Because I don't want all them
in my business!
They always in our business,
I'm the only one
that's in the dark!
[Fatima] Previously onZatima.
You want what's best for him,
and I'm good with that.
So, I'm gon' be alright.
Not if we don't find Jeremiah.
[Nathan] I'm takin' you
to Belinda's spot.
Oh, no the hell you not.
Yo, we need to hide him!
He thought I had some money,
he tried to take it,
we started wrestlin',
and I fell and hit my head.
You think you gon' tell me this
and I'm goin' home?
Zac, just...
Did you just stop sharing
your location with me?
-[Fatima] God...
-Fatima, you tried, right?
-I mean...
-Do you think
that makes me feel any better?
No, I just mean, like...
[Fatima] [sighing]
I know what you meant.
Look...
I'm sorry.
No, I'm sorry.
I just...
I don't want him to ruin
everything.
Yeah, I know, I told him that.
But he...
sh*t!
My bad about all of this.
No, you know what?
No.
I cannot be worried about Zac
day and night.
Fatima, you go home.
I'll find him.
We'll all find him.
I just feel so hopeless
in all this.
You've done all you could do.
-Yeah.
-If y'all see Jeremiah,
-can you please just...?
-You'll be the first to know.
Thank you.
No problem.
We got you.
[tense music]
I'm sorry, girl.
It's okay.
sh*t!
[tense music]
[Tony] Damn.
Where do you think he went?
I don't know.
Call Nathaniel, see if
Jeremiah's back at the house.
-Ooh, that's a good idea.
-[Connie] Right.
This is some bullshit.
-What you talking about?
-[Belinda] Pullin' over.
[Nathan] What you pullin' over
for?
Hey.
[Tony] Yo.
Hey, man, I was just about to
call you.
Yeah, for real?
Did Jeremiah come back over
there?
I got him with me right now.
[Tony] Stop playin'.
Yeah, man, I'm 'bout to take him
back to Belinda's spot.
What?
Bruh, he's high as sh*t right
now, alright?
-That's where we goin'.
-[Tony] Oh, sh*t.
And I don't want his a*s there!
-Come on, chill!
-[Belinda] No!
Y'all n*gg*s need to come up
with a plan, and quick.
This was your idea!
What was my idea?
To tell Zac.
[Belinda] Yes, to tell
the n*gga!
Not to hide no grown-a*s man
in my house!
Well, these are the consequences
for bein' a nosy, messy...
-[Belinda] Are you serious?
-Mm.
I told your a*s to tell him!
[Nathan] Hey, you know what?
Look, man.
I'm gonna let him sleep this
off,
and we gon' be good, alright?
-Yeah, but for how long?
-[Tony] Okay.
However long it take for him to,
sh*t cut off, alright?
Man, no.
Y'all, now see, y'all be doin'
these half-a*s plans.
You need to think about
point A to point B, Nathan.
Bro, I'ma, I'ma hit you back,
alright?
Aight, just let me know
first thing, aight?
Aight.
sh*t, get out.
Why am I gettin' out
right here?
Your place is like two blocks
away!
I know it is, and my landlord
about to...
Seen bringin' no damn crackhead
in.
You better get this n*gga and
get out.
-Come through the back.
-Stop callin' him crackhead.
Crackhead, whatever the hell
he is.
-He's a heroin addict.
-Okay.
-Get his high a*s out my car.
-[Nathan] You...
Do you think I'm about to lug
this big-a*s man two blocks?
Yes, you should've thought about
this sh*t.
-Get your big a*s out the car.
-Ooh, you need Jesus.
Yes, that's you and
these half-a*s plans!
-You need Jesus.
-You need Jesus, sh*t!
You got a problem!
[Belinda] n*gga, other side!
sh*t, the man feet...
-Shut up!
-[Belinda] sh*t.
Uh, can you wake your a*s up,
sir?
J, J, I'm about to open
the door.
Oh God, I got you, I got you,
I got you.
Come on, sh*t.
sh*t, come on, man.
-You and these half-a*s plans.
-I got you.
I got you.
Come on, J.
[Belinda] Close my door.
Okay, we're goin' to Belinda's
house, alright?
We're gonna walk a little bit.
-Oh, God.
-[Belinda] Close my damn door!
Shut up, I'ma close it!
sh*t.
I got you.
[tense music]
♪ Love ain't perfect
♪ But we still work it
♪ May not be what we see on TV,
but it's damn sure worth it ♪
♪ Uh-huh, love ain't perfect
♪ But we still work it ♪
♪ Don't gotta be what
we see on IG ♪
♪ 'Cause we still worth it
♪ Uh-huh
♪ Yeah, yeah
♪ Yeah
Yeah ♪
♪ Doo, doo, doo, doo, doo,
doo, doo, doo ♪
♪ We still workin'
What'd he say?
That they're takin' him to
Belinda's house right now.
Yo, that's stupid.
Yeah, I know.
You know she gonna tell Zac.
Yeah, that's for damn sure.
We gotta get him outta there.
[Tony] Yeah.
How?
I don't know,
but do you think Nathan can keep
her a*s under control?
I mean, hopefully so,
but I don't know for how long.
You keep lookin' for Zac,
I'ma call Fatima.
-Okay, bet, aight.
-Aight.
Hold up, how you gonna get home?
I'll figure it out,
it's alright.
Aight, aight.
[phone ringing]
Hello?
-[Connie] Hey.
-Hey, girl.
Listen, they found Jeremiah.
Where was he?
[Connie] Nate's takin' him
to Belinda's house.
What?
sh*t!
I know.
[Fatima] You know she gon'
tell Zac.
I know.
Okay, you know what?
I got an idea.
[Connie] What you got?
Just let me handle this.
[Connie] Aight, listen.
We still out here lookin' for
Zac, okay?
[Fatima] Okay, alright.
-I'll hit you.
-Alright, girl.
sh*t.
f*cking Belinda's?
[serious music]
How the f*ck am I gettin' home?
[upbeat music]
[phone ringing]
[Tyrone] Yo, Tony.
Yo, Tyrone.
What's goin' on, man?
You asked me if I knew where Zac
was, right?
[Tony] Yeah, do you?
Well, I ain't gonna tell you
this,
but he just pulled up in
his car.
Yes, my man.
Okay, um...
Uh, what's he doin'?
Well, I'm supposed to tell you
he ain't doin' nothin'?
Just sittin', I don't know.
He might be on his phone
or somethin', I don't know.
[Tony] Okay, okay, look.
Uh, I'm about a block away.
Okay?
Whatever you do, just please
keep him there for me, okay?
How the hell am I supposed to do
that?
I don't know, tell him one of
your stories
about bad decisions and
consequences or somethin'.
Figure it out.
Look, I'll try.
[Tony] My man.
Thank you, bro.
Yo, yo, is this about
his brother or somethin'?
Unfortunately, yeah, it is.
[Tyrone] Okay, alright.
Aight, bet.
I'll talk to you soon.
I'm almost there.
[Tyrone] Alright, come on
with your lookin' a*s.
[suspenseful music]
Zac!
Hey, Zac.
-How you doin'?
-Have you seen Jeremiah?
Hold on, I think I said
somethin' when you came in.
I said, "How you doin', Zac?"
-How you doin', Mr. Tyrone?
-Good, it's a little better.
-Thank you.
-Yeah.
What can I help you with?
Have you seen Jeremiah?
Uh, yeah, I've seen Jeremiah.
Mm-hm, I seen him.
Where?
Oh, you talkin' about today?
-I think he said...
-Stop playin' with me,
-Mr. Tyrone.
-[Tyrone] I'm not playin'
with you, no,
I don't do no playin'.
I mean, I'm serious to God.
Mm-hm.
When did you see him?
-Did you see him today?
-[Tyrone] Um...
Uh, I have seen him today, yeah.
I have seen him.
-Yeah.
-Where?
[Tyrone] Uh, he came by earlier.
[serious music]
I'm sorry.
Did he say where he would be
going?
Matter of fact, he did say
he was goin'.
He was goin' to, uh...
He was goin', uh, that way.
-Uh, somethin' about...
-Okay.
-He, somethin' about, like...
-Alright.
Hold on, hold on, hold on, Zac.
Hold on, where you goin'?
I, I don't got time for this.
I don't.
[Tyrone] Can I talk to you?
If it ain't about where
Jeremiah is,
I don't wanna hear it.
Will you at least listen to me?
I might know a little somethin'
about the situation.
So, you know what he did?
I heard about it, yeah.
I know what he did.
And you didn't call me?
I didn't call you because
it was none of my business.
He hit Fatima.
Listen, I know you might be
upset about that.
But I want you to remember
somethin'.
That's your brother.
What is that supposed to mean?
[Tyrone] That means you know how
he is.
I don't, I don't know sh*t
-when it comes to that!
-Yeah, yeah, yeah, yeah, yeah.
You know how he is.
-[Zac] What?
-You know he has a problem.
No, no, no, do not say he has
a problem.
Okay, everybody keeps usin' that
as an excuse, I'm tired of it.
Look, as much as you don't wanna
admit it,
he has a problem.
And you know he'll do anything
for that sh*t, Zac.
Well, he gon' have to learn how
to figure somethin' out today.
-[Tyrone] Wow.
-Yeah.
He gon' learn somethin' today?
What you gon' do, Zac?
When I see him, it's on sight.
I'm on his a*s.
-Oh, you gon' whoop his a*s?
-[Zac] Yes.
Okay, what if he don't let you
do that?
What?
What if he turn around,
start whoopin' your a*s?
I, I hope, I pray to God
he fights back.
-I do.
-You might wanna
think about that.
Why, Mr. Tyrone?
'Cause if you fight him and
he full of that sh*t
and he dies,
your a*s goin' to jail for
m*rder.
[serious music]
I still gotta do
what I gotta do.
Are you serious right now?
Are you listenin' to yourself?
You f*ck' right I'm serious!
Y'all knew this and ain't nobody
tell me!
[Tyrone] You need to watch
your motherfuckin' mouth,
m*therf*cker, with me.
How you gon' tell,
"Watch your mouth"?
You curse at me every day.
Because my tooth longer,
and n*gga, so is my d*ck.
-What the f*ck does that mean?
-[Tyrone] Listen, listen,
listen, listen, Zac.
If you wanna go find
your brother, that's fine.
Go do that, but what I need you
to do first,
I need you to calm down.
Because goin' to try to
whoop his a*s,
that's not the answer, brother.
Okay, old wise one.
Then what's the answer?
The answer's simple.
You approach that situation
like a man.
Everybody keeps sayin' that
but...
What is that, how?
What do you mean?
So, you think goin' and whoopin'
his a*s
and beatin' him up gon' make you
more of a man?
It ain't.
I can't be out here lookin'
weak!
Boy, I'ma stuck you in
your damn forehead.
That's what this sh*t is about?
You not lookin' weak?
He put his hands on my woman,
that's, she's gon' be my wife.
Look, n*gga,
you got two options.
Two.
You got two options.
And I want you to listen to 'em
very carefully.
Now, you can go and fight him
and defend her
and get your a*s locked up,
or you can get your girl,
go on about your business,
and ask him don't do that sh*t
no more.
[serious music]
I hear you, Mr. Tyrone,
but I ain't that type of n*gga.
And neither are you, so...
Oh, so you the one that don't
believe fat meat greasy.
Okay, but don't say I didn't
warn you, now.
'Cause when you get locked up
for tryin' to defend a woman,
you'll never see her again.
You'll never touch again,
you'll never smell again,
and after a while,
she gon' go about her business.
And your dumb a*s gon' be locked
up for the rest of your life.
-No, that's not her.
-[Tyrone] Yeah, yeah.
That's not Fatima,
I'm doin' this for Fatima.
Oh, you doin' it for Fatima?
-Yes.
-[Tyrone] Let me, uh,
remind you of somethin'
right quick.
Uh, all that
hoochie coochie sh*t you doin'
-for Fatima out there?
-[Zac] Mm-hm.
Guess what, you get your a*s
locked up,
ain't no Fatimas in there.
You gon' be doin' that sh*t for
Timmy.
-Uh-huh, okay.
-Then Fa-Timmy's gonna run
them rust-a*s nuts
through your chin hair.
-Alright, alright, Mr. Tyrone.
-[Tyrone] Let me let you know
somethin', ain't nothin' but
ba*ls and bars down that way,
-brother.
-[Zac] Alright, Mr. Tyrone.
Go on down there and let
'em fight over
who's gonna take you
to the prison prom.
[upbeat music]
Mm, okay.
You really can cook.
Yeah.
Okay!
Wow.
Yeah, you know there's a lot
more to me
than that, too, don't you?
Mm, well, I love it.
I'm good at that, too.
Okay, I see you got skills.
Thank you.
[pounding on door]
There you go.
What?
Another dude.
Uh, and what you worried about
it for?
-You know I just...
-Mm-hm, you got all them girls.
Don't even.
-Hey, girl.
-[Fatima] Hey.
What's cool?
I need you to go somewhere
with me.
What's goin' on?
Look, I...
-Hey.
-Sorry, I didn't realize
-you had...
-Girl, it's nobody.
Damn!
-[Fatima] Look...
-What?
It's the truth.
Look, they took Jeremiah to
Belinda's house,
and I need to go over there.
Why the hell would they
take him there?
To keep Zac from findin' him.
True, that is the last place
he would think...
Yeah, but you know her.
Yeah, she probably already
called Zac.
-Damn.
-Exactly, with her messy a*s.
So, we, I gotta go.
-Okay, yeah, um...
-[Fatima] Can you please...?
Uh, we need to go.
Yeah, so, you just gon' leave me
here?
No, I'm leaving,
so you gotta leave, too.
What?
Yeah, I don't know you like
that, what?
-What?
-[Angela] What is confusing?
Shawn, wrap it up.
See, that's that bullshit.
I know, it is, it is.
Now come on.
Shawn, are you still cuttin'?
For what?
Let's go!
Can I, can I, can I get
my shoes?
You got more at the house,
don't you?
-Damn, Angela!
-[Angela] Yeah, come on.
-Let's go.
-[Shawn] What, what, my jacket?
Absolutely, it's fine.
Oh, thank you, girl.
Thank you.
He don't understand,
we in a rush.
This is an emergency.
♪ I'm gonna ball out
Ball out ♪
♪ Me and all the homies
here to cash out [Cash out] ♪
[Tony] Yo, Zac, man.
Man, Tony, come on, bro.
Yo, hold up, man.
Are you, are you serious
right now?
Yeah.
I wanna help you.
This is some bullshit, bro.
Aight, look, you my boy, right?
-[Zac] Mm-hm.
-I should've told you.
-Tony, go ahead, bro.
-[Tony] No. [sternly]
I wanna help you.
What you mean?
-[Tony] Dog...
-What, you mean, you go--
you gon' help me find him?
Yeah, and we could, you know,
set that n*gga straight
if you want to.
What you gon' do, Tony?
Bruh...
We can whoop his a*s if that's
what you wanna do.
I'll throw punches, kicks,
I'll bite that n*gga ear off.
Bro, you my brother, man.
I'll grr, that n*gga.
Tony, stop, stop.
Stop with the bullshit.
-Just stop.
-Yo, I'm serious!
Aight, look.
I f*cked up.
I should've been honest with you
and tell you the truth.
It's kinda late for that,
ain't it?
Aight, so what we gonna do?
[serious music]
Weain't gonna do sh*t.
'Cause I got it.
Zac, come on, man.
-[Zac] No.
-No, come on.
Go on from where you was.
I got it, I'm good.
Bro, I'm gonna help.
I'm goin'.
Okay?
-Then I'ma follow you, then.
-[Zac] Follow me then, n*gga!
Do what you gotta do, then!
Don't worry, I will!
I don't need you to tell me
that!
You gotta keep your secrets,
right?
Secret-keepin'-a*s n*gga.
-Yo I was tryin' to protect you!
-[Zac] I don't wanna hear it!
I'm good, I'm good!
[serious music]
Now you let him leave?
I tried to hold him.
I don't know, his mind's just
gone, man.
-Now I need to tell you.
-I appreciate you, Tyrone.
That boy is a tickin' time b*mb,
man.
I can tell, he about to let
loose at any minute.
You handle that.
Aight, appreciate you, man.
[serious music]
Hey, Zac, this is, uh,
my last time callin', man.
Just give me a call whenever
you get a chance.
[Bryce] Well, uh...
Guess he's not comin'.
Yeah, I don't know where he is.
I mean, we can do our portion
of the paperwork, if you want.
Yeah, great.
Look, before we do all that,
we should probably let him know.
[Bryce] Yeah, yeah, we will.
Okay, so...
Oh.
My bad.
Uh...
You don't trust me.
Hey, look, no offense.
I don't know you.
I know Zac.
Yeah, yeah, fair enough.
So, before we get into
all of that...
No, no, I get it.
-Right.
-I mean, we just met, so...
-Exactly.
-[Bryce] And I...
Took that stupid leap of faith
on the business, so...
Like I said...
Can't be doin' all that
with me involved.
No, no.
Not at all.
That means we allhave to sign
off on everything.
-Okay?
-Yes, of course, absolutely.
Also need to talk dividends.
Wow.
What?
You, uh...
You impress me every time
we talk.
Because I know business?
No, 'cause you're not who
you look to be.
Yeah, I get that a lot.
Hm.
How's that make you feel?
[bass-heavy music]
How's what make me feel?
You know, people assuming that
you're not too bright.
[bass-heavy music]
No.
I don't get that.
Oh...
I'm sorry.
I was gonna say that people
think I'm just country.
Yeah, yeah, no, I'm, that's,
that, too.
-That's what I meant.
-Yeah, no worries.
I get it, it's, it doesn't,
it doesn't bother me at all.
You know, it...
It can be good to be
underestimated.
Yeah, yeah, yeah, yeah.
No, I can definitely see how
that's good.
-That's good.
-Plus, it's allowed me to make
a lotta great deals, so...
I'd say it serves me well.
Yeah, well, uh,
you know, keep that up.
Especially since now we're in
business.
You got it.
Okay.
Uh, so...
Do you wanna go to the office?
Yeah.
Okay.
-Cool.
-Alright, let's go.
[awkward music]
We'll just call Zac from there,
okay?
[Preston] Yeah.
[bass-heavy music]
You gotta get this n*gga
straight.
Then help me, then!
I'm not helpin' you do sh*t!
Then why you...
You know what?
I told you not to bring his a*s
here.
You ain't...
Okay.
Go fix that sh*t!
I'ma go fix it!
Damn.
[footsteps disappearing]
[suspicious music]
[Voicemail] Yo, this is Zac.
Leave a message.
Hey, Zac, um, it's Belinda.
I know you're not really takin'
my calls,
but I thought you should know
that your brother's at my house.
I live at 2344 8th Street.
Alright, call, call me back if
you need anything.
[suspicious music]
Hey, um, you still,
you still talk to Zac?
Just let him know his brother's
at my house if you talk to him.
Okay.
Alright, thank you.
Okay, bye.
Who you talkin' to?
n*gga, mind your business.
Uh, whatever that was
is my business.
This is none of your business,
okay?
If I was your business, Nathan,
you'd be bringin' some cash
in this m*therf*cker,
and not some damn junkies.
-Damn, stop complainin'!
-What?
I told you not to bring his a*s
here!
You said that, like, 2,000 times
already!
Okay, n*gga, well,
this is 2,001!
- -- --!
-You do too much!
-All you do is cry!
-Shut up!
Be helpful!
[knocking on door]
Who is that?
I don't know.
Who is it?
[knocking on door]
[Angela] Angela.
[Belinda] Hey, b*tch.
And Fatima.
[Belinda] Hey, girl.
[apprehensive music]
Oh...
Where is he?
He in there.
Go get him.
Go get him, Nathan!
Okay.
sh*t, y'all know he out of it.
Is he?
Yes!
High as sh*t!
[sighing] Damn.
Fatima, it's good to see you
at my house again.
Belinda, she is just here
to talk to Jeremiah.
-Okay?
-[Belinda] Okay, I understand.
Fatima, are you ever
gonna forgive me?
-Belinda!
-What?
This ain't about you.
Okay?
Well sh*t, we at my house!
This gotta be about me in
some kinda way!
[Nathan] Alright, there we go.
There's that. Watch your step.
One step.
- High a*s...
-Damn.
-[Nathan] Sit you down...
-He can't stay.
-[Nathan] Right here.
-He can't stay.
There you go.
[Jeremiah groaning]
[serious music]
I was just lyin' there.
[Fatima] Jeremiah...
What, what?
Look at me.
What?
[Fatima] Look at me, Jeremiah.
I'm lookin' at you.
[serious music]
Do you know who I am?
Yeah.
Oh hell, I'm sorry, Fatima,
I'm sorry.
I'm sorry. [voice cracking]
[Fatima] Listen...
Zac knows.
I know, they told me.
[serious music]
And he is lookin' for you.
I know he is, I know.
[serious music]
[Fatima] Jeremiah?
Do you know what Zac is gonna do
when he finds you?
It was a mistake.
I told him that.
He doesn't care.
What you want me to do, man?
f*ck, man.
I need you to stay out of
these streets, okay?
-And stay here.
-No.
-Damn!
-What?
He can't stay here!
Look, at least until
I get Zac to calm down.
You ain't about to get
that crazy-a*s n*gga calm down!
-Belinda, damn!
-[Belinda] What?
-I know him!
-Can you give it a rest?
[Belinda] This is myhouse!
Jeremiah...
No, just give me a few dollars,
I'll, I'll leave.
No, no, no.
We're not doin' that, okay?
sh*t, man, come on, man.
Look, I need you to stay here.
Alright?
Just stay out the streets.
You hear me?
Yeah, look, look, can I go back
and lay down?
-[Fatima] Okay.
-No, no...
-B...
-f*ck, man, come on, man!
[Fatima] Jeremiah...
Yo, Jeremiah, let's go back
to sleep, man.
-No!
-[Fatima] Jeremiah,
just stay here.
[Jeremiah] I gotta sh*t,
I gotta go to the bathroom.
Just help him.
-Come on, J, I got you.
-[Belinda] He's gotta sh*t?
Take him to the guest bathroom,
Nathan.
[Nathan] Watch, watch your step.
Jeremiah, stay here.
[Jeremiah] Man, alright.
They keep tellin' me
the same f*ck' sh*t
over and over and over and
over and over and over again.
[serious music]
[phone buzzing]
Yo.
[Tony] Hey, Nate, uh,
where does Belinda live?
On 8th, why?
[Tony] Aw, damn...
What's goin' on?
[Tony] I'm followin' Zac.
I'm pretty sure
he's on his way there.
sh*t, thanks, bro.
Good lookin' out.
-What happened?
-It's Tony.
He said Zac on his way over
here.
Wait, what?
Wait, how did he even find out
he was here?
I don't...
-Belinda?
-What?
-[Angela] Did you call him?
-No!
-Nah, nah, she didn't, no.
-[Belinda] sh*t, thank you.
[Fatima] And how you know that?
I don't think she got
his number.
Well, then, how does he know?
sh*t, we gotta get him outta
here, y'all.
We gotta get him outta here now.
-[Fatima] Yeah.
-[Nathan] Oh, oh, oh...
-You know what?
-[Fatima] What?
It's too late for that.
It's too late.
-[Fatima] What?
-He's here.
sh*t!
-What are we gonna do?
-We gotta get him outta here!
Where is he?
Zac, we're not doin' this!
No, what we not doin'
is f*ck' lyin' anymore!
-Zac!
-Where is he?
-Zac!
-[Belinda] He's breakin' sh*t!
All of you are lyin' to me!
I told you everything!
No, what you told me was
some bullshit!
[suspenseful music]
I'm not letting you go back
there.
I'm not!
Fatima, why are you doin' this?
Fatima, move.
No, Zac.
I'm not moving.
Don't make me move you
in this condition.
Well, that's what you gon'
have to do.
You don't think I'll move you?
No, I don't.
f*ck!
Jeremiah!
Where the f*ck is he?
Who, who is Jeremiah?
Don't f*ck' play with me!
You called me here!
[Nathan] Hold on!
-You called him?
-I f*ck' knew it!
What are you, I kept tryin' to
tell y'all
I don't want this n*gga Jeremiah
at my house!
Zac, Zac, hey, Zac, Zac!
-No, no, no, Zac, Zac!
-[Tony] Zac!
Stop!
See?
Jeremiah!
-Stop it!
-Don't touch me!
Nobody f*ck'...!
Y'all wanna play games?
-Yo, yo...
-Y'all wanna play games?
Everybody shut the f*ck up!
Y'all think I'm a joke, right?
-I'm a joke?
-[All] No!
I'm a joke?
Okay.
-Zac, relax, just...
-[Fatima] Zac...
-Zac!
-No, no, no, no!
I'm a joke, right?
This is a game!
You knew, you knew, you knew!
-My wife knew!
- Zac...
I'm the only one that didn't
know, right?
So, let's play a game.
Since this is a game...
-[Tony] Yo...
-Since this is a game,
-let's play a f*cking game.
-[Tony] Zac, calm down.
-[Fatima] Zac no...
-Stop talkin' to me!
When I was askin' questions,
nobody had f*ck' answers!
-[Fatima] Zac!
-So, now I'ma talk, okay?
'Cause I'm the bad guy all
the time, right?
I had to go to therapy.
Right?
I'm a f*cked up person.
Everybody else good.
Y'all over here, nobody tell me,
right?
She the only person
that called me!
So, you know what?
-Hey, hey!
-Don't mess her stuff up!
Don't do this, man!
My heart is broken, okay?
My heart is broken.
You broke my heart.
-You broke my heart.
-[Tony] Come on, Zac!
So, now I'm breakin' sh*t.
-[Fatima] Zac!
-[Tony] No, what are you doin'?
This is nice, this is real nice.
This is very, very nice.
I got my taxes done,
I was redecoratin' and stuff...
-I'm proud of you.
-[Belinda] Thank you.
I'm proud of you,
this is nice.
I'm sad for what
I'ma have to do.
-Zac.
-You don't have to do this!
[Zac] I'ma have to
break some sh*t.
Zac!
[Zac] It's goin' down!
How about that?
-Damn, Zac!
-Zac!
-I'm sorry, I didn't...
-[Fatima] What are you doin'?
My bad, I thought I was gonna
feel better.
-Come on, man.
-You can't do this!
-[Zac] But I don't, I don't.
-What are you doin'?
-[Zac] Let's keep goin'.
-[All] No, no!
How about we break some more
sh*t?
-You can't do this!
-[Nathan] Stop!
Shut the f*ck up!
Unless you gonna tell me where
Jeremiah is.
-What you doin', man?
-[Fatima] Please, stop him!
Don't throw that lamp!
If I hear another f*ck' word,
this lamp is goin' up against
somebody head.
-Zac...
-I like this lamp.
You like this lamp?
-Zac...
-[Zac] This is nice.
Yeah, it's very nice.
You like it?
I got you.
-I won't touch it.
-Thank you.
Yeah, I'll do somethin' for you,
you do somethin' for me.
-Y'all go get Jeremiah?
-Okay!
Got get, can you go get him?
-[Fatima] No!
-No, okay, fine.
f*ck this lamp,
But f*ck y'all, too.
Zac, baby, please, just stop!
Especially f*ck you.
Didn't you say you was down with
this a*s whoopin'?
[Tony] Yeah, but not like this,
bro!
-Come on, man!
-[Zac] Not like this how?
-[Nathan] Yo, come on, man!
-Come on.
Shut up.
Loyalty matters, don't it, Tony?
Of course, dog.
We locked in for life, man.
Right, right.
Yeah.
[tense music]
Yo, yo...
-You don't have to do this, Zac.
-[Fatima] Zac, no.
Break it.
You know I can't do that, man.
Just put that vase down.
[Belinda] My mama got me that,
okay?
-[Nathan] Hey, chill.
-That's her mama's vase.
-Mama got me that vase.
-Nate, shut the f*ck up.
[tense music]
Break it.
I can't do that, Zac.
You a p*ssy.
Come on, man.
Don't...!
[All] Zac!
-No!
-Where's Jeremiah?
Man, what's wrong with you,
man?
-I don't know where...
-What's wrong with me?
As a matter of fact,
I feel better now.
Like, I got some sh*t off
my chest,
-I feel calm.
-Zac, Zac...
I'm not gonna do nothin',
let me speak to my brother.
Yo, just relax, bro.
Tony, I'm goin' to speak to
my brother.
I can't let you do that, man.
Do not touch me.
You wanna try me?
Zac, just relax, relax!
[Fatima] Stop him!
Zac!
-Don't!
-[Zac] What's up?
-Hey, relax, man.
-[Zac] What's up, what's up,
-what's up?
-Stop, Zac!
-[Zac] What's up?
-Stop!
I'm gonna call the police!
Oh, now this b*tch wanna call
the police?
That's what I thought.
Anybody else?
You lucky I don't hit women.
Zac, baby, Zac, Zac...
Zac!
[tense music]
[g*nshots firing]
-Zac!
-[Tony] Get down!
[g*nshots firing]
-[Zac] Fatima, get down!
-[Fatima] Zac!
[Zac]f*ck, no!
[Fatima] sh*t...
[music]
[upbeat music]
[music]
[music]
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