03x02 - I'm the Girl He Wants to k*ll

[bunniefuu]

(dramatic music)

(car screeching)

(laughing)

(party horn blowing)

- Sshh, quiet.

(laughing)

- Bye.

(car screeching)

(rustling sound)

(dramatic music)

(screaming)

(dramatic music)

- Nothing.

Not a damn thing.

And all her
boyfriends got alibis

tighter than a mouses purse.

Motiveless.

The worst kind of m*rder.

We're looking for a needle
in a hay stack or not.

That's the only thing we
can be sure of.

- No, there's one other
thing we can be sure of.

He'll do it again.

(alarm ringing)

- Oh hello Ms. Rodgers.

- Hi Sam.

- Working late again?

- Oh I'm afraid so.

- You have more late
nights than you do

early one's don't ya?

- Well, that's the
penalty of working

for the Overseas Director.

When I'm just
finishing in England,

he's just starting to
call the states.

- Or Australia or
India or whatever.

Come under the heading
of world trade.

Or insanity.

I'm gonna let you in on a
little secret.

My wife does not approve
the hours I keep either.

Goodnight Ann.

- [Woman] Goodnight Mr. Burton.

- Have a good night Mr. Burton.

World trade.

All the same you want
to watch it.

They're gonna lock you in again.

- Oh Sam, you wouldn't do
that would you?

- No no, I always check.

Not that I mind be locked
in with you though.

You looking very pretty
tonight Ms. Rodgers.

- Why thank you Sam.

Will I see you tomorrow?

- Only if you're late again.

I'm not on till six.

- Oh the ways things are bopping
these days, I'll be late.

You can depend on it.

Goodnight Sam.

- Goodnight Ms.

(dramatic music)

(dramatic music)

(police siren)

- It must have been him.

It must have been him.

I know it was him.

I felt something.

I hardly knew her.

I only spoke to her once.

She came over to ask the time.

That was yesterday.

- We'll get him.

With your description,
we'll get him.

- Does that matter now?

- Yeah, it's vital.

He isn't gonna stop.

Are you too tired to come
and look at some pictures?

- I'm sorry.

- Not your fault.

Perhaps he isn't on file.

Or perhaps you'll be thinking
more clearly in a day or two.

Anyway, this helps?

- Yes.

It's like him.

And yet it's not
like him at all.

- Yeah, well it's something.

It's a beginning.

You're tired.

- I'm bushed.

- George, can I have a car
as soon as possible please.

Yeah, Ms. Rodgers.

Thanks.

I'll take you home.

- Thank you.

- Sorry.

- I'm sorry.

Thank you.

- American?

- What?

- You're an American.

- From Indiana.

- Working in England.

- Yes, I work for an
American company.

Actually I'm English
by marriage.

- I didn't realize you
were married.

- Oh, no I'm not.

I'm sorry, I'm very
monosyllabic tonight.

Are you really interested?

- I'm interested in you yeah.

- Well, I met this
crazy Englishman

and I was bowled over by his
looks and the way he dressed.

And I also like his cute accent.

So I married him and it
didn't work out

and we got a divorce
and end of story.

- Is it?

Probably made you wary of
all Englishman.

- A louse is a louse,
whatever the nationality.

- Right on, come on.

I'll take you home.

(dramatic music)

- Putting you through.

Hello.

Parker Industries.

I'm sorry the line is engages.

Will you hold?

Yes one moment please.

Ringing for you.

- It's quite simple madam, Mr.
Dickenson is on sixth floor.

When you come out.

(loud patting)

Turn left, it's the
second on the right.

Here look, come with me.

It's around here.

You got everything
you came with?

Sixth floor, first left
second on the right.

There you are.

- Morning.

- Morning, thank you.

- This is quite ridiculous.

If they want me to work
a 26 hour day

then I'd have to make
arrangements

to change the time scale.

- I'm sure we can
get through it.

- Yes I suppose so, thanks Ann.

- I'll call your wife.

- Good, thank you.

By the way I forgot to tell you.

This morning while you were
in con someone call you.

- Who?

- I have no idea, Penny took it.

- [Ann] Well.

- Well, that man has
been calling you

everyday for months now.

Well who else but that
lovely cop of yours

and he's standing
right over there.

- [Ann] Mark.

- Yes well personally I
wouldn't trust a copper.

- And you'd be
absolutely right Penny.

(door slams)

Goodbye Penny.

- Not here.

- Not here.

- Detective Sergeant Tanner.

- Well you started it.

- I don't know what's been
happening to me

these past few months.

- That's funny, I've had
the same feeling.

- Oh, is that theory
or deduction?

- A little bit of both and a
lot of what my heart tells me.

- Ohhh.

For a tough old cop you can be
awfully corny, you know that.

(laughing)

- I can be aggravating too.

- Our lunch date.

- Is canceled as from
now, I'm sorry darling.

- Oh I suppose you have
a very good reason.

- Yeah, I think so.

They're expecting me
every there on the double.

There's nothing I can
do about it.

I'm sorry darling.

Call you later.

- You better.

- Ann.

- Yes.

- It would have to be today.

You know where I was
gonna take you?

- I think so.

(dramatic music)

(laughing)

- Hello Ann, how did your
lunch go with the copper?

- This is really
devotion to duty.

You're 15 minutes early.

- Well I have things to do.

- Yes, haven't we all.

The Jamaican thing is
looming huh?

In fact it may mean
another late evening.

Anyway, I'll let you know.

- What?

- About working late tonight.

- Oh yes.

- Ann, something wrong?

Are you feeling okay?

- No, I'm fine.

I'm just fine really.

- Good, I'll let you know.

(phone ringing)

- Hello.

- [Ann] Hello, it's Ann Rodgers.

- [Man] Oh hello Ms. Rodgers.

- Is Mark there, I have
to talk to him.

- Well I'm afraid he's
just getting himself

involved in some
important business.

- [Ann] This is business.

Could you just please
get him for me

and tell him its urgent.

- Alright I'll tell him,
hold on.

But he won't thank me for it.

- [Mark] Ann.

- Mark.

Mark I've seen him.

- Seen who?

- The man who k*lled that girl.

I went for a walk during
lunch and I don't know.

Maybe I was thinking
about us but I was looking

in a jeweler shop and I saw him.

He was in the jeweler
shop and he was working

right there in the window
and I recognized him.

I think he recognized me.

I mean he stared at me and
he followed me.

- How hold on darling.

Hold on.

- [Ann] It was him.

I know it was him.

- And he followed you
back to the office?

- I think so.

- [Mark] Oh you think so.

- I'm sure he did.

- [Mark] You actually
saw him following you?

- No, I didn't see him.

- Oh.

- [Ann] But I know he
followed me.

I sensed it.

Mark he's probably outside.

- He isn't outside.

He's inside.

- He's what?

- [Mark] That's why the
inspector wanted me.

We got a lead,
followed it through

and we made an arrest
just a few minutes ago.

- You mean the man.

- The k*ller.

Everything fits, right down to
the description you gave us.

- You arrested him just
a moment ago?

- [Mark] That's right.

- Where?

- [Mark] Just outside
on the street.

Not far from you in fact.

- And you're sure it's him?

- We will be when we've
questioned him.

And then some time tomorrow
you'll have to come down

and make an identification.

Ann, darling.

I'm sorry to have to put
you through it.

But you are a key witness.

- Oh no, that's alright.

- Good, I'm sorry darling.

I have to go now.

I'll try and call you later on,
chow.

Right, you and I are
gonna have a little chat.

(dramatic music)

About the women you k*lled.

(dramatic music)

- I'll put you through
to a secretary.

Sorry the line is busy.

Will you hold?

One moment please.

Hello, Parker Industries.

Hello.

- Oh hello Mr. Thompson.

(dramatic music)

- You're jumpy today.

- I'm sorry.

- These only go back to 68.

It's 66 and 67 I'm
interested in.

- They'll be down in
the archives.

- Send Penny.

- That's alright, I'll go.

- Alright.

(phone ringing)

- Hello foyer.

Look here mother, I
told you before.

You shouldn't hit me at
work unless it's important.

- Sam.

- But you could have
left me a note.

- Archive.

- Hang on a minute mother.

No no no, I'll pick up
my own dinner.

Yeah yeah, no I see.

(dramatic music)

(gasp)

- Oh Sam.

- Ms. Rodgers.

- You frightened the
life out of me.

- Oh I'm sorry.

Although Mr. Burton
just rung down.

He wants you straight away.

He said if you haven't
found the files

you can get them later.

- That's alright, I've finished.

- Here let me.

Can't keep Mr. Burton waiting.

I mean world trade and
all that malarkey.

Sorry I forgot the key,
I'll lock up later.

- [Ann] Okay.

Thank you.

(dramatic music)

(phone ringing)

- Foyer.

Oh yes, yes certainly.

Straight away.

Please follow me.

Goodnight sir.

- [Man] Goodnight.

- [Man] Have a good night Sam.

- Goodnight to you.

- Oops.

- I'll call you tomorrow.

- I'll have all the
figures ready.

- Fine.

I could say you don't work
too hard but please do.

This is a very important deal.

I'll bring you something
back from Munich.

- Just you Mr. Burton and
a little less work please.

- Goodnight Sam.

- Goodnight Sam.

- Have a good night.

- Another day, another dollar.

Oh let's have a drink.

- That's always a good idea.

- And we won't say a word
to each other.

Just silence, lovely silence.

Oh, it's that lovely Mr. Burton.

- Goodnight Sam.

- Goodnight Mr. Burton.

- Goodnight Mr. Burton.

- Goodnight.

Pull out a plug and it's
finished for the day.

- Sir?

- Sam, I make more
money than you.

There's a car waiting to
whisk me to the airport.

A plane waiting to whisk me
to the fresh parts of Munich.

And the media Sam?

- Well uh.

- Don't, was here three.

Whisk, whisk, whisk.

Goodnight Sam.

- Goodnight.

- Oh no, not again.

Honestly, I thought my
boss was a sl*ve driver.

- Oh well, he's good to
me in other ways.

He gives me time off and he
never worries if I'm late.

- Look love, you're never
gonna catch that cop of yours

if you're not gonna
see him in the evening.

- Oh my gosh, I
completely forgot.

He's calling me at home tonight.

Oh no.

- The direct line in the foyer.

- Right.

- And we're not in Mr.
Parker's office.

(laughing)

- Oh Penny, I just don't
have time to go chasing

around the building with
all this work.

Would you do me a favor?

- Sure.

- Would you make a call for
me as soon as you get home.

- Yeah, if I remember.

You know what I'm like.

- Thank you.

My landlady, tell her Mr.
Tanner is going to call

and tell her I'm probably.

- You're working late
and you'll get

in touch with him soonest.

- That's fine, thank you.

- Goodnight Sam.

- Goodnight then.

- Goodnight.

- Oh great.

Yeah, everything's okay.

There's only one working
late as far as I know.

Ms. Rodgers.

You do know Ms.
Rodgers don't you?

Sexy red head.

American girl works on the
11th floor with Mr. Burton.

Yeah, she often works late.

That's why I usually
hang around.

Lock up and wait to let her out.

What's up with you?

- It's not me, it's Meryl.

- Meryl?

- My wife.

My wedding anniversary
and I didn't remember.

Meryl is a large woman,
powerful.

- Oh dear.

- We swap shifts
before hadn't we.

When you wanted a night off.

- But I've just
finished a whole day.

- I know.

I wouldn't ask you to
work, not for long anyway.

Just till about 9:30 or 10.

Just long enough for me to
buy Meryl a drink or two.

I'll be back as soon as
I can, I promise Sam.

You do know what Meryl
is like when she's mad.

- Oh alright.

- I won't forget this Sam.

- But you get back here before

the cleaners arrive in morning.

- I won't forget it.

- Neither will I.

(dramatic music)

Just a minute.

Where do you think you're going?

Hang on a minute, I've
seen you before.

Earlier on today.

(grunting)

(dramatic music)

- Just grab it.

New sprint.

Sam I broke all records tonight.

Sam.

Sam.

Sam.

Sam.

Hurry.

Oh my God.

(doors slamming)

(doors slamming)

(screaming)

(dialing)

- [Man] Yes.

- Put me through to the
police please, hurry.

- [Man] One moment.

- [Man] Police.

- You have to help me, please.

- [Man] Your name Ms.

- Ann Rodgers.

- [Man] And what's the trouble?

- There's a man, he's a k*ller.

- [Man] Where are you Ms.?

- [Ann] I'm in the
Parker Building.

- [Man] I know that.

But exactly where in the
Parker Building?

Which office are you in?

- I'm in Mr. Parker's
office on the 12th.

You knew I was in the
Barker Building.

(dramatic music)

(screaming)

(crying)

(dramatic music)

(slam)

(dramatic music)

(dramatic music)

- It isn't him.

- I thought he confessed.

- Oh he did.

He spilled everything.

Every detail, every fact.

- Well then if you've got it.

- Except none of the
details are right

and none of the facts fit.

We've been wasting our
time on a nut.

- I thought that's what we
were looking for, the nut.

- Yeah but not this nut.

- What will you do?

Book him for public nuisance?

Yeah, something like that.

But you'll be doing the booking.

I'm going home.

- And not to your home surely.

(laughing)

- You should be a detective.

Ring her for me will ya.

I'm gonna clean up.

(heavy breathing)

- Yes, I'll tell him that.

Thank you very much, yes.

Goodnight.

She isn't in yet, she's
working late.

- The jeweler.

Ann said she saw the man,
a jeweler.

- What's that got to do with it?

- The effects are
here aren't they?

The first girl that was k*lled.

Are her effects here?

The contents of her purse.

- The second drawer.

- Just as I thought.

A jeweler stub for the
repair of something.

- There's no name on it.

It could be but it's a bit
of a long shot isn't it?

- No, it's not as long as that.

Something Ann said to me about

the second girl that was k*lled.

She said I only spoke
to her once.

She came to ask the time.

Now why should she ask the time?

- Her watch had stopped.

- Or it was in for repair.

They go to a shop.

He takes a fancy to them.

He goes back to their home.

Did you get Ann?

- I told you, she's not in yet.

She working late.

- Oh maybe they leave
the line through.

- [Woman's Voice] Good evening.

Parker Industries.

- Good evening, may I
speak to Ms. Ann--

- [Woman's Voice] This
is a recording.

The office is closed
until tomorrow.

Would you care to leave
your message starting now.

- Anyway, she's
probably left by now.

She doesn't work that
late does she?

- Not often.

She's probably half
way home by now.

It's best to ring her land lady.

Get her to call as soon
as she comes in.

(dramatic music)

(heavy breathing)

(dramatic music)

(loud machine)

- Surely she must be
back by now.

Well it's already after.

Yeah alright, I'm sorry.

As soon as she gets in.

- Thank you, thank
you very much.

- Any luck?

- They're checking it out now.

- Well there must be a direct
line through to Parker's.

They've got security there.

There has to be a
number you can call.

- Mark, they're checking it out.

- She did say he followed her.

Imagination of course,
but she did say.

Well supposing he did follow
her back to the office.

(phone ringing)

- Yes.

When?

Hold on.

There is a direct line to
the security man at Parker's.

He usually rings us.

He check in every hour or two.

But he hasn't rung tonight.

And the phone seems to
be out of order, Mark.

Squad car to
Parker's right away.

If they hurry they might
beat Sergeant Tanner to it.

They might and don't
forget our master key

or we won't get in.

(ringing)

(dramatic music)

(screaming)

(dramatic music)

(slamming sounds)

- [Ann] Mark!

(crying)

- He's got away Serg.

- No.

- Why didn't I think of that?

- Easy.

Jump big.

To the list.

Pull it to the left.

- [Mark] Winters?

- Yes Serg.

- How's it going?

- Okay okay.

- I tried to raise
Kestin but he'd

already left 10 minutes
ago, he's on his way.

He can take you to the hospital.

- Oh Mark, I'm alright.

- You think you're
alright but delayed--

- I'm just fine.

- Shock.

- I'm just fine, really.

- Well he can take
you home then.

- Please.

- I'll be along later.

- I'd really rather be alone,
okay.

- Sure?

- Yes.

Thank you anyway.

- Take it easy.

Are you sure you know how
to wind that thing down?

- Yep Serg, yep.

To the fifth floor.

Attention!

Nice and even.

Of course I'm sure Serg.

I used to be a maintenance man.

Not too fast.

We're coming up now.

Did you want to be first
to welcome the little man?

- Maintenance, where?

- McNortis, another glass cage.

- [Mark] Don't worry
about the judges rules.

Wack him.

(dramatic music)

- Serg, he must have heaved
himself up to the next floor.

He can't get away Serg.

- Yes he can.

Once those main doors are
unlocked all the doors are open.

Come on.

Use the stairs.

- Would have gone through
the front door.

- Or into hiding.

(coughing)

Kestin.

- I think I ran into your man.

(coughing)

- When?

- Four or five minutes ago.

(coughing)

I didn't get much of a chance
but I think I hurt him.

Hurt him bad.

- Where was this?

- Outside.

Guard park.

- We'll get him.

- Annnnnn!

(dramatic music)

(screaming)

(police siren)

Annnnnnnn!

(dramatic music)

Kestin said he'd hurt him.

He's dead Ann.

He's dead.

Come on.

(dramatic music)