Man: Just focusing
the camera here
in downtown L.A.,
the lovely downtown L.A.,
where we have been led
to a parking lot.
- You sure this is it?
- It's gotta be.
Come on.
I can't believe
you got us this meeting.
- Documentary, here we come.
- Guys, don't embarrass me.
Dirk Bailey
is a major producer.
Come on,
let's go.
Oh, look.
Ladies and gentlemen,
our future benefactor.
Pose by it a second.
You're so weird.
- Am I?
- Yes.
So do you know
what you're gonn
say to him?
- This thing is
really your baby.
- Don't worry about it.
- You're the boss;
I'm just the cameraman.
-, shut up.
- We're in this together.
- Oh, that's right.
[Man talking]
Can you do something
about that?
- Psst!
- What, what?
- No, you can't.
- I'm just talking to her.
Get your a*s off the desk.
This isn't a meat market.
Hi. I'm
Kennedy.
Nice. Dirk Bailey.
But you know that;
That's why you're here.
- Yes. This is my...
- You're filming?
Dirk: Okay, guys,
time's money.
This is my first
a.D., Peter.
That's Kennedy
and whoever.
This is James.
- What's this all about?
- Who knows?
We wanted to document
everything from inception.
Okay, but this isn't
about you. You guys
know that, right?
Anyway, it's
a drama, of course.
Genres don't win awards.
The first few days,
we'll be filming at
longfellow
insane asylum,
which is a character
in and of itself.
I know that place.
It closed down
a few years back?
Yeah. Nuts won't
even go there.
Place'll give you
the creeps, but
it's production value.
It's an inner manifestation
of tricia's struggle
of inner emotions,
and it's cheap.
What the f*ck, Kennedy?
- I'm sorry.
- I feel totally
ambushed right now.
You know
how I feel.
Making-of docs
are like the wedding
photographers of filmmaking.
Nobody watches
this sh*t because
nobody gives a sh*t.
Time wasted on this crap
is time we could be spending
on our own
documentary,
which, by the way,
I thought this meeting
was all about.
Raising money for
our own project.
I hear what
you're saying, James,
but this is money.
We can have
all the talent in the world,
but without
the right connections
and the right funding,
we don't have a project.
This'll keep us going
for a couple of months,
at least.
He's got a point.
Nobody watches
behind-the-scenes
footage anymore.
It used to be cool.
It used to be film
school in an hour or so,
but now it's just
people glad-handing
and saying sh*t
like "gravitas"
and "camaraderie."
This one will
win awards.
- Are you serious?
- Yes.
With jerk Bailey
producing it?
It'll be more like
a bogus feature
than a bonus feature.
I mean...
I'm in 'cause
there's a check involved.
Are you filming this?- No.
No, I was just making sure
it was off.
That's a shame,
because I've never
filmed myself
doing it before.
Oh...
Oh, jiminy Christmas.
I just went from 6:00
to midnight.
I'm just gonna...
I wasn't filming.
What about
the audio equipment?
That's Cory's job,
and I'm not doing
Cory's job.
Is he still
in the bathroom?
He's, uh,
he's just fine.
Let's just
focus on this.
You're acting weird.
X-cam one, check.
- What?
- Where the hell
is x-cam two?
Cory.
Because we're
gonna wanna
record this
for your acting
purposes. Trust me.
This is gonna be
really good.
Okay, those feel real.
I can't believe
we're doing this.
You're gonna be
a great actress.
Look at the camera.
Look at the camera.
Is that grunting?
Why don't you
see for yourself?
[Rock music playing loudly]
Oh, my God!
Dudes!
Is that the secretary?
- Get out of my room!
- You get out of
your room.
So just keep
goin' straight.
Yes, I have read
a Thomas guide before.
- Thomas guide?
- This is old school.
Not like applications...
Wait. This is Chicago, right?
Turn right on Chicago.
- Am I what?
- What year were you born?
- What year was I born?
- I have no idea where
we're going right now.
Should be up here
on the left,
and there it is.
Oh, you're welcome.
- Good job.
- Slow down,
slow down.
[Men speaking
indistinctly]
- There's a production truck.
- Yeah, I see.
* he's sick *
this place
isn't so creepy.
What did you expect
it would look like?
A horror movie?
Yeah, actually.
Actually,
the horror's inside,
and her name is
tricia Blake.
And dork Bailey.
Dum-dum-dum.
Did you guys notice
that it's two buildings?
- Shut up, Cory.
- Thanks, Mr. obvious.
It is
huge, though.
I wonder how many
people it housed
when it was operating?
A bunch of
crazy people.
When it closed down,
what do you think they did
with all the nuts?
They just shoo 'em
out in the street?
Yeah, I mean, that's
pretty much what happened.
Their families were the ones
that dropped 'em off here
to begin with.
They had no homes to go, so
a lot of 'em ended up homeless.
How are we
supposed to
get in here?
- Try this door.
- There was a map
on the call sheet.
Of course, I didn't
get the call sheet.
- Did anyone get
a call sheet?
- I don't think so.
We're not gettin'
in through here.
- It's been locked
for 30 years.
- Just keep moving.
- [Wasps buzzing]
- Cory, you should go
touch that wasp nest.
Stay focused,
come on.
I think dirk said they were
sh**ting some second unit
here earlier,
so they should
be here.
They're not
here anymore,
'cause there's
nothing in here.
- Bars on the windows.
- Hello.
- Hello!
- Let's keep walking.
All right,
this has gotta
be it, guys.
Come on.
Move your butts.
Hello?
- There's nobody here.
- Guys.
- Maybe it's at
the other building.
- Uh, ya think?
Kennedy:
This place is huge.
It's like a fortress.
That is, by far,
the scariest part
of this building.
Okay, we're late.
We really need
to get inside.
- I'm getting
good foota here.
- Come on, guys, let's go.
Jesus, this place
goes on forever.
Yeah, it's
pretty stupid.
Oh, this must be
the entrance.
- [Shrieks]
- sh*t!
- You all right?
- Yeah.
You all right?
What the f*ck?
God, look at
that guy's face.
- What is he doing?
- What?
Just walk away,
buddy.
- What the hell
was that?
- Uh...
There we go.
Finally.
Let's get inside.
We need to set up.
We're late.
Yeah, we don't want dirk
to take away our money.
How's it goin'?
Place is
creepier inside.
Have you seen dirk?
- You found him.
- Yeah, copy that.
- Hi, dirk. What would
you have us...
- you're late.
Yeah, we had trouble
finding the place.
Guess the place
isn't big enough for you.
f*ck, it takes up
an entire block.
No, we were here.
We just couldn't
find the entrance.
Are you guys
stupid or high?
Don't tell me you're stupid,
and you better not be high.
Dirk, you're need
in makeup. Tricia's
having an issue.
Okay, I gotta put out
this fire.
You guys do whatever
you wanna do.
Peter will
show you around.
Only one camera? Really?
What kind of organization
is this?
Seeing as I only
have one head...
What?
Generally, these are
single-camera shoots.
- Yeah, I want big.
- We have more cameras
in the car; No worries.
Yeah, good. Gotta go.
So wanna give us
the big tour?
This is where we'll be
sh**ting today's scene.
Tricia will be
identifying a body,
who we later realize
is actually herself.
We were sh**ting second unit
photography here earlier,
and now we're getting
ready for principal photography.
Oh, this is from
the original location?
No, we had all this
brought in.
None of this stuff here
was up to the director's
standards.
We had it all built
just for the production.
So may I a why
you chose this location
instead of just
sh**ting on a soundstage?
Talk to him.
What are these people
doing on my set?
Alec, this is
the making-of crew
that dirk hired.
- Hi, I'm Kennedy.
This is...
- unapproved.
Excuse me.
I didn't approve
any of these people.
Why wasn't I told
about this?
Or this camera!
Nobody runs anything
by me first!
They'll be fine.
They know all the rule
stay out of the way.
Why is he looking me
in the eye then?
I specifically stated in
my manifest that nobody
was to look me in the eye
or address me
in any way.
He hasn't read
the manifest yet.
I'll make sure that happens.
Ah, the manifest thing, yeah.
It's really smart, Alec.
- [Kennedy giggles]
- I'm sorry, Alec.
I'm sorry.
He's still looking
me in the eye.
Everybody,
all morning long,
has been looking me
straight in the g*dd*mn eye.
We'll leave you to
your creative devices.
Big day ahead.
Come on.
Let the genius ruminate.
Here's your manifest,
d*uche bag.
[Whispering]
Hey, guys. Are we
interrupting anything?
- No, just talkin'.
- Just talkin'. Great.
You guys
seen dirk?
Yeah, he just left
a minute ago.
How about tricia?
Um, I don't know.
She probably went to
smoke or something.
Who cares?
Hi.
Hey.
Yeah, this is
the making-of crew.
Just wanna show 'em
around a little bit
before we get started.
Oh, cool.
We'd like to sit down
with you at some point.
The makeup segments
are always popular.
- Yeah, that'd be awesome.
Just let me know when.
- Thanks. Yeah.
Peter, can I talk
to you for a second?
Oh, sure. Yeah.
- Can you guys
give us a minute?
- Oh, yeah.
Get this.
I think you just
forgot to bring them.
No, I'm telling you,
they were here.
I thought maybe
she forgot them, too.
Look, here's
the checklist.
Okay? And I remember
that those were the first
items we brought in.
[James whispering]
Cory, you got this?
Those brushes were
expensive, Peter.
They have to be
special-ordered.
So what do you
want me to do?
I don't know.
Talk to her maybe?
Can you do that?
Did you see her
take them, huh?
Kennedy: sh*t!
He saw us.
No, I didn't see her
take them.
But who else
could it have been?
She was the only one
here besides us.
We don't use that sh*t.
Okay, look, I can't
accuse our lead actress
of stealing makeup supplies
without any proof.
Why would tricia
steal makeup supplies?
She can afford her own.
I don't know.
Maybe because she's
a b*tch and a half.
[Whispering]
This is good stuff.
Look, I don't know
what to tell you, okay?
- James: sh*t!
- Oh, g*dd*mn it.
Just double-check
everything from
now on, okay?
We always do, Peter.
Hi. Were you guys
filming that?
- Filming what?
- This tour's done.
Okay? There's nothing
going on here anyway.
Go film some b-roll
or something. I don't care.
- Just stay out of my way.
- Peter, no, we weren't.
Uh-huh. What a bunch of
amateurs these f*ck'
low-budget movies get.
Is everyone a d*ck
on this movie?
Everyone's a d*ck
in Hollywood.
Why do you think
I'm not successful?
- You should be.
- That's what I'm sayin'.
Oh, I get it.
Shut up.
All right, we need to
get some interviews.
- Look, there's tricia.
- Oh, great.
We'll get her.
Tricia, hey, do you
wanna do an interview
with us
- for the making-of?
- Am I getting paid for it?
Oh, I don't think so,
but I don't know.
Dirk said we had
full access, so...
Well, dirk said that,
I didn't.
You need to talk
to my agent.
- What?
- You know what, tricia?
It's actually not
really a big deal.
We're just gonna ask
a few simple questions.
Diva!
This is my favorite part
about movie sets.
Damn, that spread
looks so good.
Oh, hey. Hi.
Do you wanna tell us
what it is you do?
Uh, well, I'm a grip.
Okay. Do you wanna tell us
what a grip does, just for
those out there
who don't know?
Well, I grip things.
Fascinating.
You don't have to
take everything.
- It's gonna be here
all night.
- I'm just stocking up.
Why don't you just
save something for
somebody else?
You're fat enough
as it is.
You really like
all my food?
Looks like Cory
found true love.
I do love your food,
and I love you, too.
Stop. Go on, y'all,
get outta here.
Just take
a little more.
Come back later
when there's good food.
This is junk. Go on.
You're gonna miss me
when I'm gone.
- I'll start missin' you
right this second.
- [Loud crashing]
What is the matter with you?
What did you do?
You destroyed every...
Just get out of here.
I'm gonna tell dirk,
and you are gonna have
to pay for all of this.
Go on, get!
Oh, my lord,
I worked forever
on this.
James, what was that?
- I don't know.
- Dude, what did you do?
I didn't do
anything, I swear.
You were the last
person in there.
How am I supposed to do
all that damage
with this thing
on my shoulder, idiot?
I was right behind
you guys.
Was anyone else
in the room?
I guess. I don't know.
I only see what this sees.
I suppose somebody
could've come in
through the other door.
I don't know.
Dude, I'll totally rewind
the tape for you right now.
No, no, we believe you.
Just you saying that
makes me positive you don't.
It's fine.
Forget it. It's fine.
Fact: Everyone here
hates us.
Dude, don't touch
my f*cking lens.
Let's get back to work.
Oh, dumb a*s!
Damn it.
Come on, guys.
Looks like they're
gonna start sh**ting.
And then, you
come over here.
Wait, no.
You should probably
come over here.
Hold it a second.
Who put this light here?
Alec, we have to
get off our first shot.
Don't rush me.
The lighting's
all wrong.
Who screwed this up?
This is the exact
lighting that you wanted
this morning, okay?
We gotta pop
this off, all right?
Who's the director here?
You didn't read
the manifest,
either, did you?
Seriously...
Just let me know
when you figure it out.
Listen, as*h*le,
do you have any idea
how much this is
costing me per minute?
- Huh?
- A lot.
Yeah. Speed it up.
Kennedy: Oh, wow,
this guy is clueless.
- Can you believe her?
- Forget it. She's a b*tch.
Are we actually even
sh**ting anything here
or what?
It doesn't seem like it.
We can't go back to catering,
so what do we do now?
- Whoa, what is that?
- What?
- What?
- What?
Nothing. I thought
I saw something.
Why don't we explore
a little bit?
Doesn't look like
they're gonna sh**t
any time soon.
Sounds good to me.
Kennedy:
You scared?
Guys, this looks
so frickin' good.
- Yeah?
- Yeah.
- This place is awesome.
- This is what we need
to be sh**ting.
- I know.
- Screw that other stuff.
- They're so
uncooperative.
- I hate the dark.
- Oh, this is cozy.
- It's disgusting.
This is so
awesome!
- Look on the wall over here.
- Look at all that writing.
Oh, man, this is
gonna be great b-roll.
- Who wrote this?
- It's gotta be
people sneakin' in here.
- Is that blood?
- No.
That is some blood
on the wall.
- It's not blood.
- It's definitely blood.
- There's another hallway
down here. Come look.
- Okay.
Oh, yeah, we gotta
go check this out.
This is so cool.
So where's
this go?
It must be the tunnel
connecting to
other building.
Okay.
- Oh, did you feel
the temperature change?
- Yeah, dude.
You feel that?
It's, like,
significantly
cooler down here.
Holy crap, I just
felt something crawl
on my neck.
- I swear to God.
- It's not even
funny, dude.
- Okay, there you go.
- Studio chair.
Are you
getting this?
Taking a stroll
down a creepy
hallway.
Why is there
a wheelchair?
'Cause it used to be
a hospital.
- Oh, you're so smart.
- Used to be a hospital.
Now it's just scary.
Tunnels.
Why is there
a mattress in there?
I'm so confused.
- Looks like old files.
- Oh, my God.
Ugh.
Okay, um...
What are you guys
waiting for?
Let's check it out.
- No.
- You chicken?
Uh, sort of.
Yeah.
Definitely yes. Yes.
Whatever. You can wait
in the car if you want.
Don't, don't...
Kennedy!
Well, go get her.
What? Hell, no!
You go get her.
Dude, she's gonna
break her neck in there,
and it's gonna
be on you.
I have done so many
bad things in my life, man.
I'll sleep easy tonight.
I'm gonna go
wait in the car.
Kennedy!
Kennedy?
sh*t. Come on.
No. No. Don't.
Kennedy?
[Whispers]
Where are you?
[Whispering]
Why are you
whispering?
I don't know.
Kennedy, this isn't
funny. At all.
Dude, just wait here for her;
I'm not creepin' around
in the dark.
- What if she's hurt?
- She's not hurt.
She's screwin' with you
'cause you're scared.
- You're just as scared
as I am, man.
- My a*s.
It's not even that dark.
Dirk said they were
filming here earlier.
That's probably why they
left all these lights.
- Kennedy: Hiya, boys!
- Oh, sh*t.
I knew you were
gonna do that.
Really? Really uncool.
- Oh...
- I almost
dropped this thing.
I'm sorry, I couldn't help it.
You guys were such chickens.
- You suck.
- Come on,
this place is great.
No, it isn't.
Would you rather
go hang out with
dirk the jerk?
- She's got a point there.
- [Making chicken noises]
Look at this place.
It's like people just
jumped up and took off.
Wouldn't you?
It had to have been
a state-of-the-art place
when it was running.
Tons of people
worked here.
Yeah, chock full o' nuts.
Oh, God, they all
left in a hurry.
Oh, man,
that is so gnarly.
Let's keep
moving.
All right, maggots,
blinking lights.
James: Remind me why
we're doing this again.
Kennedy:
It stinks.
It's really
musky-smelling.
James:
What is that?
Mold.
Hey, what's over here?
We should probably
head back, huh?
No, let's get this.
It's good.
There's nothing here.
We should go back to set.
They're probably
wondering
where we are.
It is
good footage.
All jokes aside,
this place is really
starting to creep me out.
Afraid someone's gonna
jump out at you?
As long as I can
see you, I doubt
that'll happen.
What is it?
Guys, something's
jacking with my audio
down here.
What do you mean?
Everything's coming
through, like,
muffled, like it's...
There's a pressure
down here.
Do you feel it?
- It is kinda stuffy.
- I don't know what it is.
It's probably just allergies.
Mine are acting up, too.
Dude, my equipment
doesn't have allergies.
God, you guys
are pansies.
What?
I just heard
something.
- What kind of something?
- Just sh! Give me a second.
[Muffled, distorted voices]
- [Quick electronic buzzing]
- Did you hear that?
Hear what?
I didn't hear anything.
- Did you hear it?
- No, I didn't hear anything.
Oh, f*ck!
Sh, quiet.
Give me a second.
- [Quick electronic buzz]
- Did you hear that?
- Hear what?
- Did you hear that?
No, I didn't hear it.
[Electronic buzzing]
It's coming from
that room.
Whoa, what are
you doing?
Let's go back
to set, okay?
That's exactly
what I was thinking.
It's probably audio
from the set.
No, no, listen.
I have radio frequency
interference.
You know what that is?
That means anything
from up there, I'm
not getting down here.
Then it's probably
a rat or something.
Okay, well,
then who cares?
Let's go back to set.
Guys...
Just amuse her,
or we'll be
here forever.
Kennedy:
This place is so sad.
All these files are just
shattered human lives
that lost their way
somehow.
Wonder what happened
to all these people?
Where did
they go?
I'm sure some of them
got transferred to
other facilities.
Like I said before,
I think a lot of them
ended up on the streets.
James: I think we saw
one of them earlier.
Oh, wow.
Paula gaines.
m*rder*d her four children
by drowning them in the sink.
"Then m*rder*d her husband
when he came home from work"
"by feeding him
rat poison."
"Baked an apple pie,"
"and waited for the police
to come and arrest her."
"Multiple attempts on
orderlies and nurses."
"Analysis: Criminally
insane with severe
violent tendencies.
No sign of improvement,
but curious case study."
Signed, Dr. klein.
Wow, I wonder...
I wonder where
she wound up.
James: What did you say
that name was?
Dr. klein.
This must've
been his office.
Maybe he was
the head doctor.
Here's another one.
He's a real looker.
Marcus Paul Wilder.
Three names. That's never
a good sign with that.
I think this is
. Klein.
- Ugh.
- What?
- You don't wanna know.
- Oh, my God.
Let me see.
Got some m*rder here.
Lots of r*pe.
r*pe and m*rder.
Cannibalistic tendencies?
That's going the distance.
Sociopath.
Getting worse with treatment.
Must use
more severe methods.
Dr. klein here
wasn't very good
at his job, was he?
I wonder what
happened to him.
Maybe your guy
ate him.
Okay, there's nothing
in here but musty files.
Can we boogie back?
I think that sounds
like a good idea.
Best idea
I've heard all day.
- You're really shaken
up, aren't you?
- Now I am.
Don't worry.
You got two
strappin' studs here.
We'll take care of ya.
Let's get the hell
outta here.
You guys,
let's go this way.
[Eerie, low howling sound]
You heard that, right?
Yeah.
Sounded like it was
coming from there.
Good thing we're
going the other way.
Whoa, whoa, whoa.
Where the hell
are you going?
Maybe somebody's hurt.
It didn't sound like
someone being hurt.
That sound like someone
trying to hurt.
I was creeped out
a little before,
but I'm over it now.
Whatever is happening here
is way more interesting
than what's happening
over there.
This is a mistake;
We're gonna get fired.
Good. You guys
wanted to make
a documentary, right?
This place is
a documentary
waiting to happen.
Mental health
in America.
You know she's not
coming back, right?
Screw this.
Let her go.
[Scratching sound]
- Maybe we should go.
- Yeah.
Kennedy: It's gotta be
down here.
Come on, guys.
Kennedy, are you
down here?
Kennedy?
Oh, man.
That looks
so sketch.
- Let's go.
- No.
- Oh, come on, dude.
- Kennedy?
Kennedy!
Kennedy? Are you sure
this is the way she went?
Think so.
What's she doing?
She's, like 90 pounds,
running around
boiler rooms.
Jesus! You can't keep
running off like that.
Seriously.
This place has
been abandoned for years.
You don't know
what's around the corner.
I can take care of myself.
- [Eerie noise]
- Did you hear that?
That's it. I'm not
continuing with this crap.
No, I heard that.
I'm not going any further.
Cory: It sounds like
it's coming from
over there.
Oh, you guys. Man.
The hair on my arm
is standing up.
I'm not cool with
this sh*t, okay?
Suit yourself.
Go home.
Dude, do you realize that
this is an insane asylum?
It's not just
any other hospital.
Who knows who's down there?
Kennedy: People
vacated years ago.
No one's still here.
But this is where
they're from.
This is their home.
What will they
live on all these years?
There's people who
come in and out of here.
There's caretakers, right?
Yes, people come
in and out of here.
What kind of people
would come in and out of here?
Rapists, serial K*llers,
murderers.
All kinds of low lifers.
Okay, guys,
think about it.
There's a Hollywood movie
being made in this building.
I mean, there's
creative people involved.
This is the best prank ever.
Actually, yeah, they're
probably listening right now,
and laughing at you guys;
Laughing at what pussies
you're being.
- That actually does
kinda make sense.
- Of course it does.
Well, the joke's on me.
Ha ha ha ha ha.
Can we please
go back now?
Didn't scare me.
Maybe that's why they're
being such dicks to us.
Come on,
let's go.
Dude, come on.
Come on!
Let's get outta here.
This place
is disgusting.
You guys wanna
take a nap?
At least there's
light in here.
That's all I care about.
[Distant voices]
Did you hear that?
- Yeah.
- I think it's
coming from down here.
I swear to God,
if you guys are right
and there's somebody
pranking us, I'm gonna
k*ll 'em.
It would be
kinda funny, though.
I mean, after
the initial
being upset.
[Door slamming,
voices talking indistinctly]
Can you make out
where it's coming from?
[Voices whispering]
It stops here.
Holy sh*t.
It stinks in here.
This is definitely
not production design.
- No way.
- Look at all this.
Lunatic decor.
Kennedy: Weird.
Hey, guys,
look at this.
- Are those fingernails?
- James: Oh, my God.
I think it's time
to get out of this room.
Jesus.
You guys,
this place is nuts.
I don't like it.
Let's go back.
- Okay.
- This is
getting heavy.
[Woman's voice]
[Multiple voices]
Damn it, they want us
to find something.
- Let's go.
- Really?
I don't think this
is someone screwing
with us at this point.
That room was...
It's all part of
a very elaborate prank.
James: Why are we
listening to her?
- Because she's the boss.
- Kennedy: That's right.
I've got footage of,
like, 50 hallways.
- Can we just go back?
- Kennedy: Sh!
What are we
being quiet for?
There's nobody around.
Kennedy:
Do you hear anything?
No. Just James
talking.
f*ck you.
You guys, settle down.
It's cold
in here.
Okay, this seems like
a good spot.
This used to be,
I think, like,
one of these
e.M.T. Hallways.
Like emergency stuff.
James: That's not correct.
E.M.T. Is not emergency
room, dumb a*s.
Are you
getting this?
Come on.
Cory: Oh, God, you
gotta be kidding me.
- James: Very funny.
- Kennedy: Okay,
that's a little gross.
- [Eerie noise]
- Did you hear something?
No, nothing.
There has to be
a speaker in here
or something.
Hey, check over there.
No. Absolutely not.
I don't care if you think
this is a prank or whatever,
but those things are real,
and they have real
dead bodies in 'em,
so uh-uh, I'm not doing that.
Absolutely not.
Check this out.
You guys think Dr. klein
used to do some weird
experiments down here?
- Thanks for that.
Really.
- Sorry.
I have an idea.
- Famous last words.
- Seriously.
If there's something
going on, let's catch it.
How do you expect
us to do that?
Besides, we've been gone,
like, a long time from set.
We should probably
get back.
As much as I hate
to admit this,
he's right.
We're broke,
and we really need the money.
The x-cams
are in the trunk, right?
- Yes.
- Let's set them up,
and then we can
figure out what's going on.
I suppose.
There's only
one problem with that.
What?
If I leave here,
I'm not coming back, Kennedy.
Okay, no one's jumped out
and said "gotcha" yet, right?
Meaning?
Guys, I'm starting to think
this isn't a prank.
Okay, all the more reason
not to come back down here.
- Exactly.
- Okay, okay.
If there is something going on,
and we catch it on film,
do you know how much money
we could make for that?
Come on, guys,
think about it.
Really.
A lot.
A lot lot.
All right, we're all set.
- It has a motion sensor?
- Yeah, the works.
We'll call it x-cam two
for clarity.
Why two?
Because it's further
from where we'll be.
- We'll put x-cam one
close to the exit.
- Cool.
- That's it?
- That's it.
Let's hook the other one up
and get outta here. Smile.
X-cam one is good.
Night vision's on.
We're set.
- And it's hidden enough?
- Nobody'll see it
up there.
But we'll see
anybody coming
in or out, right?
- That's the idea.
- Gotcha, suckers.
What the hell
are you guys doing?
We were just
exploring a little bit.
On my time
and my dime.
Dirk, it seems like
everybody's wasting
your dimes.
- I still don't even know
who the hell you are.
- Still Cory.
Still don't
give a sh*t.
Now get your asses
back in there.
I'm not paying you
to film dust and spiders.
Yeah, we're ready
for the first shot.
- You guys need to be
on set yesterday.
- We're on it.
I should've given you
this earlier.
Take it in case
you wander off again.
All right, let's go.
James: Another day,
another dollar.
All right,
quiet, everybody.
- This is the first shot.
- Man: Quiet on the set,
please. Quiet.
- Sound.
- Speed.
- Camera.
- Speed.
- Hold for slate.
- Just tail slate it.
Go ahead and
call it, Alec.
Action!
Oh, no.
Not you.
I knew it was you
before I even saw you.
Uh... uh...
- Cut!
- Don't cut.
Keep rolling.
- Why did you cut?
- You fumbled the line.
It was
a dramatic pause.
"Uh..." Is not
a dramatic pause.
Don't do it again!
It's okay.
We'll just go
back to one.
- We still rolling?
- Still rolling.
- You ready, Trish?
- I told you not
to call me that.
Only my friends
call me that.
- You ready, tricia?
- Yes.
- All right, everybody,
back to one.
- And action.
Oh.
Oh, I, uh...
Not you.
I knew it was you.
Oh, I...
Oh, g*dd*mn it!
- Cut!
- That's a cut.
- What's the matter now?
- They're in
my g*dd*mn eye lin
no, we're not.
You were looking down.
- I mean...
- No, I wasn't.
You're making
faces at me.
All of them were.
- Trying to get me
to mess up.
- Nice goin', guys.
No,
we're not.
Actually,
we're in the corner,
so I don't see how
we're in your eye line.
This is a serious craft
that takes years of training
and deep concentration.
I have spent hours
studying the lines
and making them my own.
I will not have my art
mocked by someone
as ugly and talentless
as you.
You nasty
little b*tch!
Let's take five,
everybody.
James: What the hell
just happened?
- Come on, Kennedy, chill.
- This is not
what I signed up for.
Dirk: Alec,
stay focused here.
- We need to keep moving.
- You're all right. Chill.
I can't believe
you almost hit her.
I had to, like,
hold you back.
I feel like
I'm shaking right now.
- Dirk: Hold on a second.
- Kennedy: Oh, no.
- Turn that camera off.
- Okay, I'm turning it
off. Relax.
This is not
a part of the doc, okay?
- It's not gonna go in.
- Absolutely.
I want you to
erase the footage.
If any of this
ends up online,
I will hunt you down.
Audio, video erased,
or ba*ls, t*ts chopped.
I didn't do
a damn thing to her.
That b*tch needs help.
Yeah, well, as long
as I can get her to
focus her sh*t for brains
long enough to
finish this film...
Today would be nice.
But until then,
audio, video erased.
Got me?
- Got it.
- Don't screw with me.
I'll screw back,
hard, and not
in a good way.
Right now, I have to
cool that b*tch down.
Tell her I said hi.
That's totally
goin' online.
I am so pissed.
Let's just get
some fresh air.
What is it, then?
She's a b*tch.
It doesn't need
an explanation.
There's plenty of
other women on set,
and she's not treating
any of them like that.
You're the hot one.
She's the talentless wh*re.
b*tch can't act.
Whose d*ck did she suck
to get this part?
- Dirk's.
- Who'd the director blow?
Dirk.
I am so sick of
these assholes.
- I'm just ready
to give the check back.
- Whoa, wait. What?
Why are you letting
her get to you?
- Yeah.
- It's not her.
We have been here all day,
and they still haven't
gotten the first shot off.
How many weeks
do you guys wanna
put up with this sh*t?
Maybe we should
talk about it before...
No. Sorry, guys.
I'm gonna go get the cameras,
and get the hell
outta here.
Are you serious?
You wanna go back
down there?
All right.
[Distorted voices]
- Kennedy, come on.
- Kennedy.
Wait up for us
before you go
through the door.
- Kennedy!
- Kennedy.
Kennedy.
Yo, I love the girl,
but she's so sensitive.
Both: Kennedy!
I guess we're
goin' to get her.
[Quietly]
Jesus Christ.
- [Kennedy crying]
- Kennedy?
Hey.
Hey.
What's wrong?
Sorry.
Stupid question.
You really wanna
get back at that b*tch,
you go back in
and act like
nothing happened.
It's not just her.
I keep telling you guys that.
It's everybody.
Well, it's
mainly her.
- Shut up.
- Sorry.
Seriously,
we need the money.
But you know
how I feel about
this job.
Just say the word,
and we unplug right now.
[Walkie-talkie
crackling]
[Speaking faintly]
Documentary crew.
This is Kennedy. Over.
[Faint voice,
static crackling]
Go for Kennedy. Over.
[Static]
Probably just want
us back on set.
So you're in?
I guess.
I can take the abuse,
but you have to promise
me something.
Uh-oh.
Promise me we're gonna
make our documentary.
I promise.
You're not gonna be
a jerk when it happens?
Mmm... maybe.
Come on.
Okay, we've been
walking around forever.
It's because
we're lost.
Cory's right. We must've
taken a wrong turn somewhere.
But this doesn
make any sense.
Really. That...
That's the nurses' station.
How many times have we
walked past that today?
There's gotta be,
like, ten of those
in this building,
all the same.
Are you guys crazy?
Oh, okay, you think
I'm crazy.
Just because I'm a girl,
and I get a couple
knocks to my ego,
now I'm this
delicate little thing?
- We never said that.
- You didn't have
to say anything.
You can both
go screw yourselves.
Whoa, whoa,
relax.
We're obviously
a little disoriented
here, all right.
Just calm down.
Do you wanna
lead the way?
- You calm down, okay?
- I'm calm.
Jesus.
Wait. Look.
Cory: There they are.
Bunch of idiots.
James: We're the ones who
can't find the way out.
Damn it.
This is
the documentary crew. Over.
[Distorted voices
and static]
Is anybody there? Over.
- Is it not working?
- What do we do now?
[All yelling]
Hey!!
- Come on.
- Assholes.
Up here. Hello!
Tricia: You see
anything good?
Grip: Mm, nothing
worth looking at.
Are you sure?
Little tease.
That's... yeah.
That's worth filming.
Hey!!
- Hey, you guys.
- Come on!
Assholes! Hey!
Hey!
Playing
grab-a*s out there.
- [Pounding on glass]
- Assholes! Hello!!
God, you are gonna
get me fired.
You know that?
You're hot.
Let's go find a...
I'm sure there's
a room in here somewhere.
- A room?
- Something. Who knows?
Hey!!
Hey, hey!!
Pull that d*ck
out of your ear, dude.
Come on.
Hello!
Jesus Christ.
Are you sure
you like that?
This is by far
the funnest set
I've ever worked on.
What is he doing?
Is he blind or something?
Deaf, too,
man.
- They're ignoring us.
- Where are they going?
- Hey!
- Hey, you guys!
- Look up here!
- How come they're
ignoring us?
So childish.
Now what?
Now...
We're gonna have to
find our way out.
- We're smart people, right
- well, he isn't.
- Really?
- Come on.
[Frustrated yell]
Come on!
- We've been here?
- Cory, chill.
Cory, chill out.
Aw, dude. I wanna be
back on set.
Dude, we all wanna
be back on set.
He's gonna fire us.
You understand that, right?
He's not gonna
fire us.
Kennedy: The exit
has to be this way.
Cory: Yeah.
All right, let's
go this way.
I don't know.
- Kennedy:
I don't know either.
- Come on, go.
I'm getting
creepy-a*s vibes here.
Are you sure we haven't
gone this way already?
- Dude, I don't know.
- It's up here, you guys.
We haven't
been this way.
See, remember this?
- James: What the hell?
- We're going in circles!
I know this place is big,
and it's easy
to get turned around,
but there's no way
possible we could
end up here again.
Well, we did,
so...
This doesn't
make any sense.
I hate this.
All right, look,
we're obviously
pissed off
and irritated
right now,
and we're making
stupid mistakes.
Let's just
take a breath
and think about this.
There's no way that
there's just one exit
in this building.
Don't worry,
wel find it.
I'm not worried,
I'm just angry
at this point.
Stop filming me.
Kennedy: Is this it?
- I don't know...
- Where are we going?
- Chill out, guys.
- Why are you
so calm, dude?
- I wanna get out of here.
- I don't wanna chill out.
- I wanna get
the f*ck outta here.
- There's no frickin' point.
Go in there.
Acting like
little babies.
I told you,
it's the other way.
Because you've been
steering us the wrong way.
James: No, it's not
down this way.
We've been down here.
Cory: How
do you know?
[All arguing]
Cory: We're not
going down that way.
James: Stop being
a f*cking p*ssy.
We're not
going that way.
[Arguing continues]
These are all prop lights.
There's only prop lights
down there.
We follow this way.
It makes sense.
Right?
I swear to God,
we've been down here.
Then pick a room.
I don't care.
Pick any of these
rooms, all right?
They'll lead somewhere.
That's what we've
been doing the entire
f*cking time, dude.
[Continues indistinctly]
Cory: You wanna go
this way or that way?
I don't know.
Is it down
over here?
It's all right.
It's okay.
We've been
down there.
- What?
- I don't think
we've been this way.
You wanna try it?
It all looks
the same to me.
You guys, this may not
be a good time,
but I have to pee.
- Oh, Jesus.
- Actually, me, too.
Dirk: Kennedy?
Kennedy!
Where's my frickin'
doc crew?
Where are you guys?
I am beyond nuclear pissed.
Kennedy!
There's an exit down here,
but it's all chained up.
Come on, guys.
- [James and Cory urinating]
- What are you doing?
Playing with yourself?
Nope. You are.
I think
I hear dirk.
- Yeah?
- Yeah. Come on.
[Whooshing noise,
woman's voice]
Whoa, whoa, whoa.
Wait, wait.
- What is that?
- Sh, sh.
Where's
it coming from?
That door?
- Open it.
- What?
- Open it.
- I'm not...
I got the light.
Just open it.
Okay, when I open it,
shine the light in.
Okay. Just
open it.
- There's nothing.
- Just a creepy old room.
Kennedy: There's
nothing in there?
Both: No.
It's so weird.
- You still hear it?
- I don't hear anything.
- [Door slams shut]
- [All screaming]
Get the mic.
Dirk: Kennedy!
Kennedy, where the hell
are you guys?
Jesus!
You're becoming a lot more
trouble than you're worth, guys.
Come on,
where are you?
Kennedy! Come out here
right now!
Do you have any idea
what I'm paying
for this frickin' sh**t?
Huh? I'm gonna make you
pay all of it.
[Muttering]
I was just here.
Peter? Peter, Kennedy?
I was just...
I was just over...
What the hell's
goin' on, guys? Come on.
Okay,
this is ridiculous.
Jesus!
[Dirk screaming]
[Screaming continues]
- [Woman talking]
- I heard somebody.
- Are you serious?
- Listen.
Did you hear that?
I just heard it.
It's coming from
over there.
Guys, it's them
messing with us, okay?
- It sounds like tricia.
- No, it's not tricia.
I don't care,
if she can get us
the hell out of here
- tricia!
- It's not tricia.
- Tricia!
- Shut up!
Cory: Tricia!
Your camera's getting
more play than I am.
[Tricia giggles]
You're getting
something, too.
Whoa, Trish, hey, I...
Just shut up.
I guess this
is pretty secluded.
Take your shirt off
right now.
Trish, um,
I don't know
about this.
Okay.
- Take this off.
- I'm trying.
Geez, calm down.
Trish, um...
I don't know
about this
in here, you know.
It's, uh...
You don't know about this?
Are you sure?
Yeah, I am,
but in here,
it's... a morgue.
Well, I've never made
a horror movie before.
A better movie than
what they're making.
Look at the camera.
I... I... okay.
I love
horror movies.
- Okay?
- Yeah, it's fine.
That's fine.
Exactly.
Tricia! It's coming
from over there.
- Tricia.
- Tricia!
Tricia!
You are amazing.
Whoa, what's that?
What's up with
the lights?
- Who cares?
- You're right.
Oh, my God!
Oh, my God!
- Holy sh*t!
- [Kennedy screams]
- Oh, my God!
- That's not real.
It's not real.
Is that real?
f*ck, f*ck, sh*t!
[Whimpering]
Cory, just
chill out,
all right?
Don't f*ck' tell me
to chill out!
Shut up!
I didn't wanna be here
in the first place!
We just have to think.
Just think.
All right, somebody's trying
to rip our faces off.
Cory, shut up,
all right?
Try the walkie,
try the walkie.
There's gotta be
somebody.
[Static and voices
speaking indistinctly]
It's an e.V.P.
What are you talking about?
What is that? Speak English.
Electric voice phenomenon.
What is it? I don't know
what that is, all right?
It's ghost voices, man.
It's f*ck' dead people
talkin', man,
that's what this is.
That's what's going on.
It's not a f*cking prank.
There are dead people in here,
and they're gonna k*ll us!
Cory, we're gonna
be fine, all right?
We're gonna be all right.
Peter.
Peter!
Anybody, please.
[Tricia screaming,
man says "die"]
You guys,
I can't be here.
I can't be here.
Both: Cory!!
- Cory!
- Wait!
- Oh, my God.
- Cory.
Nnedy: Cory!
- James: Cory.
- Cory!
Jesus Christ.
- Cory!
- Cory, thank God.
- Are you okay?
- We're gonna die.
- We're gonna die.
- You can't run away
from us like that.
- We're gonna die.
- We're gonna be fine.
- Shut up, Cory.
- We just have to
stick together.
[Loud cltering]
Don't go in there, please.
Don't shine a light.
I don't wanna see anything.
I wanna go.
I wanna go.
James: Guys, it's the same
as it was before.
We're fine,
we're fine,
I swear.
[All screaming]
- That's Alec.
- It's Alec.
Kennedy: Cory!
Where did he go?
Where did Cory go?
He's still behind us.
- James: Cory.
- Cory?
James: Oh, my God.
Jesus.
Cory.
- Cor?
- Cory?
Cory?
Cory?
Both: Cory!
Come on, Cory.
Cory?
Where'd he go?
Oh, my God.
Cory?
Cor?
Buddy?
Cory?
Hey, slow down.
Where are you,
buddy?
Cory!
Cory,
where are you?
Tape's still running.
We don't have
time for this.
Cory: Please leave me alone.
Please get back.
Can you hear
anything?
- Please, no, no.
- [Cory screaming]
Dude, can you
hear anything?
[Screaming continues]
James:
Oh, f*ck!
Oh, my God!
Kennedy, we gotta
get outta here.
We gotta go.
We gotta go.
Come on.
Kennedy, we gotta go.
We gotta go!
Come on, run.
We gotta run.
Run, Kennedy! Run!
- Go, Kennedy, go!
- James!
Go!!
Run!!
[James screaming]
Peter: Hello?
Anybody here?
Hello!
Hello! Anybody here?
I brought the police.
Dirk? Where the hell
is everybody?
Oh, my God.
Oh, my God.
What happened here?
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