-Aah!
Oh!
-What happened?
-A f*cking bird
just dive-bombed me,
and I dropped my meat sticks!
-Violent.
-Where'd it go?
-Please tell me you got that
on film.
-Only on my eyes. I'm sorry.
-Come on, guys, we have
so many cameras this trip.
-Film it all.
-I know.
-You're expecting
too much of me.
-I'm gonna go get another snack.
-She's gonna go get
more meat sticks.
-Alright. Recording.
Alright,
so what's up with this place?
-I am so excited, dude.
I went on Google.
There's literally 72 articles.
And the best part?
There's a story that resonates
with all three of us.
-Okay. Alright.
And for you to be sounding
this excited kind of gets
me a little excited.
-I'm pumped.
Why is there a swastika
on the table?
-Let's go, muchachos.
Let's hit the road,
quit dilly-dallying.
Let's go.
-What'd you get?
-Nothing for you.
-Okay.
-What about me?
-I got all the snacks for you.
Very country-looking out here.
Holy f*ck.
-What up?
-Look at that.
Beautiful.
-Those are fields of food.
Look at that.
We're in cousin-f*cking
country now.
-We're in cousin-f*cking
country. Whoo-hoo! Whoo!
-Oh, God.
-What?
-Something is not right.
-What are you doing?
-Jay, I've done something
unflattering.
-Oh, God, what did you do?
-Can you fix this?
That should be better.
-Okay.
-Alright.
We gotta learn
how to use these cameras
if we're gonna be filming
the next few nights.
-I know
how to work a f*cking camera.
-Okay.
-I don't. No promises.
I can hold it.
-Okay, well, you know,
I already made one shitty
horror movie in my lifetime.
I don't need to make
another one.
-Say "horror" one more time.
-"Har-ar."
-Horror!
-Horror!
-Horror! Horror!
Horror-or-or-or.
-What is that?
-Dude, I think that
black bird is following you.
-Oh! Shut up!
-Birds, man.
-He wants you.
He wants to be inside you.
It's not funny.
-It's kind of funny.
Guys, I have to poop.
-Aw.
-What?
We just stopped.
There's no gas stations here.
I don't know --
What do you want me to do?
-It's fine.
I have my sh1tting shack.
-Oh, my Go--
While Jay and Celina
are taking a piss,
I'm gonna tell you
about the little surprise
that I have for them.
So I have been in the bowels
of online forums --
...went missing
like 60 years ago,
and I think it could all be,
like, tied into something
and we could actually
find something
that nobody's ever found before.
So they don't know it yet.
-Look at this f*cking guy.
Must be so nice to be a guy!
-It sure as sh*t is.
-Oh, my God.
Oh, my God.
My...
Ow.
What the hell are you doing?
-Um...
Hey, I was playing Rock,
Paper, Scissors, to be honest.
-Are you taking a sh*t?
-I am. Can you smell it?
-I told you
not to bring this thing.
-Look how convenient it's been.
You know what, Kris?
When you need to sh*t,
you're gonna be really happy
this is here
and Jay doesn't have to hold
your hand to keep you up.
-Rock, paper, scissors, sh**t.
Rock, paper, scissors, sh**t.
Oh, f*ck!
Dude, is that your sh*t?!
-Oh, my God! No, no.
-It's in a bag.
-Where are you gonna put it?
-In the back.
-No, you are not gonna put --
Oh! Oh, my God!
Oh, my God!
-Okay, okay.
I spy something
that is green.
-A tree.
-Yes! It's trees.
-Oh, man.
-It's trees.
-I spy something that is orange.
-Oh.
-Ohh.
-Oh. Uh, what?
-Your hair!
-No, good guess, though.
The emergency light on
on this van.
-Oh.
-Who rented this?
Was this your idea?
You know what?
We're in a freaking
wheelchair van.
-But look at the space
that we have for activities.
-I love to play
the license-plate game,
but clearly there is...
-There's nobody here.
-Where the hell are we?
This is probably
a terrible angle.
- Probably.
-Do you know what's good
about the wheelchair van?
-What?
-I can literally come up here,
stand because I'm 5 feet tall.
-Don't stand up!
You need to put a seatbelt on!
Celina. No! Celina!!
Go sit down!
-I'm not gonna sit down
-If I k*ll you, I will k*ll you.
-I'm gonna party
I'm gon-- Okay.
You know what?
I'm working something up.
-Hold on.
You're not recording, Celina.
-Oh. What?
-You're not recording.
-Oh, f*ck. I hit it.
Guys, I'm getting, like,
a little concerned
that we haven't seen,
like, a soul.
-Uh, yeah, I think
that's a good sign.
That means this video
is gonna be even creepier.
-Where the f*ck are we going?
I checked the GPS.
Yeah, we're not going
the right way.
-What?
-We're taking a little detour.
-What?
-What? Where?
-So I asked around,
and apparently there's, like,
an abandoned/haunted house --
-Kris, we're supposed to be
at the cemetery at 7:30.
-I know, but it's a graveyard.
It can wait.
Okay? I-I want to do
something cool.
I want to do something
that we've never done before.
-This is what we planned for.
- It's only, like,
10 minutes away.
-Dude, pull over. Stop.
-What the f*ck, man?
-I didn't think you guys
would actually get mad.
Like...
-I've been spending hours.
I spent, like,
eight hours researching this
and putting the files
together in the write-up.
-I get it, I-I'm sorry.
I get that, I get that,
but we're doing
the most basic sh*t.
We keep going to
different locations.
It's the same thing
every single time.
Something that people
have done all the time.
And I just wanted to
surprise you guys
to a place that nobody's ever
been before
or that I know of, at least.
-It'd be nice to be involved,
to have, like, an idea so we
could research so we could be,
like, f*cking prepared.
-Thank you.
-I mean, improv. Like, we could
just show up and do something.
We don't always have to be so --
so f*cking rehearsed.
Like, it's f*cking boring.
I want to do something exciting,
and I thought this
would be exciting.
I'm sorry I didn't involve
you guys, but it's just --
You're f*cking
party poopers half the time.
-Not having the facts
makes me feel like an idiot.
When you talk to a camera
and you say the wrong sh*t,
that's not cool.
-Okay.
That's fair, that's fair.
-It's the Kris show, dude.
It's the Kris show all the time.
-Okay, okay.
-Thank you.
Someone finally said that.
-Alright.
I'm sorry I didn't involve
you guys.
I still think it's worth going
and just checking it out.
It's not that far.
We could just check it out.
I am thinking the best
for the entire group.
It's not just about me,
as much
as you guys want to think that.
I really think that this could
be really, really f*cking cool.
-No one's ever been
there before?
-Not that I know of.
-Nothing on YouTube?
-No, I researched that much.
-I mean, that's cool, but, dude,
just f*cking communicate
with us, man.
Like, we're spending --
-Dude, dude, dude...
-Alright, alright.
-Just cut it.
It's going the wrong way.
-Alright, alright. Yeah.
-I just -- Like,
you guys are my best friends.
I just want to be successful
with you guys
and make something
really f*cking cool.
And I don't want to do basic
sh*t anymore.
-We all want that.
We all want that.
-I want that.
-Alright,
we're losing daylight, so...
-Yeah, let's get going.
-I don't want to end up
on a back road at, like, 10:30.
-Yeah. Alright.
-Alright, so
I'm about to prove to these guys
that no one knows about this
by calling Sam and Colby.
Because if anyone knows,
they know.
And if they don't know,
then we're good.
-Aah!
-We're filming right now.
We're filming a ghost-hunt
video, and we figured that
you guys know, like,
basically every single location.
Um, so we are going to a place
called the House on Eden Road,
and we just wanted to know
if you guys have heard of that
before.
-I've actually
never heard of it.
House on Eden Road?
-Yeah.
-It's like a big, like...
-It's like --
It's really unknown.
So I was like, "I feel like
not even Sam and Colby would
know about it."
So have you never
heard about it?
-No.
-Okay.
-You got us on that one.
-Alright, alright.
Cool, cool.
-A mystery location.
-That's pretty --
That's alright.
That's alright.
That's all we needed to know.
That's all we needed to know.
-Yeah.
-I believe you now.
-Right?
That's what I'm saying.
-If they -- Okay. I'm excited.
-Okay.
That's what I'm saying is
that nobody knows about this.
Not even Sam and Colby.
So let's do this.
-Let's do this.
-Let's check it out.
Okay. We are officially
out of road,
and this is where it is.
It's still like...
We're gonna
have to go on foot.
We don't have that many bags.
-Are you filming
on a f*cking toaster?
-No, man. It's a Sony Handycam
digital-8 thingy.
--We film on an 8-millimeter
half the time.
It'll make it like...
-Yeah.
Now this is like
an 8-millimeter tape.
-Yeah, yeah, yeah,
exactly, exactly.
But I say we walk the rest
of the way.
-What?
-It's right there.
-That's all bush.
Dude.
- It'll be fine.
We have a trail here.
-But we have so much --
We have our luggage.
We have our -- the equipment.
-What if --
What if the best video
ever is right there?
-Ready?
-Yeah.
-3, 2, 1.
Dowr, dowr, dowr, dowr
Start again.
Dowr dowr dowr dowr
dowr dowr dowr dowr dowr
Dowr dowr dowr dowr
dowr dowr dowr dowr dowr
Dowr dowr da-na-na-an
dowr dowr dowr
-Over here.
-Oh.
Dun dun dun dun dun
dun dun dun dun dun dun dun
Dun dun dun dun dun
dun dun dun
Go, ghosts!
- That's where
we're going. Down the trail.
-Down the way we go
to the ghostie town.
To the ghostie town.
-I'm nervous.
What are you doing?
What are you doing?
-Oh.
-Let's go.
-Find my hat.
One, two, check in. Alright.
We're gonna make the
most epic video ever.
Let's -- uh, let's get some
lav mics on
so we don't sound like sh*t.
Celina, that's you. Kris.
And, uh, I'll join
the -- the -- the mass brigade.
-Okay.
-Okay.
-Have you seen a picture
of this place?
-Uh...
-Or, like,
at least what it looks like?
-No. No, but I'm assuming it's
supposed to be like a house,
and it looks like there's
no f*cking houses anywhere here.
-There's no road.
That's what has me concerned.
-Well, we'll see.
-Well...
f*cking mint, bro.
-That's tucked away now.
Ain't nobody gonna
find this sh*t.
Okay.
-Alright.
-Let's go.
-Let's get the sh*t and,
uh, say goodbye to the van.
-Bye, van.
-Kristina.
Oh. Yeah.
-It's okay.
You don't need me in the shot.
-Okay.
-What are you filming there,
Jay?
-sh*t.
-Which direction do we go?
-Uh...
I think it's this way.
-Okay. Alright.
I'm gonna try
to do this together.
Okay?
Hey, a little help would
be kind of -- kind of nice.
-Hmm?
-Seriously?
-Yeah, dude, I can't f*cking
film, have a camera...
-That's why we bring you along,
to carry cameras.
-I see --
I see two open hands right now.
-Okay, be a little --
a little nice.
Maybe nice, but not that nice.
-Heh-heh-heh.
-Okay. Um...Yeah.
So I think...
we need to, like,
utilize this creepy-a*s forest.
And I think it'd be fun to do,
like,
a little comedic aspect before
we actually get to the house.
So we should play, like --
I don't know, like,
hide-and-seek or something.
And then one of us will,
like, jump out in front.
-Yeah.
-I think that'd be fun.
We'll, like, d*ck around
for, like, five minutes
and then we'll keep walking.
-Are you recording?
Oh, okay.
-Yeah.
-I'm getting it, like,
a little bit at this point.
-Okay.
That's good. That's good.
-Oh, let's do Rock, Paper,
Scissors.
-For what?
-See who has to seek.
See who has to hide.
-Oh.
-Let's do it. Let's do it.
-Wait. Can you do a three-way
that way?
Rock, paper, scissors.
Oh, wow.
-That's terrible.
-How do you guys --
Do you guys not do that?
-That's what I do. He goes rock,
paper, scissors, sh**t.
I go rock, paper, scissors.
-We're doing it
the Canadian way.
-Yeah.
-We're doing rock, paper,
scissors. Got it?
Okay. Ready?
Rock, paper, scissors.
-Oh, f*ck. What?
-Nehhhh!
-Bl-bl-bl-bl!
-We're gonna hide, b*tch.
-Alright.
Turn around
and count to 50.
-50?!
1, 2...
-Oh, g*dd*mn it.
-Kris.
-What?
-Do you think --
Do you think he can see me?
-Yeah, he can probably see you.
-What about now?
-I think you should find
a different spot.
-Is it 'cause the tree's
not big enough?
-No, no, no, no,
that's not it.
-Okay.
- sh*t.
-Okay,
that's got to be wide enough.
-What the f*ck is that?
-36, 37
38, 39
What the hell?
I thought I saw something.
- 47...
48...
49, 50.
Ready or not,
here I come
-Holy sh*t!
What the f*ck?
Oh, my God, yes.
-If I was Celina,
where would I be?
I think I still smell
your sh*t from earlier, girl.
Some bullshit because
you is right behind here.
Ha ha ha!
Got you.
-You got me, boo.
-Alright, if I was Krissy-tinas,
where would you be?
-Well, she's being a b*tch,
so she's probably a witch
and flew up into a tree.
-Oh, wait.
She's over there. Oh!
Hold on.
Kristina! Ha ha!
I got you. I think I got you.
-What you seeing, boo?
-She was right here.
-I think this forest
is getting to you.
-This damn heat's getting to me.
This whole trip's getting to me.
-Where on Earth would she be?
- Kristina.
-Did we really
have to play hide-and-seek
like a bunch
of f*cking teens?
-You know what?
I get it. I don't, but I do.
You know what I mean?
I feel like someone's
definitely gonna break an ankle.
-Yeah, there's --
-There's no one to sue
if we break an ankle out here.
-Who? What? Suing?
Hey, what about this bush?
-Shh.
What was that?
-A bug in your hair.
Dude, I heard that.
I heard that.
-Come on.
Okay. What if we actually lost
her, though?
-That's fine. We're gonna
get the hell out of here.
-Kris, are you f*cking with us?
-Oh!
This is so thick.
Yo, what the hell?
-That is terrifying.
That's the m*rder house.
This is where we're gonna get
m*rder*d.
-Yo.
-Don't break an ankle, please.
-f*ck.
-That looks like it
should be falling down.
-Yeah.
-There we go.
Jesus.
Whoa!
Do you think she's hiding
in there?
-She'd be too scared
to go in there.
-Oh! Ooh!
-Oh, my God.
-Dude. What?
You think she's in there?
-Should I open it?
-Go for it.
-I can't even...
I don't know about that.
I don't know --
-Listen.
-What?
-There's somebody in there.
-Let's see.
Listen.
-It's hissing.
-Alright,
let's just keep going.
Aah! f*cking --
-Oh, my God,
that was f*cking awesome.
-Not cool, bro.
-How sick is this?
-There's something in there.
-What the f*ck is all this?
-sh*t.
Celina, you still got that bag?
I might need to fill it.
-This sh*t's crazy.
-Wha...
What the hell
do you think this is?
Is this part of everything you
read up on or no?
-I don't know.
Probably
teenagers or some sh*t.
I don't know anything
about this,
but I do know
that I read about a girl going
missing, like, around...
-What's that? What?
What?
-I thought I saw something.
Anyway, I read about
a girl going missing, like,
60-ish years ago.
I don't know who,
but that's what I read online.
-Okay.
-So that's about all I know.
I don't know anything
about this sh*t.
-How much further is
the house?
-I don't know.
I'll have to check.
-Wait. Hold on.
Who won hide-and-seek?
I guess you.
-I did.
-Oh.
-Yeah.
Give me your money, b*tch!
-Um, should probably hurry up.
It's getting dark.
Oh, f*ck. So...
-This is the last place
you want to be
when it's pitch black, dude.
There's no light.
-How much further?
-Start back on the trail
that we were on.
f*ck! Where's our sh*t?
-Uh...
-Um...
-Oh.
Um...
-I don't know.
-I'm sure it's over here.
-This way? Yeah. Go.
Go north. That's south.
Wait.
East. West.
-It's right there, I see it.
-Okay.
-Fine.
-Here, hold on.
Let me get in front of you guys.
Hold on, hold on, hold on.
Alright.
Walk -- Walk past.
Boom boom
Ba da da da da boom boom
ba da
Boom boom
Ba da da da da ba boom boom
ba da
-Oh, God. f*ck you.
Jesus Christ.
-Look how pretty
the little flowers are.
-Oh, wow. Oh, f*ck!
There's a f*cking fly.
Aah!
There's so many f*cking
bugs out here.
-Guys!
Holy sh*t!
-Oh, my God.
-What? Whoa!
-Holy sh*t!
-Oh, my God!
-Is that fire?
-This is insane.
-Huge.
-It's f*cking...
-Are you recording on that?
-Yeah. One sec.
I literally smell it still.
This is fresh.
-You can see
the smoke coming up.
We missed a party, dude.
-Why are people so far out?
-It smells like a barbecue.
-Yeah.
-You guys film that,
I'll just stay on you guys.
-Yeah. Dude.
Why is it, like,
a perfect circle?
-I don't know.
-It smells so good.
-Weird.
I wonder who came
all the way out here.
We're far. I don't see sh*t.
-Yeah, dude.
-Hello?!
-Whoo!
-Ah-h*!
Moo!
-Dude, what the f*ck?
Is that your ringtone?
-Oh.
-That is creepy as f*ck.
-Guys, it's getting dark.
I don't want to be out here.
I'm afraid he's gonna show up.
-Get away from my fire!
-We just gotta go down
this way.
-Oh, into the dark forest?
-Yeah. Cool.
-I mean, it's not that far.
-You know what would have
been a lot easier, Kris?
-What?
-The graveyard.
- Yeah.
- You know what?
It'll be worth it.
Or not.
-Come on, move your a*s.
-We've been on the trail
for seven years.
-Holy sh*t. Look at this.
Look at this.
-Oh, my God!
-Holy sh*t.
-This is insane.
-This is huge.
-What?
-Suck my d*ck!
Oh, my God!
-Dude.
-What?
This is literally in
the middle of f*cking nowhere.
-There's no cars here.
There's nobody here.
-No,
there has to be someone here.
-Holy sh*t.
Oh, my God!
-Kris. Kris.
-No, I'm just gonna knock.
-Dude.
-Hello?
-Kris, come on.
-Dude, nobody's in here.
Come on.
Come see.
-It looks like someone's
grandmother lives here.
Are you f*cking crazy?
-Holy sh*t. Dude!
Dude!
Dude, what the --
-Let's make a game plan.
Let's make a game plan.
Let's go check out
the perimeter.
See if we see any signs of life.
Scooby-Doo g*ng.
Let's split up. Okay?
And then...we can go inside.
Oh, my God.
It's so f*cking hard to see in
there.
Anyone home?
-Oh, we have a hold out.
Right?
I'm just setting myself
up for success.
Oh.
Oh, my God.
Into the abyss.
-We're going inside.
-Yeah.
I don't see anything, guys.
-Yeah. Me either.
-Me neither.
Let's grab our sh*t
and check this b*tch out.
-Alright.
-Ooh!
-Oh, wait. Hold on.
Let me get in front of you.
So I can film
you guys coming in.
-Yeah, yeah, yeah, yeah.
-Alright.
-Holy sh*t.
-Oh, there you go.
Yeah.
-This place is insane.
Oh, my God.
-There's no f*cking power.
-Oh, sh*t. Really?
-Perfect.
That means nobody's
f*cking here.
-Does it?
-We got this whole place to
ourselves.
-Or they're poor.
-This is insane.
-Oh, my God.
-Oh, my God.
I'll check out upstairs.
You guys check out down here.
-Alright. Yeah, I'll go over
here, I guess.
-Holy sh*t.
Those are terrifying.
Oh.
The vibes.
All vibes.
I'm gonna be honest.
I don't feel good about this.
Jay, how do you feel?
I don't feel good about this.
-Really?
You alright?
-We are f*cking clear, baby.
-Okay. Nobody's here?
-Ain't nobody here.
This place is insane.
Come up here. Come up here.
-Alright.
-Oh, my God.
-Look at these stairs.
- These stairs are
Creepy mirror.
-These are insane.
-Check this sh*t out.
Like, look at that.
-Creepy chandelier.
-That's f*cking awesome.
-It is insane.
Oh, my God, that clock.
-I know.
Like, it looks untouched.
It's crazy.
-Oh, can I set up
a power box to charge batteries?
-Oh, yeah.
'Cause the power's out.
f*cking smart.
That's why we brought you.
What happens
if somebody shows up tomorrow?
-Nobody's gonna show
up tomorrow.
There's no f*cking power.
We're good.
-I just, um, it just --
Do you not, like, feel weird?
Like, does it not feel --
-I feel a little nauseous,
but that's besides the point.
This place is awesome.
Let's make it a cool video.
-It is cool.
-It is cool. It is cool.
Is it cool, Jay?
-It's pretty cool.
-It's cool.
-It better be the greatest
f*cking video ever. Okay?
-It will be.
-I'm going against
all the feelings.
-Set it up.
-I'm gonna set up in here.
-Brother and sister
are lovers.
Brother or sister or lovers?
Oh, that's sick. Honestly, I
might have to drag --
-Boo!
-Jesus.
How are you feeling?
-I'm okay.
-A little bit better?
-Meh...
-Oh, f*ck.
-What?
-What the f*ck?
-What's wrong?
-Literally, I've been going
through this bag.
Cannot find one of the cameras.
-Which camera?
-Oh, one of the expensive ones.
-Well, did you check the bags?
-Oh, I checked that bag, too.
-What?
-Oh, f*ck.
When we dropped
all our sh*t on the trail.
-We have to go get it.
-Yeah.
-Yeah, but somebody's got to
stay back here with the sh*t.
Good luck.
Okay.
Let's check out
this creepy-a*s house.
-Got your light on?
You don't have to record
if you don't want.
-Might as well.
That's on. Right?
-Yeah.
-Okay.
What do you think of the place?
- I don't know.
I just don't know.
It's a little creepy.
-It's just weird
not knowing anything about it.
-Yeah.
-Look where we are right now.
-Oh, God, it's so dark,
I can't even get you in focus.
Oh, there we go.
-There we go.
Scariest thing
you've seen all night.
Watch out!
I just...I don't know,
weird night, weird vibes.
-Typical Kris, though.
You said it earlier.
Thank you -- What the...
-You heard that, right?
What the f*ck was that?
-Hmm.
-Dude, it's probably just one
of the woodland creatures.
-What?
-If you get in your head
about it,
it's gonna ruin
the whole night. Okay?
We just got to keep going.
Come on.
-Hold on.
Wait up for me.
- Oh!
f*ck!
Jay, cut that.
-Where's the moon, Jay?
You can't see the moon.
-The trees are covering it.
-Oh.
-Dang it, man.
Whoa! Dude.
-How did we miss that?
-Holy f*cking Christ.
Thank the Lord.
-We were here.
This is the way back, right?
-Uh, well...
-We got to get out of here,
dude.
What the --
-I'm so done with this.
I'm so done. Can we go?
-Come on, come on, come on,
come on, come on.
-Oh, my God.
She's so pretty.
What the...
Jesus.
Jesus.
-Can you slow down, please?
-No, man. Sasquatch is out here.
f*ck that.
-If I was Kris,
you wouldn't leave me behind.
-Oh, yeah, 'cause
she keeps my lights on
and a roof over my head.
Let's go. Come on, dude.
-Yeah. That's why.
-What the hell is that supposed
to mean?
-You know exactly what I mean.
-No, I don't.
- Yeah, you do.
- Okay.
-Play dumb.
Keep playing dumb.
-"Playing dumb."
She's my boss, dude.-
-So not obvious.
-That's f*cking weird,
if that's what you're implying.
-Why do you think
I'm implying that?
-Guys?!
Guys, it's not funny!
Celina?!
J-- Come on!
Celina?
-I don't know. Maybe we can
figure that out...
Oh, sh*t.
-Holy f*ck.
Kris! Kris! Kris! Kris!
-Kris! Kris! Kris! Kris!
-Does anything hurt?
-I mean, my head hurts,
but I'm fine.
-Your neck though?
-No. I'm fine.
-Oh, my God.
-I'm fine.
-What the hell happened, man?
-I don't know, I
was filming with the Hi8 camera,
and I fell and I hit my head,
I guess.
I don't really know.
-Oh, dude,
we can watch back the footage
to see what the hell happened.
-Oh, f*ck. You're right.
-I can't see.
-Oh, God.
-Here.
-Thank you.
-No, cap. Be careful.
-Dude.
It's just a blue screen.
It's not --
-What?
-There's nothing on here.
-Is it broken?
-No. It works.
I just can't play the footage.
-Okay, guys, can we just --
Can we stay in the van tonight?
And can we swing by the emerg
and just get you checked out?
-Oh, my God. I'm fine.
-You were unconscious
on the floor.
-I've hit my head before.
I'm fine.
-Okay,
that's not a good reason.
I think it's f*cking
weird in this house.
Maybe we should just sleep
in the van or get...
-I'd like to keep an eye on you.
Okay?
I can keep an eye on you,
and it'll be fine.
Please give me this.
-Yeah.
-Fine. Fine.
But we're coming back tomorrow.
-We'll come back tomorrow.
First thing.
-That's fine. Just make
sure you're alright.
-I'll look better
in the daylight.
-Alright.
-Cool.
-What the f*ck?
Oh, f*ck.
Jay? Jay!
-What? What?
-What the f*ck is going on?
-I don't -- What?
-Oh, my God,
did you piss yourself?
-What?
No. What?
Where's Celina?
What the f*ck?
-Oh, God. Celina?!
Celina?!
Celina?
Celina?!
-Celina?
-Celina.
-Oh.
What the hell is she doing?
-I don't know,
I think she's stuck in, like --
-Hey.
-No, no, no!
-Oh!!
-Celina. Celina!
Hey, hey, look at me,
look at me.
-Hey.
-Look at me.
-Did Jay piss himself?
-Okay, we have no idea
what's happening,
but we need to get it on video
because this is insane.
-Alright.
Thanks for the hit, Tyson.
-Hey,
you know you're not supposed
to wake up a sleepwalker.
-I know, I know, I know.
-What the f*ck happened
last night?
-The last thing I remember is
us sitting over there deciding
that we were gonna go to
the van.
I don't remember anything.
-When did we go to sleep?
-Yeah.
-I don't know.
-This is weird.
-All I remember is us talking
about it, and then we woke up.
I just, I --
It's kind of like --
It's crazy, but not in,
like, a bad way.
Like, we could --
we could actually
catch something for real.
Like, all of us
blacking out at the same time...
-Yeah.
-...is, like, crazy.
-That's dangerous.
That's...
-But I mean, imagine
the video that we could make.
-Yeah. Dude, we've been here
for 12 hours.
12 hours.
We have found you on the floor
unconscious.
I've punched Jay in the face,
and we've had a group blackout.
-Yeah, but,
I mean, that was his own fault.
The other sh*t...
-Okay, okay. Jesus.
I know. I learned.
-What the f*ck was that?
-I don't know.
Something's happening
in this house,
and we need to figure
out what it is.
-Hey.
You okay?
-Yeah, yeah. I'm good.
I'm just...I got nerves.
-You never get nervous.
What's up?
- I'm fine.
-Let's see, probably...
So bad
Yeah. Okay. Cool.
Yo, come check out
this other camera.
-What's up?
-Yeah.
Some Spielberg sh*t right here.
-You see the whole bed?
-Um, I don't really like it.
Let's turn it a little bit.
Move. Back. Yeah.
I think if we get this,
it's, like, more dynamic.
So...
-I mean,
it's a 10-millimeter lens.
We can see the whole room.
-Yeah, I don't really care.
This looks a lot better.
-Okay.
-I don't really know why
I bring you along half the time.
You can't even set up
a f*cking camera.
Let's go! We got to do the rest
of the investigation.
Let's go!
Okay, so pick the next one.
We're gonna be setting up
in the dining room.
-Okay.
-So...
set up a camera.
-Set up a camera. Yeah.
-Hello, everybody,
and welcome back
to another Spooky AF production.
I'm Call Me Kris.
-And I'm Celina Spooky Boo.
And tonight we are
at an abandoned house
that we found online.
-Um, actually, I'm just --
We're gonna do another take.
I just -- Since I found it,
I just kind of want to be
the one to say that I found it,
so let's just run it
from the top.
- Yeah. Okay.
-Okay.
One, two.
-Hello, everybody,
and welcome back
to another Spooky AF production.
I'm Call Me Kris.
-And I'm Celina Spooky Boo.
-And today we are at
an abandoned house that I found
and it is called
the House on Eden.
And we don't know too much
about it.
-But we took the liberty
to set up static cams inside,
and we are going to investigate
every single room
to find the truth.
-So let's check it out.
-Whoa, whoa, whoa.
-What?
-Did you hear that?
-Is that what
we heard on the trail?
-Sounds like it.
-Guys, it's just a bobcat.
They're everywhere around here.
It's not a big deal.
Let's just go inside.
We are now
in the house on Eden.
-This place is massive
and absolutely pristine.
-It's crazy.
It's like somebody lived
here yesterday,
but it's clearly abandoned.
There's no electricity,
there's no water,
but there's not even
a speck of dust either.
-Yeah. So we need to do
an investigation
and unravel the mystery
of this house.
-And I think the best way
to go about that is to do it
in the heart of the home.
So I'm thinking...
the grand dining room.
Oh, my God!
-You...
just dropped out
of my as*h*le.
-Good.
-Alright, so we are
in the grand dining room,
and I'm obviously here with
my partner in crime, Celina,
and we are here with one of our
favorite devices, the Alice box.
-Yes. This is used by the ghosts
to generate words
so it's easier
for us to communicate with them.
-Yep.
So we're gonna turn it on
and it's gonna make
some weird noises.
And hopefully we'll be
able to figure
out what the heck's going on and
what our next move should be.
Alright?
-Alright.
What should we ask first?
-Is anybody here with us?
-The woman
who went missing years ago,
are you here?
-You can use this device
to talk to us.
We're just here to help
and learn about you.
-You can tell us your secrets.
-Is this thing not working?
-I don't know
if I've seen it flash before.
-Here.
-Okay. Thank you.
Um, can you give us
something else?
Oh, sh*t. It just turned off.
Did it die?
-I just put batteries in that,
like, three days ago.
It couldn't have died.
-Why does this always f*cking
happen?
Do we have batteries?
Did you pack batteries?
-I have batteries, yeah.
-Double AAs?
-Okay, well,
let's go get some batteries.
-Alright.
-Corner.
-So Jay doesn't know
where any batteries are,
even though that's his only job.
So we can't continue
with the Alice box right now.
So we're moving on
with the night
in one of the potentially
haunted bedrooms here.
-Yes, this room is
actually located above
where we were sitting downstairs
where we heard the thumps.
-So we are going to
be doing the Estes Method.
And for those of you
who don't know what it is...
-This is going to scan
AM/FM frequencies
and the ghosts are able to use
it and throw words out at us
so we can communicate
with them effectively.
-Yeah.
So Celina's gonna go under,
be completely all senses gone
sight and hearing.
She's gonna
be listening to it,
and I'm going to be trying
to communicate
with the spirits through Celina.
So let's do it.
Okay. So Celina is setting up
the Estes right now.
She is turning on
this little transmitter device
and she is putting on
her blindfold so she can't see
and her headphones
so she can't hear
what I'm saying.
So we can get
an authentic answer
if there are any spirits here
with us.
So I'm going to tap her
on the shoulder
to let her know
that we're ready to start.
And let's get going.
-Ready.
Okay.
We thought we heard a noise
in this room before.
We would love to know if there
is someone in this room with us.
Could you make yourself known
through Celina?
She will speak for you.
-Hello.
-Okay. Hello. Hello.
Um, we'd love to know more
about you.
We want to know your story,
who you are, um,
what happened to you.
If you could --
If you could give us
some information,
we would love
to get to know you.
-Taken.
-Okay. Taken.
Taken.
-Do you think it's the, uh,
the little girl?
-Okay. Just let me --
Let me do it.
-Oh.
-Just...
Um, do you, um...
Is it about the girl
that went missing
60 years ago? Is that, uh...
Is that who you're speaking
about?
Were you the one that was taken?
Were you taken from here?
-Her.
-Her. Um...
Were, uh -- Was it --
-Is there any other information?
-Can you just --
Can you just let me do it?
Okay?
Um, it -- Was it a woman?
Was it a woman that took you?
Does this woman have a name?
Do you have a name? Could you --
Could you give us that?
-Lilith.
-Lilith.
Dude. Dude.
"Lilith" is above
the door upstairs.
Holy sh*t.
-Congratulations.
-Oh, my God,
I think that's coming --
Stay here.
-f*ck.
Hey.
Celina.
Celina!
Hey! Hey!
-Celina! Celina!!
Celina! Hey! Hey!
What are you --
-Guys,
the door is locked upstairs.
-I'm cutting the camera.
-Don't cut it!
We can't cut right now.
-No, man.
You didn't see what
the hell just happened!
-What the f*ck just happened?
-She was speaking,
like, satanic-type sh*t.
I'm not cool with this anymore.
-Seriously?
-I don't f*cking know.
Why are you so f*cking stoked
about this?
-Because that's insane.
That's awesome.
Did you get it on camera?
-Yes,
I got it on f*cking camera.
Because that's the only thing
you've been f*cking caring about
this entire g*dd*mn
f*cking trip.
- Somebody has to.
- Dude...
I don't know if
I can f*cking do this anymore.
-Then don't. f*cking go.
-Cool.
I'm gonna go smoke a cigarette.
-Okay, well,
we're gonna just do the
next investigation by ourselves,
so don't bother coming back.
-f*cking b*tch.
-Okay. While Celina's getting
ready for the investigation,
I was just dicking around
and looked up the name Lilith --
the one that's on the top
of the door -- on Google,
expecting nothing.
Except this is the first thing
that comes up.
Recognize it?
It's down-f*cking-stairs.
So there's an article on it,
and I want to read it on camera
for the first time.
So before Eve,
Lilith was created by God
from earth and dust
and placed to live in the garden
with Adam until chaos arose
after Adam tried
to exercise dominance.
She believed they
were created equal,
so she fled the garden
and was told by three angels
they would k*ll all her unborn
children if she didn't return.
She refused.
Being plagued with this curse,
Lilith despises men,
often appearing in their dreams
to humiliate them
through erotic emissions
and envies women
able to bear children.
This demonic,
raven-haired succubus
embodies human fears and preys
on people to possess
so she can walk the Earth
and bear children of her own,
children that possess Lilith's
power and cause.
How f*cking awesome is that?
I think I'm gonna keep this
to myself.
And for the next investigation,
I think we're gonna see
how it pieces together,
because we're going off
on our own --
Me and Celina.
So we'll see how it all
comes together.
What's up, guys?
It's Sam and Colby.
Just kidding. It's not.
Okay, guys. So we're gonna do
the next investigation,
and we're gonna split
up this time
and go into separate rooms
alone.
And I am gonna take
the cat ba*ls and the music box.
-And I am going to take
the Alice box.
-And we're just gonna
see what happens.
So let's do it.
-Let's do it.
-Okay.
-Okay.
Alright, everyone,
I am here with the Alice box.
I found some fresh batteries,
so we're gonna see
if there's anything in this room
that wants to communicate.
-Okay, so I have set up multiple
cat ba*ls here
and a music box.
So how the cat ba*ls work is
that you need to come
into really close proximity.
So you pretty much need to touch
them for them to go off.
So hopefully
if there's any entities here
and they walk by them,
I can pick it up.
And then with the music box,
same thing.
If something walks directly
in front of it,
it will make...
...a really creepy sound.
Um...amazing.
So if there is something
in here,
thank you so much
for touching the cat ball.
I really appreciate it.
Uh, if you are still here,
or if you want to make
any more of your presence known,
could you hit another cat ball,
please?
-Here.
- Okay.
Hi.
Who are we speaking with?
Are you here in the house
with us?
-Okay.
Um...
are you stuck here?
-You are.
-Yes.
I am in the house with you.
Have you been here
for a long time?
-Beginning.
-Beginning.
Beginning.
Like, you've been here
since the house was built?
-Before.
-Okay.
I'm gonna give you the floor.
Um, is it a woman
that's in the room with me
right now?
Is it a man?
Is it a kid?
Is it anything?
I'm trying to make a video.
-Want.
-What do you want?
-Um...trying to remember
what I said.
Can anybody come forward?
Trying to make a video here.
Somebody do something, please.
If you're not a giant p*ssy,
could somebody do something now?
Okay. Uh...
Okay. Thank you.
Sorry about that.
That's great.
If you're still here,
could you please step
in front of one
of the cat ba*ls in front of me
in 3, 2...1?
-Do you want to get
out of this house?
-Inside.
-Inside.
Inside what?
-Okay, I know
that a woman went missing here,
supposedly around this house
about 60 years ago.
If you are that woman,
could you please touch one
of the devices on the floor?
-Okay.
Do you need help
getting out of something?
Are you inside something?
Are you inside here?
-Oh.
Kris!
Kris!
Open the door!
Kris!
Jay! Jay, get up here!
f*ck.
Hey, did you get anything?
-Dude, what the f*ck was that?
Why'd you scream?
-What are you talking about?
I didn't --
What are you talking about?
I didn't scream.
-Yes, you did, and I was
knocking on your door.
You wouldn't let me in.
-What?
Why are you calling Jay right
now? What are you doing?
-Because I can't
get ahold of him.
Where is he?
-Okay, okay, just call him.
It'll be fine.
-Is that coming from outside?
-Yeah, I think so.
He's probably just outside.
Let's just go --
Let's just go get him.
-What the f*ck is going on?
-Okay?
-Kris, this is Jay's camera.
Jay. Jay!
-Celina, shut the f*ck up!
-What do you mean?
-We're on private property.
-Jay is missing.
-Who f*cking cares?
He probably went back
to the van.
He's been moping all night and
he's wanted to quit for months.
-He wouldn't leave us now.
And if he did, it's because
you have been such a b*tch.
Every single stop
that we have been on,
it has been your way or
the f*cking highway every time.
-At least I'm
not f*cking useless.
You contribute f*cking
nothing to this.
I do everything, everything!
-Nothing?
-Yeah.
-Nothing?
-Yeah.
-I don't know
how to be around you anymore.
Everyone tiptoes.
You're a f*cking tyrant,
Kris.
- Okay. Okay.
-What about Jay?
-What about Jay?
-He's gone,
and we are here alone.
And the most f*cked-up things
that have ever happened
are happening.
What's wrong?
What?!
-I'm fine.
-You're not fine.
-I'm fine.
-You've been throwing up.
You've been laying down.
You've been dizzy.
You have not been well.
-I'm f*cking pregnant!
Okay?
-What? Are you serious?
Why didn't you tell me?
Why now?
-I'm gonna go lie down.
-What about Jay, dude?
-Get the f*cking cameras,
get inside
and figure it out on your own.
f*ck.
This is sh*t.
- Um...
Okay.
This is Kris's camera.
-Okay.
Oh, sh*t.
Hi.
What the f*ck?
Okay.
Let's get some cookies
and some popcorn.
Mm.
Oops. Um...
Hi.
-Is that everything?
-Uh, yeah. sh*t.
Um, I have a question for you.
I've been doing
a little research on this town,
and apparently there's
a haunted house on Eden Road.
Do you know anything about that?
-Abandoned as far as I know.
-Okay.
And there's a girl
that went missing, like,
60 years ago or something.
-Mm-hmm.
It'll be $13.66, please.
-Oh, yeah.
-Bag?
-Yeah, that'd be great.
Awesome.
Thank you.
-Congratulations.
-Excuse me?
f*ck.
-Okay.
This is Jay's camera.
-Ain't nobody gonna
see this footage.
f*ck it. Dear diary...
I don't know what
the f*ck is going on with Kris.
Out of the three f*cking years
I've worked with her,
never has she been
such a f*cking c**t
like how she has been.
I think it's the first time
I ever called her that word,
to be honest with you.
I don't know.
It feels
like just my time has expired.
There's just other things
that I want to do.
I want to go
and explore the world.
This, kids...
...boss, you know?
What the f*ck?
Hello?
Hello? Celina?
Is that you?
Oh, my --
Oh, my God.
Help!
-Jay?
-Help me!
-Jay!
Jay!
Jay! Jay, can you hear --
-Celina?
Celina?
f*ck! f*ck!
Come on.
Come on.
-Celina?
Celina!
Stop!
That's mine.
Aah!
f*ck!
f*ck!
No.
No!
No. No.
Come on. Come on.
No. Come on.
Come on.
Aaaaah!
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House on Eden (2025)
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