Black Tulip, The (2010)

[bunniefuu]

For Afghan to english embedded release
LU2021

[light orchestral music]

[woman vocalizing]

[dog barking]

[light orchestral music]

[laughing]

Cannot believe how
different your store looks

than your father's bookstore.

Everybody says so, but I
see my father everywhere.

It's funny.

[Man] What kinds of things
are you going to sell?

Oh, let me show you the menu.

Okay, actually you can have this.

This is the menu, okay?

[both]{\an1}

[chuckling]

[Hadar]{\an1}

[Farishta]{\an1}

[Hadar]{\an1}

[bird crying]

[dramatic orchestral music]

[man vocalizing]

[stone knocking]

[men whooping]

[girl]{\an1}

[men whooping]

[man singing]{\an1}

[man]{\an1}

[man]{\an1}

[man singing]{\an1}

[fire whooshing]

[girl]{\an1}

[Farishta]{\an1}

[Hadar]{\an1}

[light orchestral music]

[gasping]

Bye bye, bye bye.

Bye bye.

Bye.

Bye bye.

[Farishta laughing]

{\an1}[All]

[Farishta laughing]

[both laughing]

[upbeat music]

[Farishta]{\an1}

[all clapping]
[upbeat music]

[man singing]{\an1}

Salaam-Alaikum.

Salaam, welcome to The Poet's Corner.

Oh, you speak English.

Yes.

Our whole family speaks English.

Well, that's good.

I'm Colonel Williams, Miss
Julie Brown, native liaison.

Colonel Tinelli.

Nice to meet you.

Nice to meet you, sir.

I'm Hadar Mansouri.

Welcome, sir.

Please.

[singing]{\an1}

Would you like something for now?

You know, I think I
will have your specialty.

Yes.

For our friend in uniform, always.

[Williams] Thank you.

[singing]{\an1}


they're still fighting.

Gotta respect them for that.

Thanks.

Our special.

[Williams] Very good, thanks.

[singing]{\an1}

Farishta.

[Farishta]{\an1}

This is my wife.

Farishta Mansouri.

No, no, sit.

Don't get up, don't get up.

Officer Tinelli.

Officer Williams.

And Miss Brown.

I'll have to be sure
and spread the word.

You can count on it.

- Will you?
- Yeah.

Thank you so much.

Belkis.

That's my little sister, Belkis.

Oh, hi.

Hello, how are you, everybody?

Nice to meet you.

[all chattering]

[upbeat music]

Excuse me one moment.

Excuse me.

Might be the fuse.

Excuse me.

We will be right with you.

[both laughing]

[laughing]

[laughing]

[upbeat music]

[singing]{\an1}

[audience applauding]

[laughing]

♪ Somewhere lost in time ♪

♪ Back when our souls first met ♪

[man]{\an1}

♪ Your again losin' ♪

♪ Forgotten my ♪

[light piano music]

[Farishta laughing]

♪ So touch me now ♪

♪ The way you touched me then ♪

♪ I am yours ♪

♪ You are mine ♪

♪ And time stands still again ♪

♪ One love ♪

♪ One love ♪

[Farishta]{\an1}

[Belkis]{\an1}

[light orchestral music]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[girl laughing]

[laughing]

[whistle blowing]

[whistle blowing]

[whistle blowing]

{\an1}[Teacher]

{\an1}[Teacher]

[man]{\an1}

[percussive music]

[man vocalizing]{\an1}

[man singing]{\an1}

[man]{\an1}

[horse neighing]

Belkis.

[dramatic music]

[Belkis]{\an1}

[Akram laughing]

[Belkis]{\an1}

[dramatic music]

[Akram laughing]

[Akram laughing]

[dramatic music]

[man]{\an1}

[dramatic music]

[Farouk]{\an1}

[Hadar]{\an1}

[both]{\an1}

[Farishta]{\an1}

[all laughing]

[Hadar]{\an1}

[Hadar]{\an1}

[Farishta laughing]

[Hadar]{\an1}

[Farishta laughing]

[Satara]{\an1}

[Belkis]{\an1}

[both laughing]

[light acoustic guitar music]

[Hadar sighing]

Farishta?

[Farishta]{\an1}

[dramatic music]

Got a light?

Yes, sir.

[Williams] You okay?

I'm okay, sir.

You look a little nervous.

I am a little tired tonight, sir.

Yeah.

Just so you know, I don't
like my posts nervous,

Yes, sir.

The food is coming soon.

Well, when it comes
through, show it upstairs.

Yes, sir, okay.

He is my friend from the restaurant.

Okay, come with me.

[jet roaring]

[Tinelli laughing]

You like it, eh?

Okay, now one.

Oh, look who's here.

Hadar, come here, come here, you play.

- Salaam-Alaikum.
- Salaam-Alaikum.

[Tinelli]{\an1}

[sniffing]

Smell this kabob

direct from God's own oven.

- Yeah.
- Who is she?

My daughter.

My name is Satara.

She's so beautiful.

Like her mother.

What do you have?

I have hot bread for you.

Oh.

[Tinelli]{\an1}

Thank you, thank you.

Come, come, come on.

Best food in all Kabul.

Okay.

Hadar, how nice to see you again.

[Hadar] Nice to see you.

Menu.

A menu for me.

I'll make sure these
get around the base.

Put that there.

I think that should cover it.

Here you go, sweetheart.

Thank you.

Thank you so much for coming.

Thank you.

- Thank you.
- Good to see you again.

[Tinelli] Thank you.

[Tinelli]{\an1}

[percussive music]

Oh.

[dramatic music]

[audience applauding]

[dramatic music]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

{\an1}[All]

[man]{\an1}

[light acoustic guitar music]

[bell ringing]

Belkis!

Belkis!

Belkis.

[bell ringing]

He tipped his brim to hide his eyes,

said, "Take care of yourself, son."

[man]{\an1}

[all laughing]

Hey.

Okay.

Calm down.

Good job, son.

What do you wanna get?

One second.

We're just going to have pizza.

Pizza?

Pizza.

What was the duh-duh-duh?

Koo-koo-koo.

No, no.

Don't encourage the guy, okay?

He's a funny man.

[laughing]

That's good, no.

Okay.

Pizza.

Can you, pizza.

They always have pizza.

Okay.

All right.

For me, palau, palau.

And.

Water.

- Water.
- Okay.

I guess we're going to
make it fast with the food.

You know, we have to get
to the wedding on time.

[light guitar music]

[man singing]{\an1}

[both laughing]

[laughing]

[light acoustic guitar music]

[singing]{\an1}

[man]{\an1}

[Belkis]{\an1}

[Belkis]{\an1}

[Belkis]{\an1}

[man singing]{\an1}

[both]{\an1}

[all clapping]

[light orchestral music]

[all clapping]

[man singing]{\an1}

[man singing]{\an1}

{\an1}[All]

[man]{\an1}

[woman]{\an1}

[man singing]{\an1}

[all clapping]

{\an1}[All]

When he grows up, we'll put
him in one of our uniforms.

[all laughing]

[jet engine roaring]
[indistinct]

Right?

Look at, tough boy, huh?

[phone ringing]

Yes.

[phone ringing]

Thank you very much.

Sorry, we've got an
emergency on the base,

but we'll call back.

Right now?

- Right now.
- Nice seeing you.

We'll see you at the point of call.

Thank you.

Thanks.

[light guitar music]

[man singing]{\an1}

[upbeat music]

[man singing]{\an1}

[g*n firing]

[all screaming]

[man]{\an1}

[dramatic music]

[man singing]{\an1}

[tires screeching]

[man]{\an1}

[Farishta sobbing]

[dramatic orchestral music]

[man singing]{\an1}

[dramatic orchestral music]

[sobbing]

[sobbing]

[woman vocalizing]

[Hadar sighing]

[children]{\an1}

{\an1}[Teacher]

{\an1}[All]

{\an1}[All]

{\an1}[Teacher]

{\an1}[All]

{\an4}[door clicking]

{\an4}[dramatic music]

[dramatic music]

[thunder crashing]

[dramatic music]

[explosions booming]

[woman vocalizing]

[Farishta sobbing]

{\an1}[woman vocalizing]

[thunder crashing]

[children]{\an1}

[woman vocalizing]

[thunder crashing]

[Farishta]{\an1}

[man vocalizing]

[children]{\an1}

[dramatic music]

[tires screeching]

[line ringing]

[Hadar]{\an1}

[Hadar]{\an1}

[phone beeping]

[Farishta]{\an1}

[both]{\an1}

[man]{\an1}

{\an1}[tires screeching]

So one night we're in Iraq together

and we're out to dinner.

We've got about 10 guys and 10 women,

and we're having a really good time.

And...

Why don't you tell the story?

You want me to tell the story?

No, but you love telling
the story so tell it.

Okay.

Okay, okay.

I'll tell the story.

Okay.

And you remember that night, right?

Yeah.

Okay, listen, listen carefully.

And please take some notes
because this is [indistinct]

okay?

All right.

So what a night.

[car horn honking]

Cristal Champagne, the best.

Everything was perfect.

And she was perfect.

- Mm-hmm.
- What a girl.

What a beauty.

Like a cosmic angel.

And she got legs.

So we was talking, laughing.

She had eyes only for me.

Of course.

The end of the evening is
coming and I felt that I had

her right where I want to.

Or so I was thinking.

{\an4}[dramatic music]

[muffled screaming]

[Farishta]{\an1}

I suggest I take her up to the room.

We walk up the stairs.

She was right in front of me.

Then, bam.

One second, she missed the steps,

[all laughing]

and she falls right into my arms.

The great Valentino as I am,

need to make his move.

You know what she say?

That she doesn't date men.

What?

Ah, so

I look at her

in the eyes

and I say the only thing I could think

to say at that moment.

I don't date men either.

[all laughing]

I have no idea.

- Where's my daughter?
- Stop!

Where's my daughter?

And believe it or not

Colonel Tinelli ended up with the girl

and we got a lesson in love.

[all laughing]

Sir, there's a matter that
needs your attention outside.

Colonel, we got a problem.

Let's go.

[all chattering]

Stop, holster that weapon.

What the heck's going on?

Where is my daughter?

What's the problem?

Why would I know?

- Sent her to you.
- Calm down.

[Williams] We didn't
order anything this evening.

Satara?

[Man] What's going on?

[siren wailing]

[Farishta sobbing]

Satara!

[Williams whistling]

[siren wailing]
[dramatic music]

Hadar.

Hadar!

It's my daughter's.

This is my daughter's.

Are you sure this is hers?

It's my daughter's.

Calm down, calm down.

It's my daughter's.

She can't be far away.

We have dogs, we have dogs.

We'll find her, we'll find her.

[Farishta sobbing]
[dramatic music]

[singing]{\an1}

[suspenseful orchestral music]

Come on.

[woman vocalizing]

[Man] Move, move.

Freeze, freeze, freeze.

[Williams]{\an1}

[Williams grunting]

Go.

In the back.

Shut up.

Let me see your hands.

Get your hands back, get out of the way.

I got the girl.

I got her.

[man]{\an1}

[g*n firing]

I got her.

Clear, clear, here we go.

Here we go.

[dramatic orchestral music]

But there a small scar on her face.

It will disappear in
a week or two weeks.

- Thank you, sir.
- Thank you, Doctor.

[pager beeping]

[Williams] Farishta, the doctor said

she's going to be just fine

and you can take her home

if you want.

[dramatic music]

[Farishta sighing]

[Farishta sighing]

[Farouk]{\an1}

{\an1}[dramatic orchestral music]

[Satara sobbing]

[man]{\an1}

[dramatic orchestral music]

[dramatic orchestral music]
[singing]{\an1}

[dramatic orchestral music]

[Farishta]{\an1}

[Farishta sighing]

[Hadar]{\an1}

[dramatic music]

Raheem?

♪ Somewhere lost in time ♪

Raheem?

♪ Back when our souls first met I knew ♪

Raheem?

♪ Your again rose up ♪

♪ Forgotten mine ♪

♪ So hold me ♪

[dramatic music]

Amanullah?

{\an1}[man shouting]

[Amanullah]{\an1}

[Amanullah]{\an1}

[Hadar]{\an1}

[dramatic music]

[lid clattering]

[suspenseful orchestral music]

[man]{\an1}

[man]{\an1}

[suspenseful music]

[expl*si*n booming]

[dramatic orchestral music]

[man singing]{\an1}

[knocking on window]

[man singing]{\an1}

[man singing]{\an1}

♪ So we fight, fight for
our freedom, Afghanistan ♪

♪ The land that we love ♪

♪ Yes, we fight, fight for
our freedom, Afghanistan ♪

♪ And never give up ♪

[man singing]{\an1}

♪ So we fight, fight for
our freedom, Afghanistan ♪

♪ The land that we love ♪

♪ Yes, we'll fight, fight for
our freedom, Afghanistan ♪

♪ And never give up ♪

[all singing]{\an1}

[man vocalizing]

[man singing]{\an1}

[all singing]{\an1}

♪ So we fight, fight for
our freedom, Afghanistan ♪

♪ The land that we love ♪

♪ Yes, we'll fight, fight for
our freedom, Afghanistan ♪

♪ And never give up ♪

♪ So we fight, fight for
our freedom, Afghanistan ♪

♪ The land that we love ♪

♪ Yes, we'll fight, fight for
our freedom, Afghanistan ♪

♪ And never give up ♪

♪ And never give up ♪

♪ And never give up ♪

[light orchestral music]

[light acoustic guitar music]