeah.

Happy New Year.

(dramatic music)

Get it together Hendricks.

You gotta be out here on New Year's Eve.

I should be somewhere partying,

getting drunk, getting laid.

But no.

I didn't even want to be a deputy.

I wanted to be an actor,

but mama said, "No,

you gotta be a deputy."

I would've been a great actor too.

(dramatic music)

Hey, sweetheart.

Hey, listen, your partner,

he doesn't wanna play ball.

That's on him.

But look, I've been watching you

and I can tell you don't

want to be here right now.

And you don't want to do this to us.

(dramatic music)

I just know it.

Tell me I'm wrong.

Well listen to me, why

don't you let me help you?

It's too late.

(dramatic music)

No, it's not, too late I can.

You can what?

(dramatic music)

Nothing, forget it.

Is that the money?

[Cash] Don't worry about it.

It is, isn't it?

What's your name?

(dramatic music)

Emily.

Yeah, her name is Emily and I'm Joe.

What's your name?

Emily, do you always let

your husband speak for you?

It's hard to explain.

What do I call you?

You don't call her anything.

(dramatic music)

It's all right.

Look, I'm just the type of person,

I like to know somebody's

name when I'm talking to 'em,

that's it.

Yeah, you talk too damn much.

So if you wanna talk to

somebody, you talk to me.

Talk to you?

Okay, well what's your name?

(dramatic music)

Cash.

You can call me Cash.

And what's your name?

Look, I said.

Dice.

You can call me Dice.

(dramatic music)

What are you doing?

(dramatic music)

I'm trying to make a break.

Be quiet.

(Emily speaking indistinctly)

(dramatic music)

(Emily crying)

(dramatic music)

You did it.

Untie me.

Stop talking.

Stop talking.

(dramatic music)

[Emily] Joe, what are you doing?

(dramatic music)

Get the g*n.

(dramatic music)

Joe.

(dramatic music)

Untie me.

(dramatic music)

What are you doing?

(dramatic music)

Joe, what are you doing?

Sorry.

Joe don't.

Don't.

(dramatic music)

Stop please.

Take more step.

Joe put the f*cking g*n down.

(dramatic music)

(trigger clicking)

Oh f*ck, it's empty.

(dramatic music)

f*ck.

Damn it Joe.

I told you I wasn't gonna hurt you.

(dramatic music)

But since you wanna play games,

let's play some f*cking games.

No.

(dramatic music)

You need to be inside watching this wife.

There's been enough k*lling tonight.

Just go inside.

(dramatic music)

I need you to come with me.

Go back inside and

watch his f*cking wife.

Then I suggest you come with me.

(dramatic music)

(Emily crying)

You left me.

You left me.

(dramatic music)

You f*cking, f*cking left me.

Stop it.

(dramatic music)

I f*cking hate you.

You need to calm down.

(Emily crying)

(dramatic music)

Take me away from him.

I can't.

Please, please just get me outta here.

(Emily crying)

(dramatic music)

I hate him so much.

Fear makes people do crazy things.

(dramatic music)

Don't you Dare make excuses for him.

I wasn't trying to.

(dramatic music)

20 years.

We've been married for 20 years

and he just continues to find

more and more ways to hurt me.

(Emily crying)

(dramatic music)

I'm sorry.

This wasn't how I was

expecting things to go down.

I'm sure this isn't how you thought

about bringing in the New Year's either.

My new year was ruined

long before you showed up.

(Emily crying)

(upbeat music)

Happy New Year, Deputy.

Happy New Year, Loretta.

Now forgive me for saying this,

but you look like 10 miles a bad road.

Spent the entire night out in the cold

looking for the suspects.

No luck?

If I had any luck, I'd be

home sleeping in my bed.

Well, what can I get for you?

Just a cup of coffee, please.

(gentle music)

You know, people

don't feel safe right now.

'Cause this kind of thing, it

doesn't happen in our town.

I'm doing my best, Loretta.

(gentle music)

Well, let's hope you

catch whoever did this.

Oh, I'm gonna find them.

Come hell or high water, those

sons of b*tches are mine.

Kane.

Sheriff.

[Loretta] Good morning, Sheriff.

Hello darling.

And what can I do for you?

Well, I would love a lead

on those scumbag suspects of ours.

But I guess I'll just have

to sign up for a cup of Joe.

You got it.

(gentle music)

No luck out there, huh?

None yet.

(gentle music)

You'll find 'em, Kane.

If they're out there, you'll find 'em.

Won't stop until I do.

Just warming up for a few

and we'll get back out there.

Mm, too cold for you huh.

It's cold enough to

freeze a tit off a frog, Sheriff.

What about Hendricks, is

he still out there searching?

Hell if I know.

Haven't heard from him since last night.

Dammit.

That man is as worthless

as teats on a bull.

So you're gonna come help me look?

I'll send Decker out shortly.

How'd he take the news,

he is getting off the desk.

That man was happier

than a dead pig in sunshine.

Can I top you off Deputy?

No thanks.

Better get back out there.

One of us has to.

Oh, Kane, before you go, I

heard the back from forensics.

It turns out that the

security cameras at the bar

are all fake.

Damn it.

Oh, Sheriff, Happy New Year.

It is New Year's Dalton.

You don't think I know that?

Well, Kane is pretty upset.

Well, what else is new?

That woman could start an

argument in an empty house.

Well, maybe she's got a point this time.

You don't think you should help her out?

I'm sending Decker.

Come on Sheriff, that

man's so thick headed.

You could hit him in

the face with a tire iron

and he won't yell 'til morning.

Geez, Loretta.

I mean, the man's old, he's not stupid.

Well, what good's he gonna

do then? I mean, honestly,

I'll send Hendrix back out too.

Hendricks?

He ain't got the brains

that God gave a goose.

Yeah, well I do.

And that's why I'm in

here and not out there.

Mm, mm, mm.

(gentle music)

Do you want me to see if I

can get you something to eat?

I'm not hungry.

(gentle music)

You gotta eat something.

We're pretty much out of everything.

Joe only takes me to

the store once a month.

So I had to use what we had left over

for the New Year's Eve party.

You can't go to the store without him?

I can't do a lot of things without him.

(Emily crying)

What do you mean?

Well, I haven't driven a

car in nearly two decades.

(gentle music)

I rarely get to speak to my family.

I mainly clean the house

and cook him dinner,

smile for his friends.

I am just a trophy wife to him.

(gentle music)

Why do you put up with that?

He's all I've ever known.

(Emily crying)

We got together when I was 16,

two years later we were married.

And I don't know what my life looks like

if I'm not with Joe.

It's never too late to find out.

I wouldn't even know where to begin.

He's controlling

and well you saw last night what he's like.

But he's my husband and he's all I have.

(gentle music)

You just deserve so

much better than that.

(gentle music)

So why'd you do it?

(gentle music)

You don't seem like you wanna be here.

You're not like, you're not like him.

Why would you risk spending

the rest of your life in jail?

No one was supposed to get hurt.

(gentle music)

Did Cash k*ll those people?

No.

Cash is a good guy.

He's just, he's like me, he's

caught in a bad situation.

So I get you're in a bad situation.

But why rob that bar?

There wasn't another option.

There had to be.

Why do you stay with your husband?

(gentle music)

There's no other option.

Exactly.

(gentle music)

Listen, untie me,

we'll go in there and get some breakfast.

Right, you hungry?

Everybody's gotta eat.

I got eggs, I've got some bacon,

sausage, I got watermelon.

You like watermelon?

You shut the f*ck up.

(dramatic music)

You know what?

Bring my wife back down here to me.

How about that?

Oh, now you care about her.

I swear to God, if that

girl up there lays one finger,

one f*cking finger

on my wife, man.

- Shut the f*ck up.

Ain't nobody gonna hurt your wife.

The only person that did that was you

when you left her last night.

(Joe laughing)

I didn't leave her anywhere, man.

I was gonna go get help and come back.

You know, you a real piece of sh*t.

What kind of husband leaves

this woman behind like that?

You had no idea what

I would've done to her?

Well, I guess you're right, I don't.

But if we're gonna talk

about something like that,

can we talk about the

fact that you sit here

and act super virtuous

and so cavalier, right.

Cavalier Cash.

Mm.

News Flash as*h*le,

you came into my house,

you put a g*n on my head,

you took me and my wife hostage.

That makes you the bad guy, not me.

Yeah, I might be the

bad guy right now, Joe,

but something tells me you are the bad guy

everyday of your m*therf*cking life.

(dramatic music)

(car engines revving)

(dramatic music)

Look, that f*cking deputy is back.

One word, one f*ck up.

And this b*llet got your name on it.

Oh, and it's loaded this time.

I'm done.

(gentle music)

(Kane knocking)

(dramatic music)

Mr. Cunningham.

Deputy Kane.

Sorry to bother you again.

We didn't have much luck last night.

So I'm back out canvasing the area.

Makes sense.

(dramatic music)

Just thought I'd swing by,

see if you or Mrs. Cunningham

saw anything after I left.

No, unfortunately.

It was actually pretty quiet around here.

Just the way that I like it.

(dramatic music)

And Mrs. Cunningham, is she around,

maybe she saw or heard

something that you didn't.

Also, unfortunately

she's not feeling well.

(dramatic music)

That is unfortunate.

Is she still in bed?

Yeah.

Still really bad migraine.

(dramatic music)

I thought you said it was a stomach bug.

Well no, it is, it started

with the stomach bug.

And then, honestly I

think we've probably stress

from the party that caused the migraine.

Sure.

Well let's hope she's feeling better soon.

Yeah, I'm sure she'll be fine.

Well, I better get back to it.

Well I mean, you know, if

I hear or see anything at all,

I'll call you, how with that?

All right, you do that.

(dramatic music)

Don't say anything, get in the room.

Nah.

(dramatic music)

What the hell you mean, no?

(dramatic music)

I want you to take me to my wife now.

(dramatic music)

I need you to know that

we're not gonna hurt you.

Cash is thinking of a plan

and then we're gonna get outta here.

And leave you guys to go back to normal.

(dramatic music)

And what makes you

think that I want my life

to go back to normal?

(dramatic music)

(footsteps thudding)

(dramatic music)

Joe?

(dramatic music)

I made them bring me to you.

Why?

I wanted to make sure that you were okay.

Since when do you care if I'm okay?

Yeah, well, you know that I care.

Do I?

Well, you're my wife,

yes, obviously I care.

(Emily crying)

I can't remember the last

time I felt like you cared, Joe.

(dramatic music)

f*ck is this, Emily, huh?

Where's this attitude coming from?

You left me Joe.

They weren't gonna hurt you Emily.

(dramatic music)

But you did, Joe.

(Emily crying)

Did what?

You hurt me.

I didn't mean to, okay.

Yes you did.

You make a choice.

The same choice I've been

making for the last 20 years.

You made the decision to put yourself first

and to hell with me.

See, that's not fair.

No, it's not fair, Joe.

That I'm married to a man

that could care less about me.

You only care about yourself.

Come on Emily, I care about you.

I do, I care about you.

You really showed it last night.

I wasn't gonna leave.

I'm not talking about that.

(dramatic music)

Look at me, Emily, listen to me.

Look, I never did anything

that you didn't want me to do to you.

(dramatic music)

(Emily crying)

You did this night, Joe.

And you know it.

I think that's enough.

Mind your f*cking business.

(dramatic music)

Man, get your a*s up, let's go.

Get your f*cking hands off me.

I'm done listening, Joe.

I'm done with all of it, including you.

Listen, Emily.

You heard what she said?

(dramatic music)

Whatever.

(dramatic music)

What do you think happened?

I know you ain't don't real police work

since Moses parted the

Red Sea, but come on Decker.

Geez.

There was a trail of blood.

What do you think happened?

It doesn't mean it belongs to Hendricks.

Have you seen Hendricks anywhere?

No, but I also haven't seen any body.

You will.

Get back out there and keep looking.

Geez, well I didn't appreciate

that remark about Moses.

And I am the one who

has to answer the phone.

And I am the one who

has to do all the filing.

Hendricks.

(dramatic music)

Sheriff.

(dramatic music)

No results out there yet, huh?

Nothing yet.

Hey you know what?

You need to go home and get some rest.

Let Decker do some searching out there.

That man's either deaf, blind or stupid.

Probably all three.

He ain't finding nothing out there.

Well, that may be true,

but it's been almost 24 hours.

You're gonna k*ll yourself

in this cold out here.

Hendricks could still

be out there, Sheriff.

I gotta find him, at least

I understand that.

But you aren't gonna do anybody any good

if you're half dead out here.

Especially Hendricks.

I'll think about it, okay.

(dramatic music)

Yeah.

It's gonna be all right, Kane.

We're gonna get these b*stards.

Right.

Oh, Sheriff Joe Cunningham,

anything I should know about him?

Nothing comes to mind.

I mean, he is an arrogant prick.

Likes to show off his wife now and again.

Other than that, he pretty

much keeps to himself.

Why do you ask?

I've been by his place twice now.

Something just seems off there.

Mm.

I wouldn't look too hard at it again.

Joe's a lot of things, but a

m*rder*r ain't one of 'em.

(dramatic music)

(Emily crying)

(gentle music)

I wanna be done with him, I really do.

But I don't know who I

am if I'm not Joe's wife.

I always wanted to be a veterinarian.

I loved the thought of

working with animals.

(gentle music)

But instead I got married young,

Joe inherited his father's

money shortly thereafter

and moved us here.

He opened up his own business

and became this big shot around town.

And I became the trophy wife

that he shows to all of his friends.

Go find out who you are.

Go live your life.

Go be a veterinarian.

(Emily crying)

Or a mother.

And I always wanted to be a mother.

(gentle music)

(Emily crying)

But with Joe and the things he would do.

(Emily crying)

(gentle music)

It just wasn't possible.

(Emily crying)

Does he hurt you?

(Emily crying)

He does doesn't he?

It wasn't always like this.

You can't let him hurt you.

What am I supposed to do?

I can't leave him.

I have nowhere else to go.

I don't own anything.

I'm stuck and he knows it.

Remember when we were talking earlier

about not having another option?

I think we were wrong.

It may not look like it right now,

but there has to be

another option for you, Emily.

You deserve so much better than this.

(gentle music)

Thank you for saying that.

I'm serious.

You don't need to live like this.

I don't have all the answers, Emily.

I wish I did, but I don't.

What I do know is that

when it comes to this life,

there's always another option.

(insects chirping)

(gentle music)

Who the f*ck are you

and what are you doing in my f*cking house?

What's up partner?

Don't, I wouldn't do that if I was you.

Oh sh*t, I should have

known that somebody like you

would've been a f*cking scumbag.

f*ck you Cash, f*ck you.

- Yeah, that's true.

- f*ck you.

Fitting name Cash,

since you stole all my f*cking money.

I f*cking knew it was the money.

Oh sh*t, I called that.

- Shut the f*ck.

- I'm just saying,

I knew that sh*t, I f*cking knew it.

One more word outta you,

you gonna get a b*llet in the f*cking head.

You understand me?

(dramatic music)

Whoa, whoa, whoa.

Oh sh*t, you pulled a g*n on me.

Yeah, you pulled one on me first.

That's true.

But here's what I know.

I know and you know

that little g*n you got there

is not even loaded.

Yeah, it's loaded.

Sure it is Cash.

It's a hell of a name.

I'll tell you what, you can call me Vegas.

You know what they say about Vegas, right?

The house always wins.

(dramatic music)

I guess we're both in

situations we shouldn't be in.

I'm sorry.

I really am.

(dramatic music)

I don't wanna be here anymore.

I don't wanna live like this.

Maybe I can get you outta this situation.

How?

I don't know, but I'm

gonna figure it out, okay.

When I leave, you're coming with me.

[Vegas] Gimme my f*cking money.

(g*n firing)

What was that?

I need to see what's going on.

(people speaking indistinctly)

Can I trust you?

Yes.

(dramatic music)

(people speaking indistinctly)

(dramatic music)

Stay here.

(dramatic music)

This is Emily Cunningham, I need help.

(Emily crying)

Oh, oh, oh.

Look who decides to join the party.

Guess you gonna do

her like you did me, huh?

Look, it's between me and you.

Leave her out of this.

I don't give a about her, you or them.

You understand?

Now give me what the I came for.

It's in the backyard.

(dramatic music)

Is that right?

Yeah it's.

Look, I can take you to it.

Let's go.

(dramatic music)

Deputy.

I know it's closing I time,

but can I trouble you for a cup of coffee.

Of course Kane.

They got away.

You know that, right?

They didn't get away.

I just haven't found 'em yet.

- Now you can't.

- I gotta find 'em.

Why?

Why is this so important to you?

And don't give me, this is my job, crap.

You know those men in that bar

weren't worth two hoots and a holler.

So why are you k*lling yourself over this?

(gentle music)

I guess.

(cellphone vibrating)

Sheriff.

You better answer it.

This is Kane.

[Sheriff] Kane, I need you to meet me

at the Cunningham place right away.

What's going on?

[Sheriff] Emily Cunningham just called,

someone's trying to k*ll 'em.

b*tch, I knew it.

(dramatic music)

(insects chirping)

All right, we're outside.

Where is it at, Cash?

Well, guess it ain't here.

(insects chirping)

f*ck you mean?

Don't f*cking lie to me.

Look man, why'd you k*ll those people?

You really think for one second,

we were just gonna walk into that bar

and walk out with that money?

Yeah, wasn't that the plan?

The plan?

God damn, you got a plan.

You don't even f*cking

know who owns that bar.

That my friend was never gonna happen.

(dramatic music)

I'm just saying, man, you didn't have to.

Okay, you're right.

Maybe you f*cking right.

But let me take a page outta your book.

How does it go?

Did what I had to do, right?

Isn't that your f*cking excuse?

Now, I done, done some

things I ain't proud of, okay.

But I ain't never hurt nobody.

Holy sh*t.

What do you call this then huh?

What do you call?

(trigger clicking)

Your f*cking safety is on, you dumb b*tch.

(g*n firing)

(dramatic music)

(Emily crying)

Joe.

(dramatic music)

Listen, they just ran out in the back.

So go get, they left all the money

sitting right there, baby.

Grab it, get the money,

yeah, get the money.

(dramatic music)

You see it?

You see it?

Baby, hurry up, we

don't have a lot of time.

(dramatic music)

Now come over here

and untie me, right here.

(dramatic music)

No.

(dramatic music)

What do you mean no?

We don't have a lot of time,

did you hear me?

- After all these years,

I mean nothing to you.

I wasted my entire life on you, Joe.

And for what?

For what?

I've provided for you, Emily.

No.

No Joe, you,

you stole my freedom,

you made me feel worthless,

and you're ruin my life.

(dramatic music)

I will not do it another day.

Emily, you would be nothing.

Shut the f*ck up, Joe.

(dramatic music)

20 years, I have listened to

you talk and talk and talk.

And now you're gonna listen to me.

(dramatic music)

You're f*cking pathetic.

You're a sorry excuse for a man.

And I regret every moment

I ever wasted on you.

You took so much from me, Joe.

20 years.

(dramatic music)

I have let you control me

and use me and abuse me.

And it f*cking stops now, Joe.

Listen to me, we can

talk about this, all right.

It's over.

Emily, I'm talking to you.

Thank you.

Good girl.

Come over here and untie me.

(dramatic music)

Oh.

f*cking b*tch.

Now you be a good f*cking

boy and clean this sh*t up.

f*cking b*tch.

(Joe screaming)

Emily.

Emily.

Don't.

(Joe groaning)

(insects chirping)

Oh my God.

Oh my God.

(dramatic music)

Hey.

Whoa, whoa, whoa, whoa, little girl.

You don't wanna do this.

You ain't no k*ller.

You don't know me.

Oh, I know you.

You got a nice house.

You cook, you clean, you wash dishes.

You spend your husband's money.

You are a lot of things little girl.

But a k*ller you are not.

I suggest she give me that f*cking g*n.

(dramatic music)

Give me that f*cking g*n.

(Emily groaning)

(dramatic music)

(Emily crying)

You should have k*lled me when

you had the f*cking chance.

(dramatic music)

Please don't.

(Emily crying)

Yo, Vegas.

You should know when to stop.

(g*n firing)

(dramatic music)

(Joe groaning)

No, she didn't f*cking leave me.

(Joe groaning)

(dramatic music)

I have to get away from my husband.

This is my only chance.

You should get outta here too,

the police are on their way.

Hey, you got something that belong to me.

Take it.

And how are you getting outta here?

Look, I'm not gonna hurt you, okay.

I might be the bad guy right now

and I know I've done some bad things,

but trust me, I need you and you need me.

So please tell me, how

do we get outta here?

I got a car.

Okay, where is it?

It's over there.

Joe never let me drive it.

But I never let him get rid of it either.

And you sure that thing still works?

It better.

Come on.

(dramatic music)

Emily.

(dramatic music)

Emily.

(police sirens blaring)

(dramatic music)

(police sirens blaring)

Don't move Joe.

(dramatic music)

(police sirens blaring)

You're letting her get away.

Put down the weapon.

(dramatic music)

You're letting her get

away with a f*cking n*gga.

I can't let her f*cking leave.

She is not my concern, Joe, you are.

Now put down the weapon.

(police sirens blaring)

We can figure this out, Joe,

but right now I need

you to drop your weapon

and step away from that vehicle.

I can't let her leave me.

I can't let her f*cking leave me.

Put down the weapon.

(police sirens blaring)

(dramatic music)

(police sirens blaring)

I can't do that.

I will not ask you again.

Relax, Kane.

(police sirens blaring)

(dramatic music)

I'm sorry.

I'm so sorry.

I have to stop her.

(g*ns firing)

(dramatic music)

Damn it, Kane.

(police sirens blaring)

(dramatic music)

He was in on it, Sheriff.

You don't know that.

It was him.

(dramatic music)

(police sirens blaring)

Well, I guess it doesn't

matter now, does it?

(dramatic music)

(police sirens blaring)

You got your man.

(police sirens blaring)

(dramatic music)

(police sirens blaring)

I guess I did.

What about the wife?

(dramatic music)

Save me

I don't know where I'm going

Feels like I'm holding on oh

(gentle music)

Erase me

I'm not saying I'm hopeless

I feel so alone

Oh

(gentle music)

Don't let me drown

(gentle music)

Come pull me out

(gentle music)

Don't let me drown

(gentle music)

There's blood in the water

(gentle music)

I keep going under

(gentle music)

One after the other

(gentle music)

There's blood in the water

Where are you going?

(gentle music)

I appreciate what you've done Emily.

But you know the cops, I mean,

they still out looking for me.

I just gotta get going.

Yeah, and my husband's still out there.

I have to get as far away

from here as possible.

(gentle music)

Okay, then you should go do that.

Now Emily, I've been

through hell to get this, okay.

I can't just give you the money.

Cash, I don't want the money.

Joe's not gonna stop looking for me.

I need your help.

You can help me, right?

(gentle music)

I can't all right.

I just can't.

(gentle music)

But I helped you.

And I'm sorry, Emily.

(gentle music)

Look, I wish you luck okay.

I really do.

But there's some things

I gotta take care of.

(gentle music)

And this is my only option.

(gentle music)

Hey Cash.

(dramatic music)

I want my keys.

(g*n firing)

(dramatic music)

There's always another option, Cash.

Someone very special told me that.

(dramatic music)

And it's the night I saw

the night she weeped alone

Her spirit cried

Her heart tuned to stone

Trapped in a lovers cage

Her could cried out

Longing for it, middle ground

In her hideout

He dreams won't vibe right now

And w*r through the silence she walks

Feeling cold

She's breaking free

From the chains that bind

with every beat of her heart

Leaving pain behind

No more shadows

No more doubt

She'll scream and shout

She's shattering the

walls of her hideout

(gentle upbeat music)

Here's a stifle dream

She's endured the pain

But tonight she rides,

she won't remain

(gentle upbeat music)

Through the darkness she

finds her strength anew

(gentle upbeat music)

With fire in her soul

She knows what she must do oh

(gentle upbeat music)

Her spirit ignites

With an ember of hope

From the depths of despair

She refuses to go

Oh, oh

(Emily cheering)

She's breaking free

From the chains that bind

with every beat of her heart

Leaving pain behind

No more shadows

No more doubt

She'll scream and shout

She's shattering the

walls of her hideout

(gentle upbeat music)

Whoa

(gentle upbeat music)

She's shattering the

walls of her hideout

(gentle music)

No more hiding

No more doubt

She'll sing and shout

As she tears down the

walls of her hideout

(gentle music)

I've been knocked down

Beaten and bruised

Thought I was done

But I refused

To let the darkness swallow me whole

I'm a rebel with a burning soul

Through the storm, through the fight

I'll rise up, bring the light

No chains can hold me now

I'm back and I'm proud

(upbeat music)

Unstoppable

Nothing can break me

Unstoppable

No one can shake me

I've hit the ground

Seen the end

But I'm standing tall again

Unstoppable

Chasing dreams on fire

Unstoppable

Climbing higher and higher

They tried to drown me, seal my fate

But I wrote back, I won't be tamed

Every scar's a badge of my strength

I'll go any length

I'll pay any price

Through the storm, through the fight

I'll rise up, bring life

No chains can hold me now

I'm back and I'm proud

Unstoppable

Nothing can break me

Unstoppable

No one can shake me

I've hit the ground, seen the end

But I'm standing tall again

Unstoppable

Chasing dreams on fire

Unstoppable

Climbing higher and higher

(upbeat music)

Every fall, every tear

just fuels my desire

I'm a warrior on fire

I'm a wild fire

I'll reach the stars touch the sky

No limits, no chains, no fire

(upbeat music)

Unstoppable

Nothing can break me

Unstoppable

No one can shake me

(upbeat music)

I've hit the ground, seen the end

But I'm standing tall again

Unstoppable

Chasing dreams, on fire

Unstoppable

Climbing higher and higher

Unstoppable

Can't bring me down

Unstoppable

I'll wear the crown

Through every battle

(upbeat music)

I'll find my way

Unstoppable

Today is my day

(upbeat music)