02x04 - Brown

[bunniefuu]

- Come on, one more.
- I don't know if I can.

Come, come here.

Come on, let's go inside
let me get you some water.

- Come.

My shirt looks good on you, huh.

Do you want me to sleep here?

Were you with Daniele?

[in the background "When he goes away"
by Ivan Silvestrini]

No.

Really?

Search or type a URL

I'm g*y if I like a fluid person

Guys,
for the hundredth time,

if you are attracted to a trans person,
non-binary, gender fluid,

it doesn't make you straight
or h*m* per se.

Don't worry too much
about labels, definitions...

Those are things that come after,
with time, with discovery.

Find someone you simply like,
that's already a feat.

That's fine for today!

Madonna, I was about to die.

The first workout with a hangover is bad.

- Damn!
- Yes.

Marco.

Since you cared enough
to get back in shape,

let's stay, just you and me,
for a little while longer, mmh?

Come on, give me these palettes.

Go.

Go!

Benito!

Benito!

Benito!

Mom, what a shame.

In my opinion,
he imagined that he saw it.

Eh, probably.

Poor little parrot.

"Parrot"?
It was as big as a turkey!

- But he was sweet.
- Yes.

Apart from what he started singing
"Black face".

It's your grandfather's fault, it's not his fault.

Benito!

Benito!

- Where are we going?
- I want to go to the Tagliacozzis.

- Why?
- They have chicken feed.

Maybe it's there.

Can't we go by the lake
and get them to open up?

No, they hate us,
My grandfather calls them "the c*ck Sluts".

Come on.

I don't know, I don't really feel like it,
We'll hurt ourselves.

Are you pissed off?

You know, I told you about Andrea.

Actually all you said was
that you spoke.

Yes, but...

- Can you imagine...
- What?

That it had a bit of an effect on me.

What a drag, nothing has changed.

Nina, you know...

I had my own times.

Alright.

♪ He wants a dose ♪

♪ Three drugs, I don't feel sh*t anymore ♪

♪ He wants a dose ♪

♪ She wouldn't want the good one ♪

♪ He wants a dose ♪

♪ Under drug dealing squares ♪

♪ She wouldn't want the good one ♪

♪ Suburbs, I don't die in the neighborhood ♪

♪ Three drugs, I don't feel sh*t anymore ♪

Yes!

- Yes.
- Good on you.

I really like it a lot.

This four-box also works.

- Very happy, huh.
- This is the b*mb, guys.

You've put together
a really nice little studio.

Thanks, we worked our asses off to get it going.

- Mmh.
- Yes.

By the way, with the money
that we save from recording

we can make a k*ller video clip.

- Eh! That's what we wanted to do!
- Who made "Bricks"?

Eh, a friend of ours.

Go, push with your legs!

You always push too little with your legs!

Come on! Come on!

Come on!

What are you doing?

All my muscles are tight.

You complain that I don't take you to the races!
Come on!

Sorry, I should clean.

You're right, sorry, we're leaving.

- Thank you.
- See you on Monday.

Then we could put like
coffins for ice, right?

So we put the drinks in there,
very cool.

Where do we find them, excuse me?

- We make them.
- Wow!

Come on.

Hello, friends.

Today I'll show you how to turn
your Halloween party.

- That is, I'll teach you how to do...
- Wait.

Cardboard coffins
where you can put ice, beers.

- What?
- The interview is out.

Whose?

- Each of the two motions...
- Caro, look at the comments.

It takes place
without modifying the other.

The two-dimensional motion
of a b*llet

it is a composition of two simultaneous motions.

The first is a vertical motion
uniformly accelerated

where A is equal to minus G.

The second one
it's a motion...

- Are you using your phone?
- Yes, but I'm turning it off, sorry.

- Give it to me.
- No, actually, we're not using it anymore.

- Are you crying?
- Yes, but I'm fine.

Didn't you have swimming?

No, Marika broke me
and she was pulling my whole leg.

Then sit down and I'll fix it for you.

Thank you.

Did you see Carola's interview?

No.

You should, she was good.

I'm not interested.

I don't believe it.

I don't think you're not seeing Daniele.

You're wrong.

- Mmh?
- Then when? I'm either here or I'm in the glass factory.

Lend me the jacket with the panthers.

What will you give me in return?

Nothing.

Then keep putting yourself in
mom's sweatshirts.

- And voilà!
- We will see.

Mmh... Now what does mommy want?

What does she say?

are you working today?
I have something to give you

come to the glass factory at 7

She wanted to know how the pasta was

Crap

If you're such a friend of hers,
why don't you tell her anything, sorry?

About what?

I don't believe you know nothing about Lucio.

What do you know?

Do you hear how much my sister is screaming?

Eh, I would have done something different,
of course, but...

I understand too that it is not easy
for your friend's brother

to go to reformatory.

He also had health problems
you know, right?

Sure.

Otherwise why do they never
tell him sh*t at school?

- Why, what is he doing?
- Everything.

The other day he wrote on the desk with a cutter
"Shitty l*sbian".

- Did you kick him in the ba*ls?
- Already done.

That's why they think I'm a l*sbian.

Mmm.

So they say it, don't you think it?

No, actually...

I think I am.

Why do you think that?

I have a supercrush
for the protagonist of Ghost in the shell.

I believe it, it's Scarlett Johansson.

- But have you read the manga?
- No.

In my opinion, you are very much like her.

And you are much more beautiful.

[in the background "Tomorrow's gone"
by Charlie Megira]

Okay, okay...

I'm going to pay
because I have to go, I have to study, okay?

Okay.

Well, guys, I don't know.

I mean, let's get
a lot of machetes in the meantime.

Okay,
everyone does it with a machete.

- We need to find a place that's a hit.
- Mmh.

I know some cool abandoned places.

- If we want...
- No, not abandoned places.

Too much nuclear power.

[in the background "Tomorrow's gone"
by Charlie Megira]

Let's go to the dead whale
in Nettuno.

What are you saying?

I'll show you the article,
I took the screenshot.

Here.

- Are you stoned?
- Why? It's a f*cking whale, please!

Oh, everybody loves whales,
it's like a kitten.

Do you want to make a video?
near a dead kitten?

- He's kind of right, eh.
- Huh.

Mmm.

But if... we ask Jun
and we go around the restaurant?

Machete on kaiten is a thing!

So, so, yo, do!

[in the background "Tomorrow's gone"
by Charlie Megira]

Come on, change your clothes, we're leaving.

I promised Uncle Vito
that I finished cleaning the entire line.

Ok, I'll give you a hand,
let's do it first.

No, don't worry,
I'll finish alone, you go.

- Sure?
- Yes.

- Okay, set the alarm before you go out.
- Okay.

- Bye.
- Bye.

Hi, Nicola.

Bye, good evening, see you tomorrow.

When I go to college,

Every time I have a work interview
I'll go out with a boy,

they will be able to find my children,
even when I'm dead.

- Hey.
- My a*s somewhere.

[in the background "Tomorrow's gone"
by Charlie Megira]

Where are you taking me?

Wherever you want.

If you like, eh.

Yes, yes.

Come on, let's go to pub street.

All right.

- At the restaurant?
- Huh.

- Are you an idiot?
- Look, we're paying you, eh.

Sure, I'm still waiting for
the money for the party damage.

What damage? Come on, we broke
that pizza oven you don't even use!

Just forget about it.

- Okay, I'm going to take a bidet.
- It was about time.

[in the background "Tomorrow's gone"
by Charlie Megira]

Hi.

What's up?

Life sucks.

Oh well, it sucks.

Mmm.

- How do you do it?
- Eh, how do I do it?

Alcohol, drugs...

And you never give up.

Mmm.

But I don't drink or take drugs.

Oh, or else sh**t the video
at my high school Halloween party!

There's going to be a real mess!

You see, huh? "You don't give up"?

- Never.
- "Never", good girl.

- What party?
- Mind your own business!

It's open!

But where are you?

Promise me you won't laugh.

Yes.

- Promise!
- Yes, come on, I'll start in 20 minutes.

Do I look a little more like the photos like this?

- You promised me!
- I get it, you made me laugh!

Mmm.

- How does it work?
- I'll show you.

Give me your phone.

- No.
- Come on!

- Come on, trust me!
- Come on, I'll unlock it for you.

Try.

But I don't remember anything!
I need a score.

Tell me a piece.

["Beginning of life" in the background
by Emmanuel Geoffroy]

It's not nice what you did
to your brother, you know?

I didn't mean to hurt him.

Alright.

Let me play his part
until he takes off the brace, come on.

- Ready?
- Yes.

[they play "The Master and the Student"
by Franz Joseph Haydn]

No,
I can't read the notes anymore.

Okay, now you practice, come on,
I'll leave it to you anyway.

Oh, f*ck...

I have to go, Andre.

- Why do you work the evening shift?
- They pay more.

Oh well, go on, I have to remove my makeup anyway.

So... I'm going.

Bye.

- What is it?
- Nothing.

Bye.

Bye.

[in the background "You talk so much"
by Steve Stout]

[in the background "You talk so much"
by Steve Stout]

- Hey!
- Hi!

How nice that you came down!

- How is it going?
- Fine you?

- Well.
- Do you want to come study with us later?

- Yes, where?
- With Jun.

Why don't we go to the bar instead?

- Okay, we can ask him.
- There is...

Mmm.
- Go.

The assignment?

- Excuse me.
- It went like sh*t.

I didn't know anything.

- Hey, hello.
- Am I bothering you?

- No, there's a break, don't worry.
- Perfect.

Listen, I just wanted to let you know that after 24 hours

you are already one of the most viewed content
of the month.

We are getting some great feedback.

- Yes, me too, I didn't expect it.
- I'm very happy.

By the way, we're having an event on Friday
for the Rome Film Festival.

It's a bit last minute, I know,
but we would really love it if you were there.

Cool, but... just in case
can I tell some friends?

Sure! Tell whoever you want.

[in the background "You talk so much"
by Steve Stout]

- Wow, what a kick she gave you, oh!
- Come on.

- Oh, no! Have you already done the dirty work?
- Not yet.

What a goalscorer you're becoming,
Marco

- Always calmly, eh!
- Oh, five minutes!

- How's your calf?
- Ten days of rest.

Beautiful, boys!

This is how you learn to drink
before training.

Oh, now it's the alcohol's fault?
Not that you've been busting me for six hours?

I don't understand what you came to do.

I can train my arms.

Okay.

♪ You'll come back again ♪

I've been playing your
keyboard for two hours

let me hear it

no!
I'm still terrible

hard to be worse than yesterday

when are we seeing each other?

do you ever have a free house?

Friday is my grandmother's birthday

Friday is my grandmother's birthday
I can invent a fever

Okay

♪ Straight ahead and don't turn around ♪

♪ Straight ♪

♪ And don't turn around ♪

♪ And in the meantime ♪

♪ In the wind ♪

♪ I will tell you ♪

Mom.

Where do we keep the iron?

Why?

♪ About you ♪

- I have to iron something.
- Are you capable?

I found a tutorial on YouTube.

If it's not in the laundry,
look under the sink.

- Can it be ironed, even if it is synthetic?
- Yes.

If you want, I'll show it to you.

It is a very thin fabric.

Yes I know.

- How do you know?
- I know what you keep in the boxes.

- Since when?
- Since there are boxes, Andrea.

Why didn't you ever tell me anything?

There is nothing to say.

[in the background "Fractured K main mix"
by Tom McCarthy]

No?

No.

Like all boys,
you make very conformist choices

thinking you're transgressive.

You'll figure it out eventually.

Even your brother is ahead of you.

And he's a priest.

He needs to please everyone, I don't.

That's the real transgression.

f*ck you.

[in the background "Fractured K main mix"
by Tom McCarthy]

- How did it go today?
- So so.

And you?

- I messed up with Marco again.
- How?

I don't know.

Come on, tell me.

I don't know, it's just...

It's just that every now and then I feel like...

I'm no longer capable of doing my job.

Stop it!

- But you said it too!
- No.

I didn't say you're not capable,
I said you handled us badly.

Ah! And what's the difference?

Try to get a little less pissed off.

If I don't get pissed off,
nobody does anything.

- But that's not true.
- Do you want to try being a woman?

Coaching a men's team

with Marco's father
who goes to the president every year

to ask to replace me?

You go there because you are a woman or because you have
always focused on me and not on him?

Will you stop?

- I'm going now.
- Where?

- My business.
- Come on, where are you going?

I ask you why you bought
condoms with my card?

Are you serious?

I saw you hiding them,
when I came in!

[in the background "My heart goes boom"
of French Affair]

[in the background "My heart goes boom"
of French Affair]

- Hello, Nina!
- Hi.

- Please.
- Hi!

- Hi!
- How beautiful you are.

- Thank you.
- Thank you.

Hi.

I didn't know you were there too.

Surprise.

[in the background "My heart goes boom"
of French Affair]

Let me see.

- Amazing, huh?
- What can I say?

It's nothing to me,
but now you both call grandma, eh.

"Both"?

Marco also has a fever.

- Really?
- Already.

- Here we are, huh.
- I'll call you later.

[in the background "My heart goes boom"
of French Affair]

Bye.

Bye.

[in the background "My heart goes boom"
of French Affair]

hold on coming
there may be a problem

- Marco!
- Eh!

- You're not really sick.
- No, but you gave me a great idea

Are you going out?

I actually invited someone.

Oh, okay.

Did you invite anyone?

No, no, no.

Alright,
so help me choose what to wear.

- Now?
- When else?

[in the background "My heart goes boom"
of French Affair]

Good.

[in the background "My heart goes boom"
of French Affair]

- Thank you.
- Thank you!

Where are we going?

- Over there.
- Let's go in.

- Yes.
- Go.

- Hi, Carola!
- HI!

HI!

- HI.
- Hello, girls.

- How wonderful! You are beautiful.
- Thank you.

I'll steal her from you for a moment,
because I would like to introduce you to some people.

Yes, I'll be right here, eh.

- Go.
- Don't worry, we're going for a walk.

- Yes, did you see?
- Have you seen who's there?

- Oh mama!
- Who?

[in the background "My heart goes boom"
of French Affair]

["Addiction" in the background
by Alice Robber]

- Hello, Lorena!
- Hello, Baye Dame! Great!

I would like to introduce you to the director,
but I don't see him.

Ah, look who's there!

Boys,
May I introduce you to Carola Sperati?

- HI.
- HI.

- Nice to meet you, Lauro.
- Carola.

- Hi, nice to meet you, Giulia.
- Carola.

- Mauro.
- Pleasure.

Anyway I wanted to do it for you
many compliments for your interview.

- Beautiful.
- Thank you.

- Which interview?
- Like "what interview"?

I sent it to you yesterday!

Wait a second,
let me check for a second.

Anyway, I saw it too.

- Compliments.
- Thank you.

This charlatan
has 200 unread emails!

- I'll make up for it then.
- Yes, really!

Recovery.

Everyone should see it
at this moment.

- Oh!
- Hey, here I am, sorry.

Huh, what the f*ck is going on?

- Eh, unfortunately Marco is staying at home.
- Mmh.

- In the glassworks?
- No, I don't have the keys today.

- Okay.
- Come on, tell me where you are and I'll join you.

Maybe it's better
if we see each other another time.

Why?

It's Friday night, Andrea,
there's half a Latina around.

- I understand.
- We'll talk tomorrow, okay?

I'll go!

Thank you.

You don't want to talk to me
all evening?

That was the idea.

Even if I want to apologize?

About what?

Of being so twisted.

Mmh, "twisted."

please come save me

What is it?

Hold on a second, I have to go.

No, I swear,
the interview really struck me.

I mean, you're...

Alright,
aside, I think a lot of people tell you that.

But at first I didn't believe
that you were 16 years old.

Yes, I get told that often actually.

Think that sometimes
they mistake me for a fifteen year old.

- And how old are you?
- How old do you think?

- Fourteen.
- What do you mean "fourteen"?

Carol!

- Hi.
- Hi.

- Are you coming to dance? We're waiting for you.
- Yes, I'm coming.

Now.

- Um... Sorry, see you later, okay?
- Ok, bye.

Bye.

- Thank you! My goodness, what a burden!
- Why? He was super cute!

Oh yeah? I didn't even notice.

- Darling, stop thinking about Marco!
- I know.

["Too hard" in the background
by Ferguson, Lezama-Thompson, Parra]

Are you hungry?

["Too hard" in the background
by Ferguson, Lezama-Thompson, Parra]

Andre!

[from the "Clair de lune" headphones
by Claude Debussy]

Andre!

Listen, we're ordering
a pizza from Gustavo, if you want one...

Um... No thanks, I'm not hungry.

What are you doing?

Nothing...

- Listen, I have a gift for you.
- What?

Even if you gave me nothing in return.

Here's your legendary panther.

Thank you.

[from the "Clair de lune" headphones
by Claude Debussy]

What's up?

This is from Daniele.

You invited him here tonight.

After all the infamous things
that he did to me.

If you want, we can talk about it seriously.

We have nothing left
for you and me to talk about.

You're just talking bullshit anyway.

[in the background "Speed kills"
by Joe Henson and Alexis Smith]